Pretraga

Alumni

U sekciji Alumni nema rezultata za zadatu pretragu

Nagrade

Studenti Instituta za umetničku igru Vladimir Čubrilo, Branko Mitrović i Boris Vidaković dobitnici su Specijalne pohvale Terpsihora. 2017.

Belgrade Dance Institute students Vladimir Čubrilo, Branko Mitrović and Boris Vidaković are the winners of the Terpsichore Special Commendation in 2017.

Na XXI Festivalu koreografskih mijatura 2017. godine, prva nagrada, nagrada kritike i nagrada Aleksandar Izrailovski dodeljena je profesoru Macieju Kuźmińskom, Studentima Đurđiji Jelenković i Nastasji Ivetić i Luki Stojkoviću pripala je prestižna nagrada Ohrabrenje.

At the XXI Festival of Choreographic Miniatures in 2017, professor Maciej Kuźmiński received the first prize, the Critics' Award and the Aleksandar Izrailovski Award. Students Đurđija Jelenković, Nastasja Ivetić and Luka Stojković were given the prestigious Encouragement Award.

Dobitnica Godišnje nagrade za najbolju koreografiju, Pozorišta na Terazijama 2017. godine je Milica Cerović, studentkinja II godine Master studija Instituta za umetničku igru.

The winner of the Annual Award for the best choreography of the Terazije Theatre in 2017 is Milica Cerović, a second-year student of the Master's degree at the Belgrade Dance Institute.

Studentkinje Instituta za umetničku igru Jovana Ikonić, Teodora Vujkov i Anđelija Jovanović, na prestižnom Međunarodnom takmičenju TANZOLYMP u Berlinu 2018. godine osvojile su drugo mesto (prvo nije dodeljeno) za koreografiju Beige i F31.6 Jovane Ikonić.

At the prestigious International TANZOLYMP competition in Berlin in 2018, Belgrade Dance Institute students Jovana Ikonić, Teodora Vujkov and Andjelija Jovanović won the second prize (the first one was not awarded) for the choreography of Beige and F31.6 by Jovana Ikonić.

Studenti Instituta za umetničku igru Katarina Bućić, Katarina Stojković, Marija Vučenović, Mila Stijak, Maja Marković i Vladimir Čubrilo nominovani su za Nagradu grada Beograda za 2017. godinu u oblasti Umetnost – stvaralaštvo mladih za projekat Nušić Triptih.

In 2017, Belgrade Dance Institute students Katarina Bućić, Katarina Stojković, Marija Vučenović, Mila Stijak, Maja Marković and Vladimir Čubrilo were nominated for the City of Belgrade Award in the field of Art – Youth Creativity for the Nušić Triptych project.

Studentkinja II godine Instituta za umetničku igru Alisa Oravec, osvojila je prvo mesto i laureat za režiju i koreografiju predstave „Petar Pan“ na Pokrajinskom festivalu dečjeg pozorišnog stvaralaštva „3xĐ“ u pozorišnoj sekciji „Đetvan“ 2018.

In 2018, a second-year student at the Belgrade Dance Institute Alisa Oravec was a laureate and won the first prize for directing and choreographing the play "Peter Pan" at the Provincial Festival of Children's Theatre "3xDj" in the drama workshop "Djetvan".

Doc. Aleksandar Nikolić dobitnik je zahvalnice za izuzetan doprinos kulturi grada Jerusalima, koju dodeljuje Žamboki IMVAJ, Ministarstvo spoljnih poslova i grad Jerusalim.

Docent Aleksandar Nikolić is the winner of the letter of thanks for the exceptional contribution to the culture of the city of Jerusalem, which is awarded by Zamboki IMVAJ, the Ministry of Foreign Affairs and the city of Jerusalem.

Nikola Pavlović student treće godine Odsek koreografija, u selekciji od 17 kandidata iz celog sveta odbran je za koreografski debi Međunarodne produkcije Plesnog teatra Ljubljana koja će premijerno biti izvedena 2020. godine na sceni tog teatra.

A third-year student of the Choreography Department Nikola Pavlović was selected out of the 17 candidates from all over the world for the choreographic debut in the International Production of the Ljubljana Dance Theatre, which will be premiered on that theatre stage in 2020.

Specijalnu pohvalu Terpsihora 2019. kao prestižno priznanje koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre, dobila je Đurđija Jelenković apsolvent Institita za umetničku igru .

In 2019, a Belgrade Dance Institute graduate Djurdjija Jelenković received a special Terpsichore Commendation as a prestigious recognition that is awarded annually to artists or cultural institutions in the field of artistic dance.

Nagrade i pohvale za izvedene radove na Arilskim susretima 2019. dobili su: Anđelija Jovanović, student III godine osnovnih studija - Specijalna pohvala; Katarina Bućić, saradnik u nastavi i student II godine Master programa Umetnička igra - Najbolji performans; Nikola Pavlović, student III godine osnovnih studija -Najbolja koreografija.

Awards and commendations for the plays performed at the April Meetings 2019 were given to: a third-year undergraduate student Andjelija Jovanović – Special Commendation; teaching associate and a second-year student of the Artistic Dance Master's programme Katarina Bućić – Best Performance; a third-year undergraduate student Nikola Pavlović – Best choreography.

Na završnoj večeri programa Universal Artists festivala u koncertnoj sali Jordan Hall u Bostonu Prof. dr Vladimir Tomašević i umetnička direktorka Universal Artist festivala iz Bostona i GIPAC Asocijacije Wanzhe Zhang dodelili su učesnicima nagrade i priznanja. Prof. Aleksandar Ilić i doc. Aleksandar Nikolić su pozdravljeni stojećim ovacijama na Konzervatorijumu Nove Engleske u Bostonu gde su im uručena i specijalna priznanja.

At the final evening of the Universal Artists Festival programme at the concert Jordan Hall in Boston, PhD Vladimir Tomašević and the artistic director of the Universal Artist Festival from Boston and the GIPAC Association Wanzhe Zhang presented the participants with awards and recognitions. Professor Aleksandar Ilić and docent Aleksandar Nikolić were greeted with standing ovations at the New England Conservatoire in Boston, where they were also awarded special recognitions.

Na 23. Festivalu koreografskih minijatura (FKM) u organizaciji Udruženja baletskih umetnika Srbije na sceni Raša Plaović Narodnog pozorišta u Beogradu 2019. dodeljene su nagrade mladim koreografima sa Instituta za umetničku igru: Nagrada Ohrabrenje dodeljena je Katarini Ilijašević i Sandri Milošević, Nagrada Aleksandar Izrailovski dodeljena je Luki Stojkoviću, Nagrada kritike i treće mesto pripalo je Katarini

Awards were given to young Belgrade Dance Institute choreographers at the 23rd Festival of Choreographic Miniatures (FKM in Serbian or FCM in English) organised by the Association of Ballet Artists of Serbia – the Encouragement Award was given to Katarina Ilijašević and Sandra Milošević, the Alaksandar Izrailovski Award was given to Luka Stojković, and Critics’ Award and the third prize were given to Katarina.

Konferencije i Seminari

Prof. Aleksandar Ilić i Lidija Pavlović pedagog klasičnog baleta, održali su u decembru 2016. godine dvodnevni seminar Primena elemenata klasičnog baleta u različitim sportovima kao gostujući predavači na poziv HYPERLINK "http://www.fsfv.ni.ac.rs/" Fakulteta sporta i fizičkog vaspitanje u Nišu.

Professor Aleksandar Ilić and a classical-ballet pedagogue Lidija Pavlović gave a two-day seminar as guest lecturers on the topic Application of classical-ballet elements in different sports in December 2016 when invited by the Faculty of Sport and Physical Education in Niš (HYPERLINK http://www.fsfv.ni.ac.rs/).

Trodnevna RESEO konferencija Opersko, muzičko i plesno obrazovanje kroz prizmu visokoškolskog obrazovanja.održana je na Institutu za umetničku igru u aprilu 2017. godine, na kojoj su se predstavli najuticajniji pojedinci iz domena baleta i opere. RESEO je Evropska mreža nacionalnih opera i baleta iz 27 zemalja Evrope.

A three-day RESEO conference on Opera, music and dance education in higher education was held at the Belgrade Dance Institute in April 2017 presented the most influential individuals in the ballet and opera fields. RESEO is the European network of national operas and ballets from 27 European countries.

Na Institutu za umetničku igru u decembru 2017. godine, realizovan je trodnevni seminar koji je akreditovan u Zavodu za unapređivanje obrazovanja i vaspitanja, pod nazivom Unapređivanje nastave klasičnog baleta kroz upoređivanje dva sistema – rumunskog i srpskog sa osnovom na Vaganovoj tehnici. Realizatori seminara su bili: Calin Eugen Hantiu, baletski pedagog Instituta za umetničku igru i Nina Čolanović, nastavnik klasičnog baleta, Baletske škole „Lujo Davičo“.

In 2017 at the Belgrade Dance Institute was given a three-day seminar titled Improving of ballet teaching by comparison of two systems – Romanian and Serbian based on Vaganova technique, which was accredited by the Bureau of Education Improvement. The impleneters of this seminar were Calin Eugen Hantiu, a ballet pedagogue at the Belgrade Dance Institute, and Nina Čolanović, a classical-ballet teacher in the professional secondary Ballet School “Lujo Davičo”.

Prva Međunarodna konferencija za baletnu i plesnu edukaciju održala se u novembru 2018. godine u Sarajevu u organizaciji Udruženja Tanzelarija u partnerstvu sa Institutom za umetničku igru, u Kino Meeting Point. Tema konferencije je Umrežavanje, znanja i vodstvo: Nova era u baletnoj i plesnoj edukaciji. Glavni predavači konferencije iz Srbije su bili prof. Dijana Milošević i prof. dr Vladimir Tomašević sa Instituta za umetničku igru.

The First International Conference on ballet and dance education was held in the Kino Meeting Point in Sarajevo in November 2018 and was organised by the Association Tanzelarija in partnership with the Belgrade Dance Institute. The conference topic was Networking, knowledge and leadership – New era in ballet and dance education. Major conference lecturers from Serbia were professors Dijana Milošević and Vladimir Tomašević, PhD coming from the Belgrade Dance Institute.

U Institutu za umetničku igru, u februaru 2018. godine održan je dvonedeljni Winter Intensive Masterclass – klasičan balet, koji je vodio balet majstor Bahram M. Juldašev sa korepetitorkom Anom Spremić.Winter Intensive Masterclass – klasičan balet obuhvatao je vežbe klasičnog baleta po Vaganova sistemu s akcentom na tehničkim zahtevima i njihovom savladavanju, a namenjen je učenicima Osnovnih baletskih škola (3 i 4 razred), učenicima Srednjih baletskih škola (1, 2, 3 i 4 razred) i profesionalnim igračima.

In February 2018 at the Belgrade Dance Institute there was given a two-week Winter Intensive Masterclass – classical Bllet, which was run by ballet master Bahram M. Juldašev with the accompanist Ana Spremić. Winter Intensive Masterclass – classical ballet encompassed classical ballet exercises after Vaganova system with the emphasis on technical demands and their mastering, and was intended for the pupilss of primary ballet schools (3rd and 4th forms), students of secondary ballet schools (1st, 2nd, 3rd, and 4th forms), and professional dancers.

U Institutu za umetničku igru u februaru 2018. godine, na odseku za Scensku narodnu igru i muziku, održan jetrodnevni, prvi Masterklas posvećen koreografiji narodne igre. Masterklas je vodio priznati scenski umetnik i profesor koreografije narodne igre, dr. Anton Andonov iz Bugarske, šef katedre za koreografiju na Plovdivskoj akademiji za tradicionalnu muziku i igru (AMTII).

In February 2018 at the Stage-Folk-Dance-and-Music Department of the Belgrade Dance Institute there was held the one-day First Masterclass dedicated to folk-dance choreography. The Masterclass was run by a renowned stage artist and folk-dance choreogrphy PhD professor Anton Andonov from Bulgaria, the head of Choreography Department at the Academy of Music, Dance and Fine Arts in Plovdiv (AMTII).

U Sofiji (Bugarska) je u junu 2019. godine održana Međunarodna konferencija na temu Obrazovanja u oblasti umetničke igre i teatra u organizaciji Nacionalne Akademije za pozorišne i filmske umetnosti Kr. Sarafov u partnerstvu s ATOM Theatre, Balkan Dance Project platformom i Institutom za umetničku igru. Institut za umetničku igru predstavili su prof. dr Vladimir Tomašević i prof. Dijana Milošević govoreći o izazovima u obrazovanju umetničke igre u zemlji i regionu.

In June 2019 in Sofia (Bulgaria) there was held the International Conference on Education in artistic dance and theatre, organised by the National Academy for Theatre and Film Arts ‘’Kr.Sarafov’’ in partnership with ATOM Theatre, Balkan Dance Project platform and the Belgrade Dance Institute. The Belgrade Dance Institute was presented by professors Dijana Milošević and Vladimir Tomašević, PhD who were speaking about challenges in artistic dance education in the country and region.

U Institutu za umetničku igru u Beogradu, u okviru odseka Scenska narodna igra i muzika, pokrenut je ciklus stručnih skupova pod nazivom Umrežavanje teorije i prakse, s ciljem da se konačno umreže dostignuća u teoriji i praksi na području tradicionalne narodne igre. Pozvane su ključne ličnosti koje iza sebe imaju višedecenijsko iskustvo u radu sa ansamblima narodnih igara, pedagogiji i scenskom stvaralaštvu. U 2019. godini su održana dva stručna skupa.

A cycle of professional gatherings called Networking Theory and Practice was launched within the Stage-Folk-Dance-and-Music Department of the Belgrade Dance Institute, with the aim of networking achievements in theory and practice in the field of traditional folk dance at last. Key personalities with decades of experience in working with folk dance ensembles, pedagogy and stage creation were invited. In 2019, two professional meetings were held.

Vesti

Upis u više godine osnovnih studija 2022/23. godine

Obaveštavamo studente da do 30. 9. mogu da upišu narednu godinu studija.

Upis se može obaviti svakog radnog dana od 10.00 do 14.00 u Studentskoj službi (Kabinet 332-333).

Uslovi za upis:

Ispunjen uslov za upis u narednu godinu (položeni ispiti);
Izmirena školarina za prethodnu školsku godinu;
Popunjena 2 ŠV obrasca (u Studentskoj službi);
Potpisivanje Ugovora za školsku 2021/22;
Uplaćena prva rata za narednu školsku godinu prema Ugovoru o studiranju (doneti dokaz o uplati).

Na upis obavezno doneti indeks!

INTENZIVNI JESENJI SEMINAR - KLASIČAN BALET

INTENZIVNI JESENJI SEMINAR - KLASIČAN BALET

Baletmajstor Karlos Montalvan (Kuba) održaće Intenzivni jesenji seminar - klasičan balet od 26. septembra do 7. oktobra u Institutu za umetničku igru.

Seminar će obuhvatiti vežbe klasičnog baleta s akcentom na tehničkim zahtevima i njihovom savladavanju, duetskoj igri i repertoaru.

Intenzivni jesenji seminar - klasičan balet namenjen je učenicima osnovnih (3. i 4. razred) i srednjih baletskih škola (1, 2, 3. i 4. razred), kao i profesionalnim igračima.

Raspored časova biće objavljen u petak 23. septembra.

Završna prezentacija biće izvedena javno 7. oktobra u sali Novi prostor Instituta za umetničku igru.

Cena Intenzivnog jesenjeg seminara - klasičan balet iznosi 10.000 dinara.

Za članove kompanije Balet mladih časovi su besplatni.

Prijave poslati na: teodora.zivkovic@iui.rs

Prijava treba da sadrži:

ime i prezime;
datum rođenja;
škola koju pohađa učenik;
broj telefona.

Primer uplatnice:

Svrha uplate: Klasičan balet Carlos Montalvan
Uplatilac: Ime i prezime i adresa polaznika master klasa
Primalac: Institut za umetničku igru, Bulevar vojvode Mišića 43, 11000 Beograd

Broj žiro računa: 265167031000009130

Poziv na broj: JMBG

Uplate je neophodno izvršiti do četvrtka 22. septembra

Za više informacija pozovite (011) 41 40 421.

Karlos Montalvan studirao je klasičan balet i savremenu igru na Nacionalnoj Akademiji na Kubi. Karijeru je započeo u Kamagej baletu na Kubi. Odigrao je prvačke uloge u Labudovo jezero, Uspavanoj lepotici, Karmen, Romeo i Julija i dr. Nastupao je sa najznačajnijim balerinama danšnjice poput Paule Akosta, Leticije Đuliani, Lućijane Savinjano, Karle Frači i dr.

Prvak je Baleta Del Sud u Leću (Italija) i umetnički direktor Baletske škole Leće.

Video Aleksandar Milošević.

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2022/23. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

Master program Instituta za umetničku igru namenjen je ambicioznim diplomcima koji žele da prodube znanja iz oblasti umetničke igre, koreografije i pedagogije, kao i već ostvarenim profesionalcima koji žele da unaprede znanja i veštine kako bi postigli što bolje rezultate na ličnom i profesionalnom planu.

Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje: institutzaumetnickuigru@gmail.com, putem i-mejla: prijave@iui.rs i putem telefona 011 41 40 421.

Prijave se vrše online putem linka:

http://www.iui.rs/upis-na-master-studije

Master studije Umetnička igra

Program master studija traje dve godine, odnosno četiri semestra i sastoji se od šesnaest predmeta (obavezni i izborni) koji predstavljaju ravnotežu između akademsko obrazovnih, naučno stručnih, stručno aplikativnih i teoretsko metodoloških predmeta. Obavezni predmeti doprinose opštoj stručnosti, a izborni omogućuju studentima dodatnu specijalizuju za odabrane smerove kako bi stekli korisno praktično i tržišno upotrebljivo znanje i veštine.

Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

Prijemni ispit za master studije umetnička igra će se održati 20. septembra 2022. godine u 15.00h.

Prijemni ispit se plaća 5000 RSD.

Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Master studije plesnog performansa IUI Transition Dance Company

Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.

IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.

Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.

Audicija za Master studije plesnog performansa će se održati 21. septembra 2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).

Prijemni ispit se plaća 5000 RSD.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.

Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.

Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.

Prijemni ispit

Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.

Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs

Prijemni ispit će se održati 21. septembra 2022. godine u 14.00h na Institutu za umetničku igru.

Dokumenta za prijavljivanje na konkurs:

Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
Izvod iz matične knjige rođenih,
Stručna biografija,
Portfolio umetničkih radova,
Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica).

Troškovi polaganja prijemnog ispita iznose 5.000,00 din.

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs

PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE

PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE

Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.

Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).

Prijemni ispiti biće održani od 20. do 22. septembra 2022. godine, dok će se pripremna nastava i konsultacije realizovati od 14. do 16. septembra 2022. godine.

Prijemni ispit

Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.

Praktičan deo prijemnog ispita podrazumeva sledeće:

Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz scenske narodne igre podrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.

Termini prijemnih ispita

Prijemi za Baletsku pedagogiju 20.09. u 11.00h u sali Novom prostoru
Prijemni za Savremenu igru i Pedagogiju savremene igre 21.09. u 11.00h sali Novom prostoru;
Prijemni za koreografiju 21.09. u 13.00h u sali u Novom prostoru;
Prijemni za Scensku narodnu igru 22.09. u 16.00h u sali 307;
Test opšte kulture 22.09. u 13.00h u kabinetu 329;
Test engleskog jezika 22.09. u 14.00h u kabinetu 329.

Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.

Pripremna nastava

Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.

Pripremna nastava će se održavati od 14. do 16. septembra 2022. godine.

Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.

Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.

Svrha uplate: Troškovi pripremne nastave

Upis

Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:

Izvod iz matične knjige rođenih;
Svedočanstva sva četiri razreda srednje škole (original ili overena kopija);
Diploma završene srednje škole (original ili overena kopija);
2 fotografije dimenzija 3,5 x 4,5 cm;
Dokaz o izvršenoj uplati školarine.

Školarina / Finansije

Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR po godini studija (plaćanje po srednjem kursu NBS na dan uplate).

Ukoliko se kandidat opredeli za varijantu plaćanja u ratama, student je u obavezi da prilikom upisa uplati 40% školarine (dinarska protivvrednost po srednjem kursu NBS na dan uplate), a ostatak na osam jednakih mesečnih rata po srednjem kursu NBS na dan uplate.

Studenti koji nisu građani Republike Srbije

Pored gorenavedenih uslova moraju dodatno da se sami postaraju za dobijanje viza radi boravka u Srbiji tokom studiranja. Institut nije garantor stranim studentima tokom njihovog boravka u Srbiji niti snosi bilo kakvu pravnu-finansijsku-moralnu odgovornost prema njima ili trećim licima vezanima za njihov boravak u Republici Srbiji. Sami studenti su odgovorni za pribavljanje relevantne dokumentacije i dokazivanja Konzularnom predstavništvu ili Ambasadi Republike Srbije radi dobijanja vize(a). Svi studenti koji polože prijemne ispite i steknu sve uslove za upis, mogu da dobiju relevantne potvrde koje će biti upućene nadležnim organima radi blagovremenog izdavanja njihovih viza.

PRIJAVU ZA PRIJEMNI MOŽETE POSLATI NA EMAIL PRIJAVE@IUI.RS ILI PREKO UPISNE FORME NA SAJTU.

Prijava treba da sadrži:

Ime i prezime
Adresu stanovanja
Kontakt email
Kontakt telefon
Prethodno obrazovanje
Izabrani smer (klasičan balet, koreografija, baletska pedagogija, savremena igra, scenska narodna igra, pedagogija savremene igre)
Tip studija (osnovne studije, master studije, doktorske studije)
Godina upisa

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 telefonom 011 41 40 421 ili institutzaumetnickuigru@gmail.com

IGRA S MITOM IZVEDENA U ŠIBENIKU

IGRA S MITOM IZVEDENA U ŠIBENIKU

U okviru XI Šibesnkog plesnog festivala 29. jula na Tvrđavi Barone u Šibeniku je izvedena plesna predstava Igra s mitom u koreografiji Prof. Aleksandra Ilića.

„U ovoj je predstavi mnogo simbolike koju nije teško iščitati. Iako se ne bavim političkim teatrom ni rodnim stvarima, ovo jest jedna ženska priča. Četiri snažne plesačice zapravo govore da svet ne pripada samo muškarcima, nego da upravo one vladaju njim“, rekao je Prof. Aleksandar Ilić.

Njegovu koreografsku viziju izvele su Katarina Ilijašević, Natalija Trifunović, Jovana Grujić i Katarina Bućić.

Publiku ŠDF-a Prof. Ilić je oduševio ne samo svojom koreografijom, nego i dodatnim scenskim elementima.

„Kostim i svetlo su dodatni izvođači na sceni. Moje predstave su dosta spore i mračne. Volim igru sa senkama. I ovde, u oskudnom svetlosnom parku, uspeli smo stvoriti željenu mistiku. Moj koreografski potpis prepoznatljiv je i po izazivanju igrača na telesne reflekse na sceni. Želim da s pozornice odjekne i njihov govor i zvuk tela“, objasnio je Ilić.

Kostim potpisuju Katarina Radošević Galić i Snežana Arnautović Stjepanović, a adaptaciju glazbe Georg Draušnik. Predstavu je pripremio Ognjen Vučinić.

Više o predstavu pogledajte ovde: https://sibenski.slobodnadalmacija.hr/sibenik/kultura/ostalo/ples-s-mitom-na-tvrdavi-barone-misticna-koreografija-umjetnika-iz-beograda-odusevila-sibensku-publiku-1212381

KOLEKTIVNI GODIŠNJI ODMOR 2022.

Obaveštavamo profesore, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi za vreme kolektivnog godišnjeg odmora u periodu od 18. jula 2022. do 2. septembra 2022.

Prvi radni dan je 5. 9. 2022. godine.

Odbrana doktorskog rada Žorža Draušnika

Dana 14.7.2022. u Beogradu, Žorž Draušnik, kandidat za zvanje Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra i performans, odnosno student Doktorskih studija pristupio je odbrani svoje Doktorske disertacije.

Uvaženi kolega Žorž Draušnik je prikazao svoj rad na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE" i izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. dr Sibila Petrevski, Predsednik komisije

2. Prof. Dijana Milošević, član

3. Prof.dr Snežana Arnautović, član

Nakon svog izlaganja uvaženi kolega Draušnik je odgovorio na sva postavljena pitanja.

Komisija konstatuje da je dana 14.7.2022. u Beogradu, uvaženi kolega, Žorž Draušnik uspešno odbranio svoju Doktorsku disertaciju na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE"

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Žorž Draušnik ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje

"Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra".

ČESTITAMO!!!!

IZVEDEN DIPLOMSKI KONCERT KULTURA!

IZVEDEN DIPLOMSKI KONCERT KULTURA!

U subotu, 9. jula, izveden je diplomski koncert KULTURA! studentkinje Instituta za umetničku igru, na odseku za scensku narodnu igru i muziku, Nevene Antić u prostoru Una Saga Serbica, koji je bio ispraćen uz ovacije.

Na koncertu su bili prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja), ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika je imala priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te je jedan blok pesama bio posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.

Dizajn tona: Goran Spasojević

Dizajn svetla: Svetozar Krstić

Kamera i montaža: Nikola Rogan

Dizajn promo materijala: Zoran Stepanović i Anđela Antić

Tehnička podrška: Milica Pejić

Tekst programa pripremio: Lazar Barać

Kostimi:

Goran Jovanović i porodica Tošić

Marko Jevtić

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Beograd

Ketering: Zlatna kruna Smederevo

Igrači:

Ivona Stojanović

Nevenka Bošković

Marija Badivuk

Jovana Rakita

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanović

Boban Kostić

Vladimir Drljan

Marko Marković

Nebojša Mišković

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antić

Muzički izvođači:

Aleksandar Aca Antić

Nebojša Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostić

Luka Kosanović

Dragan Kozarčić

Nikola Vučković

Miroslav Majstorović

GOSTI:

Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac

Perkusionistički ansambl dRumble Aleksandra Radulovića:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski

Bojana i Nebojša Brdarić

Producent: Anđela Antić

Koreograf: Nevena Antić

Živela kultura!

ODBRANA ZAVRŠNOG RADA KSENIJE SINĐIĆ

ODBRANA ZAVRŠNOG RADA KSENIJE SINĐIĆ

Uvažena koleginica Ksenija Sinđić, je prikazala svoj rad na temu "Temps lié u svim njegovim formama", i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. dr Snežana Arnautović Stjepanović , Predsednik komisije

2. Prof. Aleksandar Ilić, mentor

3. Doc. Mila Stijak, član

Nakon svog izlaganja uvažena koleginica Ksenija je odgovorila na sva postavljena pitanja.

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ksenija Sinđić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje

Dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!!

DIPLOMSKI KONCERT KULTURA!

DIPLOMSKI KONCERT KULTURA!

VAŽNO OBAVEŠTENJE - DIPLOMSKI KONCERT KULTURA!, STUDENTKINJE INSTITUTA ZA UMETNIČKU IGRU, NA ODSEKU ZA SCENSKU NARODNU IGRU I MUZIKU, NEVENE ANTIĆ BIĆE ODRŽAN U SUBOTU 9. JULA 2022 SA POČETKOM U 20 ČASOVA U PROSTORU UNA SAGA SERBICA, U MILUTINA MILANKOVIĆA 120D, BLOK 28, NOVI BEOGRAD.

Na koncertu će biti prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja), ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika će imati priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te će jedan blok pesama biti posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.

Dobrodošli 9.jula u 20 časova, spremni na još iznenađenja!

Ulaz je slobodan.

Dizajn tona: Goran Spasojević

Dizajn svetla: Svetozar Krstić

Kamera i montaža: Nikola Rogan

Dizajn promo materijala: Zoran Stepanović i Anđela Antić

Tehnička podrška: Milica Pejić

Tekst programa pripremio: Lazar Barać

Kostimi:

Goran Jovanović i porodica Tošić

Marko Jevtić

Marko Čorboloković

Alisa Oravec

Zlatko Ruman

Una Saga Serbica

AKUD Lola Beograd

Ketering: Zlatna kruna Smederevo

Igrači:

Ivona Stojanović

Nevenka Bošković

Marija Badivuk

Jovana Rakita

Jasna Vučetić

Isidora Selaković

Milan Maksimović

Jovan Jovanović

Boban Kostić

Vladimir Drljan

Marko Marković

Nebojša Mišković

Zoran Stepanović

Komnen Šunjevarić

Uroš Novaković

Marko Mrvošević

Nikola Velebit

Nevena Antić

Muzički izvođači:

Aleksandar Aca Antić

Nebojša Brdarić

Bojana Brdarić

Aleksandar Radulović

Milan Mraović

Marko Kostić

Luka Kosanović

Dragan Kozarčić

Nikola Vučković

Miroslav Majstorović

GOSTI:

Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac

Perkusionistički ansambl dRumble Aleksandra Radulovića:

Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski

Bojana i Nebojša Brdarić

Producent: Anđela Antić

Koreograf: Nevena Antić

Živela kultura!

POTPISAN SPORAZUM O SARADNJI S VIENNA KONZERVATORIJUMOM U BUDIMPEŠTI

POTPISAN SPORAZUM O SARADNJI S VIENNA KONZERVATORIJUMOM U BUDIMPEŠTI

Dekan Prof. dr Vladimir Tomašević potpisao je sporazum o saradnji sa Prof. dr Balogh Gaborom direktorom Vienna Konzervatorijuma u Budimpešti.

Sporazumom su definisane buduće saradnje i otvaranje studijskog programa Instituta za umetničku igru na Konzervatorijumu u Budimpešti.

IZVEDENA ZAVRŠNA PREDSTAVA METRONOMIJA

IZVEDENA ZAVRŠNA PREDSTAVA METRONOMIJA

Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula je premijerno izvedena završna predstava Metronomija u koreografiji Tamare Gvozdenović.

Pred komisijom i publikom predstavu su izvele Sonja Stojanović, Una Balaž i Angela Mihova kojima je ovo bila završna predstava, zajedno sa Katarinom Bućić, Mionom Petrović i Tijanom Ostojić.

Originalnu muziku za predstavu potpisuje Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.

Fotografija Nemanja Maraš

REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2022/2023 GODINE

REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2022/2023 GODINE

GRADUATE PERFORMANCE METRONOMY

GRADUATE PERFORMANCE METRONOMY

The dance piece Metronomy, created by the Serbian-Belgian choreographer Tamara Gvozdenović, will premiere at the National Theater on the Raša Plaović stage in Belgrade on July the 1st at 20.30h.

The production stars Katarina Bućić, Sonja Stojanović, Angela Mihova, Una Balaž, Miona Petrović and Tijana Ostojić.

The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.

Discussing her production, the choreographer states: We build our common future by considering the contrasts: the construction against the deconstruction, the parallels, the crowd against the loneliness, the in-between, the negative space, the shadow, the transformation of the bodies , the change of the space, the change of the perception and the perspective. “To create, first we will destroy. Everything we have built, we will destroy. We will erase everything we believed in. We will forget all the faces we have seen. We will not start from scratch. We will keep the foundations. In pieces. We will collect. Some will remain. We will choose. Some will be forgotten. Lift up. Step off. Valorize. Destroy.

After studying visual arts in Neuchâtel, Tamara Gvozdenović enrolled the prestigious Trinity Laban Conservatory of Music and Dance in London, where as well our famous choreographer Aleksandar Ilić obtained his Master's degree. After her studies, she presented her first dance production, Sainte Marie Joseph de la Rose, at the Théâtre du Pommier in Neuchâtel, and the following year she created Sous le Cou (p) du Lapin and her third production Light Scream. In 2014, she joined the famous Belgian dance company Peeping Tom in Brussels.

She is the founder of Le Facteur, a dance company formed of a group of artists, based abd working between the Switzerland, France and Belgium. She presented herself to the Belgrade audience last year taking part of the first edition of the Festival Solo with the production Tombés.

Confirmations of arrival and reservations are made via email teodora.zivkovic@iui.rs

GRADUATE PERFORMANCE LOVERS

GRADUATE PERFORMANCE LOVERS

The graduation performance LOVERS by Andrea Dobrić, Nina Pantović and Ana Gliksman, premieres on the stage of the Theater on Hill (Teatar na Brdu) on Monday, June 27^th, starting at 8 p.m.

Given our closeness, we decided to unite personal experiences and make a piece that we can live while dancing, and which deals with falling in love and love itself.

What makes love relationships specific is that they are at the same time an exploration of ourselves through someone else; it largely depends on our will to open up, on our ability to overcome fears and give faith to our feelings.

Especially in the modern age, the concept of love relationships is complicated and it seems as if it is moving further and further away from its essence, which lies in what is right, what is biological and primordial for every human being.

This play does not trivialize love by giving an answer to the question of what it really is or how to experience it correctly.

Our wish is to give the audience a basis to feel love through this play, because its greatest beauty is that it can only be felt in its own way,

the authors state.

Performers: Djordje Galić, Dejan Bošković, Dimitrije Cincar Kostić, Ana Gliksman, Andrea Dobrić and Nina Pantović.

Creative associate: Sara Radulović;

Costume design: Nataša Vranešević;

Light design: Vladimir Živanović;

Music: Miloš Stevanović;

Mix and master: Nemanja Obrenović;

Photography: Jana Andjić.

PREMIERE OF GRADUATE PERFORMANCE VIRGINA

PREMIERE OF GRADUATE PERFORMANCE

Virgina (BalkanAberIca)

On June 23^rd, 2022, the graduate performance of student Tamara Ljesar from the Department of Stage Folk Dance and Music of the Belgrade Dance Institute, Virgina (BalkanAberIca) premiered at the crowded Vuk Theater.

Inspired by field work, many years of professional education, but also the knowledge acquired at the Institute, the author premieres a dance-drama concert based on tradition through a contemporary point of view. The life cycle of a man and his emotional states are presented through 5 choreographies, 4 of which are the author's works. Each shows different doubts and struggles, as an integral part of life and growing up. In addition to the dance, music was also presented, through vocal-instrumental performance of traditional and composed melodies modeled on traditional music.

The name of the project describes it through the three most prominent segments.

BALKAN - a review of the climate and the people.

ABER - news that is transmitted, in this case, only a performance.

ICA - a vocal sequel for the female gender, which alludes to a woman artist.

The project was realized with the aim of presenting the tradition in a modern spirit, in the author's own way.

Directed by: Tamara Ljesar

Choreography: Tamara Ljesar

Dramaturgy: Mina Milošević i Tamara Ljesar

Costume design: Tamara Ljesar

Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Light design: Tamara Ljesar

Sound design: Luka Kosanović i Aleksandar Petrović

Graphic design: Teodora Živković

Photography: Martin Krivokapić

Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Dancers: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

CONGRATULATIONS!!!

Photography by Nata Korenovskaia

ZAVRŠNA PREDSTAVA METRONOMIJA

ZAVRŠNA PREDSTAVA METRONOMIJA

Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula s početkom u 20.30 časova premijerno će biti izvedena plesna predstava Metronomija u koreografiji srpsko - belgijske umetnice Tamare Gvozdenović.

U predstavi igraju saradnica u nastavi Doc. Katarina Bućić, diplomci odseka Savremena igra: Sonja Stojanović, Angela Mihova, Una Balaž i studentkinje druge godine Instituta za umetničku igru Miona Petrović i Tijana Ostojić.

Originalnu muziku za predstavu potpisuje francuski umetnik Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.

O predstavi koreografkinja navodi: Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, međuprostor, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi.

Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.

Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.

Potvrde dolaska i rezervacije se vrše putem mejla teodora.zivkovic@iui.rs

DIPLOMSKA PREDSTAVA LJUBAVNICI

DIPLOMSKA PREDSTAVA LJUBAVNICI

Diplomska predstava LJUBAVNICI Andree Dobrić, Nine Pantović i Ane Gliksman, premijerno na sceni Teatra na Brdu u ponedeljak 27. juna s početkom u 20.00 časova.

S obzirom na našu bliskost, rešile smo da ujedinimo lična iskustva i napravimo komad koji možemo da proživimo dok ga plešemo, a koji se bavi zaljubljivanjem i ljubavlju.

Ono što ljubavne odnose čini specifičnim jeste što su istovremeno eksploracija nas samih kroz nekog drugog; u velikoj meri zavise od naše volje da se otvorimo, od naše sposobnosti da pobedimo strahove i damo veru svojim osećanjima.

Pogotovo u savremenom dobu, koncept ljubavnih odnosa je komplikovan i čini se kao da se sve više udaljava od svoje suštine koja leži u onom pra, onom što je biološko i iskonsko za svakog čoveka.

Ova predstava ne banalizuje ljubav time što će dati odgovor na pitanje šta je ona zapravo ili kako je doživljavati ispravno.

Naša želja je da kroz ovu predstavu publici damo podlogu da ljubav osete, jer je njena najveća lepota što se može samo osetiti i to na svakome svojstven način, navode autorke.

U predstavi igraju Djordje Galić, Dejan Bošković, Dimitrije Cincar Kostić, Ana Gliksman, Andrea Dobrić i Nina Pantović.

Kreativni saradnik Sara Radulović;

Kostim Nataša Vranešević;

Svetlo Vladimir Živanović;

Muzika Miloš Stevanović;

Mix i master Nemanja Obrenović;

Fotografija Jana Andjić.

IZVEDENA DIPLOMSKA PREDSTAVA VIRDŽINA

IZVEDENA DIPLOMSKA PREDSTAVA VIRDŽINA

Virdžina (BalkanAberIca)

U prepunom Teatru Vuk, 23. juna 2022. godine, premijerno je prikazana završna predstava Virdžina (BalkanAberIca), studentkinje Tamare Ljesar sa odseka Scenska narodna igra i muzika Instituta za umetničku igru.

Inspirisana terenskim radom, višegodišnjim stručnim edukacijama, ali i znanjem stečenim na Institutu, autorka premijerno prikazuje plesno-dramski koncert koji se bazira na tradiciji kroz savremeno gledište. Životni ciklus čoveka i njegova emocionalna stanja, prikazani su kroz 5 koreografija, od kojih su 4 autorkina dela. Svaka prikazuje različite nedoumice i borbe, kao sastavni deo života i odrastanja. Pored igre, predstavljena je i muzika, kroz vokalno-instrumentalno izvođenje tradicionalnih i komponovanih melodija po uzoru na tradicionalnu muziku.

Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.

BALKAN - osvrt na podneblje i narod.

ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.

ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.

Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.

Režija: Tamara Ljesar

Koreografija: Tamara Ljesar

Dramaturgija: Mina Milošević i Tamara Ljesar

Kostim: Tamara Ljesar

Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Dizajn svjetla: Tamara Ljesar

Dizajn zvuka: Luka Kosanović i Aleksandar Petrović

Grafički dizajn: Teodora Živković

Fotografija: Martin Krivokapić

Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Igrači: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

ČESTITAMO!!!!

Fotografija Nata Korenovskaia

VISIT TO THE VIENNA CONSERVATORIUM IN BUDAPEST

VISIT TO THE VIENNA CONSERVATORIUM IN BUDAPEST

Prof. Dr. Balogh Gabor, Director of the Vienna Conservatory in Budapest, hosted today the professors of the Belgrade Dance Institute and the School of Engineering Management.

In a conversation with the vice-dean of the Belgrade Dance Institute, Prof. Dr. Snežana Arnautović Stjepanović, Vice Dean for Teaching at the School of Engineering Management Prof. dr Srđan Tomić and Prof. Aleksandar Ilić, they opened potential possibilities for collaboration between the two institutions and international cooperation.

The next meeting is scheduled in Belgrade, when a cooperation agreement will be signed.

POSETA VIENNA KONSERVATORIUM U BUDIMPEŠTI

POSETA VIENNA KONSERVATORIUM U BUDIMPEŠTI

Prof. dr Balogh Gabor, direktor Vienna Konzervatorijuma u Budimpešti, ugostio je danas profesore Instituta za umetničku igru i Fakulteta za inženjerski menadžment.

U razgovoru sa prodekankom Instituta za umetničku igru Prof. dr Snežanom Arnautović Stjepanović, prodekanom za nastavu Fakulteta za inženjerski menadžment Prof. dr Srđanom Tomićem i Prof. Aleksandrom Ilićem, otvorili su potencijalne mogućnosti kolaboracije dve institucije i međunarodne saradnje.

Naredni sastanak zakazan je u Beogradu kada će biti potpisan sporazum o saradnji.

ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.

ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.

The Belgrade Dance Institute is announcing a audition for enrolling students in the first year of doctoral studies in Artistic Dance and Performance.

The study program lasts three years, carries 180 ECTS and after which he acquires the title: Doctor of Arts - Drama and Audiovisual Arts.

Students who have acquired a minimum of 300 ECTS in their previous academic studies can enroll in the study program.

Entrance Exam

The ranking list of students is made on the basis of the achieved success in previous schooling (average grade and length of study) and testing of knowledge, aptitudes and abilities. The type of knowledge, preferences and abilities of the candidate is determined on the basis of an interview conducted by a specially formed commission.

Candidates who apply for the study program Artistic Dance and Performance are required to take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Applications for the audition are made online via the link: http://www.iui.rs/upis-na-doktorske-studije or via email: prijave@iui.rs

The entrance exam will be held on July 5^th, 2022 at 3 pm at the Belgrade Dance Institute.

Documents for applying to the audition:

Application form (received on the day of application at the Institute),
Certified photocopies of diplomas or the original Certificate of graduation of all previously completed levels of study,
Certified photocopies of diploma supplements or the original Certificate of passed exams of all previously completed levels of study,
Birth certificate,
Professional biography,
Portfolio of works of art,
Proof of payment of costs for organizing the entrance exam, (original payment slip).

The costs of taking the entrance exam are 5,000.00 RSD.

For all additional information, you can schedule consultations every working day from 9.00 to 17.00 on 011 41 40 421 or by e-mail prijave@iui.rs

ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.

ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.

The Belgrade Dance Institute is announcing the entrance exams for the Master's Studies in Artistic Dance and Master's Studies in Dance Performance - IUI Transition Dance Company for 2022/23. academic year. Master studies are intended for individuals with higher education in art who have at least 180 ECTS credits.

The master program of the Belgrade Dance Institute is intended for ambitious graduates who want to deepen their knowledge in the field of artistic dance, choreography and pedagogy, as well as already achieved professionals who want to improve their knowledge and skills to achieve better personal and professional results.

All interested candidates for Master's studies can receive information on enrollment by prior appointment:

by e-mails: institutzaumetnickuigru@gmail.com and prijave@iui.rs also by phone 011 41 40 421.

Applications are made online via the link:

http://www.iui.rs/upis-na-master-studije

Master of Artistic Dance Studies

The master's study program lasts two years, ie four semesters and consists of sixteen subjects (compulsory and elective) that represent a balance between academic, scientific, professional, professionally applied and theoretical and methodological subjects. Compulsory courses contribute to general expertise, and electives allow students to further specialize in selected majors in order to acquire useful practical and marketable knowledge and skills.

An integral part of the master's program is the master's work of each student, which is the result of harmonizing theory and practice and which the student and his mentor create during the entire duration of the program. After defending the Master's thesis, the student acquires 120 ECTS points and the title of Master of Drama and Audiovisual Artist – Artistic Dance.

The entrance exam for the master's degree in artistic dance will be held on June 30^th, 2022. at 14.00.

The entrance exam costs 5000 RSD.

Candidates take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.

Master of Dance Performance Studies IUI Transition Dance Company

Master studies in dance performance - Double achievement: rigorous challenges through life in a dance company and demanding master studies.

IUI Transitions Dance Company is a dance company created within the Belgrade Dance Institute intended for individuals with higher education in art who have at least 180 ECTS credits.

The IUI Transitions Dance Company is simultaneously engaged in education and experimentation in order to find new forms of choreographic and dance vocabulary, and ways of expressing thoughts that the choreographer sets as a task for the dancers.

The result of this way of working should be finding unexpected, stimulating challenges in working on this part, which will be available to a wide audience.

The audition for the Master of Dance Performance Studies will be held on July 4^th, 2022. at 12.00. Audition includes floor, center exercises and improvisations (professor assigns improvisation).

The entrance exam costs 5000 RSD.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.

Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.

Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.

Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.

Prijemni ispit

Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs

Prijemni ispit će se održati 5.jula 2022. godine u 15.00h na Institutu za umetničku igru.

Dokumenta za prijavljivanje na konkurs:

Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
Izvod iz matične knjige rođenih,
Stručna biografija,
Portfolio umetničkih radova,
Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica).

Troškovi polaganja prijemnog ispita iznose 5.000,00 din.

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.

Prijave se vrše online putem linka:

http://www.iui.rs/upis-na-master-studije

Master studije Umetnička igra

Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

Prijemni ispit za master studije umetnička igra će se održati 30.06.2022. godine u 14.00h.

Prijemni ispit se plaća 5000 RSD.

Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.

Master studije plesnog performansa IUI Transition Dance Company

Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.

IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.

Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.

Audicija za Master studije plesnog performansa će se održati 4.07.2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).

Prijemni ispit se plaća 5000 RSD.

PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE ŽORŽ DRAUŠNIK

PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE ŽORŽ DRAUŠNIK

Doctoral dissertation Cultural, musicological and production relations of conceptualism and theatrical artistic and scenographic practice, by candidate Žorž Draušnik, with the Report of the Commission on the evaluation of the doctoral dissertation are publicly available in the Library of the higher education institution in the period from 10.06.2022. to 07.10.2022.

Photography by V. Veličković

UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATA ŽORŽA DRAUŠNIKA

UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATA ŽORŽA DRAUŠNIKA

Doktorska disertacija Kulturološki, muzikološki i produkcijski odnosi konceptualizma i kazališne umjetničko-scenografske prakse, kandidata Žorža Draušnika, sa Izveštajem Komisije o oceni doktorske disertacije javno su dostupni u Biblioteci visokoškolske ustanove u periodu od 10.06.2022. do 10.07.2022. godine.

Fotografija V. Veličković

DANCE, WORD AND PICTURE PROJECT – PAINTING WORKSHOPS

DANCE, WORD AND PICTURE PROJECT – PAINTING WORKSHOPS

Painting workshops within the project Dance, Word and Picture were held at the Sava Šumanović Gallery in Šid.

The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.

The program was led by Professor dr Snežana Arnautović Stjepanović.

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SLIKANJA

Radionice slikanja u okviru projekta Igra, reč i slika su održane u Galeriji Sava Šumanović u Šidu.

Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.

Program je vodila Prof. dr Snežana Arnautović Stjepanović.

GRADUATE PERFORMANCE VIRGINA (BALKAN ABERICA)

GRADUATE PERFORMANCE

Virgina (BalkanAberIca)

Vuk Theater, June 23^rd, starting at 7 p.m.

Free entrance

Virgina (BalkanAberIca) is a graduate project of Tamara Ljesar, a student of the Belgrade Dance Institute, department of Stage Folk Dance and Music.

The name of the project describes it through the three most prominent segments.

BALKAN - a review of the climate and the people.

ABER - news that is transmitted, in this case, with only performance.

ICA - a sequel word for the female gender, which alludes to a woman artist.

The project was realized with the aim of presenting the tradition in a modern way, in the author's own way.

Directed by Tamara Ljesar

Choreography: Tamara Ljesar

Dramaturgy: Mina Milošević and Tamara Ljesar

Set design: Prof. Dr. Snežana Arnautović Stjepanović

Costume: Tamara Ljesar

Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Advahov Brothers, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Lighting design: Tamara Ljesar

Sound design: Luka Kosanović and Aleksandar Petrović

Graphic design: Teodora Živković

Photo: Martin Krivokapić

Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

Dancers : Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić

DIPLOMSKA PREDSTAVA VIRDŽINA (BALKAN ABERICA)

DIPLOMSKA PREDSTAVA

Virdžina (BalkanAberIca)

Teatar Vuk, 23. jun, s početkom u 19.00 časova

besplatan ulaz

Virdžina (BalkanAberIca) je diplomski projekat studentkinje Instituta za umetničku igru, odseka Scenska narodna igra i muzika, Tamare Ljesar.

Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.

BALKAN - osvrt na podneblje i narod.

ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.

ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.

Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.

Režija: Tamara Ljesar

Koreografija: Tamara Ljesar

Dramaturgija: Mina Milošević i Tamara Ljesar

Scenografija: prof dr Snežana Arnautović Stjepanović

Kostim: Tamara Ljesar

Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar

Dizajn svjetla: Tamara Ljesar

Dizajn zvuka: Luka Kosanović i Aleksandar Petrović

Grafički dizajn: Teodora Živković

Fotografija: Martin Krivokapić

Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur

Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević

Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović

DEFENSE OF MASTER'S THESIS BY AHMED NAYEL

DEFENSE OF MASTER'S THESIS BY AHMED NAYEL

Today, on June 10th 2022 year in Belgrade, Ahmed Nayel, candidate for the title of Master of Drama and Audiovisual Artist – Artistic Dance, ie a student of the Master of Academic Studies Artistic Dance has started defending his Master's thesis Exit Door, and presented publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:

Prof. Aleksandar Ilić, President of the Commission
Prof. Dr Snežana Arnautović Stjepanović, member
Prof. Dijana Milošević, mentor

After his presentation, the esteemed colleague Ahmed Nayel answered all the questions.

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Ahmed Nayel has all the rights and obligations arising from the fact that from the June 10th 2022. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

Workshops of contemporary dance within the project Dance, word and picture were held at the Cultural and Educational Center Šid.

The program was led by Professor Ognjen Vučinić.

DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOPS

DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOPS

Creative writing workshops within the Dance, Word and Picture project were held at the Simeon Piščević National Library in Šid.

The program was led by Prof. dr Miomir Petrović.

AUDITION OF THE YOUTH BALLET COMPANY FOR 2022/23

AUDITION OF THE YOUTH BALLET COMPANY FOR 2022/23

The Belgrade Dance Institute from Belgrade will organize an audition for the Youth Ballet Company, which will take place on June 25^th at 11:00 am at the Belgrade Dance Institute, on Boulevard vojvode Mišića no. 43. in the ballet hall 307.

All interested students of ballet schools (at least completed 1st grade of elementary ballet school), dance studies (not younger than 12 years), students of other grades of ballet schools and graduated ballet dancers can apply for the audition.

The Youth Ballet includes work with top pedagogues of classical ballet, repertoire of classical ballet and duet dance, and is realized three times a week in the afternoon in the (ballet hall) of the Belgrade Dance Institute.

The rehearsal schedule of the Youth Ballet company will be harmonized with the work of ballet schools.

From September, the Youth Ballet Company is planning a regular repertoire program consisting of gala concerts, ballet suites, one-act ballets and all-night ballet performances in original choreographies of classical heritage.

The work in the youth ballet is also aimed at preparing the students for future professional work in the ensemble.

The audition for the Youth Ballet is free.

