CONSULTATIONS WITH PROFESSORS

Schedule consultations regarding entrance exams and enrollment in undergraduate, master's, and doctoral studies and visit the Belgrade Dance Institute.

Appointments are organized every weekday from 9:00 a.m. to 5:00 p.m. by phone at +381 11 41 40 421 or by email at teodora.zivkovic@iui.rs.

KONSULTACIJE SA PROFESORIMA

Zakažite konsultacije povodom prijemnog ispita i upisa na osnovne, master i doktorske studije i posetite Institut za umetničku igru.

Zakazivanja se organizuju svakog radnog dana od 9.00 do 17.00 časova telefonom 011 41 40 421 Ili na mejl: teodora.zivkovic@iui.rs 

DEFENSE OF MASTER THESIS BY IVANA LJUJIĆ

Today, March 22nd 2023, in Belgrade, Ivana Ljujić, a candidate for the title of Master of Drama and Audiovisual Arts - Artistic Dance, or a student of the Master's degree studies in Artistic Dance, defended her Master's thesis.

Respected colleague Ivana presented her work on the topic Application of Floor Work Technique and Improvisation Techniques in Teaching Contemporary Dance, publicly addressed the members of the committee appointed by the Scientific-Educational Council of the Faculty for evaluation and defense in accordance with Article 26 of the Faculty Statute, composed of:

• Prof. dr Snežana Arnautović Stjepanović, President of the Committee
• Prof. Aleksandar Ilić, Mentor 
• Doc. Katarina Bućić, Member

After her presentation, the respected colleague Ivana answered all the questions raised.

Respecting the above facts, the committee notes that on March 22nd, 2023, in Belgrade, respected colleague Ivana Ljujić successfully defended her Master's thesis on the topic Application of Floor Work Technique and Improvisation Techniques in Teaching Contemporary Dance with a grade of 10.

In accordance with the Law on Higher Education of the Republic of Serbia and the Faculty Statute, from this moment on, Ivana Ljujić has all the rights and obligations arising from the fact that she now holds a publicly recognized academic title:

Master of Drama and Audiovisual Arts - Artistic Dance.

CONGRATULATIONS!

ODBRANA MASTER RADA IVANE LJUJIĆ

Danas, 22.03.2023. u Beogradu, Ivana Ljujić, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupila odbrani svog Master rada. 

Uvažena koleginica Ivana je prikazala svoj rad na temu Primena floor work tehnike i tehnika improvizacije u nastavi savremene igre, izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

• Prof. dr Snežana Arnautović Stjepanović, Predsednik komisije
• Prof. Aleksandar Ilić, mentor
• Doc. Katarina Bućić, član

Nakon svog izlaganja uvažena koleginica Ivana je odgovorila na sva postavljena pitanja.

Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 22.03.2023. u Beogradu, uvažena koleginica, Ivana Ljujić, uspešno odbranila svoj Master rad na temu Primena floor work tehnike i tehnika improvizacije u nastavi savremene igre sa ocenom 10.

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ivana Ljujić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje

Master Dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!

COMPLETION OF SHOWCASE MEKI RITUALI (SOFT RITUALS)

On March 8th, the Showcase Meki Rituali (Soft Rituals) was officially completed at the Belgrade City Museum. We congratulate all students and professors, and thank the numerous audience who watched and supported the performances, choreographies, video works, photographs, and installations over the course of three days.

We especially thank the Belgrade City Museum.

PARTICIPATION OF PROF. DR MIOMIR PETROVIĆ IN SYMPOSIUM

Prof. dr Miomir Petrović, professor at the School of Engineering Management and the Belgrade Dance Institute, will participate in the Cooltour Symposium - Millennials and Cultural Heritage organized by the Archaeological Institute in Belgrade on March 29th, which is funded by the Erasmus+ program of the European Union.

The symposium will be held at the Archaeological Park Viminacium (Stari Kostolac). Miomir Petrović will conduct a workshop on COOLTOUR - storytelling and the development of visual representations, testing in applications. The aim of this workshop is to apply narrative and dramaturgical experiences in creating media content that promotes archaeology and historical tourism in digital media. The case study will be the para-historical novel Galerijeve vatre (Laguna, 2011) by Miomir Petrović, which talks about the Roman Emperor Galerius and his birthplace of Gamzigrad (Felix Romulijani).

THE SECOND NIGHT OF SHOWCASE MEKI RITUALI (SOFT RITUALS)

The second evening of the Showcase Meki Rituali (Soft Rituals) was held on Tuesday, March 7th at the Belgrade City Museum. The exhibition was opened by a performance by Una Balaž, a first-year student of the Master's degree in Artistic Dance.

The works of students from undergraduate, master's, and doctoral programs in the form of choreography, multimedia installations, video works, performances, and photographs created under the mentorship of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić can be viewed until March 8th.

Tonight, on the last evening of the presentations, March 8th, the show will be opened by a performance by dr Marina Bukvički entitled We Are Humans.

OPENING OF THE MEKI RITUALI (SOFT RITUALS) SHOWCASE

Last night at the Belgrade City Museum, the Meki Rituali (Soft Rituals) Showcase of the Belgrade Dance Institute was opened.

The audience and performers were greeted by Jelena Medaković, the director of the museum, Prof. dr Vladimir Tomašević, the dean, and Prof. dr Snežana Arnautović Stjepanović, the vice-dean of the Belgrade Dance Institute.

Works by undergraduate, master's and doctoral students in the form of choreography, multimedia installations, video works, performances, and photographs, created under the mentorship of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić, can be viewed until March 8th from 6:00 pm to 8:00 pm.

Photography by Belkisa Beka Abdulovic

SHOWCASE MEKI RITUALI (SOFT RITUALS)

The SHOWCASE of the Belgrade Dance Institute will be held at the Belgrade City Museum (Resavska 40B) from March 6th to 8th, from 6:00 pm to 8:00 pm.

This year's Showcase is held under the slogan Meki Rituali (Soft Rituals), and it will present works by undergraduate, master's, and doctoral students of the Institute, created under the guidance of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić. The works that will be presented are in the form of choreographies, multimedia installations, video works, performances, and photographs. An important part of this exhibition is the display of posters of the Institute's final performances since its founding in 2014.

The project is realized thanks to the support of the Belgrade City Museum, the Museum of Contemporary Art, the Cultural Center of Belgrade, DAH Theatre, the School of Engineering Management, Nela Antonović, and Isajlo Marić.

SOFTNESS AND PROVOCATIVENESS OF PERSONAL AND SOCIAL RITUALS

The common denominator of the works presented at this year's Showcase is the somewhat surprising and subtle quality of softness and tenderness, which is contrasted with the sharpness of questions raised about the meaning of creation within imposed limitations, whether resulting from societal or personal limitations.

The softness has determined the form of the works themselves, which are often changeable, where a performance spills over into a video, and a theatrical form transforms into a performance. A careful choreography of the video is initiated by the sound space, where the sound is transformed into an image.

In our contemporary moment, where we witness growing harshness, conflict, and often violence, the need to explore the space of newly established tenderness speaks to the power of art to create a counterbalance, to illuminate those aspects of our lives that will help us transform that darkness into new, driving energy. These works seem to have arisen from a contemplation of the meanings created by the interweaving of light and shadow. In this case, we can say that the shadow has produced the need for light, which is manifested in the exploration of softness and tenderness - of bodies, thoughts, actions.

The themes of the works range from the exploration of personal safe spaces that produce inner peace, feminine inner strength and body beauty, enjoyment of the softness of body shapes, which are sometimes bare and sometimes covered in glittering powder, the softness of baby skin accompanied by the rhythm of a heartbeat, exploration of emotions of security, happiness, joy, comfort, provoking a calming, meditative effect.

In contrast to this quality are personal and social rituals, which, in addition to producing feelings of softness and freedom, also evoke internal noise or claustrophobia, a sense of limitation and loss, as in the case of measures taken due to the pandemic or the difficult phenomenon of baby theft.

The works intertwine personal and social, offering us a new, different perspective on the time in which we live.

Prof. Dijana Milošević

Admission to the museum is free for all three days.

Welcome!

CHOREOGRAPHER ALEKSANDAR ILIĆ VISITS PODGORICA

Famous Serbian and regional choreographer and ballet artist Aleksandar Ilić is currently visiting Podgorica at the invitation of Isidora Damjanović, the director of the Montenegrin Music Centre, as part of planning new artistic projects and preparing for a new dance premiere titled Mediterranean (Echoes of the Past), which is being prepared by the well-known Macedonian choreographer Sasha Evtimova and is expected to premiere at the Budva Festival in early June of this year. The performance will feature five ballerinas dancing to the music of Guitar DUO Srdjan Bulatović and Darko Nikčević.

According to Ilić, the Montenegrin ballet ensemble, whose control has been entrusted to the most professional personnel by Director Damjanović, is continuing its work following the highly successful premiere of the dance performance Tre Sorelle last May as the first dance project of the MCCG on the main stage of this institution.

In addition to the ongoing work of the ballet ensemble, Aleksandar Ilić, the current director of the Belgrade Cultural Centre, announces other levels of collaboration between these two important institutions. In April and May, the public can expect a series of seven chamber music concerts that will first be held at the Montenegrin Music Centre in Podgorica and then at the Belgrade Cultural Centre. The first concert at the Belgrade Cultural Centre is scheduled for April 26th, featuring the piano quintet of the Montenegrin Symphony Orchestra (Vujadin Krivokapić, violin, Bojan Martinović, piano, Miša Berkut, viola, Ana Zakrejšek, cello, Zoran Zakrejšek, double bass).

More about choreographer Aleksandar Ilić's visit can be found in the morning program Good Morning Montenegro on the Montenegrin Radio Television.

Attached are the press release, photo, and video of the visit on RTCG; https://fb.watch/iWYwCKOP3H/

STATEHOOD DAY OF THE REPUBLIC OF SERBIA 2023.

We inform all professors, assistants, associates, and students that the School of Engineering Management and the Belgrade Dance Institute will not be open on February 15th, 16th, and 17th for the national holiday of Serbia's Statehood Day. The first working day will be on Monday, February 20th, 2023.

Historian Nataša Kostić traditionally reminds us of the significance of this holiday:

By the Law on State Holidays of the Republic of Serbia, February 15th is marked in memory of two historical events. The first event was the beginning of the Serbian Revolution and the First Serbian Uprising (1804), and the second event was the adoption of the First Serbian Constitution, known as Sretenje Constitution (1835).

On that day (1804), in the late afternoon in Marićevića gorge near Orašac, the national elders gathered and decided to call upon the people to rise up and chose Đorđe Petrović as the leader. This marked the beginning of the Serbian people's fight for freedom from Ottoman rule.

Twenty-one years later, the First Serbian Constitution was adopted (1835). At that time, while creating a free Serbian state by force of arms, the Serbian peasants decided to destroy the feudal order. Serbia was a land of peasants at that time, but the Serbian peasants accepted the ideas of the modern age and fought for them. The spirit of freedom of the Serbian peasants forced Serbian Prince Miloš Obrenović to open the constitutional issue. The great powers of the time, which still influenced the non-independent Serbia (Russia, Austria, and the Ottoman Empire), did not allow the Constitution to take root in the Serbs, so they forced Prince Miloš to abolish it a month after its adoption. Three years later, the Serbs received the Turkish (hatišerif) Constitution.

THE BELGRADE DANCE INSTITUTE CELEBRATED ITS PATRON DAY - THE HOLLY THREE HIERARCHS 2023

The Belgrade Dance Institute celebrated its patron saint's day - The Holy Three Hierarchs - on February 12th at 11 am in the Crypt of the St. Sava Temple.

The Feast of Three Hierarchs is dedicated to three saints and the greatest enlighteners and teachers in the history of Christianity: Basil the Great, Gregory the Theologian, and John Chrysostom. Although each of them has their own day of celebration in January, in the 11th century, during the reign of Emperor Alexios Komnenos, their joint celebration day was established. With their lives, work, and teachings, these three saints have marked not only the time in which they lived, but also Christianity itself. The immediate reason for the establishment of their joint feast day was due to disputes among the people about which of these three saints was greater. Some extolled Basil for his purity and courage, others Gregory for his incomparable depth and high intellect in theology, and the third, Chrysostom for his miraculous eloquence and clarity in the presentation of the faith. Because of their claims, they were known among the people as basilian, gregorian, and johnite. However, by God's providence, this dispute was resolved for the benefit of the Church and for even greater glory to the three saints.

THE BELGRADE DANCE INSTITUTE'S PATRON DAY– THE HOLY THREE HIERARCHS 2023

The Belgrade Dance Institute will celebrate its patron saint's day - The Holy Three Hierarchs - on February 12th at 11 am in the Crypt of the St. Sava Temple.

The Feast of Three Hierarchs is dedicated to three saints and the greatest enlighteners and teachers in the history of Christianity: Basil the Great, Gregory the Theologian, and John Chrysostom. Although each of them has their own day of celebration in January, in the 11th century, during the reign of Emperor Alexios Komnenos, their joint celebration day was established. With their lives, work, and teachings, these three saints have marked not only the time in which they lived, but also Christianity itself. The immediate reason for the establishment of their joint feast day was due to disputes among the people about which of these three saints was greater. Some extolled Basil for his purity and courage, others Gregory for his incomparable depth and high intellect in theology, and the third, Chrysostom for his miraculous eloquence and clarity in the presentation of the faith. Because of their claims, they were known among the people as basilian, gregorian, and johnite. However, by God's providence, this dispute was resolved for the benefit of the Church and for even greater glory to the three saints.

GALA CONCERT HELD AT VUK THEATER

The premiere of the Gala Concert performed by students of the Belgrade Dance Institute and members of the Youth Ballet Company received a standing ovation from the audience tonight. Visitors had the opportunity to watch exceptional performances of the most famous parts of ballet. As the authors and selectors of the program, Milica Bezmarević, Mila Stijak, and Ana Spremić announced, the audience had the opportunity to see variations and parts of the ballets such as The Humpbacked Horse, Pharaoh's Daughter, Flame of Paris, Esmeralda, and Le Corsaire performed for the first time on the stage of the Vuk Theater in Serbia.

The audience gave a special round of applause to future hopes of Serbian ballet Anastasija Vujnović, Una Stepanović, Tijana Drndarević, and Gabriela Stojančić, who performed demanding ballet feats at a high technical level.

Over thirty members of the Youth Ballet Company, who are regular students of the elementary and high ballet school, as well as students of all years of the Belgrade Dance Institute, performed the Gala Concert program: Simić Danijela, Stepanović Una, Horvat Nina, Đokić Jelena, Milovanov Sonja, Sekulić Vladimir, Tirić Lazar, Stanić Senja, Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes, and Stojančić Gabriela.

Due to the high interest of the audience, the Gala Concert program will be performed again in March, and the audience will be informed of the new performance date.

BEST MUSIC FILM AWARD - DRVEĆE PLEŠE (DANCING TREES)

The short film Drveće Pleše (Dancing Trees), about the performance realized by DAH Theatre in collaboration with the Belgrade Dance Institute, has won the award for Best Music Video at the Bacalar International Film Festival, Seven Colors of the Lagoon, in Bacalar, Mexico.

CONGRATULATIONS!

GALA CONCERT OF YOUTH BALLET

On the stage of Theater Vuk, on Sunday, January 29th, starting at 8 pm, the Youth Ballet will perform the traditional Gala Concert of members of this company. Within the program designed and prepared by the professors of the Belgrade Dance Institute, Milica Bezmarević and Doc. Mila Stijak, with the help of the company's piano accompanist, Prof. Ana Spremić, the audience will have the opportunity to see excerpts from some of the most famous classical ballets, rarely or for the first time performed in our country.

The program includes variations and excerpts from ballets such as: Pharaoh's Daughter by Cesar Pugni, Le Corsaire by Adolphe Adam, Don Quixote by Ludwig Minkus, The Humpbacked Horse by Rodion Shchedrin, Esmeralda by Cesar Pugni, Swan Lake by Pyotr Ilyich Tchaikovsky, and other gems of classical ballet.

Over thirty members of the Youth Ballet company will participate in the Gala Concert, who are regular students of elementary and high ballet schools, as well as students of all years of the Belgrade Dance Institute: Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes and Stojančić Gabriela.

The Youth Ballet Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting students of elementary and high schools in Belgrade and Serbia. The company is led by the first soloist of the ballet of the National Theater, Milica Bezmarević, Mila Stijak, and Ana Spremić, professors of the Belgrade Dance Institute in collaboration with guest pedagogues of that institution.

Tickets for the Gala Concert can be purchased for 1000 RSD at the box office of Theater Vuk.

MASTERCLASS ON CHOREOGRAPHY AND METHODOLOGY OF FOLK DANCE

The Belgrade Dance Institute in Belgrade will organize a masterclass on choreography and methodology of folk dance on Saturday, February 11th, 2023, from 10:00 am to 6:00 pm at the Belgrade Dance Institute, Bulevar vojvode Mišića 43 in Belgrade.

The masterclass will be led by Prof. dr Anton Andonov from the Academy of Music, Dance, and Fine Arts (AMTII) in Plovdiv, Bulgaria, Prof. dr Vesna Bajić Stojiljković, Velimir Agovski, and Boban Kostić from the Belgrade Dance Institute in Belgrade.

The masterclass will cover lectures and practical work in choreographic composition and direction, spatial composition, processing of dance patterns, and methodology of learning folk dances.

The masterclass is intended for students of middle ballet school - folk dance direction, professional dancers, dancers in cultural and artistic societies, choreographers of folk dances, and teachers who lead folklore sections in elementary schools.

To apply for the masterclass, send an email to institut.snim@gmail.com.

The application should contain:

• Name and surname
• Date of birth
• Name of the school the student attends or the institution/association where the dancer or leader is engaged (not mandatory)
• Phone number

In the application, indicate the Masterclass on choreography and methodology of folk dance.

The price of the Masterclass is 2000 RSD and is paid through the attached payment slip by Friday, February 10th, 2023. For students and members of the Academic Folk Ensemble, the masterclass is free. Free parking is available for masterclass participants in front of the Institute building.

For more information, call (+381) 65 4470 170 on weekdays from 9:00 am to 5:00 pm.

CHINA STAGE 2023

Dean Prof. Dr. Vladimir Tomašević hosted today the director of the China Stage 2023 project, based in Shanghai, Wanzhe Zhang, and Dejan Sinadinović in the presence of Prof. dr Ilija Životić.

In the field of performing arts, the China Stage 2023 project will establish cooperation between China and Serbia this year through the exchange of artists, professors, and artistic projects, with the support of institutions from Shanghai, Belgrade, and Novi Sad.

CHINA STAGE 2023

On the invitation of H.E. Ambassador Kun Fan of the People's Republic of China in Podgorica, Professor Aleksandar Ilić attended a meeting today with representatives of the embassy, Michael Zhao, Jianguo Zheng, and Wanzhe Zhang, director of the China Stage 2023 project.

The China Stage 2023 project aims to promote collaboration and exchange between artists from the People's Republic of China, Montenegro, and Serbia in the next two years, through various programs in the fields of classical music, artistic dance, and folk dance on stage.

DEFENSE OF THE DOCTORAL THESIS BY MARINA BUKVIČKI

On Tuesday, December 27th, 2022, at the Belgrade Dance Institute, doctoral candidate Marina Bukvički successfully defended her doctoral dissertation titled Ja lutka - I a doll; biographical material as a template for creating a multimedia project. The mentor of this dissertation was Prof. dr Snežana Arnautović-Stjepanović. The defense was conducted before a committee consisting of:

• Prof. dr Miomir Petrović;
• Prof. Aleksandar Ilić;
• Prof. Dijana Milošević from the Belgrade Dance Institute;
• Prof. Emeritus Vida Ognjenović from the Faculty of Contemporary Arts in Belgrade;
• Prof. dr Vera Obradović from the Faculty of Arts at the University of Priština.

Marina Bukvički's artistic-theoretical research is conducted within the framework of contemporary performing arts, performance, and multimedia art. The author uses the biographical material of Mileva Marić and Albert Einstein as a starting point for her work, aiming to prove that using different multimedia tools can create a stronger emotional experience for the viewer than using only theater or film narratives. The project's idea was to find a method, the right mechanism for a classical school actor to take on a role based on biographical (documentary) material and implement it into multimedia content using performance, video art, movement, film, and theater, or their elements.

PROFESSORS FROM THE INSTITUTE AT THE MUSEUM OF YUGOSLAVIA

Minister of Culture Maja Gojković, Vice Dean for Teaching Prof. dr Snežana Arnautović Stjepanović and Prof. Aleksandar Ilić, from the Belgrade Dance Institute, attended a New Year's celebration at the Museum of Yugoslavia.

DEFENSE OF GRADUATE THESIS BY JOVANA IKONIĆ

Today, on December 22nd, 2022, in Belgrade, Jovana Ikonić, a candidate for the title of Drama and Audiovisual Artist – Artistic Dance, or a student of the Undergraduate Studies at the Belgrade Dance Institute, defended her graduate thesis.

Respected colleague Jovana presented her work on the topic RE - MEMBERING 1:11 and publicly presented it to the members of the commission formed by the Scientific and Educational Council of the Faculty for Evaluation and Defense in accordance with Article 26 of the Faculty Statute, composed of:

• Prof. Aleksandar Ilić, President of the Commission
• Prof. dr Snežana Arnautović Stjepanović, mentor
• Prof. Dijana Milošević, member

After her presentation, respected colleague Jovana answered all the questions posed to her.

Based on the above facts, the commission concludes that on December 22nd, 2022, in Belgrade, respected colleague Jovana Ikonić successfully defended her graduate thesis on the topic RE - MEMBERING 1:11 with a grade of 10.

In accordance with the Law on Higher Education of the Republic of Serbia, Article 95, and the University Statute, from this moment on, Jovana Ikonić has all the rights and obligations arising from the fact that she now has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

PAUL SCHRADER AMERICAN DIRECTOR

Professor of Engineering Management and Belgrade Dance Institute, dr Miomir Petrović will participate in a panel discussion Christianity and Film on December 22nd at 7 pm, presenting the works of his favorite filmmaker Paul Schrader (Cat People, American Gigolo, Light Sleeper, First Reformed...).

The panel discussion will be held at the Svetozar Marković University Library, Bulevar Kralja Aleksandra 71.

Admission is free.

The discussion will be moderated by dr Vladimir Kolarić, a film and art theorist.

ZAVRŠEN SHOWCASE MEKI RITUALI

U Muzeju grada Beograda 8. marta je svečano završen SHOWCASE MEKI RITUALI.
Čestitamo svim studentima i profesorima, a zahvaljujemo se brojnoj publici koja je tokom tri dana pogledala i podržala performanse, koreografije, video radove, fotografije i instalacije.

Specijalno se zahvaljujemo Muzeju Grada Beograda.

UČEŠĆE PROF. DR MIOMIRA PETROVIĆA NA SIMPOZIJUMU

Prof. Dr Miomir Petrović, profesor Fakulteta za inženjerski menadžment i Instituta za umetničku igru učestvovaće 29. marta na simpozijumu Cooltour – milenijalci i kulturna baština u organizaciji Arheološkog instituta u Beogradu a koji finasira Erazmus+ program Evropske unije.

Simpozijum će se održati u Arheološkom parku Viminacijum (Stari Kostolac). Miomir Petrović će održati radionicu COOLTOUR – storytelling i razvoj vizuelnih prikaza, testiranja u aplikaciji. Cilj ove radionice je primena pripovedačkih, narativnih i dramaturških iskustava u kreiranju medijskih sadržaja koji treba da popularišu arheologiju i istorijski turizam u digitalnim medijima. Studija slučaja biće paraistorijski roman Miomira Petrovića Galerijeve vatre (Laguna, 2011) koji govori o rimskom imperatoru Galeriju i njegovom rodnom Gamzigradu (Felix Romulijani).

OTVARANJE SHOWCASE MEKI RITUALI

U Muzeju grada Beograda sinoć su otvoreni MEKI RITUALI Showcase Instituta za umetničku igru.

Publiku i izvodjače su pozdravili Jelena Medaković, direktorka muzeja, Prof. dr Vladimir Tomašević, dekan i Prof. dr Snežana Arnautović Stjepanović, prodekanka Instituta za umetničku igru.

Radove studenata osnovnih, master i doktorskih studija u formi koreografija, višemedijskih instalacija, video radova, performansa i fotografija a koji si nastali pod mentorstvom Prof. Dijane Milošević, Prof. dr Snežane Arnautović Stjepanović, Ognjena Vučinića i Doc. Katarine Bućić možete pogledati do 8. marta u periodu od 18.00 časova do 20.00 časova.

Fotografija - Belkisa Beka Abdulovic

SHOWCASE MEKI RITUALI

KOREOGRAF ALEKSANDAR ILIĆ U POSETI U PODGORICI

Poznati srpski i regionalni koreograf i baletski umetnik Aleksandar Ilić, na poziv Isidore Damjanović direktorke Muzičkog centra Crne Crne trenutno boravi u Podgorici u okviru planiranja novih umetničkih projekata i pripreme nove plesne premijere pod radnim naslovom Mediteran (Odjeci prošlosti) koju sa baletskim ansamblom priprema poznata makedonska koreografkinja Sasha Evtimova, a čija premijera se očekuje na Festivalu u Budvi početkom juna ove godine. U predstavi igraju pet balerina na muziku Guitar DUO Srdjana Bulatovića i Darka Nikčevića.

Nakon premijere izuzetno uspešne plesne predstave Tre Sorelle, izvedene u maju prošle godine kao prvog plesnog projekta MCCG na Velikoj sceni ove institucije, rad Crnogorskog baletskog ansambla nastavlja svoje delovanje, kako navodi Ilić.

Pored koninuiranog rada baletskog ansambla, za čiju kontrolu je direktorka Damjanović angažovala najstručnije kadrove, Aleksandar Ilić aktuelni direktor Kulturnog centra Beograda najavljuje i druge nivoe saradnje ove dve značajne institucije. Tokom aprila i maja publiku očekuje ciklus od sedam koncerata kamerne muzike koji će se prvo održati u Muzičkom centru Crne Gore u Podgorici, a potom u Kulturnom centru Beograda. Prvi koncert u Kultutnom centru Beograda planiran je 26. aprila u izvođenju klavirskog kvinteta Crnogosrkog simfonijskog orkestra (Vujadin Krivokapić, violina, Bojan Martinović, klavir, Miša Berkut, viola, Ana Zakrejšek, violončelo, Zoran Zakrejšek, kontrabas).

Više o gostovanju koreografa Aleksandra Ilića pogledajte u emisiji jutarnjeg programa Dobro Jutro Crna Goro Radio televizije Crne Gore.

U prilogu saopštenje, fotografija i video gostovanja na RTCG; https://fb.watch/iWYwCKOP3H/

DAN DRŽAVNOSTI REPUBLIKE SRBIJE 2023.

Obaveštavamo sve profesore, asistente, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi 15, 16. i 17. februara povodom državnog praznika Dana državnosti Republike Srbije. Prvi radni dan je ponedeljak, 20. 2. 2023.

Istoričar Nataša Kostić nas tradicionalno podseća na značaj ovog praznika:

Zakonom o Državnim praznicima republike Srbije, 15. februar se obeležava u znak sećanja na dva istorijska događaja. Prvim događajem, kada je počela srpska revolucija i Prvi srpski ustanak (1804), drugim (1835), kada je donet Prvi srpski Ustav, poznat kao Sretenjski.

Tog dana (1804), u kasno posle podne u Marićevića jaruzi pored Orašca, okupile su se narodne starešine i odlučile da pozovu narod na ustanak i izabrale Đorđa Petrovića za vožda. Tada je počela borba srpskog naroda za slobodu od Osmanske vlasti.

Dvadeset i jednu godinu kasnije donet je Prvi srpski Ustav (1835). U to vreme, stvarajući oružjem samostalnu srpsku državu, srpski seljak je odlučio da uništi i feudalni poredak. Srbija u to doba je bila zemlja seljaka, ali taj srpski seljak je prihvatio ideje modernog doba i za to se borio i izborio. Slobodarski duh srpskog seljaka, primorao je srpskog kneza Mioša Obrenovića, da otvori ustavno pitanje. Velike sile u to vreme, koje su još uvek uticale na nesamostalnu Srbiju (Rusija, Austrija i Osmansko carstvo) nisu dozvolile da taj Ustav zaživi u Srba, pa su kneza Miloša primorale, da nakon mesec dana od njegovog usvajanja, ukine. Tri godine nakon toga Srbi dobijaju, Turski (hatišerif) Ustav.

KRSNA SLAVA FAKULTETA - SVETA TRI JERARHA - 2023.

Institut za umetničku igru obeležio je krsnu slavu – Sveta tri jerarha, 12. februara, s početkom u 11 časova, u Kripti Hrama Svetog Save.

Praznik Tri jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.

KRSNA SLAVA FAKULTETA - SVETA TRI JERARHA - 2023.

Institut za umetničku igru obeleži će krsnu slavu – Sveta tri jerarha, 12. februara, s početkom u 11 časova, u Kripti Hrama Svetog Save.

Praznik Tri jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.

ODRŽAN GALA KONCERT U VUKU

Dugim aplauzom publika je večeras oduševljeno nagradila premijeru Gala koncerta u izvođenju studenata Instituta za umetničku igru i članova kompanije Balet mladih. Posetioci su imali priliku da pogledaju izuzetna izvođenja najpoznatijih delova baleta. Kako su autorke i najavile, koje su i osmilile i pripremile odabir programa, Milica Bezmarević, Mila Stijak i Ane Spremić, publika je imala priliku na sceni Teatra Vuk po prvi put kod nas da pogleda izvođenja varijacija i delova baleta Konjić Grbonjić, Faraonova kći, Plamen Pariza, Esmeralda i Korsar.

Publika je posebnim aplauzom podržala već buduće nade srpskog baleta Anastasiju Vujnović, Unu Stepanović, Tijanu Drndarević i Gabrielu Stojančić, koje su na visokom tehničkom nivou izvele zahtevne baletske bravure.

Program Gala koncerta izvelo je preko trideset članova kompanije Balet mladih koji su redovni učenici osnovne i srednje baletske škole kao i studenti svih godina Instituta za umetničku igru: Simić Danijela, Stepanović Una, Horvat Nina, Đokić Jelena, Milovanov Sonja, Sekulić Vladimir, Tirić Lazar, Stanić Senja, Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes i Stojančić Gabriela.