For more information please call

011 41 40 421 every working day from 9.00 to 17.00

Applications are open until June 22th, 2022 until 17.00 and are sent to the e-mail: mila.stijak@iui.rs with the note "Youth Ballet"

The application should contain:

Name and surname;
Date of Birth;
The school the student attends;
Mobile phone and mail (personal or from parents).

THE SECOND SOLO FESTIVAL IS OVER

THE SECOND SOLO FESTIVAL IS OVER

The second edition of the Solo Festival organized by the Belgrade Dance Institute for three days was presented to the Belgrade and Novi Sad audience at the National Museum of Serbia, the Cultural Station Barka in Novi Sad, and the closing ceremony was held last night on May 29^th at the Museum of Contemporary Art in Belgrade, and the pavilion of the Cultural Center of Belgrade on Floral square.

The works of artists from Belgium, France, Austria, Hungary and Serbia were presented, which were performed in the form of solo choreography and performance. The selected works represent contemporary research by artists who, with their strong expression, presented to the audience their most intimate reflections on the world in which they live and work, using the body as the main bearer of meaning in one of the most demanding performing arts disciplines - solo performance.

In their works, artists re-examine the contemporary moment of life, the position of women artists in society, the impact of social networks on the individual, their fears, sufferings, helplessness caused by the social system.

With an interdisciplinary approach, interactive performances, these works ask questions and activate the audience.

The works of Barbara Matijević and Giussepe Chico from France and Cassiel Gaube from Belgium were presented at the National Museum of Serbia on Friday. The second day was held at the Cultural Station Barka in Novi Sad, where the dance company Pablo and Guy from Austria was presented. Last night, the audience had the opportunity to see solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium at the Museum of Contemporary Art in Belgrade.

The last performance was performed by Serbian artist Joana Knežević in the pavilion of the Cultural Center of Belgrade on Floral square called Not Your Barbie.

SOLO FESTIVAL OPENED

SOLO FESTIVAL OPENED

Last night, in the National Museum of Serbia, the Dean Prof. dr. Vladimir Tomašević has opened the second edition of the Solo Festival, organized by the Belgrade Dance Institute. In addition to the Dean, the audience was addressed by Catherine Faudry from the French Institute in Belgrade and Ruben Van Opstaele, Deputy Ambassador of Belgium.

Cassiel Gaube from Belgium and Barbara Matijević from France performed their solos in the atrium of the National Museum of Serbia.

The second day of the festival will be held today, May 28^th, in Novi Sad, in the space of the Cultural Station Barka, where Soraya Emery and Desi Bonato from Austria will present their solo performances to the audience.

The third day of the festival is being held at two locations in Belgrade, in the Belgrade Cultural Center on Cvetni trg, by Joana Knežević from Serbia, entitled Not Your Barbie, and the closing ceremony will be held at the Museum of Contemporary Art in Belgrade with two solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium.

This year's event, which brings together artists from Hungary, Israel, Croatia, France, Austria and Serbia, was supported by the Museum of Contemporary Art in Belgrade, the National Museum in Belgrade, Cultural Station Barka in Novi Sad, Belgrade Cultural Center, Hungarian Cultural Center, Embassy Israel, the French Institute, the International Teatroscope Platform, the Austrian Cultural Forum, the Embassy of Belgium and the School of Engineering Management.

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS

The Belgrade Dance Institute continues a series of free workshops for Roma children as part of the Dance, Word and Picture project. Professor Ognjen Vučinić held a workshop on contemporary dance at the Branko Pešić Elementary School with Roma children as well as with migrant children who are included in the formal education system of the Republic of Serbia.

The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The workshops are being realized at the Belgrade Dance Institute (Bulevar vojvode Mišića 43). The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of art education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.

Our goal is to enable the participation of female Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.

The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).

PREMIERE OF THE PERFORMANCE ORGANISM

PREMIERE OF THE PERFORMANCE ORGANISM

Wednesday, May 25^th

20.00, Great Hall

Open Theater of the Student City Cultural Center

Students of the Belgrade Dance Institute, Mirela Božić and Una Balaž, collaborated with the author's team on setting the play Organism, which will be premiered on May 25^th at the open theater of the Student City Cultural Center.

AUTHOR'S TEAM

Directed by: Milica Kvrgić

Assistant director: Lidija Đurašević

Author of the text: Boris Postovnik

Production: Marija Aleksić

Production assistant: Vladislav Marković

Scenography and costume design: Katarina Mijailović

Music: Petra Perović

Choreography: Mirela Božić with the assistance of Una Balaž

Lighting design: Sanjin Aleksić

Costume design: Vesna Balać

Technician: Nikola Nikolić

Graphic design: Petar Vasiljević

ACTING DIVISION

Heart: Marko Čupić

Brain: Ivan Blagojević

Stomach: Nebojša Pribičević

Buttocks: Dušan Pavlović

Right leg: Đurđica Đurović / Tamara Mladenović

Left leg: Sara Pavlović / Marija Marijanović

Right hand: Djordje Momcilovic

Left hand: Lazar Tešić

Tongue: Luka Golubović

Liver: Katarina Veljović

Author's word:

"Every living organism is a system that functions according to some laws of nature. Only man function according to the laws of reason, which is often not in accordance with the laws of nature, but as a rule is in conflict with them, and thus in conflict with himself. The play Organism tells us how different our feelings are from the imposed norms, conventions and moral values. Thus, we become prisoners of the expectations of the environment not to be different and to merge into the mass of mediocrity. Every man carries within him a conflict between reason and sensitivity, which, almost as a rule, breeds rebellion. How to achieve harmony and balance of aspirations and needs is the ultimate goal of every living being, and this show only opens up the questions and social problems we face every day, and I hope it will provide some answers. "

Boris Postovnik

Director's word:

"I am immensely glad that Boris Postovnik had the confidence to leave his first play in the hands of an inexperienced but ambitious student. Already at the first reading, Organism occupied my thoughts. This piece in an interesting and unusual way shows the problem of a modern young man to show the world what he is. The constant feeling that we have to adapt often limits us from stepping out of our bubble of comfort in which we live. This comedy is created as a product of the work and good will of young and dedicated people. I hope it warms the hearts of the audience, just as they warmed mine. "

Milica Kvrgić

SOMBORSKI ŠNAJDERAJ IN BELGRADE

SOMBORSKI ŠNAJDERAJ IN BELGRADE

Professors and students of the Belgrade Dance Institute participated in the realization of the fashion show Somborski šnajderaj in Belgrade, which was held on May 19^th, organized by the Association of Somborski šnajderaj, a social enterprise that helps economic integration of women and children victims of domestic violence.

This is the first fashion show made by the association, which shows models of women's dresses worn by women from the association together with models.

Institute’s professor of contemporary dance Ognjen Vučinić, on this occasion designed two choreographies that were performed by: Doc. Katarina Bućić, third year students of the Institute: Angela Mihova and Sonja Stojanović; Second year students of the Institute: Miona Petrović and Tijana Ostojić.

ODBRANA MASTER RADA AHMED NAYEL

ODBRANA MASTER RADA AHMED NAYEL

Danas, 10. juna 2022. u Beogradu, Ahmed Nayel, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija je pristupio odbrani svog Master rada Exit door, izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Aleksandar Ilić, Predsednik komisije
dr Snežana Arnautović Stjepanović, član komisije
Dijana Milošević, mentor

Nakon svog izlaganja uvaženi kolega, Ahmed Nayel, je odgovorio na sva postavljena pitanja.

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ahmed Nayel, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SAVREMENE IGRE

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SAVREMENE IGRE

Radionice savremene igre u okviru projekta Igra, reč i slika su održane u Kulturno Obrazovnom Centru Šid.

Program je vodio Profesor Ognjen Vučinić.

PROJEKAT IGRA, REČ I SLIKA – RADIONICE KREATIVNOG PISANJA

PROJEKAT IGRA, REČ I SLIKA – RADIONICE KREATIVNOG PISANJA

Radionice kreativnog pisanja u okviru projekta Igra, reč i slika su održane u Narodnoj biblioteci Simeon Piščević u Šidu.

Program je vodio Prof. dr Miomir Petrović.

AUDICIJA KOMPANIJA BALET MLADIH ZA 2022/23

AUDICIJA KOMPANIJA BALET MLADIH ZA 2022/23

Institut za umetničku igru iz Beograda će organizovati audiciju za kompaniju Balet mladih koja će se realizovati 25. juna u 11.00 časova u Institutu za umetničku igru, ul. Bulevaru vojvode Mišića br. 43. u baletskoj sali 307.

Za audiciju se mogu prijaviti svi zainteresovani učenici baletskih škola (najmanje završen 1. razred osnovne baletske škole), plesnih studija (ne mlađi od 12 godina), učenici ostalih razreda baletskih škola i diplomirani baletski igrači.

Balet mladih podrazumeva rad sa vrhunskim pedagozima klasičnog baleta, repertoara klasičnog baleta i duetne igre i realizuje se tri puta nedeljno u popodnevnim časovima u (baletskoj sali) Instituta za umetničku igru.

Raspored proba kompanije Balet mladih biće usklađen s radom baletskih škola.

Kompanija Balet mladih planira od septembra redovan repertoarski program koji se sastoji od Gala koncerata, baletskih svita, jednočinih baleta i celovečernjih baletskih predstava u izvornim koreografijama klasičnog nasleđa.

Rad u baletu mladih takođe je usmeren na pripremu polaznika za budući profesionalni rad u ansamblu.

Audicija za Balet mladih je besplatna.

Za više informacija pozovite

011 41 40 421 svakog radnog dana od 9.00 do 17.00.

Prijave su otvorene do 22. juna 2022. do 17.00h i šalju se na mail: mila.stijak@iui.rs s naznakom “Balet mladih”

Prijava treba da sadrži:

Ime i prezime;
Datum rođenja;
Škola koju pohađa učenik;
Mobilni telefon i mail (lični ili od roditelja).

ZAVRŠEN JE DRUGI FESTIVAL SOLA

ZAVRŠEN JE DRUGI FESTIVAL SOLA

Druga edicija Festivala sola u organizaciji Instituta za umetničku igru tokom tri dana predstavljena je beogradskoj i novosadskoj publici u Narodnom Muzeju Srbije, Kulturnoj stranici Barka u Novom Sadu, a svečano zatvaranje održano je sinoć 29. maja u Muzeju savremene umetnosti u Beogradu i paviljonu Kulturnog centra Beograda na Cvetnom trgu.

Predstavljeni su radovi umetnika iz Belgije, Francuske, Austrije, Mađarske i Srbije koji, su izvedeni u formi solo koreografije i performansa. Selektovani radovi predstavljaju savremena istraživanja umetnika koji su svojim snažnim izrazom pred publikom predstavili svoja najintimnija promižljanja o svetu u kom žive i deluju, koristeći telo kao osnovni nosilac značenja u jednoj od najzahtevnijih umetnickih izvođačkih disciplina - solo izvedbi.

Umetnici u svojim radovima preispituju savremeni trenutak življenja, položaj žene umetnika u društvu, uticaj društvenih mreža na pojedinca, svoje strahove, patnje, nemoć koji su prouzrokovani društvenim sistemom.

Interdisciplinarnim pristupom, interaktivnim performansima ovi radovi postavljaju pitanja i aktiviraju publiku.

U petak u Narodnom muzeju Srbije su predstavljeni radovi Barbare Matijević i Giussepe Chico iz Francuske i Cassiel Gaube iz Belgije. Drugi dan se održao u prostoru Kulturne stanice Barka u Novom Sadu gde je predstavljena plesna kompanija Pablo and Guy iz Austrije. Publika je sinoć u Muzeju savremene umetnosti u Beogradu imala prilike da vidi solo radove Rite Gobi iz Mađarske i Guilhem Chatir iz Belgije.

Poslednji performans je izvela srpska umetnica Joana Knežević u paviljonu Kulturnog centra Beograda na Cvetnom Trgu pod nazivom Ne tvoja Barbi.

Fotografija Nemanja Maraš

SVEČANO OTVOREN FESTIVAL SOLA

SVEČANO OTVOREN FESTIVAL SOLA

U Narodnom muzeju Srbije Dekan Prof. dr. Vladimir Tomašević sinoć je otvorio drugu ediciju Festivala Sola u organizaciji Instituta za umetničku igru. Pored Dekana publici su se obratili Catherine Faudry iz Francuskog Instituta u Beogradu i Ruben Van Opstaele zamenik Ambasadora Belgije.

U atrijumu Narodnog muzeja Srbije izvedena svoja sola su izveli Kasel Gobe iz Belgije i Barbara Matijević iz Francuske.

Drugi dan festivala se održava danas 28. maja u Novom Sadu u prostoru Kulture Stanice Barka, a svoja solo izvođenja publici će prikazati Soraja Emeri i Desi Bonato iz Austrije.

Treći dan festivala održava se na dve lokacije u Beogradu, u prostoru Kulturnog centra Beograda na Cvetnom trgu, svoj solo izvešće Joana Knežević iz Srbije, pod nazivom Ne tvoja Barbi, a svečano zatvaranje održaće se u Muzeju savremene umetnosti u Beogradu izvođenjem dva solo rada, Rite Gobi iz Mađarske i Giljema Šatira iz Belgije.

Ovogodišnja manifestacija koja okuplja umetnike koje dolaze iz Mađarske, Izraela, Hrvatske, Francuske, Austrije i Srbije realizovana je uz podršku Muzeja savremene umetnosti u Beogradu, Narodnog muzeja u Beogradu, Kulturne Stanice Barka iz Novog Sada, Kulturnog centra Beograda, Mađarskog kulturnog centra, Ambasade Izraela, Francuskog Instituta, Međunarodne platforme Tetroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment.

PROJEKAT IGRA, REČ I SLIKA – RADIONICE SAVREMENE IGRE

PROJEKAT IGRA, REČ I SLIKA – Radionice savremene igre

Institut za umetničku igru nastavlja seriju besplatnih radionica za decu romske nacionalnosti u okviru projekat Igra , reč i slika. Profesor Ognjen Vučinić je održao radionicu savremene igre u Osnovnoj školi Branko Pešić sa decom romske nacionalnosti kao i sa decom migrantima koja su uključena u formalni obrazovni sistem Republike Srbije.

Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Radionice se realizuju na Institutu za umetničku igru (Bulevar vojvode Mišića 43). Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.

Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.

Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).

PREMIJERA PREDSTAVE ORGANIZAM

ORGANIZAM

Sreda, 25. maj

20.00, Velika sala

Otvoreno pozorište Doma kulture Studentski grad

Studentkinje Instituta za umetničku igru, Mirela Božić i Una Balaž, ostvarile su saradnju sa autorskim timom na postavljanju komada Organizam koji će premijerno biti izveden 25. maja na otvorenom pozorištu Doma kulture Studentski grad.

AUTORSKI TIM

Režija: Milica Kvrgić

Asistent režije: Lidija Đurašević

Autor teksta: Boris Postovnik

Produkcija: Marija Aleksić

Asistent produkcije: Vladislav Marković

Scenografija i dizajn kostima: Katarina Mijailović

Muzika: Petra Perović

Koreografija: Mirela Božić uz asistenciju Une Balaž

Dizajn svetla: Sanjin Aleksić

Izrada kostima: Vesna Balać

Tehničar: Nikola Nikolić

Grafički dizajn: Petar Vasiljević

GLUMAČKA PODELA

Srce: Marko Čupić

Mozak : Ivan Blagojević

Želudac: Nebojša Pribičević

Zadnjica: Dušan Pavlović

Desna noga: Đurđica Đurović/Tamara Mladenović

Leva noga: Sara Pavlović/Marija Marijanović

Desna ruka: Đorđe Momčilović

Leva ruka: Lazar Tešić

Jezik: Luka Golubović

Jetra: Katarina Veljović

Reč autora:

„Svaki živi organizam predstavlja sistem koji funkcioniše po nekim zakonitostima prirode. Samo čovek funkcioniše po zakonima razuma koji često nije usaglašen sa zakonima prirode već je po pravilu u sukobu sa njima, pa tako i u sukobu sa samim sobom. Predstava Organizam ovori nam o tome koliko su nam osećanja drugačija od nametnutih normi, konvencija i moralnih vrednosti. Samim tim postajemo zarobljenici očekivanja okoline da ne budemo drugačiji i da se stopimo u masu prosečnosti. Svaki čovek u sebi nosi i sukob između razuma i osećajnosti koji, gotovo po pravilu, rađa bunt. Kako postići sklad i balans težnji i potreba je vrhunski cilj svakog živog bića, a ova predstava samo otvara niz pitanja i društvenih problema sa kojima se susrećemo svakodnevno, a nadam se da će pružiti i neke odgovore."

Boris Postovnik

Reč rediteljke:

„Neizmerno mi je drago što je Boris Postovnik imao poverenja da prepusti svoje prvo dramsko delo u ruke jedne neiskusne, ali ambiciozne studentkinje. Već na prvo čitanje „Organizam“ je okupirao moje misli. Ovaj komad na zanimljiv i neobičan način prikazuje problem savremenog mladog čoveka da pokaže svetu ono što jeste. Konstantan osećaj da moramo da se prilagodimo, često nas ograničava da iskoračimo iz svog balončića komfora u kome živimo. Ova komedija nastaje kao proizvod rada i dobre volje mladih i posvećenih ljudi. Nadam se da će ugrejati srca publike, baš kao što su i oni ugrejali moje."

Milica Kvrgić

SOMBORSKI ŠNAJDERAJ U BEOGRADU

SOMBORSKI ŠNAJDERAJ U BEOGRADU

Profesori i studenti Instituta za umetničku igru učestvovali su u realizaciji modne revije Somborski šnajderaj u Beogradu, koja je održana 19. maja u organizaciji Udruženja Somborske šnajderke, socijalnog preduzeća koje pomaže ekonomsku integraciju žena i dece žrtava porodičnog nasilja.

Ovo je prva modna revija koju je udruženje napravilo a na kojoj su prikazani modeli ženskih haljina koje su zajedno sa manekenkama nosile žene iz udruženja.

Profesor savremene igre Instituta Ognjen Vučinić, za ovu priliku osmislio je dve koreografije koje su izvele: Doc. Katarina Bućić, studentkinje treće godine instiuta: Angela Mihova i Sonja Stojanović; Studentkinje druge godine instituta: Miona Petrović i Tijana Ostojić.

PREMIERE OF THE DANCE PERFORMANCE TRE SORELLE

PREMIERE OF THE DANCE PERFORMANCE TRE SORELLE

On the Grand Stage of the Music Center of Montenegro on Friday, May 20^th, the dance performance of Tre Sorelle will be premiered, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić, starting at 8 p.m.

The dance performance is based on the traditional story of the folk spirit in the Bay of Kotor - the legend of the three sisters in which through movement, dance and music shows togetherness, but also rivalry, women's rebellion against conventions, traditions, dogma and patriarchal worldview in small communities, the authors state.

The Ballet Studio of the Music Center of Montenegro (MCCG) started this year with eleven members consisting of Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Stasa Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović and Ksenija Kankaraš.

The scenography for the play was done by Dunja Kostić, the costume by Senka Ranosavljević and the author of the musical arrangements is Georg Draušnik. The assistant choreographer is Mojca Majcen, and the ballet tutor is Viktorija Strugar.

Photography by Dejan Kalezić

SOLO FESTIVAL 2022

SOLO FESTIVAL 2022

27^th -29^thMay

The Solo Festival, organized by the Belgrade Dance Institute with the support of the Belgrade Cultural Center, the Hungarian Cultural Center in Belgrade, the Israeli Embassy in Serbia, the French Institute in Belgrade, the Teatroscope International Platform, the Austrian Cultural Forum, the Belgian Embassy and the School of Engineering Management, will organize the second edition of International Festival Sola (choreography and performance) from May 27^th to May 29^th 2022, at several locations in Belgrade and Novi Sad.

This year's edition of the Solo Festival will last for three days with the presence of artists who will present themselves at this year's event, and they come from Hungary, Croatia, Belgium, France, Austria and Serbia.

Accompanying program on Saturday from 11.00 lecture Intermediality in performing arts Barbara Matijević and Giuseppe Chico.

The program:

May 27^th, 2022

Opening ceremony at the National Museum starting at 20.00h.

Cassiel Gaube (Belgium) - Farmer train swirl - Étude
Barbara Matijević and Giuseppe Chico (France) - Forecasting

May 28^th, 2022

Cultural station Barka Novi Sad starting at 20.00h.

Pablo & Guy (Austria) - Atlas
Pablo & Guy (Austria) - This one precious life

May 29^th, 2022

Museum of Contemporary Art starting at 20.00h.

Rita Góbi (Hungary) - Volitant
Guilhem Chatir (Belgium) - Vertiges

May 29^th, 2022

Flower Square/Cvetni trg (KCB house) starting at 22.00h.

Joana Knezevic (Serbia) - Not your Barbie * * is not suitable for people under 18

More information⬇️

☎️011 / 4140 421 every working day from 9.00 to 17.00 or by e-mail⬇️

festivalsola@gmail.com

YOU HAVE TO BE A ZENTIST!

YOU HAVE TO BE A ZENTIST!

In the Neon Gallery in Belgrade on May 17^th, 2022. at 20.00h an interactive multimedia installation You Must Be a Zenithist, of DAH Theatre opened. The exhibition was opened by the author of the concept Jadranka Anđelić and Prof. Dr. Snežana Arnautović Stjepanović.

The exhibition is designed for various gallery and museum spaces and reflects on the heritage of the authentic avant-garde art movement from our region - zenithism. It points out the importance of continuity in the artistic tradition of a country and explores what today, exactly one hundred years since the launch of Zenit magazine, are the echoes of Zenitist ideas both in contemporary art and in contemporary society.

The program:

May 17^th - opening and performance from 8 p.m.

May 18^th - expert guidance from 8 p.m.

(guest Prof. Dr. Snežana Arnautović Stjepanović)

May 19^th - expert guidance from 8 p.m.

(guest Prof. Slavimir Stojanović Futro)

The ideas of zenithism - anti-war ideas, belief in the possibility of creating a new, more just society and relationship are important and necessary even after a hundred years, especially in the modern moment, when faith in the possibility of creating a better world has been lost. Zenitism invites us to, inspired by the enthusiasm of the artists of that time, turn again to the great values at the center of which is - man.

The installation consists of three parts, which are original works of artists dealing with contemporary artistic response to the ideas of zenithism.

In the first room, there are interactive screens with which you can get to know the artists of zenithism. Scenes from the video for the play Zenith - History of a Rapture (1994) by the DAH Theater, you can combine as you wish and thus create your zenith story through interactive screens.

In the second room we meet with video / audio work and installation by Snežana Arnautović and Ivica Stjepanović called Everyday Room, which is a kind of response to the idea of zenithism, as well as complete avant-garde whose roots contemporary artists still rely on.

In the third room, we will find the art object Cross-Hanger (Krst-čiviluk), which was used in the play of the DAH theatre, Zenit - History of One Enthusiasm, and is the work of artist Neša Paripović. The atmosphere of the zenith movement in this room is complemented by the video work For a better atmosphere by Jelena Rubil, through which we get acquainted with the zenith slogans.

The fourth room brings us the intimacy of zenithism and here you can read the last letter of Anushka Micić to Ljubomir Micić, which he found after her death. Also, there are original editions of Zenit magazine, as well as audio / video work by Snežana Arnautović called Lucid Dream / Happy Time.

On the first night of the exhibition, we will have four performers, who will additionally evoke the atmosphere of the zenithist movement and make us think about whether this movement is still relevant, present, and finally whether the zenithists are still among us.

We will have the opportunity to hear Ve Poljanski's poetry through original music, specially composed and sung for this exhibition. The inevitable Mayakovsky in one new body will also visit the N.EON gallery, and who, like a hundred years ago, has something important to tell us. If you have not had the opportunity to read the letters of Anuska and Ljubomir Micic, this exhibition will bring you the most intimate experience of zenithist love - one letter will be enlarged and read to everyone who indulges and sits in a zenithist armchair. Throughout the exhibition, each visitor will have his own shadow - the mysterious Johnny Dzepp, who leaves an indelible mark behind him.

In the next two days of the exhibition on May 18^th and 19^th, we will have an expert guide through the exhibition of the authors of the concept, Jadranka Andjelić and Dijana Milošević, from 8 pm, which will be additionally completed by special guests.

Author of video / audio works and installations by Prof. dr Snežana Arnautović Stjepanović will join us on May 18^th, while on May 19^th we will be accompanied by designer, visual artist, writer and professor Slavimir Stojanović Futro, who designed the poster for the play Zenit - History of a rapture.

Concept: Jadranka Anđelić, Dijana Milošević

Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević

Objects, space: Neša Paripović

Video installation: Snežana Arnautović

Video: Jelena Rubil

Audio: Ivica Stjepanović

Light: Milomir Dimitrijević, Radovan Samolov

Organization and production: Natasa Novakovic, Milica Petrovic

Marketing: Ivana Milenović Popović

PR: Tanja Rap

Photographer: Đorđe Tomić

Video documentation: Aleksandar Milošević

Social networks: Dunja Karanović

Graphic design: škart

PREMIJERA PLESNE PREDSTAVE TRE SORELLE

PREMIJERA PLESNE PREDSTAVE TRE SORELLE

Na Velikoj sceni Muzičkog centra Crne Gore u petak 20. maja premijerno će biti izvedena plesna predstava Tre Sorelle u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića s početkom u 20.00 časova.

Plesna predstava je nastala na motivima tradicionalne priče narodnog duha u Boki Kotorskoj – legendi o tri sestre u kom se kroz pokret, ples i muziku prikazuje zajedništvo, ali i rivalstvo, ženska pobuna protiv konvencija, tradicije, dogme i patrijarhalne postavke sveta koja je pogotovo zastuplјena u malim sredinama, navode autori.

Baletski studio Muzičkog centra Crne Gore (MCCG) počeo je sa radom ove godine sa jeadanaest članica koji čine Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Staša Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović i Ksenija Kankaraš.

Scenografiju za predstavu je uradila Dunja Kostić, kostim Senka Ranosavlјević a autor muzičkih aranžmana je Georg Draušnik. Asistent koreografa je Mojca Majcen, a baletski repetitor Viktorija Strugar.

Fotografija Dejan Kalezić

METHRONOMY IN THE PREPARATION OF THE BELGRADE DANCE INSTITUTE

METHRONOMY IN THE PREPARATION OF THE BELGRADE DANCE INSTITUTE

The choreographer Tamara Gvozdenović in cooperation with the sixth generation of students of the Belgrade Dance Institute, will be presented by the project Metronomija.

We build our common future considering contrasts: construction against deconstruction, parallel, crowd versus loneliness, between, negative space, shadow, body shift, change of space, change of perception and perspective. "In order to create, first we must destroy. All we have built we will destroy. Everything we believe in will be destroyed. All the faces we saw will be forgotten. We will not start from zero. We will keep the foundations. In pieces. We will collect. Some will stay. We will choose. Some will be forgotten. Compose. Lift up. Step off. " According to the project author.

After studying visual arts in Nahatel, Tamara Gvozdenović joined a respectable conservatory for music and dance Trinity Laban in London, where our famous choreographer Alekandar Ilić, has a master's degree. After graduation, she presented her first dance theater piece, Sainte Marie Joseph de la Rose, at Théâtre du Pommier in Nehatel, and the next year another, Sous Lou Cou (P) Du Lapin. Finally, and the third, Light Scream. In 2014, she joined the famous Belgian dance theater troupe Peeping Tom in Brussels.
The founder is Le Facteur, a dance theater troupe formed as a collective artist, developing on the move in Switzerland, France, and Belgium. The Belgrade audience was presented last year as part of the first edition of the Sola Festival with the performance Tombés.

A GALA CONCERT "PRAZNIK IGRE"

A GALA CONCERT "PRAZNIK IGRE"

On the occasion of World Dance Day, which is traditionally celebrated on April 29th, Praznik Igre presented a gala concert dedicated to dance, the joys of dance creation, and all movement performed by the Belgrade Dance Institute students and Ballet Youth company.

On the occasion of International Dance Day, Dean Prof. Dr. Vladimir Tomasevic and H.E. Ambassador of the Arab Republic of Egypt in Serbia, Basel Salah, read the World MP of Kang Sue-Jin, a ballet dancer and the director of the National Ballet of Korea.

The second act of the ballet Swan Lake will be performed by the main roles played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute) and Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).

The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.

The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.

AWARDED AND SPECIAL PRAISE OF TERPSICHORE

AWARDED AND SPECIAL PRAISE OF TERPSICHORE

The Award of Terpsichore went to Ana Ignjatovi Zagorac, a member of the Bitef Dance company and pedagogy of Contemporary Dance, and special praise went to Miona Petrović, contemporary dancer, performer, and choreographer, who was also a member of the Bitef Dance company.

The award and special praise are awarded in 2022, the eleventh year in order, on the occasion of World Dance Day, the International Holiday celebrated by entire world, which established international advice for dance-CID UNESCO. Previous winners of the awards Terpsichore are Ana Pavlović Ballet 1st Soloist, Konstantin Kostjukov Ballet 1st Soloist, Mira Nešić Classical Ballet Pedagogue, Bojana Žegarac Knežević Ballet 1st Soloist, Milan Rus Ballet 1st Soloist, Igor Pastor Ballet 1st Soloist and Olga Olćan Miljević Ballet 1st Soloist of Ballet National Theater in Belgrade.

From the explanation of the Jury for the TerpSihora Award:

Ana Ignjatović Zagorac is one of the founders of the contemporary dance scene in Serbia, and from the very beginnings of her dance career, she worked on the affirmation of contemporary dance in the region and improving its position on the cultural scene.
She's a freelance artist, a member of the Bitef Dance company, and teaches contemporary dance at the Lujo Davičo Ballet School in Belgrade.

She participated in a large number of observed roles at the Bitef Theater, KPGT, and Madlenianum in performances, and received a large number of awards and recognitions, of which the most important golden badges of the cultural and the Ministry of Foreign Affairs of the Republic of Serbia and Smiljana Mandukić are the most important. The Association of Ballet Artists of Serbia for the best interpretation of a contemporary dance play Wanting machines.

The jury especially emphasizes that Ana is sacrificed in the pedagogical work of future dancers and their improvement in the field of contemporary dance, and this award is a modest recognition for her entire art opus, with a desire to look at the scene for a long time.

In the explanation of special praise, the jury states:

Miona Petrovi first encountered artistic dance while studying with Jelena Katić, and four years later at the Kids Cultural Center, where she studied modern ballet with Olga Vuković and jazz ballet with Eta Kovačević and Dragana Stanisavljević.

She's a freelance artist, contemporary dancer, performer, choreographer, and member of the Bitef Dance company.
She achieved a large number of roles on the stage of Bitef Theater, Madlenianum, within the Balkan Dance Project, as well as independent productions.

Miona Petrović perfectly improved during her professional career and is on that path and the way of her education at the Belgrade Dance Institute, department of Choreography.

The jury especially emphasizes Miona's strong contribution to contemporary dance in our country, and this special praise pays respect and support for further success.

MENOTTI'S OPERA PREMIERE IN SARAJEVO

MENOTTI'S OPERA PREMIERE IN SARAJEVO

The author's duo, Aleksandar Nikolić and Aleksandar Ilić, after four years, are re-cooperating with the artists of that theater, and on the 29th Apil will present the comic opera Phone or love in trio, by composer Gian Carlo Menotti.

At its heart, Menotti's Phone is a small diamond that gives us everything in 23 minutes that opera audiences love: A baritonal anger as from the best of Verdi's opera, a parody of Donosti's lamentations of the main heroes, then remonstring the power of colored colors like the Queen of Night from Mozart, and a passionate love duet as from Pucini's opera.

All the ingredients are here, however, instead of 180 minutes compressed into just 23 minutes of stage roller-coaster. However, nothing lacks the Phone, especially not a conflict between two exciting characters, a capricious room with obsessed Lusy and charming Ben, who is in love. However, Menota wrote this work in 1947. He predicted a problem that is much more active today than 75 years ago.

The opera is conducted by Maestro Dario Vučić, and the opera is performed by Aida Corbadžić in the role of Lucy, and Marko Kalajanović in the role of Ben. Aleksandar's choreography is performed by the Ballet Ensemble of Selma Strbo Arnautović, Sabina Sokolović, Marijana Marić and Til Čmancanin in highly stylized costumes by Ata Omerbašić.

Perhaps for a few decades, when artificial intelligence beats humanity, cyborgs will continue to set up the opera written by a man with the same love and passion for antique tragedies of the old Greeks that no longer exist. Maybe they will read this opera from another angle-as the first heroic opera work in which the machine triumphed over the man, as the director Nikolić states.

The first reprise was scheduled for April 30th in the division of Melisa Hajrulahović Tomić and Erol Ramadanović.

FESTIVAL SOLA 2022.

FESTIVAL SOLA 2022.
27 -29. Maj

Festival Sola u organizaciji Instituta za umetničku igru uz podršku Kulturnog centra Beograda, Mađarskog kulturnog centra u Beogradu, Ambasade Izraela u Srbiji, Francuskog Instituta u Beogradu, Međunarodne platforme Teatroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment, organizovaće drugi internacionalni Festival Sola (koreografija i performans) od 27. do 29. maja 2022. godine na nekoliko lokacija u Beogradu i Novom Sadu.
Ovogodišnje izdanje Festivala Sola trajaće tri dana uz prisustvo umetnika koji će se predstaviti na ovogodišnjoj manifestaciji a koji dolaze iz Mađarske, Hrvatske, Belgije, Francuske, Austrije i Srbije.
Prateći program u subotu od 11.00 časova predavanje Intermediality in performing arts Barbara Matijević and Giuseppe Chico.

Program:

27. maj 2022.
Svečano otvaranje u Narodnom Muzeju s početkom u 20.00 časova

Cassiel Gaube (Belgija) - Farmer train swirl - Étude
Barbara Matijević i Giuseppe Chico (Francuska) - Forecasting

28. maj 2022.
Kulturna stanica Barka Novi Sad s početkom u 20.00 časova

Pablo & Guy (Austrija) - Atlas
Pablo & Guy (Austrija) - This one precious life

29. maj 2022.
Muzej savremene umetnosti s početkom u 20.00 časova

Rita Góbi (Mađarska) - Volitant
Guilhem Chatir (Belgija) - Vertiges

29. maj 2022.
Cvetni trg (kućica KCB) s početkom u 22.00 časova

Joana Knežević (Srbija) - Ne tvoja Barbi* *nije pogodno za mladje od 18 godina

Više informacija⬇️
☎️011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila⬇️
festivalsola@gmail.com

TI MORAŠ BITI ZENTISTA!

TI MORAŠ BITI ZENTISTA!

U galeriji Neon u Beogradu 17.05.2022. u 20.00h otvorena je interaktivna multimedijalna instalacija Ti moraš biti Zenitista, Dah teatra. Izložbu su otvorile autorka koncepta Jadranka Anđelić i Prof. dr Snežana Arnautović Stjepanović.

Izložba je zamišljena za različite galerijske i muzejske prostore i promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora – zenitizma. Ukazuje na važnost kontinuiteta u umetničkoj tradiciji jedne zemlje i istražuje kakvi su danas, tačno sto godina od pokretanja časopisa Zenit, odjeci zenitističkih ideja kako u savremenoj umetnosti tako i u savremenom društvu.

Program:
17. maj - otvaranje i performansi od 20 časova
18. maj - stručno vođenje od 20 časova
(gost prof. dr Snežana Arnautović Stjepanović)
19. maj - stručno vođenje od 20 časova
(gost prof. Slavimir Stojanović Futro)

Ideje zenitizma - antiratne ideje, verovanje u mogućnost stvaranja novog, pravednijeg društva i odnosa su i posle sto godina važne i potrebne, naročito u savremenom trenutku, kada se izgubila vera u mogućnost stvaranja boljeg sveta. Zenitizam nas poziva da se inspirisani zanosom umetnika tog doba, ponovo okrenemo velikim vrednostima u čijem centru je - čovek.

Instalacija se sastoji iz tri celine, koje predstavljaju originalne radove umetnica/ka koji se bave savremenim umetničkim odgovorom na ideje zenitizma.

U prvoj sobi se nalaze interaktivni ekrani pomoću kojih se upoznajete sa umetnicima zenitizma. Scene iz video zapisa predstave Zenit - Istorija jednog zanosa (1994) DAH Teatra, možete kombinovati po svojoj želji i tako preko interaktivnih ekrana kreirati svoju zenitističku priču.

U drugoj sobi srećemo se sa video/audio radom i instalacijom Snežane Arnautović i Ivice Stjepanovića pod nazivom Svakodnevna soba, koji predstavlja svojevrstan odgovor na ideju zenitizma, kao i kompletne avangarde na čije korene se savremeni umetnici i danas oslanjaju.

U trećoj sobi nas očekuje umetnički objekt Krst-čiviluk koji je korišćen u predstavi DAH Teatra Zenit - Istorija jednog zanosa, a delo je umetnika Neše Paripovića. Atmosferu zenitističkog pokreta u ovoj prostoriji dopunjuje video rad Za bolju atmosferu Jelene Rubil kroz koji se upoznajemo sa zenitističkim parolama.

Četvrta soba nam donosi intimu zenitizma i tu možete pročitati poslednje pismo Anuške Micić Ljubomiru Miciću koje je on pronašao nakon njene smrti. Takođe, tu su originalna izdanja časopisa Zenit, kao i audio/video rad Snežane Arnautović pod nazivom Lucid Dream/Happy Time.

Prvo veče izložbe očekuje nas nastup četiri performera, koji će dodatno dočarati atmosferu zenitističkog pokreta i nagnati na razmišljanje da li je ovaj pokret i dalje aktuelan, prisutan, i na kraju da li su zenitisti i dalje među nama.
Imaćemo priliku da čujemo poeziju Ve Poljanskog kroz autorsku muziku, specijalno komponovanu i otpevanu za ovu izložbu. N.EON galeriju će posetiti i nezaobilazni Majakovski u jednom novom telu, a koji kao i pre sto godina - ima nešto važno da nam kaže. Ukoliko niste imali prilike da pročitate pisma Anuške i Ljubomira Micića, ova izložba će vam doneti najintimniji doživljaj zenitističke ljubavi - po jedno pismo biće povećeno i pročitano svakome ko se prepusti i sedne u zenitističku fotelju. Kroz celu izložbu svaki posetilac će imati i svoju senku - misterioznog Džoni Džepa koji za sobom ostavlja neizbrisiv trag.

Naredna dva dana izložbe 18. i 19. maja očekuje nas stručno vođenje kroz izložbu autorki koncepta, Jadranke Andjelić i Dijane Milošević, od 20 časova, koje će dodatno upotpuniti specijalni gosti.

Autorka video/audio radova i instalacije prof. dr Snežana Arnautović Stjepanović će nam se pridružiti 18. maja, dok će 19. maja sa nama biti dizajner, vizuelni umetnik, pisac i profesor Slavimir Stojanović Futro, koji je dizajnirao plakat za predstavu Zenit - Istorija jednog zanosa.

Koncept: Jadranka Anđelić, Dijana Milošević
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objekti, prostor: Neša Paripović
Video instalacija: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Svetlo: Milomir Dimitrijević, Radovan Samolov
Organizacija i produkcija: Nataša Novaković, Milica Petrović
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Fotograf: Đorđe Tomić
Video dokumentacija: Aleksandar Milošević
Društvene mreže: Dunja Karanović
Grafički dizajn: škart

METRONOMIJA U PRIPREMI INSTITUTA ZA UMETNIČKU IGRU

METRONOMIJA U PRIPREMI INSTITUTA ZA UMETNIČKU IGRU

U Institutu za umetničku igru je u pripremi i poslednja plesna predstava za kraja pozorišne sezone, čija premijera se očekuje krajem juna na sceni Narodnog pozorišta u Beogradu.

Koreografkinja Tamara Gvozdenović u saradnji sa šestom generacijom studenata Instituta za umetničku igru predstaviće projekat Metrononomija.

Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, između, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi,“ navodi autorka projekta.

Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.

Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.

Fotografija Christophe Coenon

IZVEDEN GALA KONCERT PRAZNIK IGRE

IZVEDEN GALA KONCERT PRAZNIK IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila na Velikoj sceni Madlenianum opere i teatra izveden je Gala koncert Praznik igre posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta u izvođenju studenata Instituta za umetničku igru i Kompanije Balet mladih.

Dekan Prof. dr Vladimir Tomašević i Nj.E. Ambasadora Arapske Republike Egipat u Srbiji Basel Salah, čitanjem svetske poslanice Kang Sue-jin balerine i direktorke Nacionalnog baleta Koreje povodom Međunarodnog dana igre svečano su otvorili koncert.

Koncert je otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, a izvedene su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu.

U drugom delu koncerta je biti izveden drugi čin iz baleta Labudovo jezero Petra Iljiča Čajkovskog. U glavnim ulogama su nastupili Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid, a ulogu zlog čarobnjaka Rotbarta igrao je Ognjen Vučinić (profesor savremene igre na Institutu za umetničku igru).

Koncertu su prisustvovale direktorke Baletske škole Lujo Davičo Prof. Iva Bojović Petković i Baletske škole Novi Sad Sanja Vučurević, dramska spisateljica i rediteljka Zora Bokšan Tanurdžić, direktorka Muzeja savremene umetnosti u Beogradu Maja Kolarić, direktorka Muzeja grada Beograda Jelena Medaković kao i brojni gosti.

Institut za umetničku igru čestita svim igračicama, igračima, poslenicima u umetničkoj igri i publici Svetski dan igre.

Fotografija Dušan Milenković

URUČENA NAGRADA I SPECIJALNA POHVALA TERPSIHORA

URUČENA NAGRADA I SPECIJALNA POHVALA TERPSIHORA

Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.

Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade su Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.

Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.

Iz obrazloženja žirija za Nagradu Terpsihora:

Ana Ignjatović Zagorac jedna od utemeljivačica savremene plesne scene u Srbiji a od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni.

Slobodna je umetnica, članica trupe Bitef Dens kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu.

Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.

Žiri posebno naglašava da je Ana požrtvovana u pedagoškom rada stvaranja budućih igrača i njihovom usavršavanju u oblasti savremene igre, te je ova Nagrada skromno priznanje za njen culokpan umetnički opus uz želju da je još dugo gledamo na sceni.

U obrazloženju Specijalne pohvale žiri navodi:

Miona Petrović je svoj prvi kontakt sa umetničkom igrom ostvarila u Studiju za klasičan baleta kod pedagoškinje Jelene Katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević.

Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dens kompanije.

Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Project kao i samostalnih produkcija.

U toku ove sezone uradila je koreografiju za Skok u vodu, premijerno je nastupila u predstavi Drveće pleše Dah teatra i Maria de Buenos Aиres sa Tanguango kvartetom, publici je predstavila i svoju koreografiju u okviru projekta Telo u fokusu u Studentskom kulturnom centru. U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće na se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.

Miona Petrović usavršava se stalno tokom svoje profesionalne karijere te je na tom putu i nastvaila svoje školovanje na Institutu za umetničku igru na odseku koreografija.

Žiri posebno naglašava Mionin snažan doprinos savremenoj igri u našoj zemnji te ovom Specijalnom pohvala odaje poštovanje i podršku za dalje uspehe.

Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.

Svetski dan igre svečano će biti obeležen u petak 29. aprila proslavom 200-te predstave baleta Ko to tamo peva na sceni Narodnog pozorišta u Beogradu, u Studentskom parku biće izvedena predstava Dah teatra Drveće pleše a na sceni Madlenianum opere i tetara biće izveden Gala koncert Praznik igre studenata Instituta za umetničku igru i Kompanije Balet mladih.

Povodom Svetskog dana igre Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, postavila je instalaciju Dva dela mene na Cvetnom trgu u kućici Kulturnog centra Beograda.

Svečana ceremonija uručenja nagrada održana je 26. maja u Muzeju Narodnog pozorišta u Beogradu.

Fotografija Teodora Živković

MENOTIJEVA OPERA PREMIJERNO U SARAJEVU

MENOTIJEVA OPERA PREMIJERNO U SARAJEVU

Autorski dvojac Aleksandar Nikolić reditelj i Aleksandar Ilić koreograf, nakon četiri godine na poziv Narodnog pozorišta u Sarajevu ponovo sarađuju sa umetnicima tog teatra, a 29. apila premijerno će publici predstavi komičnu operu Telefon ili Ljubav u troje, kompozitora Đan Karla Menotija.

Menotijev Telefon je mali dijamant koji nam u 23 minuta daje sve ono što operska publika obožava: baritonsku ariju gneva kao iz najboljih Verdijevih opera, jednu ariju lamenta kao parodiju Donicetijevim lamentima glavnih junakinja, zatim izvanrednu ariju u kojoj sopran demonstrira moć koloratura poput Kraljice noći kod Mocarta i na kraju nežan i strastven ljubavni duet kao iz Pučinijevih opera.

Svi sastojci su tu, međutim sada umesto u 180 minuta komprimovani u samo 23 minuta scenskog roler - kostera. Ipak, Telefonu ništa ne nedostaje, posebno ne sukob dva uzbudljiva lika, kapriciozne sobom opsednute Lusi i zaljubljenog, šarmantnog Bena. Međutim, Menoti je pišući ovo delo 1947. predvideo problem koji je danas mnogo aktuelniji nego pre 75 godina.

Operom diriguje maestro Dario Vučić, a operu izvode Aida Čorbadžić u ulozi Lusi i Marko Kalajanović u ulozi Bena. Ilićevu koreografiju izvodi baletski ansambl Selma Štrbo Arnautović, Sabina Sokolović, Marijana Marić i Til Čmančanin u visoko stilizovanim kostimima Ate Omerbašić.

Možda će za par decenija, kada artificijelna inteligencija pobedi čoveka, kiborzi nastaviti da postavljaju opere koje je napisao čovek, sa onom ljubavlju i opsesijom sa kojom mi postavljamo antičke tragedije starih Grka koji više ne postoje. Možda će oni ovu operu čitati iz drugog ugla - kao prvo herojsko opersko delo u kom je automat trijumfovao nad čovekom, navodi reditelj Nikolić.

Prva repriza je zakazan za 30. april u podeli su Melisa Hajrulahović Tomić i Erol Ramadanović.

Fotografija Velija Hasanabegović.

INSTALLATION BY ALISA ORAVEC FOR WORLD DANCE DAY

INSTALLATION BY ALISA ORAVEC FOR WORLD DANCE DAY

On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29^th, Alisa Oravec, a doctoral student in Artistic Dance and Performance at the Belgrade Dance Institute, will present the installation Two Parts of Me, which will be set on Cvetni trg in the Belgrade Cultural Center.

The installation was created on the subject of Installations and Performance led by Prof. dr Snežana Arnautović Stjepanović and was shown within the project Body in Focus at the Student Cultural Center on February 25^th, 2022.

Two parts of me

Two body states in focus. We can see the installation as two different characters in two people or simply as two different states of one artist.

The body in motion represents the continuous creation and sharing of various energies with which we balance ourselves in our unbalanced position of the body.

Alisa Oravec

INSTALACIJA ALISE ORAVEC ZA SVETSKI DAN IGRE

INSTALACIJA ALISE ORAVEC ZA SVETSKI DAN IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalno proslavlja 29. aprila, Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, prikazaće instalaciju Dva dela mene koja će biti postavljena na Cvetnom trgu u kućici Kulturnog centra Beograda.

Instalacija je nastala na predmetu Instalacije i performans koji vodi Prof. dr Snežana Arnautović Stjepanović i prikazana je u okviru projekta Telo u fokusu u Studentskom kulturnom centru 25.02.2022. godine.

Dva dela mene

Dva stanja tela u fokusu. Instalaciju možemo sagledati kao dva različita karaktera kod dve osobe ili jednostavno kao dva različita stanja jednog umetnika.

Telo u pokretu predstavlja neprekidno stvaranje i deljenje različitih energija kojima sami balansiramo u svom neizbalansiranom položaju tela.

Alisa Oravec

DANCE WORKSHOP HELD BY YORAM KARMI

DANCE WORKSHOP HELD BY YORAM KARMI

Yoram Karmi, an Israeli choreographer, held a contemporary dance workshop at the Lujo Davicho Ballet School on Saturday, April 9^th.

The workshops were attended by first and second year students of the Ballet High School, Department of Contemporary Dance.

The class was also attended by Ivana Ljujić, professor of modern dance, and Gordana Šuvak, professor of acting.

The guest appearance of the Israeli choreographer is realized with the support of the Embassy of Israel in Serbia.

CELEBRATION OF DANCE

CELEBRATION OF DANCE

On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, the Belgrade Dance Institute will present a concert Celebration of dance, which is dedicated to dance, the joy of creating dance and all fans of movement. The concert will be performed on the stage of the Opera and Theater Madlenianum, starting at 8 PM. Students from the Belgrade Dance Institute and the Youth Ballet Company are taking part in the concert.

The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.

In the second part of the concert, the second act from the ballet Swan Lake will be performed. The main roles will be played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute), Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).

Tickets for the concert at a price of 1000 RSD can be purchased with a reservation by calling the number: 011/4140 421 every working day from 9.00 to 17.00 or by e-mail teodora.zivkovic@iui.rs

AWARD AND SPECIAL PRAISE OF TERPSYCHOR

AWARD AND SPECIAL PRAISE OF TERPSYCHOR

The Terpsichore Award, a prestigious recognition of the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia (PUBS) awarded annually to artists or cultural institutions in the field of artistic dance for 2022 went to Ana Ignjatović Zagorac, contemporary dancer, member of Bitef Dance Company and pedagogue contemporary dance, and Special praise to Miona Petrović a contemporary dancer, performer, choreographer and also member of the Bitef Dance company.

The award and special commendation are given in 2022, for the eleventh time in a row, on the occasion of the World Dance Day, an international holiday that is celebrated all over the world, and which was established by the International Dance Council - CID UNESCO. Previous winners of the Terpsichore Award are Ana Pavlović First Soloist, Jovan Veselinović First Soloist, Konstantin Kostjukov First Soloist and Choreographer, Đordje Makarević First Soloist and Choreographer, Mira Nešić Classical Ballet Teacher, Ballet of the National Theater in Belgrade, Bojana Žegarac Knežević First Soloist, Milan Rus ballet, Igor Pastor, First Soloist n and Olga Olcan Miljevic, ballet soloist of the National Theater in Belgrade.

During this year, a three-member jury consisted of representatives of classical ballet, folk dance and contemporary dance: Olga Olcan Miljevic, soloist of the National Theater Ballet and last year's laureate Terpsichore, Andjelika Petrovic, first dancer of the Serbian Folk Dance and Song Ensemble Kolo, and Jovana Grujić, contemporary dancer and pedagogue of contemporary dance.

Ana Ignjatović-Zagorac is professionally engaged in contemporary dance and is one of the founders of the contemporary dance scene in Serbia. From the very beginning of her playing career, she worked on the affirmation of modern dance in the region and the improvement of her position on the cultural scene. She is a freelance artist, a member of the troupe of the Bitef Dance company and a pedagogue of contemporary dance at the Lujo Davičo Ballet School in Belgrade. She has played a number of notable roles on the stage of Bitef Theater, KPGT, Madlenianum in performances by domestic and foreign choreographers, and won many awards and recognitions, the most important of which are the Golden Badge of the Cultural and Educational Community and the Ministry of Foreign Affairs of Serbia and Smiljana Mandukić Association of Ballet Artists of Serbia for the best interpretation in the contemporary dance performance Wishing Machines.

Miona Petrović made her first contact with artistic dance in the Studio for Classical Ballet with pedagogue Jelena Katić, and four years later at the Children's Cultural Center she continued her training in the field of modern ballet with Olga Vuckovic, jazz ballet with Eta Kovacevic and Dragana Stanisavljevic. She is a freelance artist, contemporary dancer, performer, choreographer and member of the Bitef Dance company. She studied at the Dance Loft School in Switzerland and especially at numerous workshops with choreographers Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Wollaston , Charles Linehan, Idan Sharabi, James Amar…

She has achieved a large number of roles on the stage of BITEF Theater, Madlenianum, within the Balkan Dance Project as well as independent productions.

In cooperation with the Israeli choreographer Yoram Karmi, she will present herself at the second edition of the Sola Festival in Novi Sad at the Barka Cultural Station on May 28^th this year.

She is a second year student at the Belgrade Dance Institute in the choreography department.

The author of all the medallions of Terpsichore, which is made of pure 925 sterling silver, is the artist Tamara Mladenović, who lives and works in Greece.

The award ceremony will be held on April 26^th at the Museum of the National Theater in Belgrade, starting at 1 p.m.

The Terpsichore Award and Special Praise is realized with the support of the Ministry of Culture and Information of the Republic of Serbia, the National Theater in Belgrade and the Belgrade Dance Institute.

Photography Jelena Janković

Photography Nemanja Maraš

OPENING OF THE EXHIBITION OF ERWIN WURM

OPENING OF THE EXHIBITION OF ERWIN WURM

The exhibition One Minute Forever opened today at the Museum of Contemporary Art in Belgrade. The exhibition was opened by the director of the Museum of Contemporary Art Mariana Kolarić, the curator of the exhibition Jerome Suns, Karin Traun Miller, the Deputy Ambassador of Austria, the Minister of Culture and the Prime Minister Maja Gojković.

At the invitation of the director of the Museum of Contemporary Art in Belgrade, students and professors of the Belgrade Dance Institute performed for the opening of the exhibition entitled One Minute Forever by Austrian artist Erwin Wurm.

The performances were performed by Professor Ognjen Vučinić, doc. Katarina Bućić, undergraduate students: Vladimir Sekulić, Senja Stanić, Lazar Tirić, Una Stepanović, Nina Horvat, Tijana Ostojić, Miona Petrović, Sonja Stojanović, doctoral student Ivana Milenović Popović, and alumni Đurđija Jelenković.

The exhibition will open on April 7^th, and students will participate in the performance until August 9^th, when the exhibition ends.

In addition to the mentioned one-minute sculptures (One Minute Sculptures), the exhibition also presents other iconic works by the author, such as Narrow House, Fat Car, Fat House, abstract and performative sculptures, but also accompanying media in which the artist works continuously and which are an integral part of his artistic vocabulary, such as photographs, video works, performances, drawings and paintings, as well as significant new production.

Especially for the exhibition in Belgrade, Wurm performed a new series of his performative sculptures in clay, according to the models of the most important buildings belonging to the Yugoslav modernist heritage of Belgrade. In this regard, this comprehensive exhibition, conceived as introspective rather than retrospective, seeks to showcase Erwin Wurm's rich and diverse oeuvre, as well as the diversity of media in which the artist creates and constantly develops and researches in parallel.

Photography Nemanja Maraš

PERFORMANCE EVERYDAY ROOM

PERFORMANCE EVERYDAY ROOM

Prof. dr Snežana Arnautović Stjepanović will perform today, April 6^th, 2022. year, performance Everyday Room within the International Scientific Conference PARTICIPATORY PRACTICE OF PERFORMING ARTS IN THE DIGITAL AGE at the Rectorate of Arts organized by the University of Arts in Belgrade and the University of Birmingham and which will be held from 6-8 April 2022.

You can watch the performance online via the link: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Title: Everyday room

Media: Multimedia installation

Authors: Snežana Arnautović Stjepanović and Ivica Stjepanović

The multimedia installation Everyday Room is a project that was presented within the International Festival of Art and Human Rights at the exhibition You Must Be a Zenithist, at the Neon Gallery in Belgrade, on February 24^th, 2022.

Everyday Room is a response to new reflections on nature, man and art in the relationships that are established in the networking of personal, physical and social dialogue of this artistic couple, whose work considers the determinants of everyday life but also in a vicious circle that even one hundred years since the inception of Zenitism has faced the same social problems.

Reacting to the text by Ljubomir Micić, Thank you, Beautiful Serbia..., a spatial installation was created that corresponds to two video works.

The video works were created during the state of emergency due to the corona virus pandemic. Performances performed for the purpose of recording video works are performed by the authors and are recorded as intimate portraits.

The video work of Ivica Stjepanović In this country, it represents the artist's speech in the first person and the transformation of the character, which is characterized by its caricature and deformity. The song that the artist sings while constantly looking into the lens is an author's text that was created ten years ago with changes in the organization of the socio-political system.

Video work by Snežana Arnautović Stjepanović Hafetopija, (fear of touch), considers changes in lifestyle and social interactions (life without hugs, kisses and touch) and which have led to a state of anxiety that can be identified with the symptoms of this phobia. The video work points to the need for touch, for tactile and manual action through returning to nature.

The video works are placed in a symbolic way that draws attention to the digital over the current, to the communication that is increasingly realized in this way and places the conversation of two artists in a new context that symbolically takes place above the text of Ljubomir Micić, constantly warning us.

EXHIBITION ONE MINUTE FOREVER

EXHIBITION ONE MINUTE FOREVER

At the invitation of the director of the Museum of Contemporary Art in Belgrade, students of the Belgrade Dance Institute will be part of an exhibition called One Minute Forever by Austrian artist Erwin Wurm.

The exhibition will open on April 7^th, and students will participate in the performance until August 9^th, when the exhibition ends.

Curators of the exhibition Marijana Kolarić and Jerome Sans

YORAM KARMI IS A GUEST AT THE BELGRADE DANCE INSTITUTE

YORAM KARMI IS A GUEST AT THE BELGRADE DANCE INSTITUTE

As of today, Yoram Karmi, an Israeli choreographer and founder of the dance company Fresco, is visiting the Belgrade Dance Institute with the support of the Embassy of Israel in Serbia.

Yoram Karmi was the artistic director of the Shades of Dance Festival in 2012 and 2013. He won the Rosenblum Award for Outstanding Artist in the Field of Dance (2012). He won second prize at the Shades of Dance Festival for his opus Spectrum.

In addition to regularly creating works for his own company, he choreographed for the Israel Festival, the Israeli Symphony Orchestra Rishon LeZion (Pulcinella), the Jerusalem Ballet (Clara), the Israeli Ballet, KSU Atlanta and many others. In 2012, he created Point of Origin for the dance project of the Israeli Opera and Center Suzanne Dellal. The performances he choreographed at the Israeli Opera are: L'Italiana in Algiers (2021), A Midsummer Night's Dream (2018), Madame Butterfly (2018), Macbeth (2016), The Lady and the Salesman (2015), Schitz (2015). He is a guest teacher at master classes around the world and a judge at various professional dance competitions.

During his stay in Belgrade, in addition to intensive lectures at the Belgrade Dance Institute, Yoram Karmi will give lectures at the Lujo Davičo Ballet School, dancers from the independent scene and will create solo choreography which will be premiered at the second edition of the Solo Festival at the Barka Cultural Station in Novi Sad.

Photo archive Fresco Dance company

SUCCESS OF GRAČANICA BALLET SCHOOL STUDENTS

SUCCESS OF GRAČANICA BALLET SCHOOL STUDENTS

At the International Ballet Competition in Niš (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022), the students of the Ballet School in Gračanica won a large number of awards this time as well.

In the category of classical ballet prepared by pedagogue Una Stepanović, a student of the Belgrade Dance Institute, the students presented the school with seven solo variations and won 5 first and 2 second places in strong competition with ballet school students from Bulgaria, Russia and Serbia.

The winners of the competition are Andjelka Prica, Neda Aritonović, Emilija Mihajlović, and as one of the youngest competitors, the students won four first places, Nikolina Đorđević, Helena Dimitrijević, Petra Manitašević and Katarina Nedeljković.

The ballet school in Gračanica was founded in 2017 on the initiative of Snežana Petrović with the support of the Ministry of Culture and Information of the Republic of Serbia, which works according to the plan and program of the Belgrade Dance Institute.

Photography archive of Gračanica Ballet School

ODRŽANA PLESNA RADIONICA YORAM KARMI

ODRŽANA PLESNA RADIONICA YORAM KARMI

Yoram Karmi, izraelski koreograf održao je je radionicu savremene igre u Baletskoj školi Lujo Davičo u subotu 9. aprila.

Radionici su prisustvovali učenici I i II godine Srednje baletske škole, odsek savremena igra.

Času su prisustvovali i Ivana Ljujić profesorka savremene igre i Gordana Šuvak profesorka glume.

Gostovanje izraelskog koreografa realizuje se uz podršku Ambasade Izraela u Srbiji.

PRAZNIK IGRE

PRAZNIK IGRE

Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila, Institut za umetničku igru će izvesti koncert Praznik igre koji je posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta. Koncert će biti izveden na sceni Opere i teatra Madlenianum, s početkom u 20.00 časova. Koncert izvode studenti Instituta za umetničku igru i Kompanija Balet mladih.

Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije. Rukovodilac kompanije je balet majstor Amalia Mindrutiu (Rumunija) uz asistenciju i saradnju sa baletskim pedagozima Milicom Bezmarević i Milom Stijak. Korepetitor kompanije Balet mladih je Ana Spremić.

Koncert će biti otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu. Nakon toga će biti prikazane neke od najlepših numera iz poznatih baleta kao što su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar.

U drugom delu koncerta će biti izveden drugi čin iz baleta Labudovo jezero. Glavne uloge nosiće Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid (Prvak baleta u Kairo operi i baletu, i student master studija na Institutu za umetničku igru), dok će ulogu zlog čarobnjaka Rotbarta nositi Ognjen Vučinić (Profesor savremene igre na Institutu za umetničku igru).

Karte za koncert po ceni od 1000 dinara možete kupiti uz rezervaciju pozivom na broj:

011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila teodora.zivkovic@iui.rs

NAGRADA I SPECIJALNA POHVALA TERPSIHORA

NAGRADA I SPECIJALNA POHVALA TERPSIHORA

Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.

Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.

Ana Ignjatović-Zagorac profesionalno se bavi savremenom igrom i jedan je od utemeljivača savremene plesne scene u Srbiji. Od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni. Slobodna je umetnica, članica trupe Bitef Dance kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu. Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.

Miona Petrović svoj prvi kontakt sa umetničkom igrom ostvarila je u Studiju za klasičan baleta kod pedagoškinje Jelene katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević. Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dance kompanije. Usavršavala se u školi Dance Loft u Švajcarskoj a posebno na brojnim radionicama kod koreografa Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Woliaston, Nina Dipla, Charles Linehan, Idan Sharabi, James Amar…

Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Projecta kao i samostalnih produkcija.

U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće nam se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.

Studentkinja je druge godine Instituta za umetničku igru na odseku koreografija.

Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.

Svečana ceremonija uručenja nagrada će se održati 26. aprila u Muzeju Narodnog pozorišta u Beogradu s početkom u 13.00 časova.

Nagrada i Specijalna pohvala Terpsihora se realizuje uz podršku Ministarstva kulture i informisanja Republike Srbije, Narodnog pozorišta u Beogradu i Instituta za umetničku igru.

Fotografija Jelena Janković.

Fotografija Nemanja Maraš

OTVARANJE IZLOŽBE ERVINA VURMA

OTVARANJE IZLOŽBE ERVINA VURMA

Izložba Jedan minut zauvek otvorena je danas u Muzeju savremene umetnosti u Beogradu. Izložbu su otvorili direktorka muzeja savremene umetnosti Marijana Kolarić, kustos izlozbe Žerom Sans, Karin Traun Miler zamenica ambasadora Austrije, ministarka kulture i predsednica Vlade Maja Gojković.

Na poziv direktorke Muzeja savremene umetnosti u Beogradu, studenti i profesori Instituta za umetničku igru izveli su performanse za otvaranje izložbe pod nazivom Jedan minut zauvek austrijskog umetnika Ervina Vurma.

Performanse su izveli profesor Ognjen Vučinić, doc. Katarina Bućić, studenti osnovnih studija: Vladimir Sekulić, Senja Stanić, Lazar Tirić, Una Stepanović, Nina Horvat, Tijana Ostojić, Miona Petrović, Sonja Stojanović, student doktorskih studija Ivana Milenović Popović, i alumnistkinja Đurđija Jelenković.

Izložba će biti otvorena 7. aprila, a studenti će učestvovati u performansu do 9. avgusta kada se izložba završava.

Sem pomenutih jednominutnih skulptura (One Minute Sculptures) na izložbi su predstavljeni i drugi ikonični radovi autora kao što su Uzana kuća (Narrow House), Debeli automobil (Fat Car), Debela kuća (Fat House), apstraktne i performativne skulpture ali i svi oni prateći mediji u kojima umetnik kontinuirano radi i koji čine neizostavan deo njegovog umetničkog rečnika, kao što su fotografije, video-radovi, performansi, crteži i slike, kao i značajna nova produkcija.

Vurm je posebno za izložbu u Beogradu izveo novu seriju svojih performativnih skulptura u glini, prema modelima najznačajnijih građevina koje pripadaju jugoslovenskom modernističkom nasleđu Beograda. S tim u vezi ova sveobuhvatna izložba, zamišljena po koncepciji kao introspektivna pre nego retrospektivna, teži da prikaže bogat i raznoliki umetnički opus Ervina Vurma, kao i raznorodnost medija u kojima umetnik stvara i koje neprestano paralelno razvija i istražuje.

Fotografija Nemanja Maraš

PERFORMANS SVAKODNEVNA SOBA

PERFORMANS SVAKODNEVNA SOBA

Prof. dr Snežana Arnautović Stjepanović izvešće danas 6.04.2022. godine, performans Svakodnevna soba u okviru Međunarodne naučne konferencije PARTICIPATIVNE PRAKSE IZVOĐAČKIH UMETNOSTI U DIGITALNOM DOBU u Rektoratu Umetnosti koju organizuje Univerzitet umetnosti u Beogradu i Univerzitet grada Birmingema a koja će se održati od 6-8 aprila 2022.

Performans možete pratiti online putem linka: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Naziv rada: Svakodnevna soba

Medij: Višemedijska instalacija

Autori: Snežana Arnautović Stjepanović i Ivica Stjepanović

Višemedijska instalacija Svakodnevna soba je projekat koji je prikazan u okviru Međunarodnog festivala Umetnost i ljudska prava na izložbi Ti moraš biti Zenitista, u galeriji Neon u Beogradu, 24. februara 2022. godine.

Svakodnevna soba predstavlja odgovor na nova promišljanja o prirodi, čoveku i umetnosti u odnosima koji se uspostavljaju u umrežavanju ličnog, telesnog i društvenog dijaloga ovog umetničkog para, koji svojim delovanjem razmatra odrednice koje se tiču svakodnevnog bivstvovanja ali i delovanja u začaranom krugu koji se čak i sto godina od postanka Zenitizma suočava sa istim društvenim problemima.

Reagujući na tekst Ljubomira Micića Hvala ti Srbijo Lepa..., kreirana je prostorna instalacija koja korespondira sa dva video rada.

Video radovi su nastali u periodu vanrednog stanja usled pandemije korona virusa. Performanse koji su izvedeni za potrebe snimanja video radova izvode autori i snimani su kao intimni portreti.

Video rad Ivice Stjepanovića U ovoj zemlji predstavlja govor umetnika u prvom licu i transformaciju lika koja se naznačava svojom karikaturalnošču i deformisanošću. Pesma koju umetnik peva dok konstatno gleda u objektiv je autorski tekst koji je nastao pre deset godina sa promenama u uređenju društveno – političkog sistema.

Video rad Snežane Arnautović Stjepanović Hafetopija, (strah od dodira) razmatra promene u načinu življenja i društvenim interakcijama (život bez zagrljaja, poljubaca i dodira) a koje su dovele su do stanja anksioznosti koji se mogu poistovetiti sa simptomima ove fobije. Video rad ukazuje na potrebu za dodirom, za taktilnim i manuelnim činom kroz vraćanje prirodi.

Video radovi su postavljeni tako da na simboličan način skreću pažnju na digitalno nad aktuelnim, na komunikaciju koja se sve više ostvaruje ovim putem i razgovor dva umetnika smešta u novi kontekst koji se simbolično odvija iznad teksta Ljubomira Micića, konstantno nas opominjujući.

Konferencija "Digital Performing Arts - Participatory practices in digital age"

CONFERENCE SESSIONS / CONTACT LIST/ Time Schedule

*All sessions are scheduled in Belgrade/Budapest timezone

Wednesday- 6th April - Morning Session 9:00 AM– 1:00 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (9 participants) 9:00 AM– 12:00 PM, Join Zoom Meeting https://zoom.us/j/98783430841?pwd=eDNsN1hWcUVLd0lxMGh0ZTFDaHZkZz09 Meeting ID: 987 8343 0841 Passcode: 219517
Chair: Ivan Pravdic
1.	Mirjana Nikolic (rector)	nikolicmirjana66@gmail.com;
2.	Ivan Pravdic (Key note)	pravdanow@yahoo.com;
3.	Aleksandar Dundjerovic	Aleksandar.Dundjerovic@bcu.ac.uk;
4.	Jonathan Day	Jonathan.Day@bcu.ac.uk;
5.	Khyam Allami	Khyam.Allami@mail.bcu.ac.uk;
6.	Polly Hudson	polly.hudson@bcu.ac.uk ;
7.	Tadas Stalyga	Tadas.Stalyga@mail.bcu.ac.uk;
8.	Ioana Paun	diwushka@yahoo.com;
9.	Ljubinka Stojanović	ljuma.stojanovic@gmail.com;

Zoom (Panel discussion – open access) 12:00 - 1:00 PM

Join Zoom Meeting

https://zoom.us/j/99867795294?pwd=QjBaQ1FBenJHVHcwb25jR2JjbkhHZz09

Meeting ID: 998 6779 5294

Passcode: 842134dnes

day 6th April – Live performance 1:00 - 1:2

Wednesday 6th April – Live performance 1:00 - 1:30 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Snežana Arnautović Stjepanović (performer)

snezanaarnautovic@yahoo.com ;

Wednesday 6th April – Afternoon Session, 2:00 – 6:00 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (8 participants) 2:00 – 4:00 PM Join Zoom Meeting https://zoom.us/j/97594534082?pwd=dWw2NHFjZTNPbS9BVFIwS1Uza3djQT09 Meeting ID: 975 9453 4082 Passcode: 123479
Chair: Aleksandar Dundjerovic
1.	Aleksandar Dundjerovic	Aleksandar.Dundjerovic@bcu.ac.uk;
2.	Juliana Tarumoto&Yasmin Mello	jutarumoto@gmail.com;
3.	Daniel Blanco & Roxanne Korda	Daniel.Blancoalbert@mail.bcu.ac.uk;
4.	Daniel More	d.nimor@gmail.com ;
5.	Ivana Vujić	ivanavujic100@gmail.com;
6.	Dan Harrigan	Daniel.Horrigan@mail.bcu.ac.uk ;
7.	Tom Gorman (Key note)	aa4084@coventry.ac.uk;
8.	Snežana Arnautović Stjepanović (performer)	snezanaarnautovic@yahoo.com ;

Zoom (Panel discussion & Key note – open access) 4:00 – 6:00 PM

Join Zoom Meeting

https://zoom.us/j/93752796293?pwd=TnppTTJuYVh6OW80R1Bob2Y4enJQdz09

Meeting ID: 937 5279 6293

Passcode: 173359

Thursday 7th April – Morning Session, 10:00 AM– 1:00 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (7 participants) 10:00 AM– 12:40 PM Join Zoom Meeting https://zoom.us/j/96300955077?pwd=Mm9qNFdKNlFFRi9ud3V4cDdxbnZvdz09 Meeting ID: 963 0095 5077 Passcode: 838478
Chair: Maria Jose Sanchez
1.	Maria Jose Sanchez	mariajose.martinezsanchez@staffs.ac.uk
2.	Persephone Sextou (Key note)	persephone.sextou@canterbury.ac.uk;
3.	Uroš Đurković	uros.durkovic@gmail.com;
4.	Lizzie Conrad Hughes & Valentina Vinci	lizzieconradhughes@gmail.com;
5.	Megan McGeough	meganmcgeough@gmail.com
6.	Marija Barna-Lipkovski	marijabarnalipkovski@gmail.com;
7.	Milјan Stevanović & Jelena Pejić & Petar Pejić	miljanstevanovic91@gmail.com;

Zoom (Panel discussion – open access) 12:40 – 1:00 PM

Join Zoom Meeting

https://zoom.us/j/95692893024?pwd=a0ozZmovUS9veUJwam1qZWF5T1ZFZz09

Meeting ID: 956 9289 3024

Passcode: 750569

Thursday 7th April – Live performance 1:00 - 1:20 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Marija Popović Stojadinović (performer)

marijapopovicofficial@gmail.com ;

Thursday 7th April – Afternoon Session 2:00 – 5:20 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (8 participants) – Afternoon Session 2:00 – 5:20 PM Join Zoom Meeting https://zoom.us/j/96640028598?pwd=aWhhTloxWGpKbHdnL3JkeGFKdCtidz09 Meeting ID: 966 4002 8598 Passcode: 624149
Chair: Svetlana Volic
1.	Svetlana Volic	volicsvetlana@gmail.com;
2.	Javier Ruiz (Key note)	javier.ruiz@upm.es;
3.	Tanja Ostojić	tanjaostojicart@gmail.com;
4.	Sonja Jankov	jankovsonja@gmail.com
5.	Jovana Karaulić	jovanakaraulic@gmail.com;
6.	Venelin Shurélov	shurelov@nha.bg
7.	Maria Jose Sanchez	mariajose.martinezsanchez@staffs.ac.uk
8.	Ana Gnjatović	anagnjatovic@gmail.com
9.	Darija Medić	Darija.Medic@colorado.edu
10.	Marija Popović Stojadinović (performer)	marijapopovicofficial@gmail.com;

Zoom (Panel discussion – open access) 5:20 – 6:20 PM

Join Zoom Meeting

https://zoom.us/j/92245242121?pwd=dFJUQU1xcVBYYlhsaEtDaXh1ZzF2QT09

Meeting ID: 922 4524 2121

Passcode: 539394

Friday 8th April – Morning session 10:00 AM – 2:00 PM

YouTube (live)

https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ

Zoom (5 participants) – 10:00 AM-12.00 PM Join Zoom Meeting https://zoom.us/j/94458293785?pwd=OGJ3dk5IVzdVVDQzUUR3YUZsWEVaQT09 Meeting ID: 944 5829 3785 Passcode: 617160
Chair: Aleksandar Dundjerovic
1.	Aleksandar Dundjerovic	Aleksandar.Dundjerovic@bcu.ac.uk;
2.	Bill Aitchison	bill.aitchison@googlemail.com;
3.	Jelena Novak	artina@beotel.net
4.	Nikoletta Dimopoulou	nikolettadimopoulou@gmail.com;
5.	Vladimir Vlacina	vvlacina@gmail.com

Zoom (Roundtable discussion - open access) - 12:00 - 2:00 PM

Join Zoom Meeting

https://zoom.us/j/92041862568?pwd=bEt5RU44eWlEa1pMaUVJYUFZV0xTZz09

Meeting ID: 920 4186 2568

Passcode: 013391

IZLOŽBA JEDAN MINUT ZAUVEK

IZLOŽBA JEDAN MINUT ZAUVEK

Na poziv direktorke Muzeja savremene umetnosti u Beogradu, studenti Instituta za umetničku igru biće deo izložbe pod nazivom Jedan minut zauvek austrijskog umetnika Ervina Vurma.

Izložba će biti otvorena 7. aprila, a studenti će učestvovati u performansu do 9. avgusta kada se izložba završava.

Kustosi izložbe Marijana Kolarić i Žerom Sans.

JORAM KARMI GOSTUJE U INSTITUTU

JORAM KARMI GOSTUJE U INSTITUTU

Joram Karmi izraelski koreograf i osnivač plesne kompanije Fresco od danas gostuje u Institutu za umetničku igru uz podršku Ambasade Izraela u Srbiji.

Joram Karmi bio je umetnički direktor Festivala Shades of Dance 2012. i 2013. Dobitnik je Rozenblumove nagrade za istaknutog umetnika u oblasti igre (2012). Osvojio je drugu nagradu na Festivalu Shades of Dance za svoj opus Spectrum.

Pored toga što redovno stvara dela za sopstvenu kompaniju, koreografiše za Izraelski festival, Izraelski simfonijski orkestar Rishon LeZion (Pulčinela), Jerusalimski balet (Klara), Izraelski balet, KSU Atlanta i mnoge druge. Godine 2012. kreirao je Point of Origin za plesni projekat Izraelske opere i centra Suzanne Dellal. Predstave koje je koreografisao u Izraelskoj operi su: L'Italiana in Algeri (2021), San letnje noći (2018), Madama Butterfly (2018), Magbet (2016), Dama i prodavac (2015), Schitz (2015). Gostujući je nastavnik na master kursevima širom sveta i sudija na raznim profesionalnim plesnim takmičenjima.

Tokom boravka u Beogradu, pored intezivnih predavanja u Institutu za umetničku igru, Joram Karmi će održati predavanja u Baletskoj školi Lujo Davičo, igračima sa nezavisne scene a paralelno će kreirati solo koreografiju koja će premijerno biti izvedena na drugoj ediciji Festivala Sola u Kulturnoj stanici Barka u Novom Sadu.

Fotografija arhiva Fresco Dance company.

USPEH UČENICA BALETSKE ŠKOLE GRAČANICA

USPEH UČENICA BALETSKE ŠKOLE GRAČANICA

Na Međunarodnom baletskom takmičenju u Nišu (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022.) učenice Baletske škole u Gračanici i ovog puta su osvojile veliki broj nagrada.

U kategoriji klasičnog baleta koje je sa učenicama pripremala pedagoškinja Una Stepanović studentkinja Instituta za umetničku igru, učenice su školu predstavljale sa sedam solo varijacija i osvojile 5 prvih i 2 druga mesta u jakoj konkurenciji sa učenicima baletskih škola iz Bugarske, Rusije i Srbije.

Laureati takmičenja su Anđelka Prica, Neda Aritonović, Emilija Mihajlović a kao jedni od najmlađih takmičara, učenice su osvojile četiri prva mesta, Nikolina Đorđević, Helena Dimitrijević, Petra Manitašević i Katarina Nedeljković.

Škola baleta u Gračanici osnovana je 2017. godine na inicijativu Snežane Petrović uz podršku Ministarstva kulture i informisanja Republike Srbije a koja radi po planu i programu Instituta za umetničku igru.

Fotografija arhiva Baletska škola Gračanica.

ANNUAL AWARDS OF STARS OF BELGRADE AWARDED

ANNUAL AWARDS OF STARS OF BELGRADE AWARDED

The annual award ceremony of the Star of Belgrade, held by the Office for Youth, was held today in the Old Palace, at the suggestion of the Secretariat for Culture of the City of Belgrade for 2021, awarded to the Association of the Belgrade Dance Institute for the Sola Festival project.

The President of the City Assembly Nikola Nikodijević presented the recognition to Prof. Dr. Snežana Arnautović Stjepanović.

The first edition of the Sola Festival was held on May 29^th and 30^th last year at the Museum of Contemporary Art, the Cultural Center of Belgrade and the National Theater.

During the two days, artists Hygin Delimat (Austria), Tamara Gvozdenović (France), Marina Bukvički (Serbia) and Ognjen Vučinić and Aleksandra Mišić (Croatia) presented themselves.

This year's Sola Festival will be held from May 27^th to 29^th at several locations in Belgrade and Novi Sad.

SPECTACULAR PERFORMANCE OF OPERA VLADIMIR AND KOSAR

SPECTACULAR PERFORMANCE OF OPERA VLADIMIR AND KOSAR

The world premiere of the opera Vladimir and Kosar by composer and librettist Stevan Divjaković was performed on the Grand Stage of the Serbian National Theater in Novi Sad, starting at 8:22 p.m.

The main protagonists Stevan Karanac in the role of Vladimir, Darija Olajoš Čizmić in the role of Kosara, Vasa Stajkić in the role of Samuil, Branislav Stankov in the role of Vladislav, Nikola Basta in the role of Radovan, Maja Andrić as Mara, the entire choir, ballet and orchestra led by standing ovations maestro Diana Chobanova.

The oneiric direction and scenography of Aleksandar Nikolić tensely led the audience through the world of dreams, nightmares and visions. Virtuoso choreography by Aleksandar Ilić, opulent costume design by Senka Ranosavljević, exceptional creation by Marko Radanović contributed to the first performance of a masterpiece by Stevan Divjaković whose opera is a great historical and philosophical fresco in Shakespeare's manner of revenge, power struggle, jealousy, sacrifice and love.

The next performances of this opera are scheduled for March 29^th, and in April you can see the play in the repertoire on April 9^th and 27^th.

Photography Vladimir Veličković

PERFORMANCE BODY IN FOCUS II PREMIERED

PERFORMANCE BODY IN FOCUS II PREMIERED

Within the project Body in Focus II, the works of undergraduate, master's and doctoral students of the Belgrade Dance Institute which were created in the following subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Artwork, led by Prof. dr Snežana Arnautović Stjepanović and the subject Choreography led by Prof. Dijana Milosevic were presented.

The works were presented in the form of performances, choreography, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works were interactive and required the participation of the audience.

Participants of the project Body in Focus II

Sonja Stojanović, 3rd year undergraduate student Artistic Dance

Choreography You, me, points in space

Performers: Sonja Stojanović and Katarina Bućić

Angela Mihova, third year undergraduate student Artistic Dance

Choreography Hold Me

Performers: Angela Mihova and Tijana Ostojić

Una Balaž, 3rd year undergraduate student Artistic Dance

Choreography I have to

Tijana Ostojić, 2nd year undergraduate student Artistic Dance

Choreography Simply Tijana

Miona Petrović, 2nd year undergraduate student Artistic Dance

Choreography The bright side

Nevena Antić, 3rd year undergraduate student Artistic Dance

Performance Aurum

Ivana Milenović Popović, first year doctoral student Artistic Dance and Performance

Performance Incubator

Luka Pejčinović, third year student of basic studies Artistic Dance

Performance ME

Nikola Korać, third year undergraduate student Artistic Dance

Performance Teach me, you taught me, MA

Jakša Filipovac, third year undergraduate student Artistic Dance

Choreography Repetition

Photography Prof. Nemanja Maraš

DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOP

DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOP

Today, Prof. dr Miomir Petrović held a creative writing workshop at the Branko Pešić Elementary School with Roma children as well as with migrant children who are included in the formal education system of the Republic of Serbia.

The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on artistic dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue.

Our goal is to enable the participation of Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.

BODY IN FOCUS

BODY IN FOCUS

Presentation of works by students of the Belgrade Dance Institute.

Great Hall of the Student Cultural Center, March 25^th, 2022 At 6 p.m.

The works will be presented in the form of performances, choreography, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works are interactive and require the participation of the audience.

Participants of the project Body in Focus II

Sonja Stojanović, 3rd year undergraduate student Artistic Dance

Choreography You, me, points in space

Performers: Sonja Stojanović and Katarina Bućić

Angela Mihova, third year undergraduate student Artistic Dance

Choreography Hold Me

Performers: Angela Mihova and Tijana Ostojić

Una Balaž, 3rd year undergraduate student Artistic Dance

Choreography I have to

Tijana Ostojić, 2nd year undergraduate student Artistic Dance

Choreography Simply Tijana

Miona Petrović, 2nd year undergraduate student Artistic Dance

Choreography The bright side

Nevena Antić, 3rd year undergraduate student Artistic Dance

Performance Aurum

Ivana Milenović Popović, first year doctoral student Artistic Dance and Performance

Performance Incubator

Luka Pejčinović, third year student of basic studies Artistic Dance

Performance ME

Nikola Korać, third year undergraduate student Artistic Dance

Performance Teach me, you taught me, MA

Jakša Filipovac, third year undergraduate student Artistic Dance

Choreography Repetition

URUČENA GODIŠNJA PRIZNANJA ZVEZDE BEOGRADA

URUČENA GODIŠNJA PRIZNANJA ZVEZDE BEOGRADA

U Starom dvoru danas je održana svečana dodela godišnjih priznanja Zvezde Beograda koje dodeljuje Kancelarija za mlade, na predlog Sekretarijata za kulturu grada Beograda za 2021. godinu dodeljeno je Udruženju Instituta za umetničku igru za projekat Festival Sola.

Predsednik Skupštine grada Nikola Nikodijević prizanje je uručio Prof. dr Snežani Arnautović Stjepanović.

Prva edicija Festivala Sola održana je 29. i 30. maja prošle godine u Muzeju savremene umetnosti, Kulturnom centru Beograda i Narodnom pozorištu.

Tokom dva dana predstavili su se umetnici Hygin Delimat (Austrija), Tamara Gvozdenović (Francuska), Marina Bukvički (Srbija) i Ognjen Vučinić i Aleksandra Mišić (Hrvatska).

Ovogodišnji Festival Sola održaće se od 27. do 29. maja na nekoliko lokacija u Beogradu i Novom Sadu.

SPEKTAKULARNO IZVEDENA PREMIJERA OPERE VLADIMIR I KOSARA

SPEKTAKULARNO IZVEDENA PREMIJERA OPERE VLADIMIR I KOSARA

Na Velikoj sceni Srpskog narodnog pozorišta u Novom Sadu s početkom u 20.22 časova, izvedena je svetska premijera opere Vladimir i Kosara kompozitora i libretiste Stevana Divjaković.

Stojećim ovacijama pozdravljeni su glavni protagonisti Stevan Karanac u ulozi Vladimira, Darija Olajoš Čizmić u ulozi Kosare, Vasa Stajkić u ulozi Samuila, Branislav Stankov u ulozi Vladislava, Nikola Basta u ulozi Radovana, Maja Andrić kao Mara, celokupan hor, balet i orkestar pod vođstvom maestra Diana Čobanova.

Onirična režija i scenografija Aleksandra Nikolića napeto je vodila publiku kroz svet sna, košmara i vizije. Virtuozna koreografija Aleksandra Ilića, opulentna kostimografija Senke Ranosavljević, izuzetna kreacija svetla Marka Radanovića doprineli su prvom izvođenju vrhunskog umetničkog dela Stevana Divjakovića čija je opera velika istorijska - filozofska freska u Šekspirovom maniru o osveti, borbi za vlašću, ljubomori, žrtvovanju i ljubavi.

Naredna izvođenja ovog dela zakazana su za 29. mart, a u aprilu na repertoaru predstavu možete pogledati 9. i 27. aprila.

Fotografija Vladimir Veličković.

SUMMER DANCE CAMP VRANJE 2022.

SUMMER DANCE CAMP VRANJE 2022.

The Belgrade Dance Institute from Belgrade will organize (seventh in a row) the International Summer Seminar for Artistic Dance in Vranje SUMMER DANCE CAMP VRANJE 2022.

The summer seminar in Vranje will last 10 days and covers the areas of classical ballet and contemporary dance, which will be led by important experts in these artistic fields.

Classical ballet:

Carlos Montalvan Ballet Master (Cuba);

Assistants Milica Bezmarević and Mila Stijak;

Ana Spremic accompanist.

Contemporary dance:

Natalia Gabrielchik (Great Britain);

Ognjen Vučinić (Croatia).

The results achieved during the work will be publicly presented at the Gala Concert on July 10^th at the National Theater in Vranje.

The participants of the seminar will be accommodated in the House of High School Students in Vranje, where they will be provided with three meals, free internet and other sports and recreational programs.

The seminar will last for ten days from July 1^st to 10^th, 2022, and will be held in Vranje.

Departure from Belgrade is on July 1^st at 09.00 in front of the Belgrade Dance Institute, Bulevar vojvode Mišića 43, Belgrade.

The summer seminar for artistic dance in Vranje is intended for students of primary and secondary ballet schools, dance schools and clubs, students of the Belgrade Dance Institute and professionals from Serbia and the region.

Send applications on email: teodora.zivkovic@iui.rs

The application must contain:

Name and surname
Classical ballet or contemporary dance;
Unique identification number (JMBG)
Date of birth
The school the student attends;
Mobile phone and email (personal or from parents).

The price of the seminar is 250 euros for students from Serbia (Students of the Belgrade Dance Institute and the Youth Ballet Company have a 20% discount), 350 euros for students from the region.

The price includes transportation from Belgrade, board (three meals), accommodation, excursions, as well as the final gala concert in which all participants will participate.

Payment is made exclusively through the account (middle exchange rate on the day of payment)

Account number: 265167031000009130

Recipient: Belgrade Dance Institute, Bulevar vojvode Mišića 43, 11000 Belgrade

Purpose of payment: Summer camp in Vranje 2022.

Payer: Name, surname and address

Call number: Unique identification number (JMBG)

The deadline for applications is June 10^th, 2022.

You can get more information by calling the student service of the Belgrade Dance Institute (011) 41 40 421 every day from 09.00 to 17.00 or by e-mail: institutzaumetnickuigru@gmail.com

About SDC 2022 pedagogues:

Carlos Altal Montalvan studied classical ballet and contemporary dance at the National Academy in Cuba. He began his career at the Kamage Ballet in Cuba. He played the leading roles in Swan Lake, Sleeping Beauty, Carmen, Romeo and Juliet and others. He performed with the most important ballerinas of today, such as Paula Acosta, Leticia Giuliani, Luciana Savignano, Carla Fraci and others. He is the champion of the Ballet Del Sud in Lecce (Italy) and the artistic director of the Ballet School of Lecce.

https://youtu.be/SE6KI-O1EdA

Natalia Gabrielczyk (Great Britain) is a dancer of the famous British company Hofes Schechter, choreographer and composer of the same name. She graduated in contemporary art dance from the Anton Bruckner University in Linz, Austria, where she collaborated with the Landesteater. Since 2018, she has been a member of the company Hofes Schechter, with which she has had roles in the plays SHOW, East Wall, Sheter Underground, Grand Finale and the latest creation Double Murder. She also collaborates with German choreographers Karolin Stächele and Elisabeth Schilling. She regularly holds master classes and the repertoire of choreographer Hofes Schechter in the company.

https://youtu.be/KXDn476okrY

WORLD THEATER DAY FOR CHILDREN AND YOUTH CELEBRATED

WORLD THEATER DAY FOR CHILDREN AND YOUTH CELEBRATED

With the support of students from the Belgrade Dance Institute and the Youth Ballet Company, on Sunday, March 20^th, the Duško Radović Small Theater marked the World Theater Day for Children and Youth.

Exactly at noon in a parade through Knez Mihailova Street in Belgrade, led by the director of that theater, Prof. Aleksandar Nikolić, students who carried dolls, and a large model of a paper boat on wheels from the beginning of Knez Mihailova near Kalemegdan Park to Republic Square and back.

The festive walk was accompanied by the release of a song by Dragan Laković and the Kolibri choir, Toast, whose verses Everything that grows would like to grow, stood on an inscription that decorated the ship, with several hanging dolls. The procession stopped briefly in front of the SANU building, where actor Goran Balančević performed puppet miniatures for the gathered children and parents.

The ceremonial parade was attended by Milica Bezmarević, pedagogue of classical ballet and Prof. Aleksandar Ilic.

IZVEDEN PROJEKAT TELO U FOKUSU II

IZVEDEN PROJEKAT TELO U FOKUSU II

U okviru projekta Telo u fokusu II predstavljeni su radovi studenata osnovnih, master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežana Arnautović Stjepanović i predmetu Koreografija koji vodi Prof. Dijana Milošević.

Radovi su predstavljeni u formi performansa, koreografija, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevali su učešće publike.

Učesnici projekta Telo u fokusu II

Sonja Stojanović, studentkinja III godine osnovnih studija Umetnička igra

Koreografija You, me, points in space

Izvođači: Sonja Stojanović i Katarina Bućić

Angela Mihova, studentkinja III godine osnovnih studija Umetnička igra

Koreografija Hold me

Izvođači: Angela Mihova i Tijana Ostojić

Una Balaž, studentkinja III godine osnovnih studija Umetnička igra

Koreografija Moram

Tijana Ostojić, studentkinja II godine osnovnih studija Umetnička igra

Koreografija Simply Tijana

Miona Petrović, studentkinja II godine osnovnih studija Umetnička igra

Koreografija The bright side

Nevena Antić, studentkinja III godine osnovnih studija Umetnička igra

Performans Aurum

Ivana Milenović Popović, studentkinja I godine doktorskih studija Umetnička igra i performans

Performans Inkubator

Luka Pejčinović, student III godine osnovnih studija Umetnička igra

Performans JA

Nikola Korać, student III godine osnovnih studija Umetnička igra

Performans Nauči me, naučio si me, MA

Fotografija Prof. Nemanja Maraš

PROJEKAT IGRA, REČ I SLIKA - RADIONICA KREATIVNOG PISANJA

PROJEKAT IGRA, REČ I SLIKA - RADIONICA KREATIVNOG PISANJA

Prof. dr Miomir Petrović je danas održao radionicu kreativnog pisanja u Osnovnoj školi Branko Pešić sa decom romske nacionalnosti kao i sa decom migrantima koja su uključena u formalni obrazovni sistem Republike Srbije.

Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Projekat je podržan od strane Ministarstva za ljudska i manjinska prava i društveni dijalog.

TELO U FOKUSU II

TELO U FOKUSU

Predstavljanje radova studenata Instituta za umetničku igru

Velika sala Studentskog kulturnog centra, 25.03.2022. godine U 18h.

U okviru projekta Telo u fokusu II biće predstavljeni radovi studenata osnovnih, master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežana Arnautović Stjepanović i predmetu Koreografija koji vodi Prof. Dijana Milošević.

Radovi će biti predstavljeni u formi performansa, koreografija, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevaju učešće publike.

Učesnici projekta Telo u fokusu II

Sonja Stojanović, studentkinja III godine osnovnih studija Umetnička igra

Koreografija You, me, points in space

Izvođači: Sonja Stojanović i Katarina Bućić

Angela Mihova, studentkinja III godine osnovnih studija Umetnička igra

Koreografija Hold Me

Izvođači: Angela Mihova i Tijana Ostojić

Una Balaž, studentkinja III godine osnovnih studija Umetnička igra

Koreografija Moram

Tijana Ostojić, studentkinja II godine osnovnih studija Umetnička igra

Koreografija Simply Tijana

Miona Petrović, studentkinja II godine osnovnih studija Umetnička igra

Koreografija The bright side

Nevena Antić, studentkinja III godine osnovnih studija Umetnička igra

Performans Aurum

Ivana Milenović Popović, studentkinja I godine doktorskih studija Umetnička igra i performans

Performans Inkubator

Luka Pejčinović, student III godine osnovnih studija Umetnička igra

Performans JA

Nikola Korać, student III godine osnovnih studija Umetnička igra

Performans Nauči me, naučio si me, MA

Jakša Filipovac, student III godine osnovnih studija Umetnička igra

Koreografija Repetition

AN OPEN DOOR HELD WITH RITA GOBI

AN OPEN DOOR HELD WITH RITA GOBI

Traditional OPEN DOORS of the Belgrade Dance Institute - contemporary dance workshops, led by Rita Gobi, Hungarian choreographer and dancer, with the assistance of Doc. Katarina Bućić, were held on March 17^th, 2022. in the New Hall of the Institute.

The workshop was attended by students of ballet schools and dance studios from Belgrade and Novi Sad.

We would like to thank the visiting professor Rita Gobi for the successfully realized workshops, the Hungarian Cultural Center for their support, as well as all the participants in the workshop.

Photography by Nemanja Maraš

PROF. ALEKSANDAR ILIĆ NOMINATED FOR THE AWARD OF THE CITY OF BELGRADE

PROF. ALEKSANDAR ILIĆ NOMINATED FOR THE AWARD OF THE CITY OF BELGRADE

The City of Belgrade has published the list of candidates for the City of Belgrade Award - Despot Stefan Lazarević for 2021.

In the field of theater, Prof. Aleksandar Ilić was nominated for the choreography of the dance performance Grand Hotel.

The dance performance Grand Hotel premiered on April 1, 2021 on the Grand Stage of the Madlenianum Opera and Theater, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić.

The author's music for the play was done by the composer Ana Krstajić, the scenography by the Croatian artist Žorž Draušnik, and the costume by Aleksandra Karović.

The play stars are Mojca Majcen (Slovenia), Branko Mitrović (BIH), Jakša Filipovac (Serbia) and Ognjen Vučinić (Croatia). In addition to the dancers in the play Grand Hotel, random guests who represent our subconscious or time are members of the Ladies' Dance Theater: Nada Kecman, Mira Ivančević, Vesna Stipišić, Katarina Stojkov Slijepčević, Marina Maraš, Biljana Knežević and Milica Bezmarević.

The lighting designer is Vladimir Krunić, the music associate is Dušan Arskin, and the play is led by the director Vesna Petrović Ćurčić.

Critics:

This unusual performance by the choreographer Aleksandar Ilić does not follow the illustrative film of the same name, but deals with time and re-examining the characters closed in the space of a hotel, which symbolically represents life itself.

The music for the play was done by Ana Krstajić (Serbia), the scenography by Žorž Draušnik (Croatia), and the costume by Aleksandar Karović (Serbia).

At the Grand Hotel, time has stopped in the astonishing intertwining of people and hotel guests, played brilliantly by dancers from Slovenia, Croatia, Bosnia and Herzegovina and Serbia. Also, there is a group of women on the stage all the time (Ladies’ Dance Theater) who represent both time itself and subconscious metaphysical actions and reactions of the actors themselves. In this hotel, the characters are presented a bit shifted and unusual in relation to the dramaturgy and characterization and the relationship to the very way of movement. Their relations are placed in a kind of seductive independent and collective action, in which their mutual influences produce upcoming actions. The seductive maid played by guest Ognjen Vučinić (Croatia), a displaced receptionist in the role of Branko Mitrović (Bosnia and Herzegovina), and hotel guests, mother and son played by Mojca Majcen (Slovenia) and Jakša Filipovac (Serbia), delighted the audience with their height and deeply dedicated performances. The specific way of movement of these characters can be described as a mixture of modern movement and dance theater in which movements are moved to the physical capabilities of the body. The choreography of Aleksandar Ilić in this case derives from the work of the dramatic structure of the characters, and makes this piece different and more interesting in relation to classical contemporary dance productions.

The top technique lies in the imaginatively designed ways of movement, the body of each performer separately, and in the small details that bring each character to a high level. Their collective game shapes the overall displaced image and atmosphere of the Grand Hotel, in which time is both a judge and a friend, and a support and an executioner.

The overall feeling of closedness, displacement from the normal and strange microcosm in which it is increasingly difficult to breathe, reminds us of the situation we all found ourselves in the past year, and gives the show its relevance. In the end, the choreographer still gives us hope that there is a way out and that there is another life. The chosen style of play, both dramatic and choreographic, is reminiscent of the famous troupe Peeping Tom, whose creations have achieved great success in the world with this type of mystical and displaced creativity.

Milica Cerović, choreographer and critic, April 2, 2021. Radio Belgrade 2

The dance show Grand Hotel was a great success at festivals in Novi Sad, Tivat, Sarajevo, Skopje, and in 2022 new guest appearances are planned.

The project is a co-production of the Opera and Theater Madlenianum and the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia, and was supported by the Ministry of Culture and Information of the Republic of Serbia, the Ministry of Culture of Slovenia, the Embassy of the Republic of Slovenia in Belgrade, the Velenje Festival. Slovenia for Cultural Activities and the Belgrade Dance Institute.

The list of candidates for the Belgrade City Awards for 2021 can be viewed here: https://www.beograd.rs/images/file/162de8e4b7d03282362ff8fb677b7923_5787972004.pdf

DANCE WORKSHOP HELD BY RITA GOBI

DANCE WORKSHOP HELD BY RITA GOBI

Visiting professor of the Belgrade Dance Institute, Rita Gobi (Hungary) held a dance workshop, which was attended by first and second grade students of the Lujo Davičo Ballet High School with the support of Prof. Ivana Ljujić.

We thank the ballet school Lujo Davičo and the director of the school Iva Bojović for their wholehearted support and cooperation.

Rita Góbi was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.

She has participated in various international dance workshops and residency programs such as OMI DANCE Residency based in the USA, VARP residency at SE.S.TA-Korespon Dance, Czech Republic, and Morishita Studio, Tokyo, from the Japan Foundation.

In 2006, she founded the dance company Góbi. Since then, she has created several contemporary dance productions, interactive performances for children and participated in various interdisciplinary projects (opening exhibitions, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad, and has toured the world with her performances. Her solo piece Volitant has won several domestic and international awards, and she will present the same piece at this year's Solo Festival at the Museum of Contemporary Art in Belgrade.

She is a professor of dance at the Nemes Nagy Ágnes School of Art, and regularly holds workshops in Hungary and abroad at various festivals. She also works as a choreographer by invitation in puppet theaters and movement theaters in working with actors.

Rita Góbi's works could best be described as bold and experimental, as well as precisely choreographed. It has a geometric, minimalist, rather reductionist style. Her concept of choreography is based on instinctive, monotonous and repetitive, miniature movements, and phaseing of the body and changes in the state that arise from these movements. It transforms the line of movement slowly and consistently. A chord of movement, music, projected visual effects and lights create a futuristic atmosphere for her performances.

Prizes and awards

2021 DANCE XXIII. International Contemporary Festival (Veszprém) - Award for Best Solo Performance - Rita Góbi: Volitant; Marina Olenjina Award of the Association of Dance Artists of Vojvodina to choreographer Rita Góbi, 2020 Novi Sad, Serbia

Lábán Rudolf Award 2018, Budapest - Volitant received the award for the best contemporary dance performance in the 2017 season. The performance also won the Award for the most successful performance as a whole at the 45th Infant Festival in Novi Sad, Serbia.

2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.

Award for the best dance performer in 2015 in the category of contemporary Hungarian dance offered by the Hungarian Dance Association; 2nd prize in Krakow at 3… .2 .... 1 .... Choreography competition for her piece Tachyon; 1st prize at the Solo & Duo Cologne Dance Festival for the best solo dance for her performance Don't Fuss!

Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.

2004-2005 Viktor Fülöp received a scholarship twice.

2003 Most promising student - National Dance Federation.

DANCE, WORD AND PICTURE PROJECT - PAINTING WORKSHOP

DANCE, WORD AND PICTURE PROJECT - PAINTING WORKSHOP

Today, Prof. Dr. Snežana Arnautović Stjepanović held a painting workshop at the Branko Pešić Elementary School with children aged 8 to 13.

The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on artistic dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue.

The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of artistic education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.

OPEN DOOR WITH RITA GOBI

OPEN DOOR WITH RITA GOBI

The Belgrade Dance Institute will organize the traditional Open Door, on March 17^th 2022, at 7:00 PM, a contemporary dance workshops, led by Rita Gobi (Hungary), a visiting professor at the Belgrade Dance Institute.

The workshops will be realized in the New Dance Hall of the Belgrade Dance Institute at Boulevard of vojvode Mišića 43a.

Students of ballet high school, dance studios and all interested dancers, aged 14 and over, can apply for the workshops.

Applications for participation in the workshops are made via email: katarina.bucic@iui.rs

Indicated: Open door

The application should contain:

Name and surname
The school or dance studio the candidate attends
Birth Year
Phone number
E-mail address

Applications are open until March 16^th 2022.

Workshops are free.

Rita Góbi was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.

Prizes and awards

2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.

Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.

2004-2005 Viktor Fülöp received a scholarship twice.

2003 Most promising student - National Dance Federation.

Photo Marcell Piti

OBELEŽEN SVETSKI DAN POZORIŠTA ZA DECU I MLADE

OBELEŽEN SVETSKI DAN POZORIŠTA ZA DECU I MLADE

Uz podršku studenata Instituta za umetničku igru i Kompanije Balet mladih u nedelju 20. marta Malo pozorište Duško Radović obeležilo je Svetski dan pozorišta za decu i mlade.

Tačno u podne defileom kroz Knez Mihailovu ulicu u Beogradu na čelu sa direktorom tog pozorišta Prof. Aleksandrom Nikolićem, studenti koji su nosili lutke, proveli su veliku maketu papirnatog broda na točkićima od početka Knez Mihailove kod Kalemegdanskog parka do Trga Republike i nazad.

Svečarska šetnja je bila praćena puštanjem pesme Dragana Lakovića i hora Kolibri, Zdravica, čiji su stihovi Sve što raste htelo bi da raste, stajali na natpisu koji je ukrašavao brod, uz nekoliko okačenih lutaka. Povorka je kratko zastala ispred zdanja SANU gde je glumac Goran Balančević za okupljene mališane i roditelje izvodio lutkarske minijature.

Svečanom defileu prisustvovali su Milica Bezmarević pedagog klasičnog baleta i Prof. Aleksandar Ilić.

Fotografija Belkisa Beka Abdulovic.

ODRŽANA OTVORENA VRATA SA RITOM GOBI

ODRŽANA OTVORENA VRATA SA RITOM GOBI

Tradicionalna OTVORENA VRATA Instituta za umetničku igru - radionice savremene igre, koje je vodila Rita Gobi mađarska koreografkinja i igračica, uz asistenciju Doc. Katarine Bućić, održane su 17.03.2022. godine u Novoj Sali Instituta.

Radionicu su pohađali učenici baletskih škola i plesnih studija iz Beograda i Novog Sada.

Zahvaljujemo se gostujućoj profesorki Riti Gobi na uspešno realizovanim radionicama, Mađarskom Kulturnom centru na podršci, kao i svim polaznicima radionice.

Fotografije Nemanja Maraš

PROF. ALEKSANDAR ILIĆ NOMINOVAN ZA NAGRADU GRADA BEOGRADA

PROF. ALEKSANDAR ILIĆ NOMINOVAN ZA NAGRADU GRADA BEOGRADA

Grad Beograd je objavio listu kandidata za Nagradu grada Beograda - Despot Stefan Lazarević za 2021. godinu.

U oblasti pozorišnog stvaralaštva nominovan je Prof. Aleksandar Ilić za koreografiju plesne predstave Grand Hotel.

Plesna predstava Grand Hotel je premijerno izvedena 1. aprila 2021. godine na Velikoj sceni Madlenianum opere i teatra u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića.

Autorsku muziku za predstavu je uradila kompozitorka Ana Krstajić, scenografiju umetnik iz Hrvatske Žorž Draušnik, a kostim Aleksandra Karović.

U predstavi igraju Mojca Majcen (Slovenija), Branko Mitrović (BIH), Jakša Filipovac (Srbija) i Ognjen Vučinić (Hrvatska). Pored igrača u predstavi Grand Hotel slučajni gosti koje predstavlju naše podsvesti ili vreme su članice Plesnog teatra Gospođe: Nada Kecman, Mira Ivančević, Vesna Stipišić, Katarina Stojkov Slijepčević, Marina Maraš, Biljana Knežević i Milica Bezmarević.

Dizajner svetla je Vladimir Krunić, muzički saradnik Dušan Arskin a predstvu vodi inspicijentkinja Vesna Petrović Ćurčić.

Iz kritike:

Ova nesvakidašnja predstava koreografa Aleksandra Ilića ne prati ilustrativno istoimeni film, već se bavi vremena i preispitivanjem likova zatvorenih u prostoru jednog hotela, koji na simboličan način predstavlja sam život.

Muziku za predstavu je uradila Ana Krstajić (Srbija), scenografiju Žorž Draušnik (Hrvatska), a kostim Aleksandar Karović (Srbija).

U Grand Hotelu vreme je zaustavljeno u začudnom preplitanju osoba i gostiju hotela, koje sjajno igraju plesači iz Slovenije, Hrvatske, Bosne i Hercegovine i Srbije. Takođe, na sceni se sve vreme nalazi i grupa žena (Plesni teatar Gospođe) koje predstavljaju kako samo vreme tako i podsvesne metafizičke akcije i reakcije samih aktera. U ovom hotelu likovi su predstavljeni pomalo pomereno i neobično u odnosu i na samu dramaturgiju I karakterizaciju i odnosa na sam način kretanja. Njihovi odnosi stavljeni su u neku vrstu zavodljivog samostalnog i kolektivnog delovanja, u kom njihovi međusobni uticaji proizvode predstojeće akcije. Zavodljiva sobarica koga igra gost Ognjen Vučinić (Hrvatska), pomereni recepcioner u ulozi Branka Mitrovića (Bosna i Hercegovina), i gosti hotela, majka i sin koga igraju Mojca Majcen (Slovenija) i Jakša Filipovac (Srbije), oduševili su publiku svojima vispremin i duboko posvećenim izvedbama. Specifičan način kretanja ovih likova može se opisati kao mešavina savremenog pokreta i plesnog teatra u kome se pokreti pomereni do fizičkih mogućnosti tela. Koreografija Aleksandra Ilića u ovom slučaju proizlazi iz radnji dramske struktura likova, i čini ovaj komad drugačijim i zanimljivijim u odnosu na klasične savremene plesne produkcije.

Vrhunska tehnika leži u maštovito osmišljenim načinima kretanja, tela svakog izvođača posebno, i u sitnim detaljima koje dovodi svaki lik do visokog nivoa. Njihova kolektivna igra uobličuje ukupno izmeštenu sliku i atmosferu Grand Hotela, u kome je vreme i sudija i prijatelj, i podrška i dželat.

Sveukupan osećaj zatvorenosti, izmeštenosti od normalnog i začudnog mikrokosmosa u kojem se sve teže diše, podseća i na situaciju u koju smo svi zajedno našli proteklih godinu dana, i daje na aktuelnosti predstave. U samoj završnici koreograf nam ipak daje nadu da postoji izlaz i da postoji neki drugi život. Izabrani stil igre kako dramske, tako i koreografske, podseća na čuvenu trupu Peeping Tom čije su kreacije ovom vrstom mističnog i pomerenog stvaralaštva postigle veliki uspeh u svetu.

Milica Cerović, koreografkinja i kritičarka, 2. april 2021. Radio Beograd 2

Plesna predstava Grand Hotel sa velikim uspehom je gosovala na festivalima u Novom Sadu, Tivtu, Sarajevu, Skoplju, a u 2022. godini se planiraju nova gostovanja.

Projekat je koprodukcija Opere i teatra Madlenianum i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije, a podržali su ga Ministarstvo kulture i informisanja Republike Srbije, Ministarstvo kulture Slovenije, Ambasada Republike Slovenije u Beogradu, Festival Velenje, Mestna Občina Celje, Javni sklad republike Slovenije za kulturne dejavnosti i Institut za umetničku igru.

Listu kandidata za Nagrade grada Beograda za 2021. godinu možete pogledati ovde: https://www.beograd.rs/images/file/162de8e4b7d03282362ff8fb677b7923_5787972004.pdf

Fotografija Belkisa Beka Abdulovic

ODRŽANA PLESNA RADIONICA RITE GOBI

ODRŽANA PLESNA RADIONICA RITE GOBI

Gostujući profesor Instituta za umetničku igru, Rita Gobi (Mađarska) održala je plesnu radionicu, na kojoj su učestvovali učenici prvog i drugog razreda srednje baletske škole Lujo Davičo uz podršku Prof. Ivane Ljujić.

Zahvaljujemo se baletskoj školi Lujo Davičo i direktorki škole Ivi Bojović na svesrdnoj podršci i saradnji.

Rita Gobi, Mađarska koreografkinja, pedagog savremene igre i igračica je rođena u Novom Sadu a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti.
Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio, u Tokiju, od Japanske fondacije.
Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstaviće na ovogodišnjem Festivalu Sola u Muzeju savremene umetnosti u Beogradu. Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.
Dela Rite Góbi najbolje bi se mogla opisati kao hrabra i eksperimentalna, kao i precizno koreografisana. Ona ima geometrijski, minimalistički, prilično redukcionistički stil. Njen koncept koreografije zasniva se na instinktivnim, monotonim i repetitivnim, minijaturnim pokretima, i faziranjem tela i promenama stanja koje nastaju iz ovih pokreta. Ona transformiše liniju pokreta polako i dosledno. Akord pokreta, muzike, projektovanih vizuelnih efekata i svetla stvaraju futurističku atmosferu njenih nastupa.
Nagrade i priznanja
2021 PLES XXIII. Međunarodni savremeni festival (Vesprem) - Nagrada za najbolju solo izvedbu - Rita Góbi: Volitant; Nagrada Marine Olenjine Udruženja plesnih umetnika Vojvodine koreografkinji Riti Góbi, 2020. Novi Sad, Srbija
Nagrada Lábán Rudolf 2018, Budimpešta - Volitant je dobio nagradu za najbolju savremenu plesnu predstavu u sezoni 2017. Predstava je dobila i Nagradu za najuspešniji nastup u celini na 45. Infant festivalu u Novom Sadu, Srbija.
2017 Aerowaves Twenty18 - prioritetni umetnik; Specijalna nagrada na Festivalu 10 Sentidos u Valensiji za njen solo ples Volitant; dobila je i Zlatni krst Mađarskog krsta za zasluge.
Nagrada za najboljeg plesnog izvođača 2015. u kategoriji savremenog mađarskog plesa koju nudi Mađarski plesni savez; 2. nagrada u Krakovu na 3….2....1....Konkurs za koreografiju za njen komad Tachyon; 1. nagrada na Solo&Duo Keln Dance Festivalu za najbolji solo ples za njen nastup Don't Fuss!
Nagrada publike 2009, XII. Međunarodno takmičenje u koreografiji minijatura, Beograd, Srbija.
2004-2005 Viktor Fülöp stipendiju je dobila dva puta.
2003 Najperspektivniji student - Nacionalna plesna federacija.

DEFENSE OF GRADUATE THESIS BY KATARINA ILIJAŠEVIĆ

DEFENSE OF GRADUATE THESIS BY KATARINA ILIJAŠEVIĆ

Today, on March 11^th 2022 year in Belgrade, Katarina Ilijašević, candidate for the title of Drama and Audiovisual Artist – Artistic Dance, ie a student of basic academic studies Artistic Dance has started defending her graduation work.

Distinguished colleague Katarina Ilijašević, presented her work on the topic Practical Guide to Superstition and presented publicly to members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Faculty Statute, consisting of:

Prof. Dijana Milošević, President of the Commission
Prof. Dr. Snežana Arnautović Stjepanović, mentor
Prof. Aleksandar Ilić, member

After her presentation, the esteemed colleague Katarina answered all the questions.

Pursuant to the Law on Higher Education of the Republic of Serbia and the Statute of the Faculty, from this moment Katarina Ilijašević has all the rights and obligations arising from the fact that as of today she has a publicly recognized academic title Drama and audiovisual artist – Artistic Dance.

CONGRATULATIONS !!!!

DEFENSE OF MASTER'S THESIS BY VESNA OGNJANOV NIKOLIĆ

Defense of Master's thesis by Vesna Ognjanov Nikolić

Today, on March 11^th 2022 year in Belgrade, Vesna Ognjanov Nikolić, candidate for the title of Master of Drama and Audiovisual Artist – Artistic Dance, ie a student of the Master of Academic Studies Artistic Dance has started defending her Master's thesis.

Esteemed colleague Vesna Ognjanov Nikolić, presented her work on the topic of Theoretical and Methodological Basis of Ballet Education of the Younger School Age and presented publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:

Prof. Dijana Milošević, President of the Commission
Prof. Aleksandar Ilić, mentor
Prof. Dr. Snežana Arnautović Stjepanović, member

After her presentation, the esteemed colleague Vesna answered all the questions.

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Vesna Ognjanov Nikolić has all the rights and obligations arising from the fact that from the March 11^th 2022. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

RECOGNITION OF THE STAR OF BELGRADE TO THE SOLA FESTIVAL

RECOGNITION OF THE STAR OF BELGRADE TO THE SOLA FESTIVAL

The annual recognition of the Star of Belgrade, which is awarded by the Office for Youth, at the proposal of the Secretariat for Culture of the City of Belgrade for 2021, was awarded to the Association of the Belgrade Dance Institute for the Festival Sola project.

The first edition of the Sola Festival was held on May 29th and 30th last year at the Museum of Contemporary Art, the Cultural Center of Belgrade and the National Theater.

During the two days, artists Hygin Delimat (Austria), Tamara Gvozdenović (France), Marina Bukvički (Serbia) and Ognjen Vučinić and Aleksandra Mišić (Croatia) presented themselves.

This year's Sola Festival will be held from May 27th to 29th at several locations in Belgrade and Novi Sad.

The award ceremony will take place on March 29th in the Old Palace.

BELGRADE DANCE INSTITUTE ENTRANCE EXAM ENROLMENT 2022/2023

Entrance Exam preparation classes for Classical ballet, Contemporary dance, and National dance and music will be held from June 20th to 24th, 2022.

The entrance exam preparation classes’ fees for classical ballet, contemporary dance, and national dance and music are EUR100. If the candidate attends entrance exam preparation classes, the entrance exam fee is weaving.

The classical ballet class consultations are held by Ballet master Amalia Mindutriu, for the program Contemporary Dance – Ognjen Vučinić, for Choreography department – Prof. Dijana Milošević, and National dance and music – Prof. Dr. Vesna Bajić Stojiljković.

The entrance examination consists of a studio technique component, a general knowledge, and an English language proficiency test.

The studio technique entrance examination includes the following:
• Classical ballet exam includes barre and center exercises, allegro and pointe work exercises;
• Contemporary dance exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• Choreography exam includes a max. three-minute-long choreography with a short description (the candidate can choose whether to perform it himself/herself; provides the music and everything he/she needs for the choreography);
• Pedagogy candidates need to have completed secondary ballet school education; barre and center exercises, allegro and pointe work exercises;
• Contemporary Pedagogy exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• National dance exam includes a practical performance of a number of dances from all ethnoarchaeological areas of Serbia, step patterns in a given tact number, and preparation of a thematic two/three-minute-long choreographic miniature with a short description.

ENTRANCE EXAMS SCHEDULE:

The entrance exam for Classical ballet and classical ballet pedagogy will be held on June 27th, 2022. at 11.00 am in New studio.

The entrance exam for Choreography will be held on June 28th, 2022. at 02.00 pm in New studio.
The entrance exam for Contemporary dance and pedagogy of contemporary dance will be held on June 28th 2022. at 11.00 am in New studio.
The entrance exam for National dance and music will be held on September 29th 2022. at 4.00 pm in Ballet Studio 307.
The entrance exam for all modules includes the general knowledge test and the English language competence test which will be held on June 29th 2022. at 2.00 pm Cabinet 329. (duration of the test is 45 minutes).

The entrance exam is EUR 50 (candidates who attend preparatory classes are exempted from the payment of the entrance exam fees).

Annual fees for the BA course are EUR 2,500.

The results of the entrance exam will be published on June 30th 2022.

PREPARATION CLASSES:
Schedule for preparation classes will be published later on the faculty's website.

How to apply / register: For any additional information, you can schedule consultations every working day from 09.00 to 17.00 at
+ 38 111 41 40 421
+ 381 63 71 44 201(WhatsApp, Viber)
or institutzaumetnickuigru@gmail.com

HUNGARIAN CHOREOGRAPHER RITA GOBI IN BELGRADE

HUNGARIAN CHOREOGRAPHER IS A GUEST IN BELGRADE

Hungarian choreographer, pedagogue of contemporary dance and dancer Rita Góbi, at the invitation of the Belgrade Dance Institute from Belgrade, will hold lectures in that institution as well as in state ballet schools from March 9th to 19th this year.

The artist was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.

In 2006, she founded the dance company Góbi. Since then, she has created several contemporary dance productions, interactive performances for children and participated in various interdisciplinary projects (opening exhibitions, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad, and has toured the world with her performances. Her solo piece Volitant has won several domestic and international awards, and she will present the same piece at this year's Solo Festival at the Museum of Contemporary Art in Belgrade.

Prizes and awards

2021 DANCE XXIII. International Contemporary Festival (Veszprém) - Award for Best Solo Performance - Rita Góbi: Volitant; Marina Olenjina Award of the Association of Dance Artists of Vojvodina to choreographer Rita Góbi, 2020 Novi Sad, Serbia

Lábán Rudolf Award 2018, Budapest - Volitant received the award for the best contemporary dance performance in the 2017 season. The performance also won the Award for the most successful performance as a whole at the 45th Infant Festival in Novi Sad, Serbia.

2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.

Award for the best dance performer in 2015 in the category of contemporary Hungarian dance offered by the Hungarian Dance Association; 2nd prize in Krakow at 3… .2 .... 1 .... Choreography competition for her piece Tachyon; 1st prize at the Solo & Duo Cologne Dance Festival for the best solo dance for her performance Don't Fuss!

Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.

2004-2005 Viktor Fülöp received a scholarship twice.

2003 Most promising student - National Dance Federation.

Photography Marcell Piti

PROJEKAT IGRA, REC I SLIKA - RADIONICA SLIKANJA

PROJEKAT IGRA, REC I SLIKA - RADIONICA SLIKANJA

Danas je Prof.dr Snežana Arnautović Stjepanović održala radionicu slikanja u Osnovnoj školi Branko Pešić sa decom uzrasta od 8 do 13 godina.

OTVORENA VRATA SA RITOM GOBI

OTVORENA VRATA SA RITOM GOBI

Institut za umetničku igru će organizovati tradicionalna Otvorena vrata, 17. marta 2022. od 19.00 časova, radionice savremene igre, koje će voditi Rita Gobi (Mađarska), gostujuća profesorka Instituta za umetničku igru.

Radionice će se realizovati u Novoj Sali Instituta za umetničku igru u Bulevaru vojvode Mišića 43A.

Za radionice se mogu prijaviti učenici srednjih baletskih škola, plesnih studija i svi zainteresovani plesači, uzrasta od 14 godina pa naviše.

Prijave za učešće na radionicama se vrše putem maila: katarina.bucic@iui.rs

Sa naznakom: Otvorena vrata

Prijava treba da sadrži:

Ime i prezime
Škola ili plesni studio koji kandidat pohađa
Godina rođenja
Broj telefona
e-mail adresa

Prijave su otvorene do 16. marta 2022. godine.

Radionice su besplatne.

Rita Gobi, Mađarska koreografkinja, pedagog savremene igre i igračica je rođena u Novom Sadu a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti.
Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio, u Tokiju, od Japanske fondacije.
Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstaviće na ovogodišnjem Festivalu Sola u Muzeju savremene umetnosti u Beogradu. Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.
Dela Rite Góbi najbolje bi se mogla opisati kao hrabra i eksperimentalna, kao i precizno koreografisana. Ona ima geometrijski, minimalistički, prilično redukcionistički stil. Njen koncept koreografije zasniva se na instinktivnim, monotonim i repetitivnim, minijaturnim pokretima, i faziranjem tela i promenama stanja koje nastaju iz ovih pokreta. Ona transformiše liniju pokreta polako i dosledno. Akord pokreta, muzike, projektovanih vizuelnih efekata i svetla stvaraju futurističku atmosferu njenih nastupa.
Nagrade i priznanja
2021 PLES XXIII. Međunarodni savremeni festival (Vesprem) - Nagrada za najbolju solo izvedbu - Rita Góbi: Volitant; Nagrada Marine Olenjine Udruženja plesnih umetnika Vojvodine koreografkinji Riti Góbi, 2020. Novi Sad, Srbija
Nagrada Lábán Rudolf 2018, Budimpešta - Volitant je dobio nagradu za najbolju savremenu plesnu predstavu u sezoni 2017. Predstava je dobila i Nagradu za najuspešniji nastup u celini na 45. Infant festivalu u Novom Sadu, Srbija.
2017 Aerowaves Twenty18 - prioritetni umetnik; Specijalna nagrada na Festivalu 10 Sentidos u Valensiji za njen solo ples Volitant; dobila je i Zlatni krst Mađarskog krsta za zasluge.
Nagrada za najboljeg plesnog izvođača 2015. u kategoriji savremenog mađarskog plesa koju nudi Mađarski plesni savez; 2. nagrada u Krakovu na 3….2....1....Konkurs za koreografiju za njen komad Tachyon; 1. nagrada na Solo&Duo Keln Dance Festivalu za najbolji solo ples za njen nastup Don't Fuss!
Nagrada publike 2009, XII. Međunarodno takmičenje u koreografiji minijatura, Beograd, Srbija.
2004-2005 Viktor Fülöp stipendiju je dobila dva puta.
2003 Najperspektivniji student - Nacionalna plesna federacija.

Foto: Marcell Piti

ODBRANA ZAVRŠNOG RADA KATARINE ILIJAŠEVIĆ

ODBRANA ZAVRŠNOG RADA KATARINE ILIJAŠEVIĆ

Danas, 11.03.2022. godine u Beogradu, Katarina Ilijašević, kandidat za zvanje Dramski i audiovizuelni umetnik – Umetnička igra odnosno student osnovnih akademskih studija Umetnička igra je pristupila odbrani svog završnog rada.

Uvažena koleginica Katarina Ilijašević, je prikazala svoj rad na temu Praktični vodič kroz sujeverje i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. Dijana Milošević, Predsednik komisije
2. Prof. dr Snežana Arnautović Stjepanović, mentor
3. Prof. Aleksandar Ilić, član

Nakon svog izlaganja uvažena koleginica Katarina je odgovorila na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Katarina Ilijašević, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!!

ODBRANA MASTER RADA VESNE OGNJANOV NIKOLIĆ

ODBRANA MASTER RADA VESNE OGNJANOV NIKOLIĆ

Danas, 11.03.2022. godine u Beogradu, Vesna Ognjanov Nikolić, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupila odbrani svog Master rada.

Uvažena koleginica Vesna Ognjanov Nikolić, je prikazala svoj rad na temu Teorijske i metodičke osnove baletskog obrazovanja mlađeg školskog uzrasta. i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. Dijana Milošević, Predsednik komisije
2. Prof. Aleksandar Ilić, mentor
3. Prof. dr Snežana Arnautović Stjepanović, član

Nakon svog izlaganja uvažena koleginica Vesna je odgovorila na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Vesna Ognjanov Nikolić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!

ENTRANCE EXAM AND PREPARATORY CLASSES FOR ENROLLMENT IN BASIC STUDIES

ENTRANCE EXAM AND PREPARATORY CLASSES FOR ENROLLMENT IN BASIC STUDIES

The Belgrade Dance Institute has announced a competition for enrollment of students in the first year of accredited basic academic studies lasting three years, ie six semesters, in the field of artistic dance for the following directions: Contemporary Dance, Choreography, Ballet Pedagogy, Pedagogy of Contemporary Dance and Stage Folk Dance and Music.

After completing this level of study, the student acquires the title of Drama and Audiovisual Artist – Artistic Dance (180 ECTS points).

Entrance exams will be held from June 27th to 29th, 2022, while preparatory classes and consultations will be held from June 20th to 24th, 2022.

Entrance Exam

The entrance exam consists of a practical part, a general culture test and knowledge of the English language.

The practical part of the entrance exam includes the following:

The exam in contemporary dance includes the floor, exercises in the center and improvisations (the professor assigns improvisations);
The choreography exam includes choreography with a short description of up to three minutes (the candidate does not have to perform the choreography himself, he can perform it himself, he provides the music and everything he needs to perform the choreography);
The exam in ballet pedagogy includes the obligatory completed high school of ballet and exercises with a stick, in the middle, allegro and exercises on the fingers;
The exam in contemporary dance pedagogy includes floor, center exercises and improvisations (the professor assigns improvisation);
The exam in stage folk dance includes a practical presentation of a number of games from all ethnochoreological areas of Serbia, processing the pattern of steps in a number of bars and preparation of choreographic miniatures on a specific topic lasting 2 to 3 minutes with a short description.

Schedule of entrance exams:

Admissions for Ballet Pedagogy 27.06. at 11.00 in the hall of the New Space
Admissions for Contemporary Dance and Pedagogy of Contemporary Dance 28.06. at 11.00 in the New Space Hall;
Admission for choreography 28.06. at 14.00 in the hall in Novi Space;
Admission for the Stage Folk Dance 29.06. at 16.00 in room 307;
General culture test 29.06. at 13.00 in room 329;
English language test 29.06. at 14.00 in office 329.

Before taking the entrance exam, the candidate pays to the account of the faculty the amount of 2,000 dinars for the costs of holding the exam.

Payment is made to Institute account number: 265167031000009130; reference number: JMBG candidate; Purpose of payment: Costs of the entrance exam.

Preparatory classes

The Belgrade Dance Institute will hold preparatory classes for taking entrance exams for basic studies for the departments: Contemporary Dance, Choreography, Ballet Pedagogy, Pedagogy of Contemporary Dance and Stage Folk Dance and Music.

Preparatory classes will be held from June 20th to 24th, 2022.

Timetables for preparatory classes will be published later on the faculty website.

Attendance of preparatory classes for all departments is 5,000.00 RSD.

Payment is made to Institute account number: 265167031000009130; reference number: JMBG candidate.

Purpose of payment: Costs of preparatory classes

Enrolement

In order for a candidate who has passed the entrance exam to be able to enroll at the Institute, it is necessary to bring the following documents:

Birth certificate;
Certificates from all four grades of high school (original or certified copy);
High school diploma (original or certified copy);
2 photographs measuring 3.5 x 4.5 cm;
Proof of tuition payment.

Tuition / Finance

The total costs of studying in undergraduate studies are the most affordable in Serbia (tuition, all textbooks and scientific-teaching aids, unlimited number of exam applications and semester certification) and amount to 2000 EUR per year of study (payment at the NBS middle exchange rate on the day of payment).

If the candidate opts for the payment option in installments, the student is obliged to pay 40% of the tuition fee (dinar equivalent at the NBS middle exchange rate on the day of payment), and the rest in eight equal monthly installments at the NBS middle exchange rate on the day of payment.

Students who are not citizens of the Republic of Serbia

In addition to the above conditions, they must additionally take care of obtaining visas to stay in Serbia during their studies. The Institute is not a guarantor of foreign students during their stay in Serbia, nor does it bear any legal-financial-moral responsibility towards them or third parties related to their stay in the Republic of Serbia. The students themselves are responsible for obtaining relevant documentation and proving it to the Consular Representation or the Embassy of the Republic of Serbia in order to obtain a visa (s). All students who pass the entrance exams and acquire all the conditions for enrollment, can receive the relevant certificates that will be sent to the competent authorities for the timely issuance of their visas.

For all additional information you can schedule consultations every working day from 9.00 to 17.00 by phone 011 41 40 421 or via email institutzaumetnickuigru@gmail.com

PRIZNANJE ZVEZDE BEOGRADA FESTIVALU SOLA

PRIZNANJE ZVEZDE BEOGRADA FESTIVALU SOLA

Godišnje priznanje Zvezde Beograda koje dodeljuje Kancelarija za mlade, na predlog Sekretarijata za kulturu grada Beograda za 2021. godinu dodeljeno je Udruženju Instituta za umetničku igru za projekat Festival Sola.

Prva edicija Festivala Sola održana je 29. i 30. maja prošle godine u Muzeju savremene umetnosti, Kulturnom centru Beograda i Narodnom pozorištu.

Tokom dva dana predstavili su se umetnici Hygin Delimat (Austrija), Tamara Gvozdenović (Francuska), Marina Bukvički (Srbija) i Ognjen Vučinić i Aleksandra Mišić (Hrvatska).

Ovogodišnji Festival Sola održaće se od 27. do 29. maja na nekoliko lokacija u Beogradu i Novom Sadu.

Svečana dodela priznanja održaće se 29. marta u Starom dvoru.

PROJECT BODY IN FOCUS PERFORMED

PROJECT BODY IN FOCUS PERFORMED

Last night, in the Great Hall of the Student Cultural Center, the project Body in Focus was performed, the works of undergraduate, master's and doctoral students of the Belgrade Dance Institute were created on the subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Art, led by prof. dr. Snežana Arnautović Stjepanović.

The works are presented in the form of performances, spatial installations and videos.

The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches.

Some of the works are of the interactive type and required the participation of the audience.

The authors of the works are Alisa Oravec, Tijana Malek, Milica Bezmarević, Marija Vučenović, Una Balaž, Ksenija Sinđić, Sonja Stojanović, Ada Raspor, Angela Mihova and Luka Stojković.

CEREMONIAL PRESENTATION OF THE ORDER OF THE CROSS OF LEADER ĐORĐE STRATIMIROVIĆ

CEREMONIAL PRESENTATION OF THE ORDER OF THE CROSS OF LEADER ĐORĐE STRATIMIROVIĆ

Writer and professor of the Belgrade Dance Institute in Belgrade, Prof. Dr. Miomir Petrović, is the winner of the Order of the Cross of Leader Đorđe Stratimirović for his contribution to Serbian culture and, as stated, 'for selfless perseverance in the values of St. Sava's spirituality ... part of testifying to the values and preserving the tradition of Serbian Vojvodina.'

The order is awarded by the Center for the Development of Šajkaška and His Eminence Bishop Vasilije of Srem. The ceremonial presentation of the order will take place at the Vuk Endowment in Belgrade on Monday, February 28th, 2022.

BODY IN FOCUS

BODY IN FOCUS

Presentation of works by students of the Belgrade Dance Institute

Great Hall of the Student Cultural Center,

02/25/2021 at 18.00.

Within the project Body in Focus, the works of undergraduate and master's and doctoral students of the Belgrade Dance Institute which were created in the following subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Artwork, led by Prof. Dr. Snežana Arnautović Stjepanović will be presented at the Great Hall of the Student Cultural Center.

The works will be presented in the form of performances, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works are interactive and require the participation of the audience.

Project participants:

Alisa Oravec, first year doctoral student Artistic Dance and performance - Spatial installation Two parts of me
Tijana Malek, first year master's student Artistic Dance - Spatial installation Silence
Milica Bezmarević, first year student, master's degree in Artistic Dance - Performance Fear of flying
Marija Vučenović, second year student, master's degree in Artistic Dance - Performance: Body and Body; performer: Doc. Katarina Bućić
Una Balaž, third year undergraduate student of Artistic Dance - Performance Ti
Ksenija Sinđić, third year undergraduate student of Artistic Dance - Performance Smile is a decorative noun
Sonja Stojanović, third year undergraduate student of Artistic Dance - Performance Two sides one self
Ada Raspor, second year student, Master of Artistic Dance - Performance Cold
Angela Mihova, third year undergraduate student of Artistic Dance - Performance Borders
Luka Stojković, second year student, master's degree in Artistic Dance - Performance Ero from this world

Photography by Doc. Nemanja Maraš; Artists: Doc. Katarina Bućić and Luka Ostrež

FESTIVAL OF ARTS AND HUMAN RIGHTS

FESTIVAL OF ARTS AND HUMAN RIGHTS

The grand opening of the Festival of Arts and Human Rights will be held on February 24th, 2022. at 7 pm in the Neon Gallery (Crnogorska 10). The festival will be opened by an interactive multimedia installation You Must Be a Zenitist that reflects on the heritage of the authentic avant-garde art movement from our region - Zenitism.

Concept: Dijana Milošević and Jadranka Anđelić

Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović and Zoran Vasiljević

Facilities: Neša Paripović

Video Installation Living room: Snežana Arnautović Stjepanović and Ivica Stjepanović

Video work: Lucid dream / Happy time: Snežana Arnautović Stjepanović, composer Ivica Stjepanović

Video work: Video for a better atmosphere: Jelena Rubil

The second edition of the Festival of Arts and Human Rights will be held from February 24th to 27th, 2022, in Belgrade, which is designed as a platform for launching and presenting ideas and concepts that highlight and connect art and human rights, advocate for equal human rights , as well as the development of that idea in Serbia. The program includes workshops, installations, plays, concerts, talks, conference Art and Culture in the affirmation of human rights, film premiere, book promotions.

Participants of the festival come to Belgrade from Spain, Israel, Montenegro, Kosovo, Ireland and Serbia, and artists from Iran, Belgium and Brazil will join us online and present their work.

You can see the complete program of the festival here:

https://dahteatarcentar.com/wp-content/uploads/2022/02/katalog-FESTIVAL-FINAL.pdf

GUEST LECTURES BY BRANKO MILISKOVIĆ

GUEST LECTURES BY BRANKO MILISKOVIĆ

Branko Miliskovic's guest lectures will be held at the Belgrade Dance Institute from February 21st to 23rd with master's and doctoral students.

Branko Milisković (1982, Belgrade) studied at the Faculty of Fine Arts in Belgrade in the class of prof. Mrdjan Bajić. He continued his BFA studies as a scholarship holder of the Government of the Netherlands at the Royal Academy of Art in The Hague and graduated from the Department of 3D Art in 2009. He received his master's degree from the Hochschule für Bildende Künste in Hamburg in the class of Professor Jeanne Faust at the Department of Extended Media in 2012. He has been a member of ULUS since 2018.

Branko Milisković is dedicated to live performance, monoopera, cabaret, photography, sound and film. He has performed at prestigious international and domestic festivals, exhibitions and art residencies including Reims Scenes d’Europe 2015, Reims, France; CSW / CoCA, Torun, Poland; G12HUB, Belgrade, Serbia; solo productions: Kampnagel, Hamburg, Germany; Les Halles de Schaerbeek, Brussels, Belgium; Dutch Film Festival, Utrecht and TENT Rotterdam; Netherlands Media Art Institute, Amsterdam, The Netherlands; CIRCA art current, Montreal, Canada; Live Art Development Agency, London, UK; YFV, Seattle, The Tank, New York, USA; 57th October Salon, Belgrade, Podroom Gallery, Cultural Center of Belgrade, Center for Cultural Decontamination, Serbia; Third program of Croatian Radio, Zagreb…

His work has been included in the books Performance Art in Eastern Europe since 1960, by Dr. Amy Bryzgel and Situating Populist Politics: Arts & Media Nexus, Milena Dragićević-Šešić and Mirjana Nikolić.

www.brankomiliskovic.wordpress.com

Photography by Danilo Mataruga

VISIT TO THE CULTURAL STATION BARKA

VISIT TO THE CULTURAL STATION BARKA

The Barka Cultural Station with coordinator Saša Krg hosted professors from the Belgrade Dance Institute, who agreed on future collaborations and projects.

Vice Dean Prof. dr Snežana Arnautović Stjepanović, Prof. Nemanja Maraš, Prof. Ognjen Vučinić and Prof. Aleksandar Ilić presented the upcoming project Body in Focus, Sola Festival, author's project Apreś and guest lecturers until the end of the academic year.

THE BELGRADE DANCE INSTITUTE CELEBRATED THE GLORY OF THE CHRIST – THE HOLY THREE HIERARCHS

THE BELGRADE DANCE INSTITUTE CELEBRATED THE GLORY OF THE CHRIST – THE HOLY THREE HIERARCHS

The Feast of the Three Hierarchs is dedicated to three saints and the greatest educators and teachers in the history of Christianity: Basil the Great, Gregory the Theologian and John Chrysostom. Although each of them has its own day of celebration in the month of January, in the 11th century, during the reign of Emperor Alexius Comnenus, their common day of celebration was established. With their life, work, and science, these three Saints marked not only the time in which they lived, but also Christianity itself. The immediate reason why their joint holiday was established was that there were debates among the people as to which of these three Saints was greater. Some exalted Basil because of his purity and courage, others Gregory because of his unattainable depth and height of mind in theology, and others Chrysostom because of his miraculous eloquence and clarity of faith. Because of these claims, they were popularly known as Basilians, Gregorians and Johnites. But by God's providence, this dispute was resolved for the benefit of the church and for the even greater glory of the three saints.

Bishop Jovan of Euchaita had one vision in a dream, namely: first each of these three saints appeared to him separately in great glory and inexpressible beauty, and then all three together. Then they said to him: "We are one in God, as you can see, and there is nothing contradictory in us… nor is there one or the other among us." The saints also advised Bishop Jovan to write a joint service for them and to designate a common holiday for them. On the occasion of this wonderful vision, the dispute was resolved by establishing their joint holiday.

The celebration of the Holy Three Hierarchs has a great tradition in all Orthodox countries, and in Greece it even has a national character and is considered a holiday of education and schooling.

STATEHOOD DAY OF THE REPUBLIC OF SERBIA 2022

STATEHOOD DAY OF THE REPUBLIC OF SERBIA 2022

We would like to inform all professors, assistants, teaching associates, associates and students that the Belgrade Dance Institute will not be working on February 14th, 15th and 16th on the occasion of the national holiday of the Statehood Day of the Republic of Serbia. The first working day is Thursday, February 17th, 2022.

Historian Nataša Kostić traditionally reminds us of the importance of this holiday:

The Law on State Holidays of the Republic of Serbia marks February 15th in memory of two historical events. The first event, when the Serbian revolution began and the First Serbian Uprising (1804), the second (1835), when the First Serbian Constitution, known as the Sretenje Constitution, was adopted.

On that day (1804), in the late afternoon in Marićević's ravine near Orašac, the people's elders gathered and decided to call the people to an uprising and elected Đorđe Petrović as their leader. That is when the struggle of the Serbian people for freedom from the Ottoman government began.

Twenty-one years later, the First Serbian Constitution (1835) was adopted. At that time, creating an independent Serbian state with weapons, the Serbian peasant decided to destroy the feudal order as well. Serbia at that time was a country of peasants, but that Serbian peasant accepted the ideas of the modern age and fought and fought for it. The libertarian spirit of the Serbian peasant forced the Serbian prince Mioš Obrenović to open the constitutional question. The great powers at the time, which still influenced independent Serbia (Russia, Austria and the Ottoman Empire), did not allow the Constitution to take root among Serbs, so they forced Prince Milos to repeal it a month after its adoption. Three years after that, the Serbs get the Turkish (hatisherif) Constitution.

BELGRADE PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK

BELGRADE PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK

As part of the celebration of the Slovenian Cultural Holiday on February 8th, the dance play for children and adults Možiček by the Slovenian composer Josip Ipavac, choreographed by Gjergj Pervazija and Prof. Aleksandar Ilić was premiered at Small Theatre Duško Radović in Belgrade.

The dance performance Možiček, which consists of two choreographic works, was premiered as part of the celebration of the 100th anniversary of the death of the composer Ipavac on December 27th last year at the Slovenian People's Theater in Celje (Slovenia). The first part of the play RE: start was done by Gjergj Pervazi, and the second part of the play Možiček by Aleksandar Ilić.

The play was performed by players of the International Dance Platform Balkan Dance Project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia and musicians Ana Semić Bursać - piano, Uroš Bičanin - violin, Zoran Bičanin - violin, Miha Firšt - contrabass.

The author's team is composed of Slovenia and Serbia, dramaturgy by Nuša Komplet Peperko, scenography by Matija Kovač, costume by Aleksandra Karović, lighting by Aleksander Plut, this time done with the support of a lighting designer from our theater.

The play was produced by the Balkan Dance Project co-produced by the House of Culture Celje, the Velenje Festival and the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia.

Photography by Belkisa Beka Abdulovic

LECTURES OF THE GUEST CHOREOGRAPHER LUKA OSTREŽ STARTED

LECTURES OF THE GUEST CHOREOGRAPHER LUKA OSTREŽ STARTED

Guest lectures on contemporary dance and repertoire by Luka Ostrež, a Slovenian choreographer and dancer, begin today at the Belgrade Dance Institute.

He completed his undergraduate studies at the University of Arts in Zurich, and already during his education he collaborated with the most famous choreographers of today, Barack Marshall, Ihsan Rustem, Renaud Wieser, Laurent Zahar, Emanuele Sovai and others.

He participated in the Steps Festival 2018 with Itzik Galili Anabel Lopez Ochoa, Michael Schumacher and Jasmine Morand.

He gained professional experience in collaborations with Edward Klug, Mauro de Candia, Mark Geke, Mary Wigman and others.

He collaborates with numerous dance academies as a lecturer, and presented himself to the Belgrade audience at last year's 25th Festival of Choreographic Miniatures, where he won the first prize for choreography Doomsday, which he performed.

Choreographer Luka Ostrež will hold a special open master class for players on February 14th on Valentine's Day, starting at 12:00.

GRADUATE THESIS OF BOBAN KOSTIĆ PERFORMED

GRADUATE THESIS OF BOBAN KOSTIĆ PERFORMED

Boban Kostić's graduation concert Tren was performed on the stage of the Sports and Cultural Center Obrenovac in the theater hall starting at 7 p.m.

The audience was greeted at the very beginning by the Dean Prof. Dr. Vladimir Tomašević and the head of the Department of Stage Folk Dance and Music Prof. Dr. Vesna Bajić Stojiljković.

The audience had the opportunity to get acquainted with works inspired by folk dance, music and tradition, which student Boban Kostić created during his schooling at the Belgrade Dance Institute, through various choreographic forms.

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Boban Kostić has all the rights and obligations arising from the fact that from the February 4th 2022. has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.

AUDITION FOR A NEW PROJECT OF THE YOUTH BALLET COMPANY

AUDITION FOR A NEW PROJECT OF THE YOUTH BALLET COMPANY

The Youth Ballet Company is announcing an AUDITION for a new project that will be premiered on April 29th on World Dance Day.

The audition will be held on Thursday, February 10, starting at 6 pm in the New Hall.

Candidates should wear pointed ballet shoes.

Ballet high school students can apply for the audition.

HOW TO APPLY?

The application should contain:

Name and surname
Date of birth
School attended by the student
Phone number

Applications should be sent to mila.stijak@iui.rs with the note World Dance Day.

For more information call (011) 41 40 421 every working day from 9.00 to 17.00.

The audition for the project will be led by ballet master Amalia Mindrutiu, Milica Bezmarević, Mila Stijak and Ana Spremić.

The results of the audition will be published on Friday, February 11th, on the website of the Belgrade Dance Institute.

DEFENSE OF UNDERGRADUATE’S THESIS BY BOBAN KOSTIĆ

DEFENSE OF UNDERGRADUATE’S THESIS BY BOBAN KOSTIĆ

At the Belgrade Dance Institute on February 4th, 2022. Boban Kostić, student of the Undergraduate Academic Studies of Artistic Dance, successfully defended his Undergraduate’s thesis on the topic of GRANDFATHER AND TAIL SUMMARY HUMORIST STORY IN ONE PICTURE.

Distinguished colleague Boban presented his work on the topic of GRANDFATHER AND TAIL SUMMARY HUMORIST STORY IN ONE PICTURE, publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:

Prof. Dr. Snežana Arnautović Stjepanović, President of the Commission
Prof. Dr. Vesna Bajić Stojiljković, mentor
Prof. Dr. Anton Andonov, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Boban Kostić has all the rights and obligations arising from the fact that from the February 4th 2022. has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

LOVE FOR EVERYONE

LOVE FOR EVERYONE

The Belgrade Dance Institute will organize the traditional Open Door, on February 14th, 2022, from 12:00, with contemporary dance workshops, led by Luka Ostrež (Slovenia), a guest lecturer at the Belgrade Dance Institute.

The workshops will be realized in the New Hall of the Belgrade Dance Institute at 43A Vojvode Mišića Boulevard.

Students of ballet high schools and dance studios aged 14-19 can apply for the workshops.

Applications for participation in the workshops are made via email: teodora.zivkovic@iui.rs

Indicated: Open door

The application should contain:

Name and surname
The school or dance studio the student attends
Birth Year
Phone number
E-mail address

Applications are open until February 11th, 2022.

Workshops are free.

LUKA OSTREŽ

Luka Ostrež, a Slovenian choreographer and dancer, will hold a guest lecture on contemporary dance and choreographic composition at the Belgrade Dance Institute in February this year.

He participated in the Steps Festival 2018 with Itzik Galili Anabel Lopez Ochoa, Michael Schumacher and Jasmine Morand.

He gained professional experience in collaborations with Edward Klug, Mauro de Candia, Mark Geke, Mary Wigman and others.

NEW PERFORMANCE OF TANGO OPERETA MARIA DE BUENOS AIRES

NEW PERFORMANCE OF TANGO OPERETA MARIA DE BUENOS AIRES

After the successful premiere of the tango operetta Maria de Buenos Aires, produced by the Tanguango Quintet, premiered on the stage of the Duško Radović Small Theater in December last year, the audience will have the opportunity to see a rerun of this spectacle on February 11th in the Great Hall of the Student City Cultural Center at 20.00 hours.

The tango operetta Maria de Buenos Aires, premiered in 1968 in Buenos Aires, is the first collaboration between two great artists, Astor Piazzolla - Argentine composer, founder of tango nuevo style and Oras Ferrer - Uruguayan-Argentine poet.

The plot of this operetta follows the birth, life and death of the main character Maria, a poor girl from the suburbs of Buenos Aires who is blinded by tango music, goes downtown and becomes a prostitute, as well as her transformation into her own shadow wandering the city streets. In addition to Maria, who symbolizes the city, tango and seductive woman, there are numerous characters typical of the tango tradition - Pajador, Bandoneon, Gorrion, as well as distant, fantastic ones that almost never appear in tango lyrics - Elf, Analysts, Puppets, etc.

The main roles will be played by Ljubica Damčević, Ivan Nikolić, Giacomo Medici, musicians Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Zoran Anić, Anastasia Redžić and Arion Petrovski.

The choreography of Ognjen Vučinić (assistant Katarina Ilijašević) will feature tango dance couple Relja Dereta and Jelena Minić and contemporary players Miona Petrović and Ognjen Vučinić.

You can reserve tickets on time through www.tickets.rs and DKSG porters, noting that the number of seats is limited.

The project was supported by the Ministry of Culture and Information in cooperation with the Student City Cultural Center.

Special thanks to the Italian Institute of Culture in Belgrade, the Embassy of Argentina in Serbia, the Tango Natural Dance School, the Belgrade Dance Institute, the Serbian Association for Gestalt Psychotherapy, the Dr Vojislav Vuckovic Music School, AlgoMetric, Aleksandar Ilić and Aleksandar Nikolić for the support in the realization of the project.

Photography Slobodan Trivić

PRESENTATION OF THE BELGRADE DANCE INSTITUTE IN POŽEREVAC AND NOVI SAD

PRESENTATION OF THE BELGRADE DANCE INSTITUTE IN POŽEREVAC AND NOVI SAD

The presentation of the department of the study program of the Stage Folk Dance and Music of the Belgrade Dance Institute in Požarevac and Novi Sad will be presented by the professors of this institution, Dr. Vesna Bajić Stojiljković and Dr. Anton Andonov.

The presentation in Požarevac will be held on February 5th in the ballet hall of the Center for Culture Požarevac (ul. Jovana Šerbanovića 1) starting at 17.00, and in Novi Sad, on Sunday, February 6th in the premises of KUD Svetozar Marković (ul. Šumadijska 6a) at 12.00.

We invite players of folklore ensembles, high school students, art directors, amateur choreographers, as well as all those interested in the presentation of the Department of Stage Folk Dance and Music with a practical workshop in the field of choreographic composition.

The Belgrade Dance Institute is the only higher education institution in Serbia for the education of professional dancers, choreographers and pedagogues in all areas of artistic dance.

The Stage Folk Dance and Music Department is especially focused on folk dance, choreography, pedagogy and professional performance.

For all additional information call 011 41 40 421.

Photography Nemanja Maraš

PREMIERE OF CHILDREN'S DANCE PERFORMANCE MOŽIČEK

PREMIERE OF CHILDREN'S DANCE PERFORMANCE MOŽIČEK

A dance performance for children and adults Možiček by Slovenian composer Josip Ipavac will be performed on the stage of the Small Theater Duško Radović, and choreographed by Gjergj Pervazija and Aleksandar Ilić.

The dance performance Možiček, which consists of two choreographic works, was premiered as part of the celebration of the 100th anniversary of the death of the composer Ipavac on December 27th last year at the Slovenian People's Theater in Celje (Slovenia). The first part of the play RE: start was done by Gjergj Pervazi, a choreographer from Albania, and the second part of the play Možiček by the Serbian choreographer Aleksandar Ilić.

The play is performed by players of the International Dance Platform Balkan Dance Project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia and musicians Iztok Kocen - piano, Uroš Bičanin - violin, Zoran Bičanin - violin, Miha Firšt - double bass.

The author's team consists of Slovenia and Serbia, dramaturgy by Nuša Komplet Peperko, scenography by Matija Kovač, costume by Aleksandra Karović, lighting by Aleksander Plut.

Production of the Balkan Dance Project co-produced by the House of Culture Celje, the Velenje Festival and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia.

The play will be performed on the stage of the Dushko Radović Small Theater on Tuesday, February 8th, starting at 8 p.m.

Photography Rok Deželak

GRADUATE PERFORMANCE BY BOBAN KOSTIĆ

GRADUATE PERFORMANCE BY BOBAN KOSTIĆ

The graduation play The Moment of the Third Year Student, Department of Stage Folk Dance and Music, Boban Kostić, will be premiered on February 6st in the Theater Hall of the Sports and Cultural Center Obrenovac, starting at 7 p.m.