Zbog velikog interesovanja publike, program Gala koncerta biće reprizno izveden u martu, a publika će biti obaveštena o novom terminu igranja predstave.

Fotografija Jovana Grujić

NAGRADA ZA NAJBOLJI MUZIČKI FILM - DRVEĆE PLEŠE

Kratki film Drveće pleše o predstavi koju je DAH Teatar realizovao u saradnji sa Intitutom za umetničku igru, osvojio je nagradu za najbolji muzički video na Međunarodnom filmskom festivalu u Bakalaru, Meksiko, - Bacalar International Film Festival, Sedam boja lagune.

ČESTITAMO!

GALA KONCERT BALETA MLADIH

MASTERKLAS O KOREOGRAFIJI I METODICI NARODNE IGRE

Institut za umetničku igru iz Beograda organizovaće Masterklas o koreografiji i metodici narodne igre u subotu, 11. februara 2023. godine, u trajanju od 10:00 do 18:00 časova na Institutu za umetničku igru, Bulevar vojvode Mišića 43 u Beogradu.

Masterklas će voditi prof. dr Anton Andonov sa Akademije muzičke, plesne i likovne umetnosti (AMTII) iz Plovdiva u Bugarskoj, prof. dr Vesna Bajić Stojiljković, Velimir Agovski i Boban Kostić sa Instituta za umetničku igru u Beogradu.

Masterklas će obuhvatiti predavanja i praktičan rad iz koreografske kompozicije i režije, prostorne kompozicije, obradu igračkih obrazaca i metodiku učenja narodnih igara.

Masterklas je namenjen učenicima srednje baletske škole – smer narodna igra, profesionalnim igračima, igračima u kulturno-umetničkim društvima, koreografima narodnih igara i učiteljima koji vode folklorne sekcije u osnovnim školama.

Prijavu na Masterklas poslati mejlom na institut.snim@gmail.com.

Prijava treba da sadrži:

• ime i prezime
• datum rođenja
• škola koju pohađa učenik ili ustanova/udruženje u kojoj je igrač ili rukovodilac angažovan (nije neophodno)
• broj telefona

U prijavi naznačiti Masterklas o koreografiji i metodici narodne igre.

Cena Masterklasa je 2000 dinara i uplaćuje se prema priloženoj uplatnici do petka, 10.2.2023. Za studente i članove Akademskog folklornog ansambla je masterklas besplatan. Učesnicima masterklasa je na raspolaganju besplatan parking ispred zgrade Instituta.

Za više informacija pozovite (+381) 65 4470 170 svakog radnog dana od 9.00 do 17.00 časova.

CHINA STAGE 2023.

Dekan Prof. dr Vladimir Tomašević danas je ugostio direktora projekta China Stage 2023. sa sedištem u Šangaju, Wanzhe Zhang i Dejana Sinadinovića u prisustvu Prof. dr Ilije Životića.

Projekat China Stage 2023. u tekućoj godini u polju izvodjačkih umetnosti uspostaviće saradnju NR Kine i Srbije, kroz razmenu umetnika, profesora i umetničkih projekata, uz podršku institucija iz Šangaja, Beograda i Novog Sada.

CHINA STAGE 2023.

Prof. Aleksandar Ilić na poziv Nj.E. Ambasadora Kun Fan NR Kine u Podgorici, danas je prisustvovao sastanku uz predstavnike ambasade Michael Zhao, Jianguo Zheng direktora projekta China Stage 2023. i Wanzhe Zhang.

Projekat China Stage 2023. organizovaće saradnju i razmenu umetnika NR Kine, Crne Gore i Srbije u naredne dve godine, kroz različite programe u polju klasične muzike, umetničke igre i scenske narodne igre.

U utorak, 27. decembra 2022. godine na Institutu za umetničku igru doktorand marina Bukvički uspešno je odbranila svoj doktorski rad pod nazivom „Ja lutka – I a doll; biografski materijal kao predložak za stvaranje multimedijalnog projekta”.
Mentor ovog rada bila je prof. dr. Snežana Arnautović-Stjepanović. Odbrana je provedena pred komisijom u sastavu:

prof. dr Miomir Petrović;

prof. Aleksandar Ilić;

prof. Dijana Milošević sa Instituta za umetničku igru;

prof. emeritus Vida Ognjenović sa Fakulteta savremenih umetnosti u
Beogradu;

prof. dr Vera Obradović sa Fakulteta umetnosti Univerziteta u
Prištini.

Umetničko-teorijsko istraživanje Marine Bukvički se odvija u okviru savremenih izvođačkih umetnosti, performansa i višemedijske umetnosti a autorka kao polazište za rad koristi biografsku građu Mileve Marić i Alberta Ajnštajna u želji da dokaže da je upotrebom različitih multimedijalnih alata moguće kod gledaoca stvoriti snažniji emocionalni doživljaj nego ukoliko se koristi isključivo pozorišni ili filmski narativi. Ideja projekta je bila da se pronađe metod, pravi mehanizam kojim bi glumac klasične škole glume mogao da dođe do uloge zasnovane na biografskoj (dokumentarnoj) građi i implementira je u višemedijski sadržaj koristeći se performansom, video artom, pokretom, filmom i pozorištem, odnosno njihovim elementima.

PROFESORI INSTITUTA U MUZEJU JUGOSLAVIJE

Ministarka kulture Maja Gojković, prodekan za nastavu Prof. dr Snežana Arnautović Stjepanović i Prof. Aleksandar Ilić, sa Instituta za umetničku igru, prisustvovali su novogodišnjoj proslavi u Muzeju Jugoslavije.

ODBRANA ZAVRŠNOG RADA JOVANE IKONIĆ

Danas, 22.12.2022. godine u Beogradu, Jovana Ikonić, kandidatkinja za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno studentkinja Osnovnih akademskih studija Instituta za umetničku igru je pristupila odbrani svog Završnog rada. 

Uvažena koleginica Jovana je prikazala svoj rad na temu RE - MEMBERING 1:11, i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. Aleksandar Ilić, Predsednik komisije
2. Prof. dr Snežana Arnautović Stjepanović, mentor
3. Prof. Dijana Milošević, član

Nakon svog izlaganja uvažena koleginica Jovana je odgovorila na sva postavljena pitanja.

Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 22.12.2022. godine u Beogradu, uvažena koleginica Jovana Ikonić, uspešno odbranila svoj Završni rad na temu RE - MEMBERING 1:11 sa ocenom 10.

Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, od ovog trenutka Jovana Ikonić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.

ČESTITAMO!!!!

The premiere of The Secret of the Golden Thread by Alisa Oravec, a student of the second year of doctoral studies in Artistic Dance and Performance at the Belgrade Dance Institute, will be performed on Wednesday, December 7th, 2022. In the hall of the MZ Vojlovica (Trg Vojvođanskih Brigada 5, Pančevo), starting at 7 p.m.

THE SECRET OF THE GOLDEN THREAD

The performance deals with the image of a woman from her primordial becoming, with all the feminine attributes that are woven into her. Her spiritual companions Suđaje bestow her with beauty, love and wealth, however, there is also her suffering and sorrow that should develop and strengthen the threads that only a woman can weave in her being as the most noble weaving. As she grows and matures from a girl into a woman, she is followed by the Suđaje with their gifts, which a woman should wisely and patiently nurture and protect from external attacks, which represent a great obstacle on the way to fulfilling her life's mission. 

We will symbolically name her Eve. It is the primordial female essence of the Universe, woven with love, beauty, wisdom, fidelity, honor...

But you don't get everything by birth, you have to fight for it. That's why she is always accompanied by the gifts of Fairies of suffering, who prepares life's burdens and pains for her. Not in order to break her down and wrap her in sadness, but to supernaturally strengthened her. A Slavic woman is the one who can reach the image of the Goddess, if she approaches every attack thoughtfully, opposes it wisely and without violence, if she puts her family before herself, if she has faith in love and perseveres until the last hope. 

The woman is a weaver. She was given as a gift by Mokoš, the protector of women, who taught her to weave the threads of fate and decorate them with noble love. A woman weaves a shirt for her husband. A woman cannot fully realize herself either as a mother or as a ruler of the Universe if she does not have a husband by her side whom she will love as a part of herself. The woman weaves golden marriage threads. It is the thread that binds the Wife and the Husband. Temptations that torment a woman give birth to caution and the possibility of a thoughtful solution and mastering of the situation, without rushing and surrendering to desires and urges. She does not surrender their kingdom, which is besieged and eaten by jealous robbers. She does not allow the place of her king to be taken by unworthy, jealous and envious usurpers. 

Unfortunately, at the end of it all, the modern age destroys, destroys and throws into oblivion that secret, the secret of the golden thread of a woman, but also of her man, and classifies it in myths and fairy tales, which almost no one deals with anymore and which no one and he doesn't pay attention.

Roles:

Eva - Alisa Oravec

Mala Eva - Ana Holok

Suđaja Ljubavi and Lepote - Jana Marek

Suđaja Bogatstva - Miona Pavlov

Suđaja Iskušenja and Patnje - Ana Lipij

Mokoš - Danijela Holok

Muž - Martin Marek

Sin - Martin Holok

Iskušenja - Dejan Kolarski, Dejan Uršičić, Miroslav Oravec

Light: Aleksa Stojanović

Sound: Philip Bisak

Costume: Tereza Weber Oravec

Makeup: Andrea Bisak

Name of the performance: Umetnik je odsutan!

The project was supported by: City of Pančevo, Ministry of Culture and Information, Belgrade Dance Institute

Premiere date: December 5th at 7:30 p.m

Place: Cultural Center Pančevo

Duration of the play: 1 hour

The world has changed. He changed all of us. We all went through the same thing during closures and lockdowns, exposed to restrictive measures, which affected both individuals and society. Darwin stated that the animal species that will survive is not the one that is the strongest, but the one that adapts the fastest. It's the same with people.

DDT - the creative center for movement had an interesting challenge this season - to combine contemporary dance, conceptual art and theater. The contemporary dance performance Umetnik je odsutan!, follows the daily lives of artists from different branches, from different parts of the world, during the lockdown. The action of the play is led by Nikola and Ena, young artists who, just a few days before the lockdown, invested everything in order to rent a studio apartment and start a life together, going through all the obstacles that a modern closed lifestyle brings.

How an artist can adapt to working from home, online - zoom classes, remote classes, disrupted existence and other challenges is the topic of our performance. Those problems are still present, because art is difficult to fit into an online frame. The contemporary dance expression, along with the numerous choreographic and directorial tools we used and the choice of comedy as a genre, makes it easy to understand the performance.
This performance is also an ironic review of conceptual art, which sells for big bucks in the world today. What should artists do who have been living and working in Serbia for decades, educating young dancers and artists in a domestic environment where, even without a pandemic, existence is impossible?

Choreography and directing: Katarina Stojković, Tijana Malek, Luka Stojković

Video editing: Katarina Stojković and Luka Stojković

Music: Danilo Stojković

Production: DDT-creative center for movement

POL ŠREDER AMERIČKI REDITELJ

Profesor Fakulteta za inženjerski menadžment i Instituta za umetničku igru, Dr Miomir Petrović učestvovaće 22. decembra u 19h na tribini Hrišćanstvo i film, predstavljajući dela svog omiljenog filmskog reditelja Pola Šredera (Ljudi mačke, Američki žigolo, Light Sleeper, First reformed...).

Tribina se organizuje u Univerzitetskoj biblioteci Svetozar Marković, Bulevar kralja Aleksandra 71.

Ulaz je slobodan.

Razgovor vodi dr Vladimir Kolarić, teoretičar filma i umetnosti.

PREMIJERA PREDSTAVE TAJNA ZLATNE NITI

Premijera predstave Tajna zlatne niti, Alise Oravec, studentkinje II godine doktorskih studija Umetnička igra i performans Instituta za umetničku igru, biće izvedena u sredu, 7.12.2022. U sali MZ Vojlovica (Trg Vojvođanskih Brigada 5, Pančevo), sa početkom u 19 časova.

TAJNA ZLATNE NITI

Predstava se bavi slikom žene od njenog iskonskog postanja, sa svim ženskim atributima koje su u nju utkane. Njene duhovne pratilje Suđaje je daruju lepotom, ljubavlju i bogatstvom, ipak, tu su i njena patnja i tuga koje treba da joj razvijaju i jačaju niti koje samo žena može da istka u svom biću kao najplemenitijem tkanju. Kako raste i zri iz devojčice u ženu, prate je Suđenice sa svojim darovima, koje žena treba mudro I strpljivo da neguje i sačuva od spoljašnjih napasti, koje joj predstavljaju veliku prepreku na putu izvršenja svoje životne misije.  

Simbolično ćemo joj nadenuti ime Eva. To je prvonastala ženska bit Univerzuma, istkana s ljubavlju, lepotom, mudrošću, vernošću, čašću… 

Ali to se ne dobija sve po rođenju, za sve se to treba i izboriti . Zato su joj uvek pratnja darovi Suđenice Patnje, koja joj sprema životne terete i boli.  Ne zato da bi je slomila i u tugu zavila već je natprirodno ojačala. Slovenska žena je ta koja može dosegnuti lik Božice, ako promišljeno pristupa prema svakoj napasti, mudro se, i bez nasilja suprotstavi, ako ispred sebe stavi svoju porodicu, ako ima veru u ljubav i istraje do poslednje nade. 

Žena je tkalja. Nju je darovala Mokoš, zaštitnica žena, koja ju je naučila da istka niti sudbine i ukrasi ih plemenitom ljubavlju. Žena tka košulju za svog muža. Ne može se žena u potpunosti ostvariti ni kao majka ni kao vladarica Univerzuma ako pored sebe nema muža koga će voleti kao deo sebe. Žena je tkalja zlatne bračne niti. To je nit koja spaja Ženu i Muža. Iskušenja koja muče ženu rađaju u njoj opreznost i mogućnost promišljenog rešavanja I savladavanja situacije, bez srljanja i predavanja željama i porivima. Ona ne predaje njihovo kraljevstvo koje opsedaju i izjedaju ljubomorni otimači. Ona ne dozvoljava da mesto svojega kralja zauzmu nedostojni, ljubomorni i zavidni otimači. 

Nažalost, na kraju svega, savremeno doba tu tajnu, tajnu zlatne niti žene, ali I njenog muškarca, kida, uništava i baca u zaborav, i svrstava je u mitove i bajke, kojima se skoro niko više ne bavi i na koje niko više i ne obraća pažnju.

Uloge:

Eva - Alisa Oravec

Mala Eva - Ana Holok

Suđaja Ljubavi i Lepote - Jana Marek

Suđaja Bogatstva - Miona Pavlov

Suđaja Iskušenja i Patnje - Ana Lipij

Mokoš - Danijela Holok

Muž - Martin Marek

Sin - Martin Holok

Iskušenja - Dejan Kolarski, Dejan Uršičić, Miroslav Oravec

Svetlo: Aleksa Stojanović

Zvuk: Filip Bisak

Kostim: Tereza Veber Oravec

Šminka: Andrea Bisak

PREMIJERA SAVREMENE PLESNE PREDSTAVE UMETNIK JE ODSUTAN!

Naziv predstave: Umetnik je odsutan!

Projekat podržali: Grad Pančevo, Ministarstvo kulture i informisanja, Institut za umetničku igru

Datum premijere: 5.decembar u 19.30h

Mesto: Kulturni Centar Pančeva

Trajanje predstave: 1 sat

Svet se promenio. Promenio se za sve nas. Svi smo prošli slično prilikom zatvaranja i lockdown-a, izloženi restriktivnim merama, koje su uticale, kako  na pojedinca, tako i  na društvo. Darvin je konstatovao, životinjska vrsta koja će opstati nije ona koja je najjača, već ona koja se najbrže prilagođava. Tako je i sa ljudima.

DDT- kreativni centar za pokret je ove sezone imao interesantan izazov - spojiti savremeni ples, konceptualnu umetnost i teatar. Savremena plesna predstava Umetnik je odsutan!, prati živote umetnika različitih branši, iz različitih delova sveta, za vreme lockdown-a. Radnju predstave vode Nikola i Ena, mladi umetnici, koji su samo par dana pred lockdown, sve uložili kako bi rentirali garsonjeru i započeli zajednički život, prolazeći kroz sve prepreke koje moderan zatvoren način života donosi.

Kako jedan umetnik može da se prilagodi radu od kuće, online - zoom nastavi, časovima na daljinu, narušenoj egzistenciji i drugim izazovima, tema je naše predstave. Ti problemi su i dalje prisutni, jer umetnost je teško uklopiti u online frejm. Savremeni plesni izraz, uz mnogobrojne koreografsko - rediteljske alate koje smo koristili i odabir komedije kao žanra, daje lakoću u razumevanju predstave.

Umetnik je odsutan! je takođe ironičan osvrt na konceptualnu umetnost, koja se danas u svetu prodaje za velike pare. Šta da rade umetnici koji decenijama žive i rade u Srbiji, edukuju mlade igrače i umetnike u domaćem okruženju, u kome je, i bez pandemije, egzistencija nemoguća?

Izvođači: Luka Stojković, Katarina Bućić, Vladimir Čubrilo, Mila Stijak, Marija Vučenović, Dragana Stanisavljević, Danilo Stojković, Tijana Malek, Ivana Kompirović, Ivan Mišić.

Koreografija i režija: Katarina Stojković, Tijana Malek, Luka Stojković

Video montaža: Katarina Stojković i Luka Stojković

Muzika: Danilo Stojković

Produkcija: DDT-kreativni centar za pokret

SPECIAL RECOGNITION HELENA VAZ DE SILVA GIVEN TO PROF. DIJANA MILOŠEVIĆ

Yesterday, November 24^th, Dijana Milošević, director, professor at the Belgrade Dance Institute and artistic director of DAH Theater, received the prestigious Helena Vaz de Silva award in Lisbon for her contribution to European culture and cultural heritage. The ceremony was attended by many dignitaries, including the Portuguese Minister of Culture, and the Portuguese President Marcelo Rebelo de Sousa addressed audience at the gathering.

In her speech at the awarding ceremony for members of Europa Nostra, prominent art historian and professor emeritus, Irina Subotić, referred to Dijana's 30-year long international career, her rich theater oeuvre, high aesthetic achievements, artistic courage and ethics, pointing out that the language of theater is DAH theater left an indelible mark on Serbian and European cultural heritage. It is also worth mentioning that Dijana Milošević is the first winner of this important recognition who comes from Serbia and the region.

AN OPEN DOOR HELD WITH TIJANA PRENDOVIĆ

Visiting professor Tijana Prendović held a contemporary dance workshop at the Belgrade Dance Institute on November 24^th as part of the traditional Open House held by the Institute.

We would like to thank the Novi Sad Ballet School for the cooperation and participation in the workshop.

TIJANA PRENDOVIĆ

Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.

During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).

Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).

This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.

PREMIERE OF CINDERELLA BY PROF. ALEXANDAR ILIC IN SKOPLJE

On the stage of the Macedonian National Opera and Ballet on Saturday 19^th November 2022. was the premiere of the contemporary dance performance Cinderella - Love is in the Air by the Serbian choreographer Aleksandar Ilić, performed by the soloists and ensemble of the ballet of this art house in Skopje. Luxurious costumes, but belonging to the time in which Ilić set the story, were made by Katarina Radošević Galić, costume designer from Croatia (assistant to costume designer Angela Bogeska), set design by Filip Korunovski from Macedonia, sound design by Georg Draušnik from Croatia, and light design by Milčo Aleksandrov . Assistant choreographers are Mojca Majcen from Slovenia and Saša Evtimova, who will interpret the role of the main character Vila (Fairy).

- It is about the famous fairy tale of the Brothers Grimm, which we have placed in a contemporary choreographic setting. In the new staging performed by the Macedonian ballet, "Cinderella" is slightly moved in relation to the fairy-tale and established libretto, but in each part the originality and message of this fairy tale is preserved. When Olga Pango, the director of the ballet, invited me to do the play, she wanted us to present it to the audience in a more modern context. I am sure that we managed to preserve the characteristics of the main characters (Prince, Stepmother, sisters), but also contributed to a new aesthetic interpretation of the fairy tale - says Aleksandar Ilić.

Ilić has set the action of the play in a more recent period, more precisely in the seventies of the last century, at the time of the premiere of the film Grease with John Travolta and Olivia Newton-John in the lead roles.

- It was a time that is most closely described by the lyrics of the famous song by Bijelo Dugme, The Bastard and the Princess, or in our case, the Princess and the hooligan. When the biggest event was going out to the school dance, or when the only imperative was socializing, love and chewing gum. By retelling the story of Cinderella in this way, we brought the fairy tale itself closer to our time, and made this work more interesting for the youth and children, our main audience. In the end, I did not deviate from the original synopsis, from Prokofiev's music and all that are the main characteristics of this fairy tale, which is Love, and that kindness will save the world. -  says Aleksandar Ilić.

In the performance of Cinderella, the actors are: Hristina Nakjevska (Cinderella), Miroslav Mitrašinović (Prince), Saša Evtimova as the main Fairy, Marija Josifovska Ristovska portrays Stepmother, there are sisters Andru Kuk and Kristijan Jangos, other fairies, women and men...

Due to the premiere’s great interest, the performance of Cinderella was sold out, and so was the first rerun, which was scheduled for November 25^th  on the stage of the Macedonian National Opera and Ballet.

Article taken from the POLITIKA website

Photography by Sasho Stojanovski

URUČENO SPECIJALNO PRIZNANJE HELENA VAZ DE SILVA PROF. DIJANI MILOŠEVIĆ

Juče, 24. novembra je Dijana Milošević, rediteljka, profesorka na Institutu za umetničku igru i umetnička direktorka Dah teatra, u Lisabonu primila prestižno priznanje Helena Vaz de Silva za doprinos evropskoj kulturi i kulturnom nasleđu. Svečanoj dodeli prisustvovale su mnoge ugledne zvanice, uključujući i portugalskog ministra kulture, a skupu se obratio i portugalski predsednik Marselo Rebelo de Sousa.

U svom govoru pri dodeli priznanja članica Europa Nostra, istaknuta istoričarka umetnosti i profesorka emerita, Irina Subotić osvrnula se na Dijaninu 30 godina dugu međunarodnu karijeru, na njen bogat pozorišni opus, visoka estetska dostignuća, umetničku hrabrost i etiku, ukazujući kako je pozorišni jezik Dah teatra ostavio neizbrisiv trag u srpskom i evropskom kulturnom nasleđu. Vredno je i pomenuti da je Dijana Milošević prva dobitnica ovog značajnog priznanja koja dolazi iz Srbije i regiona.

ODRŽANA OTVORENA VRATA SA TIJANOM PRENDOVIĆ

Gostujuća profesorka Tijana Prendović održala je radionicu savremene igre u Institutu za umetničku igru 24. novembra u sklopu tradicionalnih Otvorenih vrata koje Institut održava.

Zahvaljujemo se Baletskoj školi Novi Sad na saradnji i učešću u radionici. 

TIJANA PRENDOVIĆ

Tijana Prendović je rođena u Beogradu 1990. godine. Završila je srednju baletsku školu Lujo Davičo, na odseku savremena igra. Studirala je u Holandiji na Univerzitetu umetnosti u Amsterdamu gde je diplomirala 2012. godine na odseku savremena igra.

Tokom 2013. godine, kao slobodan umetnik stažira u dve plesne trupe iz Holandije -  Krisztina de Chatel (Dance Group Amsterdam) i Keren Levi (The Dry Piece). 2014. godine, izvodi tri performansa na sceni nemačkog pozorišta u Oldenburgu čije koreografije potpisuju Sungyop Hong (Was Sie Bewegt), Sharon Eyal i Gai Behar (Plafona), Guy Weizman i Roni Haver (Finale Grande). Od 2014. do 2020. izvodi nekoliko performansa na sceni Narodnog pozorišta u Majncu u Nemačkoj: 2014/2015. godine izvodi My Private Odyssey u koreografiji Guy Weizman i Roni Haver; Montreal u koreografiji Danièle Desnoyers i José Navas. 2015/2016. godine izvodi 4 u koreografiji Guy Weizman i Roni Haver; Plafona Now u koreografiji Sharon Eyal i Gai Behar; Object u koreografiji Garry Stewart; Sehnsucht, limited edition u koreografiji Koen Augustijnen. 2016/2017. godine izvodi FAM - Red Acts  u koreografiji Eleonore Lachky; Magma- Fall Seven Times u koreografiji Guy Nader i Maria Campos; Shift u koreografiji Rui Horta; Hochzeit u koreografiji Koen Augustijnen. 2017/2018. godine izvodi Impetus u koreografiji Guy Nader i Maria Campos; Small Places u koreografiji Guy Weizman i Roni Haver. 2018/2019. godine izvodi Nothing (koreografija Roy Asaf); Twist (koreografija Victor Quijada) 2019/2020. godine izvodi Tambora (koreografija Giuseppe Spota) ; 3D ( koreografija Mischa van Leeuwen, Scapino Ballet, *premijera odložena zbog COVID-19).

Od 2019. godine radi kao profesor savremene igre radi u Nemačkoj, Italiji i Srbiji:  Minhenu (Iwanson škola savremenog plesa), u Minsteru (Plesni teatar Minster), u Vupertalu/Dizseldorfu (Plesna kompanija Fabien Prioville), u Hanoveru (Plesna tačka Hanover), u Berlinu (Marameo), u Bonu (Cocoon Plesna kompanija), u Kaselu (SOZO vizije u pokretu; Državno pozorište u Kaselu), u Frankfurtu (HfMDK ; Plesna platforma Rhein-Main), u Majncu (Tanzmainz plesna kompanija). U Srbiji, odnosno u Beogradu je podučavala u baletskoj školi Lujo Davičo, a u Italiji, Rimu podučavala je u plesnom studiju Profesionalni plesni odsek (Dance Studio Dipartimento Professionale Danza).

Časovi savremene igre Tijane Prendović su zasnovani na specifičnom pristupu floor-work tehnike koja uključuje akrobatske i atletske elemente. Dinamična energija, koncentracija i kreativnost su ključni aspekti časa. Fokus rada je unapređivanje tehnike kretanja kroz različite nivoe, razvijanje dinamike, i sposobnost plesača da oseti i reaguje na druge plesače u prostoru. Tokom rada sa studentima poseban akcenat će biti na rad u paru, kao što su davanje i primanje težine, poverenje i osluškivanje partnera. Kulminacija časa je iskustvo deljenja grupne energije.

IZVEDENA PLESNA PEPELJUGA PROF. ALEKSANDRA ILIĆA U SKOPLJU

Na sceni Makedonske nacionalne opere i baleta u subotu 19.11.2022. je premijerno izvedena savremena plesna predstava Pepeljuga – Love is in the Air srpskog koreografa Aleksandara Ilića, u izvođenju solista i ansambla baleta ove umetničke kuće u Skoplju. Raskošne kostime, ali pripadajuće vremenu u koje je Ilić smestio radnju priče, uradila je Katarina Radošević Galić, kostimografkinja iz Hrvatske (asistentkinja kostimografkinje Angela Bogeska), scenografiju Filip Korunovski iz Makedonije, dizajn zvuka Georg Draušnik iz Hrvatske, a dizajn svetla je oblikovao Milčo Aleksandrov. Asistentkinje koreografa su Mojca Majcen iz Slovenije i Saša Evtimova, koja će tumačiti ulogu glavne Vile.

– Reč je o poznatoj bajci braće Grim koju smo smestili u savremeni koreografski ambijent. U novoj postavci u izvođenju makedonskog baleta, „Pepeljuga” je malo pomerena u odnosu na bajkoviti i ustaljeni libreto, ali u svakom delu sačuvana je originalnost i poruka ove bajke. Kada me je Olga Pango, direktorka baleta pozvala da radim predstavu, želela je da je publici predstavimo u modernijem kontekstu. Siguran sam da smo uspeli da sačuvamo karakteristike glavnih likova (Princ, Maćeha, sestre), ali i doprineli novom estetskom tumačenju bajke – kaže Aleksandar Ilić.

Radnju predstave, Ilić je smestio u nama bliži period, tačnije u sedamdesete godine prošlog veka, u vreme premijere filma Briljantin sa Džonom Travoltom i Olivijom Njutn Džon u glavnim ulogama.

– Bilo je to vreme koje najbliže opisuju stihovi pesme Bijelog dugmeta „Bitanga i princeza”, ili u našem slučaju princeze i mangupi. Kada je najveći događaj bio izlazak na školsku igranku, ili kada je jedini imperativ bilo druženje, ljubav i žvakaće gume. Prepričavajući na ovaj način radnju „Pepeljuge”, samu bajku smo približili našem vremenu, a omladini i deci, našoj glavnoj publici, ovo delo učinili interesantnijim. Na kraju nisam odstupio od originalnog sinopsisa, od muzike Prokofjeva i svega onoga što i jesu glavne karakteristike ove bajke, a to je ljubav i da će dobrota spasiti svet – poručuje Ilić.

U predstavi Pepeljuga igraju: Hristina Nakjevska (Pepeljuga), Miroslav Mitrašinović (Princ), Saša Evtimova kao glavna Vila, Marija Josifovska Ristovska tumači Maćehu, tu su i sestre Andru Kuk i Kristijan Jangos, ostale vile, žene i muškarci…

Zbog velikog interesovanja premijera dela Pepeljuga je bila rasprodata, a takođe je rasprodata i prva repriza, koja je zakazana za 25. novembar na sceni Makedonske nacionalne opere i baleta.

vest preuzeta sa sajta POLITIKA

Fotografija Sasho Stojanovski

PREMIERE OF NEDA KOVINIC | SILLY FRIENDS

video installation and performance at the opening

the performance is performed by Joana Knežević, Katarina Bućić, Simonida Žarković, and Nevena Radulović

In the ULUS Gallery, on 18^th of November 2022. at 7 p.m., a hybrid performance that combines dance, acting and singing was performed, and was developed through collaboration between artists Neda Kovinić and Joana Knežević, Katarina Bućić (assistant professor of the Belgrade Dance Institute), Simonida Žarković, and Nevena Radulović.

The performance was awarded at the 31st Nadežda Petrović Memorial in Čačak with the Gallery Award.

The performance of Silly Friend produces and nurtures relationships and meanings that oppose permanent crises, alienation and destruction through the collectivity of performative practice, relationships of care, trust and compassion; through a landscape and procedural approach to dramaturgy and interdisciplinarity (dance, narrative, singing and painting elements).