The Obrenovac audience will have the opportunity to get acquainted with works inspired by folk dance, music and tradition, which will be presented by Boban Kostić through various choreographic forms.

The program is accompanied by vocal and instrumental songs that will bring the audience closer to the original music of the Republic of Serbia. The work, which will be presented through a concise choreographic form, is inspired by the Russian folk tale Grandfather and the Tail. The author revives the characters of this globally popular story by showing their characters through movement and music, and brings compactness with colorful costumes and complete development of dramatic content through play.

In addition to the Russian story, a forgotten Vlach ritual from the village of Duboka will be performed on the stage, in which a woman known as a mermaid falls into ecstasy, from which she returns to the real world through ancient tradition, ritual carts and games. The choreography of Asha b’la Rusalja was created by adapting and adapting the customs to the scene.

Photography Nemanja Maraš

Admission for the audience is free and for all ticket booking information call 060 11 30 314.

DANCE, WORD AND PICTURE

DANCE, WORD AND PICTURE

The project Dance, Word and Picture is realized through a series of free workshops of artistic dance, creative writing and painting, which is intended primarily for Roma children in primary and secondary education. The workshops are being realized at the Belgrade Dance Institute (Bulevar vojvode Mišića 43). The partner in the realization of the project is the Cultural and Educational Center Šid. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.

Students aged 11 to 18 can apply for the workshops.

Applications for participation in the workshops are made by calling 011/41 40 421 or by email: teodora.zivkovic@iui.rs

The application should contain:

Name and surname
Birth Year
The name of the workshop of your choice
Phone number
E-mail address

Applications are open until February 15th, 2022. The schedule of workshops will be announced later.

Program holders:

MIOMIR PETROVIĆ

Prof. Dr. Miomir Petrović (Belgrade, 1972), writer, narrator, playwrighter, art theorist, graduated from the Faculty of Dramatic Arts in Belgrade at the Department of Dramaturgy, received his master's degree from the Department of Theater Studies at the Faculty of Dramatic Arts in Belgrade, Ph.D. University of Arts in Belgrade. Head playwright of the Atelier 212 Theater in Belgrade (1996–1999), Deputy Director of Drama of the National Theater in Belgrade (2001–2002), playwrighter of the National Theater in Belgrade (until 2004). Full-time professor of Aesthetics, Theory of Contemporary Art and History of Performing Arts at the Belgrade Dance Institute in Belgrade, Creative Writing and Screen Culture at the Higher College of Technology (UAE) (2019-2021).

Published and performed works:

Dramas: Vagabund in the City Garden (1995), Argivski incident (1996), Demijurg (1997), Appendix (1997; performed in 2003 at the Guarnerius Center for Fine Arts and as a radio drama produced by RTS in 2004), Čopor (1998) , Vučije leglo (2000; performed at the National Theater in Pirot 2006), radio dramas Galerijeve vatre and Black Lights produced by RTS.

Scientific monographs: Oslobođenje drame (Zadužbina Andrejević, Belgrade 2000), Kreativno pisanje, naratološki pristup tekstu i kontekstu (Megatrend, Belgrade 2011), Mitopoetike (Institute for Textbooks, Belgrade 2019).

Novels: Mutilation of a Novel (Prosveta, 1997), Pankration (BIGZ, 1998), Self-Torturer (Prosveta, 2000), Persian Mirror (Geopoetics, 2001), Archipelago (Geopoetics, 2003), Fox Madness (Laguna, 2005), Glass Dust Laguna, 2006), Fox madness (SKC, Skopje, 2007), Lebanese Summer (Laguna, 2007), Persian Mirror (second edition, Laguna, 2008), Copper Drums (Laguna, 2009), Gallier’s Fires (Laguna, 2011), Liquid ice (Prosveta, 2011), Smell of Darkness (Laguna, 2013), House of Salt (Laguna, 2016), Black Light (Laguna, 2018), FiloktetnaLemnose / Persian Lake (Aliteja, St. Petersburg, 2018), Forest Pack (Ammonite Books , 2019), Central Desert (Laguna, 2021).

He is the winner of the October Award of the City of Belgrade (1996) and the Laza Kostić Award for the book House of Salt (2017). He is a member of the Serbian Literary Society.

OGNJEN VUČINIĆ

Ognjen Vučinić (1980. Pula), choreographer and pedagogue of contemporary dance at the Belgrade Dance Institute since 2020.

Co-founder of the dance company MASA, member of the Zagreb Dance Ensemble and permanent associate, lecturer of contemporary dance workshops at the Zagreb Dance Center.

At the age of less than four, he attended classical ballet classes at the Zaro dance studio in Pula, under the direction of Slavica Šenk.

At the invitation of Rajko Pavlić, choreographer and head of the dance studio Liberdance, he participated in the first professional dance project Ready steady go (2001), at the invitation of the artistic director of the Zagreb Dance Ensemble Snježana Abramovič Milković became a permanent member of the Zagreb Dance Ensemble. He is a permanent lecturer in contemporary dance workshops at the Zagreb Dance Center.

He also works as a visiting pedagogue through dance workshops in the country and abroad.

Croatian Theater Awards, for the best dance achievements (male dancer), for performances: Solitaire (2006), Interface (2010), (2012).

SNEŽANA ARNAUTOVIĆ STJEPANOVIĆ

Prof. Dr. Snežana Arnautović Stjepanović (1979 Sabac) graduated in 2002 from the Academy of Fine Arts in Belgrade, Department of Painting in the class of Academician Dušan Otašević. She received her master's degree in 2007 from the Interdisciplinary Master's Studies in Belgrade, at the Department of Stage Design. She defended her doctoral thesis in 2010 at the Interdisciplinary Doctoral Studies in Belgrade, at the Department of Stage Design. From 2003 to 2006 she worked as an assistant at the Academy of Fine Arts in Belgrade. Since 2012, she has been working as a professor at the School of Engineering Management in Belgrade as the head of the Department of Creative Industries. In 2017, she was elected full-time professor. In 2018, she was appointed vice dean for teaching in the study program Artistic Dance at the Belgrade Dance Institute. She has been a member of ULUS since 2003. She has been a member of the International Dance Council CID UNESCO since 2014. Since 2014, she has been the President of the Management Board of the Center for Art Education in Šumatovačka.

She has participated in many collective exhibitions, art colonies and workshops in the country and abroad. In her artistic work so far, she has realized twenty-four authorial art projects in the field of visual and performing arts.

Some of her independent projects are: Performance Hafetopija performed within the International project Other Ways of Communication in the Legacy Gallery in Belgrade in 2021; Snow White and the Seven Deadly Sins, a seven-day performance cycle, performed at BELEF in 2017; Performance Eternal Present, performed with Ivica Stjepanović at the International Exhibition Return to the Present at the U10 Gallery in Belgrade; Performance of the Painted Party performed with Era Milivojević at the Festival of Street Arts in Tivat in 2016; Exhibition of paintings Internal Rhythms, Gallery of the Municipality of Vračar in 2016; Performance Lucid dream / Kontuzija gratis, performed in 2015 at SKC in Belgrade; Performance Transposition, performed in 2013 at the Academy of Arts in Belgrade; Performance Inside the Piglet, performed in 2011 at the Kalemegdan Fortress in Belgrade; Performance Records of the Unspoken, performed in 2009 at the Grocka Cultural Center; Performance Spaces of Pain, performed at the 48th October Salon in Belgrade in 2007; Performance Opening performed with Era Milivojević and Ivica Stjepanović at the Matsura Museum in Novi Banovci in 2007; Performance Composition for Blue, performed with Ivica Stjepanović in the Atrium Gallery of the Belgrade City Library in 2007; Master's thesis Spaces of Pleasure and Pain, multimedia ambient installation and performance performed in the Turkish Bath in Belgrade in 2006; Grazie Davide performance performed in Florence in 2006; Exhibition of paintings and performance JA + MORE = LJUBAV performed at the Center for Contemporary Art Strategie Art in Belgrade in 2006; Performance, exhibition of paintings and sculptures Alone with Protection performed at Happy Gallery SKC in Belgrade in 2003. Some of the collective exhibitions in which she participated are: 50th October Salon Circumstance at the Museum on May 25, Belgrade in 2009; Exhibition Micronarratives, at the Musee d’Art Moderne de Saint-Etienne Metropole in France in 2008; Belgrade Beauty Exhibition at the NEW MOMENT Gallery in Belgrade in 2008; Exhibition OUTSIDE BELGRADE / FLORENCE at the Gallery of Contemporary Art in Pancevo in 2007; Spring exhibition in the art pavilion of Cvijeta Zuzorić in Belgrade in 2004.

POWERFUL WOMEN WITH LOVE SPEAK

POWERFUL WOMEN WITH LOVE SPEAK

As part of the Day of Russian Culture organized by the Historical Archive of Srem in Sremska Mitrovica, on January 25th, the premiere of the performance Powerful Women with Love Speak will be performed on the stage of the Dobrica Milutinović Theater, starting at 6:00 p.m.

The performance is based on the book of the same name by Mirjana Marković (STRONG WOMEN LOVE VEŜAÛT - MIGHTY WOMEN WITH LOVE SPEAK) which, like the book, talks about famous women in Russia and Serbia, and is performed in Russian and Serbian.

Rulers, nuns, painters, poets and muses are immortalized with the words of the deepest emotions and the need for the love of all existence on Earth. It is a poem of the essential concept of love, and the driving and justifying force not only of the lives of individuals, but also of the millennial survival on our planet, states the writer Marković.

Directed and dramatized by Mirjana Marković, costume by Igor Jagić, and video production by AsproArt - Walker Duja, hairstyles and make-up by Frizerski studio IN.

The performance is performed by members of the Youth Ballet Company Anastasija Vujnović, Sofija Radovanović, Anastasija Nikčević, Tijana Drndarević, Anastasija Jovanović, Ana Svorcan and Ana Đerković, as well as Isidora Božić, Nikolija Marković, Margarita Vujović, Ekatarina Orlova, Olena Pantelić, Jasna Arbanas, Danijela Stoj Savić, Katarina Jovanović and Ethno group Hram.

GRAND HOTEL ON THE STAGE OF MADLENIANUM THEATER

GRAND HOTEL ON THE STAGE OF MADLENIANUM THEATER

On the occasion of the new performance of the dance performance Grand Hotel on the stage of the opera and theater Madlenianum on February 9th, starting at 7.30 pm, choreographer Prof. Aleksandar Ilić was a guest on the morning program of the Radio Television of Serbia on 25th January.

The music for the play was done by Ana Krstajić, the scenography by Žorž Draušnik and the costume by Aleksandra Karović.

The play is performed by: Mojca Majcen, Branko Mitrović, Jakša Filipovac, Ognjen Vučinić and the Dance Theater Ladies Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić and Katarina Stojkov Slijepčević.

You can book and buy tickets for the show:

Madlenianum, Glavna 32

tel. 011/316 27 97

blagajna@madlenianum.rs

Muzej Zepter, Knez Mihailova 42

tel. 011/21 80 400; 011/33 00 111

biletarnica@madlenianum.rs

OPERA CHILDREN'S ROOM IN RADOVIĆ AGAIN

OPERA CHILDREN'S ROOM IN RADOVIĆ AGAIN

The opera for children by composer Milenko Živković, based on the text by Desanka Maksimović, Children's Room, will be performed on January 23rd on the stage of the Duško Radović Little Theater, starting at 12:00.

The opera under the conductorship of maestro Milan Nedeljković is performed by Biljana Jovanović (mother), Boris Papak (dad), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić (third child), Mina Nikolić (fourth child), Choir Children's Cultural Center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vucković class of Prof. Maja Djokić, orchestra students of the project Opera: Past, Present, Perfect! and professional musicians.

Directed by Natalija Stanković and Mateja Đedović, mentor Boris Liješević, and choreographed by Doc. Mila Stijak and Ana Bošković.

We would like to inform the public that the number of places is limited in compliance with epidemiological measures.

More about the play: http://www.malopozoriste.co.rs/predstave/dechja-soba

WORK PLAN OF THE BELGRADE DANCE INSTITUTE 2022

WORK PLAN OF THE BELGRADE DANCE INSTITUTE 2022

In the eighth year of successful and continuous operation, the Belgrade Dance Institute presents a diverse, courageous and ambitious program for 2022.

Within one institution where future dancers in the field of classical ballet, contemporary dance and folk dance are equally educated, January began with a traditional seminar in the field of classical ballet led by choreographer and ballet master Sasa Evtimova from Northern Macedonia.

In February, the concert of Boban Kostić will be premiered, a graduation thesis in the department of stage folk dance and music, and on February 25th the Student Cultural Center will present the project Body in the focus of presentations of student works created at lectures by Prof. dr Snežana Arnautović Stjepanović and Prof. Dijana Milošević. This month will also be marked by guest lectures by choreographer and dancer from Slovenia Luka Ostrež, laureate of the last edition of the Festival of Choreographic Miniatures.

With the support of the Hungarian Cultural Center in Belgrade, the Belgrade Dance Institute will host choreographer Rita Góbi in March, who will work with students in the Department of Contemporary Dance and Choreography.

April is traditionally the month dedicated to the International Day of Dance (April 29th), and in addition to numerous events, Dance Week will be held, within which numerous performances and choreographies will be presented in public spaces. Intensive lectures and workshops on contemporary dance will be held in April, led by Yoram Karmi from the Fresco Dance Company, which comes from Tel Aviv with the support of the Embassy of Israel in Serbia.

The second edition of the Sola Festival will be held on the last weekend of May, featuring artists from Belgium, Croatia, Israel, Austria and Serbia. The Sola Festival will be performed at several locations in Belgrade and Novi Sad this year as well.

The end of June will be marked by the premiere performance of the graduation play of the sixth generation of students from all departments. The choreography will be done by Tamara Gvozdenović, who has been creating in France for many years.

The Belgrade Dance Institute will host an international artistic professional conference on the Future of Academically Based Performing Arts in the Postcovid World.

The summer seminar for artistic dance, which will be held from July 1st to 10th in Vranje, will be held again this year with lecturers from Great Britain, Croatia, Japan and Cuba.

The Youth Ballet company will premiere choreographies by Amalia Mindrutiu, a ballet master from Romania, and the traditional SHOWCASE will be performed in November this year.

After the successful presentation of the Belgrade Dance Institute at the EXPO in Dubai, this promotion of the only higher education program in the field of artistic dance in Serbia will present its program in Egypt.

Photography: Marcell Piti

MAĐARSKA KOREOGRAFKINJA GOSTUJE U BEOGRADU

MAĐARSKA KOREOGRAFKINJA GOSTUJE U BEOGRADU

Mađarska koreografkinja, pedagog savremene igre i igračica Rita Góbi na poziv Instituta za umetničku igru iz Beograda održaće predavanja u toj instituciji kao i u državnim baletskim školama od 9. do 19. marta ove godine.

Umetnica je rođena u Novom Sadu a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti.

Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio, u Tokiju, od Japanske fondacije.

Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstaviće na ovogodišnjem Festivalu Sola u Muzeju savremene umetnosti u Beogradu.

Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.

Dela Rite Góbi najbolje bi se mogla opisati kao hrabra i eksperimentalna, kao i precizno koreografisana. Ona ima geometrijski, minimalistički, prilično redukcionistički stil. Njen koncept koreografije zasniva se na instinktivnim, monotonim i repetitivnim, minijaturnim pokretima, i faziranjem tela i promenama stanja koje nastaju iz ovih pokreta. Ona transformiše liniju pokreta polako i dosledno. Akord pokreta, muzike, projektovanih vizuelnih efekata i svetla stvaraju futurističku atmosferu njenih nastupa.

Nagrade i priznanja

2021 PLES XXIII. Međunarodni savremeni festival (Vesprem) - Nagrada za najbolju solo izvedbu - Rita Góbi: Volitant; Nagrada Marine Olenjine Udruženja plesnih umetnika Vojvodine koreografkinji Riti Góbi, 2020. Novi Sad, Srbija

Nagrada Lábán Rudolf 2018, Budimpešta - Volitant je dobio nagradu za najbolju savremenu plesnu predstavu u sezoni 2017. Predstava je dobila i Nagradu za najuspešniji nastup u celini na 45. Infant festivalu u Novom Sadu, Srbija.

2017 Aerowaves Twenty18 - prioritetni umetnik; Specijalna nagrada na Festivalu 10 Sentidos u Valensiji za njen solo ples Volitant; dobila je i Zlatni krst Mađarskog krsta za zasluge.

Nagrada za najboljeg plesnog izvođača 2015. u kategoriji savremenog mađarskog plesa koju nudi Mađarski plesni savez; 2. nagrada u Krakovu na 3….2....1....Konkurs za koreografiju za njen komad Tachyon; 1. nagrada na Solo&Duo Keln Dance Festivalu za najbolji solo ples za njen nastup Don't Fuss!

Nagrada publike 2009, XII. Međunarodno takmičenje u koreografiji minijatura, Beograd, Srbija.

2004-2005 Viktor Fülöp stipendiju je dobila dva puta.

2003 Najperspektivniji student - Nacionalna plesna federacija.

Fotografija autora Marcell Piti.

PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE

PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE

Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).

Prijemni ispiti biće održani od 27. do 29. juna 2022. godine, dok će se pripremna nastava i konsultacije realizovati od 20. do 24. juna 2022. godine.

Prijemni ispit

Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.

Praktičan deo prijemnog ispita podrazumeva sledeće:

Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz scenske narodne igre podrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.

Termini prijemnih ispita

Prijemi za Baletsku pedagogiju 27.06. u 11.00h u sali Novom prostoru
Prijemni za Savremenu igru i Pedagogiju savremene igre 28.06. u 11.00h sali Novom prostoru;
Prijemni za koreografiju 28.06. u 14.00h u sali u Novom prostoru;
Prijemni za Scensku narodnu igru 29.06. u 16.00h u sali 307;
Test opšte kulture 29.06. u 13.00h u kabinetu 329;
Test engleskog jezika 29.06. u 14.00h u kabinetu 329.

Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.

Pripremna nastava

Pripremna nastava će se održavati od 20. do 24. juna 2022. godine.

Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.

Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.

Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.

Svrha uplate: Troškovi pripremne nastave

Upis

Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:

Izvod iz matične knjige rođenih;
Svedočanstva sva četiri razreda srednje škole (original ili overena kopija);
Diploma završene srednje škole (original ili overena kopija);
2 fotografije dimenzija 3,5 x 4,5 cm;
Dokaz o izvršenoj uplati školarine.

Školarina / Finansije

Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR po godini studija (plaćanje po srednjem kursu NBS na dan uplate).

Studenti koji nisu građani Republike Srbije

PRIJAVU ZA PRIJEMNI MOŽETE POSLATI NA EMAIL PRIJAVE@IUI.RS ILI PREKO UPISNE FORME NA SAJTU.

Prijava treba da sadrži:

Ime i prezime
Adresu stanovanja
Kontakt email
Kontakt telefon
Prethodno obrazovanje
Izabrani smer (klasičan balet, koreografija, baletska pedagogija, savremena igra, scenska narodna igra, pedagogija savremene igre)
Tip studija (osnovne studije, master studije, doktorske studije)
Godina upisa

Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 telefonom 011 41 40 421 ili institutzaumetnickuigru@gmail.com

IZVEDEN PROJEKAT TELO U FOKUSU

IZVEDEN PROJEKAT TELO U FOKUSU

U Velikoj sali Studentskog kulturnog centra sinoć je izveden projekat Telo u fokusu, radovi studenata osnovnih, master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab – konceptualna umetnost i Koncepcija umetničkog dela, koje vodi prof. dr. Snežana Arnautović Stjepanović.

Radovi su predstavljeni u formi performansa, prostornih instalacija i videa.

Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima.

Pojedini radovi su interaktivnog tipa i zahtevali su učešće publike.

Autori radova su Alisa Oravec, Tijana Malek, Milica Bezmarević, Marija Vučenović, Una Balaž, Ksenija Sinđić, Sonja Stojanović, Ada Raspor, Angela Mihova i Luka Stojković.

SVEČANO URUČENJE ORDENA KRST VOŽDA ĐORĐA STRATIMIROVIĆA

SVEČANO URUČENJE ORDENA KRST VOŽDA ĐORĐA STRATIMIROVIĆA

Pisac i profesor Instituta za umetničku igru u Beogradu, Prof.dr Miomir Petrović, dobitnik je ordena Krst Vožda Đorđa Stratimirovića za doprinos srpskoj kulturi i, kako se navodi ’za požrtvovano istrajavanje na vrednostima svetosavske duhovnosti... za pokazanu vernost i značajan doprinos na delu svedočenja vrednosti i očuvanja tradicije Srpske Vojvodine.’

Orden dodeljuju Centar za razvoj Šajkaške i Njegovo Preosveštenstvo episkop sremski Vasilije. Svečano uručenje ordena odigraće se u Vukovoj Zadužbini u Beogradu u ponedeljak 28. februara 2022. godine.

TELO U FOKUSU

TELO U FOKUSU

Predstavljanje radova studenata Instituta za umetničku igru

Velika sala Studentskog kulturnog centra,

25.02.2021. godine u 18.00h.

U okviru projekta Telo u fokusu, biće predstavljeni radovi studenata osnovnih i master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežanom Arnautović Stjepanović.

Radovi će biti predstavljeni u formi performansa, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevaju učešće publike.

Učesnici projekta:

Alisa Oravec, student I godine doktorskih studija Umetnička igra i performans

Prostorna instalacija Dva dela mene

Tijana Malek, student I godine master studija Umetnička igra

Prostorna instalacija Tišina

Milica Bezmarević, student I godine master studija Umetnička igra

Performans Strah od letenja

Marija Vučenović, student II godine master studija Umetnička igra

Performans: Telo i telo, izvođač: Doc. Katarina Bućić

Una Balaž, student III godine osnovnih studija Umetnička igra

Performans Ti

Ksenija Sinđić, student III godine osnovnih studija Umetnička igra

Performans Osmeh je ukrasna imenica

Sonja Stojanović, student III godine osnovnih studija Umetnička igra

Performans Two sides one self

Ada Raspor, student II godine master studija Umetnička igra

performans Hladnoća

Angela Mihova, student III godine osnovnih studija Umetnička igra

Performans Granice

Luka Stojković, student II godine master studija Umetnička igra

Performans Ero sa ovoga sveta

Fotografija: Doc. Nemanja Maraš, izvođači: Doc. Katarina Bućić i Luka Ostrež

FESTIVAL UMETNOSTI I LJUDSKIH PRAVA

FESTIVAL UMETNOSTI I LJUDSKIH PRAVA

Svečano otvaranje Festivala umetnosti i ljudskih prava biće održano 24.02.2022. godine u 19.00 časova u galeriji Neon (Crnogorska 10). Festival će otvoriti interakivna multimedijalna instalacija Ti moraš biti Zenitista koja promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora - Zenitizma.

Koncept: Dijana Milošević i Jadranka Anđelić
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović i Zoran Vasiljević
Objekti: Neša Paripović
Video Instalacija Svakodnevna soba: Snežana Arnautović Stjepanović i Ivica Stjepanović
Video rad: Lucid dream/Happy time: Snežana Arnautović Stjepanović, kompozitor Ivica Stjepanović
Video rad: Video za bolju atmosferu: Jelena Rubil

Drugo izdanje festivala umetnosti i ljudskih prava se održava od 24. do 27. februara 2022, u Beogradu koji je osmišljen kao platforma za pokretanje i predstavljanje ideja i koncepata koji u prvi plan stavljaju i povezuju umetnost i ljudska prava, zalažu se za jednaka ljudska prava, kao i razvoj te ideje u Srbiji. Na programu su radionice, instalacije, predstave, koncerti, razgovori, konferencija Umetnost i kultura u afirmisanju ljudskih prava, filmska premijera, promocije knjige.

Učesnici festivala dolaze u Beograd iz Španije, Izraela, Crne Gore, Kosova, Irske i Srbije, a onlajn će nam se pridružiti i predstaviti svoj rad umetnici iz Irana, Belgije i Brazila.

Kompletan program festivala možete pogledati ovde:
https://dahteatarcentar.com/wp-content/uploads/2022/02/katalog-FESTIVAL-FINAL.pdf

GOSTUJUĆA PREDAVANJA BRANKA MILISKOVIĆA

GOSTUJUĆA PREDAVANJA BRANKA MILISKOVIĆA

Gostujuća predavanja Branka Miliskovića održaće se na Institutu za umetničku igru od 21. do 23. februrara sa studentima master i doktorskih studija.

Branko Milisković (1982, Beograd) studirao je na Fakultetu likovnih umetnosti u Beogradu u klasi prof. Mrđana Bajića. BFA studije nastavio je kao stipendista Vlade Holandije na Royal Academy of Art u Hagu i diplomirao na Odseku za 3D umetnost 2009. godine. Master diplomu je stekao na Hochschule für Bildende Künste u Hamburgu u klasi profesorke Jeanne Faust na Odseku za proširene medije 2012. godine. Član je ULUS-a od 2018. godine.

Branko Milisković posvećen je živom performansu, monooperi, kabareu, fotografiji, zvuku i filmu. Svoje performanse izvodio je na prestižnim internacionalnim i domaćim festivalima, izložbama i umetničkim rezidencijama među kojima su Reims Scenes d’Europe 2015, Rems, Francuska; CSW/CoCA, Torun, Poljska; G12HUB, Beograd, Srbija; solo produkcije: Kampnagel, Hamburg, Nemačka; Les Halles de Schaerbeek, Brisel, Belgija; Holandski filmski Festival, Utreht i TENT Roterdam; Netherlands Media Art Institute, Amsterdam, Holandija; CIRCA art actuel, Montreal, Kanada; Live Art Development Agency, London, Velika Britanija; YFV, Sijetl, The Tank, Njujork, SAD; 57. Oktobarski salon, Beograd, Podroom galerija, Kulturni centar Beograda, Centar za kulturnu dekontaminaciju, Srbija; Treći program Hrvatskog radija, Zagreb…

Njegov rad uvršten je u knjigama ‘Performance Art in Eastern Europe since 1960’, Dr. Amy Bryzgel i ‘Situating Populist Politics: Arts & Media Nexus’, Milena Dragićević-Šešić i Mirjana Nikolić.

www.brankomiliskovic.wordpress.com

Fotografija Danilo Mataruga

POSETA KULTURNOJ STANICI BARKA

POSETA KULTURNOJ STANICI BARKA

Kulturna stanica Barka sa koordinatorom Sašom Krgom ugostila je profesore Instituta za umetničku igru, koji su dogovorili buduće saradnje i projekte.

Prodekanka Prof. dr Snežana Arnautović Stjepanović, Prof. Nemanja Maraš, Prof. Ognjen Vučinić i Prof. Aleksandar Ilić predstavili su predstojeći projekat Telo u fokusu, Festival Sola, autorski projekat Apreś i gostujuće predavače do kraja akademske godine.

INSTITUT ZA UMETNIČKU IGRU JE OBELEŽIO KRSNU SLAVU - SVETA TRI JERARHA

Institut za umetničku igru je obeležio Krsnu slavu – Sveta Tri Jerarha.

Praznik Tri Jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri Svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice Svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.

Episkop evhaitski Jovan imao je jednu viziju u snu, naime: najpre su mu se javili svaki od ova tri svetitelja posebno u velikoj slavi i neiskazanoj krasoti, a zatim i sva tri zajedno. Tada su mu rekli: „Mi smo jedno u Boga, kao što vidiš, i ništa nema u nama protivrečno… niti ima među nama prvog ni drugog“. Još su svetitelji posavetovali episkopa Jovana da im on napiše jednu zajedničku službu i da im se odredi jedan zajednički dan praznika. Povodom ovoga divnog viđenja spor se rešio ustanovnjeljem njihovog zajedničkog praznika.

Praznovanje Sveta Tri Jerarha ima veliku tradiciju u svim pravoslavnim zemljama, a u Grčkoj ima čak i nacionalni karakter i smatra se praznikom prosvete i školstva.

Fotografija Nemanja Maraš

DAN DRŽAVNOSTI REPUBLIKE SRBIJE 2022.

Dan državnosti Republike Srbije 2022.

Obaveštavamo sve profesore, asistente, saradnike u nastavi, saradnike i studente da Institut za umetničku igru neće raditi 14, 15. i 16. februara povodom državnog praznika Dana državnosti Republike Srbije. Prvi radni dan je četvrtak, 17. 2. 2022.

Istoričar Nataša Kostić nas tradicionalno podseća na značaj ovog praznika:

Zakonom o Državnim praznicima republike Srbije, 15. februar se obeležava u znak sećanja na dva istorijska događaja. Prvim događajem, kada je počela srpska revolucija i Prvi srpski ustanak (1804), drugim (1835), kada je donet Prvi srpski Ustav, poznat kao Sretenjski.

Tog dana (1804), u kasno posle podne u Marićevića jaruzi pored Orašca, okupile su se narodne starešine i odlučile da pozovu narod na ustanak i izabrale Đorđa Petrovića za vožda. Tada je počela borba srpskog naroda za slobodu od Osmanske vlasti.

Dvadeset i jednu godinu kasnije donet je Prvi srpski Ustav (1835). U to vreme, stvarajući oružjem samostalnu srpsku državu, srpski seljak je odlučio da uništi i feudalni poredak. Srbija u to doba je bila zemlja seljaka, ali taj srpski seljak je prihvatio ideje modernog doba i za to se borio i izborio. Slobodarski duh srpskog seljaka, primorao je srpskog kneza Mioša Obrenovića, da otvori ustavno pitanje. Velike sile u to vreme, koje su još uvek uticale na nesamostalnu Srbiju (Rusija, Austrija i Osmansko carstvo) nisu dozvolile da taj Ustav zaživi u Srba, pa su kneza Miloša primorale, da nakon mesec dana od njegovog usvajanja, ukine. Tri godine nakon toga Srbi dobijaju, Turski (hatišerif) Ustav.

BEOGRADSKA PREMIJERA PLESNE PREDSTAVE MOŽIČEK

BEOGRADSKA PREMIJERA PLESNE PREDSTAVE MOŽIČEK

U čast obeležavanja Slovenskog kulturnog praznika 8. februara na sceni Malog pozorišta Duško Radović premijerno je izvedena plesna predstava za decu i odrasle Možiček slovenačkog kompozitora Josipa Ipavca u koreografijama Gjergj Pervazija i Prof. Aleksandra Ilića.

Plesna predstava Možiček koja se sastoji iz dva koreografska dela, premijerno je izvedena u čast obeležavanja 100 godišnjice smrti kompozitora Ipavca 27. decembra prošle godine u Slovenskom ljudskom pozorištu Celje (Slovenija). Prvi deo predstave RE:start uradio je Gjergj Pervazi, a drugi deo predstave Možiček Aleksandar Ilić.

Predstavu su izveli igrači Međunarodne plesne platforme Balkan Dance Project Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine, Jakša Filipovac iz Srbije i muzičari Ana Semić Bursać - klavir, Uroš Bičanin - violina, Zoran Bičanin - violina, Miha Firšt – kontrabas.

Autorski tim je sastavljen iz Slovenije i Srbije dramaturgija Nuša Komplet Peperko, scenografija Matija Kovač, kostim Aleksandra Karović, svetlo Aleksander Plut ovog puta urađeno uz podršku dizajnera svetla iz našeg pozorišta.

Predstava je nastala u produkciji Balkan Dance Project u koprodukciji Hiše Kulture Celje, Festivala Velenje i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije, a gostovanje u Beogradu je realizovanu uz podršku Ambasade Republike Slovenije u Beogradu i Malog pozorišta Duško Radović.

Fotografija Belkisa Beka Abdulovic.

POČELA PREDAVANJA GOSTUJUĆEG KOREOGRAFA LUKE OSTREŽA

POČELA PREDAVANJA GOSTUJUĆEG KOREOGRAFA LUKE OSTREŽA

Gostujuća predavanja savremene igre i repertoara Luke Ostreža slovenačkog koreografa i igrača počinju danas u Institutu za umetničku igru.

Osnovne studije završio je na Univerzitetu umetnosti u Cirihu, a već tokom obrazovanja sarađivao je sa najpoznatijim koreografima današnjice Barak Maršalom, Ihsan Rustemom, Renaud Vizerom, Loran Zaharom, Emanuele Sovai i dr.

Sa Icikom Galilijem Anabelom Lopez Očoa, Majklom Šumaherom i Jasmin Morand učestvovao je na festivalu Steps 2018. godine.

Profesionalno iskustvo sticao je u saradnjama sa Edvardom Klugom, Mauro de Kandia, Markom Geke, Meri Wigman i dr.

Sarađuje sa brojnim plesnim akademijama kao predavač, a beogradskoj publici se predstavio na prošlogodišnjem 25. Festivalu koreografskih minijatura na kom je osvojio prvu nagradu za koreografiju Doomsday koju je i izveo.

Koreograf Luka Ostrež održaće specijalni otvoreni majstorski kurs za igrače 14. februara na Dan zaljubljenih s početkom u 12.00 časova.

IZVEDEN DIPLOMSKI RAD BOBANA KOSTIĆA

IZVEDEN DIPLOMSKI RAD BOBANA KOSTIĆA

Na sceni Sportsko kulturnog centra Obrenovac u pozorišnoj sali izveden je diplomski koncert Bobana Kostića
pod nazivom Tren s početkom u 19.00 časova.

Publiku su na samom početku pozdravili Dekan Prof. dr Vladimir Tomašević i rukovodilac Odseka scenska narodna igra i muzika Prof dr Vesna Bajić Stojiljković.

Publika je imala priliku da se upozna sa radovima inspirisanim narodnom igrom, muzikom i tradicijom, koje je student Boban Kostić stvarao tokom svog školovanja na Institutu za umetničku igru, kroz različite koreografske forme.

Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, Boban Kostić, ima sva prava i obaveze koji proizilaze iz činjenice da od 4.02.2022. godine ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.

AUDICIJA ZA NOVI PROJEKAT KOMPANIJE BALET MLADIH

AUDICIJA ZA NOVI PROJEKAT KOMPANIJE BALET MLADIH

Kompanija Balet mladih raspisuje AUDICIJU za novi projekat koji će premijerno biti izveden 29. aprila na Svetski dan igre.

Audicija će biti održana u četvrtak 10. februara s početkom u 18.00 časova u sali Novi prostor.

Kandidatkinje treba da ponesu špic patike.

Na audiciju se mogu prijaviti učenici srednjih baletskih škola.

KAKO DA SE PRIJAVIM?

Prijava treba da sadrži:

Ime i prezime
Datum rođenja
Škola koju pohađa učenica/ik
Broj telefona

Prijave poslati na mejl mila.stijak@iui.rs sa naznakom "Svetski Dan igre”.

Za više informacija pozovite (011) 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.

Audiciju za projekat će voditi balet majstor Amalia Mindrutiu, Milica Bezmarević, Mila Stijak i Ana Spremić.

Rezultati audicije biće objavljivljeni u petak 11. februara na sajtu Instituta za umetničku igru.

ODBRANA ZAVRŠNOG RADA BOBANA KOSTIĆA

ODBRANA ZAVRŠNOG RADA BOBANA KOSTIĆA

Dana, 4.02.2022. godine u Beogradu, Boban Kostić, kandidat za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno student Osnovnih akademskih studija Instituta za umetničku igru je pristupio odbrani svog Završnog rada.

Uvaženi kolega Boban je prikazao svoj rad na temu DEDA I REPA SIŽEJNO HUMORISTIČKA PRIČA U JEDNOJ SLICI, izlagaо je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

1. Prof. dr Snežana Arnautović Stjepanović, Predsednik komisije
2. Prof. dr Vesna Bajić Stojiljković, mentor
3. Prof. dr Anton Andonov, član

Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, Boban Kostić, ima sva prava i obaveze koji proizilaze iz činjenice da od 4.02.2022. godine ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.

LJUBAV ZA SVE - OTVORENA VRATA

LJUBAV ZA SVE

Institut za umetničku igru će organizovati tradicionalna Otvorena vrata, 14. februara 2022. od 12.00 časova, radionice savremene igre, koje će voditi Luka Ostrež (Slovenija), gostujući predavač Instituta za umetničku igru.

Radionice će se realizovati u Novoj Sali Instituta za umetničku igru u Bulevaru vojvode Mišića 43A.

Za radionice se mogu prijaviti učenici srednjih baletskih škola i plesnih studija uzrasta od 14-19 godina.

Prijave za učešće na radionicama se vrše putem maila: teodora.zivkovic@iui.rs

Sa naznakom: Otvorena vrata

Prijava treba da sadrži:

Ime i prezime
Škola ili plesni studio koji učenik pohađa
Godina rođenja
Broj telefona
e-mail adresa

Prijave su otvorene do 11. februara 2022. godine.

Radionice su besplatne.

LUKA OSTREŽ

Luka Ostrež slovenački koreograf i igrač održaće gostujuća predavnja savremene igre i koreografske kompozicije u Institutu za umetničku igru tokom februara ove godine.

Sa Icikom Galilijem Anabelom Lopez Očoa, Majklom Šumaherom i Jasmin Morand učestvovao je na festivalu Steps 2018. godine.

Profesionalno iskustvo sticao je u saradnjama sa Edvardom Klugom, Mauro de Kandia, Markom Geke, Meri Wigman i dr.

NOVO IZVOĐENJE TANGO OPERETE MARIA DE BUENOS AIRES

NOVO IZVOĐENJE TANGO OPERETE MARIA DE BUENOS AIRES

Nakon uspešne premijere tango operete Maria de Buenos Aires u produkciji Tanguango kvinteta premijerno izvedena na scni Malog pozorišta Duško Radović u decmbru prošle godine, publika će imati prilike da pogleda reprizno izvođenje ovog spektakla 11. februara u Velikoj sali Doma kulture Studentski grad s početkom u 20.00 časova.

Tango opereta Maria de Buenos Aires, premijerno izvedena 1968. godine u Buenos Ajresu, predstavlja prvu saradnju dva velika umetnika, Astora Pjacole – argentinskog kompozitora, osnivača tango nuevo stila i Orasija Ferera – urugvajsko-argentinskog pesnika.

Radnja ove operete u dva čina prati rođenje, život i smrt glavne junakinje Marie, siromašne devojke iz predgrađa Buenos Ajresa koja biva zaslepljena tango muzikom, odlazi u centar grada i postaje prostitutka, kao i njenu transformaciju u sopstvenu senku koja luta ulicama grada. Pored Marie koja simbolizuje grad, tango i ženu zavodnicu, javljaju se brojni likovi tipični za tango tradiciju - Pajador, Bandoneon, Gorrion, kao i oni daleki, fantastični koji se gotovo nikada ne javljaju u tekstovima tango pesama - Vilenjak, Analitičari, Marionete itd.

U glavnim ulogama nastupiće Ljubica Damčević, Ivan Nikolić, Đakomo Mediči, muzičari Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Zoran Anić, Anastasija Redžić i Arion Petrovski.

U koreografiji Ognjena Vučinića (asistentkinja Katarina Ilijašević) nastupiće tango plesni par Relja Dereta i Jelena Minić i savremeni igrači Miona Petrović i Ognjen Vučinić.

Ulaznice možete obezbediti na vreme preko www.tickets.rs i portirnici DKSG uz napomenu da je broj mesta ograničen.

Projekat je podržan od strane Ministarstva kulture i informisanja u saradnji sa Domom kulture Studentski grad.

Posebno se zahvaljujemo Italijanskom institutu za kulturu u Beogradu, Ambasadi Argentine u Srbiji, Plesnoj školi Tango Natural, Institutu za umetničku igru, Srpskom udruženju za geštalt psihoterapiju, muzičkoj školi „Dr Vojislav Vučković”, kompaniji „AlgoMetric“, Aleksandru Iliću i Aleksandru Nikoliću na podršci u realizaciji projekta.

Fotografija Slobodan Trivić.

PREZENTACIJA INSTITUTA ZA UMETNIČKU IGRU U POŽEREVCU I NOVOM SADU

PREZENTACIJA INSTITUTA ZA UMETNIČKU IGRU U POŽEREVCU I NOVOM SADU

Prezentaciju odseka studijskog programa Scenske narodne igre i muzike Instituta za umetničku igru u Požarevcu i Novom Sadu, predstaviće profesori ove institucije dr Vesna Bajić Stojiljković i dr Anton Andonov.

Prezentacija u Požarevcu biće održana 5. februara u baletskoj sali Centra za kulturu Požarevac (ul. Jovana Šerbanovića 1) s početkom u 17.00 časova, a u Novom Sadu, u nedelju 6. februara u prostorijama KUD-a Svetozar Marković (ul. Šumadijska 6a) u 12 časova.

Pozivamo igrače izvođačkog sastava folklornih ansambala, srednjoškolce završnih godina, umetničke rukovodioce, koreografe amatere, kao i sve zainteresovane na prezentaciju odseka Scenska narodna igra i muzika uz praktičnu radionicu iz oblasti koreografske kompozicije.

Institut za umetničku igru je jedina visokoškolska obrazovna ustanova u Srbiji za obrazovanje profesionalnih igrača, koreografa i pedagoga u svim oblastima umetničke igre.

Odsek Scenska narodna igra i muzika posebno je usmeren ka narodnoj igri, koreografiji, pedagogiji i profesionalnom izvođenju.

Za sve dodatne informacije pozovite 011 41 40 421.

Fotografija Nemanja Maraš.

PREMIJERA DEČIJE PLESNE PREDSTAVE MOŽIČEK

PREMIJERA DEČIJE PLESNE PREDSTAVE MOŽIČEK

Na sceni Malog pozorišta Duško Radović biće izvedena plesna predstava za decu i odrasle Možiček slovenačkog kompozitora Josipa Ipavca a u koreografijama Gjergj Pervazija i Aleksandra Ilića.

Plesna predstava Možiček koja se sastoji iz dva koreografska dela, premijerno je izvedena u čast obeležavanja 100 godišnjice smrti kompozitora Ipavca 27. decembra prošle godine u Slovenskom ljudskom pozorištu Celje (Slovenija). Prvi deo predstave RE:start uradio je Gjergj Pervazi koreograf iz Albanije, a drugi deo predstave Možiček srpski koreograf Aleksandar Ilić.

Predstavu izvode igrači Međunarodne plesne platforme Balkan Dance Project Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine, Jakša Filipovac iz Srbije i muzičari Iztok Kocen - klavir, Uroš Bičanin - violina, Zoran Bičanin - violina, Miha Firšt – kontrabas.

Autorski tim je sastavljen iz Slovenije i Srbije dramaturgija Nuša Komplet Peperko, scenografija Matija Kovač, kostim Aleksandra Karović, svetlo Aleksander Plut.

Produkcija Balkan Dance Project u koprodukciji Hiše Kulture Celje, Festivala Velenje i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije.

Predstava će biti izvedena na sceni Malog pozorišta Duško Radović u utorak 8. februara s početkom u 20.00 časova.

Fotografija Rok Deželak.

DIPLOMSKA PREDSTAVA BOBANA KOSTIĆA

DIPLOMSKA PREDSTAVA BOBANA KOSTIĆA

Diplomska predstava Tren studenta treće godine odsek Scenska narodna igra i muzika Bobana Kostića premijerno će biti izvedena 6. februara u pozorišnoj Sali Sportsko kulturnog centra Obrenovac s početkom u 19.00 časova.

Obrenovačka publika će imati priliku da se upozna sa radovima inspirisanim narodnom igrom, muzikom i tradicijom, koje će kroz različite koreografske forme predstaviti Boban Kostić.

Program prate i vokalno instrumentalne numere koje će publici približiti izvornu muziku prostora Republike Srbije. Rad koji je će biti prikazan kroz sižetnu koreografsku formu, inspirisan je ruskom narodnom pričom Deda i repa. Autor oživljava likove ove globalno popularne priče prikazujući njihove karaktere kroz pokret i muziku, a kompaktnost donosi šarenolikim kostimima i potpunim razvijanjem dramskog sadržaja kroz igru.

Pored ruske priče, na sceni će biti izveden zaboravljeni vlaški ritual iz sela Duboka, u kom žena poznatija kao rusaljka pada u zanos, odnosno trans, iz kog se u realni svet vraća putem prastare tradicije, obrednog kola i igre. Obradom i prilagođavanjem običaja sceni, nastala je koreografija Aša b’la Rusalja.

Ulaz za publiku je besplatan a za sve informacije rezervacije karata pozovite 060 11 30 314.

Fotografije / Nemanja Maraš

IGRA, REČ I SLIKA

IGRA, REČ I SLIKA

Projekat Igra, reč i slika se realizuje kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja koja je namenjena prvenstveno romskoj deci u osnovnom i srednjem obrazovanju. Radionice se realizuju na Institutu za umetničku igru (Bulevar vojvode Mišića 43). Partner u realizaciji projekta je Kulturno obrazovni centar Šid. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.

Za radionice se mogu prijaviti učenici uzrasta od 11 do 18 godina.

Prijave za učešće na radionicama se vrše pozivom na broj 011/4140 421 ili putem maila: teodora.zivkovic@iui.rs

Prijava treba da sadrži:

Ime i prezime
Godina rođenja
Naziv radionice po izboru
Broj telefona
e-mail adresa

Prijave su otvorene do 15. februara 2022. godine. Raspored realizacije radionica će biti naknadno objavljen.

Realizatori programa:

MIOMIR PETROVIĆ

Prof. dr Miomir Petrović (Beograd, 1972), pisac, pripovedač, dramaturg, teoretičar umetnosti, diplomirao je na Fakultetu dramskih umetnosti u Beogradu na Odseku za dramaturgiju, magistrirao je na Odseku za teatrologiju na FDU u Beogradu, doktorirao je na Odseku za interdisciplinarne studije na Univerzitetu umetnosti u Beogradu. Glavni dramaturg pozorišta Atelje 212 u Beogradu (1996–1999), zamenik direktora drame Narodnog pozorišta u Beogradu (2001–2002), dramaturg Narodnog pozorišta u Beogradu (do 2004). Redovni profesor na predmetima Estetika, Teorija savremene umetnosti i Istorija scenskih umetnosti na Institutu za umetničku igru u Beogradu, predmeta Creative Writing i Screen Culture na Higher College of Techology (UAE) (2019–2021).

Objavljena i izvođena dela:

Drame: Vagabund u gradskom vrtu (1995), Argivski incident (1996), Demijurg (1997), Appendix (1997; izvedena 2003. u Centru lepih umetnosti Gvarnerijus i kao radio-drama u produkciji RTS-a 2004), Čopor (1998), Vučije leglo (2000; izvedeno u Narodnom pozorištu u Pirotu 2006), radio-drame Galerijeve vatre i Black Light u produkciji RTS-a.

Naučne monografije: Oslobođenje drame (Zadužbina Andrejević, Beograd 2000), Kreativno pisanje, naratološki pristup tekstu i kontekstu (Megatrend, Beograd 2011), Mitopoetike (Zavod za udžbenike, Beograd 2019).

Romani: Sakaćenje romana (Prosveta, 1997), Pankration (BIGZ, 1998), Samomučitelj (Prosveta, 2000), Persijsko ogledalo (Geopoetika, 2001), Arhipelag (Geopoetika, 2003), Lisičje ludilo (Laguna, 2005), Staklena prašina (Laguna, 2006), Лисичинолудило (SKC, Skopje, 2007), Libansko leto (Laguna, 2007), Persijsko ogledalo (drugo izdanje, Laguna, 2008), Bakarni bubnjevi (Laguna, 2009), Galerijeve vatre (Laguna, 2011), Tečni led (Prosveta, 2011), Miris mraka (Laguna, 2013), Kuća od soli (Laguna, 2016), Black Light (Laguna, 2018), ФилоктетнаЛемносе/Персидскоезеркало (Aliteja, Sankt-Peterburg, 2018), Šumski čopor (Ammonite Books, 2019), Središnja pustinja (Laguna, 2021).

Dobitnik je Oktobarske nagrade grada Beograda (1996) i nagrade Laza Kostić za knjigu Kuća od soli (2017). Član je Srpskog književnog društva.

OGNJEN VUČINIĆ

Ognjen Vučinić (1980. Pula), koreograf i pedagog savremene igre na Institutu za umetničku igru od 2020. godine.

Suosnivač plesne kompanije MASA, član Zagrebačkog plesnog ansambla i stalni saradnik, predavač radionica savremenog plesa u Zagrebačkom plesnom centru.

Sa nepune četiri godine pohađao je časove klasičnog baleta u plesnom studiju Zaro u Puli, pod vodstvom Slavice Šenk.

Na poziv Rajka Pavlića, koreografa i voditelja plesnog studija Liberdance učestvuje u prvom profesionalnom plesnom projektu Ready steady go (2001.), na poziv umetničkog direktora Zagrebačkog plesnog ansambla Snježane Abramovič Milković postaje stalni član Zagrebačkog plesnog ansambla. Stalni je predavač u okviru radionica savremenog plesa u Zagrebačkom plesnom centru.

Kroz plesne radionice u zemlji i inostranstvu radi i kao gostujući pedagog.

Nagrade Hrvatskog glumišta, za najbolja plesna ostvarenja (muški plesač), za predstave: Pasijans (2006.), Interface (2010.), (2012.).

SNEŽANA ARNAUTOVIĆ STJEPANOVIĆ

Prof. dr Snežana Arnautović Stjepanović (1979. Šabac) je diplomirala 2002. godine na Akademiji lepih umetnosti u Beogradu na odseku slikarstva u klasi akademika Dušana Otaševića. Magistrirala je 2007. godine na Interdisciplinarnim magistarskim studijama u Beogradu, na odseku za Scenski dizajn. Doktorsku tezu je odbranila 2010. godine na Interdisciplinarnim doktorskim studijama u Beogradu, na odseku za Scenski dizajn. Od 2003. do 2006. godine radi kao asistent na Akademiji lepih umetnosti u Beogradu. Od 2012. godine radi kao profesor na Fakultetu za inženjerski menadžment u Beogradu kao šef katedre za Kreativne industrije. 2017. godine izabrana je u zvanje redovnog profesora. 2018. godine imenovana je za prodekana za nastavu na studijskom programu Umetnička igra na Institutu za umetničku igru. Član je ULUS–a od 2003. godine. Član je Internacional Dance Council CID UNESCO od 2014. godine. Od 2014. godine predsednik je Upravnog odbora Centra za likovno obrazovanje Šumatovačka.

Učestvovala je na mnogim kolektivnim izložbama, likovnim kolonijama i radionicama u zemlji i inostranstvu. U dosadašnjem umetničkom radu realizovala je dvadeset četiri autorska umetnička projekata iz oblasti vizuelnih i izvođačkih umetnosti.