Four female performers dance, speak and sing in the space of the gallery, inside an installation of objects and records that raise questions about the definition of women, about female friendship, about imperfection and the crazy as a form of resistance to capitalist society.

Separate actions take place simultaneously, in different places, so that no one has a complete vision of the whole and each observer builds a personal, unique "collage" of performance. Multiple perspectives are united by a common affect. Affect appears as a gesture that the performers build and carry through the space and share with the audience. The title of the performance foregrounds the quality of the relationship between the artist and collaborator, which is both the method and the content of this work. Friends are collaborators in performance, who entrust themselves, their skills, knowledge and feelings both to each other and to the audience.

Silly [1] in the title of the paper points to irrational, witty, imperfect and not-necessarily-productive as principles of resistance to the porno-capitalist society, which encourages and recognizes only super-productive units.

[1] Nina Power (Nine Power) talks about crazy and sweet bodies when she describes the possible actors of feminist pornography, which would not be super functional well-oiled machines (as in mainstream pornography which is inherently misogynistic and violent), but crazy, sweet, imperfect . Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.

Photography by Tanja Drobnjak

IZVEDEN PERFORMANS NEDA KOVINIĆ | LUCKASTE DRUGARICE
video instalacija i performans na otvaranju
performans izvode Joana Knežević, Katarina Bućić, Simonida Žarković, i Nevena Radulović

U Galeriji ULUS, 18.11.2022. u 19h izveden je hibridni perfromans koji spaja ples, glumu i pevanje, a razvijan je kroz saradnju između umetnica Nede Kovinić i Joane Knežević, Katarine Bućić (docenta Instituta za umetničku igru), Simonide Žarković, i Nevene Radulović.
Perfromans je nagrađen na 31. Memorijal Nadežde Petrović u Čačku, nagradom Galerije.

Izvođenje Luckaste drugarice proizvodi i neguje odnose i značenja koja se suprotstavljaju permanentnim krizama, otuđenosti i destrukciji kroz kolektivnost performativne prakse, odnose brige, poverenja i saosećajnosti; kroz pejzažni i procesualni pristup dramaturgiji i interdisciplinarnost (ples, narativ, pevanje i slikarski elementi).
Četiri izvođačice plešu, govore i pevaju u prostoru galerije, unutar instalacije predmeta i zapisa koji postavljaju pitanja o definiciji žene, o ženskom drugarstvu, o nesavršenosti I luckastom kao obliku otpora prema kapitalističkom društvu.
Zasebne radnje se odvijaju istovremeno, na različitim mestima, tako da niko nema potpunu viziju celine i svaki posmatrač gradi lični, jedinstveni “kolaž” izvođenja. Mnogostruke perspektive se objedinjuju zajedničkim afektom. Afekat se pojavljuje kao gest koji izvođačice grade i nose kroz prostor i dele sa publikom. Naslov izvođenja stavlja u prvi plan kvalitet odnosa umetnica-saradnica, koji je i metod i sadržaj ovog rada. Drugarice su saradnice u izvođenju, koje poveravaju sebe, svoje veštine, znanja i osećanja kako jedna drugoj tako i publici.
Luckasto[1]u naslovu rada ukazuje na iracionalno, duhovito, nesavršeno i ne-nužno-produktivno kao principe otpora prema pornokapitalističkom društvu, koje podstiče i priznaje samo superproduktivne jedinice.

[1] Nina Pauer (Nine Power)  govori o luckastim i slatkastim telima kada opisuje moguće aktere feminističke pornografije, koji ne bi bili super funkcionalni kao dobropodmazane mašine (kao u mainstream pornografiji koja je inherentno mizogina i nasilna), već luckasti, slatki, nesavršeni. Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.

Fotografija Tanja Drobnjak

HELENA VAZ DE SILVA SPECIAL RECOGNITION TO PROF. DIJANA MILOŠEVIĆ

In the Europa Nostra center in Belgrade on November 18^th, 2022, a ceremony was held on the occasion of the awarding of the Special Recognition to Prof. Dijana Milošević. The jury of the Helena Vaz da Silva European Award for Raising Awareness of Cultural Heritage made a decision to award the Special Recognition to our Prof. Dijana Milošević, in recognition of her key role in the defense of European culture and values.

The award ceremony will take place on November 24^th at the Gulbenkian Foundation in Lisbon, Portugal.

BELGRADE DANCE INSTITUTE ON AEROWAVES

Metronomy, the graduate performance of the Belgrade Dance Institute, choreographed by Tamara Gvozdenović, was selected among the twenty best productions from 16 countries within THE Twenty23 AEROWAVES. This is the first time that Serbia has not only passed the selection process, but also placed in the top twenty.

Aerowaves is a dance discovery center in Europe that identifies new trends in contemporary dance art and then promotes them worldwide. The network of partners consists of 33 countries, which enable young choreographers to present their contemporary expression to a new audience.

Aerowaves prides itself on its unique role as a link between choreographers, dance developers and dance enthusiasts across Europe.

On July 1^st, the graduate performance of Metronomy, choreographed by Tamara Gvozdenović, premiered on the Raša Plaović stage of the National Theater in Belgrade.

Sonja Stojanović, Una Balaž and Angela Mihova performed in front of the committee and the audience, for whom this was the graduate performance, together with Doc. Katarina Bućić, and students of second year at the Institute Miona Petrović and Tijana Ostojić.

The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.

Discussing her production, the choreographer states: We build our common future by considering the contrasts: the construction against the deconstruction, the parallels, the crowd against the loneliness, the in-between, the negative space, the shadow, the transformation of the bodies , the change of the space, the change of the perception and the perspective. “To create, first we will destroy. Everything we have built, we will destroy. We will erase everything we believed in. We will forget all the faces we have seen. We will not start from scratch. We will keep the foundations. In pieces. We will collect. Some will remain. We will choose. Some will be forgotten. Lift up. Step off. Valorize. Destroy.

After studying visual arts in Neuchâtel, Tamara Gvozdenović enrolled the prestigious Trinity Laban Conservatory of Music and Dance in London, where as well our famous choreographer Aleksandar Ilić obtained his Master's degree. After her studies, she presented her first dance production, Sainte Marie Joseph de la Rose, at the Théâtre du Pommier in Neuchâtel, and the following year she created Sous le Cou (p) du Lapin and her third production Light Scream. In 2014, she joined the famous Belgian dance company Peeping Tom in Brussels.

She is the founder of Le Facteur, a dance company formed of a group of artists, based abd working between the Switzerland, France and Belgium. She presented herself to the Belgrade audience last year taking part of the first edition of the Festival Solo with the production Tombés.

Ceremonija dodela nagrade će se održati 24. novembra u Gulbenkian Foundaciji u Lisabonu, Portugalija.

INSTITUT ZA UMETNIČKU IGRU NA AEROWAVES

Metronomija, završna predstava Instituta za umetničku igru u koreografiji Tamare Gvozdenović izabrana je u dvadeset najboljih produkcija iz 16 zemalja u okviru THE Twenty23 AEROWAVES. Ovo je prvi put da je Srbija ne samo prošla selekciju već da se pozicionirala u dvadeset najboljih.

Aerowaves je centar za otkrivanje plesa u Evropi koji identifikuje nove tendencije u savremenoj plesnoj umetnosti a zatim ih promoviše širom sveta. Mrežu partnera čine 33 zemlje, koji omogućavaju mladim koreografima da predstave svoj savremeni izraz novoj publici.

Aerowaves se ponosi svojim jedinstvenom ulogom poveznice između koreografa, plesnih programera i plesnih entuzijasta širom Evrope.

Metronomija je premijerno izvedena 1. jula 2022. godine na sceni Raša Plaović Narodnog pozorišta u Beogradu.

Predstavu su izvele saradnica u nastavi Doc. Katarina Bućić, diplomci odseka Savremena igra: Sonja Stojanović, Angela Mihova, Una Balaž i studentkinje druge godine Instituta za umetničku igru Miona Petrović i Tijana Ostojić.

Originalnu muziku za predstavu potpisuje francuski umetnik Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.

O predstavi koreografkinja navodi: Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, međuprostor, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi.

Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.

Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.

OPEN DOOR WITH TIJANA PRENDOVIĆ

The traditional Open Door will be held on November 24^th , 2022. in the Belgrade Dance Institute and include a contemporary dance workshop led by guest professor Tijana Prendović.

The Open Door is intended for students from the first to the fourth year of secondary ballet schools and dance studios.

The contemporary dance workshop will be held from 6:00 p.m. to 8:00 p.m. in the Institute's New Hall.

Applications for participation in the workshops are made via email: katarina.bucic@iui.rs 

With the indication: Open door

The application should contain:

• Name and surname
• The school or dance studio the applicant attends
• Birth Year
• Phone number
• E-mail address

The fee for participation is 1500 RSD

Payment is made to the bank account of the Institute: 265167031000009130;

Call number: JMBG of candidate;

Purpose of payment: Open door Tijana Prendović

Example of payment slip:

If you have any questions, you can contact us by email: katarina.bucic@iui.rs or phone: 011/41 40 421

Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.

During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).

Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).

This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.

THE CINDERELLA BALLET BY THE CHOREOGRAPHER ILIĆ ON STAGE IN SKOPJE

In the Macedonian National Opera and Ballet, choreographer Prof. Aleksandar Ilić is nearing the end of the final preparations for the premiere performance of the contemporary dance performance Cinderella - Love is in the Air on Saturday, November 19^th, starting at 7:00 p.m., performed by the soloists and ensemble of this company's ballet in Skopje.

As the choreographer states, it is about the famous fairy tale by Brothers Grimm Cinderella, which we placed in a contemporary choreographic setting. In the new staging performed by the Macedonian ballet, our Cinderella is slightly moved in relation to the fairy-tale and established libretto, but in each part the originality and message of this well-known fairy tale is preserved. When the ballet director Olga Pango invited me to do the play, she wanted us to present it to the audience in a more modern context. I am sure that we managed to preserve the characteristics of the main characters (Prince, Stepmother, sisters), but also contributed to a new aesthetic interpretation of the fairy tale. Luxurious costumes but belonging to the time in which we set the story were made by costume designer from Croatia Katarina Radošević Galić (assistant to costume designer Angela Bogeska), set design by Filip Korunovski from Macedonia, sound design by Georg Draušnik from Croatia, and light design by Milčo Aleksandrov. Assistant choreographers are Mojca Majcen from Slovenia and Saša Evtimova, who will interpret the role of the main character Fairy.

The action of the play itself is set in a time period closer to ours, more precisely in the 70s, at the time of the premiere of the famous film Grease (made by Randall Kleiser, starring John Travolta and Olivia Newton-John), when young girls wore flowing dresses, brushed hair with ribbons and ribbons on the head, and men combed their hair in partings. It was a time that is most closely described by the lyrics of the famous song by Bijelo Dugme, The Bastard and the Princess, or in our case, the Princess and the hooligan. When the biggest event was going out to the school dance, or when the only imperative was socializing, love and chewing gum. By retelling the story of Cinderella in this way, we brought the fairy tale itself closer to our time, and made this work more interesting for the youth and children, our main audience. In the end, I did not deviate from the original synopsis, from Prokofiev's music and all that are the main characteristics of this fairy tale, which is Love, and that kindness will save the world.

Aleksandar Ilić recalls that last year at this time he collaborated for the premiere on the play Igra s mitom (Dance with Myth) which was performed at the Zagreb Dance Center (Croatia), then Možiček at the House of Culture in Celje and the House of Culture Velenje (Slovenia), the operas Vladimir and Kosara and Telephone did is in Novi Sad and Sarajevo, and at the end of the season he staged the contemporary dance show Tre Sorelle in Podgorica (Montenegro). As he says, with Skopje, the area of ​​the former Yugoslavia, but also the country where he grew up, is rounded off. What politics divides, art unites, and as he states, the performers of all theaters and companies are part of one big family, regardless of country, religion, continent.

In Ilić's Cinderella, the main roles are played by Hristina Nakjevska - Cinderella, Miroslav Mitrašinović - Prince, Saša Evtimova's main Fairy, Stepmother Marija Josifovska Ristovska, sisters Andru Kuk and Kristijan Jangos, other fairies, women and men, etc.

Due to great interest, both the premiere and the first rerun scheduled for November 25^th on the stage of the National Macedonian Opera and Ballet were sold out.

Photography by Aleksandar Paunovski, Poster design by Filip Korunovski.

NEDA KOVINIC | SILLY FRIENDS

video installation and performance at the opening

the performance is performed by Joana Knežević, Katarina Bućić, Simonida Žarković, and Nevena Radulović

The hybrid performance that combines dance, acting and singing was developed through collaboration between artists Neda Kovinić and Joana Knežević, Katarina Bućić (assistant professor of the Belgrade Dance Institute), Simonida Žarković, and Nevena Radulović and will be performed at ULUS Gallery on November 18^th, 2022. at 7 p.m.

The performance was awarded at the 31st Nadežda Petrović Memorial in Čačak with the Gallery Award.

The performance of Silly Friend produces and nurtures relationships and meanings that oppose permanent crises, alienation and destruction through the collectivity of performative practice, relationships of care, trust and compassion; through a landscape and procedural approach to dramaturgy and interdisciplinarity (dance, narrative, singing and painting elements).

Four female performers dance, speak and sing in the space of the gallery, inside an installation of objects and records that raise questions about the definition of women, about female friendship, about imperfection and the crazy as a form of resistance to capitalist society.

Separate actions take place simultaneously, in different places, so that no one has a complete vision of the whole and each observer builds a personal, unique "collage" of performance. Multiple perspectives are united by a common affect. Affect appears as a gesture that the performers build and carry through the space and share with the audience. The title of the performance foregrounds the quality of the relationship between the artist and collaborator, which is both the method and the content of this work. Friends are collaborators in performance, who entrust themselves, their skills, knowledge and feelings both to each other and to the audience.

Silly [1] in the title of the paper points to irrational, witty, imperfect and not-necessarily-productive as principles of resistance to the porno-capitalist society, which encourages and recognizes only super-productive units.

[1] Nina Power (Nine Power) talks about crazy and sweet bodies when she describes the possible actors of feminist pornography, which would not be super functional well-oiled machines (as in mainstream pornography which is inherently misogynistic and violent), but crazy, sweet, imperfect . Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.

TRIPTYCHONE FOR EURIDICA

On November 13^th, at 9 p.m., the contemporary water dance show Triptychone for Eurydice was premiered at the small pool in Pančevo, choreographed by Tijana Malek, second-year Master's student of the Belgrade Dance Institute and alumni Katarina Stojković. Inspired by Branko Miljković's song of the same name, and with the support of the City of Pančevo, DDT-creative center for movement based this season's production on an innovative idea, to adapt contemporary dance to performance in water, while at the same time the play has all directorial and choreographic elements represented. The performance could not have been realized without the support of PUK Mladost from Pančevo and the Belgrade Dance Institute, because the innovative approach to contemporary dance required multi-institutional support during the organization of the premiere.

The inspiration for the contemporary dance performance Triptychone for Eurydice is Orphean love, which was described by Branko Miljković in the song Annabelle Lee by Edgar Allan Poe and Vladislav Petković Dis in the song Maybe Sleeping. The poem Triptychone for Eurydice exudes the sublimity that death brings, the focus of the research work was the loss of Eurydice and the sublime love that overcomes that loss and death.

The choreography for the performance is created by Katarina Stojković and Tijana Malek. DDT-creative center for movement premiered the piece Triptychone for Eurydice at the JKP Mladost swimming pool in Pančevo, but the dance performance in the water is also possible to perform on the seashore, then on the shore of the lake (Ada Ciganlija, Srebrno jezero, etc.) as and at swimming pools in other cities, in the country and abroad, which is good for the sustainability of the project and post-production, after the premiere performance.

In the role of Orpheus/ Poet - Luka Stojković, Eurydice - Mila Stijak, Hades - Alisa Oravec, Marija Vučenović, Dragana Stanisavljević, Katarina Bućić and Natalija Trifunović. Original music is signed by Danilo Stojković. This season, DDT-creative center for movement is preparing another premiere of the contemporary dance performance The Artist is Absent!, on December 5^th in the Cultural Center of Pančevo, which is also supported by the City of Pančevo and the Ministry of Culture and Information, while next year we mark and celebrate the jubilee 20 years of existence and creation.

PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE MARINA BUKVIČKI

In accordance with Article 26 of the Rulebook on Doctoral Academic Studies and the Method and Procedure for the Defense and Evaluation of the Doctoral Dissertation, dated 11.11.2022. year, is placed on

PUBLIC INSIGHT

Doctoral dissertation Ja lutka- I a doll, biographical material as a template for creating a multimedia project, by candidate Marina Bukvički, with the Report of the Commission on the evaluation of the doctoral dissertation are publicly available in the Library of the higher education institution in the period from 11.11.2022. until 12.12.2022. years.

ARMISTICE DAY IN WORLD WAR I 1918 - 2022.

We inform students, professors and associates that, due to the upcoming national holiday, World War I Armistice Day, the Institute will not work on Friday, November 11^th, 2022.

THE ACADEMIC FOLKLORE ENSEMBLE OF THE BELGRADE DANCE INSTITUTE IS ENROLLING

The Academic Folklore Ensemble of the Belgrade Dance Institute enrolls participants in the following sections during the month of November:

1. Performing ensemble
2. School of folklore
3. School of music

Call us at phone numbers 065/44-70-1-70; 011/41-40-42-1 or visit us at Bulevar vojvode Mišića 43.

PERFORMING ENSEMBLE

The performing ensemble is an essential part of every cultural and artistic society. The aim of the ensemble is to preserve the traditions of the Serbian people and their intangible cultural heritage with their work, as well as to present them in a dignified manner in the country and abroad. According to their quality and reputation that they enjoy in the folklore world of Belgrade, Serbia, as well as abroad, Performing Ensembles have always been the driving force of cultural and artistic societies. The core of the ensemble consists of high school students, successful students of Belgrade faculties, educators, economists, lawyers, adults with acting experience. Prepared choreographies are ready for all-evening programs made up of very attractive dances and songs from all over Serbia. Harmony of movement, agility, massiveness, practice, regularity, dedication, desire and superb playing technique will be the main features of the aforementioned ensemble. Through this section, students will be affirmed through choreographic works, as well as the ensemble itself, which will perform those works at concerts throughout the country and abroad. Do you want to return to folklore again after a number of missed years?! Are you an active player, and you need a new environment, new plays and songs?! The pursuit of professionalism no longer has to be your dream. Join us!

SCHOOL OF FOLKLORE

Folk dances are extremely important for the adequate development of motor and psychophysical abilities of younger and older children. They encourage individual and group creative expression, strengthen the competitive spirit and the feeling of belonging to the group. The development of children's folklore creativity and the affirmation of Serbian folklore among young generations are the primary goals of this section. In relation to the age of the enrolled children, we will form the following groups:

- younger group (4 and 5 years old),

- middle group (6 and 7 years),

- older group (8 to 10 years),

- mixed group (from 5th to 8th grade).

Children's and youth ensembles would be formed after a certain period during which the playing abilities of children who are already engaged in folk dance at this age would be determined.

Students of the Master's program of the Institute, who have many years of experience in working with children, would introduce children who are encountering folklore for the first time to the world of Serbian tradition in a professional and fun way. Little ones would improve their social skills through play and socializing. The culture, education and health of your children are our first priority. Welcome!

SCHOOL OF MUSIC

Your child is from 7 to 15 years old?! Plays a certain instrument, maybe attends a music school? We can help him master folk music through the performance of folk songs, children's songs in the folk spirit, melodies for the choreography of folk dances, and later, arrangements of more complex musical works. Accordion, violin, double bass, guitar, bass guitar, cello, flute, clarinet, saxophone, drum... are the instruments represented in folk orchestras. Through gradual work with ethnomusicologists, musicians and professors from the Institute, your child will be introduced to the world of Serbian folklore. Join us to perform together!

TIJANA PRENDOVIĆ AT BELGRADE DANCE INSTITUTE

Tijana Prendović, pedagogue of contemporary dance, will hold guest workshops from November 7th to 25th 2022. at the Belgrade Dance Institute.

Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.

During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).

Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).

This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.

Photography by Andreas Etter

26th FESTIVAL OF CHOREOGRAPHIC MINIATURES

Ognjen Vučinić, professor of contemporary dance at the Belgrade Dance Institute, guest professor of contemporary dance and choreographer Tijana Prendović and alumni Tamara Pjević will act as part of the jury of the 26th Festival of Choreographic Miniatures. In addition to them, the jury includes Petar Đorđevski, the ballet champion of SNG Ljubljana and  dramatic director Isidora Goncić.

This year's festival will be held on November 8th on the Raša Plaović stage of the National Theater in Belgrade.

73rd BIRTHDAY OF LITTLE THEATER DUŠKO RADOVIĆ

The  Little Theater Duško Radović  celebrated its 73rd birthday on October 23rd at 6 p.m. As part of the celebration, annual and jubilee awards were presented, which were decided by a jury consisting of Branislava Stefanović (director), Ana Tomović (director) and Nenad Radović (actor).

Among the presented awards, awards were given to the Assistant Professor of the Belgrade Dance Institute Mila Stijak, and to the third-year student of the Belgrade Dance Institute, Miona Petrović.

A special award for nurturing the musical heritage and incorporating the opera expression into contemporary children's theater was awarded to the performance Children's Room, an opera for children by the composer Milenko Živković, based on the motifs of a short story by Desanka Maksimović, directed by Natalija Stanković and Mateja Đedović, premiered on November 12th and 13th of 2021., on the stage of the Little Theatre Duško Radović. The cast of the opera consists of Biljana Jovanović, Boris Papak, Olivera Krivokuća, Isidora Bogdanović, Sara Ristić, Mina Nikolić, Choir of the Children's Cultural Center Belgrade, soloists of the Vojislav Vučković Music School, participants of the Opera: Past, Present, Perfect! project, dancers of the Ballet Youth Company, and others. The opera was performed under the conductor's baton of maestro Milan Nedeljković, and the choreography was signed by Mila Stijak and Ana Bošković.

Little Theatre Duško Radović also awarded a special award for the introduction of the European model of democracy in the theater for young people, to a dramatic play ''Bolje polje ili igranje republike'' directed by Aleksandra Jelić, based on the text by Bogdan Španjević and choreography by Miona Petrović, a student of the Belgrade Dance Institute, which was created as a result of a dramatic process and creative collaboration with students of the 6th and 8th grades of Ilija Birčanin Elementary School.

OTVORENA VRATA SA TIJANOM PRENDOVIĆ

Otvorena vrata će se održati 24.11.2022. godine u Institutu za umetničku igru i podrazumevaju radionicu savremene igre koju će voditi gostujuća profesorka Tijana Prendović.

Otvorena vrata su namenjena učenicimа od prve do četvrte godine srednjih baletskih škola i plesnih studija.

Radionica savremene igre će se održati od 18.00 do 20.00h u Novoj Sali Instituta.

Prijave za učešće na radionicama se vrše putem maila: katarina.bucic@iui.rs

Sa naznakom: Otvorena vrata

Prijava treba da sadrži:

• Ime i prezime
• Škola ili plesni studio koji kandidat pohađa
• Godina rođenja
• Broj telefona
• e-mail adresa

Kotizacija za učešće iznosi 1500 RSD

Uplata se vrši na ž.r. Instituta broj: 265167031000009130;

Poziv na broj: JMBG kandidata;

Svrha uplate: Otvorena vrata Tijana Prendović

Primer uplatnice:

Ukoliko imate pitanja možete nas kontaktirati na mail: katarina.bucic@iui.rs ili telefon: 011/41 40 421

TIJANA PRENDOVIĆ

Tijana Prendović je rođena u Beogradu 1990. godine. Završila je srednju baletsku školu Lujo Davičo, na odseku savremena igra. Studirala je u Holandiji na Univerzitetu umetnosti u Amsterdamu gde je diplomirala 2012. godine na odseku savremena igra.

Tokom 2013. godine, kao slobodan umetnik stažira u dve plesne trupe iz Holandije -  Krisztina de Chatel (Dance Group Amsterdam) i Keren Levi (The Dry Piece). 2014. godine, izvodi tri performansa na sceni nemačkog pozorišta u Oldenburgu čije koreografije potpisuju Sungyop Hong (Was Sie Bewegt), Sharon Eyal i Gai Behar (Plafona), Guy Weizman i Roni Haver (Finale Grande). Od 2014. do 2020. izvodi nekoliko performansa na sceni Narodnog pozorišta u Majncu u Nemačkoj: 2014/2015. godine izvodi My Private Odyssey u koreografiji Guy Weizman i Roni Haver; Montreal u koreografiji Danièle Desnoyers i José Navas. 2015/2016. godine izvodi 4 u koreografiji Guy Weizman i Roni Haver; Plafona Now u koreografiji Sharon Eyal i Gai Behar; Object u koreografiji Garry Stewart; Sehnsucht, limited edition u koreografiji Koen Augustijnen. 2016/2017. godine izvodi FAM - Red Acts  u koreografiji Eleonore Lachky; Magma- Fall Seven Times u koreografiji Guy Nader i Maria Campos; Shift u koreografiji Rui Horta; Hochzeit u koreografiji Koen Augustijnen. 2017/2018. godine izvodi Impetus u koreografiji Guy Nader i Maria Campos; Small Places u koreografiji Guy Weizman i Roni Haver. 2018/2019. godine izvodi Nothing (koreografija Roy Asaf); Twist (koreografija Victor Quijada) 2019/2020. godine izvodi Tambora (koreografija Giuseppe Spota) ; 3D ( koreografija Mischa van Leeuwen, Scapino Ballet, *premijera odložena zbog COVID-19).

Od 2019. godine radi kao profesor savremene igre radi u Nemačkoj, Italiji i Srbiji:  Minhenu (Iwanson škola savremenog plesa), u Minsteru (Plesni teatar Minster), u Vupertalu/Dizseldorfu (Plesna kompanija Fabien Prioville), u Hanoveru (Plesna tačka Hanover), u Berlinu (Marameo), u Bonu (Cocoon Plesna kompanija), u Kaselu (SOZO vizije u pokretu; Državno pozorište u Kaselu), u Frankfurtu (HfMDK ; Plesna platforma Rhein-Main), u Majncu (Tanzmainz plesna kompanija). U Srbiji, odnosno u Beogradu je podučavala u baletskoj školi Lujo Davičo, a u Italiji, Rimu podučavala je u plesnom studiju Profesionalni plesni odsek (Dance Studio Dipartimento Professionale Danza).

Časovi savremene igre Tijane Prendović su zasnovani na specifičnom pristupu floor-work tehnike koja uključuje akrobatske i atletske elemente. Dinamična energija, koncentracija i kreativnost su ključni aspekti časa. Fokus rada je unapređivanje tehnike kretanja kroz različite nivoe, razvijanje dinamike, i sposobnost plesača da oseti i reaguje na druge plesače u prostoru. Tokom rada sa studentima poseban akcenat će biti na rad u paru, kao što su davanje i primanje težine, poverenje i osluškivanje partnera. Kulminacija časa je iskustvo deljenja grupne energije.

BALET PEPELJUGA KOREOGRAFA ILIĆA NA SCENI U SKOPLJU

U Makedonskoj Nacionalnoj operi i baletu, koreograf Prof. Aleksandar Ilić privodi kraju poslednje pripreme za premijerno izvođenje savremene plesne predstave Pepeljuga - Love is in the Air u subotu 19. novembra s početkom u 19.00 časova, a u izvođenju solista i ansambla baleta ove kuće u Skoplju.

Kako koreograf navodi, radi se o poznatoj bajci Braće Grim Pepeljuga, koju smo smestili u jedan savremeni koreografski ambijent. U novoj postavci u izvođenju makedonskog baleta, naša Pepeljuga je malo pomerena u odnosu na bajkoviti i ustaljeni libreto, ali u svakom delu sačuvana je originalnost i poruka ove poznate bajke. Kada me je direktorka baleta Olga Pango pozvala da radim predstavu, želela je da je publici predstavimo u modernijem kontektsu. Siguran sam da smo uspeli da sačuvamo karakteristike glavnih likova (Princ, Maćeha, sestre), ali i doprineli novom estetskom tumačenju bajke. Raskošne kostime ali pripadajuće vremenu u koje smo smestili radnju priče je uradila kostimografkinja iz Hrvatske Katarina Radošević Galić (asistentkinja kostimografkinje Angela Bogeska), scenografiju Filip Korunovski iz Makedonije, dizajn zvuka Georg Draušnik iz Hrvatske, a dizajn svetla će uraditi Milčo Aleksandrov. Asistentkinje koreografa su Mojca Majcen iz Slovenije i Saša Evtimova, koja će tumačiti ulogu glavne Vile.

Sama radnja predstave je smeštana u nešto nama bliži vremenski period, tačnije u 70 - te, u vreme premijere čuvenog filma Brilijantin (engleski Grease Rendala Klajzera, a u glavinm ulogama Džon Travolta i Olivija Njutn-Džon), kada su mlade devojke nosile lepršave haljine, isfenirane kose sa trakama i rajfovima na glavi, a muškarci začešljavali svoje kose na razdeljak. Bilo je to vreme koje najbliže opisuju stihovi poznate pesme Bijelog dugmeta Bitanga i princeza, ili u našem slučaju princeze i mangupi. Kada je najveći događaj bio izlazak na školsku igranku, ili, kada je jedini imperativ bilo druženje, ljubav i žvakaće gume. Prepričavajući na ovaj način radnju Pepeljuge, samu bajku smo približili našem vremenu, a omladini i deci našoj glavnoj publici, učinili interesantnijim ovo delo. Na kraju nisam odstupio od originalnog sinopsisa, od muzike Prokofjeva i svega onoga što i jesu glavne karakteristike ove bajke, a to je Ljubav, i da će dobrota spasiti svet.

 Aleksandar Ilić podseća da je prošle godine u ovo vreme premijerno sarađivao na predstavi Igra s mitom koja je izvedena u Zagrebačkog plesnom centru (Hrvatska), zatim Možiček u Kući kulture u Celju i Domu kulture Velenje (Slovenija), opere Vladimir i Kosara i Telefon uradio je u Novom Sadu i Sarajevu, a krajem sezone postavio je u Podgorici (Crna Gora) savremenu plesnu predstavu Tre Sorelle. Kako kaže, sa Skopljem se zaokružava prostor nekadašnje Jugoslavije, ali i zemlje u kojoj je odrastao. Što politika razdvaja to umetnost spaja, a kako navodi igrači svih pozorišta i kompanija su deo jedne velike porodice bez obzira na državu, religiju, kontinet.

U Ilićevoj Pepeljugi glavne uloge tumače Hristina Nakjevska – Pepeljuga, Miroslav Mitrašinović – Princ, Saša Evtimova glavna Vila, Maćeha Marija Josifovska Ristovska, sestre Andru Kuk i Kristijan Jangos, ostale vile, žene i muškarci i dr.

Zbog velikog interesovanja i premijera i prva repriza koja je zakazana za 25. novembar na sceni Nacionalne Makedonske opere i baleta su rasprodate.

Fotografija Aleksandar Paunovski, plakat Filip Korunovski.

NEDA KOVINIĆ | LUCKASTE DRUGARICE
video instalacija i performans na otvaranju
performans izvode Joana Knežević, Katarina Bućić, Simonida Žarković, i Nevena Radulović

Hibridni perfromans koji spaja ples, glumu i pevanje, razvijan je kroz saradnju između umetnica Nede Kovinić i Joane Knežević, Katarine Bućić (docenta Instituta za umetničku igru), Simonide Žarković, i Nevene Radulović i biće izveden u Galeriji ULUS 18.11.2022. u 19h.
Perfromans je nagrađen na 31. Memorijal Nadežde Petrović u Čačku, nagradom Galerije.

Izvođenje Luckaste drugarice proizvodi i neguje odnose i značenja koja se suprotstavljaju permanentnim krizama, otuđenosti i destrukciji kroz kolektivnost performativne prakse, odnose brige, poverenja i saosećajnosti; kroz pejzažni i procesualni pristup dramaturgiji i interdisciplinarnost (ples, narativ, pevanje i slikarski elementi).
Četiri izvođačice plešu, govore i pevaju u prostoru galerije, unutar instalacije predmeta i zapisa koji postavljaju pitanja o definiciji žene, o ženskom drugarstvu, o nesavršenosti I luckastom kao obliku otpora prema kapitalističkom društvu.
Zasebne radnje se odvijaju istovremeno, na različitim mestima, tako da niko nema potpunu viziju celine i svaki posmatrač gradi lični, jedinstveni “kolaž” izvođenja. Mnogostruke perspektive se objedinjuju zajedničkim afektom. Afekat se pojavljuje kao gest koji izvođačice grade i nose kroz prostor i dele sa publikom. Naslov izvođenja stavlja u prvi plan kvalitet odnosa umetnica-saradnica, koji je i metod i sadržaj ovog rada. Drugarice su saradnice u izvođenju, koje poveravaju sebe, svoje veštine, znanja i osećanja kako jedna drugoj tako i publici.
Luckasto[1]u naslovu rada ukazuje na iracionalno, duhovito, nesavršeno i ne-nužno-produktivno kao principe otpora prema pornokapitalističkom društvu, koje podstiče i priznaje samo superproduktivne jedinice.

[1] Nina Pauer (Nine Power)  govori o luckastim i slatkastim telima kada opisuje moguće aktere feminističke pornografije, koji ne bi bili super funkcionalni kao dobropodmazane mašine (kao u mainstream pornografiji koja je inherentno mizogina i nasilna), već luckasti, slatki, nesavršeni. Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.

TRIPTIHON ZA EURIDIKU

13. novembra u 21h na malom bazenu u Pančevu premijerno je izvedena savremena plesna predstava u vodi Triptihon za Euridiku, koreografkinje Tijane Malek, studentkinje II godine Master studija Instituta za umetničku igru i alumnistkinje Katarine Stojković. Inspirisana istoimenom pesmom Branka Miljkovića, a uz podršku Grada Pančeva, DDT-kreativni centar za pokret je ove sezone produkciju zasnovao na inovativnoj ideji, da savremenu igru prilagodi izvođenju u vodi, a da pri tome predstava ima zastupljene sve rediteljsko-koreografske elemente. Predstava ne bi mogla biti realizovana bez podrške JKP Mladost iz Pančeva i Instituta za umetničku igru iz Beograda, jer je inovativni pristup savremenoj igri zahtevao i multiinstitucionalnu podršku prilikom organizacije premijere.

Inspiracija za savremenu plesnu predstavu Triptihon za Euridiku je Orfejska ljubav, koju je pored Branka Miljkovića opisao Edgar Alan Po u pesmi Anabel Li i Vladislav Petković Dis u pesmi Možda spava. Pesma Triptihon za Euridiku odiše uzvišenošću koju smrt donosi, u fokusu istraživačkog rada su bili gubitak Euridike i uzvišena ljubav koja prevazilazi taj gubitak i smrt .

Koreografiju za predstavu potpisuju Katarina Stojković i Tijana Malek. DDT-kreativni centar za pokret je premijerno izveo delo Triptihon za Euridiku na bazenu JKP Mladost u Pančevu, ali je plesna predstava u vodi moguća za izvođenje i na morskoj obali, zatim na obali jezera (Ada Ciganlija, Srebrno jezero, i dr.) kao i na bazenima u drugim gradovima, u zemlji i inostranstvu što je dobro za održivost projekta i postprodukciju, nakon premijernog izvođenja.

U ulozi Orfeja/ Pesnika- Luka Stojković, Euridika- Mila Stijak, Had- Alisa Oravec, Marija Vučenović, Dragana Stanisavljević, Katarina Bućić i Natalija Trifunović. Autorsku muziku potpisuje Danilo Stojković. DDT-kreativni centar za pokret ove sezone sprema još jednu premijeru savremene plesne predstave Umetnik je odsutan !, 5.decembra u Kulturnom Centru Pančeva, koja je takođe podržana od Grada Pančeva i Ministarstva za kulturu i informisanje, dok sledeće godine obeležavamo i proslavljamo jubilarnih 20 godina postojanja i stvaranja.

UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATKINJE MARINE BUKVIČKI

U skladu sa članom 26. Pravilnik o doktorskim akademskim studijama i načinu i postupku odbrane i ocene doktorske disertacije, dana 11.11.2022. godine, stavlja se na

UVID JAVNOSTI

Doktorska disertacija Ja lutka- I a doll, biografski materijal kao predložak za stvaranje multimedijalnog projekta, kandidata Marine Bukvički, sa Izveštajem Komisije o oceni doktorske disertacije javno su dostupni u Biblioteci visokoškolske ustanove u periodu od 11.11.2022. do 12.12.2022. godine.

DAN PRIMIRJA U I SVETSKOM RATU 1918 - 2022.

26. FESTIVAL KOREOGRAFSKIH MINIJATURA

U okviru strčnog žirija 26. Festivala koreografskih minijatura delovaće Ognjen Vučinić, profesor savremene igre Instituta za umetničku igru, gostujuća profesorka savremene igre i koreografkinja Tijana Prendović i alumnistkinja Tamara Pjević. Pored njih u sastavu žirija su i Petar Đorđevski prvak baleta SNG Ljubljana i rediteljka Isidora Goncić.

Ovogodišnji festival će biti održan 8. novembra na sceni Raša Plaović Narodnog pozorišta u Beogradu.

POTPISIVANJE ROMANA SREDIŠNJA PUSTINJA PROFESORA MIOMIRA PETROVIĆA

U sredu, 26. oktobra na beogradskom Sajmu knjiga, na štandu Lagune odigralo se potpisivanje najnovijeg romana Središnja pustinja profesora i pisca Miomira Petrovića. Ovaj roman koji svedoči o životu i univerzitetskom radu autora u Ujedinjenim Arapskim Emiratima, našim ekspatima u Emiratima, običajima i globalističkim dilemama savremenog sveta uskoro će doživeti svoje drugo izdanje. Roman Središnja pustinja je Petrovićev dvadeseti roman i našao se u izboru za godišnju nagradu Bin Zajed Fondacije u UAE, u konkurenciji romana na stranom jeziku koji govore o Emiratima i kulturi Arabijskog poluostrva.

73. ROĐENDAN MALOG POZORIŠTA DUŠKO RADOVIĆ

Malo pozorište Duško Radović je 23. oktobra u 18 sati proslavio 73. rođendan. U okviru proslave uručene su godišnje i jubilarne nagrade, o kojima je odluku doneo žiri koji su činili Branislava Stefanović (rediteljka), Ana Tomović (rediteljka) i Nenad Radović (glumac).

Među uručenim nagradama, dodeljene su nagrade Docentkinji Instituta za umetničku igru Mili Stijak i studentkinji III godine Instituta za umetničku igru Mioni Petrović.

Specijalna nagrada za negovanje muzičkog nasleđa i uključivanje operskog izraza u savremeno dečije pozorište dodeljena je predstavi Dečija soba, opera za decu kompozitora Milenka Živkovića, rađena po motivima kratke priče Desanke Maksimović i u režiji Natalije Stanković i Mateje Đedovića, premijerno izvedena 12. i 13. novembra 2021. godine, na sceni Malog pozorišta Duško Radović. Postavu opere čine Biljana Jovanović, Boris Papak, Olivera Krivokuća, Isidora Bogdanović, Sara Ristić, Mina Nikolić, Hor Dečjeg kulturnog centra Beograd, solisti Muzičke škole Vojislav Vučković, polaznici projekta Opera: Past, Present, Perfect!, igrači Kompanije Balet mladih, i drugi. Opera je izvedena pod dirigentskom palicom maestra Milana Nedeljkovića, a koreografiju potpisuju Mila Stijak i Ana Bošković.

Malo pozorište Duško Radović je takođe dodelio specijalnu nagradu za uvođenje evropskog modela demokratije u pozorište za mlade predstavi Bolje polje ili igranje republike u režiji Aleksandre Jelić, po tekstu Bogdana Španjevića i koreografiji studentkinje Instituta za umetničku igru Mione Petrović, koja je nastala kao rezultat dramskog procesa zajedničkog osmišljavanja sa učenicima 6. i 8. razreda Osnovne škole Ilija Birčanin. Predstava je premijerno izvedena 15. Juna.

CENTRAL DESERT NOVEL SIGNING

Socializing with readers and signing his latest novel Središnja pustinja (Central Desert) (2nd edition, shortlisted for the NIN award and the Vital's award), writer and full-time professor at the Belgrade Dance Institute, Prof. dr Miomir Petrović will present at the IP Laguna stand at the Belgrade Book Fair on Wednesday, October 26^th, 2022. starting at 5:30 p.m.

POTPISIVANJE ROMANA SREDIŠNJA PUSTINJA

Druženje sa čitaocima i potpisivanje njegovog poslednjeg romana Središnja pustinja (II izdanje, uži izbor za NIN-ovu nagradu i Vitalovu nagradu), pisac i redovni profesor Instituta za umetničku igru, Prof. dr Miomir Petrović upriličiće na štandu IP Laguna na beogradskom Sajmu knjiga u sredu, 26.10.2022. sa početkom u 17.30h.

ACKNOWLEDGMENT TO THE BELGRADE DANCE INSTITUTE AT THE 13th BOSIFEST 2022

The closing ceremony of the festival and awarding ceremony at the Thirteenth Belgrade International Film Festival for and by people with disabilities, organized by the Handy Center Coliseum, took place on 19.10.2022. in the Yugoslav Cinematheque.

At the awards ceremony, festival director Darko Ivić and festival selector Miroljub Stojanović addressed the audience. The jury of the festival was composed of: Dejan Petrović, screenwriter and director, Marija Stojnić, director and producer of documentary films and Janko Baljak, film and television director. The Grand Prix of the Festival for the best film was awarded to the documentary film Crutch by Sachi Cunningham and Chandler Evans Vayabobo from the USA.

The Institute is a long-term partner of BOSI FEST, where choreographies and performances of students and professors are presented. This year, at the opening of the festival, the choreography Essence by professor Ognjen Vučinić was performed by Master's student Jovana Grujić. Also, this year, associates and students of the Institute: Teodora Živković, Boban Kostić, Lazar Tirić and Nina Horvat, as well as alumni of the School of Engineering Management Jelena Stjepanović and MIlica Stevković participated in the realization of the festival as volunteers.

At the closing ceremony, the Belgrade Dance Institute was presented with a certificate of appreciation for its contribution to the realization of the festival, which was received by Prof. dr Snežana Arnautović Stjepanović, vice dean for teaching.

ZAHVALNICA INSTITUTU ZA UMETNIČKU IGRU NA 13. BOSIFEST-u 2022

Svečana ceremonija zatvaranja festivala i dodela nagrada na Trinaestom Internacionalnom Festivalu Osoba Sa Invaliditetom u organizaciji Hendi Centra Koloseum, upriličena je 19.10.2022. u Jugoslovenskoj Kinoteci.

Na svečanoj dodeli nagrada, prisutnima su se obratili direktor festivala Darko Ivić i selektor festivala Miroljub Stojanović. Žiri festivala radio je u sastvau: Dejan Petrović, scenarista i reditelj, Marija Stojnić, rediteljka i producentkinja dokumentarnih filmova i Janko Baljak, filmski i televizijski reditelj. Grand Prix Festivala za najbolji film dodeljen je dokumentarnom filmu Štaka autora Sachi Cunningham, i Chandler Evansa Vayabobo iz SAD.

Institut je dugogodišnji partner BOSI FESTA u okviru kog se prikazuju koreografije i performansi studenata i profesora. Ove godine na otvaranju festivala prikazana je koreografija Essence profesora Ognjena Vučinića u izvođenju studentkinje master studija Jovane Grujić. Takođe, ove godine saradnici i studenti Instituta: Teodora Živković, Boban Kostić, Lazar Tirić i Nina Horvat, kao i alumnistkinje Fakulteta za inženjerski menadžment Jelena Stjepanović i MIlica Stevković su volonterski učestvovali u realizaciji festivala.

Na svečanom zatvaranju, Institutu za umetničku igru uručena je zahvalnica za doprinos u realizaciji festivala koju je primila Prof. dr Snežana Arnautović Stjepanović, prodekan za nastavu.

59^th OCTOBER SALON BELGRADE BIENALE

The 59^th October Salon was presented in the Salon of the Belgrade City Museum on October 19^th, starting at 12:00 p.m. | Belgrade Biennale 2022, which will be held from October 20^th to December 4^th, 2022 (January 14^th, 2023).

At the conference, they spoke about the concept of the Salon and the program of Prof. Aleksandar Ilić, acting Director of the Cultural Center of Belgrade, Gordana Goncić, representative of the Secretariat for Culture of the City of Belgrade, Radoslav Jokić, Assistant Minister in the Ministry of Culture and Information of the Republic of Serbia, Jelena Medaković - Director of the Museum of the City of Belgrade and Zorana Đaković Minniti, Artistic Director of the 59th October Salon.

OPENING DATES

• October 20^th

opening #1

Cultural Centre of Belgrade, Salon of the Belgrade City Museum, University library “Svetozar Marković”, Vojislav M. Jovanović Marambo Legacy House, facade of the Borba magazine building, facade at Makedonska 25, Pavillion at the Flower Square, plateau in front of the Palace of Albania, Danas newspaper, billboards

• October 27^th

opening #2

RTS Club Radio Belgrade, Art Hub Kula, MSUB electronic reading room

• October 29^th

opening #3

Faculty of Dramatic Arts

• November 3^rd

opening #4

National Museum in Belgrade

• November 24^th

opening #5

Salon of the Museum of Contemporary Art Belgrade, Belgrade City Library Gallery

Admission to all programs is free, and admission to the National Museum of Serbia is free on Sundays.

LOCATIONS

Cultural Centre of Belgrade

– Artget Gallery

– Fine Arts Gallery

– Podroom Gallery

– Film Gallery

– Cultural Centre of Belgrade Movie Theatre

– Official premises

Salon of the Belgrade City Museum

University library “Svetozar Marković”

Vojislav M. Jovanović Marambo Legacy House

Pavillion at the Flower Square

RTS Club Radio Belgrade

Art Hub Kula

Faculty of Dramatic Arts, University of Arts in Belgrade

National Museum in Belgrade

Salon of the Museum of Contemporary Art Belgrade

Belgrade City Library Gallery

The facade of the Borba magazine building

Danas newspaper

Facade of the building of the Institute of International Politics and Economics

Rudnik, Brezovica 32313

Belgrade – Public spaces

FOUNDER AND PATRON

City of Belgrade

BOARD OF THE OCTOBER SALON

Gordana Goncić (president)

Vuk Velickovic

Aleksandar Ilić

Jelena Medaković

Danica Jovović Prodanović

THE ORGANIZER

Cultural Center of Belgrade

More information www.oktobarskisalon.org 

Photography by Mateja Stanisavljević/ATAImages

BELGRADE DANCE INSTITUTE’S FRESHMAN CELEBRATION

The freshman year of the School of Engineering Management and the Belgrade Dance Institute will be held on 23rd October 2022. in the Beton Hall Committee, starting at 10 p.m.

The celebration on the occasion of the beginning of studies and the new academic year was organized in cooperation with the Belgrade Business and Art Academy of Applied Studies.

You can get more information by calling the number: 0637105414

BOSIFEST 2022

The thirteenth Belgrade International Film Festival for and by people with disabilities- BOSIFEST 2022, which this year is being held under the slogan Invisible Lines, was officially opened on Monday, October 17^th, 2022 at 6:00 p.m. in the Yugoslav Cinematheque.

The program was opened by the Essence choreography of Professor Ognjen Vučinić from the Belgrade Dance Institute, performed by Jovana Grujić, a first-year student of the Master's course in Artistic Dance at the Belgrade Dance Institute.

At BOSIFEST 2022, documentaries dealing with the lives of people with disabilities or written by people with disabilities will be shown.

The festival selector is film critic Miroljub Stojanović, and the members of the jury are: director Janko Baljak, director Marija Stojnić and director Dejan Petrović.

Selector Miroljub Stojanović chose 16 films from Europe, the USA, Canada, and surrounding countries that will be shown during the 3 days of the festival.

The accompanying program of the Festival consists of creative workshops, panels, musical performances.

The festival takes place from October 17^th to 19^th, 2022 at the Yugoslav Cinematheque, Uzun Mirkova 1.

The festival’s closing ceremony of the festival and award ceremony is on 19.10.2022 at 18:00. At the awards ceremony, the jury will award the Grand Prix of the Festival for the best film, the award for the best director and screenplay, as well as special awards. On that occasion, the Belgrade Dance Institute will be presented with a certificate of appreciation for its contribution to the realization of the festival.

BRUCOŠIJADA INSTITUTA ZA UMETNIČKU IGRU

Brucošijada Fakulteta za inženjerski menadžment i Instituta za umetničku igru održaće se 23.10.2022. u Beton hali Komitet, sa početkom u 22h.

Proslava povodom početka studija i nove akademske godine je organizovana u saradnji sa Beogradskom akademijom poslovnih i umetničkih strukovnih studija.

Više informacija možete dobiti pozivom na broj: 0637105414

BOSIFEST 2022

Trinaesti Beogradski Internacionalni Filmski  Festival  Osoba Sa  Invaliditetom - BOSIFEST 2022. koji se ove godine održava pod sloganom Nevidljive linije svečano je otvoren u ponedeljak 17.10.2022.u 18.00h u Jugoslovenskoj kinoteci.

Program je otvorila koreografija Essence profesora Ognjena Vučinića sa Instituta za umetničku igru u izvođenju Jovane Grujić, studentkinje I godine Master studija Umetnička igra na Institutu za umetničku igru.

Na BOSIFEST-u 2022 biće prikazani dokumentarni filmovi koji se bave životom osoba sa invaliditetom ili su autori osobe sa invaliditetom.

Selektor festivala je filmski kritičar Miroljub Stojanović, a članovi žirija su: reditelj Janko Baljak, rediteljka Marija Stojnić i reditelj Dejan Petrović.
Selektor Miroljub Stojanović odabrao je 16 filmova iz Evrope, SAD-a, Kanade ,zemalja iz okruženja koji će biti prikazani tokom 3 dana festivala.
Prateći program Festivala čine kreativne radionice, paneli, muzički performansi.

Festival se održava od 17. do 19. oktobra 2022. godine u Jugoslovenskoj kinoteci, Uzun Mirkova 1.

Svečana ceremonija zatvaranja festivala i dodela nagrada je 19.10.2022.u 18.00h. Na svečanoj dodeli nagrada, žiri će dodeliti Grand Prix Festivala za najbolji film, nagradu za najbolju režiju i scenario,kao i specijalne nagrade. Tom prilikom će Institutu za umetničku igru biti uručena zahvalnica za doprinos u realizaciji festivala.

PREMIERE OF THE DANCE PERFORMANCE SARA-JE-VO

Miona Petrović, Mojca Majcen and Ognjen Vučinić performed for the first time in the SARA-JE-VO of Balkan Dance Project choreography by Edhem Jesenković as part of the MESS Festival.

The piece was performed on October 5^th in the production of the Association Živimo Ballet and the Balkan Dance Project on the stage of the Youth Theater in Sarajevo.

This is a harsh and grotesque but sensitive story about our spaces, breaking the rules and stubbornness. Performed by dancers with strong personalities (Ognjen Vučinić Croatia, Miona Petrović Serbia, Luka Ostrež and Mojca Majcen Slovenia, Ana Kuzmanović and Emir Fejzić Bosnia and Herzegovina) specially selected for the Balkan Dance Project 2022, to music performed by Basheskia (Leonardo Šarić and Nedim Zlatar) .

Living space is a tool where you keep yourself, your identity and privacy. And that space also refers to the feeling of the interior space and contains personal memories, familiar smells, tastes, objects and a recognizable feeling of home. It is a territory that sustains your existence, contains your own beliefs and a place where you gather strength and love, says choreographer Edhem Jesenkovic.

The scenography inspired by the traditional Bosnian stone Stećka is signed by Adis Fejzić, and the executive producer of the play is Nataša Hajdarević.

Photography by Velija Hasanbegović

PROMOTION OF FILM MONOGRAPHY

Prof. dr Miomir Petrović, full professor at the Belgrade Dance Institute and the School of Engineering Management will speak at the promotion of Lije Stojković's book Film as a Propaganda Tool in Nazi Germany. The promotion will take place in the Multimedia Hall of the Vlada Divljan Culture Center on October 6^th at 7 p.m.

In addition to Professor Petrović, an author Lija Stojković and Dr. Maja Vukadinović, media expert, will talk about the book. Moderator: Aleksandra Malushev, journalist.

By abusing film and the specific language of moving images, totalitarian regimes developed a new and effective propaganda weapon in the first half of the twentieth century. Due to the influence of historical circumstances, simultaneously with the innovative boom and the growing popularity of the seventh art, Europe was shaken, first by war, then by the October Revolution, the economic crisis and the birth of fascism. While researching the techniques of shaping public opinion, the creators of cultural policies of Nazi Germany, Fascist Italy and the Soviet Union noticed that the young media represents the most effective means of mass communication and manipulation. That is why they formed special departments for propaganda, working out the mechanisms of influence and social control.

FORMAL RECEPTION OF STUDENTS 2022/23.

Today, the School of Engineering Management and Belgrade Dance Institute held a reception for first-year students. The reception started with the singing of the anthem of the Republic of Serbia.

The Dean Prof. dr Vladimir Tomašević, addressed the students and welcomed them on behalf of professors, assistants and associates at the School of Engineering Management. Prof. Dr. Srđan Tomić, vice dean for teaching, also greeted the students and presented a way of working that involves interactivity.

Vice dean for teaching at the Belgrade Dance Institute, Prof. dr Snežana Arnautović Stjepanović also welcomed the first-year students.

The ceremonial reception of students was attended by professors, assistants and associates.

Indexes were also distributed to the students on this occasion.

WHAT IS THE ART OF BALLET IN SARAJEVO TO US?

 Prof. Aleksandar Ilić, participated in the final program of Ballet Fest Sarajevo as part of the conference What is the art of ballet today, which took place on September 30^th at the Bosnian Institute - Adil Zulfikarpašić Foundation in Sarajevo.

The initiator of the conference and the director of Ballet Fest Sarajevo, Edina Papo, in addition to Aleksandar Ilić and Halid Kuborović, the ballet memoirist, asked questions about the name of the conference itself, the position of ballet artists and dancers of contemporary dance in the region, the education of dancers, repertoire policy, and long-term planning in theaters founded by the state, as well as the status of independence (freelance) dancers.

This year's thirteenth edition of the Ballet Fest Sarajevo festival, organized by the Ballet Association, was officially opened on September 22^nd with an exhibition dedicated to ballet champion Minka Kamberović, and ends on October 1^st at the Sarajevo National Theater.

IETM BELGRADE PLENARY MEETING 2022

Prof. dr Snežana Arnautović Stjepanović and Prof. Dijana Milošević attended the IETM Belgrade Plenary Meeting 2022, which takes place from September 29^th until October 2^nd, 2022.

Vice dean for teaching Prof. dr Snežana Arnautović, presented the work of the Belgrade Dance Institute and the Sola Festival project, which will be held next year in Belgrade and Novi Sad from May 26^th to 28^th, as part of the Teatroskop Regional Collaboration Lab session.

In the program of IETM and Bitef Showcase, the show Dancing Trees will be performed in the Student Park on September 30^th, 2022. at 9:00 p.m. directed by Prof. Dijana Milošević.

FORMAL RECEPTION OF STUDENTS AND START OF CLASSES IN THE 2022/23 SCHOOL YEAR

The formal reception of freshmen will be held on October 3^rd, 2022 at 9:30 a.m. in classroom 329 (3rd floor), on that day they will be addressed by the dean of the Institute and professors, and then classes will continue according to the schedule that will be announced on September 29^th.

Lectures for all years of undergraduate studies will begin on October 3^rd, 2022, according to the schedule that will be published on September 29^th.

Welcome!

ENROLLMENT IN UPPER YEARS OF UNDERGRADUATE STUDIES IN 2022/2023 YEARS

We inform students that they can enroll in the next year of study until September 30^th.

Registration can be done every working day from 10:00 a.m. to 2:00 p.m. in Student Services (Cabinet 332-333).

Enrollment requirements:

• Fulfilled the requirement for enrollment in the following year (passed exams);
• Paid school fees for the previous school year;
• Completed 2 SV forms (in the Student Service);
• Signing of the Agreement for the 2021/22 school year;
• The first installment for the following school year has been paid according to the Study Agreement (provide proof of payment).

You must bring the index to the registration!

INTENSIVE AUTUMN SEMINAR - CLASSICAL BALLET

Ballet master Carlos Montalvan (Cuba) will hold an intensive autumn seminar - classical ballet from September 26^th to October 7^th at the Belgrade Dance Institute.

The seminar will include classical ballet exercises with an emphasis on technical requirements and their mastery, duet play and repertoire.

The intensive autumn seminar - classical ballet is intended for students of elementary (3rd and 4th grade) and high school ballet schools (1st, 2nd, 3rd and 4th grade), as well as professional dancers.

The class schedule will be announced on Friday, September 23^rd.

The final presentation will be performed publicly on October 7^th in the hall of the New Space of the Belgrade Dance Institute.

The price of the Intensive autumn seminar - classical ballet is 10,000 RSD.

Classes are free for members of the Youth Ballet company.

Applications should be sent to: teodora.zivkovic@iui.rs

The application should contain:

• Name and surname;
• Date of Birth;
• the school attended by the student;
• phone number.

Example of payment slip:

Purpose of payment: Classical ballet Carlos Montalvan

Payer: First and last name and address of the master class participant

Recipient: Belgrade Dance Institute, Bulevar vojvode Mišića 43, 11000 Belgrade

Bank account number: 265167031000009130

Reference number: Unique Citizens Identity Number of candidate (JMBG in serbian)

Payments must be made by Thursday, September 22^nd

For more information, call (011) 41 40 421.

Carlos Montalvan studied classical ballet and contemporary dance at the National Academy in Cuba. He started his career at the Camagey Ballet in Cuba. He played leading roles in Swan Lake, Sleeping Beauty, Carmen, Romeo and Juliet and others. He performed with the most important ballerinas of today such as Paula Acosta, Leticia Giuliani, Luciana Savignano, Carla Fracci and others.

The champion is the Ballet Del Sud in Lecce (Italy) and the artistic director of the Lecce Ballet School.

Video Aleksandar Milošević.

ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.

The Belgrade Dance Institute is announcing the entrance exams for the Master's Studies in Artistic Dance and Master's Studies in Dance Performance - IUI Transition Dance Company for 2022/23. academic year. Master studies are intended for individuals with higher education in art who have at least 180 ECTS credits.

The master program of the Belgrade Dance Institute is intended for ambitious graduates who want to deepen their knowledge in the field of artistic dance, choreography and pedagogy, as well as already achieved professionals who want to improve their knowledge and skills to achieve better personal and professional results.

All interested candidates for Master's studies can receive information on enrollment by prior appointment:

by e-mails: institutzaumetnickuigru@gmail.com and prijave@iui.rs also by phone 011 41 40 421.

Applications are made online via the link:

http://www.iui.rs/upis-na-master-studije 

Master of Artistic Dance Studies

The master's study program lasts two years, ie four semesters and consists of sixteen subjects (compulsory and elective) that represent a balance between academic, scientific, professional, professionally applied and theoretical and methodological subjects. Compulsory courses contribute to general expertise, and electives allow students to further specialize in selected majors in order to acquire useful practical and marketable knowledge and skills.

An integral part of the master's program is the master's work of each student, which is the result of harmonizing theory and practice and which the student and his mentor create during the entire duration of the program. After defending the Master's thesis, the student acquires 120 ECTS points and the title of Master of Drama and Audiovisual Artist – Artistic Dance.

The entrance exam for the master's degree in artistic dance will be held on September 20^th, 2022. at 15.00.

The entrance exam costs 5000 RSD.

Candidates take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Master of Dance Performance Studies IUI Transition Dance Company

Master studies in dance performance - Double achievement: rigorous challenges through life in a dance company and demanding master studies.

IUI Transitions Dance Company is a dance company created within the Belgrade Dance Institute  intended for individuals with higher education in art who have at least 180 ECTS credits.

The IUI Transitions Dance Company is simultaneously engaged in education and experimentation in order to find new forms of choreographic and dance vocabulary, and ways of expressing thoughts that the choreographer sets as a task for the dancers.

The result of this way of working should be finding unexpected, stimulating challenges in working on this part, which will be available to a wide audience.

The audition for the Master of Dance Performance Studies will be held on September 21st, 2022. at 12.00. Audition includes floor, center exercises and improvisations (professor assigns improvisation).

The entrance exam costs 5000 RSD.

ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.