Neki od njenih samostalnih projekata su: Performans Hafetopija izveden u okviru Međunarodnog projekta Drugi načini komunikacije u Ostavinskoj galeriji u Beogradu 2021. godine; Snežana i sedam smrtnih grehova, sedmodnevni ciklus performansa, izveden na BELEF-u 2017. godine; Performans Večna sadašnjost, izveden sa Ivicom Stjepanović na Međunarodnoj izložbi Povratak u sadašnjost u galeriji U10 u Beogradu; Performans Slikane partije izveden sa Erom Milivojević na Festivalu uličnih umjetnosti u Tivtu 2016. godine; Izložba slika Unutrašnji ritmovi, galerija opštine Vračar 2016. godine; Performans Lucid dream/Kontuzija gratis, izveden 2015. godine u Skc-u u Beogradu; Performans Transpozicija, izveden 2013. godine na Akademiji umetnosti u Beogradu; Performans Unutar Praslike, izveden 2011. godine na kalemegdanskoj tvrđavi u Beogradu; Performans Zapisi neizgovorenog, izveden 2009. godine u Centru za kulturu Grocka; Performans Prostori bola, izveden na 48. Oktobarskom salonu u Beogradu 2007. godine; Performans Otvaranje izveden sa Erom Milivojević i Ivicom Stjepanović u Muzeju Macura u Novim Banovcima 2007. godine; Performans Kompozicija za plavo, izveden sa Ivicom Stjepanović u galeriji Atrijum Biblioteke grada Beograda 2007. godine; Magistarski rad Prostori uživanja i bola, višemedijska ambijentalna instalacija i performans izvedeni u Turskom kupatilu u Beogradu 2006. godine; Performans Grazie Davide izveden u Firenci 2006. godine; Izložba slika i performans JA+MORE=LJUBAV izvedeni u Centru za savremenu umetnost Strategie Art u Beogradu 2006. godine; Performans, izložba slika i skulptura Sama sa zaštitom izvedeni u Happy Galery SKC u Beogradu 2003. godine. Neke od kolektivnih izložbi na kojima je učestvovala su: 50. Oktobarski salon Okolnost u Muzeju 25. Maj u Beogradu 2009. godine; Izložba Micronarratives, u Musee d’Art Moderne de Saint-Etienne Metropole u Francuskoj 2008. godine; Izložba Belgrade Beauty u galeriji NEW MOMENT u Beogradu 2008. godine; Izložba OUTSIDE BEOGRAD / FIRENCA u galeriji savremene umetnosti u Pančevu 2007. godine; Prolećna izložba u umetničkom paviljonu Cvijeta Zuzorić u Beogradu 2004. godine.

MOĆNE ŽENE LJUBAVLJU ZBORE

MOĆNE ŽENE LJUBAVLJU ZBORE

U okviru Dana ruske kulture u organizaciji Istorijskog arhiva Srem u Sremskoj Mitrovici, 25. januara premijerno će biti izveden performans Moćne žene ljubavlju zbore na sceni pozorišta Dobrica Milutinović s početkom u 18.00 časova.

Performans je nastao po istoimenoj knjizi Mirjane Marković (СИЛЬНЫЕ ЖЕНЩИНЫ ЛЮБОВЬЮ ВЕЩАЮТ- МОЋНЕ ЖЕНЕ ЉУБАВЉУ ЗБОРЕ) koji kao i knjiga govori o znamenitim ženama Rusije i Srbije, a izvodi se na ruskom i srpskom jeziku.

Vladarice, monahinje, slikarke, pesnikinje imuze ovekovečene su rečima najdubljih emocija i potrebe za ljubavlju svekolikog bistvovanja na zemlji. To je poema suštinskog pojma ljubavi, te pokretačke i opravdavajuće sile ne samo života pojedinaca, već i milenijumskog opstanka na našoj planeti, navodi književnica Marković.

Režija i dramatizacija Mirjana Marković, kostim Igor Jagić, a video produkciju AsproArt – Walker Duja, frizure i šminku Frizerski studio IN.

Performans izvode članice Kompanije Balet mladih Anastasija Vujnović, Sofija Radovanović, Anastasija Nikčević, Tijana Drndarević, Anastasija Jovanović, Ana Svorcan i Ana Đerković, a pored njih Isidora Božić, Nikolija Marković, Margarita Vujović, Ekatarina Orlova, Olena Pantelić, Jasna Arbanas, Danijela Stojiljković Savić, Katarina Jovanović i Etno grupa Hram.

GRAND HOTEL NA SCENI MADLENIANUM TEATRA

GRAND HOTEL NA SCENI MADLENIANUM TEATRA

Povodom novog izvođenja plesne predstave Grand Hotel na sceni opere i tetara Madlenianum 9. februara s početkom u 19.30 časova, koreograf Prof. Aleksandar Ilić gostovao je 25. januara u Jutarnjem program Radio Telvizije Srbije.

Muziku za predstavu je uradila Ana Krstajić, scenografiju Žorž Draušnik a kostim Aleksandra Karović.

Predstavu izvode: Mojca Majcen, Branko Mitrović, Jakša Filipovac, Ognjen Vučinić i Plesni teatar Gospođe Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić i Katarina Stojkov Slijepčević.

Karte za predstavu možete rezervisati i kupiti:

Madlenianum, Glavna 32

tel. 011/316 27 97

blagajna@madlenianum.rs

Muzej Zepter, Knez Mihailova 42

tel. 011/21 80 400; 011/33 00 111

biletarnica@madlenianum.rs

MOJCA MAJCEN DANCER OF THE YEAR 2022

MOJCA MAJCEN DANCER OF THE YEAR 2022

The Dance Parade (Slovenia) portal has once again published the most successful artists in the field of dance art for 2021.

The jury consisting of Daliborka Podboj, Matevž Česen and Barbra Drnač announced that the most successful dancer in 2021 is Mojca Majcen, a second-year student of the Choreography Department, and the dance performance Measure for pleasure by Igor Sviderski, Urša Rupnik and Mojca Majcen.

Congratulations!

NOVI SAD EUROPEAN CAPITAL OF CULTURE 2022

NOVI SAD EUROPEAN CAPITAL OF CULTURE 2022

In 2022, Novi Sad will take the prestigious title of European Capital of Culture, together with Kaunas (Lithuania) and Ash (Luxembourg).

In the ceremonial program directed by Prof. Aleksandar Nikolić and choreography by Aleksandar Ilić will be performed by eminent representatives of the Novi Sad and Vojvodina cultural scene, including the Ballet and Opera of the Serbian National Theater, Aradačka meškarka, percussion ensemble dRumble, Tamburine Orchestra Velos, Aleksandar Bahun on piano, Todor Ursu on cymbal and Dance Association Grove.

The program will be attended by numerous guests from all over Europe, representatives of former, current and future cultural capitals, ambassadors of countries from around the world, foreign journalists, state leaders, as well as numerous guests of Serbian Athens. the entire program of Novi Sad as the European Capital of Culture through a total of eight, thematically oriented program arches, ie. whole.

Along with Professor Aleksandar Radulović, students of the Belgrade Dance Institute Tamara Ljesar and Nevena Antić will also perform, and the assistant choreographer is Mojca Majcen.

The scenography is signed by Dunja Kostić and the costume by Senka Ranisavljević.

The program can be watched on the Radio Television of Serbia from 6 pm on the Second Program of the Radio Television of Serbia and the First Program of the Radio Television of Vojvodina.

WINTER INTENSIVE MASTERCLASS BEGINS - CLASSIC BALLET

WINTER INTENSIVE MASTERCLASS BEGINS - CLASSIC BALLET

On January 10^th 2022. the Winter Intensive Masterclass - classical ballet led by ballet master and choreographer from Northern Macedonia Sasha Evtimova - started at the Belgrade Dance Institute.

Winter Intensive Masterclass - classical ballet lasts until January 15th, 2021. and will include exercises of classical ballet according to the Vaganova system with an emphasis on technical requirements and their mastery, classes of support and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.

WINTER INTENSIVE MASTERCLASS SCHEDULE - CLASSIC BALLET

WINTER INTENSIVE MASTERCLASS SCHEDULE - CLASSIC BALLET

The Belgrade Dance Institute will organize intensive classes of classical ballet called Winter Intensive Masterclass - classical ballet from January 10th to 15th, 2022., led by ballet master and choreographer from Northern Macedonia Sasha Evtimova.

Winter Intensive Masterclass - classical ballet will include exercises of classical ballet according to the Vaganova system with an emphasis on technical requirements and their mastering, support classes and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.

Class Schedule:

Monday 10.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;

Tuesday 11.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;

Wednesday 12.01. from 9.30 - 10.15 Classical ballet; 10.30 - 11.30 Repertoire;

Thursday 13.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;

Friday 14.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;

Saturday 15.01. from 10.00 presentation and awarding of diplomas.

NOTE: Be sure to bring pointed ballet shoes.

Price Winter Intensive Masterclass - classical ballet:

Members of the Youth Ballet company 3,000 dinars;

Students and others who are not members of the Youth Ballet company 5,000 dinars.

You can make payments until Monday, January 10th.

MUST ENTER FOR THE PURPOSE OF PAYMENT - WINTER INTENSIVE MASTERCLASS - CLASSIC BALLET

Applications should be sent to: mila.stijak@iui.rs

The application should contain: name and surname, date of birth, school attended by the student and telephone number.

For more information call (011) 41 40 421 every working day from 9.00 to 17.00.

Sasha Evtimova was born in Skopje, Northern Macedonia. She was educated at the Macedonian School of Music and Ballet in Skopje, and then at Point Park College in Pittsburgh. She is a soloist, ballet master and choreographer of the Macedonian Opera and Ballet in Skopje. She played the most important roles on the stage of the parent company, and choreographed a large number of neoclassical and contemporary choreographies for the stages in the country and the region. At the fifth International Choreographic Competition, Sergei Diaghilev in Poland won the prestigious Grand Prix in 2011. She graduated from the Belgrade Dance Institute in 2018.

MOŽIČEK PREMIERE IN CELJE

MOŽIČEK PREMIERE IN CELJE

The dance performance Možiček by Josip Ipavac, choreographed by professors Aleksandar Ilić from Serbia and Gjergji Pervazi from Albania, premiered on the stage of the Slovenian People's Theater in Celje, performed by students and players of the Balkan Dance project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jakša Filipovac from Serbia. In addition to the dancers, musicians from Slovenia Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin and Miha Firšt are participating in the play.

The scenography for the play was done by Matija Kovač from Slovenia and the costume by Aleksandra Karović from Serbia.

Photography Rok Deželak

AWARDED STUDENTS AT THE 25TH FESTIVAL OF CHOREOGRAPHIC MINIATURES

AWARDED STUDENTS AT THE 25TH FESTIVAL OF CHOREOGRAPHIC MINIATURES

Under the slogan RestART, the 25th Festival of Choreographic Miniatures, organized by the Association of Ballet Artists of Serbia, was held on December 23rd at 8 pm on the small stage of the Raša Plaović National Theater in Belgrade.

In the competitive part of their choreography, alimni students Mina Ćirić and Katarina Ilijašević, and Nevena Antić, a third-year student at the Stage Folk Dance and Music Department, presented their choreography.

Katarina Ilijapšević won the third prize and the audience prize with the choreography 2FUNNY4 performed by Jovana Grujić. Dramaturgy is written by Luka Jovanov and music by Thomas Bangalter.

The plaque of Aleksandar Izrailovski was presented to Mini Ćirić for the choreography Ecology of Relationships performed by Tanja Ivanov and Mina Ćirić to the music of Nightmare music, Cryo Chamber.

Among the laureates are Luka Ostrež (Slovenia) first prize choreography Doomsday, Dora Šesto and Dora Sarikaya (Croatia / Turkey) second prize for choreography Frontapage, Critics Award and encouragement award went to Marina Aranitović from Serbia for choreography Hybrid and encouragement award to Anđela Žugić and Predrag Dedić from Serbia for choreography From another angle.

Congratulations to our students on their success and awards, as well as to all other performers.

PODGORICA GOT A BALLET STUDIO

PODGORICA GOT A BALLET STUDIO

An audition was held in Podgorica on December 23rd for members of the Ballet Studio, which will operate within the Music Center of Montenegro (MCCG), and the first performance is planned for April 29th, 2022. on World Dance Day, it was announced after an audition submitted by eight dancers.

The audition was led by Iva Bojović Petković, the director of the Lujo Davičo Ballet School in Belgrade and professor at the Belgrade Dance Institute, and the members of the commission were Aleksandar Ilić, choreographer and director of the Belgrade Cultural Center, Isidora Damjanović, business director of MCCG, Jelena Jovanović Nikolić, director of marketing and communications. MCCG and Manja Pavićević, professor at the Art School of Music and Ballet Vasa Pavić.

The audition was conceived in such a way that in the first part a ballet class was held where the members of the commission had the opportunity to see the predispositions of the candidates, evaluate their stage, musicality and memory exercises, while the second part evaluated freer expression within the improvisation of modern dance. When the work of a new dance ensemble is established and starts, we always deviate from the unique grading system. It is necessary to find uniformity and balance, which is important for one ensemble, to see how it works together, to see the energy that is created between the girls who are auditioning, said the famous Serbian ballet artist Aleksandar Ilić.

The business director of MCCG, Isidora Damjanović, MA, said that during the audition for the selection of members of the ballet studio ensemble, they were guided by criteria determined by the members of the commission who are proven professionals in the world of ballet art.

As announced from the MCCG, the creation of a professional ballet ensemble in Montenegro has been waiting for a long time, and now finally graduated ballerinas and ballet dancers have the opportunity to develop and work in their profession.

The first premiere will be performed on April 29th, 2022, on World Game Day, the organizers announced.

IMPORTANT NOTICE - NEW YEAR AND CHRISTMAS HOLIDAYS 2021/202

IMPORTANT NOTICE - NEW YEAR AND CHRISTMAS HOLIDAYS 2021/2022

We would like to inform professors, associates and students that the Belgrade Dance Institute will not be open during the New Year and Christmas holidays in the period from December 27th, 2021. Until January 7th, 2022.

The first working day is January 10th, 2022.

HAPPY HOLIDAYS!

ANNUAL AWARD OF TERAZIJE THEATER FOR CHOREOGRAPHER MILICA CEROVIĆ

The theater on Terazije is on December 23rd, 2021. marked the House Day with the awarding of annual recognitions, Janos Toth awards, letters of thanks, as well as jubilee awards. At the award ceremony, director Aleksandar Đaja said, among other things, that this was another successful year of the Terazije Theater, both creatively and in business, despite difficult working conditions due to the coronavirus epidemic, which has been going on for the second year.

This year's winner of the annual award of the Theater on Terazije is choreographer Milica Cerović, alumni of the Belgrade Dance Institute. Milica Cerović received the annual award of the Terazije Theater for the choreography of the musical Flashdance.

Congratulations!

WINTER INTENSIVE MASTERCLASS - CLASSICAL BALLET

Winter Intensive Masterclass - classical ballet

Winter Intensive Masterclass - classical ballet will include exercises of classical ballet according to the Wagan system with an emphasis on technical requirements and their mastering, support classes and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.

The class schedule will be announced on Friday, December 31, 2021.

Price for Winter Intensive Masterclass - classical ballet:

Members of the Youth Ballet company 3,000 dinars;

Students and others who are not members of the Youth Ballet company 5,000 dinars.

Payments must be made by Friday, January 7th.

MUST ENTER FOR THE PURPOSE OF PAYMENT - WINTER INTENSIVE MASTERCLASS - CLASSIC BALLET

Applications should be sent to: mila.stijak@iui.rs

The application should contain: name and surname, date of birth, school attended by the student and telephone number.

For more information call (011) 41 40 421 every working day from 9.00 to 17.00.

SPECTACULAR PERFORMANCE SHOWCASE OF BELGRADE DANCE INSTITUTE

SPECTACULAR PERFORMANCE SHOWCASE OF BELGRADE DANCE INSTITUTE

On December 21st, starting at 8 pm at Student City Cultural Center in Belgrade, the December SHOWCASE was premiered, performed by students from all departments of the Belgrade Dance Institute.

SHOWCASE was prepared by ballet master and professor at the Department of Classical Ballet and Methodology Amalia Mindrutiu with the assistance of Mila Stijak, Milica Bezmarević and accompanist Ana Spremić, Ognjen Vučinić professor at the Department of Contemporary Dance and Choreography and students at the Department of Stage and Folk Dance - Nevena Antić and Boban Kostić.

SHOWCASE was performed by: Federica Franceschini, Iustina Ciobanu, Bogdan Radacina, Giuseppe Paolicelli, Antonio Bisogno, Gabriele de Fazio, Mila Stijak, Marija Vučenović, Ksenija Sinđić, Nastasja Ivetić, Teodora Durać, Luka Pejčinović, Vladimir Sekulić, Lazar Tirić, Senja Stanić, Nina Horvat, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đeković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Segbier, Ema Stojković, Tea Manojlović, Filip Stanić, Tijana Ostojić, Miona Petrović, Nikola Živković, Angela Mihova, Una Balaž, Sonja Stojanović, Katarina Bućić, Nevena Antić, Jovan Jovanović, Vladimir Radosavljević, Milica Pejić, Nikola Velebit, Marija Milošević, Mirjana Lepojević.

OPERA DEČIJA SOBA PONOVO U RADOVIĆU

OPERA DEČIJA SOBA PONOVO U RADOVIĆU

Opera za decu kompozitora Milenka Živkovića po tekstu Desanke Maksimović Dečija soba biće izvedena 23. januara na sceni malog pozorišta Duško Radović s početkom u 12.00 časova.

Operu pod dirigentskim vođstvom maestra Milana Nedeljkovića pored igrača Kompanije Balet mladih izvode Biljana Jovanović (mama), Boris Papak (tata, Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Hor Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.

Režiju potpisuju Natalija Stanković i Mateja Đedović mentor Boris Liješević a koreografiju Doc. Mila Stijak i Ana Bošković.

Obaveštavamo publiku da je broj mesta ograničen uz poštovanje epidemioloških mera.

Više o predstavi: http://www.malopozoriste.co.rs/predstave/dechja-soba

Fotografija arhiva MOTO.

PLAN RADA INSTITUTA ZA UMETNIČKU IGRU 2022

PLAN RADA INSTITUTA ZA UMETNIČKU IGRU 2022

U osmoj godini uspešnog i kontinuranog delovanja Institut za umetničku igru predstavlja raznovrstan, hrabar i ambiciozan program za 2022. godinu.

U okviru jedne institucije u kojoj se ravnopravno obrazuju budući igrači u polju klasičnog baleta, savremene igre i narodne igre, januar je započeo tradicionalnim seminarom iz oblasti klasičnog baleta koji je vodila koreografkinja i balet majstor Saša Evtimova iz Severne Makedonije.

U februaru će premijerno biti izveden koncert Bobana Kostića, diplomski rad na odseku scenska narodna igra i muzika, a u Studentskom kulturnom centru 25. februara biće predstavljen projekat Telo u fokusu prezentacija studentskih radova koji su nastali na predavanjima kod Prof. dr Snežane Arnautović Stjepanović i Prof. Dijane Milošević. Ovaj mesec obeležiće i gostujuća predavanja koreografa i igrača iz Slovenije Luke Ostreža, laureata poslednje edicije Festivala koreografskih minijatura.

Uz podršku Mađarskog kulturnog centra u Beogradu tokom marta Institut za umetničku igru će ugostiti koreografkinju Ritu Góbi, koja će raditi sa studentima na odseku savremena igra i koreografija.

April je tradicionalno mesec koji je posvećen Međunarodnom danu igre (29. april) te će se pored brojnih manifestacija održati Nedelja igre u okviru koje će biti predstavljeni brojni performansi i koreografije u javnim prostorima. U aprilu će biti održana intenzivna predavanja i radionice iz savremene igre koje će voditi Yoram Karmi iz Fresco Dance kompanije koji uz podršku Ambasade Izraela u Srbiji dolazi iz Tel Aviva.

U poslednjem vikendu maja biće održana druga edicija Festivala Sola na kom će biti predstavljeni umetnici iz Belgije, Hrvatske, Izraela, Austrije i Srbije. Festival Sola će i ove godine biti izveden na nekoliko lokacija u Beogradu i Novom Sadu.

Kraj juna će biti obeležen premijernim izvođenjem diplomske predstave šeste generacije studenata svih odseka. Koreografiju će uraditi Tamara Gvozdenović koja već dugi niz godina stvara u Francuskoj.

Institut za umetničku igru biće domaćin međunarodne umetničko stručne konferencije na temu Budućnost akademsko zasnovanim izvođačkim umetnostima u post kovid svetu.

Kompanija balet mladih predstaviće se premijerno u koreografijama Amalie Mindrutiu balet majstora iz Rumunije, a tradicionalni SHOWCASE biće izveden u novembru ove godine.

Nakon uspešne prezentacije Instituta za umetničku igru na EXPO-u u Dubai, svoju promociju ovaj jedini visokoškolski program iz oblasti umetničke igre u Srbiji svoj program predstaviće i u Egiptu.

Fotografija: Marcell Piti

MOJCA MAJCEN IGRAČICA GODINE 2022.

MOJCA MAJCEN IGRAČICA GODINE 2022.

Portal Parada plesa (Slovenija) i ove godine je objavio najuspešnije umetnike u oblasti plesne umetnosti za 2021. godinu.

Žiru u sastavu Daliborka Podboj, Matevž Česen i Barbra Drnač saopštili su da je najuspešnija igračica u 2021. godini Mojca Majcen studentkinja druge godine Odsek koreografija, a plesna predstava Measure for pleasure čiji su autori i izvodjači Igor Sviderski, Urša Rupnik i Mojca Majcen.

Čestitamo!

Fotografija Anka Rener Kremžar

NOVI SAD EVROPSKA PRESTONICA KULTURE 2022

NOVI SAD EVROPSKA PRESTONICA KULTURE 2022

Novi Sad će u 2022. godini poneti prestižnu titulu Evropske prestonice kulture, zajedno sa Kaunasom (Litvanija) i Ešom (Luksemburg).

U svečanom programu u režiji Prof. Aleksandra Nikolića i koreografiji Aleksandra Ilića će nastupiti eminentni predstavnici novosadske i vojvođanske kulturne scene, među kojima su Balet i Opera Srpskog narodnog pozorišta, Aradačke meškarke, perkusionistički ansambl dRumble, Tamburaški orkestar Velos, Aleksandar Bahun na klaviru, Todor Ursu na cimbalu i Plesno udruženje Gruv.

Programu će prisustvovati brojne zvanice iz cele Evrope, predstavnici bivših, sadašnjih i budućih kulturnih prestonica, ambasadori zemalja iz celog sveta, strani novinari, državni vrh, kao i brojni gosti Srpske Atine, biće prikazana tradicija Novog Sada i Vojvodine u svetlu evropskih vrednosti koje prožimaju celokupan program Novog Sada kao Evropske prestonice kulture kroz ukupno osam, tematski orijentisanih programskih lukova, tj. celina.

Uz profesora Aleksandra Radulovića nastupiće i studentkinje Instituta za umetničku igru Tamara Ljesar i Nevena Antić, a asistenkinja koreografa je Mojca Majcen.

Scenografiju potpisuje Dunja Kostić a kostim Senka Ranisavljević.

Program se može pratiti u prenosu Radio televizije Srbije od 18.00 časova na Drugom programu Radio-televizije Srbije i Prvom programu Radio-televizije Vojvodina.

POČEO WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

POČEO WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

10.01.2022. godine na Institutu za umetničku igru je počeo Winter Intensive Masterclass – klasičan balet koji voditi Balet majstor i koreografkinja iz Severne Makedonije Sasha Evtimova.

Winter Intensive Masterclass – klasičan balet traje do 15.01.2021. godine i obuhvataće vežbe klasičnog baleta po Vaganova sistemu s akcentom na tehničkim zahtevima i njihovom savladavanju, časovima podrški i repertoara. Intensive Ballet Masterclass namenjen je učenicima Osnovnih baletskih škola (3 i 4 razred), učenicima Srednjih baletskih škola (1, 2, 3 i 4 razred) i profesionalnim igračima.

RASPORED WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

RASPORED WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

Institut za umetničku igru organizovaće intenzivne časove klasičnog baleta pod nazivom Winter Intensive Masterclass – klasičan balet od 10. do 15. januara 2022. godine koji će voditi Balet majstor i koreografkinja iz Severne Makedonije Sasha Evtimova.

Winter Intensive Masterclass – klasičan balet obuhvataće vežbe klasičnog baleta po Vaganova sistemu s akcentom na tehničkim zahtevima i njihovom savladavanju, časovima podrški i repertoara. Intensive Ballet Masterclass namenjen je učenicima Osnovnih baletskih škola (3 i 4 razred), učenicima Srednjih baletskih škola (1, 2, 3 i 4 razred) i profesionalnim igračima.

Raspored časova:

Ponedeljak 10.01. od 10.30 - 12.00 Klasičan balet; 12.15 - 13.30 Repertoar;

Utorak 11.01. od 10.30 - 12.00 Klasičan balet; 12.15 - 13.30 Repertoar;

Sreda 12.01. od 9.30 - 10.15 Klasičan balet; 10.30 - 11.30 Repertoar;

Četvrtak 13.01. od 10.30 - 12.00 Klasičan balet; 12.15 - 13.30 Repertoar;

Petak 14.01. od 10.30 - 12.00 Klasičan balet; 12.15 - 13.30 Repertoar;

Subota 15.01. od 10.00 prezentacija i dodela diploma.

NAPOMENA: Obavezno poneti špic patike.

Cena Winter Intensive Masterclass – klasičan balet:
Članovima kompanije Balet mladih 3.000 dinara;
Učenici i ostali koji nisu članovi kompanije Balet mladih 5.000 dinara.

Uplate možete izvršiti do ponedeljka 10. januara.

OBAVEZNO UPISATI U SVRHU UPLATE - WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

Prijave poslati na: mila.stijak@iui.rs

Prijava treba da sadrži: ime i prezime, datum rođenja, škola koju pohađa učenik i broj telefona.

Za više informacija pozovite (011) 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.

Sasha Evtimova je rođena u Skoplju, Severna Makedonija. Školovala se u Makedonskoj školi za muziku i balet u Skoplju, a nakon toga u Point Park koledžu u Pitsburgu. Na poziciji je soliste, balet majstora i koreografa Makedonske Opere i baleta u Skoplju. Odigrala je najznačajnije uloge na sceni matične kuće, a koreografirasala je veliki broj neoklasičnih i savremenih koreografija za scene u zemlji i regionu. Na petom Internacionalnom koreografskom takmičenju Sergej Djagiljev u Poljskoj osvojila je 2011. godine prestižnu nagradu Grand Prix. Diplomirala je na Institutu za umetničku igru 2018. godine

MOŽIČEK PREMIJERNO U CELJU

MOŽIČEK PREMIJERNO U CELJU

Na sceni Slovenskog Ljudskog gledališča u Celju premijerno je izvedena plesna predstava Možiček Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije, a u izvođenju studenata i igrača Balkan Dance projekta Mojce Majcen i Patricije Crnkovič iz Slovenije, Branka Mitrovića iz Bosne i Hercegovine i Jakše Filipovca iz Srbije. Pored igrača u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.

Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.

Fotografija Rok Deželak

NAGRAĐENI STUDENTI NA 25. FESTIVALU KOREOGRAFSKIH MINIJATURA

NAGRAĐENI STUDENTI NA 25. FESTIVALU KOREOGRAFSKIH MINIJATURA

Pod sloganom RestART 23. decembra s početkom u 20.00 časova na maloj sceni Raša Plaović Narodnog pozorišta održan je 25. Festival koreografskih minijatura u organizaciji Udruženja baletskih umetnika Srbije.

U takmičarskom delu svoje koreografije predstavile su alimnistkinje Mina Ćirić i Katarina Ilijašević, i Nevena Antić studentkinja treće godine na odseku Scenska narodna igra i muzika.

Treću nagradu i nagradu publike osvojila je Katarina Ilijapšević s koreografijom 2FUNNY4 u izvođenju Jovane Grujić. Dramaturgiju potpisuje Luka Jovanov a muziku Thomas Bangalter.

Plaketa Aleksandar Izrailovski uručena je Mini Ćirić za koreografiju Ekologija odnosa u izvođenju Tanje Ivanov i Mine Ćirić na muziku Nightmare music, Cryo Chamber.

Među laureatima su Luka Ostrež (Slovenija) prva nagrada koreografija Doomsday, Dora Šesto i Dora Sarikaya (Hrvatska/Turska) druga nagrada koreografija Frontapage, Nagrada kritike i nagrada ohrabrenje pripala je Marini Aranitović iz Srbije za koreografiju Hibrid i nagrada ohrabrenje Anđeli Žugić i Predragu Dediću iz Srbije za koreografiju Iz drugog ugla.

Čestitamo našim studentkinjama na uspehu i nagradama, kao i svim ostalim izvođačima.

Fotografija Stanko Đalić.

PODGORICA DOBILA BALETSKI STUDIO

PODGORICA DOBILA BALETSKI STUDIO

U Podgorici je 23. decembra održana audicija za članice Baletskog studija koji će delovati u okviru Muzičkog centra Crne Gore (MCCG), a prva predstava planirana je za 29. April 2022. godine na Svetski dan igre, saopšteno je nakon audicije koju su položile osam igračica.

Audiciju je vodila Iva Bojović Petković direktorka Baletske škole Lujo Davičo u Beogradu i profesorka Instituta za umetničku igru, a članovi komisije su bili Aleksandar Ilić koreograf i direktor Kulturnog centra Beograda, Isidora Damjanović poslovna direktorka MCCG, dr Jelena Jovanović Nikolić rukovodilac službe marketinga i komunikacija u MCCG i Manja Pavićević profesorka u Umjetničkoj školi za muziku i balet Vasa Pavić.

Audicija bila koncipirana na način tako što je u prvom delu održan baletski čas gde su članovi komisije imali priliku da vide predispozicije kandidatkinja, ocene njihovu sceničnost, muzikalnost i pamćenje vežbi, dok je u drugom delu ocenjivan slobodniji izraz u okviru improvizacije savremene igre. Kada se uspostvlja i započinje rad novog plesnog ansambla, uvek tu odstupamo od jedinstvenog sistema ocenjivanja. Potrebno je pronaći ujednačenost i ravnotežu, što je važno za jedan ansambl, da vidimo kako funkcioniše zajedno, da vidimo energiju koja se stvara između devojaka koje su na audiciji, izjavio je poznati srpski baletski umetnik Aleksandar Ilić.

Poslovna direktorica MCCG, mr Isidora Damjanović, rekla je da su se u tokom audicije za izbor članova ansambla baletskog studija vodili kriterijumima koje su odredili članovi komisije koji su dokazani profesionalci u svetu baletske umetnosti.

Kako je najavljeno iz MCCG dugo se čekalo na stvaranje profesionalnog baletskog ansambla u Crnoj Gori, a sada konačno diplomirane balerine i baletski igrači imaju priliku da se razvijaju i rade u svojoj profesiji.

Prva premijera biće izvedena 29. aprila 2022. godine na Svetski dan igre, saopštili su organizatori.

Fotografije arhiva MCCG.

VAŽNO OBAVEŠTENJE - NOVOGODIŠNJI I BOŽIĆNI PRAZNICI 2021/2022

VAŽNO OBAVEŠTENJE - NOVOGODIŠNJI I BOŽIĆNI PRAZNICI 2021/2022

Obaveštavamo profesore, saradnike i studente da Institut za umetničku igru neće raditi za vreme novogodišnjih i božićnih praznika u periodu od 27.12.2021 do 07.01.2022.

Prvi radni dan je 10.01.2022. godine.

SREĆNI PRAZNICI!

GODIŠNJE PRIZNANJE POZORIŠTA NA TERAZIJAMA ZA KOREOGRAFKINJU MILICU CEROVIĆ

GODIŠNJE PRIZNANJE POZORIŠTA NA TERAZIJAMA ZA KOREOGRAFKINJU MILICU CEROVIĆ

Pozorište na Terazijama je 23.12.2021. obeležilo Dan kuće dodelom godišnjih priznanja, nagrade Janoš Tot, zahvalnica, kao i jubilarnih nagrada. Na svečanoj dodeli direktor Aleksandar Đaja je između ostalog rekao da je ovo bila je još jedna uspešna godina Pozorišta na Terazijama i na stvaralačkom i na poslovnom planu uprkos teškim uslovima rada zbog epidemije korona virusa, koja traje već drugu godinu.

Ovogodišnja dobitnica godišnjeg priznanja Pozorišta na Terazijama je koreografkinja Milica Cerović, alumnistkinja Instituta za umetničku igru. Godišnju nagradu Pozorišta na Terazijama Milica Cerović je dobila za koreografiju mjuzikla Flešdens.

Čestitamo!

ROLAND BREZOVSKI VISITS THE BELGRADE DANCE INSTITUTE

Roland Brezovski visits the Belgrade Dance Institute

Roland Brezovski, expert associate of the Cultural Association of Vojvodina Hungarians in Subotica, visited the Belgrade Dance Institute today. In a conversation with the Vice Dean for Teaching, Prof. dr Snežana Arnautović Stjepanović and the head of the department for Stage folk dance and music, Prof. Dr. Vesna Bajić, potential cooperation on new projects was discussed.

WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

Winter Intensive Masterclass – klasičan balet

Raspored časova biće objavljen u petak 31. decembra 2021.

Cena Winter Intensive Masterclass – klasičan balet:
Članovima kompanije Balet mladih 3.000 dinara;
Učenici i ostali koji nisu članovi kompanije Balet mladih 5.000 dinara.

Uplate je neophodno izvršiti do petka 7. januara.

OBAVEZNO UPISATI U SVRHU UPLATE - WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET

Prijave poslati na: mila.stijak@iui.rs

Prijava treba da sadrži: ime i prezime, datum rođenja, škola koju pohađa učenik i broj telefona.

Za više informacija pozovite (011) 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.

REHNITZ - ANGEL OF DESTRUCTION

Rehnitz - Angel of Destruction

Public reading of the play Rechnitz - Angel of Destruction will be realized on December 21st, 2021. at 6pm on the small stage of the Student City Cultural Center.

Rehnitz - Angel of Destruction, based on the work of the same name by Elfrida Jelinek, designed by Branislava Ilić for the play, and the project is co-produced by PPP Pulse Theater Lazarevac with the Cultural Center of Belgrade and the Belgrade Dance Institute, with the support of the Austrian Cultural Forum, Secretariat for Culture of the City of Belgrade and the Ministry of Culture and Information of the Republic of Serbia.

Directed by Stevan Bodroža
Video design: Extraordinary Bob
Actresses: Mihaela Stamenković, Milica Stefanović and Mira Janjetović

IZVEDEN SPEKTAKULARNI SHOWCASE INSTITUTA

IZVEDEN SPEKTAKULARNI SHOWCASE INSTITUTA

Na Velikoj sceni Doma kulture studentski grad u Beogradu sinoć 21. decembra s početkom u 20.00 časova je premijerno je izveden decembarski SHOWCASE u izvođenju studenata svih odseka Instituta za umetničku igru.

SHOWCASE su pripremili balet majstor i profesorka na odseku za klasični balet i metodiku Amalia Mindrutiu uz asistenciju Mile Stijak, Milice Bezmarević i korepetitorke Ane Spremić, Ognjen Vučinić profesor na odseku za savremenu igru i koreografiju i studenti na odseku za Scensku narodnu igru i muziku - Nevena Antić i Boban Kostić.

SHOWCASE su izveli: Federica Franceschini, Iustina Ciobanu, Bogdan Radacina, Giuseppe Paolicelli, Antonio Bisogno, Gabriele de Fazio, Mila Stijak, Marija Vučenović, Ksenija Sinđić, Nastasja Ivetić, Teodora Durać, Luka Pejčinović, Vladimir Sekulić, Lazar Tirić, Senja Stanić, Nina Horvat, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đeković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Segbier, Ema Stojković, Tea Manojlović, Filip Stanić, Tijana Ostojić, Miona Petrović, Nikola Živković, Angela Mihova, Una Balaž, Sonja Stojanović, Katarina Bućić, Nevena Antić, Jovan Jovanović, Vladimir Radosavljević, Milica Pejić, Nikola Velebit, Marija Milošević, Mirjana Lepojević.

MASTER CLASS ON THE CHOREOGRAPHY OF THE FOLK DANCE

MASTER CLASS ON THE CHOREOGRAPHY OF THE FOLK DANCE

The Belgrade Dance Institute from Belgrade will organize a Master Class on choreography of folk dance on Wednesday, December 22nd, 2021, from 4 to 8 pm at the Belgrade Dance Institute, Bulevar vojvode Mišića 43 in Belgrade.

The master class will be led by professors Dr. Anton Andonov from the Academy of Music, Dance and Fine Arts (AMTII) from Plovdiv in Bulgaria and Dr. Vesna Bajić Stojiljković from the Belgrade Dance Institute in Belgrade.

The master class will include lectures and practical work on choreographic composition and directing, work on the spatial composition of choreography and processing of dance patterns of traditional folk dances.

The master class is intended for high school ballet students - folk dance, professional dancers, players in cultural and artistic societies and artistic directors.

Send the application for the Masterclass by e-mail to institut.snim@gmail.com

The application should contain: name and surname, date of birth, school attended by the student or institution / association in which the player or manager is engaged and telephone number. In the application, indicate the Master Class on the choreography of the folk dance.

The price of the Masterclass is 1,000 dinars and it is paid according to the attached payment slip by the day of the event. Free parking in front of the Institute building is available to Masterclass participants.

EXAMPLE OF PAYMENT

SHOWCASE OF THE BELGRADE DANCE INSTITUTE

The traditional SHOWCASE of the Belgrade Dance Institute will be held on the Great Stage of the Student City Cultural Center on December 21st, starting at 8 pm - presenting students of all departments and years of this higher education institution.

What unites contemporary dance, whose starting point is chance, silence, geometry, with classical ballet that brings the music of the eternal Shostakovich or Tchaikovsky and choreography invented by the famous choreographer Marius Petipa with the heritage of Russian and Slovak folklore?

The Belgrade Dance Institute in Belgrade, in its annual presentation of student works, done under the guidance of excellent pedagogues and choreographers, manages to unite these three fields of stage play during one evening, providing an interesting and exciting program to the audience.

In choreographies Za 6 (For 6) and 86268 4226, choreographer and pedagogue Ognjen Vučinić leads students on the trail of an experiment, started by one of the greatest innovators of contemporary dance - Mers Cunningham and John Cage, introducing abstraction and chance into the concept of dance and a completely different treatment of music and sound. The choreography For 6 is performed without music, reminiscent of the legendary piece 4’33 by John Cage, who believed that everything we do can be music, but also leading the dancers to full concentration and increased awareness of others in space.

Choreography 86268 4226 examines the work with coincidence that conditions the movement of dancers on the stage, writing enigmatic paths.

Ballet master and prima ballerina Amalia Mindrutiu from Romania, visiting professor of classical ballet, repertoire and methodology at the Belgrade Dance Institute and head of the Youth Ballet Company, realizes complex cooperation between young dancers from the Youth Ballet, students, professional dancers from the National Theater in Belgrade and guest players of the National Opera of Timisoara. They will show the range of their skills, playing variations from the famous ballets of Eugenie Onegin and Don Quixote, among others, but also with the shocking and magical song Adios Nonin (Goodbye Father) by Astor Piazzolla.

Graduate Boban Kostić and his colleague, a third-year student at the Department of Stage Folk Dance and Music Nevena Antić, chose an interesting approach, exploring the heritage of Russian folklore and its contemporary staging (Kostić) as well as the heritage of Slovak folklore through the story of the great writer Alexei Nikolayevich Tolstoy through a love duet (Antić), thus also reminding our audience of two great cultures, says the author of the text Prof. Dijana Milosevic.

Admission for the audience is free with all measures and restrictions on the number of audiences.

Reservations are made via email to teodora.zivkovic@iui.rs

THE FOURTH DAY OF THE VISIT TO THE EXPO 2020

The fourth day of the visit to the Expo 2020 event

On the fourth day, representatives of the Belgrade Dance Institute and representatives of the School of Engineering Management had talks with representatives of higher education from Malaysia, Spain, the United Arab Emirates and Jamaica regarding cooperation on scientific projects, student exchange and professors.

ROLAND BREZOVSKI U POSETI INSTITUTU

Roland Brezovski u poseti Institutu

Institut za umetničku igru je danas posetio Roland Brezovski, stručni saradnik Kulturnog saveza vojvođanskih Mađara u Subotici. U razgovoru sa prodekanom za nastavu, Prof. dr Snežanom Arnautović Stjepanović i rukovodiocem odseka za Scensku narodnu igru i muziku, Prof. dr Vesnom Bajić, razmatrana je potecijalna sardnja na novim projektima.

PRESENTATION OF STUDIES IN SERBIA FOR STUDENTS FROM ABROAD

Presentation of studies in Serbia for students from abroad

Representatives of the Belgrade Dance Institute today, on the third day, started the day at the Dubai Expo 2020 event by attending the presentation of the possibilities of higher education for students from abroad, ie the internationalization of higher education in Serbia.

The introductory speech was given by the Minister of Education, Science and Technological Development Branko Ružić, and the presentation was given by the Director of the Tempus Office in Serbia, Marija Filipović Ožegović.

The Belgrade Dance Institute already has an accredited program of undergraduate, master's and doctoral studies held in English.

In a short break prof. Dr. Snežana Arnautović Stjepanović exchanged impressions with Politika journalist Borka Golubović Trebješanin.

REHNIC - ANĐEO UNIŠTENјA

Javno čitanje dramskog teksta Rehnic – Anđeo uništenja će biti realizovano 21.12.2021. godine u 18.00 časova na maloj sceni Doma kulture studentski grad.

Rehnic - Anđeo uništenja, nastao je po istoimenom delu Elfride Jelinek, koje je za dramsko izvođenje uobličila Branislava Ilić, a projekat se realizuje u koprodukciji PPP Puls teatra Lazarevac sa Kulturnim centrom Beograda i Institutom za umetničku igru, a uz podršku Austrijskog kulturnog foruma, Sekretarijata za kulturu Grada Beograda i Ministarstvom kulture i informisanja Republike Srbije.

Režija: Stevan Bodroža
Video oblikovanje: Izvanredni Bob
Glumice: Mihaela Stamenković, Milica Stefanović i Mira Janjetović

MASTERKLAS O KOREOGRAFIJI NARODNE IGRE

MASTERKLAS O KOREOGRAFIJI NARODNE IGRE

Institut za umetničku igru iz Beograda organizovaće Masterklas o koreografiji narodne igre u sredu, 22. decembra 2021. godine, u trajanju od 16 do 20 časova na Institutu za umetničku igru, Bulevar vojvode Mišića 43 u Beogradu.

Masterklas će voditi profesori dr Anton Andonov sa Akademije muzičke, plesne i likovne umetnosti (AMTII) iz Plovdiva u Bugarskoj i dr Vesna Bajić Stojiljković sa Instituta za umetničku igru u Beogradu.

Masterklas će obuhvatiti predavanja i praktičan rad iz koreografske kompozicije i režije, rad na prostornoj kompoziciji koreografije i obradu igračkih obrazaca tradicionalnih narodnih igara.

Masterklas je namenjen učenicima srednje baletske škole – smer narodna igra, profesionalnim igračima, igračima u kulturno-umetničkim društvima i umetničkim rukovodiocima.

Prijavu na Masterklas poslati mejlom na institut.snim@gmail.com.

Prijava treba da sadrži: ime i prezime, datum rođenja, škola koju pohađa učenik ili ustanova/udruženje u kojoj je igrač ili rukovodilac angažovan i broj telefona. U prijavi naznačiti Masterklas o koreografiji narodne igre.

Cena Masterklasa je 1.000 dinara i uplaćuje se prema priloženoj uplatnici do dana održavanja. Učesnicima Masterklasa je na raspolaganju besplatan parking ispred zgrade Instituta.

PRIMER UPLATNICE

Za više informacija pozovite (011) 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.

INSTITUTE REPRESENTATIVES WITH MINISTERS ČOMIĆ AND RUŽIĆ

INSTITUTE REPRESENTATIVES WITH MINISTERS ČOMIĆ AND RUŽIĆ

Today, the representatives of the Belgrade Dance Institute and the representatives of the School of Engineering Management had a conversation with Gordana Čomić, the Minister of Human and Minority Rights and Social Dialogue on the issue of projects. On that occasion, they also had a meeting with Branko Ružić, Minister of Education, Science and Technological Development.

In addition they will then attend events Making possible to find your education and Disparities in access to education.

SHOWCASE INSTITUTA ZA UMETNIČKU IGRU

SHOWCASE INSTITUTA ZA UMETNIČKU IGRU

Na Velikoj sceni Doma kulture studentski grad 21. decembra s početkom u 20.00 časova održaće se tradicionalnli SHOWCASE Instituta za umetničku igru – predstavljanje studenata svih odseka i godina ove visokoškolske institucije.

Šta objedinjuje savremeni ples, čije je polazište u slučajnosti, tišini, geometriji, sa klasičnim baletom koji donosi muziku večnog Šostakoviča ili Čajkovskog i koreografije koje je izmaštao slavni koreograf Marijus Petipa sa nasleđem ruskog i slovačkog folklora?

Institut za umetničku igru u Beogradu, u svom godišnjem prikazivanju studentskih radova, rađenih pod vođstvom vrsnih pedagoga i koreografa, uspeva da, tokom jedne večeri, objedini ova tri polja scenske igre, pružajući zanimljiv i uzbudljiv program publici.

U koreografijama Za 6 i 86268 4226 koreograf i pedagog Ognjen Vučinić, vodi studente tragom eksperimenta, koji su započeli jedni od najvećih inovatora savremenog plesa – Mers Kaningam i Džon Kejdž, uvodeći apstrakciju i slučajnost u pojam plesa kao i potpuno drugačiji tretman muzike i zvuka. Koreografija Za 6 se izvodi bez muzike, asocirajući na legendarni komad 4’33 Džona Kejdža, koji je smatrao da sve što radimo može biti muzika ali i navodeći plesače na potpunu koncentraciju kao i povišenu svest o drugima u prostoru.

Koreografija 86268 4226 ispituje rad sa slučajnošću koja uslovljava kretanje plesača na sceni, ispisujući enigmatične putanje.

Balet majstor i primabalerina Amalia Mindrutiu iz Rumunije, gostujući profesor klasičnog baleta, repertoara i metodike na Institutu za umetničku igru i rukovodilac Kompanije Balet mladih, realizuje složenu saradnju između mladih igrača iz Baleta mladih, studenata, profesionalnih igrača iz Narodnog pozorišta u Beogradu kao i gostujućih igrača Nacionalne opere iz Temišvara. Oni će prikazati raspon svog umeća, igrajući varijacije između ostalog i iz čuvenih baleta Evgenije Onjegin i Don Kihota ali i uz potresnu i magičnu numeru Adios Nonin (Zbogom oče) Astora Pjacole.

Diplomac Boban Kostić i njegova koleginica, studentkinja treće godine na odseku za Scensku narodnu igru i muziku Nevena Antić, su izabrali zanimljiv pristup, istražujući kroz priču velikog pisca Alekseja Nikolajeviča Tolstoja nasleđe ruskog folklora i njegovo savremeno uprizorenje (Kostić) kao i nasleđe slovačkog folklora, kroz ljubavni duet (Antić), na taj način takođe i podsećajući našu publiku na dve velike kulture, navodi autorka teksta Prof. Dijana Milošević.

Ulaz za publiku je slobodan uz pridržavanja svih mera i ograničenja broja publike.

Rezervacija se vrši putem emaila na teodora.zivkovic@iui.rs

Fotografije: Prof. Nemanja Maraš

ČETVRTI DAN POSETE MANIFESTACIJI EXPO 2020

Četvrti dan posete manifestaciji Expo 2020

Četvrtog dana predstavnici Instituta za umetničku igru i predstavnici Fakulteta za inženjerski menadžment su imali razgovore sa predstavnicima visokog obrazovanja iz Malezije, Španije, Ujedinjenih Arapskih Emirata i Jamajke po pitanju saradnje na naučnim projektima, razmene studenata, kao i profesora.

BELGRADE DANCE INSTITUTE AT DUBAI EXPO 2020

BELGRADE DANCE INSTITUTE AT DUBAI EXPO 2020

At the invitation of the Serbian Chamber of Commerce in cooperation with the Government of the Republic of Serbia, the delegation of the Belgrade Dance Institute and the School of Engineering Management will be guests at EXPO 2020 DUBAI from December 10th to 18th, 2021 as part of the fourth thematic week Knowledge and Learning.

The delegation consists of Prof. Dr. Vladimir Tomašević, Dean; Prof. Dr. Snežana Arnautović Stjepanović, Vice Dean for Teaching at the Institute; Prof. Dr. Tatjana Ilić - Kosanović, Vice Dean for Scientific Research, Prof. Dr. Srđan Tomić, Vice Dean for Teaching at the School of Engineering Management, Prof. Dr. Katarina Štrbac, Head of the Department of Security and Jelena Rajković, Assistant.

The Minister of Education, Science and Technological Development, Branko Ružić, addressed the professors of the Belgrade Dance Institute and the School of Engineering Management with a visit to the Business Hub of Serbia and wished them a lot of success in their work.

During the week dedicated to education, professors will present the programs of undergraduate, master's and doctoral studies of Artistic Dance and the School of Engineering Management, and will talk daily with candidates for enrollment in doctoral studies from the United Arab Emirates.

During their stay, professors will participate in numerous conferences and educational programs that will be organized at EXPO 2020.

Due to the corona virus pandemic, the World Expo 2020 Dubai is being held in Dubai from October 2021 to March 2022 instead of the planned 2020 and 2021.

This is the first World Exhibition ever organized in the Arab world, in the Middle East, Africa and South Asia (MEASA region). Through the theme Connecting Minds, Creating the Future and Thematic Opportunities, Mobility and Sustainability, the event aims to present the best examples of cooperation and innovation from around the world.

PREZENTACIJA STUDIJA U SRBIJI ZA STUDENTE IZ INOSTRANSTVA

Prezentacija studija u Srbiji za studente iz inostranstva

Predstavnici Instituta za umetničku igru danas trećeg dana su započeli dan na manifestaciji Dubai Expo 2020 prisustvom prezentaciji Mogućnosti visokoškolskog obrazovanja za studente iz inostranstva, odnosno internacionalizacije visokog obrazovanja u Srbiji.

Uvodnu reč je održao ministar prosvete, nauke i tehnološkog razvoja Branko Ružić, a prezentaciju je održala direktorka Tempus kancelarije u Srbiji Marija Filipović Ožegović.

Institut za umetničku igru već ima akreditovan program osnovnih, master i doktorskih studija koji se održavaju na engleskom jeziku.

U kratkoj pauzi prof. dr Snežana Arnautović Stjepanović razmenila je utiske sa novinarkom Politike Borkom Golubović Trebješanin.