The Belgrade Dance Institute is announcing a audition for enrolling students in the first year of doctoral studies in Artistic Dance and Performance.

The study program lasts three years, carries 180 ECTS and after which he acquires the title: Doctor of Arts - Drama and Audiovisual Arts.

Students who have acquired a minimum of 300 ECTS in their previous academic studies can enroll in the study program.

Entrance Exam

The ranking list of students is made on the basis of the achieved success in previous schooling (average grade and length of study) and testing of knowledge, aptitudes and abilities. The type of knowledge, preferences and abilities of the candidate is determined on the basis of an interview conducted by a specially formed commission.

Candidates who apply for the study program Artistic Dance and Performance are required to take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Applications for the audition are made online via the link: http://www.iui.rs/upis-na-doktorske-studije  or via email: prijave@iui.rs 

The entrance exam will be held on September 22nd, 2022 at 2 pm at the Belgrade Dance Institute.

Documents for applying to the audition:

• Application form (received on the day of application at the Institute),
• Certified photocopies of diplomas or the original Certificate of graduation of all previously completed levels of study,
• Certified photocopies of diploma supplements or the original Certificate of passed exams of all previously completed levels of study,
• Birth certificate,
• Professional biography,
• Portfolio of works of art,
• Proof of payment of costs for organizing the entrance exam, (original payment slip).

The costs of taking the entrance exam are 5,000.00 RSD.

For all additional information, you can schedule consultations every working day from 9.00 to 17.00 on 011 41 40 421 or by e-mail prijave@iui.rs 

ENTRANCE EXAM AND PREPARATORY CLASSES FOR ENROLLMENT IN UNDERGRADUATE STUDIES

The Belgrade Dance Institute has announced the contest for the enrolment in the first year of accredited academic studies of Artistic Dance lasting for three years or six semesters, and the departments which can be enrolled are Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy, and Stage Folk Dance and Music.

After completing this level of studies, a graduate acquires the title of Drama and Audiovisual Artist – Artistic Dance (180 ECTS credits).

Entrance exams will be held on the 20th and 22th of September, whereas preparatory classes and open days will be given from 14th to 16th of September in 2022.

Enrolment exam consists of practical part, general culture test, and English language test.

The practical part of the entrance exam includes the following:

The exam in contemporary dance includes floor, center exercises and improvisations (the professor assigns improvisation);

The choreography exam includes choreography with a short description of up to three minutes (the candidate does not have to perform the choreography himself, he can perform it himself, he provides the music and everything he needs to perform the choreography);

The exam in ballet pedagogy includes a mandatory completed high school ballet and exercises with the stick, in the middle, allegro and exercises on the toes;

The examination in the pedagogy of contemporary dance includes the floor, center exercises and improvisations (the professor assigns improvisation);

The stage folk dance exam includes a practical presentation of a certain number of dances from all ethno-choreological areas of Serbia, the processing of a step pattern in a certain number of beats and the preparation of a choreographic miniature on a specific theme lasting 2 to 3 minutes with a shorter description.

Schedule of the entrance exams:

• Entrance exam for Classical Pedagogy is on 20.09. at 11.00 in the hall of the New Space;
• Entrance exam for Contemporary Dance and Contemporary Dance Pedagogy is on 21.09. at 11.00 in the hall of the New Space;
• Entrance exam for Choreography is on 21.09. at 13.00 in the hall in the New Space;
• Entrance exam for Stage Folk Dance is on 22.09. at 16.00 in room 307;
• General Knowledge Test is on 22.09. at 13.00 in room 329;
• English Language Test on 22nd September at 14.00 in room 329.

Before taking the entrance exam, the candidate pays the amount of 2,000 RSD to the faculty account for the costs of holding the exam.

Payment is made to bank account of Institute: 265167031000009130; reference number: Unique Citizens Identity Number of candidate. Purpose of payment: Entrance exam costs.

Preparatory Classes (or College Prep)

The Belgrade Dance Institute holds entrance-exam preparatory classes for undergraduate studies for the departments: Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy and Stage Folk Dance and Music.

Preparatory classes will be held from September 14^th to 16^th of 2022.

Timetables for preparation classes will be published later on the faculty website.

Attendance of preparatory classes for all departments is 5,000.00 RSD.

Payment is made to bank account of Institute: 265167031000009130; reference number: Unique Citizens Identity Number of candidate. Purpose of payment: Costs of preparation classes

Enrolment

Candidates who passed the entrance exam and who are about to enroll the Institute need to submit the following documents:

• Birth Certificate;
• Secondary School Certificates of all four forms (the original or a verified copy);
• Secondary School Diploma (the original or a certified copy);
• 2 photographs with dimensions 3.5 x 4.5 cm;
• The receipt showing the fees are paid

Tuition fees / Finance

The total costs of studying at the undergraduate level are the most affordable in Serbia (tuition, all textbooks, and scientific and teaching aids, unlimited number of exam applications and semester certification) and amount to EUR 2,000 per year of study (payment at the NBS middle exchange rate on the day of payment).

If the candidate opts for the payment in installments, the student is obliged to pay 40% of the tuition fee at the beginning of the academic year (dinar equivalent at the NBS middle exchange rate on the day of payment), and the rest in eight equal monthly installments at the NBS middle exchange rate on the day of payment.

In the best academic spirit, the Belgrade Dance Institute offers partial or full scholarships for students who, upon application, show the highest quality and potential, as well as the need for financial assistance.

Before taking the entrance exam, a candidate pays to the Institute account the amount of 2,000 RSD for the costs of holding the exam.

Payment is made to the Institute bank account with the number 265167031000009130; reference number – the candidate’s Unique Citizen’s Identity Number (JMBG in Serbian). *

 Foreign students

In addition to the above conditions, these students must additionally take care of obtaining visas for the purpose of staying in Serbia during their studies. The Institute is not a guarantor of foreign students during their stay in Serbia, nor does it bear any legal, financial, or moral responsibility towards them or third parties related to their stay in the Republic of Serbia. The students themselves are responsible for obtaining relevant documentation and proving it to the Consular Representation or the Embassy of the Republic of Serbia in order to obtain (a) visa (s). All students who pass the entrance exams and meet all the conditions for enrollment can obtain the relevant certificates that will be sent to the competent authorities for the timely issuance of their visas.

YOU CAN SEND AN APPLICATION FOR ADMISSION TO EMAIL PRIJAVE@IUI.RS  OR VIA THE REGISTRATION FORM ON THE WEBSITE.

The application should contain:

• Name and surname
• Residential address
• Contact email
• Contact phone
• Previous education
• Chosen major (classical ballet, choreography, ballet pedagogy, contemporary dance, stage folk dance, contemporary dance pedagogy)
• Type of study (undergraduate studies, master's studies, doctoral studies)
• Year of enrollment

For any additional information, you can schedule a consultation every working day from 9:00 a.m. to 5:00 p.m. by phone at 011 41 40 421 or via email institutzaumetnickuigru@gmail.com

A DANCE WITH A MYTH PERFORMED IN ŠIBENIK

As part of the 11th Šibenik Dance Festival, on July 29th at the Barone Fortress in Šibenik, the dance performance Igra s mitom (Dance with myth) was performed and choreographed by Prof. Aleksandar Ilić.

 "There is a lot of symbolism in this play, which is not difficult to read. Although I do not deal with political theater or gender matters, this is a woman's story. Four strong female dancers actually say that the world does not belong only to men, but that they (women) rule it," said Prof. Aleksandar Ilić.

His choreographic vision was performed by Katarina Ilijašević, Natalija Trifunović, Jovana Grujić and Katarina Bućić.

To the audience of ŠDF, Prof. Ilić delighted not only with his choreography, but also with additional stage elements.

"Costume and light are additional performers on stage. My plays are quite slow and dark. I love the shadow play. And here, in a sparse light park, we managed to create the desired mystique. My choreographic signature is recognizable by challenging the body reflexes of the players on stage. I want their speech and the sound of their bodies to echo from the stage," Ilić explained.

The costumes are designed by Katarina Radošević Galić and Snežana Arnautović Stjepanović, and the music is adapted by Georg Draušnik. The performance was prepared by Ognjen Vučinić.

More about the play - https://sibenski.slobodnadalmacija.hr/sibenik/kultura/ostalo/ples-s-mitom-na-tvrdavi-barone-misticna-koreografija-umjetnika-iz-beograda-odusevila-sibensku-publiku-1212381 

COLLECTIVE ANNUAL HOLIDAY 2022.

We inform professors, associates and students that the School of Engineering Management and the Belgrade Dance Institute will not work during the collective vacation in the period from July 18th, 2022 to September 2nd, 2022.

The first working day is September 5th, 2022.

DEFENSE OF THE DOCTORAL THESIS BY ŽORŽ DRAUŠNIK

On 14.7.2022. in Belgrade, Žorž Draušnik, a candidate for the title of Doctor of Drama and Audiovisual Arts - Artistic Dance and Performance, i.e. a student of Doctoral Studies, began the defense of his Doctoral Dissertation.

Respected colleague Žorž Draušnik presented his work on the topic CULTURAL, MUSICAL AND PRODUCTION RELATIONS OF CONCEPTUALISM AND THEATER ARTISTIC AND SCENOGRAPHIC PRACTICE and presented it publicly in front of the members of the commission formed by the Scientific and Teaching Council of the Faculty of Evaluation and Defense in accordance with Article 26. Statute of the Faculty, consisting of:

1. Prof. Dr. Sibila Petrevski, President of the commission
2. Prof. Diana Milošević, member
3. Prof. Dr. Snežana Arnautović Stjepanović, member

After his presentation, respected colleague Draušnik answered all the questions.

The Commission notes that on 14.7.2022. in Belgrade, respected colleague, Žorž Draušnik, successfully defended his Doctoral dissertation on the topic CULTURAL, MUSICAL AND PRODUCTION RELATIONS OF CONCEPTUALISM AND THEATER ARTISTIC AND SCENOGRAPHIC PRACTICE.

According to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment on, Žorž Draušnik has all the rights and obligations arising from the fact that he has a publicly recognized academic title from today PhD in Arts – Drama and Audiovisual Arts.

CONGRATULATIONS!!!!

PREMIERE OF GRADUATE CONCERT KULTURA!

On Saturday, July 9th, the graduation concert KULTURA! by student of the Belgrade Dance Institute, at the Department of Stage Folk Dance and Music, Nevena Antić premiered at the Una Saga Serbica premises, and was sent off with a standing ovation.

At the concert, Nevena's works from the subject of Choreographic Composition will be presented, such as Pošla Rumena's divertissement (a mix of processed dance patterns based on dance motifs from Pirotsko Polje), the love duet Laska inspired by Slovak folk dances and melodies, the quadrille choreographic form Adurmite mndra, a humorous adaptation of a fairy tale The Brothers Grimm's Sleeping Beauty, based on Vlach dances from Bor and its surroundings, the stage adaptation of the Ide Božić Koledo tradition - a carol procession in Leskovačka Morava and the humorous chamber sequence Mustaći. In addition to various choreographic forms, the audience will have the opportunity to enjoy traditional songs from Bosnian Krajina, Prizrenska Gora and from Kosovo and Metohija and in special arrangements by Nevena's professor Ana Babić, and a block of songs will be dedicated and performed in her honor. The mentors of Nevena Antić's work are professor Dr. Anton Andonov and professor Dr. Vesna Bajić Stojiljković.

Sound design: Goran Spasojević

Lighting design: Svetozar Krstić

Camera and editing: Nikola Rogan

Design of promo material: Zoran Stepanović and Anđela Antić

Technical support: Milica Pejić

The text of the program was prepared by: Lazar Barać

Costumes:

Goran Jovanović and the Tošić family

Marko Jevtic

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Belgrade

Catering: Zlatna kruna Smederevo

Dancers:

Ivona Stojanović

Nevenka Bošković

Maria Badivuk

Jovan Rakit

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanovic

Boban Kostić

Vladimir Drljan

Marko Markovic

Nebojsa Miskovic

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antic

Music artists:

Aleksandar Aca Antic

Nebojsa Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostic

Luka Kosanović

Dragan Kozarcic

Nikola Vuckovic

Miroslav Majstorović

GUESTS:

Inclusive singing group Belgrade: Jovana Lazić, Divna Saranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković and Mihailo Riđevac

Percussion ensemble dRumble by Aleksandar Radulović:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić and Arion Petrovski

Bojana and Nebojsa Brdarić

Producer: Anđela Antić

Choreographer: Nevena Antić

Long live Culture!

DEFENSE OF GRADUATE THESIS BY KSENIJA SINĐIĆ

Distinguished colleague Ksenija Sinjđić, presented her work on the topic Temps lié in all its forms and presented publicly to members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Faculty Statute, consisting of:

1. Prof. Dr. Snežana Arnautović Stjepanović, President of the Commission
2. Prof. Aleksandar Ilić, mentor
3. Doc. Mila Stijak, member

After her presentation, the esteemed colleague Ksenija answered all the questions.

Pursuant to the Law on Higher Education of the Republic of Serbia and the Statute of the Faculty, from this moment Ksenija Sinđić has all the rights and obligations arising from the fact that as of today she has a publicly recognized academic title Drama and audiovisual artist – Artistic Dance.

CONGRATULATIONS !!!!

GRADUATE CONCERT CULTURE!

IMPORTANT NOTICE - THE GRADUATION CONCERT CULTURE!, BY STUDENTS OF THE BELGRADE DANCE INSTITUTE, AT THE DEPARTMENT OF STAGE FOLK PLAY AND MUSIC, NEVENA ANTIĆ WILL BE HELD ON SATURDAY, JULY 9th, 2022, STARTING AT 8 P.M. IN THE PREMISES OF UNA SAGA SERBICA, IN MILUTIN MILANKOVIĆA 120D, BLOCK 28, NOVI BELGRADE.

At the concert, Nevena's works from the subject of Choreographic Composition will be presented, such as Pošla Rumena's divertissement (a mix of processed dance patterns based on dance motifs from Pirotsko Polje), the love duet Laska inspired by Slovak folk dances and melodies, the quadrille choreographic form Adurmite mndra, a humorous adaptation of a fairy tale The Brothers Grimm's Sleeping Beauty, based on Vlach dances from Bor and its surroundings, the stage adaptation of the Ide Božić Koledo tradition - a carol procession in Leskovačka Morava and the humorous chamber sequence Mustaći. In addition to various choreographic forms, the audience will have the opportunity to enjoy traditional songs from Bosnian Krajina, Prizrenska Gora and from Kosovo and Metohija and in special arrangements by Nevena's professor Ana Babić, and a block of songs will be dedicated and performed in her honor. The mentors of Nevena Antić's work are professor Dr. Anton Andonov and professor Dr. Vesna Bajić Stojiljković.

Welcome on July 9th at 8 p.m., be ready for more surprises!

Entrance is free.

Sound design: Goran Spasojević

Lighting design: Svetozar Krstić

Camera and editing: Nikola Rogan

Design of promo material: Zoran Stepanović and Anđela Antić

Technical support: Milica Pejić

The text of the program was prepared by: Lazar Barać

Costumes:

Goran Jovanović and the Tošić family

Marko Jevtic

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Belgrade

Catering: Zlatna kruna Smederevo

Dancers:

Ivona Stojanović

Nevenka Bošković

Maria Badivuk

Jovan Rakit

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanovic

Boban Kostić

Vladimir Drljan

Marko Markovic

Nebojsa Miskovic

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antic

Music artists:

Aleksandar Aca Antic

Nebojsa Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostic

Luka Kosanović

Dragan Kozarcic

Nikola Vuckovic

Miroslav Majstorović

GUESTS:

Inclusive singing group Belgrade: Jovana Lazić, Divna Saranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković and Mihailo Riđevac

Percussion ensemble dRumble by Aleksandar Radulović:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić and Arion Petrovski

Bojana and Nebojsa Brdarić

Producer: Anđela Antić

Choreographer: Nevena Antić

Long live Culture!

A COOPERATION AGREEMENT SIGNED WITH THE VIENNA CONSERVATORIUM IN BUDAPEST

The Dean of Belgrade Dance Institute Prof. Dr. Vladimir Tomašević signed an agreement on cooperation with Prof. Dr. Balogh Gabor, the director of the Vienna Conservatory in Budapest.

The agreement defined future cooperation and the opening of the study program of the Belgrade Dance Institute at the Conservatory in Budapest.

PREMIERE OF GRADUATE PERFORMANCE METRONOMY

On July 1st, the graduate performance of Metronomy, choreographed by Tamara Gvozdenović, premiered on the Raša Plaović stage of the National Theater in Belgrade.

Sonja Stojanović, Una Balaž and Angela Mihova performed in front of the committee and the audience, for whom this was the graduate performance, together with Doc. Katarina Bućić, Miona Petrović and Tijana Ostojić.

The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.

Photography by Nemanja Maraš

RESULTS OF THE ADMISSION EXAMINATION FOR UNDERGRADUATE STUDIES IN THE ACADEMIC YEAR 2022/2023

PREMIJERA PLESNE PREDSTAVE SARA-JE-VO

Miona Petrović, Mojca Majcen i Ognjen Vučinić premijerno su nastupili u plesnoj predstavi SARA-JE-VO Balkan Dance Project-a u koreografiji Edhema Jesenkovića u okviru Festivala MESS.

Predstava je izvedena 5. oktobra u produkciji Udruženja Živimo balet i Balkan Dance Project-a na sceni Pozorišta mladih u Sarajevu.

Ovo je surova i groteskna, ali osetljiva priča o našim prostorima, kršenju pravila i tvrdoglavosti. U izvođenju igrača jakih ličnosti (Ognjen Vučinić Hrvatska, Miona Petrović Srbija, Luka Ostrež i Mojca Majcen Slovenija, Ana Kuzmanović i Emir Fejzić Bosna i Hercegovina) posebno odabranih za Balkan Dance Project 2022, na muziku koju izvodi Basheskia (Leonardo Šarić i Nedim Zlatar).

Životni prostor je sredstvo gde držite sebe, svoj identitet i privatnost. A taj prostor se odnosi i na osećaj unutrašnjeg prostora i sadrži lične uspomene, poznate mirise, ukuse, predmete i prepoznatljiv osećaj doma. To je teritorija koja održava vaše postojanje, sadrži vaša vlastita uverenja i mesto gde skupljate snagu i ljubav, navodi koreograf Edhem Jesenković.

Scenografiju inspirisanu tradicionalnim bosanskim kamenom Stećkom potpisuje Adis Fejzić, a izvršna producentkinja predstave je Nataša Hajdarević.

Fotografija: Velija Hasanbegović

PROMOCIJA FILMOLOŠKE MONOGRAFIJE

Prof. dr Miomir Petrović, redovni profesor na Institutu za umetničku igru i Fakultetu za inženjerski menadžment govoriće na promociji knjige Lije Stojković Film kao sredstvo propagande u nacističkoj Nemačkoj. Promocija će se održati u Multimedijalnoj sali Centra za kulturu Vlada Divljan,  6. oktobra u 19 časova.

Pored profesora Petrovića o knjizi će govoriti Lija Stojković, autorka i Dr Maja Vukadinović, medijski stručnjak. Moderator: Aleksandra Malušev, novinarka.

Zloupotrebom filma ispecifičnog jezika pokretnih slika totalitarni režimi su u prvoj polovini dvadesetog veka razvili novo i efikasno propagandno oružje. Sticajem istorijskih okolnosti, istovremeno sa inovativnim bumom i rastom popularnosti sedme umetnosti, Evropu potresaju, prvo rat, zatim Oktobarska revolucija, ekonomska kriza i rađanje fašizma. Istražujući tehnike oblikovanja javnog mnjenja, kreatori kulturnih politika nacističke Nemačke, fašističke Italije i Sovjetskog Saveza uočili su da mladi medij predstavlja najefikasnije sredstvo masovne komunikacije i manipulacije. Zbog toga su formirali posebna odeljenja za propagandu razrađujući mehanizme uticaja i društvene kontrole.

SVEČANI PRIJEM STUDENATA 2022/23.

Danas je na Fakultetu za inženjerski menadžment upriličen svečani prijem za studente I godine. Svečani prijem je započet intoniranjem himne Republike Srbije.

Studentima se obratio prof. dr Vladimir Tomašević, dekan Fakulteta i poželeo im je dobrodošlicu u ime profesora, asistenata i saradnika na Fakultetu. Prof. dr Srđan Tomić, prodekan za nastavu, je takođe pozdravio studente i predstavio način rada koji podrazumeva interaktivnost.

Prodekan za nastavu Instituta za umetničku igru, Prof. dr Snežana Arnautović Stjepanović je takođe poželela dobrodošlicu studentima prve godine.

Svečanom prijemu studenata prisustvovali su profesori, asistenti i saradnici.

Studentima su ovom prilikom podeljeni i indeksi.

ŠTA JE NAMA UM(J)ETNOST BALETA U SARAJEVU

Prof. Aleksandar Ilić, učestvovao u završnom programu Balet Fest Sarajevo u okviru konferencije Šta je nama danas umjetnost baleta koja se održala 30. septembra u Bošnjačkom Institutu – Fondaciji Adila Zulfikarpašića u Sarajevu.

Inicijatorka konferencije i direktorka Balet Fest Sarajevo Edina Papo, pored Aleksandra Ilića  i Halida Kuborovića memoariste baleta, postavlala je pitanja samog naziva konferencije, pozicije baletskih umetnika i igrača savremene igre u regionu, obrazovanja igrača, repertoarske politike, dugoročnijim planiranjima u pozorištima čiji su osnivači država, kao i statusom slobosnih igrača.

Ovogodišnje trianesto izdanje festivala Balet Fest Sarajevo u organizaciji udruženja Baleti svečano je otvoreno 22. septembra izložbom posvećenoj prvakinji baleta Minki Kamberović, a završava se 1. oktobra u Narodnom pozorištu Sarajevo.

IETM BELGRADE PLENARY MEETING 2022

Prof. dr Snežana Arnautović Stjepanović i Prof. Dijana Milošević pristustvovale su IETM Belgrade Plenary Meeting 2022 koji se održava od 29.09. do 2.10.2022. 

Prodekan za nastavu Prof. dr Snežana Arnautović je u okviru sesije Teatroskop Regional Collaboration Lab predstavila rad Instituta za umetničku igru i projekat Festival Sola koji će se sledeće godine održati u Beogradu i Novom Sadu od 26. do 28 maja.

U programu IETM i Bitef Showcase biće izvedena predstava Drveće pleše u Studentskom parku  30.09.2022. u 21.00 časova u režiji Prof. Dijane Milošević.

SVEČANI PRIJEM BRUCOŠA I POČETAK NASTAVE U ŠKOLSKOJ 2022/23 GODINI

Svečani prijem brucoša će se održati 3. oktobra 2022. godine u 9.30 časova u učionici 329 (III sprat), tog dana će im se obratiti dekan Fakulteta i profesori, a zatim će se nastaviti sa radom prema rasporedu koji će biti objavljen 29. septembra.

Predavanja će za sve godine osnovnih studija početi 3. oktobra 2022. godine prema rasporedu koji će biti objavljen 29. septembra.

Dobrodošli!

Obaveštavamo studente da do 30. 9. mogu da upišu narednu godinu studija.

Upis se može obaviti svakog radnog dana od 10.00 do 14.00 u Studentskoj službi (Kabinet 332-333).

Uslovi za upis:

• Ispunjen uslov za upis u narednu godinu (položeni ispiti);
• Izmirena školarina za prethodnu školsku godinu;
• Popunjena 2 ŠV obrasca (u Studentskoj službi);
• Potpisivanje Ugovora za školsku 2021/22;
• Uplaćena prva rata za narednu školsku godinu prema Ugovoru o studiranju (doneti dokaz o uplati).

Na upis obavezno doneti indeks!

INTENZIVNI JESENJI SEMINAR - KLASIČAN BALET

Baletmajstor Karlos Montalvan (Kuba) održaće Intenzivni jesenji seminar - klasičan balet od 26. septembra do 7. oktobra u Institutu za umetničku igru. 

Prijava treba da sadrži:

• ime i prezime;
• datum rođenja;
• škola koju pohađa učenik;
• broj telefona.

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2022/23. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

Master program Instituta za umetničku igru namenjen je ambicioznim diplomcima koji žele da prodube znanja iz oblasti umetničke igre, koreografije i pedagogije, kao i već ostvarenim profesionalcima koji žele da unaprede znanja i veštine kako bi postigli što bolje rezultate na ličnom i profesionalnom planu.

Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje: institutzaumetnickuigru@gmail.com, putem i-mejla: prijave@iui.rs i putem telefona 011 41 40 421.

Prijave se vrše online putem linka:

http://www.iui.rs/upis-na-master-studije 

Master studije Umetnička igra

Program master studija traje dve godine, odnosno četiri semestra i sastoji se od šesnaest predmeta (obavezni i izborni) koji predstavljaju ravnotežu između akademsko obrazovnih, naučno stručnih, stručno aplikativnih i teoretsko metodoloških predmeta. Obavezni predmeti doprinose opštoj stručnosti, a izborni omogućuju studentima dodatnu  specijalizuju za odabrane smerove kako bi stekli korisno praktično i tržišno upotrebljivo znanje i veštine.

Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

Prijemni ispit za master studije umetnička igra će se održati 20. septembra 2022. godine u 15.00h.

Prijemni ispit se plaća 5000 RSD.

Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Master studije plesnog performansa IUI Transition Dance Company

Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.

IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.

Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.

Audicija za Master studije plesnog performansa će se održati  21. septembra 2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).

Prijemni ispit se plaća 5000 RSD.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.

Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.

Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.

Prijemni ispit

Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.

Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs

Prijemni ispit će se održati 21. septembra 2022. godine u 14.00h na Institutu za umetničku igru.

Dokumenta za prijavljivanje na konkurs:

• Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
• Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
• Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
• Izvod iz matične knjige rođenih,
• Stručna biografija,
• Portfolio umetničkih radova,
• Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica).

Troškovi polaganja prijemnog ispita iznose 5.000,00 din.

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs 

PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE

Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove:  Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.

Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).

Prijemni ispiti biće održani od 20. do 22. septembra 2022. godine, dok će se pripremna nastava i konsultacije realizovati od 14. do 16. septembra 2022. godine.

Prijemni ispit

Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.

Praktičan deo prijemnog ispita podrazumeva sledeće:

Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz scenske narodne igre podrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.

Termini prijemnih ispita

Prijemi za  Baletsku pedagogiju 20.09. u 11.00h u sali Novom prostoru
Prijemni za Savremenu igru i Pedagogiju savremene igre 21.09. u 11.00h sali Novom prostoru;
Prijemni za koreografiju 21.09. u 13.00h u sali u Novom prostoru;
Prijemni za Scensku narodnu igru 22.09. u 16.00h u sali 307;
Test opšte kulture 22.09. u 13.00h u kabinetu 329;
Test engleskog jezika 22.09. u 14.00h u kabinetu 329.

Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.

Pripremna nastava

Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke:  Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.

Pripremna nastava će se održavati od 14. do 16. septembra 2022. godine.

Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.

Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.      

Svrha uplate: Troškovi pripremne nastave  

Upis

Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:

Izvod iz matične knjige rođenih;
Svedočanstva sva četiri razreda srednje škole (original ili overena kopija);
Diploma završene srednje škole (original ili overena kopija);
2 fotografije dimenzija 3,5 x 4,5 cm;
Dokaz o izvršenoj uplati školarine.

Školarina / Finansije

Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR  po godini studija (plaćanje po srednjem kursu NBS na dan uplate).

Ukoliko se kandidat opredeli za varijantu plaćanja u ratama, student je u obavezi da prilikom upisa uplati 40% školarine (dinarska protivvrednost po srednjem kursu NBS na dan uplate), a ostatak na osam jednakih mesečnih rata po srednjem kursu NBS na dan uplate.

Studenti koji nisu građani Republike Srbije

Pored gorenavedenih uslova moraju dodatno da se sami postaraju za dobijanje viza radi boravka u Srbiji tokom studiranja. Institut nije garantor stranim studentima tokom njihovog boravka u Srbiji niti snosi bilo kakvu pravnu-finansijsku-moralnu odgovornost prema njima ili trećim licima vezanima za njihov boravak u Republici Srbiji. Sami studenti su odgovorni za pribavljanje relevantne dokumentacije i dokazivanja Konzularnom predstavništvu ili Ambasadi Republike Srbije radi dobijanja vize(a). Svi studenti koji polože prijemne ispite i steknu sve uslove za upis, mogu da dobiju relevantne potvrde koje će biti upućene nadležnim organima radi blagovremenog izdavanja njihovih viza.

PRIJAVU ZA PRIJEMNI MOŽETE POSLATI NA EMAIL PRIJAVE@IUI.RS ILI PREKO UPISNE FORME NA SAJTU.

Prijava treba da sadrži:

Ime i prezime
Adresu stanovanja
Kontakt email
Kontakt telefon
Prethodno obrazovanje
Izabrani smer (klasičan balet, koreografija, baletska pedagogija, savremena igra, scenska narodna igra, pedagogija savremene igre)
Tip studija (osnovne studije, master studije, doktorske studije)
Godina upisa

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 telefonom 011 41 40 421 ili institutzaumetnickuigru@gmail.com

IGRA S MITOM IZVEDENA U ŠIBENIKU

U okviru XI Šibesnkog plesnog festivala 29. jula na Tvrđavi Barone u Šibeniku je izvedena plesna predstava Igra s mitom u koreografiji Prof. Aleksandra Ilića.  

 „U ovoj je predstavi mnogo simbolike koju nije teško iščitati. Iako se ne bavim političkim teatrom ni rodnim stvarima, ovo jest jedna ženska priča. Četiri snažne plesačice zapravo govore da svet ne pripada samo muškarcima, nego da upravo one vladaju njim“, rekao je Prof. Aleksandar Ilić.

Njegovu koreografsku viziju izvele su Katarina Ilijašević, Natalija Trifunović, Jovana Grujić i Katarina Bućić.

Publiku ŠDF-a Prof. Ilić je oduševio ne samo svojom koreografijom, nego i dodatnim scenskim elementima.

„Kostim i svetlo su dodatni izvođači na sceni. Moje predstave su dosta spore i mračne. Volim igru sa senkama. I ovde, u oskudnom svetlosnom parku, uspeli smo stvoriti željenu mistiku. Moj koreografski potpis prepoznatljiv je i po izazivanju igrača na telesne reflekse na sceni. Želim da s pozornice odjekne i njihov govor i zvuk tela“, objasnio je Ilić.

Kostim potpisuju Katarina Radošević Galić i Snežana Arnautović Stjepanović, a adaptaciju glazbe Georg Draušnik. Predstavu je pripremio Ognjen Vučinić.

Više o predstavu pogledajte ovde: https://sibenski.slobodnadalmacija.hr/sibenik/kultura/ostalo/ples-s-mitom-na-tvrdavi-barone-misticna-koreografija-umjetnika-iz-beograda-odusevila-sibensku-publiku-1212381 

Obaveštavamo profesore, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi za vreme kolektivnog godišnjeg odmora u periodu od 18. jula 2022. do 2. septembra 2022.

Prvi radni dan je 5. 9. 2022. godine.

Dana 14.7.2022. u Beogradu, Žorž Draušnik, kandidat za zvanje Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra i performans, odnosno student Doktorskih studija pristupio je odbrani svoje Doktorske disertacije.

Uvaženi kolega Žorž Draušnik je prikazao svoj rad na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE" i izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. dr Sibila Petrevski, Predsednik komisije

2. Prof. Dijana Milošević, član

3. Prof.dr Snežana Arnautović, član

Nakon svog izlaganja uvaženi kolega Draušnik je odgovorio na sva postavljena pitanja.

Komisija konstatuje da je dana 14.7.2022. u Beogradu, uvaženi kolega, Žorž Draušnik uspešno odbranio svoju Doktorsku disertaciju na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE"

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Žorž Draušnik ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje

"Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra".

ČESTITAMO!!!!

IZVEDEN DIPLOMSKI KONCERT KULTURA!

U subotu, 9. jula, izveden je diplomski koncert KULTURA! studentkinje Instituta za umetničku igru, na odseku za scensku narodnu igru i muziku, Nevene Antić u prostoru Una Saga Serbica, koji je bio ispraćen uz ovacije.

Na koncertu su bili prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja),  ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika je imala priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te je jedan blok pesama bio posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.

Dizajn tona: Goran Spasojević

Dizajn svetla: Svetozar Krstić

Kamera i montaža: Nikola Rogan

Dizajn promo materijala: Zoran Stepanović i Anđela Antić

Tehnička podrška: Milica Pejić

Tekst programa pripremio: Lazar Barać

Kostimi:

Goran Jovanović i porodica Tošić

Marko Jevtić

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Beograd

Ketering: Zlatna kruna Smederevo

Igrači:

Ivona Stojanović

Nevenka Bošković

Marija Badivuk

Jovana Rakita

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanović

Boban Kostić

Vladimir Drljan

Marko Marković

Nebojša Mišković

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antić

Muzički izvođači:

Aleksandar Aca Antić

Nebojša Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostić

Luka Kosanović

Dragan Kozarčić

Nikola Vučković

Miroslav Majstorović

GOSTI:

Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac

Perkusionistički ansambl dRumble Aleksandra Radulovića:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski

Bojana i Nebojša Brdarić

Producent: Anđela Antić

Koreograf: Nevena Antić

Živela kultura!

ODBRANA ZAVRŠNOG RADA KSENIJE SINĐIĆ

Nakon svog izlaganja uvažena koleginica Ksenija je odgovorila na sva postavljena pitanja.

Dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!!

DIPLOMSKI KONCERT KULTURA!

VAŽNO OBAVEŠTENJE - DIPLOMSKI KONCERT KULTURA!, STUDENTKINJE INSTITUTA ZA UMETNIČKU IGRU, NA ODSEKU ZA SCENSKU NARODNU IGRU I MUZIKU, NEVENE ANTIĆ BIĆE ODRŽAN U SUBOTU 9. JULA 2022 SA POČETKOM U 20 ČASOVA U PROSTORU UNA SAGA SERBICA, U MILUTINA MILANKOVIĆA 120D, BLOK 28, NOVI BEOGRAD.

Na koncertu će biti prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja),  ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika će imati priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te će jedan blok pesama biti posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.

Dobrodošli 9.jula u 20 časova, spremni na još iznenađenja!

Ulaz je slobodan.

Dizajn tona: Goran Spasojević

Dizajn svetla: Svetozar Krstić

Kamera i montaža: Nikola Rogan

Dizajn promo materijala: Zoran Stepanović i Anđela Antić

Tehnička podrška: Milica Pejić

Tekst programa pripremio: Lazar Barać

Kostimi:

Goran Jovanović i porodica Tošić

Marko Jevtić

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Beograd

Ketering: Zlatna kruna Smederevo

Igrači:

Ivona Stojanović

Nevenka Bošković

Marija Badivuk

Jovana Rakita

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanović

Boban Kostić

Vladimir Drljan

Marko Marković

Nebojša Mišković

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antić

Muzički izvođači:

Aleksandar Aca Antić

Nebojša Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostić

Luka Kosanović

Dragan Kozarčić

Nikola Vučković

Miroslav Majstorović

GOSTI:

Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac

Perkusionistički ansambl dRumble Aleksandra Radulovića:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski

Bojana i Nebojša Brdarić

Producent: Anđela Antić

Koreograf: Nevena Antić

Živela kultura!

POTPISAN SPORAZUM O SARADNJI S VIENNA KONZERVATORIJUMOM U BUDIMPEŠTI

Dekan Prof. dr Vladimir Tomašević potpisao je sporazum o saradnji sa Prof. dr Balogh Gaborom direktorom Vienna Konzervatorijuma u Budimpešti.

Sporazumom su definisane buduće saradnje i otvaranje studijskog programa Instituta za umetničku igru na Konzervatorijumu u Budimpešti.

IZVEDENA ZAVRŠNA PREDSTAVA METRONOMIJA

Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula je premijerno izvedena završna predstava Metronomija u koreografiji Tamare Gvozdenović.

Pred komisijom i publikom predstavu su izvele Sonja Stojanović, Una Balaž i Angela Mihova kojima je ovo bila završna predstava, zajedno sa Katarinom Bućić, Mionom Petrović i Tijanom Ostojić.

Originalnu muziku za predstavu potpisuje Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.

Fotografija Nemanja Maraš

REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2022/2023 GODINE

GRADUATE PERFORMANCE METRONOMY

The dance piece Metronomy, created by the Serbian-Belgian choreographer Tamara Gvozdenović, will premiere at the National Theater on the Raša Plaović stage in Belgrade on July the 1st at 20.30h.

The production stars Katarina Bućić, Sonja Stojanović, Angela Mihova, Una Balaž, Miona Petrović and Tijana Ostojić.

The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.

Discussing her production, the choreographer states: We build our common future by considering the contrasts: the construction against the deconstruction, the parallels, the crowd against the loneliness, the in-between, the negative space, the shadow, the transformation of the bodies , the change of the space, the change of the perception and the perspective. “To create, first we will destroy. Everything we have built, we will destroy. We will erase everything we believed in. We will forget all the faces we have seen. We will not start from scratch. We will keep the foundations. In pieces. We will collect. Some will remain. We will choose. Some will be forgotten. Lift up. Step off. Valorize. Destroy.

After studying visual arts in Neuchâtel, Tamara Gvozdenović enrolled the prestigious Trinity Laban Conservatory of Music and Dance in London, where as well our famous choreographer Aleksandar Ilić obtained his Master's degree. After her studies, she presented her first dance production, Sainte Marie Joseph de la Rose, at the Théâtre du Pommier in Neuchâtel, and the following year she created Sous le Cou (p) du Lapin and her third production Light Scream. In 2014, she joined the famous Belgian dance company Peeping Tom in Brussels.

She is the founder of Le Facteur, a dance company formed of a group of artists, based abd working between the Switzerland, France and Belgium. She presented herself to the Belgrade audience last year taking part of the first edition of the Festival Solo with the production Tombés.

Confirmations of arrival and reservations are made via email teodora.zivkovic@iui.rs 

GRADUATE PERFORMANCE LOVERS

The graduation performance LOVERS by Andrea Dobrić, Nina Pantović and Ana Gliksman, premieres on the stage of the Theater on Hill (Teatar na Brdu) on Monday, June 27^th, starting at 8 p.m.

Given our closeness, we decided to unite personal experiences and make a piece that we can live while dancing, and which deals with falling in love and love itself.

What makes love relationships specific is that they are at the same time an exploration of ourselves through someone else; it largely depends on our will to open up, on our ability to overcome fears and give faith to our feelings.

Especially in the modern age, the concept of love relationships is complicated and it seems as if it is moving further and further away from its essence, which lies in what is right, what is biological and primordial for every human being.

This play does not trivialize love by giving an answer to the question of what it really is or how to experience it correctly.

Our wish is to give the audience a basis to feel love through this play, because its greatest beauty is that it can only be felt in its own way,

the authors state.

Performers: Djordje Galić, Dejan Bošković, Dimitrije Cincar Kostić, Ana Gliksman, Andrea Dobrić and Nina Pantović.

Creative associate: Sara Radulović;

Costume design: Nataša Vranešević;

Light design: Vladimir Živanović;

Music: Miloš Stevanović;

Mix and master: Nemanja Obrenović;

Photography: Jana Andjić.

PREMIERE OF GRADUATE PERFORMANCE 

Virgina (BalkanAberIca)

On June 23^rd, 2022, the graduate performance of student Tamara Ljesar from the Department of Stage Folk Dance and Music of the Belgrade Dance Institute, Virgina (BalkanAberIca) premiered at the crowded Vuk Theater.

Inspired by field work, many years of professional education, but also the knowledge acquired at the Institute, the author premieres a dance-drama concert based on tradition through a contemporary point of view. The life cycle of a man and his emotional states are presented through 5 choreographies, 4 of which are the author's works. Each shows different doubts and struggles, as an integral part of life and growing up. In addition to the dance, music was also presented, through vocal-instrumental performance of traditional and composed melodies modeled on traditional music.

The name of the project describes it through the three most prominent segments.

BALKAN - a review of the climate and the people.

ABER - news that is transmitted, in this case, only a performance.

ICA - a vocal sequel for the female gender, which alludes to a woman artist.

The project was realized with the aim of presenting the tradition in a modern spirit, in the author's own way.

Directed by: Tamara Ljesar

Choreography: Tamara Ljesar

Dramaturgy: Mina Milošević i Tamara Ljesar

Costume design: Tamara Ljesar

Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Light design: Tamara Ljesar

Sound design: Luka Kosanović i Aleksandar Petrović

Graphic design: Teodora Živković

Photography: Martin Krivokapić

Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Dancers: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

CONGRATULATIONS!!!

Photography by Nata Korenovskaia

ZAVRŠNA PREDSTAVA METRONOMIJA

Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula s početkom u 20.30 časova premijerno će biti izvedena plesna predstava Metronomija u koreografiji srpsko - belgijske umetnice Tamare Gvozdenović.

U predstavi igraju saradnica u nastavi Doc. Katarina Bućić, diplomci odseka Savremena igra: Sonja Stojanović, Angela Mihova, Una Balaž i studentkinje druge godine Instituta za umetničku igru Miona Petrović i Tijana Ostojić.

Originalnu muziku za predstavu potpisuje francuski umetnik Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.

O predstavi koreografkinja navodi: Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, međuprostor, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi.

Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.

Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.

Potvrde dolaska i rezervacije se vrše putem mejla teodora.zivkovic@iui.rs 

IZVEDENA DIPLOMSKA PREDSTAVA VIRDŽINA

Virdžina (BalkanAberIca)

U prepunom Teatru Vuk, 23. juna 2022. godine, premijerno je prikazana završna predstava Virdžina (BalkanAberIca), studentkinje Tamare Ljesar sa odseka Scenska narodna igra i muzika Instituta za umetničku igru.

Inspirisana terenskim radom, višegodišnjim stručnim edukacijama, ali i znanjem stečenim na Institutu, autorka premijerno prikazuje plesno-dramski koncert koji se bazira na tradiciji kroz savremeno gledište. Životni ciklus čoveka i njegova emocionalna stanja, prikazani su kroz 5 koreografija, od kojih su 4 autorkina dela. Svaka prikazuje različite nedoumice i borbe, kao sastavni deo života i odrastanja. Pored igre, predstavljena je i muzika, kroz vokalno-instrumentalno izvođenje tradicionalnih i komponovanih melodija po uzoru na tradicionalnu muziku.

Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.

BALKAN - osvrt na podneblje i narod.

ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.

ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.

Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.

Režija: Tamara Ljesar

Koreografija: Tamara Ljesar

Dramaturgija: Mina Milošević i Tamara Ljesar

Kostim: Tamara Ljesar

Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Dizajn svjetla: Tamara Ljesar

Dizajn zvuka: Luka Kosanović i Aleksandar Petrović

Grafički dizajn: Teodora Živković

Fotografija: Martin Krivokapić

Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Igrači: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

ČESTITAMO!!!!

Fotografija Nata Korenovskaia

VISIT TO THE VIENNA CONSERVATORIUM IN BUDAPEST

Prof. Dr. Balogh Gabor, Director of the Vienna Conservatory in Budapest, hosted today the professors of the Belgrade Dance Institute and the School of Engineering Management.

In a conversation with the vice-dean of the Belgrade Dance Institute, Prof. Dr. Snežana Arnautović Stjepanović, Vice Dean for Teaching at the School of Engineering Management Prof. dr Srđan Tomić and Prof. Aleksandar Ilić, they opened potential possibilities for collaboration between the two institutions and international cooperation.

The next meeting is scheduled in Belgrade, when a cooperation agreement will be signed.

ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.

The Belgrade Dance Institute is announcing a audition for enrolling students in the first year of doctoral studies in Artistic Dance and Performance.

The study program lasts three years, carries 180 ECTS and after which he acquires the title: Doctor of Arts - Drama and Audiovisual Arts.

Students who have acquired a minimum of 300 ECTS in their previous academic studies can enroll in the study program.

Entrance Exam

The ranking list of students is made on the basis of the achieved success in previous schooling (average grade and length of study) and testing of knowledge, aptitudes and abilities. The type of knowledge, preferences and abilities of the candidate is determined on the basis of an interview conducted by a specially formed commission.

Candidates who apply for the study program Artistic Dance and Performance are required to take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Applications for the audition are made online via the link: http://www.iui.rs/upis-na-doktorske-studije  or via email: prijave@iui.rs 

The entrance exam will be held on July 5^th, 2022 at 3 pm at the Belgrade Dance Institute.

Documents for applying to the audition:

• Application form (received on the day of application at the Institute),
• Certified photocopies of diplomas or the original Certificate of graduation of all previously completed levels of study,
• Certified photocopies of diploma supplements or the original Certificate of passed exams of all previously completed levels of study,
• Birth certificate,
• Professional biography,
• Portfolio of works of art,
• Proof of payment of costs for organizing the entrance exam, (original payment slip).

The costs of taking the entrance exam are 5,000.00 RSD.

For all additional information, you can schedule consultations every working day from 9.00 to 17.00 on 011 41 40 421 or by e-mail prijave@iui.rs 

ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.

The Belgrade Dance Institute is announcing the entrance exams for the Master's Studies in Artistic Dance and Master's Studies in Dance Performance - IUI Transition Dance Company for 2022/23. academic year. Master studies are intended for individuals with higher education in art who have at least 180 ECTS credits.

The master program of the Belgrade Dance Institute is intended for ambitious graduates who want to deepen their knowledge in the field of artistic dance, choreography and pedagogy, as well as already achieved professionals who want to improve their knowledge and skills to achieve better personal and professional results.

All interested candidates for Master's studies can receive information on enrollment by prior appointment:

by e-mails: institutzaumetnickuigru@gmail.com and prijave@iui.rs also by phone 011 41 40 421.

Applications are made online via the link:

http://www.iui.rs/upis-na-master-studije 

Master of Artistic Dance Studies

The master's study program lasts two years, ie four semesters and consists of sixteen subjects (compulsory and elective) that represent a balance between academic, scientific, professional, professionally applied and theoretical and methodological subjects. Compulsory courses contribute to general expertise, and electives allow students to further specialize in selected majors in order to acquire useful practical and marketable knowledge and skills.

An integral part of the master's program is the master's work of each student, which is the result of harmonizing theory and practice and which the student and his mentor create during the entire duration of the program. After defending the Master's thesis, the student acquires 120 ECTS points and the title of Master of Drama and Audiovisual Artist – Artistic Dance.

The entrance exam for the master's degree in artistic dance will be held on June 30^th, 2022. at 14.00.

The entrance exam costs 5000 RSD.

Candidates take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Master of Dance Performance Studies IUI Transition Dance Company

Master studies in dance performance - Double achievement: rigorous challenges through life in a dance company and demanding master studies.

IUI Transitions Dance Company is a dance company created within the Belgrade Dance Institute  intended for individuals with higher education in art who have at least 180 ECTS credits.

The IUI Transitions Dance Company is simultaneously engaged in education and experimentation in order to find new forms of choreographic and dance vocabulary, and ways of expressing thoughts that the choreographer sets as a task for the dancers.

The result of this way of working should be finding unexpected, stimulating challenges in working on this part, which will be available to a wide audience.

The audition for the Master of Dance Performance Studies will be held on July 4^th, 2022. at 12.00. Audition includes floor, center exercises and improvisations (professor assigns improvisation).

The entrance exam costs 5000 RSD.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.

Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.

Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.

Prijemni ispit

Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.

Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs

Prijemni ispit će se održati 5.jula 2022. godine u 15.00h na Institutu za umetničku igru.

Dokumenta za prijavljivanje na konkurs:

• Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
• Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
• Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
• Izvod iz matične knjige rođenih,
• Stručna biografija,
• Portfolio umetničkih radova,
• Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica).

Troškovi polaganja prijemnog ispita iznose 5.000,00 din.

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs 

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2022/23. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

Master program Instituta za umetničku igru namenjen je ambicioznim diplomcima koji žele da prodube znanja iz oblasti umetničke igre, koreografije i pedagogije, kao i već ostvarenim profesionalcima koji žele da unaprede znanja i veštine kako bi postigli što bolje rezultate na ličnom i profesionalnom planu.

Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje: institutzaumetnickuigru@gmail.com, putem i-mejla: prijave@iui.rs i putem telefona 011 41 40 421.

Prijave se vrše online putem linka:

http://www.iui.rs/upis-na-master-studije 

Master studije Umetnička igra

Program master studija traje dve godine, odnosno četiri semestra i sastoji se od šesnaest predmeta (obavezni i izborni) koji predstavljaju ravnotežu između akademsko obrazovnih, naučno stručnih, stručno aplikativnih i teoretsko metodoloških predmeta. Obavezni predmeti doprinose opštoj stručnosti, a izborni omogućuju studentima dodatnu  specijalizuju za odabrane smerove kako bi stekli korisno praktično i tržišno upotrebljivo znanje i veštine.

Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

Prijemni ispit za master studije umetnička igra će se održati 30.06.2022. godine u 14.00h.

Prijemni ispit se plaća 5000 RSD.

Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Master studije plesnog performansa IUI Transition Dance Company

Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.

IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.

Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.

Audicija za Master studije plesnog performansa će se održati  4.07.2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).

Prijemni ispit se plaća 5000 RSD.

PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE ŽORŽ DRAUŠNIK

Doctoral dissertation Cultural, musicological and production relations of conceptualism and theatrical artistic and scenographic practice, by candidate Žorž Draušnik, with the Report of the Commission on the evaluation of the doctoral dissertation are publicly available in the Library of the higher education institution in the period from 10.06.2022. to 07.10.2022.

Photography by V. Veličković

UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATA ŽORŽA DRAUŠNIKA

Doktorska disertacija Kulturološki, muzikološki i produkcijski odnosi konceptualizma i kazališne umjetničko-scenografske prakse, kandidata Žorža Draušnika, sa Izveštajem Komisije o oceni doktorske disertacije javno su dostupni u Biblioteci visokoškolske ustanove u periodu od 10.06.2022. do 10.07.2022. godine.

Fotografija V. Veličković

DANCE, WORD AND PICTURE PROJECT –  PAINTING WORKSHOPS

Painting workshops within the project Dance, Word and Picture were held at the Sava Šumanović Gallery in Šid.

The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.

The program was led by Professor dr Snežana Arnautović Stjepanović.

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SLIKANJA

Radionice slikanja u okviru projekta Igra, reč i slika su održane u Galeriji Sava Šumanović u Šidu.

Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.

Program je vodila Prof. dr Snežana Arnautović Stjepanović.

GRADUATE PERFORMANCE

Virgina (BalkanAberIca)

Vuk Theater, June 23^rd, starting at 7 p.m.

Free entrance

Virgina (BalkanAberIca) is a graduate project of Tamara Ljesar, a student of the Belgrade Dance Institute, department of Stage Folk Dance and Music.

Inspired by field work, many years of professional education, but also the knowledge acquired at the Institute, the author premieres a dance-drama concert based on tradition through a contemporary point of view. The life cycle of a man and his emotional states are presented through 5 choreographies, 4 of which are the author's works. Each shows different doubts and struggles, as an integral part of life and growing up. In addition to the dance, music was also presented, through vocal-instrumental performance of traditional and composed melodies modeled on traditional music.

The name of the project describes it through the three most prominent segments.

BALKAN - a review of the climate and the people.

ABER - news that is transmitted, in this case, with only performance.

ICA - a sequel word for the female gender, which alludes to a woman artist.

The project was realized with the aim of presenting the tradition in a modern way, in the author's own way.

Directed by Tamara Ljesar

Choreography: Tamara Ljesar

Dramaturgy: Mina Milošević and Tamara Ljesar

Set design: Prof. Dr. Snežana Arnautović Stjepanović

Costume: Tamara Ljesar

Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Advahov Brothers, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Lighting design: Tamara Ljesar

Sound design: Luka Kosanović and Aleksandar Petrović

Graphic design: Teodora Živković

Photo: Martin Krivokapić

Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Dancers : Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

DIPLOMSKA PREDSTAVA

Virdžina (BalkanAberIca)

Teatar Vuk, 23. jun, s početkom u 19.00 časova

besplatan ulaz

Virdžina (BalkanAberIca) je diplomski projekat studentkinje Instituta za umetničku igru, odseka Scenska narodna igra i muzika, Tamare Ljesar.

Inspirisana terenskim radom, višegodišnjim stručnim edukacijama, ali i znanjem stečenim na Institutu, autorka premijerno prikazuje plesno-dramski koncert koji se bazira na tradiciji kroz savremeno gledište. Životni ciklus čoveka i njegova emocionalna stanja, prikazani su kroz 5 koreografija, od kojih su 4 autorkina dela. Svaka prikazuje različite nedoumice i borbe, kao sastavni deo života i odrastanja. Pored igre, predstavljena je i muzika, kroz vokalno-instrumentalno izvođenje tradicionalnih i komponovanih melodija po uzoru na tradicionalnu muziku.

Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.

BALKAN - osvrt na podneblje i narod.

ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.

ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.

Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.

Režija: Tamara Ljesar

Koreografija: Tamara Ljesar

Dramaturgija: Mina Milošević i Tamara Ljesar

Scenografija: prof dr Snežana Arnautović Stjepanović

Kostim: Tamara Ljesar

Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Dizajn svjetla: Tamara Ljesar

Dizajn zvuka: Luka Kosanović i Aleksandar Petrović

Grafički dizajn: Teodora Živković

Fotografija: Martin Krivokapić

Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Igrači: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

DEFENSE OF MASTER'S THESIS BY AHMED NAYEL

Today, on June 10th 2022 year in Belgrade, Ahmed Nayel, candidate for the title of Master of Drama and Audiovisual Artist – Artistic Dance, ie a student of the Master of Academic Studies Artistic Dance has started defending his Master's thesis Exit Door, and presented publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:

1. Prof. Aleksandar Ilić, President of the Commission
2. Prof. Dr Snežana Arnautović Stjepanović, member
3. Prof. Dijana Milošević, mentor

After his presentation, the esteemed colleague Ahmed Nayel answered all the questions.

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Ahmed Nayel has all the rights and obligations arising from the fact that from the June 10th 2022. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

Workshops of contemporary dance within the project Dance, word and picture were held at the Cultural and Educational Center Šid.

The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.

The program was led by Professor Ognjen Vučinić.

DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOPS

Creative writing workshops within the Dance, Word and Picture project were held at the Simeon Piščević National Library in Šid.

The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.

The program was led by Prof. dr Miomir Petrović.

AUDITION OF THE YOUTH BALLET COMPANY FOR 2022/23

The Belgrade Dance Institute from Belgrade will organize an audition for the Youth Ballet Company, which will take place on June 25^th at 11:00 am at the Belgrade Dance Institute, on Boulevard vojvode Mišića no. 43. in the ballet hall 307.

All interested students of ballet schools (at least completed 1st grade of elementary ballet school), dance studies (not younger than 12 years), students of other grades of ballet schools and graduated ballet dancers can apply for the audition.

The Youth Ballet includes work with top pedagogues of classical ballet, repertoire of classical ballet and duet dance, and is realized three times a week in the afternoon in the (ballet hall) of the Belgrade Dance Institute.

The rehearsal schedule of the Youth Ballet company will be harmonized with the work of ballet schools.

From September, the Youth Ballet Company is planning a regular repertoire program consisting of gala concerts, ballet suites, one-act ballets and all-night ballet performances in original choreographies of classical heritage.

 The work in the youth ballet is also aimed at preparing the students for future professional work in the ensemble.

The audition for the Youth Ballet is free.

For more information please call

011 41 40 421 every working day from 9.00 to 17.00

Applications are open until June 22th, 2022 until 17.00 and are sent to the e-mail: mila.stijak@iui.rs with the note "Youth Ballet"

The application should contain:

• Name and surname;
• Date of Birth;
• The school the student attends;
• Mobile phone and mail (personal or from parents).

THE SECOND SOLO FESTIVAL IS OVER

The second edition of the Solo Festival organized by the Belgrade Dance Institute for three days was presented to the Belgrade and Novi Sad audience at the National Museum of Serbia, the Cultural Station Barka in Novi Sad, and the closing ceremony was held last night on May 29^th at the Museum of Contemporary Art in Belgrade, and the pavilion of the Cultural Center of Belgrade on Floral square.

The works of artists from Belgium, France, Austria, Hungary and Serbia were presented, which were performed in the form of solo choreography and performance. The selected works represent contemporary research by artists who, with their strong expression, presented to the audience their most intimate reflections on the world in which they live and work, using the body as the main bearer of meaning in one of the most demanding performing arts disciplines - solo performance.

In their works, artists re-examine the contemporary moment of life, the position of women artists in society, the impact of social networks on the individual, their fears, sufferings, helplessness caused by the social system.

With an interdisciplinary approach, interactive performances, these works ask questions and activate the audience.

The works of Barbara Matijević and Giussepe Chico from France and Cassiel Gaube from Belgium were presented at the National Museum of Serbia on Friday. The second day was held at the Cultural Station Barka in Novi Sad, where the dance company Pablo and Guy from Austria was presented. Last night, the audience had the opportunity to see solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium at the Museum of Contemporary Art in Belgrade.

The last performance was performed by Serbian artist Joana Knežević in the pavilion of the Cultural Center of Belgrade on Floral square called Not Your Barbie.

SOLO FESTIVAL OPENED

Last night, in the National Museum of Serbia, the Dean Prof. dr. Vladimir Tomašević has opened the second edition of the Solo Festival, organized by the Belgrade Dance Institute. In addition to the Dean, the audience was addressed by Catherine Faudry from the French Institute in Belgrade and Ruben Van Opstaele, Deputy Ambassador of Belgium.

Cassiel Gaube from Belgium and Barbara Matijević from France performed their solos in the atrium of the National Museum of Serbia.

The second day of the festival will be held today, May 28^th, in Novi Sad, in the space of the Cultural Station Barka, where Soraya Emery and Desi Bonato from Austria will present their solo performances to the audience.

The third day of the festival is being held at two locations in Belgrade, in the Belgrade Cultural Center on Cvetni trg, by Joana Knežević from Serbia, entitled Not Your Barbie, and the closing ceremony will be held at the Museum of Contemporary Art in Belgrade with two solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium.

This year's event, which brings together artists from Hungary, Israel, Croatia, France, Austria and Serbia, was supported by the Museum of Contemporary Art in Belgrade, the National Museum in Belgrade, Cultural Station Barka in Novi Sad, Belgrade Cultural Center, Hungarian Cultural Center, Embassy Israel, the French Institute, the International Teatroscope Platform, the Austrian Cultural Forum, the Embassy of Belgium and the School of Engineering Management.

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

The Belgrade Dance Institute continues a series of free workshops for Roma children as part of the Dance, Word and Picture project. Professor Ognjen Vučinić held a workshop on contemporary dance at the Branko Pešić Elementary School with Roma children as well as with migrant children who are included in the formal education system of the Republic of Serbia.

The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The workshops are being realized at the Belgrade Dance Institute (Bulevar vojvode Mišića 43). The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of art education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.

Our goal is to enable the participation of female Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.

The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).

PREMIERE OF THE PERFORMANCE ORGANISM

Wednesday, May 25^th

20.00, Great Hall

Open Theater of the Student City Cultural Center

Students of the Belgrade Dance Institute, Mirela Božić and Una Balaž, collaborated with the author's team on setting the play Organism, which will be premiered on May 25^th at the open theater of the Student City Cultural Center.

AUTHOR'S TEAM

Directed by: Milica Kvrgić

Assistant director: Lidija Đurašević

Author of the text: Boris Postovnik

Production: Marija Aleksić

Production assistant: Vladislav Marković

Scenography and costume design: Katarina Mijailović

Music: Petra Perović

Choreography: Mirela Božić with the assistance of Una Balaž

Lighting design: Sanjin Aleksić

Costume design: Vesna Balać

Technician: Nikola Nikolić

Graphic design: Petar Vasiljević

ACTING DIVISION

Heart: Marko Čupić

Brain: Ivan Blagojević

Stomach: Nebojša Pribičević

Buttocks: Dušan Pavlović

Right leg: Đurđica Đurović / Tamara Mladenović

Left leg: Sara Pavlović / Marija Marijanović

Right hand: Djordje Momcilovic

Left hand: Lazar Tešić

Tongue: Luka Golubović

Liver: Katarina Veljović

Author's word:

"Every living organism is a system that functions according to some laws of nature. Only man function according to the laws of reason, which is often not in accordance with the laws of nature, but as a rule is in conflict with them, and thus in conflict with himself. The play Organism tells us how different our feelings are from the imposed norms, conventions and moral values. Thus, we become prisoners of the expectations of the environment not to be different and to merge into the mass of mediocrity. Every man carries within him a conflict between reason and sensitivity, which, almost as a rule, breeds rebellion. How to achieve harmony and balance of aspirations and needs is the ultimate goal of every living being, and this show only opens up the questions and social problems we face every day, and I hope it will provide some answers. "

Boris Postovnik

Director's word:

"I am immensely glad that Boris Postovnik had the confidence to leave his first play in the hands of an inexperienced but ambitious student. Already at the first reading, Organism occupied my thoughts. This piece in an interesting and unusual way shows the problem of a modern young man to show the world what he is. The constant feeling that we have to adapt often limits us from stepping out of our bubble of comfort in which we live. This comedy is created as a product of the work and good will of young and dedicated people. I hope it warms the hearts of the audience, just as they warmed mine. "

Milica Kvrgić

SOMBORSKI ŠNAJDERAJ IN BELGRADE

Professors and students of the Belgrade Dance Institute participated in the realization of the fashion show Somborski šnajderaj in Belgrade, which was held on May 19^th, organized by the Association of Somborski šnajderaj, a social enterprise that helps economic integration of women and children victims of domestic violence.