DEFENSE OF MASTER'S THESIS BY ALISA ORAVEC

Defense of Master's thesis by Alisa Oravec

At the Belgrade Dance Institute on December 8th, 2021. Alisa Oravec, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of We killed Mother, almost.

She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:

Prof. dr Miomir Petrović, President of the Commission
Prof. Dijana Milošević, mentor
Prof. dr Snežana Arnautović Stjepanović, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Alisa Oravec has all the rights and obligations arising from the fact that from the December 8th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

PREDSTAVNICI FAKULTETA SA MINISTRIMA ČOMIĆ I RUŽIĆ

PREDSTAVNICI FAKULTETA SA MINISTRIMA ČOMIĆ I RUŽIĆ

Predstavnici Instituta za umetničku igru i Fakulteta za inženjerski menadžment su danas imali razgovor sa Gordanom Čomić, ministarkom za ljudska i manjinska prava i društveni dijalog po pitanju projekata. Tom prilikom su imali susret i sa Brankom Ružićem, ministrom obrazovanja, nauke i tehnološkog razvoja.

U nastavku će prisustvovati događajima Making possible to find your education i Disparities in access to education.

PIAZZOLLA SPECTACLE IN RADOVIĆ

PIAZZOLLA SPECTACLE IN RADOVIĆ

The operetta Maria de Buenos Aires by Astor Piazzolla will be premiered on the stage of the Little Theater Duško Radović on Friday, December 10th, starting at 8 p.m.

Choreographed by Ognjen Vučinić, this premiere will mark the 100th anniversary of the birth of the famous Piazzolla.

The play is performed by Ljubica Damčević, Ivan Nikolić, Mihailo Šljivić, Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Miloš Miketić, Grigorije Pećanac, Ksenija Komljenović, Arion Petrovski.

Tango dancers are Relja Dereta and Jelena Minić with the support of dancers Miona Petrović and Ognjen Vučinić.

Arrangements for the play were made by Djordje Perović and Jelena Adamović.

The project was realized with the support of the Ministry of Culture and Information, the Embassy of Argentina in Serbia, Tango Natural, the Belgrade Dance Institute, the Serbian Association for Gestalt Psychotherapy, the music school "Dr Vojislav Vuckovic" and the Small Theater "Dusko Radovic".

Due to the epidemiological situation and the restriction of the audience, the number of seats in the audience is limited.

Tickets are on sale at the Tango Natural Institute at Resavska 28 at a price of 800 dinars.

PROF. ALEKSANDAR ILIĆ AT THE 27TH INTERNATIONAL EXPOSURE

PROF. ALEKSANDAR ILIĆ AT THE 27TH INTERNATIONAL EXPOSURE

Prof. Aleksandar Ilić participated in the 27th International Exposure in Israel, which was held online this year from December 1st to 5th in Tel Aviv.

Dancing is a universal language that connects culture, nation and people without words.

The Ministry of Foreign Affairs of Israel is a long-term partner of this platform for contemporary dance and represents the most important choreographers, companies and artists from Israel.

The program was broadcast live from the Susan Delal Center in Tel Aviv.

The Belgrade Dance Institute would like to thank the Embassy of Israel in Serbia for its long-term cooperation and support in projects.

INSTITUT ZA UMETNIČKU IGRU NA DUBAI EXPO 2020

INSTITUT ZA UMETNIČKU IGRU NA DUBAI EXPO 2020

Na poziv Privredne komore Srbije u saradnji sa Vladom Republike Srbije, delegacija Instituta za umetničku igru i Fakulteta za inženjerski menadžment od 10. do 18. decembra 2021. gostuje na EXPO 2020 DUBAI u okviru četvrte tematske nedelje Znanje i učenje.

Delegaciju čine Prof. dr Vladimir Tomašević, dekan; Prof. dr Snežana Arnautović Stjepanović, prodekan za nastavu Instituta; Prof. dr Tatjana Ilić – Kosanović, prodekan za naučno – istraživački rad, Prof. dr Srđan Tomić, prodekan za nastavu Fakulteta za inženjerski menadžment, Prof. dr Katarina Štrbac, Šef katedere za bezbednost i Jelena Rajković asistent.

Profesorima Instituta za umetničku igru i Fakulteta za inženjerski menadžment posetom Biznis habu Srbije se obratio Ministar prosvete, nauke i tehnološkog razvoja, Branko Ružić i poželeo puno uspeha u radu.

U toku nedelje posvećene obrazovanju, profesori će predstaviti programe osnovnih, master i doktorskih studija Umetnička igra i Fakulteta za inženjerski menadžment, a svakodnevno će razgovarati i sa kandidatima za upis na doktorske studije iz Ujedinjenih Arapskih Emirata.

Profesori će tokom boravka učestvovati na brojnim konferencijama i edukativnim programima koje će biti organizovane na EXPO 2020.

Zbog pandemije korona virusa, Svetska izložba Expo 2020 Dubai se umesto planirane 2020. i 2021. godine, održava u Dubaiju od oktobra 2021. do marta 2022. godine.

U pitanju je prva Svetska izložba ikada organizovana u arapskom svetu, na području Bliskog Istoka, Afrike i Južne Azije (MEASA region). Kroz temu Povezivanje umova, stvaranje budućnosti i tematske celine Mogućnost, Mobilnost i Održivost, manifestacija teži da predstavi najbolje primere saradnje i inovacije iz celog sveta.

ODBRANA MASTER RADA ALISE ORAVEC

Odbrana Master rada Alise Oravec

Na Institiutu za umetničku igru 08.12.2021. Alisa Oravec, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Ubili smo mamu zamalo.

Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Prof. dr Miomir Petrović, Predsednik komisije
Prof. Dijana Milošević, mentor
Prof. dr Snežana Arnautović Stjepanović, član

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Alisa Oravec, ima sva prava i obaveze koje proizilaze iz činjenice da od 08.12.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!

THE DANCE PERFORMANCE MOŽIČEK PREMIERED IN SLOVENIA

PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK

On Thursday, December 2nd, the dance performance Možiček by Josip Ipavac, choreographed by professors Aleksandar Ilić from Serbia and Gjergji Pervazi from Albania, performed by Balkan Dance project players Mojca Majcen and Patricia Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jaksa Filipovac from Serbia, premiered on the stage of the House of Culture in Velenje (Slovenia). In addition to the players, musicians from Slovenia Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin and Miha Firšt are participating in the play.

The idea of the organizers and producers is the revitalization of old ballets and the renewal of the work marking the 100th anniversary of the death of the famous Slovenian composer Josip Ipavac.

Gjergji Pervazi and Professor Aleksandar Ilić are currently present on the stage as the most influential choreographers.

Pervazi was educated at the University of Performing Arts in Albania, and studied in Paris. He is the founder of the Albanian Dance Theater and a company that encourages contemporary dance in the area and is the director of the Albania Dance Meeting dance festival. He is an assistant professor at the University of Arts in Tirana, Department of Choreography.

Professor Aleksandar Ilić is a Serbian ballet artist and choreographer, founder and professor of the Belgrade Dance Institute. He completed his postgraduate studies at the Trinity Laban Conservatory of Music and Dance in London. As a choreographer, he has made a large number of productions in domestic theaters and the region. Since 2019, he has been the director of the Cultural Center of Belgrade.

The scenography for the play was done by Matija Kovač from Slovenia and the costume by Aleksandra Karović from Serbia.

After the premiere, the play will be performed on December 22nd in Šentjur and on December 27th in Celje this year.

See more about the play here: https://www.festival-velenje.si/dogodki/12994-Mozicek

Photography by House of Culture Celje

PIAZZOLLA SPEKTAKL U RADOVIĆU

PIAZZOLLA SPEKTAKL U RADOVIĆU

Na sceni Malog pozorišta Duško Radović u petak 10. decembra premijerno će biti izvedena opereta Maria de Buenos Aires Astora Pijacole s početkom u 20.00 časova.

U koreografiji Ognjena Vučinića, ovom premijerom obeležiće se 100 godina od rođenja čuvenog Pijacole.

Predstavu izvode Ljubica Damčević, Ivan Nikolić, Mihailo Šljivić, Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Miloš Miketić, Grigorije Pećanac, Ksenija Komljenović, Arion Petrovski.

Tango igrači Relja Dereta i Jelena Minić uz podršku igrača Mione Petrović i Ognjena Vučinića.

Aranžmane za predstavu su uradili Đorđe Perović i Jelena Adamović.

Projekat je realizovan uz podršku Ministarstva kulture i informisanja, Ambasade Argentine u Srbiji, Tango Naturala, Instituta za umetničku igru, Srpskog udruženja za geštalt psihoterapiju, muzičke škole "Dr Vojislav Vučković" i Malog pozorišta "Duško Radović".

Zbog epidemiološke situacije i restrikcije publike, broj mesta je ograničen u gledalištu.

Karte su u prodaji u Institutu Tango Natural na adresi Resavska 28 po ceni od 800 dinara.

PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK IN SLOVENIA

PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK IN SLOVENIA

The dance performance Možiček will be premiered on the stage of the Velenje Festival (Slovenia) on Thursday, December 2nd.

It is a play by Josip Ipavac, choreographed by Professor Aleksandar Ilić from Serbia and Gjergji Pervazija from Albania.

The play is performed by Balkan Dance project players Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jakša Filipovac from Serbia. In addition to the dancers, the play features musicians from Slovenia Iztok Kocen, Zoran Bicanin, Urban Krč, Uroš Bičanin and Miha Firšt.

The idea of the organizers and producers is the revitalization of old ballets and the renewal of the work marking the 100th anniversary of the death of the famous Slovenian composer Josip Ipavac.

Gjergji Pervazi and prof. Aleksandar Ilić are currently present on the stage as the most influential choreographers. Pervazi was educated at the University of Performing Arts in Albania, and studied in Paris. He is the founder of the Albanian Dance Theater and a company that encourages contemporary dance in the area and is the director of the Albania Dance Meeting dance festival. He is an assistant professor at the University of Arts in Tirana in the choreography department.

The scenography for the play was done by Matija Kovača from Slovenia and the costume by Aleksandra Karović from Serbia.

After the premiere, the play will be performed on December 22nd in Šentjur and on December 27th in Celje this year.

See more about the play here: https://www.festival-velenje.si/dogodki/12994-Mozicek

SPECTACULAR PERFORMANCE GALA CONCERT OF YOUTH BALLET

SPECTACULAR PERFORMANCE GALA CONCERT OF YOUTH BALLET

The Ballet Gala Concert, choreographed by Ballet Master and choreographer Amalia Mindrutiu, a visiting professor from Romania and performed by the Youth Ballet Company of the Belgrade Dance Institute, premiered on the big stage of the Student City Cultural Center in Belgrade on Saturday, November 27th.

Members of the Youth Ballet Company performed variations of Polonaise from the ballet of Eugenia Onegin, variations from the ballet Swan Lake (pas de trois), Waltz of Love, variations from the ballet Don Quixote (third act), Russian Game and Dance of the Clocks, by famous composers Pyotr Ilyich Tchaikovsky, Amilcare Punkielia and Ludwig Minkus.

The Gala Concert was masterfully performed by Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov and Gabriele De Fazio.

Assistant choreographers Doc. Mila Stijak and Milica Bezmarević and music associate Ana Spremić.

Photography by prof. Nemanja Maraš

GALA CONCERT OF THE YOUTH BALLET COMPANY

GALA CONCERT OF THE YOUTH BALLET COMPANY

The Gala Concert of classical ballet, choreographed by Ballet Master Amalia Mindrutiu (Romania) and performed by the Youth Ballet Company, will be premiered tonight, November 27th, on the Grand Stage of the Student City Cultural Center, starting at 8 p.m.

The Youth Ballet glorifies the music and the beauty of the movement. The concert is filled with variations of classical ballet. Over thirty performers from the Youth Ballet company, students of the Belgrade Dance Institute and ballet dancer from the National Theater will take part on the stage. The young dancers will show variations such as Polonaise from the ballet of Eugenia Onegin, a variation from the ballet Swan Lake (pas de trois), Waltz of Love, a variation from the ballet Don Quixote (third act), the Russian Game and the Dance of the Clocks. Composers Peter Ilyich Tchaikovsky, Amilkare Punkieli and Ludwig Minkus.

The Gala Concert will be performed by Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović , Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov and Gabriele De Fazio.

Assistant choreographers are Doc. Mila Stijak and Milica Bezmarević and music associate is Ana Spremić.

The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in Belgrade and Serbia.

The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Doc. Mila Stijak. The piano accompanist of the Ballet of Youth company is Ana Spremić. The company's work plan is to perform a regular repertoire programme consisting of gala concerts, ballet suites, one-act ballets, all-night ballet performances and original choreographies of classical heritage. The work of the company is focused on preparing students for future professional work in the ensemble.

The Youth Ballet Company realized a large number of concerts within the programme of the National Theater and the Vuk Theater, within which students of primary and secondary ballet schools presented themselves.

64.74

64.74

On November 24th, 2021, at 7 pm, in the small hall of the Student City Cultural Center, the premiere of the film 64.74 (psychological thriller genre) by Katarina Stojković, will be presented, which is also her master's thesis at the Belgrade Dance Institute under the mentorship of Prof. Dr. Miomir Petrović.

Author team:

Director - Katarina Stojković

Screenwriter - Katarina Stojković

Director of Photography - Luka Stojković

Camera - Luka Stojković

Editing - Luka Stojković

Costume design - Katarina Stojković

Production - KLS films (Katarina and Luka Stojković)

Actors - Vladimir Čubrilo, Vladimir Đordjević, Tijana Malek, Mila Stijak, Katarina Bućić, Miloš Šupić, Luka Stojković, Ivan Mišić, Danilo Stojković, Doroteja Sinadinovski, Jon Guelas

Year of filming - 2021

Location - Belgrade, Serbia

Duration - 54 min

Language - English (Serbian subtitle)

The screenplay of the feature film 64.74 shows the inner struggle of the individual Liam, a subject in a scientific experiment, trapped in a world between reality and illusions. You lose the exact notion of real life and the question arises what is real and what is fictional? How people from the shadows rule the world, how they play chess where ordinary people are pawns and "scramble" minds without being responsible for the consequences they create. The theme of the film deals with the game of one human mind after a horrible accident, while the idea is based on the very control of that mind game by people conducting scientific experiments on the masses, trying to impose beliefs we believe in or are imposed to believe in and to look like an independent decision without being aware of the knowledge of imposing it, believing that it is a free will. The game they lead is based on neuropsychological research, using psychoactive substances that cause unrealistic scenarios in the subject's head, waiting for his reaction to them, monitoring and studying him for the sake of knowledge, understanding and control of the human mind. The film is a great dance in which everyone has a role to play, imbued with the ideological guiding principle of neoliberalism as well as the freedom of choice itself, which is questionable today. Observing the main character Liam and his life, the plot is viewed from the very center of another, new perspective of his mind. His thoughts are interwoven with threads of subjective reality that borders on a dose of madness, which increases after a new dose of the psychoactive substance he consumes. Each new dose increases the suspicion of him as a character who can be conceived as a man on the verge of madness, on the verge of normalcy, a character who is losing his mind or have lost it a long time ago. He can be experienced as a guinee pig of a great global game of ruling people or as a completely ordinary man who sank into the sea of irrational, lonely life due to the disaster that befell him. The very end of the film sets a task for each viewer: creating their own solution to this story. In 54 minutes, the viewer has the opportunity to explore, put himself in the role of a detective and actively follow and find various clues so that he can form his own course of action. The end of the film offers various possibilities of comprehension, interpretation, emotional experience and identification due to the possibility of independently choosing the outcome of the film as a free choice that exists in society and yet carefully hidden, imperceptibly imposed by the setter of the rules.

PROFESSOR DR MIOMIR PETROVIĆ PARTICIPATES IN THE SCIENTIFIC SYMPOSIUM

PROFESSOR DR MIOMIR PETROVIĆ PARTICIPATES IN THE SCIENTIFIC SYMPOSIUM

Prof. Dr. Miomir Petrovic, full-time professor at the Belgrade Dance Institute, participates in the scientific symposium Dragoslav Srejovic and Interdisciplinarity organized by the Center for Scientific Research SANU and the University of Kragujevac, which will be held in Kragujevac, November 29th this year.

Professor Petrović will present a paper entitled Modification and Transmutation of the Myth of Orestes in Avant-garde Dramatic Texts.

A PLAY WITH MYTH

A PLAY WITH MYTH

The dance performance based on the book Josip and his brothers by Thomas Mann was performed last night on the stage of the Student City Cultural Center and was accompanied by standing ovations from the audience.

Choreographer: Prof. Aleksandar Ilić

Libretto: Teodora Sujić

Costume: Katarina Radošević Galić (Croatia) and Snežana Arnautović Stjepanović (Serbia)

Music adaptation: Georg Draušnik (Croatia)

The play was co-produced by the Belgrade Dance Institute from Belgrade, the Liberdance Free Dance Ensemble from Zagreb and the Kamenjak Theater of Rajko Pavlić from Zagreb.

Performed by:

Lara Frgačić, Silvija Music, Dora Šesto (Croatia), Natalija Trifunović, Katarina Ilijašević (alumni of the Belgrade Dance Institute, Serbia)

About the show:

At a time when we are once again living in the challenges posed by the global pandemic, in the play Joseph and His Brothers, in a dance adaptation, choreographer Prof. Ilić puts the biblical story into reality, using modern means of mythology, psychology, philosophy, archeology, religion and philology.

The play premiered on the stage of the Zagreb Dance Center on September 27th, 2021.

Photos: Jana Milenković

DANCE PERFORMANCE SHELTER TONIGHT IN SLOVENIA

DANCE PERFORMANCE SHELTER TONIGHT IN SLOVENIA

The dance performance Shelter performed by the Belgrade Dance Institute and choreographers Christophe Beranger and Jonathan Pranlas-Descour (France) will be performed tonight, November 19th, starting at 7.30 pm on the stage of the Dance Forum Celje (Slovenia) organized by the House of Culture Celje, ending the regional tour of this project, with the support of the Ministry of Culture and Information of the Republic of Serbia and the international platform Teatroscope of the French Institute in Serbia.

To the mutual satisfaction of both the audience and the critics, the Celje cultural scene is returning to the map of an unavoidable dance destination in Slovenia, which is being intensively worked on by Mojca Majcen, a second-year student of the Choreography Department.

The play stars alumni and students: Katarina Bućić, Jovana Grujić, Natalija Trifunović, Ana Mihova, Katarina Ilijašević, Sonja Stojanović and Tijana Ostojić.

Shelter's choreography is the final performance of the students of the Belgrade Dance Institute, Department of Contemporary Dance. Shelter is a new and unusual creative process inspired by the rhythms of musical scores in which music and dance create speed, initiate body movement and flight and tell an epic saga about the history of Belgrade, a city torn between constant destruction and construction. Then we build a shelter from within whose task is to enable us to open up to the world despite its contradictions, to reach silence amidst the urban bustle and drama of life. During the process, we analyze the category of decay, dissolution of even those structures that we thought were eternal, moments during which we realize that only our body is our temple, the authors say.

The dance performance SHELETER premiered on June 29th on the stage of BITEF Theater.

See more about the play here: https://www.hisakulture.si/2021/11/06/plesna-predstava-shelter-zaklonisce/

PERFORMANCE HAFETOPIA

Performance Hafetopia

Performance Hafetopia will be performed on November 20th, 2021. at 19.00 in the Legacy Gallery in Belgrade within the international project Other Ways of Communication. The performance is presented by a multimedia artist, professor and vice dean for teaching at the Belgrade Dance Institute, Prof. dr. Snežana Arnautović Stjepanović, with her nine-year-old son Teodor. The music for the performance was composed by Ivica Stjepanović.

The performance is dedicated to our great artist Era Milivojević.

"Hafetopia, hapephobia or hapetophobia is the fear of touch.

We live in a time when just one touch can be deadly to someone. Changes in lifestyle and social interactions (life without hugs, kisses and touch) have led to a state of anxiety that can be identified with the symptoms of this phobia.

Hafetopia's performance points to the need for touch, for tactile and manual act, which has become impossible in the period since the beginning of the pandemic. Returning to nature and acting according to its laws is presented by establishing a new way of communication: sensory, tactile and intuitive. "

Snežana Arnautović Stjepanović

Project Other ways of communication

Happiness is in connection and compassion with others, as a source of hope, empathy, responsibility and authenticity. The real purpose of art is to communicate feelings. The global experience of the Covid 19 pandemic has caused changes in the way society works: working from home, online classes, meetings on various Internet platforms, so establishing interpersonal relationships as "other ways of communication" is a challenge.

The project includes artists from Belgrade and Berlin, whose works and dialogue will consider man's relationship to the body, as his most immediate nature, and that relationship speaks of man's relationship to nature. The development of the senses and environmental awareness improves the environment, but also aims to establish empathic interpersonal relationships, sociability and culture. The language of contemporary art is a field of re-examining "other ways of communication" with the use of different human senses, tactility, manual work, bodily gestural free movement in space, overcoming the limited gesture of typing on a mobile phone screen and computer keyboard, where conversation with others is limited to seeing and hearing.

Artists: Snežana Arnautović, Marijana Oro, Marko Nektan, Ana Cvejić, Magda Radojlović, Melih Sarigol, Emre Birişmen, Merey Senokak, Funke Collective Berlin.

Project author: Isidora Fićović PR: Pavle Knežević Catalogue: Ivana Vidić

Project partner: Selda Asal, Apartment project Berlin

The exhibition at the Legacy Gallery in Belgrade, Kraljevića Marka 8, from November 19th to 25th, 2021, will be opened on November 19th, 2021 at 7 p.m.

Photography by Lidija Antonović

SHELTER DANCE PERFORMANCE TONIGHT IN ZAGREB

SHELTER DANCE PERFORMANCE TONIGHT IN ZAGREB

Tonight, a dance performance Shelter, choreographed by Christophe Berange and Jonathan Pranlas-Descour, a duo from France, will be performed on the stage of the Zagreb Dance Center. After the performance in Zagreb, the next performance is on Friday, November 19th, on the stage of the House of Culture in Celje, Slovenia.

The play is performed by Katarina Bućić, Jovana Grujić, Natalija Trifunović, Angela Mihova, Katarina Ilijašević, Sonja Stojanović and Tijana Ostojić.

Shelter's choreography is the final performance of the students of the Belgrade Dance Institute, the Department of Contemporary Dance. Shelter is a new and unusual creative process inspired by the rhythms of musical scores in which music and dance create speed, initiate body movement and flight and tell an epic saga about the history of Belgrade, a city torn between constant destruction and construction. Then we build a shelter from within whose task is to enable us to open up to the world despite its contradictions, to reach silence amidst the urban bustle and drama of life. During the process, we analyze the category of decay, dissolution of even those structures that we thought were eternal, moments during which we realize that only our body is our temple, the authors say.

The regional guest performance of the play was supported by the Ministry of Culture and Information of the Republic of Serbia.

PERFORMED OPERA CHILDREN'S ROOM

PERFORMED OPERA CHILDREN'S ROOM

The Youth Ballet Company performed for the first time as part of the 53rd BEMUS - and on Friday, November 12th, on the stage of the Little Theater Duško Radović they performed in the opera for children Children's Room under the direction of Milan Nedeljković, composer Milenko Živković based on Desanka Maksimović’s story, choreographed by Doc. Mila Stijak and Ana Bošković.

Directed by Natalija Stanković and Mateja Đedović under the mentorship of Boris Liješević, the play stars Biljana Jovanović (mother), Boris Papak (father), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić. (third child), Mina Nikolić (fourth child), Choir of the Children's Cultural Center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vučković, class of prof. Maja Đokić, orchestra students of the Opera: Past, Present, Perfect project! and professional musicians.

You can watch the rerun of the opera Children's Room on November 13th at 8 p.m.

A PRACTICAL GUIDE TO SUPERSTITION

A PRACTICAL GUIDE TO SUPERSTITION

On the Grand Stage of the Vuk Theater on Wednesday, November 10th, starting at 8 pm, the final play A Practical Guide to Superstition by Katarina Ilijašević of the choreography department was premiered before a three-member commission and audience, Prof. dr Snežana Arnautović Stjepanović, mentor and members of the commission Prof. Dijana Milošević, and Prof. Dr. Miomir Petrovic.

The play was created under the mentorship of Prof. dr Snežana Arnautović Stjepanović and co-mentorship of Professor Ognjen Vučinić, directed by Luka Jovanov.

"When fear turns into religion, not all candles can make enough smoke for the message to reach the desired heavenly forces. And then, the avoidance of ladders becomes life below them. We will try to make a wish - we need encounters, we need afterwards to cuddle and caress each other, to wake up together, because it is stupid to wake up alone on the first of January, it is miserable to be alone, we need the audience, to see how happy we are celebrating our New Year, another faster than the previous one, to have someone to see how we were happy, how we touched, how we danced, howled, changed music, ate pork, wore red clothes, we need an audience to witness our better selves, we need to meet ourselves again at dusk when everything passes, but the key point is to have someone to tell us the story afterwards. And that's why we light candles. And that's why we don't go anywhere without a ball of red thread. That's why we gather. That's why we bow. And that's why, there's nothing practical in another practical guides - (almost) we have shamelessly invented everything. "

The play was performed by Jovana Grujić, Tijana Koprivica, Dika Babić and Djordje Galić.

Visual identity by Dunja Maksimović, Nikola Radeka is in charge of sound design and Nikola Krdžić did the poster design.

Photography by Prof. Nemanja Maraš

Defense of Master's thesis by Katarina Stojković

Defense of Master's thesis by Katarina Stojković

At the Belgrade Dance Institute on November 9th, 2021. Katarina Stojković, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of Choreographic approach in authorship film 64.74.

Prof. Dijana Milošević, President of the Commission
Prof. Miomir Petrović, mentor
Prof. dr Snežana Arnautović Stjepanović, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Katarina Stojković has all the rights and obligations arising from the fact that from the November 9th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

CHILDREN'S ROOM - OPERA FOR CHILDREN

CHILDREN'S ROOM - opera for children

The Youth Ballet Company will perform for the first time as part of the 53rd BEMUS - on Friday, November 12th, at the Duško Radović Small Theater in the children's opera Children's Room under the direction of Milan Nedeljković, composer Milenko Živković, based on Desanka Maksimović’s text, choreographed by Doc. Mila Stijak and Ana Bošković, starting at 8 p.m. The first replay is scheduled for November 13th.

The Children's Room is composed based on the short story of the same name by our poet Desanka Maksimović and represents not only the first steps of our compositional practice aimed at the youngest audience of the fourth decade of the twentieth century in Serbia, but also a real pearl of Milenko Živković's opus and our cultural heritage. This unique work, the work of two great Serbian artists, is an indicator of advanced thinking and the level of development of the Serbian art scene, which in the first half of the twentieth century kept pace with the most modern artistic trends in Europe.

This year marks the 120th anniversary of the birth of Milenko Živković, whose significance and work have been unjustly neglected in our environment, and at the 53rd BEMUS with the performance of the Children's Room, we will be reminded of his immeasurable contribution to music and performing arts in Serbia.

The idea for the reconstruction and performance of this work came from the project Opera: Past, Present, Perfect! in the production of the Music Opera and Theater Organization MOTO and the Small Theater Duško Radović under the auspices of Creative Europe.

Directed by Natalija Stanković and Mateja Đedović under the mentorship of Boris Liješević. In addition to members of the Youth Ballet Company, the main roles are played by Biljana Jovanović (mother), Boris Papak (father), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić (third child), Mina Nikolić (fourth child), Children's Cultural center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vučković the class of prof. Maja Đokić, orchestra students of the Opera: Past, Present, Perfect project! and professional musicians.

The opera for children was performed for the first time on February 20th and 26nd, in 1941.

SOFIA DANCE PERFORMANCE PREMIERE

SOFIA DANCE PERFORMANCE PREMIERE

The dance performance of the Sofia by Bitef Dance Company, choreographed by Felix Landerer and performed by students Jakša Filipovac and Nikola Živković, and alumni Tamara Pjević and Branko Mitrović, premiered on the stage of the BITEF Theater on Sunday, November 7th, starting at 8 pm.

In addition to students and alumni of the Belgrade Dance Institute, the play is performed by Ana Ignjatović-Zagorac, Ivana Savić Jaćić and Stasa Ivanović (alternations Natasa Gvozdenović, Miona Petrović, Dušan Bajčetić and Nea Janković).

The play raises the question of the human mind and its seemingly diminished capacity to recognize the fact that it is sabotaging its own future. Based on a rethinking of ideas about people and their connection to what surrounds them technologically and organically, Felix Landerer is toying with the idea of a recognized human catalog of movement and connection. Ideas about what we can adapt to, what belongs to us and what does not, determine the parameters for his approach to this topic.

We can take a prosthesis as an example, as a symbol of something that belongs to us or not.

The piece is set as a kind of exhibition. Exhibitions of human behavior and the body as something perfect. Something with flaws. Something natural. Something that could be a reminder of the natural world we were once involved in.

Music by Christof Littmann; costume by Selena Orb; scenography by Isidora Spasić; organization by Marija Takić.

Photography by Nenad Šugić

Taken from the BITEF THEATRE site

WE KILLED MOM (ALMOST)

WE KILLED MOM (ALMOST)

In the Great Hall of the Student Cultural Center on Friday, November 5th, starting at 19.00, Alisa Oravec presented her master thesis work - a contemporary dance performance We Killed Mom (almost) in front of a three-member committee and the audience, Prof. Dijana Milošević, mentor and members of the commission Prof. dr Snežana Arnautović Stjepanović and Prof. Dr. Miomir Petrović.

According to the text by Dragana Kožan, the play was performed by Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij and Alisa Oravec.

The costume for the show was made by Tereza Veber Oravec, the masks by Sandra Veber, and the make-up by Andrea Bisa.

Photography Srđan Veljović (Politika).

PROF. ILIĆ AT THE FINAL CONFERENCE ON ACCESSIBILITY

PROF. ILIĆ AT THE FINAL CONFERENCE ON ACCESSIBILITY

Prof. Aleksandar Ilić attended the final conference of the EU and Serbia - together for accessible public institutions, which was held on Friday, November 5th, at the Hotel Metropol in Belgrade.

Without an accessible environment, it is difficult to talk about respect for human rights, an inclusive society, equality and equal opportunities for all citizens.

Universal Design workshops were held at the Belgrade Cultural Center in October and November this year in cooperation with Ivana Bućko in the field of accessibility when it comes to programs of cultural institutions and other public spaces intended for culture and art programs.

Vice-dean Prof. dr Snežana Arnautović Stjepanović also attended the Universal Design workshops at the Cultural Center of Belgrade.

CERTIFICATE FOR PARTICIPATION IN THE 7TH EUROPEAN BALLET FESTIVAL GRAND ASSEMBLÉ

CERTIFICATE FOR PARTICIPATION IN THE 7TH EUROPEAN BALLET FESTIVAL GRAND ASSEMBLÉ

The Belgrade Dance Institute and the Youth Ballet Company were awarded a certificate for participation in the 7th European Ballet Festival Grand Assemblé in Cluj, prepared by Prof. Amalia Mindrutiu, Doc. Mila Stijak and Doc. Ana Spremić with the participation of Ksenija Sindjić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofia Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević and Gabriele De Fazio.

The video was recorded by Prof. Nemanja Maraš with the assistance of Teodora Živković.

For more information on how to join the work of the Youth Ballet Company, call

011 41 40 421 every working day from 9.00 to 17.00.

BELLA CIAO

BELLA CIAO

At the highest artistic level, the IMRC collective creates performances with professional artists and performers with and without disabilities and through the form of dance represents equality, diversity, togetherness and equal opportunities, without thematizing one group, but speaks in various ways about equality, togetherness and importance of expression. Each person in his own way, in all his strength, but also vulnerability.

Thus, the dance performance Bella Ciao was born from the research of various forms of performance community and support. Bella Ciao, an Italian revolutionary song, stands in the title as a symbol of struggle and resistance to any oppressive ideologies over the freedom of the body: oppression of the "right" over those who do not fit into the canon, "strong" over the weak, "perfect" over the fragile.

"Bodies that explore their differences and play with them, honestly and without hesitation, have been at the center of our artistic interest. Within a group of seven dancers / performers, we looked for places where we could open up to our own imperfections, fragility and vulnerability. Through them they produce the power of performance. Performance thus becomes a place of intense mediation of emotions, and performers become the bearers of the idea of a free individual dedicated to community. The main weave of performance is a common sense of space and time, in the play of dancers / performers and musicians, as well as the audience. Inspiring and motivating each other, the most exciting and valuable always happens in the space between us. Bella Ciao is a show that turns human relationships into a space of freedom," says choreographer Silvia Marchig, for whom this is not her first collaboration with the IMRC collective.

IMRC Dance Collective (Inclusive Movement Research Collective - IMRC) is a professional educational and performance dance project, specific in that it includes dancers with and without physical disabilities. It has been operating since 2012, and was established in cooperation with the Croatian Institute for Movement and Dance and the Zagreb Dance Center. With their short and full-length performances, they are guests at numerous dance and theater festivals (Dioniz Festival Osijek, Contemporary Dance Week, Improspections, Bjelovar Echoes of Theater, Dance Network of Croatia - HNK Osijek, Showcase of the Croatian ITI Center, Inclusive Stages - Rijeka, Antisezona 19, MSU Zagreb, Pula - PUF, EU project Unlimited Access - Onasis Center Athens, Night of Inclusion - Dubrovnik, Media Diversty - Skopje, EU project LLB - Uferstudios Berlin).

“In addition to plays, frequent presence in the media and continuity of the educational program, we have a significant impact on the Croatian cultural and social scene, pushing the boundaries of artistic expression and promoting the principles of inclusion. Critics call us "the most suggestive ensemble on the domestic scene", and awards (Croatian Theater Award to Sladjan Livnjak 2016, Pula Festival Award PUF play Lemia 2019) and in cooperation with the Dance Department of the Academy of Dramatic Arts in Zagreb, we confirm the highest level of our programs" says the artistic director of the collective Iva Nerina Sibila.

The Bella Ciao collective will accompany the performance with a workshop. "We invite everyone who wants to dance, regardless of age, dance experience, movement limitations or physical fitness, and who wants to share their imagination, explore and expand their movement through dance, to join us!" - said the IMRC. The workshop will be held in Zadar on September 20th from 11 am to 1 pm, while in Knin on September 22nd from 10:30 am to 12:30 pm.

For reservations and questions, the team invites you to feel free to contact the e-mail address inclusive.imrc.kolektiv@gmail.com

About the show:

Author: Silvia Marchig

Co-authors and performers: Josipa Lukinović, Helvecia Tomić, Irma Unušić, Leon Goličnik, Marijan Pajvot, Nikola Orešković, Ognjen Vučinić

Music: Hrvoje Klemenčić

Photo, promo material design, technical support: Jason Mulhausen

Photo: Marko Gutić Mižimakov

Artistic direction: Iva Nerina Sibila

The song Bella Ciao is performed by Giovanne Daffini

Production: HIPP / IMRC 2018.

Achieved in the residence and with the support of the TALA Dance Center.

IMRC works in cooperation with the Zagreb Dance Center.

Financial support for the visit: Ministry of Culture of the Republic of Croatia.

WE KILLED MOM, ALMOST

WE KILLED MOM, ALMOST

The premiere of the contemporary dance play We Killed Mom, Almost, by Alisa Oravec, will be performed on November 5th, 2021 in the Great Hall of the Student Cultural Center in Belgrade, starting at 7 p.m.

It is uncertain what can happen to man due to climate change on the planet Earth.

Man has caused catastrophic changes, which will be his demise if he does not harmonize with nature in the near future. Unfortunately, the situation is already very alarming. Will a man be punished for his behavior? Does man feel the planet Earth as a living being that kills every day for the sake of his comfortable life? Will Mother Earth overthrow him from the throne of the industrial and technical revolution, or is Mother Earth, like any mother, compassionate and still trying to get her worst child back on track? How much strength, patience, wounds will she need in this fight? Can the world leaders solve a problem, or will they repeat the history without a solution? Can a person's consciousness and conscience be awakened?

The play We Killed Mom, Almost is a master thesis work by Alisa Oravec at the Belgrade Dance Institute under the mentorship of Prof. Dijana Milošević, by which the author wants to send a message to the viewer how she sees the relationship between Mother Nature (Earth) and man. For a man, whom the Mother (like every mother) struggles to pull him out of the abyss and put him on a better path, other warnings come. If much stronger natural forces than man are activated, humanity loses its future. There is another obligation of humanity, and that is to awaken from the material world and breathe its divine nature within itself. Then they will see how wonderful and harmonious life is on Planet Earth, Alisa Oravec emphasizes.

The play is performed by Alisa Oravec, Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij.

Interpretation of the text by Alisa Oravec, text We killed Mom - Dragana Kožan, lights by Aleksa Stojanović, tone by Dejan Kolarski, costume by Tereza Veber Oravec, mask by Sandra Weber, make-up by Andrea Bisak.

Defense of Master's thesis by Manja Pavićević

Defense of Master's thesis by Manja Pavićević

At the Belgrade Dance Institute on October 29th, 2021. Manja Pavićević, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of The structure of classical ballet classes with mental empowerment.

Prof. Dijana Milošević, President of the Commission
Prof. Aleksandar Ilić, mentor
Prof. dr Tatjana Ilić-Kosanović, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Manja Pavićević has all the rights and obligations arising from the fact that from the October 29th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

THE BELGRADE DANCE INSTITUTE AT THE EUROPEAN BALLET FESTIVAL GRAND ASSEMBLÉ

Belgrade Dance Institute at the European Ballet Festival Grand Assemblé

On October 31st, 2021, the Belgrade Dance Institute will participate in an online presentation at the 7th European Ballet Festival Grand Ensemble in Cluj (Romania), where all the most important European academies in the field of artistic dance will be presented.

Students from the Belgrade Dance Institute, members of the Youth Ballet company and a member of the ensemble of the National Theater in Belgrade are taking part in the presentation.

The ballet class will be led by Prof. Amalia Mindutriu (Romania), visiting professor of the Institute and head of the Youth Ballet company, with the assistance of Doc. Mila Stijak and piano accompanist Doc. Ana Spremić. The video will be recorded by Prof. Nemanja Maraš with the assistance of Teodora Živković.

The conference on the topic of Learning-Performing-Teaching Ballet will be held via the zoom application on Sunday, October 31st, 2021 at 6 pm, which can be watched on the platform of the Grand Assemblé festival.

Participants in the performance: Ksenija Sindjić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofija Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević and Gabriele De Fazio, member of the ensemble of the National Theater in Belgrade.

You can see the video of the addressing of the visiting professor Amalia Mindutri HERE.

You can see the video presentation of the students of the Belgrade Dance Institute, members of the Youth Ballet company and member of the ensemble of the National Theater in Belgrade HERE.

The Belgrade Dance Institute received a letter of thanks at the 12th BOSIFEST 2021.

The 12th Belgrade International Film Festival of Persons with Disabilities - Bosifest ended with the award ceremony

The Grand Prix of the 12th Bosifest was won by the documentary HOUSE / UNE MAISON by French director Judith Auffray.

The award for best director went to the film VICTOR by Belgian director Christophe Hermans.

The award for best screenplay goes to the Iranian film INVISIBLE LINES, directed by Mehdi Rakhshani.

Special awards went to the Italian film CRAZY WHEELS / MEGLIO UN GIORNO directed by Elena Rebecca Carini and Ilaria Giangrande.

The award for the best screenplay for an Iranian film, INVISIBLE LINES, was received by the director of the Cultural Center of Iran in Belgrade, Mr. Mohamad Tagi Bahtijari, instead of the director Mehdi Rakhshani.

Prof. Dr. Snežana Arnautović Stjepanović, from the Belgrade Dance Institute, was presented with a letter of thanks for her contribution to the realization of the twelfth Belgrade International Film Festival of Persons with Disabilities BOSIFEST 2021.

The awards were presented by jury members Ivan Ikić and Stefan Ivančić at the closing of the Festival on October 20th at the Yugoslav Cinematheque.

Due to the pandemic caused by Covid 19, the authors of the award-winning films addressed the audience via a video link.

The director of Bosifest, Darko Ivić, expressed his satisfaction with the successfully held festival, despite all the difficulties caused by Covid 19. He thanked everyone who participated in the realization of the festival.

Ceremonial opening of the retrospective exhibition

Ceremonial opening of the retrospective exhibition Vladimir Veličković: Figure as an expression of existence

The retrospective exhibition Vladimir Veličković: Figure as an Expression of Existence was officially opened today, October 20th, at 1 pm in the Museum of Contemporary Art in Belgrade.

The exhibition was opened by Deputy Prime Minister and Minister of Culture and Information Maja Gojković.

The exhibition was attended by Dean Prof. dr Vladimir Tomašević, Vice Dean Prof. dr Snežana Arnautović Stjepanović and Prof. Aleksandar Ilić, director of the Cultural Center of Belgrade.

During the conversation between the Deputy Prime Minister and the Minister of Culture and Information and the representatives of the Ministry of Culture and Information of the Republic of Serbia, the Vice-Dean of the Belgrade Dance Institute exchanged ideas on future cooperation and projects.

The exhibition Vladimir Veličković: The Figure as an Expression of Existence will last until February 21st next year.

PROF. ALEKSANDAR ILIĆ NA 27. INTERNACIONALNOM EXPOSURE

Prof. Aleksandar Ilić učestvovao je na 27. Internacionalnom Exposure u Izraelu koji je i ove godine održan online od 1. do 5. decembra u Tel Avivu.

Igra je uneverzalni jezik koji povezuje kultura, nacija i ljudi bez reči.

Ministarstvo spoljnih poslova Izraela je dugogodišnji partner ove platforme za savremenu igru i predstavlja najznačajnije koreografe, kompanije i umetnike iz Izraela.

Program je emitovan uživo iz Suzan Delal centra u Tel Avivu.

Institut za umetničku igru se zahvaljuje Ambasadi Izraela u Srbiji na dugogodišnjoj saradnji i podršci u projektima.

IZVEDENA PREMIJERA PLESNE PREDSTAVE MOŽIČEK

Na sceni Doma kulture u Velenju (Slovenija) u četvrtak 2. decembra premijerno je izvedena plesna predstava Možiček Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije, a u izvođenju igrača Balkan Dance projekta Mojce Majcen i Patricije Crnkovič iz Slovenije, Branka Mitrovića iz Bosne i Hercegovine i Jakše Filipovca iz Srbije. Pored igrača u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.

Ideja organizatora i producenata je revitalizacija starih baleta i obnova dela u obeležavanju 100. godina od smrti čuvenog slovenačkog kompozitora Josipa Ipavca.

Gjergji Pervazi i profesor Aleksandar Ilić trenutno su prisutni na sceni kao najuticajniji koreografi.

Pervazi je školovan na Univerzitetu za scenske umetnosti u Albaniji, a usavršavao se u Parizu. Osnivač je Albanskog plesnog teatra i kompanije koja podstiče savremenu igru na tim prostorima i direktor je plesnog festivala Albania Dance Meeting. Asistent je na na Univerzitetu za umetnost u Tirani na odseku za koreografiju.

Profesor Aleksandar Ilić je srpski baletski umetnik i koreograf, osnivač i profesor Instituta za umetničku igru. Svoje postdiplomske studije završio je na Konzervatorijumu za muziku i ples Triniti Laban u Londonu. Kao koreograf ostvario je veliki broj produkcija u domaćim pozorištima i regionu. Od 2019. godine na poziciji je direktora Kulturnog centra Beograda.

Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.

Nakon premijere predstava će biti izvedena 22. decembra u Šentjuru i 27. decembra u Celju ove godine.

Više o predstavi pogledajte ovde: https://www.festival-velenje.si/dogodki/12994-Mozicek

Fotografija Hiša kulture Celje.

PREMIJERA PLESNE PREDSTAVE MOŽIČEK U SLOVENIJI

Premijera plesne predstave Možiček u Sloveniji

Na sceni Festivala Velenje (Slovenija) u četvrtak 2. decembra će premijerno biti izvedena plesna predstava Možiček.

Reč je o predstavi Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije.

Predstavu izvode igrači Balkan Dance projekta Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine i Jakša Filipovac iz Srbije. Pored igrača, u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.

Ideja organizatora i producenata je revitalizacija starih baleta i obnova dela u obeležavanju 100 godina od smrti čuvenog slovenačkog kompozitora Josipa Ipavca.

Gjergji Pervazi i prof. Aleksandar Ilić trenutno su prisutni na sceni kao najuticajniji koreografi. Pervazi je školovan na Univerzitetu za scenske umetnosti u Albaniji, a usavršavao se u Parizu. Osnivač je Albanskog plesnog teatra i kompanije koja podstiče savremenu igru na tim prostorima i direktor je plesnog festivala Albania Dance Meeting. Asistent je na Univerzitetu za umetnost u Tirani na odseku za koreografiju.

Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.

Nakon premijere predstava će biti izvedena 22. decembra u Šentjuru i 27. decembra u Celju ove godine.

Više o predstavi pogledajte ovde: https://www.festival-velenje.si/dogodki/12994-Mozicek

IZVEDEN SPEKTAKULARNI GALA KONCERT BALETA MLADIH

IZVEDEN SPEKTAKULARNI GALA KONCERT BALETA MLADIH

Na Velikoj sceni Doma kulture studentski grad u Beogradu u subotu 27. novembra je premijerno je prikazan Baletski Gala koncert u koreografiji Balet majstora i koreografkinje Amalie Mindrutiu gostujuće profesorke iz Rumunije a u izvođenju kompanije Balet mladih Instituta za umetničku igru.

Članovi Kompanije Balet mladih su izveli varijacije Poloneze iz baleta Evgenije Onjegin, varijacije iz baleta Labudovo jezero (pas de trois), Valcer ljubavi, varijacije iz baleta Don Kihot (treći čin), Rusku igru i Igru časovnika, čuvenih kompozitora Petra Iljiča Čajkovskog, Amilkarea Punkielia i Ludviga Minkusa.

Gala koncert maestralno su izveli Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov i Gabriele De Fazio.

Asistenti koreografa Mila Stijak i Milica Bezmarević a muzički saradnik Ana Spremić.

Fotografija Nemanja Maraš.

GALA KONCERT KOMPANIJE BALET MLADIH

GALA KONCERT KOMPANIJE BALET MLADIH

Gala koncert klasičnog baleta u koreografiji Balet majstora Amalie Mindrutiu (Rumunija) a u izvođenju kompanije Balet mladih premijerno će biti izveden večeras 27. novembra na Velikoj sceni Doma kulture studentski grad s početkom u 20.00 časova.

Balet mladih veliča muziku i lepotu pokreta. Koncert je ispunjen varijacijama klasičnog baleta. Na sceni će učestvovati preko trideset izvođača iz kompanije Baleta mladih, studenata Instituta za umetničku igru i igrača iz baleta Narodnog pozorišta. Mladi igrači će prikazati varijacije kao što su Poloneza iz baleta Evgenije Onjegin, varijacija iz baleta Labudovo jezero (pas de trois), Valcer ljubavi, varijacija iz baleta Don Kihot (treći čin), Ruska igra i Igra časovnika. Kompozitori Petar Iljič Čajkovski, Amilkare Punkieli i Ludvig Minkus.

Gala koncert izvode Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov i Gabriele De Fazio.

Asistenti koreografa Mila Stijak i Milica Bezmarević a muzički saradnik Ana Spremić.

Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije.

Rukovodilac kompanije je balet majstor Amalia Mindrutiu (Rumunija), uz asistenciju i saradnju sa baletskim pedagozima Milicom Bezmarević i Milom Stijak. Korepetitor kompanije Balet mladih je Ana Spremić. Plan rada kompanije je izvođenje redovnog repertoarskog programa koji se sastoji od Gala koncerata, baletskih svita, jednočinih baleta, celovečernjih baletskih predstava i izvornih koreografija klasičnog nasleđa. Rad kompanije je usmeren na pripremu polaznika za budući profesionalni rad u ansamblu.

Balet Mladih je realizovao veliki broj koncerata u okviru programa Narodnog pozorišta i Teatra Vuk u okviru kojih su se predstavili učenici osnovnih i srednjih baletskih škola.

Fotografija Nemanja Maraš.

64.74

64.74

24. novembra 2021. u 19.00h u maloj sali Doma kulture Studentski grad, premijerno je prikazan film 64.74, (žanr psihološki triler), autorke Katarine Stojković, koji je ujedno i njen master rad na Institutu za umetničku igru pod mentorstvom Prof. dr Miomira Petrovića.

Autorski tim:
Reditelj – Katarina Stojković
Scenarista – Katarina Stojković
Direktor fotografije – Luka Stojković
Kamera – Luka Stojković
Montaža – Luka Stojković
Kostimografija – Katarina Stojković
Produkcija – KLS films (Katarina i Luka Stojković)
Glumci – Vladimir Čubrilo, Vladimir Đordjević, Tijana Malek, Mila Stijak, Katarina Bućić, Miloš Šupić, Luka Stojković, Ivan Mišić, Danilo Stojković, Doroteja Sinadinovski, Jon Guelas

Godina simanja – 2021
Mesto snimanja – Beograd, Srbija
Vreme trajanja – 54 min
Jezik – Engleski (srpski titl)

Scenario igranog filma 64.74 prikazuje unutrašnju borbu pojedinca Liama, subjekta u naučnom eksperimentu, zarobljenog u svetu između realnosti i iluzija. Gubi tačan pojam realnog življenja te se postavlja pitanje šta je stvarno a šta izmišljeno? Kako ljudi iz senke vladaju svetom, na koji način igraju šah gde su obični ljudi pijuni i “mute” razume bez odgovaranja za posledice koje kreiraju. Tema filma obrađuje igru jednog ljudskog uma nakon doživljene stravične nesreće, dok je ideja bazirana na samoj kontroli te igre uma od strane ljudi koji vode naučne eksperimente nad masom, pokušavajući da nametnu ubeđenja u koja verujemo ili koja su nametnuta kako bi se upravo u njih verovalo, a da izgleda kao samostalna odluka bez da postoji svest o znanju nametanja iste, verujući da je to slobodan izbor. Igru koju vode baziraju na neuropsihološkim istraživanjima koristeći psihoaktivne supstance koje izazivaju nerealna scenarija u glavi ispitanika čekajući njegovu reakciju na iste, prateći i proučavajući ga zarad znanja, razumevanja i mogućnosti kontrolisanja ljudskog uma. Film je jedna velika igranka u kojoj svako ima svoju ulogu, prožet idejnom vodiljom neoliberalizma kao i same slobode izbora koja je danas upitna. Posmatrajući glavnog lika Liama i njegov život, radnja se sagledava iz samog središta druge, nove perspektive njegovog uma. Njegove misli protkane su kroz niti subjektivne realnosti koja se graniči sa dozom ludila, a koja se povećava nokon nove doze psihoaktivne supstance koju konzumira. Svaka nova doza povećava sumnju njega kao lika koji se može koncipirati kao čovek na granici ludila, na granici normalnosti, lika koji gubi razum ili kojeg je davno izgubio. Može se doživeti kao pokosni kunić jedne velike globalne igre vladajućih ljudi ili kao jedan savim običan čovek koji je potonuo u more neracionalnog, usamljenog života zbog nesreće koja ga je zadesila. Sam kraj filma svakom gledaocu postavlja zadatak: kreiranje sopstvenog razrešenja ove priče. Kroz 54 minuta gledalac je u prilici da istražuje, postavi se u ulogu detektiva i aktivno prati i pronalazi različite tragove kako bi mogao da formira sopstveni tok radnje. Kraj filma pruža različite mogućnosti shvatanja, interpretiranja, emotivnog doživljaja i poistovećivanja zarad mogućnosti smostalnog odabira ishoda filma kao slobodan izbor koji u društvu postoji a opet pažljivo skriven, neprimetno nametnut od strane onoga ko postavlja pravila.