This is the first fashion show made by the association, which shows models of women's dresses worn by women from the association together with models.

Institute’s professor of contemporary dance Ognjen Vučinić, on this occasion designed two choreographies that were performed by: Doc. Katarina Bućić, third year students of the Institute: Angela Mihova and Sonja Stojanović; Second year students of the Institute: Miona Petrović and Tijana Ostojić.

ODBRANA MASTER RADA AHMED NAYEL

Danas, 10. juna 2022. u Beogradu, Ahmed Nayel, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija je pristupio odbrani svog Master rada Exit door, izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Aleksandar Ilić, Predsednik komisije
2. dr Snežana Arnautović Stjepanović, član komisije
3. Dijana Milošević, mentor

Nakon svog izlaganja uvaženi kolega, Ahmed Nayel, je odgovorio na sva postavljena pitanja.

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ahmed Nayel, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SAVREMENE IGRE

Radionice savremene igre u okviru projekta  Igra, reč i slika su održane u Kulturno Obrazovnom Centru Šid.

Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.

Program je vodio Profesor Ognjen Vučinić.

PROJEKAT IGRA, REČ I SLIKA – RADIONICE KREATIVNOG PISANJA

Radionice kreativnog pisanja u okviru projekta  Igra, reč i slika su održane u Narodnoj biblioteci Simeon Piščević u Šidu.

Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.

Program je  vodio Prof. dr Miomir Petrović.

• Ime i prezime;
• Datum rođenja;
• Škola koju pohađa učenik;
• Mobilni telefon i mail (lični ili od roditelja).

ZAVRŠEN JE DRUGI FESTIVAL SOLA

Druga edicija Festivala sola u organizaciji Instituta za umetničku igru tokom tri dana predstavljena je beogradskoj i novosadskoj publici u Narodnom Muzeju Srbije, Kulturnoj stranici Barka u Novom Sadu, a svečano zatvaranje održano je sinoć 29. maja u Muzeju savremene umetnosti u Beogradu i paviljonu Kulturnog centra Beograda na Cvetnom trgu.

Predstavljeni su radovi umetnika iz Belgije, Francuske, Austrije, Mađarske i Srbije koji, su izvedeni u formi solo koreografije i performansa. Selektovani radovi predstavljaju savremena istraživanja umetnika koji su svojim snažnim izrazom pred publikom predstavili svoja najintimnija promižljanja o svetu u kom žive i deluju, koristeći telo kao osnovni nosilac značenja u jednoj od najzahtevnijih umetnickih izvođačkih disciplina - solo izvedbi.

Umetnici u svojim radovima preispituju savremeni trenutak življenja, položaj žene umetnika u društvu, uticaj društvenih mreža na pojedinca, svoje strahove, patnje, nemoć koji su prouzrokovani društvenim sistemom.

Interdisciplinarnim pristupom, interaktivnim performansima ovi radovi postavljaju pitanja i aktiviraju publiku.

U petak u Narodnom muzeju Srbije su predstavljeni radovi Barbare Matijević i Giussepe Chico iz Francuske i Cassiel Gaube iz Belgije. Drugi dan se održao u prostoru Kulturne stanice Barka u Novom Sadu gde je predstavljena plesna kompanija Pablo and Guy iz Austrije. Publika je sinoć u Muzeju savremene umetnosti u Beogradu imala prilike da vidi solo radove Rite Gobi iz Mađarske i Guilhem Chatir iz Belgije.

Poslednji performans je izvela srpska umetnica Joana Knežević u paviljonu Kulturnog centra Beograda na Cvetnom Trgu pod nazivom Ne tvoja Barbi.

Fotografija Nemanja Maraš

SVEČANO OTVOREN FESTIVAL SOLA

U Narodnom muzeju Srbije Dekan Prof. dr. Vladimir Tomašević sinoć je otvorio drugu ediciju Festivala Sola u organizaciji Instituta za umetničku igru. Pored Dekana publici su se obratili Catherine Faudry iz Francuskog Instituta u Beogradu i Ruben Van Opstaele zamenik Ambasadora Belgije.

U atrijumu Narodnog muzeja Srbije izvedena svoja sola su izveli Kasel Gobe iz Belgije i Barbara Matijević iz Francuske.

Drugi dan festivala se održava danas 28. maja u Novom Sadu u prostoru Kulture Stanice Barka, a svoja solo izvođenja publici će prikazati Soraja Emeri i Desi Bonato iz Austrije.

Treći dan festivala održava se na dve lokacije u Beogradu, u prostoru Kulturnog centra Beograda na Cvetnom trgu, svoj solo izvešće Joana Knežević iz Srbije, pod nazivom Ne tvoja Barbi, a svečano zatvaranje održaće se u Muzeju savremene umetnosti u Beogradu izvođenjem dva solo rada, Rite Gobi iz Mađarske i Giljema Šatira iz Belgije.  

Ovogodišnja manifestacija koja okuplja umetnike koje dolaze iz Mađarske, Izraela, Hrvatske, Francuske, Austrije i Srbije realizovana je uz podršku Muzeja savremene umetnosti u Beogradu, Narodnog muzeja u Beogradu, Kulturne Stanice Barka iz Novog Sada, Kulturnog centra Beograda, Mađarskog kulturnog centra, Ambasade Izraela, Francuskog Instituta, Međunarodne platforme Tetroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment.

PROJEKAT IGRA, REČ I SLIKA – Radionice savremene igre

Institut za umetničku igru nastavlja seriju besplatnih radionica za decu romske nacionalnosti u okviru projekat Igra , reč i slika. Profesor Ognjen Vučinić  je  održao radionicu savremene igre u Osnovnoj školi Branko Pešić sa decom romske nacionalnosti kao i sa decom migrantima koja su uključena u formalni obrazovni sistem Republike Srbije.

Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Radionice se realizuju na Institutu za umetničku igru (Bulevar vojvode Mišića 43). Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.

Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.

Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).

ORGANIZAM

Sreda, 25. maj

20.00, Velika sala

Otvoreno pozorište Doma kulture Studentski grad

Studentkinje Instituta za umetničku igru, Mirela Božić i Una Balaž, ostvarile su saradnju sa autorskim timom na postavljanju komada Organizam koji će premijerno biti izveden 25. maja na otvorenom pozorištu Doma kulture Studentski grad.

AUTORSKI TIM

Režija: Milica Kvrgić

Asistent režije: Lidija Đurašević

Autor teksta: Boris Postovnik

Produkcija: Marija Aleksić

Asistent produkcije: Vladislav Marković

Scenografija i dizajn kostima: Katarina Mijailović

Muzika: Petra Perović

Koreografija: Mirela Božić uz asistenciju Une Balaž

Dizajn svetla: Sanjin Aleksić

Izrada kostima: Vesna Balać

Tehničar: Nikola Nikolić

Grafički dizajn: Petar Vasiljević

GLUMAČKA PODELA

Srce: Marko Čupić

Mozak : Ivan Blagojević

Želudac: Nebojša Pribičević

Zadnjica: Dušan Pavlović

Desna noga: Đurđica Đurović/Tamara Mladenović

Leva noga: Sara Pavlović/Marija Marijanović

Desna ruka: Đorđe Momčilović

Leva ruka: Lazar Tešić

Jezik: Luka Golubović

Jetra: Katarina Veljović

Reč autora:

„Svaki živi organizam predstavlja sistem koji funkcioniše po nekim zakonitostima prirode. Samo čovek funkcioniše po zakonima razuma koji često nije usaglašen sa zakonima prirode već je po pravilu u sukobu sa njima, pa tako i u sukobu sa samim sobom. Predstava Organizam ovori nam o tome koliko su nam osećanja drugačija od nametnutih normi, konvencija i moralnih vrednosti. Samim tim postajemo zarobljenici očekivanja okoline da ne  budemo drugačiji i da se stopimo u masu prosečnosti. Svaki čovek u sebi nosi i sukob između razuma i osećajnosti koji, gotovo po pravilu, rađa bunt. Kako postići sklad i balans težnji i potreba je vrhunski cilj svakog živog bića, a ova predstava samo otvara niz pitanja i društvenih problema sa kojima se susrećemo svakodnevno, a nadam se da će pružiti i neke odgovore."

Boris Postovnik

Reč rediteljke:

„Neizmerno mi je drago što je Boris Postovnik imao poverenja da prepusti svoje prvo dramsko delo u ruke jedne neiskusne, ali ambiciozne studentkinje. Već na prvo čitanje „Organizam“ je okupirao moje misli. Ovaj komad na zanimljiv i neobičan način prikazuje problem savremenog mladog čoveka da pokaže svetu ono što jeste. Konstantan osećaj da moramo da se prilagodimo, često nas ograničava da iskoračimo iz svog balončića komfora u kome živimo. Ova komedija nastaje kao proizvod rada i dobre volje mladih i posvećenih ljudi. Nadam se da će ugrejati srca publike, baš kao što su i oni ugrejali moje."

Milica Kvrgić

SOMBORSKI ŠNAJDERAJ U BEOGRADU

Profesori i studenti Instituta za umetničku igru učestvovali su u realizaciji modne revije Somborski šnajderaj u Beogradu, koja je održana 19. maja u organizaciji Udruženja Somborske šnajderke, socijalnog preduzeća koje pomaže ekonomsku integraciju žena i dece žrtava porodičnog nasilja.

Ovo je prva modna revija koju je udruženje napravilo a na kojoj su prikazani modeli ženskih haljina koje su zajedno sa manekenkama nosile žene iz udruženja.

Profesor savremene igre Instituta Ognjen Vučinić, za ovu priliku osmislio je dve koreografije koje su izvele: Doc. Katarina Bućić, studentkinje treće godine instiuta: Angela Mihova i Sonja Stojanović; Studentkinje druge godine instituta: Miona Petrović i Tijana Ostojić.

PREMIERE OF THE DANCE PERFORMANCE TRE SORELLE

On the Grand Stage of the Music Center of Montenegro on Friday, May 20^th, the dance performance of Tre Sorelle will be premiered, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić, starting at 8 p.m.

The dance performance is based on the traditional story of the folk spirit in the Bay of Kotor - the legend of the three sisters in which through movement, dance and music shows togetherness, but also rivalry, women's rebellion against conventions, traditions, dogma and patriarchal worldview in small communities, the authors state.

The Ballet Studio of the Music Center of Montenegro (MCCG) started this year with eleven members consisting of Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Stasa Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović and Ksenija Kankaraš.

The scenography for the play was done by Dunja Kostić, the costume by Senka Ranosavljević and the author of the musical arrangements is Georg Draušnik. The assistant choreographer is Mojca Majcen, and the ballet tutor is Viktorija Strugar.

Photography by Dejan Kalezić

SOLO FESTIVAL 2022

27^th -29^th May

The Solo Festival, organized by the Belgrade Dance Institute with the support of the Belgrade Cultural Center, the Hungarian Cultural Center in Belgrade, the Israeli Embassy in Serbia, the French Institute in Belgrade, the Teatroscope International Platform, the Austrian Cultural Forum, the Belgian Embassy and the School of Engineering Management, will organize the second edition of International Festival Sola (choreography and performance) from May 27^th to May 29^th 2022, at several locations in Belgrade and Novi Sad.

This year's edition of the Solo Festival will last for three days with the presence of artists who will present themselves at this year's event, and they come from Hungary, Croatia, Belgium, France, Austria and Serbia.

Accompanying program on Saturday from 11.00 lecture Intermediality in performing arts Barbara Matijević and Giuseppe Chico.

The program: 

May 27^th, 2022

Opening ceremony at the National Museum starting at 20.00h.

1. Cassiel Gaube (Belgium) - Farmer train swirl - Étude
2. Barbara Matijević and Giuseppe Chico (France) - Forecasting

May 28^th, 2022

Cultural station Barka Novi Sad starting at 20.00h.

1. Pablo & Guy (Austria) - Atlas
2. Pablo & Guy (Austria) - This one precious life

May 29^th, 2022

Museum of Contemporary Art starting at 20.00h.

1. Rita Góbi (Hungary) - Volitant
2. Guilhem Chatir (Belgium) - Vertiges

May 29^th, 2022

Flower Square/Cvetni trg (KCB house) starting at 22.00h.

1. Joana Knezevic (Serbia) - Not your Barbie * * is not suitable for people under 18

More information⬇️

☎️011 / 4140 421 every working day from 9.00 to 17.00 or by e-mail⬇️

festivalsola@gmail.com 

YOU HAVE TO BE A ZENTIST!

In the Neon Gallery in Belgrade on May 17^th, 2022. at 20.00h an interactive multimedia installation You Must Be a Zenithist, of DAH Theatre opened. The exhibition was opened by the author of the concept Jadranka Anđelić and Prof. Dr. Snežana Arnautović Stjepanović.

The exhibition is designed for various gallery and museum spaces and reflects on the heritage of the authentic avant-garde art movement from our region - zenithism. It points out the importance of continuity in the artistic tradition of a country and explores what today, exactly one hundred years since the launch of Zenit magazine, are the echoes of Zenitist ideas both in contemporary art and in contemporary society.

The program:

May 17^th  - opening and performance from 8 p.m.

May 18^th  - expert guidance from 8 p.m.

(guest Prof. Dr. Snežana Arnautović Stjepanović)

May 19^th  - expert guidance from 8 p.m.

(guest Prof. Slavimir Stojanović Futro)

The ideas of zenithism - anti-war ideas, belief in the possibility of creating a new, more just society and relationship are important and necessary even after a hundred years, especially in the modern moment, when faith in the possibility of creating a better world has been lost. Zenitism invites us to, inspired by the enthusiasm of the artists of that time, turn again to the great values ​​at the center of which is - man.

The installation consists of three parts, which are original works of artists dealing with contemporary artistic response to the ideas of zenithism.

In the first room, there are interactive screens with which you can get to know the artists of zenithism. Scenes from the video for the play Zenith - History of a Rapture (1994) by the DAH Theater, you can combine as you wish and thus create your zenith story through interactive screens.

In the second room we meet with video / audio work and installation by Snežana Arnautović and Ivica Stjepanović called Everyday Room, which is a kind of response to the idea of ​​zenithism, as well as complete avant-garde whose roots contemporary artists still rely on.

In the third room, we will find the art object Cross-Hanger (Krst-čiviluk), which was used in the play of the DAH theatre, Zenit - History of One Enthusiasm, and is the work of artist Neša Paripović. The atmosphere of the zenith movement in this room is complemented by the video work For a better atmosphere by Jelena Rubil, through which we get acquainted with the zenith slogans.

The fourth room brings us the intimacy of zenithism and here you can read the last letter of Anushka Micić to Ljubomir Micić, which he found after her death. Also, there are original editions of Zenit magazine, as well as audio / video work by Snežana Arnautović called Lucid Dream / Happy Time.

On the first night of the exhibition, we will have four performers, who will additionally evoke the atmosphere of the zenithist movement and make us think about whether this movement is still relevant, present, and finally whether the zenithists are still among us.

We will have the opportunity to hear Ve Poljanski's poetry through original music, specially composed and sung for this exhibition. The inevitable Mayakovsky in one new body will also visit the N.EON gallery, and who, like a hundred years ago, has something important to tell us. If you have not had the opportunity to read the letters of Anuska and Ljubomir Micic, this exhibition will bring you the most intimate experience of zenithist love - one letter will be enlarged and read to everyone who indulges and sits in a zenithist armchair. Throughout the exhibition, each visitor will have his own shadow - the mysterious Johnny Dzepp, who leaves an indelible mark behind him.

In the next two days of the exhibition on May 18^th and 19^th, we will have an expert guide through the exhibition of the authors of the concept, Jadranka Andjelić and Dijana Milošević, from 8 pm, which will be additionally completed by special guests.

Author of video / audio works and installations by Prof. dr Snežana Arnautović Stjepanović will join us on May 18^th, while on May 19^th we will be accompanied by designer, visual artist, writer and professor Slavimir Stojanović Futro, who designed the poster for the play Zenit - History of a rapture.

Concept: Jadranka Anđelić, Dijana Milošević

Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević

Objects, space: Neša Paripović

Video installation: Snežana Arnautović

Video: Jelena Rubil

Audio: Ivica Stjepanović

Light: Milomir Dimitrijević, Radovan Samolov

Organization and production: Natasa Novakovic, Milica Petrovic

Marketing: Ivana Milenović Popović

PR: Tanja Rap

Photographer: Đorđe Tomić

Video documentation: Aleksandar Milošević

Social networks: Dunja Karanović

Graphic design: škart

PREMIJERA PLESNE PREDSTAVE TRE SORELLE

Na Velikoj sceni Muzičkog centra Crne Gore u petak 20. maja premijerno će biti izvedena plesna predstava Tre Sorelle  u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića s početkom u 20.00 časova.

Plesna predstava je nastala na motivima tradicionalne priče narodnog duha u Boki Kotorskoj – legendi o tri sestre u kom se kroz pokret, ples i muziku prikazuje zajedništvo, ali i rivalstvo, ženska pobuna protiv konvencija, tradicije, dogme i patrijarhalne postavke sveta koja je pogotovo zastuplјena u malim sredinama, navode autori.

Baletski studio Muzičkog centra Crne Gore (MCCG) počeo je sa radom ove godine sa jeadanaest članica koji čine Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Staša Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović i Ksenija Kankaraš.

Scenografiju za predstavu je uradila Dunja Kostić, kostim Senka Ranosavlјević a autor muzičkih aranžmana je Georg Draušnik. Asistent koreografa je Mojca Majcen, a baletski repetitor Viktorija Strugar.

Fotografija Dejan Kalezić

METHRONOMY IN THE PREPARATION OF THE BELGRADE DANCE INSTITUTE

The choreographer Tamara Gvozdenović in cooperation with the sixth generation of students of the Belgrade Dance Institute, will be presented by the project Metronomija.

We build our common future considering contrasts: construction against deconstruction, parallel, crowd versus loneliness, between, negative space, shadow, body shift, change of space, change of perception and perspective. "In order to create, first we must destroy. All we have built we will destroy. Everything we believe in will be destroyed. All the faces we saw will be forgotten. We will not start from zero. We will keep the foundations. In pieces. We will collect. Some will stay. We will choose. Some will be forgotten. Compose. Lift up. Step off. " According to the project author.

After studying visual arts in Nahatel, Tamara Gvozdenović  joined a respectable conservatory for music and dance Trinity Laban in London, where our famous choreographer Alekandar Ilić, has a master's degree. After graduation, she presented her first dance theater piece, Sainte Marie Joseph de la Rose, at Théâtre du Pommier in Nehatel, and the next year another, Sous Lou Cou (P) Du Lapin. Finally, and the third, Light Scream. In 2014, she joined the famous Belgian dance theater troupe Peeping Tom in Brussels.
The founder is Le Facteur, a dance theater troupe formed as a collective artist, developing on the move in Switzerland, France, and Belgium. The Belgrade audience was presented last year as part of the first edition of the Sola Festival with the performance Tombés.

A GALA CONCERT "PRAZNIK IGRE"

On the occasion of World Dance Day, which is traditionally celebrated on April 29th, Praznik Igre presented a gala concert dedicated to dance, the joys of dance creation, and all movement performed by the Belgrade Dance Institute students and Ballet Youth company.

On the occasion of International Dance Day, Dean Prof. Dr. Vladimir Tomasevic and H.E. Ambassador of the Arab Republic of Egypt in Serbia, Basel Salah, read the World MP of Kang Sue-Jin, a ballet dancer and the director of the National Ballet of Korea.

The second act of the ballet Swan Lake will be performed by the main roles played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute) and Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).

The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.

The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.

AWARDED AND SPECIAL PRAISE OF TERPSICHORE

The Award of Terpsichore went to Ana Ignjatovi Zagorac, a member of the Bitef Dance company and pedagogy of Contemporary Dance, and special praise went to Miona Petrović, contemporary dancer, performer, and choreographer, who was also a member of the Bitef Dance company.

The award and special praise are awarded in 2022, the eleventh year in order, on the occasion of World Dance Day, the International Holiday celebrated by entire world, which established international advice for dance-CID UNESCO. Previous winners of the awards Terpsichore are Ana Pavlović Ballet 1st Soloist, Konstantin Kostjukov Ballet 1st Soloist, Mira Nešić Classical Ballet Pedagogue, Bojana Žegarac Knežević Ballet 1st Soloist, Milan Rus Ballet 1st Soloist, Igor Pastor Ballet 1st Soloist and Olga Olćan Miljević Ballet 1st Soloist of Ballet National Theater in Belgrade.

From the explanation of the Jury for the TerpSihora Award:

Ana Ignjatović Zagorac is one of the founders of the contemporary dance scene in Serbia, and from the very beginnings of her dance career, she worked on the affirmation of contemporary dance in the region and improving its position on the cultural scene.
She's a freelance artist, a member of the Bitef Dance company, and teaches contemporary dance at the Lujo Davičo Ballet School in Belgrade.

She participated in a large number of observed roles at the Bitef Theater, KPGT, and Madlenianum in performances, and received a large number of awards and recognitions, of which the most important golden badges of the cultural and the Ministry of Foreign Affairs of the Republic of Serbia and Smiljana Mandukić are the most important. The Association of Ballet Artists of Serbia for the best interpretation of a contemporary dance play Wanting machines.

The jury especially emphasizes that Ana is sacrificed in the pedagogical work of future dancers and their improvement in the field of contemporary dance, and this award is a modest recognition for her entire art opus, with a desire to look at the scene for a long time.

In the explanation of special praise, the jury states:

Miona Petrovi first encountered artistic dance while studying with Jelena Katić, and four years later at the Kids Cultural Center, where she studied modern ballet with Olga Vuković and jazz ballet with Eta Kovačević and Dragana Stanisavljević.

She's a freelance artist, contemporary dancer, performer, choreographer, and member of the Bitef Dance company.
She achieved a large number of roles on the stage of Bitef Theater, Madlenianum, within the Balkan Dance Project, as well as independent productions.

Miona Petrović perfectly improved during her professional career and is on that path and the way of her education at the Belgrade Dance Institute, department of Choreography.

The jury especially emphasizes Miona's strong contribution to contemporary dance in our country, and this special praise pays respect and support for further success.

MENOTTI'S OPERA PREMIERE IN SARAJEVO

The author's duo, Aleksandar Nikolić and Aleksandar Ilić, after four years, are re-cooperating with the artists of that theater, and on the 29th Apil will present the comic opera Phone or love in trio, by composer Gian Carlo Menotti.

At its heart, Menotti's Phone is a small diamond that gives us everything in 23 minutes that opera audiences love: A baritonal anger as from the best of Verdi's opera, a parody of Donosti's lamentations of the main heroes, then remonstring the power of colored colors like the Queen of Night from Mozart, and a passionate love duet as from Pucini's opera.

All the ingredients are here, however, instead of 180 minutes compressed into just 23 minutes of stage roller-coaster. However, nothing lacks the Phone, especially not a conflict between two exciting characters, a capricious room with obsessed Lusy and charming Ben, who is in love. However, Menota wrote this work in 1947. He predicted a problem that is much more active today than 75 years ago.

The opera is conducted by Maestro Dario Vučić, and the opera is performed by Aida Corbadžić in the role of Lucy, and Marko Kalajanović in the role of Ben. Aleksandar's choreography is performed by the Ballet Ensemble of Selma Strbo Arnautović, Sabina Sokolović, Marijana Marić and Til Čmancanin in highly stylized costumes by Ata Omerbašić.

Perhaps for a few decades, when artificial intelligence beats humanity, cyborgs will continue to set up the opera written by a man with the same love and passion for antique tragedies of the old Greeks that no longer exist. Maybe they will read this opera from another angle-as the first heroic opera work in which the machine triumphed over the man, as the director Nikolić states.

The first reprise was scheduled for April 30th in the division of Melisa Hajrulahović Tomić and Erol Ramadanović.

FESTIVAL SOLA 2022.
27 -29. Maj

Festival Sola u organizaciji Instituta za umetničku igru uz podršku Kulturnog centra Beograda, Mađarskog kulturnog centra u Beogradu, Ambasade Izraela u Srbiji, Francuskog Instituta u Beogradu, Međunarodne platforme Teatroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment, organizovaće drugi internacionalni Festival Sola (koreografija i performans) od 27. do 29. maja 2022. godine na nekoliko lokacija u Beogradu i Novom Sadu.
Ovogodišnje izdanje Festivala Sola trajaće tri dana uz prisustvo umetnika koji će se predstaviti na ovogodišnjoj manifestaciji a koji dolaze iz Mađarske, Hrvatske, Belgije, Francuske, Austrije i Srbije.
Prateći program u subotu od 11.00 časova predavanje Intermediality in performing arts Barbara Matijević and Giuseppe Chico.

Program:

27. maj 2022.
Svečano otvaranje u Narodnom Muzeju s početkom u 20.00 časova

1.  Cassiel Gaube (Belgija) - Farmer train swirl - Étude
2.  Barbara Matijević i Giuseppe Chico (Francuska) - Forecasting

28. maj 2022.
Kulturna stanica Barka Novi Sad s početkom u 20.00 časova

1.  Pablo & Guy (Austrija) - Atlas
2.  Pablo & Guy (Austrija) - This one precious life

29. maj 2022.
Muzej savremene umetnosti s početkom u 20.00 časova

1. Rita Góbi (Mađarska) - Volitant
2. Guilhem Chatir (Belgija) - Vertiges

29. maj 2022.
Cvetni trg (kućica KCB) s početkom u 22.00 časova

1. Joana Knežević (Srbija) - Ne tvoja Barbi*     *nije pogodno za mladje od 18 godina

Više informacija⬇️
☎️011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila⬇️
festivalsola@gmail.com

TI MORAŠ BITI ZENTISTA!

U galeriji Neon u Beogradu 17.05.2022. u 20.00h otvorena je interaktivna multimedijalna instalacija Ti moraš biti Zenitista, Dah teatra. Izložbu su otvorile autorka koncepta Jadranka Anđelić i Prof. dr Snežana Arnautović Stjepanović.

Izložba je zamišljena za različite galerijske i muzejske prostore i promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora – zenitizma. Ukazuje na važnost kontinuiteta u umetničkoj tradiciji jedne zemlje i istražuje kakvi su danas, tačno sto godina od pokretanja časopisa Zenit, odjeci zenitističkih ideja kako u savremenoj umetnosti tako i u savremenom društvu.

Program:
17. maj - otvaranje i performansi od 20 časova
18. maj - stručno vođenje od 20 časova
(gost prof. dr Snežana Arnautović Stjepanović)
19. maj - stručno vođenje od 20 časova
(gost prof. Slavimir Stojanović Futro)

Ideje zenitizma - antiratne ideje, verovanje u mogućnost stvaranja novog, pravednijeg društva i odnosa su i posle sto godina važne i potrebne, naročito u savremenom trenutku, kada se izgubila vera u mogućnost stvaranja boljeg sveta. Zenitizam nas poziva da se inspirisani zanosom umetnika tog doba, ponovo okrenemo velikim vrednostima u čijem centru je - čovek.

Instalacija se sastoji iz tri celine, koje predstavljaju originalne radove umetnica/ka koji se bave savremenim umetničkim odgovorom na ideje zenitizma.

U prvoj sobi se nalaze interaktivni ekrani pomoću kojih se upoznajete sa umetnicima zenitizma. Scene iz video zapisa predstave Zenit - Istorija jednog zanosa (1994) DAH Teatra, možete kombinovati po svojoj želji i tako preko interaktivnih ekrana kreirati svoju zenitističku priču.

U drugoj sobi srećemo se sa video/audio radom i instalacijom Snežane Arnautović i Ivice Stjepanovića pod nazivom Svakodnevna soba, koji predstavlja svojevrstan odgovor na ideju zenitizma, kao i kompletne avangarde na čije korene se savremeni umetnici i danas oslanjaju.

U trećoj sobi nas očekuje umetnički objekt Krst-čiviluk koji je korišćen u predstavi DAH Teatra Zenit - Istorija jednog zanosa, a delo je umetnika Neše Paripovića. Atmosferu zenitističkog pokreta u ovoj prostoriji dopunjuje video rad Za bolju atmosferu Jelene Rubil kroz koji se upoznajemo sa zenitističkim parolama.

Četvrta soba nam donosi intimu zenitizma i tu možete pročitati poslednje pismo Anuške Micić Ljubomiru Miciću koje je on pronašao nakon njene smrti. Takođe, tu su originalna izdanja časopisa Zenit, kao i audio/video rad Snežane Arnautović pod nazivom Lucid Dream/Happy Time.

Prvo veče izložbe očekuje nas nastup četiri performera, koji će dodatno dočarati atmosferu zenitističkog pokreta i nagnati na razmišljanje da li je ovaj pokret i dalje aktuelan, prisutan, i na kraju da li su zenitisti i dalje među nama.
Imaćemo priliku da čujemo poeziju Ve Poljanskog kroz autorsku muziku, specijalno komponovanu i otpevanu za ovu izložbu. N.EON galeriju će posetiti i nezaobilazni Majakovski u jednom novom telu, a koji kao i pre sto godina - ima nešto važno da nam kaže. Ukoliko niste imali prilike da pročitate pisma Anuške i Ljubomira Micića, ova izložba će vam doneti najintimniji doživljaj zenitističke ljubavi - po jedno pismo biće povećeno i pročitano svakome ko se prepusti i sedne u zenitističku fotelju. Kroz celu izložbu svaki posetilac će imati i svoju senku - misterioznog Džoni Džepa koji za sobom ostavlja neizbrisiv trag.

Naredna dva dana izložbe 18. i 19. maja očekuje nas stručno vođenje kroz izložbu autorki koncepta, Jadranke Andjelić i Dijane Milošević, od 20 časova, koje će dodatno upotpuniti specijalni gosti.

Autorka video/audio radova i instalacije prof. dr Snežana Arnautović Stjepanović će nam se pridružiti 18. maja, dok će 19. maja sa nama biti dizajner, vizuelni umetnik, pisac i profesor Slavimir Stojanović Futro, koji je dizajnirao plakat za predstavu Zenit - Istorija jednog zanosa.

Koncept: Jadranka Anđelić, Dijana Milošević
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objekti, prostor: Neša Paripović
Video instalacija: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Svetlo: Milomir Dimitrijević, Radovan Samolov
Organizacija i produkcija: Nataša Novaković, Milica Petrović
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Fotograf: Đorđe Tomić
Video dokumentacija: Aleksandar Milošević
Društvene mreže: Dunja Karanović
Grafički dizajn: škart

METRONOMIJA U PRIPREMI INSTITUTA ZA UMETNIČKU IGRU

U Institutu za umetničku igru je u pripremi i poslednja plesna predstava za kraja pozorišne sezone, čija premijera se očekuje krajem juna na sceni Narodnog pozorišta u Beogradu.

Koreografkinja Tamara Gvozdenović u saradnji sa šestom generacijom studenata Instituta za umetničku igru predstaviće projekat Metrononomija.

Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, između, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi,“ navodi autorka projekta.

Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.

Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.

Fotografija Christophe Coenon

IZVEDEN GALA KONCERT PRAZNIK IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila na Velikoj sceni Madlenianum opere i teatra izveden je Gala koncert Praznik igre posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta u izvođenju studenata Instituta za umetničku igru i Kompanije Balet mladih.

Dekan Prof. dr Vladimir Tomašević i Nj.E. Ambasadora Arapske Republike Egipat u Srbiji Basel Salah, čitanjem svetske poslanice Kang Sue-jin balerine i direktorke Nacionalnog baleta Koreje povodom Međunarodnog dana igre svečano su otvorili koncert.

Koncert je otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, a izvedene su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu.

U drugom delu koncerta je biti izveden drugi čin iz baleta Labudovo jezero Petra Iljiča Čajkovskog. U glavnim ulogama su nastupili Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid, a ulogu zlog čarobnjaka Rotbarta igrao je Ognjen Vučinić (profesor savremene igre na Institutu za umetničku igru).

Koncertu su prisustvovale direktorke Baletske škole Lujo Davičo Prof. Iva Bojović Petković i Baletske škole Novi Sad Sanja Vučurević, dramska spisateljica i rediteljka Zora Bokšan Tanurdžić, direktorka Muzeja savremene umetnosti u Beogradu Maja Kolarić, direktorka Muzeja grada Beograda Jelena Medaković kao i brojni gosti.

Projekat se realizuje kroz program usavršavanja mladih iz oblasti klasičnog baleta i umetničke igre koji je podržan od strane Kancelarije za mlade grada Beograda.

Institut za umetničku igru čestita svim igračicama, igračima, poslenicima u umetničkoj igri i publici Svetski dan igre.

Fotografija Dušan Milenković

URUČENA NAGRADA I SPECIJALNA POHVALA TERPSIHORA

Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.

Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade su Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.

Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.

Iz obrazloženja žirija za Nagradu Terpsihora:

Ana Ignjatović Zagorac jedna od utemeljivačica savremene plesne scene u Srbiji a od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni.

Slobodna je umetnica, članica trupe Bitef Dens kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu.

Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.      

Žiri posebno naglašava da je Ana požrtvovana u pedagoškom rada stvaranja budućih igrača i njihovom usavršavanju u oblasti savremene igre, te je ova Nagrada skromno priznanje za njen culokpan umetnički opus uz želju da je još dugo gledamo na sceni.

U obrazloženju Specijalne pohvale žiri navodi:

Miona Petrović je svoj prvi kontakt sa umetničkom igrom ostvarila u Studiju za klasičan baleta kod pedagoškinje Jelene Katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević.

Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dens kompanije.

Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Project kao i samostalnih produkcija.

U toku ove sezone uradila je koreografiju za Skok u vodu, premijerno je nastupila u predstavi Drveće pleše Dah teatra i Maria de Buenos Aиres sa Tanguango kvartetom, publici je predstavila i svoju koreografiju u okviru projekta Telo u fokusu u Studentskom kulturnom centru. U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće na se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.

Miona Petrović usavršava se stalno tokom svoje profesionalne karijere te je na tom putu i nastvaila svoje školovanje na Institutu za umetničku igru na odseku koreografija.

Žiri posebno naglašava Mionin snažan doprinos savremenoj igri u našoj zemnji te ovom Specijalnom pohvala odaje poštovanje i podršku za dalje uspehe.

Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.

Svetski dan igre svečano će biti obeležen u petak 29. aprila proslavom 200-te predstave baleta Ko to tamo peva na sceni Narodnog pozorišta u Beogradu, u Studentskom parku biće izvedena predstava Dah teatra Drveće pleše a na sceni Madlenianum opere i tetara biće izveden Gala koncert Praznik igre studenata Instituta za umetničku igru i Kompanije Balet mladih.

Povodom Svetskog dana igre Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, postavila je instalaciju Dva dela mene na Cvetnom trgu u kućici Kulturnog centra Beograda.

Svečana ceremonija uručenja nagrada održana je 26. maja u Muzeju Narodnog pozorišta u Beogradu.

Fotografija Teodora Živković

MENOTIJEVA OPERA PREMIJERNO U SARAJEVU

Autorski dvojac Aleksandar Nikolić reditelj i Aleksandar Ilić koreograf, nakon četiri godine na poziv Narodnog pozorišta u Sarajevu ponovo sarađuju sa umetnicima tog teatra, a 29. apila premijerno će publici predstavi komičnu operu Telefon ili Ljubav u troje, kompozitora Đan Karla Menotija.

Menotijev Telefon je mali dijamant koji nam u 23 minuta daje sve ono što operska publika obožava: baritonsku ariju gneva kao iz najboljih Verdijevih opera, jednu ariju lamenta kao parodiju Donicetijevim lamentima glavnih junakinja, zatim izvanrednu ariju u kojoj sopran demonstrira moć koloratura poput Kraljice noći kod Mocarta i na kraju nežan i strastven ljubavni duet kao iz Pučinijevih opera.

Svi sastojci su tu, međutim sada umesto u 180 minuta komprimovani u samo 23 minuta scenskog roler - kostera. Ipak, Telefonu ništa ne nedostaje, posebno ne sukob dva uzbudljiva lika, kapriciozne sobom opsednute Lusi i zaljubljenog, šarmantnog Bena. Međutim, Menoti je pišući ovo delo 1947. predvideo problem koji je danas mnogo aktuelniji nego pre 75 godina.

Operom diriguje maestro Dario Vučić, a operu izvode Aida Čorbadžić u ulozi Lusi i Marko Kalajanović u ulozi Bena. Ilićevu koreografiju izvodi baletski ansambl Selma Štrbo Arnautović, Sabina Sokolović, Marijana Marić i Til Čmančanin u visoko stilizovanim kostimima Ate Omerbašić.

Možda će za par decenija, kada artificijelna inteligencija pobedi čoveka, kiborzi nastaviti da postavljaju opere koje je napisao čovek, sa onom ljubavlju i opsesijom sa kojom mi postavljamo antičke tragedije starih Grka koji više ne postoje. Možda će oni ovu operu čitati iz drugog ugla - kao prvo herojsko opersko delo u kom je automat trijumfovao nad čovekom, navodi reditelj Nikolić.

Prva repriza je zakazan za 30. april u podeli su Melisa Hajrulahović Tomić i Erol Ramadanović.

Fotografija Velija Hasanabegović.

INSTALLATION BY ALISA ORAVEC FOR WORLD DANCE DAY

On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29^th, Alisa Oravec, a doctoral student in Artistic Dance and Performance at the Belgrade Dance Institute, will present the installation Two Parts of Me, which will be set on Cvetni trg in the Belgrade Cultural Center.

The installation was created on the subject of Installations and Performance led by Prof. dr Snežana Arnautović Stjepanović and was shown within the project Body in Focus at the Student Cultural Center on February 25^th, 2022.

Two parts of me

Two body states in focus. We can see the installation as two different characters in two people or simply as two different states of one artist.

 The body in motion represents the continuous creation and sharing of various energies with which we balance ourselves in our unbalanced position of the body.

Alisa Oravec

INSTALACIJA ALISE ORAVEC ZA SVETSKI DAN IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalno proslavlja 29. aprila, Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, prikazaće instalaciju Dva dela mene koja će biti postavljena na Cvetnom trgu u kućici Kulturnog centra Beograda.

Instalacija  je nastala na predmetu Instalacije i performans koji vodi Prof. dr Snežana Arnautović Stjepanović i prikazana je u okviru projekta Telo u fokusu u Studentskom kulturnom centru 25.02.2022. godine.

Dva dela mene

Dva stanja tela u fokusu. Instalaciju možemo sagledati kao dva različita karaktera kod dve osobe ili jednostavno kao dva različita stanja jednog umetnika.

Telo u pokretu predstavlja neprekidno stvaranje i deljenje različitih energija kojima sami balansiramo u svom neizbalansiranom položaju tela.

Alisa Oravec

DANCE WORKSHOP HELD BY YORAM KARMI

Yoram Karmi, an Israeli choreographer, held a contemporary dance workshop at the Lujo Davicho Ballet School on Saturday, April 9^th.

The workshops were attended by first and second year students of the Ballet High School, Department of Contemporary Dance.

The class was also attended by Ivana Ljujić, professor of modern dance, and Gordana Šuvak, professor of acting.

The guest appearance of the Israeli choreographer is realized with the support of the Embassy of Israel in Serbia.

CELEBRATION OF DANCE

On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, the Belgrade Dance Institute will present a concert Celebration of dance, which is dedicated to dance, the joy of creating dance and all fans of movement. The concert will be performed on the stage of the Opera and Theater Madlenianum, starting at 8 PM. Students from the Belgrade Dance Institute and the Youth Ballet Company are taking part in the concert.

The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.

In the second part of the concert, the second act from the ballet Swan Lake will be performed. The main roles will be played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute), Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).

The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.

Tickets for the concert at a price of 1000 RSD can be purchased with a reservation by calling the number: 011/4140 421 every working day from 9.00 to 17.00 or by e-mail teodora.zivkovic@iui.rs

AWARD AND SPECIAL PRAISE OF TERPSYCHOR

The Terpsichore Award, a prestigious recognition of the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia (PUBS) awarded annually to artists or cultural institutions in the field of artistic dance for 2022 went to Ana Ignjatović Zagorac, contemporary dancer, member of Bitef Dance Company and pedagogue contemporary dance, and Special praise to Miona Petrović a contemporary dancer, performer, choreographer and also member of the Bitef Dance company.

The award and special commendation are given in 2022, for the eleventh time in a row, on the occasion of the World Dance Day, an international holiday that is celebrated all over the world, and which was established by the International Dance Council - CID UNESCO. Previous winners of the Terpsichore Award are Ana Pavlović First Soloist, Jovan Veselinović First Soloist, Konstantin Kostjukov First Soloist and Choreographer, Đordje Makarević First Soloist and Choreographer, Mira Nešić Classical Ballet Teacher, Ballet of the National Theater in Belgrade, Bojana Žegarac Knežević First Soloist, Milan Rus ballet, Igor Pastor, First Soloist n and Olga Olcan Miljevic, ballet soloist of the National Theater in Belgrade.

During this year, a three-member jury consisted of representatives of classical ballet, folk dance and contemporary dance: Olga Olcan Miljevic, soloist of the National Theater Ballet and last year's laureate Terpsichore, Andjelika Petrovic, first dancer of the Serbian Folk Dance and Song Ensemble Kolo, and Jovana Grujić, contemporary dancer and pedagogue of contemporary dance.

Ana Ignjatović-Zagorac is professionally engaged in contemporary dance and is one of the founders of the contemporary dance scene in Serbia. From the very beginning of her playing career, she worked on the affirmation of modern dance in the region and the improvement of her position on the cultural scene. She is a freelance artist, a member of the troupe of the Bitef Dance company and a pedagogue of contemporary dance at the Lujo Davičo Ballet School in Belgrade. She has played a number of notable roles on the stage of Bitef Theater, KPGT, Madlenianum in performances by domestic and foreign choreographers, and won many awards and recognitions, the most important of which are the Golden Badge of the Cultural and Educational Community and the Ministry of Foreign Affairs of Serbia and Smiljana Mandukić Association of Ballet Artists of Serbia for the best interpretation in the contemporary dance performance Wishing Machines.

Miona Petrović made her first contact with artistic dance in the Studio for Classical Ballet with pedagogue Jelena Katić, and four years later at the Children's Cultural Center she continued her training in the field of modern ballet with Olga Vuckovic, jazz ballet with Eta Kovacevic and Dragana Stanisavljevic. She is a freelance artist, contemporary dancer, performer, choreographer and member of the Bitef Dance company. She studied at the Dance Loft School in Switzerland and especially at numerous workshops with choreographers Jacek Luminski, Russell Maliphant, Martin Sonderkamp, ​​Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Wollaston , Charles Linehan, Idan Sharabi, James Amar…

She has achieved a large number of roles on the stage of BITEF Theater, Madlenianum, within the Balkan Dance Project as well as independent productions.

In cooperation with the Israeli choreographer Yoram Karmi, she will present herself at the second edition of the Sola Festival in Novi Sad at the Barka Cultural Station on May 28^th this year.

She is a second year student at the Belgrade Dance Institute in the choreography department.

The author of all the medallions of Terpsichore, which is made of pure 925 sterling silver, is the artist Tamara Mladenović, who lives and works in Greece.

The award ceremony will be held on April 26^th at the Museum of the National Theater in Belgrade, starting at 1 p.m.

The Terpsichore Award and Special Praise is realized with the support of the Ministry of Culture and Information of the Republic of Serbia, the National Theater in Belgrade and the Belgrade Dance Institute.

Photography Jelena Janković

Photography Nemanja Maraš

OPENING OF THE EXHIBITION OF ERWIN WURM

The exhibition One Minute Forever opened today at the Museum of Contemporary Art in Belgrade. The exhibition was opened by the director of the Museum of Contemporary Art Mariana Kolarić, the curator of the exhibition Jerome Suns, Karin Traun Miller, the Deputy Ambassador of Austria, the Minister of Culture and the Prime Minister Maja Gojković.

At the invitation of the director of the Museum of Contemporary Art in Belgrade, students and professors of the Belgrade Dance Institute performed for the opening of the exhibition entitled One Minute Forever by Austrian artist Erwin Wurm.

The performances were performed by Professor Ognjen Vučinić, doc. Katarina Bućić, undergraduate students: Vladimir Sekulić, Senja Stanić, Lazar Tirić, Una Stepanović, Nina Horvat, Tijana Ostojić, Miona Petrović, Sonja Stojanović, doctoral student Ivana Milenović Popović, and alumni Đurđija Jelenković.

The exhibition will open on April 7^th, and students will participate in the performance until August 9^th, when the exhibition ends.

In addition to the mentioned one-minute sculptures (One Minute Sculptures), the exhibition also presents other iconic works by the author, such as Narrow House, Fat Car, Fat House, abstract and performative sculptures, but also accompanying media in which the artist works continuously and which are an integral part of his artistic vocabulary, such as photographs, video works, performances, drawings and paintings, as well as significant new production.

Especially for the exhibition in Belgrade, Wurm performed a new series of his performative sculptures in clay, according to the models of the most important buildings belonging to the Yugoslav modernist heritage of Belgrade. In this regard, this comprehensive exhibition, conceived as introspective rather than retrospective, seeks to showcase Erwin Wurm's rich and diverse oeuvre, as well as the diversity of media in which the artist creates and constantly develops and researches in parallel.

Photography Nemanja Maraš

PERFORMANCE EVERYDAY ROOM

Prof. dr Snežana Arnautović Stjepanović will perform today, April 6^th, 2022. year, performance Everyday Room within the International Scientific Conference PARTICIPATORY PRACTICE OF PERFORMING ARTS IN THE DIGITAL AGE at the Rectorate of Arts organized by the University of Arts in Belgrade and the University of Birmingham and which will be held from 6-8 April 2022.

You can watch the performance online via the link: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ 

Title: Everyday room

Media: Multimedia installation

Authors: Snežana Arnautović Stjepanović and Ivica Stjepanović

The multimedia installation Everyday Room is a project that was presented within the International Festival of Art and Human Rights at the exhibition You Must Be a Zenithist, at the Neon Gallery in Belgrade, on February 24^th, 2022.

Everyday Room is a response to new reflections on nature, man and art in the relationships that are established in the networking of personal, physical and social dialogue of this artistic couple, whose work considers the determinants of everyday life but also in a vicious circle that even one hundred years since the inception of Zenitism has faced the same social problems.

Reacting to the text by Ljubomir Micić, Thank you, Beautiful Serbia..., a spatial installation was created that corresponds to two video works.

The video works were created during the state of emergency due to the corona virus pandemic. Performances performed for the purpose of recording video works are performed by the authors and are recorded as intimate portraits.

The video work of Ivica Stjepanović In this country, it represents the artist's speech in the first person and the transformation of the character, which is characterized by its caricature and deformity. The song that the artist sings while constantly looking into the lens is an author's text that was created ten years ago with changes in the organization of the socio-political system.

Video work by Snežana Arnautović Stjepanović Hafetopija, (fear of touch), considers changes in lifestyle and social interactions (life without hugs, kisses and touch) and which have led to a state of anxiety that can be identified with the symptoms of this phobia. The video work points to the need for touch, for tactile and manual action through returning to nature.

The video works are placed in a symbolic way that draws attention to the digital over the current, to the communication that is increasingly realized in this way and places the conversation of two artists in a new context that symbolically takes place above the text of Ljubomir Micić, constantly warning us.

EXHIBITION ONE MINUTE FOREVER

At the invitation of the director of the Museum of Contemporary Art in Belgrade, students of the Belgrade Dance Institute will be part of an exhibition called One Minute Forever by Austrian artist Erwin Wurm.

The exhibition will open on April 7^th, and students will participate in the performance until August 9^th, when the exhibition ends.

In addition to the mentioned one-minute sculptures (One Minute Sculptures), the exhibition also presents other iconic works by the author, such as Narrow House, Fat Car, Fat House, abstract and performative sculptures, but also accompanying media in which the artist works continuously and which are an integral part of his artistic vocabulary, such as photographs, video works, performances, drawings and paintings, as well as significant new production.

Especially for the exhibition in Belgrade, Wurm performed a new series of his performative sculptures in clay, according to the models of the most important buildings belonging to the Yugoslav modernist heritage of Belgrade. In this regard, this comprehensive exhibition, conceived as introspective rather than retrospective, seeks to showcase Erwin Wurm's rich and diverse oeuvre, as well as the diversity of media in which the artist creates and constantly develops and researches in parallel.

Curators of the exhibition Marijana Kolarić and Jerome Sans

YORAM KARMI IS A GUEST AT THE BELGRADE DANCE INSTITUTE

As of today, Yoram Karmi, an Israeli choreographer and founder of the dance company Fresco, is visiting the Belgrade Dance Institute with the support of the Embassy of Israel in Serbia.

Yoram Karmi was the artistic director of the Shades of Dance Festival in 2012 and 2013. He won the Rosenblum Award for Outstanding Artist in the Field of Dance (2012). He won second prize at the Shades of Dance Festival for his opus Spectrum.

In addition to regularly creating works for his own company, he choreographed for the Israel Festival, the Israeli Symphony Orchestra Rishon LeZion (Pulcinella), the Jerusalem Ballet (Clara), the Israeli Ballet, KSU Atlanta and many others. In 2012, he created Point of Origin for the dance project of the Israeli Opera and Center Suzanne Dellal. The performances he choreographed at the Israeli Opera are: L'Italiana in Algiers (2021), A Midsummer Night's Dream (2018), Madame Butterfly (2018), Macbeth (2016), The Lady and the Salesman (2015), Schitz (2015). He is a guest teacher at master classes around the world and a judge at various professional dance competitions.

During his stay in Belgrade, in addition to intensive lectures at the Belgrade Dance Institute, Yoram Karmi will give lectures at the Lujo Davičo Ballet School, dancers from the independent scene and will create solo choreography which will be premiered at the second edition of the Solo Festival at the Barka Cultural Station in Novi Sad.

Photo archive Fresco Dance company

SUCCESS OF GRAČANICA BALLET SCHOOL STUDENTS

At the International Ballet Competition in Niš (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022), the students of the Ballet School in Gračanica won a large number of awards this time as well.

In the category of classical ballet prepared by pedagogue Una Stepanović, a student of the Belgrade Dance Institute, the students presented the school with seven solo variations and won 5 first and 2 second places in strong competition with ballet school students from Bulgaria, Russia and Serbia.

The winners of the competition are Andjelka Prica, Neda Aritonović, Emilija Mihajlović, and as one of the youngest competitors, the students won four first places, Nikolina Đorđević, Helena Dimitrijević, Petra Manitašević and Katarina Nedeljković.

The ballet school in Gračanica was founded in 2017 on the initiative of Snežana Petrović with the support of the Ministry of Culture and Information of the Republic of Serbia, which works according to the plan and program of the Belgrade Dance Institute.

Photography archive of Gračanica Ballet School

PRAZNIK IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila, Institut za umetničku igru će izvesti koncert Praznik igre koji je posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta. Koncert će biti izveden na sceni Opere i teatra Madlenianum, s početkom u 20.00 časova. Koncert izvode studenti Instituta za umetničku igru i Kompanija Balet mladih. Projekat se realizuje kroz program usavršavanja mladih iz oblasti klasičnog baleta i umetničke igre koji je podržan od strane Kancelarije za mlade grada Beograda.

Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije. Rukovodilac kompanije je balet majstor Amalia Mindrutiu (Rumunija) uz asistenciju i saradnju sa baletskim pedagozima Milicom Bezmarević i Milom Stijak. Korepetitor kompanije Balet mladih je Ana Spremić.

Koncert će biti otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu. Nakon toga će biti prikazane neke od najlepših numera iz poznatih baleta kao što su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar.

U drugom delu koncerta će biti izveden drugi čin iz baleta Labudovo jezero. Glavne uloge nosiće Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid (Prvak baleta u Kairo operi i baletu, i student master studija na Institutu za umetničku igru), dok će ulogu zlog čarobnjaka Rotbarta nositi Ognjen Vučinić (Profesor savremene igre na Institutu za umetničku igru).

Karte za koncert po ceni od 1000 dinara možete kupiti uz rezervaciju pozivom na broj: 

011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila teodora.zivkovic@iui.rs 

NAGRADA I SPECIJALNA POHVALA TERPSIHORA 

Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.

Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.

Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.

Ana Ignjatović-Zagorac profesionalno se bavi savremenom igrom i jedan je od utemeljivača savremene plesne scene u Srbiji. Od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni. Slobodna je umetnica, članica trupe Bitef Dance kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu. Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.       

Miona Petrović svoj prvi kontakt sa umetničkom igrom ostvarila je u Studiju za klasičan baleta kod pedagoškinje Jelene katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević. Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dance kompanije. Usavršavala se u školi Dance Loft u Švajcarskoj a posebno na brojnim radionicama kod koreografa Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Woliaston, Nina Dipla, Charles Linehan, Idan Sharabi, James Amar…

Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Projecta kao i samostalnih produkcija.

U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće nam se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.

Studentkinja je druge godine Instituta za umetničku igru na odseku koreografija.

Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.

Svečana ceremonija uručenja nagrada će se održati 26. aprila u Muzeju Narodnog pozorišta u Beogradu s početkom u 13.00 časova.

Nagrada i Specijalna pohvala Terpsihora se realizuje uz podršku Ministarstva kulture i informisanja Republike Srbije, Narodnog pozorišta u Beogradu i Instituta za umetničku igru.

Fotografija Jelena Janković.

Fotografija Nemanja Maraš

OTVARANJE IZLOŽBE ERVINA VURMA

PERFORMANS SVAKODNEVNA SOBA

Prof. dr Snežana Arnautović Stjepanović izvešće danas 6.04.2022. godine, performans Svakodnevna soba u okviru Međunarodne naučne konferencije PARTICIPATIVNE PRAKSE IZVOĐAČKIH UMETNOSTI U DIGITALNOM DOBU u Rektoratu Umetnosti koju organizuje Univerzitet umetnosti u Beogradu i Univerzitet grada Birmingema a koja će se održati od 6-8 aprila 2022.

Performans možete pratiti online putem linka: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Naziv rada: Svakodnevna soba

Medij: Višemedijska instalacija

Autori: Snežana Arnautović Stjepanović i Ivica Stjepanović

Višemedijska instalacija Svakodnevna soba je projekat koji je prikazan u okviru Međunarodnog festivala Umetnost i ljudska prava na izložbi Ti moraš biti Zenitista, u galeriji Neon u Beogradu, 24. februara 2022. godine.

Svakodnevna soba predstavlja odgovor na nova promišljanja o prirodi, čoveku i umetnosti u odnosima koji se uspostavljaju u umrežavanju ličnog, telesnog i društvenog dijaloga ovog umetničkog para, koji svojim delovanjem razmatra odrednice koje se tiču svakodnevnog bivstvovanja ali i delovanja u začaranom krugu koji se čak i sto godina od postanka Zenitizma suočava sa istim društvenim problemima.

Reagujući na tekst Ljubomira Micića Hvala ti Srbijo Lepa..., kreirana je prostorna instalacija koja korespondira sa dva video rada.

Video radovi su nastali u periodu vanrednog stanja usled pandemije korona virusa. Performanse koji su izvedeni za potrebe snimanja video radova izvode autori i snimani su kao intimni portreti.

Video rad Ivice Stjepanovića U ovoj zemlji predstavlja govor umetnika u prvom licu i transformaciju lika koja se naznačava svojom karikaturalnošču i deformisanošću. Pesma koju umetnik peva dok konstatno gleda u objektiv je autorski tekst koji je nastao pre deset godina sa promenama u uređenju društveno – političkog sistema.

Video rad Snežane Arnautović Stjepanović Hafetopija, (strah od dodira) razmatra promene u načinu življenja i društvenim interakcijama (život bez zagrljaja, poljubaca i dodira) a koje su dovele su do stanja anksioznosti koji se mogu poistovetiti sa simptomima ove fobije. Video rad  ukazuje na potrebu za dodirom, za taktilnim i manuelnim činom kroz vraćanje prirodi.

Video radovi su postavljeni tako da na simboličan način skreću pažnju na digitalno nad aktuelnim, na komunikaciju koja se sve više ostvaruje ovim putem i razgovor dva umetnika smešta u novi kontekst koji se simbolično odvija iznad teksta Ljubomira Micića, konstantno nas opominjujući.

Konferencija "Digital Performing Arts - Participatory practices in digital age"

CONFERENCE SESSIONS / CONTACT LIST/ Time Schedule

*All sessions are scheduled in Belgrade/Budapest timezone

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (Panel discussion – open access) 12:00 - 1:00 PM

Join Zoom Meeting

https://zoom.us/j/99867795294?pwd=QjBaQ1FBenJHVHcwb25jR2JjbkhHZz09

Meeting ID: 998 6779 5294

Passcode: 842134dnes

day 6th April – Live performance 1:00 - 1:2

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (Panel discussion & Key note – open access)  4:00 – 6:00 PM

Join Zoom Meeting

https://zoom.us/j/93752796293?pwd=TnppTTJuYVh6OW80R1Bob2Y4enJQdz09

Meeting ID: 937 5279 6293

Passcode: 173359

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (Panel discussion – open access)  12:40 – 1:00 PM

Join Zoom Meeting

https://zoom.us/j/95692893024?pwd=a0ozZmovUS9veUJwam1qZWF5T1ZFZz09

Meeting ID: 956 9289 3024

Passcode: 750569

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (Panel discussion – open access)  5:20 – 6:20 PM

Join Zoom Meeting

https://zoom.us/j/92245242121?pwd=dFJUQU1xcVBYYlhsaEtDaXh1ZzF2QT09

Meeting ID: 922 4524 2121

Passcode: 539394

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (Roundtable discussion - open access) - 12:00 - 2:00 PM

Join Zoom Meeting

https://zoom.us/j/92041862568?pwd=bEt5RU44eWlEa1pMaUVJYUFZV0xTZz09

Meeting ID: 920 4186 2568

Passcode: 013391

JORAM KARMI GOSTUJE U INSTITUTU

Joram Karmi izraelski koreograf i osnivač plesne kompanije Fresco od danas gostuje u Institutu za umetničku igru uz podršku Ambasade Izraela u Srbiji.

Joram Karmi bio je umetnički direktor Festivala Shades of Dance 2012. i 2013. Dobitnik je Rozenblumove nagrade za istaknutog umetnika u oblasti igre (2012). Osvojio je drugu nagradu na Festivalu Shades of Dance za svoj opus Spectrum.

Pored toga što redovno stvara dela za sopstvenu kompaniju, koreografiše za Izraelski festival, Izraelski simfonijski orkestar Rishon LeZion (Pulčinela), Jerusalimski balet (Klara), Izraelski balet, KSU Atlanta i mnoge druge. Godine 2012. kreirao je Point of Origin za plesni projekat Izraelske opere i centra Suzanne Dellal. Predstave koje je koreografisao u Izraelskoj operi su: L'Italiana in Algeri (2021), San letnje noći (2018), Madama Butterfly (2018), Magbet (2016), Dama i prodavac (2015), Schitz (2015). Gostujući je nastavnik na master kursevima širom sveta i sudija na raznim profesionalnim plesnim takmičenjima.

Tokom boravka u Beogradu, pored intezivnih predavanja u Institutu za umetničku igru, Joram Karmi će održati predavanja u Baletskoj školi Lujo Davičo, igračima sa nezavisne scene a paralelno će kreirati solo koreografiju koja će premijerno biti izvedena na drugoj ediciji Festivala Sola u Kulturnoj stanici Barka u Novom Sadu.

Fotografija arhiva Fresco Dance company.

USPEH UČENICA BALETSKE ŠKOLE GRAČANICA

Na Međunarodnom baletskom takmičenju u Nišu (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022.) učenice Baletske škole u Gračanici i ovog puta su osvojile veliki broj nagrada.