PROFESOR DR MIOMIR PETROVIĆ UČESTVUJE NA NAUČNOM SIMPOZIJUMU

PROFESOR DR MIOMIR PETROVIĆ UČESTVUJE NA NAUČNOM SIMPOZIJUMU

Prof. dr Miomir Petrović, redovni profesor na Institutu za umetničku igru učestvuje na naučnom simpozijumu Dragoslav Srejović i interdisciplinarnost u organizaciji Centra za naučnoistraživački rad SANU i Univerziteta u Kragujevcu, koji će se održati u Kragujevcu, 29. novembra tekuće godine.

Profesor Petrović izlagaće rad pod nazivom Modifikacija i transmutacija mita o Orestu u avangardnim dramskim tekstovima.

IGRA S MITOM

IGRA S MITOM

Plesna predstava po motivima knjige Josip i njegova braća Tomasa Mana izvedena je sinoć na sceni Doma kulture Studentski grad i propraćena uz stajaće ovacije publike.

Koreograf: Prof. Aleksandar Ilić
Libreto: Teodora Sujić
Kostim: Katarina Radošević Galić (Hrvatska) i Snežana Arnautović Stjepanović (Srbija)
Adaptacija muzike: Georg Draušnik (Hrvatska)

Predstava je izvedena u koprodukciji Instituta za umetničku igru iz Beograda, Ansambla slobodnog plesa Liberdance iz Zagreba i Kazališta Kamenjak Rajka Pavlića iz Zagreba.

Izvode:
Lara Frgačić, Silvija Musić, Dora Šesto (Hrvatska), Natalija Trifunović, Katarina Ilijašević (alumnistkinje Instituta za umetničku igru Beograd, Srbija)

O predstavi:
U vremenu kada ponovo živimo u izazovima nastalim globalnom pandemijom, u predstavi Josip i njegova braća, u plesnoj adaptaciji, koreograf Ilić postavlјa biblijsku priču u realnost, koristeći savremena sredstva mitologije, psihologije, filozofije, arheologije, religije, i filologije.

Predstava je premijerno izvedena na sceni Zagrebačkog plesnog centra 27. septembra 2021. godine.

Fotografije: Jana Milenković

PLESNA PREDSTAVA SHELTER VEČERAS U SLOVENIJI

PLESNA PREDSTAVA SHELTER VEČERAS U SLOVENIJI

Plesna predstava Shelter u izvođenju Instituta za umetničku igru koreografa Kristofa Beranžea i Žonatana Pranlas-Deskura (Francuska) će biti izvedena večeras 19. novembra s početkom 19.30 časova na sceni Plesnog foruma Celje (Slovenija) u organizaciji Hiše kulture Celje, čime se završava regionalna turneja ovog projekta, uz podršku Ministarstva kulture i informisanja Republike Srbije i međunarodne platforme Teatroskop Francuskog Instituta u Srbiji.

Na obostrano zadovoljstvo i publike i kritike, celjska kulturna scena ponovo se vraća na mapu nezaobilazne plesne destinacije u Sloveniji na čemu intezivno deluje Mojca Majcen studentkinja druge godine Odseka koreografija.

U predstavi igraju alumsnistkinje i studentkinje: Katarina Bućić, Jovana Grujić, Natalija Trifunović, Ana Mihova, Katarina Ilijašević, Sonja Stojanović i Tijana Ostojić.

Koreografija Shelter je završna predstava studenata Instituta za umetničku igru, odseka za savremenu igru. Shelter je novi i neuobičajeni stvaralački proces inspirisan ritmovima muzičkih partitura u kome muzika i ples kreiraju brzinu, iniciraju pokret tela i njegov let i pričaju epsku sagu o istoriji Beograda, grada raspetog između stalnog razaranja i izgradnje. Zatim iznutra gradimo sklonište čiji je zadatak da nam omogući otvaranja ka svetu uprkos njegovim kontradikcijama, dostignemo tišinu usred urbane vreve i dramatičnosti života. Tokom procesa analiziramo kategoriju propadanja, rastakanja čak i onih struktura za koje smo mislili da su večne, momente tokom kojih shvatamo da je samo naše telo naš hram, navode autori.

Plesna predstava SHELETER (Sklonište) premijerno je izvedena 29. juna na sceni BITEF teatra.

Više o predstavi pogledajte ovde: https://www.hisakulture.si/2021/11/06/plesna-predstava-shelter-zaklonisce/

PERFORMANS HAFETOPIJA

Performans Hafetopija

Performans Hafetopija će biti izveden 20.11.2021. godine u 19.00 časova u Ostavinskoj galeriji u Beogradu u okviru međunarodnog projekta Drugi načini komunikacije. Performans izvodi višemedijska umetnica, profesor i prodekan za nastavu Instituta za umetničku igru dr Snežana Arnautović Stjepanović sa svojim devetogodišnjim sinom Teodorom. Muziku za performans je komponovao Ivica Stjepanović.

Performans je posvećen našem velikom umetniku Eri Milivojeviću.

"Hafetopija, hapefobija ili hapetofobija predstavlja strah od dodira.

Živimo u vremenu kada samo jedan dodir za nekoga može biti smrtonosan. Promene u načinu življenja i društvenim interakcijama (život bez zagrljaja, poljubaca i dodira) dovele su do stanja anksioznosti koji se mogu poistovetiti sa simptomima ove fobije.

Performans Hafetopija ukazuje na potrebu za dodirom, za taktilnim i manuelnim činom, koji je u periodu od početka pandemije postao onemogućen. Vraćanje prirodi i delovanje prema njenim zakonitostima predstavlja se putem uspostavljanja novog načina komunikacije: čulno, taktilno i intuitivno."

Snežana Arnautović Stjepanović

Projekat Drugi načini komunikacije

Sreća je u konekciji i saosećanju sa drugima, kao izvoru nade, empatije, odgovornosti i autentičnosti. Prava svrha umetnosti je u saopštavanju osećanja. Globalno iskustvo covid 19 pandemije prouzrokovalo je promene u načinu funkcionisanja društva: rad od kuće, online nastave, sastanci na različitim internet platfromama, pa je uspostavljanje međuljudskih odnosa kao „drugi načini komunikacije“ izazov.

Projekat uključuje umetnike iz Beograda i Berlina, koji će svojim radovima i dijalogom razmatrati čovekov odnos prema telu, kao njegovoj najneposrednijoj prirodi, a taj odnos govori o čovekovom odnos prema prirodi. Razvoj čula i ekološke svesti unapređuje životnu sredinu, ali i ima za cilj uspostavljanju empatičnih međuljudskih odnosa, društvenosti i kulture. Jezik savremene umetnosti je polje preispitivanja „drugih načina komunikacije” sa upotrebom različitih ljudskih čula, taktilnost, manuelni rad, telesno gestualno slobodno kretanje u prostoru, prevazilaženja limitiranog gesta tipkanja po ekranu mobilnog telefona i kompjuterskoj tastaturi, gde je razgovor sa drugima ograničen na čulo vida i sluha.

Umetnici: Snežana Arnautović, Marijana Oro, Marko Nektan, Ana Cvejić, Magda Radojlović, Melih Sarigol, Emre Birişmen, Merey Senokak, Funke Collective Berlin.

Autor projekta: Isidora Fićović PR: Pavle Knežević Katalog: Ivana Vidić

Partner na projektu: Selda Asal, Apartment project Berlin

Izložba u Ostavinskoj galeriji u Beogradu, Kraljevića Marka 8, od 19. do 25. novembra 2021, biće otvorena 19. novembra 2021. u 19h.

Fotografije: Lidija Antonović

PLESNA PREDSTAVA SHELTER VEČERAS U ZAGREBU

PLESNA PREDSTAVA SHELTER VEČERAS U ZAGREBU

Večeras će na sceni Zagrebačkog plesnog centra biti izvedena plesna predstava Shelter u koreografiji Kristofa Beranžea i Žonatana Pranlas-Deskura autorskog dvojca iz Francuske. Nakon nastupa u Zagrebu, sledeće izvođenje je u petak 19. novembra na sceni Hiša kulture u Celju u Sloveniji.

Predstavu izvode Katarina Bućić, Jovana Grujić, Natalija Trifunović, Angela Mihova, Katarina Ilijašević, Sonja Stojanović i Tijana Ostojić.

Koreografija Shelter je završna predstava studenata Instituta za umetničku igru, odseka za savremenu igru. Shelter je novi i neuobičajeni stvaralački proces inspirisan ritmovima muzičkih partitura u kome muzika i ples kreiraju brzinu, iniciraju pokret tela i njegov let i pričaju epsku sagu o istoriji Beograda, grada raspetog između stalnog razaranja i izgradnje. Zatim iznutra gradimo sklonište čiji je zadatak da nam omogući otvaranja ka svetu uprkos njegovim kontradikcijama, dostignemo tišinu usred urbane vreve i dramatičnosti života. Tokom procesa analiziramo kategoriju propadanja, rastakanja čak i onih struktura za koje smo mislili da su večne, momente tokom kojih shvatamo da je samo naše telo naš hram, navode autori.

Regionalno gostovanje predstave podržano je od strane Ministarstva kulture i informisanja Republike Srbije.

IZVEDENA OPERA DEČIJA SOBA

IZVEDENA OPERA DEČIJA SOBA

Kompanija Balet mladih je premijerno nastupila u okviri 53. BEMUS – a u petak 12. novembra na sceni Malog pozorišta Duško Radović u operi za decu Dečija soba pod dirigentskim vođstvom Milana Nedeljkovića, kompozitora Milenka Živkovića po tekstu Desanke Maksimović u koreografiji Mile Stijak i Ane Bošković.

Režiju potpisuju Natalija Stanković i Mateja Đedović pod mentorstvom Borisa Liješevića, a u predstavi pored članova Kompanije Balet mladih glavne uloge tumače Biljana Jovanović (mama), Boris Papak (tata), Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Hor Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.

Reprizu opere Dečija soba možete pogledati 13. novembra u 20.00 časova.

PRAKTIČNI VODIČ KROZ SUJEVERJE

PRAKTIČNI VODIČ KROZ SUJEVERJE

Na Velikoj sceni Teatra Vuk u sredu 10. novembra s početkom u 20.00 časova premijerno je izvedena završna predstava Praktični vodič kroz sujeverje Katarine Ilijašević na odseku za koreografiju pred tročlanom komisijom i publikom, Prof. dr Snežana Arnautović, mentor i članovima komisije Prof. Dijane Milošević, Stjepanović i Prof. dr Miomir Petrović.

Predstava je nastala pod mentorstvom Prof. dr Snežane Arnautović Stjepanović i ko-mentorstvom Profesora Ognjena Vučinića u režiji Luke Jovanova.

"Kada se strah pretvori u religiju, ni sve svećice ne mogu da naprave dovoljno dima da bi poruka stigla do željenih nebeskih sila. I tada, izbegavanje merdevina postaje život ispod istih. Pokušaćemo da zamislimo želju - potrebni su nam susreti, potrebno nam je da se posle mazimo i umiljavamo, da se budimo zajedno, jer glupo je buditi se sam prvog januara, bedno je biti sam, publika nam treba, da vidi kako radosni dočekujemo svoju Novu godinu, još jednu bržu od prethodne, da imamo nekoga da vidi kako smo bili srećni, kako smo se dodirivali, kako smo plesali, urlali, menjali muziku, jeli prasetinu, nosili crveni veš, potrebna nam je publika da posvedoči naše bolje ja, potrebno nam je da se, kad sve prođe u sumrak, ponovo sretnemo sa sobom, ali je ključno imati nekoga da nam naknadno to ispriča. I zato, palimo sveće. I zato, ne krećemo nigde bez klupka crvenog konca. Zato se skupljamo. Zato se klanjamo. I upravo zbog toga, nema ničega praktičnog u još jednom od praktičnih vodiča - (skoro) sve smo besramno izmislili. "

Predstavu su izveli Jovana Grujić, Tijana Koprivica, Dika Babić i Djordje Galić.

Vizualni identitet Dunja Maksimović, za dizajn zvuka zadužen je Nikola Radeka a dizajn plakata je uradio Nikola Krdžić.

Fotografije / Nemanja Maraš

Odbrana Master rada Katarine Stojković

Odbrana Master rada Katarine Stojković

Na Institiutu za umetničku igru 09.11.2021. Katarina Stojković, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Koreografski pristup u autorskom filmu 64.74.

Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Prof. Dijana Milošević, Predsednik komisije
Prof. Miomir Petrović, mentor
Prof. dr Snežana Arnautović Stjepanović, član

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Katarina Stojković, ima sva prava i obaveze koje proizilaze iz činjenice da od 09.11.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!

DEČIJA SOBA – OPERA ZA DECU

DEČIJA SOBA – opera za decu

Kompanija Balet mladih će premijerno nastupiti u okviru 53. BEMUS – a u petak 12. novembra na sceni Malog pozorišta Duško Radović u operi za decu Dečija soba pod dirigentskim vođstvom Milana Nedeljkovića, kompozitora Milenka Živkovića po tekstu Desanke Maksimović u koreografiji Mile Stijak i Ane Bošković, s početkom u 20.00 časova. Prva repriza je zakazana za 13. novembar.

Dečija soba je komponovana po motivima istoimene kratke priče naše pesnikinje Desanke Maksimović i predstavlja ne samo prve korake naše kompozitorske prakse usmerene na najmlađu publiku četvrte decenije dvadesetog veka u Srbiji već i pravi biser opusa Milenka Živkovića i naše kulturne baštine. Ovo jedinstveno delo, rad dvoje velikana srpske umetnosti, pokazatelj je naprednog mišljenja i stepena razvoja srpske umetničke scene, koja je u prvoj polovini dvadesetog veka išla u korak sa najsavremenijim umetničkim strujanjima u Evropi.

Ove godine se navršava 120 godina od rođenja Milenka Živkovića, čiji su značaj i delo nepravedno zapostavljeni u našoj sredini, a na 53. BEMUS-u sa izvođenjem Dečije sobe ćemo podsetiti na njegov nemerljiv doprinos u stvaranju muzičke i scenske umetnosti u Srbiji.

Ideja za rekonstrukciju i izvođenje ovog dela je proizašla iz projekta Opera: Past, Present, Perfect! u produckiji Muzičko opersko teatarske organizacije MOTO i Malog pozorišta Duško Radović pod pokroviteljstvom Kreativne Evrope.

Režiju potpisuju Natalija Stanković i Mateja Đedović pod mentorstvom Borisa Liješevića. Pored članova Kompanije Balet mladih glavne uloge tumače Biljana Jovanović (mama), Boris Papak (tata), Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.

Opera za decu prvi put je izvedena 20. i 26. februara 1941.godine.

PREMIJERA PLESNE PREDSTAVE SOFIA

PREMIJERA PLESNE PREDSTAVE SOFIA

Na sceni BITEF teatra u nedelju 7. novembra s početkom u 20.00 časova premijerno je izvedena plesna predstava Sofia Bitef Dance kompanije u koreografiji Felix Landerera koju izvode studenti Jakša Filipovac i Nikola Živković i alumnisti Tamara Pjević i Branko Mitrović.

Pored studenata i alumnista Instituta za umetničku igru predstavu izvode Ana Ignjatović-Zagorac, Ivana Savić Jaćić i Staša Ivanović (alternacije Nataša Gvozdenović, Miona Petrović, Dušan Bajčetić i Nea Janković).

Predstava postavlja pitanje o ljudskom umu i njegovom naizgled smanjenom kapacitetu da prepozna činjenicu da sabotira sopstvenu budućnost. Zasnovan na preispitivanju ideja o ljudima i njihovoj povezanosti sa onim što ih tehnološki i organski okružuje, Felix Landerer se poigrava idejom o priznatom ljudskom katalogu kretanja i povezanosti. Ideje o tome čemu se možemo prilagoditi, šta nam pripada a šta ne, određuju parametre za njegov pristup ovoj temi.

Kao primer možemo uzeti protezu, kao simbol nečega što nam pripada ili ne.

Komad je postavljen u neku vrstu izložbe. Izložbe ljudskog ponašanja i tela kao nečeg savršenog. Nečeg sa manama. Nečeg prirodnog. Nečeg što bi moglo da bude podsetnik na prirodni svet u koji smo nekada bili uključeni.

Muzika Christof Littmann; kostim Selena Orb; scenografija Isidora Spasić; organizacija Marija Takić.

Fotografija Nenad Šugić

Preuzeto sa sajta BITEF teatar

UBILI SMO MAMU (ZAMALO)

UBILI SMO MAMU (ZAMALO)

U Velikoj sali Studentskog kulturnog centra u petak 5. novembra s početkom u 19.00 časova, Alisa Oravec je predstavila svoj master rad - savremenu plesnu predstavu Ubili smo mamu (zamalo) pred tročlanom komisijom i publikom, Prof. Dijane Milošević, mentor i članovima komisije Prof. dr Snežana Arnautović Stjepanović i Prof. dr Miomir Petrović.

Po tekstu Dragane Kožan, predstavu su izveli Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij i Alisa Oravec.

Kostim za predstavu je uradila Tereza Veber Oravec, maske Sandra Veber, a šminku Andrea Bisa.

Fotografija Srđan Veljović (Politika).

PROF. ILIĆ NA ZAVRŠNOJ KONFERENCIJI O PRISTUPAČNOSTI

PROF. ILIĆ NA ZAVRŠNOJ KONFERENCIJI O PRISTUPAČNOSTI

Prof. Aleksandar Ilić prisustvovao je završnoj konferenciji EU i Srbija - zajedno za pristupačne javne ustanove, koja je održana u petak 5. novembra u Hotelu Metropol u Beogradu.

Bez pristupačnog okruženja teško je govoriti o poštovanju ljudskih prava, inkluzivnom društvu, ravnopravnosti i jednakim mogućnostima gradjanki i gradjana.

U Kulturnom centru Beograda u oktobru i novembru ove godine održane su radionice Univerzalnog dizajna u saradnji s Ivanom Bućko u oblasti pristupačnosti kada je reč o programima kulturnih institucija i drugih javnih prostora namenjenim programima kulture i umetnosti.

Radionicama Univerzalnog dizajna u Kulturnom centru Beograda prisustvovala je i prodekannka Prof. dr Snežana Arnautović Stjepanović.

SERTIFIKAT ZA UČEŠĆE NA 7. EVROPSKOM BALETSKOM FESTIVALU GRAND ASSEMBLÉ

SERTIFIKAT ZA UČEŠĆE NA 7. EVROPSKOM BALETSKOM FESTIVALU GRAND ASSEMBLÉ

Institutu za umetničku igru i Kompaniji Balet mladih uručen je sertifikat za učešće na 7. Evropskom baletskom festivalu Grand Assemblé u Klužu koje su pripremile Prof. Amalia Mindrutiu, Doc. Mila Stijak i Doc. Ana Spremić uz učešće Ksenije Sinđić, Danijele Simić, Une Stepanović, Sonje Milovanov, Luke Pejčinovića, Lazara Tirića, Senje Stanića, Vladimira Sekulića, Sofije Radovanović, Anastasije Vujnović, Ane Svorcan, Tijane Drndarević i Gabriela De Fazio.

Video je snimao Prof. Nemanja Maraš uz asistenciju Teodore Živković.

Za više informacija kako da se priključite radu Kompanije Balet mladih pozovite
011 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.

BELLA CIAO

BELLA CIAO

Na najvišem umjetničkom nivou IMRC kolektiv kreira predstave s profesionalnim umjetnicima i izvođačima sa i bez invaliditeta te kroz formu plesa zastupa ravnopravnost, različitost, zajedništvo i jednake mogućnosti, bez da tematizira iti jednu skupinu, već progovara na razne načine o ravnopravnosti, zajedništvu i važnosti izražavanja svake osobe na sebi svojstven način, u svoj svojoj snazi, ali i ranjivosti.

Tako je plesna predstava Bella Ciao rođena iz istraživanja raznih oblika izvedbenog zajedništva i podrške. Bella Ciao, talijanska revolucionarna pjesma, stoji u naslovu kao simbol borbe, i otpora bilo kojim opresivnim ideologijama nad slobodom tijela: opresije “ispravnih” nad onima koji se u taj kanon ne uklapaju, “jakih” nad slabijima, “savršenih” nad krhkima. "Tijela koja istražuju svoje različitosti i igraju se njima, iskreno i bez zadrške, bile su u centru našeg umjetničkog interesa. Unutar grupe sedmero plesača/izvođača, tražili smo mjesta na kojima se možemo otvoriti prema granicama svojih nesavršenosti, krhkosti i ranjivosti, kako bismo kroz njih proizveli izvedbenu snagu. Izvedba tako postaje mjesto intenzivne medijacije emocija, a izvođači nosioci ideje slobodnog pojedinca posvećenog zajedništvu. Glavno tkanje izvedbe zajednički je osjećaj za prostor i vrijeme, u suigri plesača/izvođača i muzičara, i na koncu, publike. Inspirirajući se i motivirajući međusobno, ono najuzbudljivije i najvrijednije događa se uvijek u prostoru među nama. Bella Ciao predstava je koja odnose među ljudima pretvara u prostor slobode", kaže koreografkinja Silvija Marchig, kojoj ovo nije prva suradnja s IMRC kolektivom.

IMRC plesni kolektiv (Inclusive Movement Research Collective - IMRC) profesionalni je edukacijski i izvedbeni plesni projekt, specifičan po tome što uključuje plesače sa i bez tjelesnog invaliditeta. Djeluje od 2012. godine, a osnovan je u suradnji s Hrvatskim institutom za pokret i ples i Zagrebačkim plesnim centrom. Svojim kratkim i cjelovečernjim predstavama gostuju po brojnim plesnim i kazališnim festivalima (Dioniz festival Osijek, Tjedan suvremenog plesa, Improspekcije, Bjelovarski odjeci kazališta, Plesna mreža Hrvatske – HNK Osijek, Showcase Hrvatskog centra ITI, Inkluzivne scene – Rijeka, Antisezona 19, MSU Zagreb, Pula – PUF, EU projekt Unlimited Access – Onasis centar Atena, Night of Inclusion – Dubrovnik, Media Diversty – Skopje, EU projekt LLB - Uferstudios Berlin).

"Osim predstavama, čestim prisustvom u medijima te kontinuitetom edukacijskog programa ostvarujemo značajan utjecaj na hrvatsku kulturnu i društvenu scenu, pomičući granice umjetničkog izričaja i promovirajući principe inkluzije. Kritika nas naziva „najsugestivnijim ansamblom na domaćoj sceni“, a nagradama (Nagrada hrvatskog glumišta Slađanu Livnjaku 2016, Nagrada Pulskog festivala PUF predstavi Lemia 2019) te suradnjom s Odsjekom za ples Akademije dramske umjetnosti u Zagrebu potvrđujemo najvišu razinu naših programa" kaže umjetnička voditeljica kolektiva Iva Nerina Sibila.

Nastup Bella Ciao kolektiv će popratit i sa radionicom. „Pozivamo sve koji žele plesati, bez obzira na dob, plesačko iskustvo, ograničenje u pokretu ili fizičku spremnost, a koji žele dijeliti svoju maštu, istražiti i proširiti svoj pokret kroz ples, da nam se pridruže!“ – poručuju iz IMRC-a. U Zadru će se radionica održati 20. rujna od 11 do 13 sati, dok u Kninu 22. rujna od 10:30 do 12:30 sati.

Za rezervacije i pitanja kolektiv vas poziva da se slobodno obratite na e-mail adresu inkluzivni.imrc.kolektiv@gmail.com

O predstavi:
Autorica: Silvia Marchig
Su-autori i izvođači: Josipa Lukinović, Helvecia Tomić, Irma Unušić, Leon Goličnik, Marijan Pajvot, Nikola Orešković, Ognjen Vučinić
Glazba: Hrvoje Klemenčić
Foto, dizajn promo materijala, tehnička podrška: Jason Mulhausen
Foto: Marko Gutić Mižimakov
Umjetničko vodstvo: Iva Nerina Sibila
Pjesma Bella Ciao u izvedbi je Giovanne Daffini
Produkcija: HIPP / IMRC 2018.

Ostvareno u rezidenciji i uz podršku Plesnog centra TALA.
IMRC djeluje u suradnji sa Zagrebačkim plesnim centrom.
Financijska potpora gostovanju: Ministarstvo kulture RH.

UBILI SMO MAMU, ZAMALO

UBILI SMO MAMU, ZAMALO

Premijera savremene plesne predstave Ubili smo mamu zamalo, Alise Oravec, biće izvedena 5. novembra 2021. u Velikoj sali Studentskog kulturnog centra u Beogradu s početkom u 19.00 časova.

Neizvesno je šta se može desiti čoveku zbog promene klime na planeti Zemlji.

Čovek i jeste izazvao katastrofalne promene, koje će mu doći glave ako se u skorije vreme ne usaglasi s prirodom. Nažalost, stanje je već jako alarmantno. Da li će čovek biti kažnjen zbog svog ponašanja? Da li čovek oseća Planetu Zemlju kao živo biće koje svakim danom ubija zarad svog komfornog života? Da li će ga Majka Zemlja zbaciti s trona industrijske i tehničke revolucije, ili je Majka Zemlja kao i svaka majka sažaljiva i svoje najlošije dete ipak pokušava da vrati na pravi put? Koliko će joj biti potrebno snage, strpljenja, pretrpljenih rana u ovoj borbi? Mogu li svetski lideri rešiti neki problem, ili će se papagajski ponavljati bez rešenja? Može li se čoveku probuditi svest i savest?

Predstava Ubili smo mamu zamalo je master rad Alise Oravec na Institutu za umetničku igru pod mentorstvom Prof. Dijane Milošević, kojom autorka želi da pošalje poruku gledaocu kako vidi odnos Majke Prirode (Zemlje) i čoveka. Čoveka, za koga se Majka (kao svaka majka) bori da ga izvuče iz propasti i postavi na bolji put, stižu i druge opomene. Ako se budu aktivirale mnogo jače prirodne snage od čovekove, čovečanstvo gubi budućnost. Postoji još jedna obaveza čovečanstva, a to je da se probudi iz materijalnog sveta i produhovi svoju božansku prirodu u sebi. Tada će videti kako je čudesan i skladan život na Planeti Zemlji, naglašava Alisa Oravec.

Predstavu izvode Alisa Oravec, Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij.

Interpretacija teksta Alisa Oravec, tekst Ubili smo mamu - Dragana Kožan, svetlo Aleksa Stojanović, ton Dejan Kolarski, kostim Tereza Veber Oravec, maska Sandra Veber, šminka Andrea Bisak.

Fotografija Petar Vasilčin.

Odbrana Master rada Manje Pavićević

Odbrana Master rada Manje Pavićević

Na Institiutu za umetničku igru 29.10.2021. Manja Pavićević, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Struktura časa klasičnog baleta sa mentalnim osnaživanjem.

Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Prof. Dijana Milošević, Predsednik komisije
Prof. Aleksandar Ilić, mentor
Prof. dr Tatjana Ilić-Kosanović, član

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Manja Pavićević, ima sva prava i obaveze koje proizilaze iz činjenice da od 29.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!

Institut za umetničku igru na Evropskom baletskom festivalu Grand Assemblé

Institut za umetničku igru na Evropskom baletskom festivalu Grand Assemblé

Institut za umetničku igru će 31. oktobra 2021. učestvovati u online predstavljanju na 7. Evropskom baletskom festivalu Grand Ansamble u Klužu (Rumunija) na kome će se predstaviti sve najznačanije evropske akademije u oblasti umetničke igre.

U predstavljanju učestvuju studenti Instituta za umetničku igru, članovi kompanije Balet Mladih i član ansambla Narodnog pozorista u Beogradu.

Baletski čas će voditi Prof. Amalia Mindutriu (Rumunija), gostujući profesor Instituta i rukovodilac kompanije Balet Mladih, uz asistenciju Doc. Mile Stijak i korepeticiju Doc. Ane Spremić. Video će snimati Prof. Nemanja Maraš uz asistenciju Teodore Živković.

Konferencija na temu Learning-Performing-Teaching Ballet održaće se putem zoom aplikacije u nedelju 31. Oktobra 2021. u 18.00 časova koja može da se prati na platformi festivala Grand Assemblé.

U izvođenju učestvuju: Ksenija Sinđić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofija Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević i Gabriele De Fazio član ansambla Narodnog pozorista u Beogradu.

Video obraćanja gostujuće profesorke Amalije Mindutriu možete videti OVDE.

Video prezentaciju studenata Instituta za umetničku igru, članova kompanije Balet Mladih i člana ansambla Narodnog pozorišta u Beogradu možete videti OVDE.

AUDITION FOR RECEPTION OF BALLET MEMBERS OF THE NATIONAL THEATER IN SARAJEVO

AUDITION FOR RECEPTION OF BALLET MEMBERS OF THE NATIONAL THEATER IN SARAJEVO

Belgrade Dance Institute, in cooperation with the National Theater from Sarajevo, is organizing an Audition for the reception of male members of the Ballet Ensemble of the National Theater in Sarajevo.

The audition will be held on October 30th, starting at 11:00 am in the New Hall of the Belgrade Dance Institute, st. Bulevar vojvode Mišića 43A in Belgrade.

The National Theater from Sarajevo, in cooperation with the Belgrade Dance Institute, is organizing an audition in Belgrade for the second time in order to bring together two European centers of classical ballet, which, in addition to nurturing cultural and artistic heritage, promote new talents of classical, neoclassical and contemporary art.

Candidates should enclose with the application they fill in on the spot the following documents:

CV with indicated height, weight and year of birth,
Portrait photographs and ballet photographs of the whole figure.

The audition involves an academic class (bar, middle, jumps) including a variation at the request of the committee.

Applications with the indication Audition for Sarajevo Ballet should be sent to the e-mail: teodora.zivkovic@iui.rs

The application deadline is October 29th, 2021.

The results of the audition will be announced on Monday, November 1st.

Angela Mihova's Solo Initiation opened the 12th BOSIFEST

Angela Mihova's Solo Initiation opened the 12th BOSIFEST

On October 18th, 2021, at 6 pm, Angela Mihova, a third-year student at the Belgrade Dance Institute, performed a solo Initiation at the 12th BOSIFEST International Film Festival of Persons with Disabilities, which takes place from October 18th to 20th at the Yugoslav Cinematheque. The solo was created in the work with the visiting professor of the Belgrade Dance Institute, Natalija Gabrijelščik from the famous dance company Hofeš Šehter.

The audience was addressed by the Festival Director Darko Ivić, Festival Selector Miroljub Stojanović, Senior Advisor from the Ministry of Labor, Employment, Veterans and Social Affairs Anja Sargin and the Commissioner for the Protection of Equality Mrs. Brankica Janković.

The opening ceremony of the 12th Bosifest was led by actress Nataša Tapušković.

During Bosifest, from October 18th to 20th, the audience will have the opportunity to watch a total of 12 films chosen by the selector Miroljub Stojanović.

The jury of this year's Bosifest will be composed of directors: Ivan Ikić, Stefan Ivančić and Sonja Djekić.

The jury will award the following prizes: Grand Prix for best film, award for best director, award for best screenplay, as well as special awards.

With its richness of diversity, the festival promotes Serbia and the city of Belgrade as one democratic society that fights for the integration of persons with disabilities as equal members of society.

IN MEMORIAM

IN MEMORIAM

Goran Mitrović, the champion and soloist of the Ensemble of Folk Dances and Songs KOLO from Belgrade, passed away suddenly at the age of 51.

The news of the premature loss of a colleague, artist, pedagogue and one of the most brilliant folklore players of today, as reported by the parent company, is still accepted by colleagues in disbelief.

Goran Mitrović was born in 1970 in Belgrade. He was admitted to the Ensemble of Folk Dances and Songs KOLO in 1990, and in 2006 he received the status of champion in which he achieved a large number of successful roles, the most famous of which are Gypsy Dance - choreography by Dobrivoje Putnik; Teskoto - choreography by Olga Skovran; Go pratile dedo - choreography by Dobrivoje Putnik; Komitas Games - choreography by Mira Sanjina; instrumentalist on Tapan in Triple Games; Goransko teškoto and others.

He staged a large number of independent choreographic compositions in his parent company and on other stages.

He collaborated with the Lujo Davičo Ballet School in Belgrade as a pedagogue of folk dance, with the ensembles AKDU Lola and AKUD Branko Krsmanović, as well as with the National Theater in Belgrade.

After graduating and specializing at the College for Training and Education of Teachers in Kikinda, he enrolled at the Belgrade Dance Institute in Belgrade, where he was mentored by Prof. Dijana Milošević acquired the title of Master Audio and Visual Artist - Artistic Play in 2020.

Goran was a leader, he was a colleague, he was a friend. Without him the ROUND will never be the same again. But the memory of him is what will carry us further, which will give us the strength to, in his honor, continue with song and dance. Glory to him, his collegues wrote from the Ensemble of Folk Dances and Songs KOLO.

You can't really say goodbye to him. We are in shock, there is no more of the best, but he left behind students who will always try to be the same, the best, because he wanted to. Because he did not know otherwise, his collegues wrote from Abrašević on the occasion of the death of Goran Mitrović, our artistic director of Pančevo's Abrašević (2014-2021).

Colleague Mitrović was a golden example that the desire for learning, research, re-examination and constant work never stops. It didn't take long for his exceptional master's work "Basic theatrical persistence in music and stage works - choreography and its problems of creation today" to decide to go a step further and become a candidate for Doctoral studies. We were days away from that new meeting, the Belgrade Dance Institute announced.

The Minister of Foreign Affairs of the Gambia is visiting the Belgrade Dance Institute

The Minister of Foreign Affairs of the Gambia is visiting the Belgrade Dance Institute

Today, the Belgrade Dance Institute hosted the High Representative of the Gambia, Minister of Foreign Affairs, Mr. Mamadou Tangara.

Dean, prof. Dr. Vladimir Tomašević had extensive talks with Mr. Tangar on cooperation between the Republic of Serbia and the Gambia. The strategy of higher education and its improvement was discussed.

House of Culture in Gračanica: Ballet schools started working

House of Culture in Gračanica: Ballet schools started working

The ballet school at the House of Culture in Gračanica has started working again, and the first classes were held this weekend.

This year, the school continues to work as it did before the appearance of the coronavirus. Every weekend, thirty girls divided into three age groups will practice steps on their fingertips with the help of ballet pedagogue Una Stepanović.

"We, the children and the parent, wanted the ballet, which can be seen by the number of participants. The fact that the interest is still great is gratifying, so we are continuing to socialize with our ballerinas this season and we are continuing our successful cooperation with the Belgrade Dance Institute" says for the Riznica, Snežana Petrović, coordinator of the ballet school at the House of Culture in Gračanica.

Since there is great interest in ballet in other areas as well, the plan is to restart the school in Šilovo in the local cultural center.

As they say from the House of Culture in Gračanica, this will not stop, but something more is planned.

"The ballet school has shown us that we have talented children who want to learn and progress. We also have the unreserved support of parents to launch an initiative to open a lower ballet school in Gračanica. With the help of our friends from the Belgrade Dance Institute, I believe that it will not be impossible," says Petrović.

The ballet school in Gračanica started working in 2017. On the occasion of the World Dance Day, and for an exceptional contribution to the popularization of ballet, a year later, the school was awarded with the Terpsichore Prize. Two medals and a Grand Prix were awarded at the Ballet School at the International Olympics for Music and Dance of the Central Balkans in Belgrade.

Taken from the RIZNICA website

Text written by: I. Miljković

Institutu za umetničku igru uručena zahvalnica na 12. BOSIFEST-u 2021.

Uručenjem nagrada završen 12. Beogradski internacionalni filmski festival osoba sa invaliditetom – Bosifest

Gran pri 12. Bosifesta osvojio je dokumentarni film KUĆA / UNE MAISON francuske rediteljke Judith Auffray.

Nagradu za najbolju režiju dobio je film VICTOR belgijskog reditelja Christophe Hermansa.

Nagrada za najbolji scenario pripada iranskom filmu NEVIDLJIVE LINIJE / INVISIBLE LINES reditelja Mehdi Rakhshanija.

Specijalna priznanja pripalo je italijanskom filmu LUDI TOČKOVI / MEGLIO UN GIORNO rediteljki Elene Rebeke Karini i Ilarije Đangrande.

Nagradu za najbolji scenario za Iranski film, INVISIBLE LINES, umesto reditelja Mehdi Rakhshanija primio je direktor kulturnog centra Irana u Beogradu G-din Mohamad Tagi Bahtijari.

Prof. dr Snežani Arnautović Stjepanović, sa Instituta za umetničku igru, uručena je zahvalnica za doprinos u realizaciji dvanaestog beogradskog internacionalnog filmskog festivala osoba sa invaliditetom BOSIFEST 2021.

Nagrade su na zatvaranju Festivala 20. oktobra u Jugoslovenskoj kinoteci uručili članovi žirija Ivan Ikić i Stefan Ivančić.

Zbog pandemije izazvane Covidom 19, autori nagrađenih filmova su se obratili publici putem video linka.

Direktor Bosifesta Darko Ivić izrazio je zadovoljstvo zbog uspešno održanog festivala, uprkos svim poteškoćama koje je izazvao Covid 19. Zahvalio se svima koji su učestvovali u realizaciji festivala.

Svečano otvorena retrospektivna izložba Vladimir Veličković: Figura kao izraz egzistencije

U Muzeju savremene umetnosti u Beogradu danas 20. oktobra s početkom u 13.00 časova je svečano otvorena retrospektivna izložba Vladimir Veličković: Figura kao izraz egzistencije.

Izložbu je otvorila Potpredsednica Vlade i ministarka kulture i informisanja Maja Gojković.

Izložbi su prisustvovali Dekan Prof. dr Vladimir Tomašević, Prodekanka Prof. dr Snežana Arnautović Stjepanović i Prof. Aleksandar Ilić direktor Kulturnog centra Beograda.

Tokom razgovora Potpredsednice Vlade i ministarke kulture i informisanja i predstavnika Ministarstva kulture i informisanja Republike Srbije, Prodekanka Instituta za umetničku igru je razmenila ideje o budućoj saradnji i projektima.

Izložba Vladimir Veličković: Figura kao izraz egzistencije će trajati do 21. februara naredne godine.

AUDICIJA ZA PRIJEM ČLANOVA BALETA NARODNOG POZORIŠTA U SARAJEVU

AUDICIJA ZA PRIJEM ČLANOVA BALETA NARODNOG POZORIŠTA U SARAJEVU

Institut za umetničku igru u saradnji s Narodnim pozorištem iz Sarajeva organizuje Audiciju za prijem muških članova ansambla Baleta Narodnog pozorišta u Sarajevu.

Audicija će se održati 30. oktobra s početkom u 11.00 časova u Novoj sali Instituta za umetničku igru, ul. Bulevar vojvode Mišića 43A u Beogradu.

Narodno pozorište iz Sarajeva u saradnji s Institutom za umetničku igru po drugi put organizuje audiciju u Beograda u cilju zbližavnja dva evropska centra klasičnog baleta koji pored negovanja kulturno umetničkog nasleđa promovišu i nove talente klasične, neoklasične i savremene umetničke igre.

Kandidati treba da prilože uz prijavu koju popunjavaju na licu mesta i sledeća dokumenta:

CV sa naznačenom visinom, težinom i godinom rođenja,
Fotografije porteta i baletske fotografije cele figure.

Audicija podrazumeva akademski klas (bar, sredina, skokovi) uključujući varijaciju na zahtev komisije.

Prijave sa naznakom Audicija za Balet Sarajeva treba poslati na imejl: teodora.zivkovic@iui.rs

Rok za prijavljivanje je 29. oktobar 2021. godine.

Rezultati audicije biće objavljeni u ponedeljak 1. novembra.

Fotografija arhiva Narodno pozorište Sarajevo.

Solo Initiation Angele Mihove otvorio 12. BOSIFEST

Solo Initiation Angele Mihove otvorio 12. BOSIFEST

18. oktobra 2021. u 18.00h Angela Mihova, studentkinja III godine Instituta za umetničku igru izvela je solo Initiation na 12. BOSIFEST-u Internacionalnom filskom festivalu osoba sa invaliditetom koji se održava od 18. do 20. oktobra u Jugoslovenskoj Kinoteci. Solo je nastao u radu sa gostujućom profesorkom Instituta za umetničku igru Natalijom Gabrijelščik iz čuvene plesne kompanije Hofeš Šehter.

Publici su se obratili direktor Festivala Darko Ivić, selektor festivala Miroljub Stojanović, Viši savetnik iz Ministarstva za rad, zapošljavanje, boračka i socijalna pitanja Anja Sargin i Poverenik za Zaštitu ravnopravnosti G-dja Brankica Janković.

Ceremoniju otvaranja 12. Bosifesta vodila je glumica Nataša Tapušković.

Tokom trajanja Bosifesta, od 18. do 20. oktobra, publika će imati priliku da pogleda ukupno 12 filmova po izboru selektora Miroljuba Stojanovića.

Žiri ovogodišnjeg Bosifesta radiće u sastavu reditelja: Ivan Ikić, Stefan Ivančić i Sonja Djekić.

Žiri će dodeliti sledeće nagrade: Gran Prix za najbolji film, nagradu za najbolju režiju, nagradu za najbolji scenario, kao i specijalne nagrade.

Festival bogatstvom različitosti promoviše Srbiju i grad Beograd kao jedno demokratsko društvo koje se bori za integraciju osoba sa invaliditetom kao ravnopravnih članova društva.

IN MEMORIAM

IN MEMORIAM

Goran Mitrović Prvak i solista Ansambla narodnih igra i pesama KOLO iz Beograda iznenada je preminuo u 51. godini.

Vest o prerarnom gubitku kolege, umetnika, pedagoga i jednog od najblistavijih folklornih igrača današnjice kako saopštavaju iz matične kuće, kolege i dalje sa nevericom prihvataju.

Goran Mitrović je rođen je 1970. godine u Beogradu. U Ansambl narodnih igara i pesama KOLO primljen je 1990. godine, a 2006. dobija status prvaka u kom je ostvario veliki broj uspešnih uloga od kojih su najpoznatije Ciganska igra - koreografija Dobrivoje Putnik; Teskoto - koreografija Olga Skovran; Go pratile dedo - koreografija Dobrivoje Putnik; Komitske igre - koreografija Mira Sanjina; instrumentalista na Tapanu u igrama Trojno ; Goransko teškoto i druge.

Postavio je veći broj samostalnih koreografskih kompozicija u matičnoj kući i na drugim scenama.

Sarađivao je sa Baletskom školom Lujo Davičo u Beogradu kao pedagog narodne igre, sa ansamblima AKDU Lola i AKUD Branko Krsmanović, kao i sa Narodnim pozorištem u Beogradu.

Nakon diplomiranja i specijalizacije na Visokoj školi za obuku i obrazovanje vaspitača u Kikindi, upisuje Institut za umetničku igru u Beogradu gde je pod mentorstvom Prof. Dijane Milošević stekao zvanje Master audio i vizuelni umetnik – Umetnička igra 2020. godine.

Goran je bio vođa, bio je kolega, bio je prijatelj. Bez njega KOLO više nikad neće biti isto. Ali sećanje na njega je ono što će nas nositi dalje, što će nam davati snagu da, njemu u čast, nastavimo sa pesmom i igrom. Slava mu, napisali su iz Ansambla narodnih igara i pesama KOLO.

Od njega, u stvari ne možeš da se oprostiš. U šoku smo, nema više najboljeg ali ostavio je iza sebe učenike koji će se zauvek truditi da budu isto to, najbolji, zato što je on tako želeo. Zato što za drugačije nije znao, napisali su iz Abraševića povodom smrti Gorana Mitrovića našeg umetničkog direktora pančevačkog Abraševića (2014. - 2021.).

Kolega Mitrović je bio zlatni primer da želja za učenjem, istraživanjem, preispitivanjem i konstantnim radom nikada ne prestaje. Nije prošlo dugo od njegovog izuzetnog master rada “Osnovna teatarska postojanost u muzičko-scenskim delima - koreografiji i njena problematika stvaranja danas” da bi se odlučio za korak dalje i postao kandidat za Doktorske studije. Delili su nas dani od tog novog susreta, saopštili su iz Instituta za umetničku igru.

Slika preuzeta sa sajta KOLO

Defense of Master's thesis by Ana Živanović

Defense of Master's thesis by Ana Živanović

At the Belgrade Dance Institute on October 5th, 2021. Ana Živanović, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of Classical ballet class for third grade students of the elementary ballet school according to the method of Agrippina Vaganova.

Prof. Dr. Snezana Arnautovic, President of the Commission
Prof. Aleksandar Ilić, mentor
Professor Ognjen Vučinić, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Ana Živanović has all the rights and obligations arising from the fact that from the October 6th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

Defense of Master's thesis by Mila Stijak

Defense of Master's thesis by Mila Stijak

At the Belgrade Dance Institute on October 5th, 2021. Mila Stijak, Teaching Associate, successfully defended her Master's thesis on the topic of Ballet Class Methodology of the fifth year of classical ballet according to the Vaganova system.

Prof. Dijana Milošević, President of the Commission
Prof. Aleksandar Ilić, mentor
Prof. Dr. Snežana Arnautović, member

Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Mila Stijak has all the rights and obligations arising from the fact that from the October 5th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.

CONGRATULATIONS!!!!

AWARD FOR PROJECT OF DAH THEATER CALLED TREES DANCE

AWARD FOR PROJECT OF DAH THEATRE CALLED TREES DANCE

The Austrian Federal Ministry for European and International Affairs invited Prof. Dijana Milošević and members of the DAH Theater in Austria at the Market of the Future Innovation Festival, where they presented their project Trees dance on October 2nd and October 3rd, 2021 in Graz, Austria.

The Trees Dance project is one of five international projects awarded by the Austrian public radio Oe1, which is an integral part of the Austrian public service ORF, within the initiative Fixing the Future - Casting New Ideas. In a competition of 43 projects from 20 countries, DAH Theater is one of the winners of the award for the most innovative idea for change and "fixing the future now".

The project consists of the play Trees Dances, conversations with the audience after the play, round tables on climate change and tree protection, to which experts, activists and artists are invited, creation of a digital platform that will connect artists, activists and citizens.

In the jubilee year, 30 years since its inception, DAH Theater will premiere a new play called Trees Dances on October 30th, 31st and November 1st, starting at 8 pm in the Student Park in Belgrade.

The play, in cooperation with the Belgrade Dance Institute, was supported by ITAC - Climate Impact, Austrian Embassy in Belgrade - Culture and Development Program, City of Belgrade - Secretariat for Culture.

Find out more about the project on the website:

https://oe1.orf.at/artikel/687542/The-award-winners

Find out more about the show on the website:

https://dahteatarcentar.com/drvece-plese-novi-projekat/

Another way of communication

Another way of communication

Prof. Dr. Snežana Arnautović Stjepanović will present her work within the international project The Second Way of Communication by Dr. Isidora Fićović, which was selected in a competition of 42 art projects from Serbia. The project includes five artists from Belgrade and Berlin, who will use works and dialogue to consider man's relationship to the body as his most immediate nature.

"Happiness is in connection and compassion with others, as a source of hope, empathy, responsibility and authenticity. The real purpose of art is to communicate feelings. The global experience of the Covid-19 pandemic has caused changes in the way society works: working from home, online teaching, meetings on different internet platforms, so establishing interpersonal relationships as other ways of communication is a challenge.The project includes artists from Belgrade and Berlin, whose works and dialogue will consider the human relationship to the body, as its most immediate nature, and this relationship speaks of human relationship to nature. The development of the senses and ecological awareness improves the environment, but also aims to establish empathic interpersonal relationships, sociability and culture.The language of contemporary art is a field of re-examining other ways of communicating with different human senses, tactility, manual work, bodily gestural free movement in space, overcoming the limited typing gesture by mobile phone screen and computer keyboard, where conversation with others is limited to the sense of sight and hearing ", said members of the project's organizing team in Belgrade, consisting of: Isidora Fićović (author), Ivana Vidić (coordinator) and Pavle Knezević (PR).

The project includes several phases: open call, production of works of art, online platform with presentation of works / exhibition and Zoom meeting.

The project is supported by the Ministry of Culture and Information of Serbia. The project partner from Berlin is Apartment Project.

You can see more about the project HERE.

Crossings

Crossings

An exhibition of works from the collection of the Šumatovac Crossings will be presented in the Gallery of the Cultural Center Niš from October 7th to October 21st, 2021. The work of Prof. dr. Snežana Arnautović Stjepanović, the vice dean for teaching at the Belgrade Dance Institute, will be shown within the exhibition. The painting Rhythm 12 from the cycle Internal Rhythms, which will be shown, has been in the Šumatovačka collection since 2014.

Šumatovačka as a cultural institution, was founded by the city of Belgrade, and is located in the heart of Vračar, one of the oldest municipalities. As such, it has been nurturing, for a whole decade, its collection, which was created through donations and purchases of works by a large number of artists from our active art scene. Most of the authors whose works are an integral part of the collection attended the preparations in Šumatovačka, taught or exhibited their works within the Stepenište gallery.

Today, the collection contains works by several generations of authors. Our idea, within the collection itself, was to, in addition to focusing on young authors, cross / intertwine and create a kind of network of all artists who are active on the domestic art scene. And such processes are always more demanding and somewhat more complicated than simply collecting works.

The collection has existed since 2010 and since then it has become richer every year for several new works and authors. On this occasion, a section / selection was made in which we want to present the works of authors whose aesthetics go into the domain of intersections and crossroads. Social, emotional, social, implied by external and internal influences. The selection was not easy, but by visiting Niš, we wanted to present works that can be read as works at the crossroads, in the city on the Nišava, which for centuries was a city of intersections of important roads and great crossroads of peoples. On this occasion, we crossed the work of Kosta Bogdanović and Lidija Krnjajić, Branko Miljuš and Branislav Nikolić, Snežana Arnautović and Aleksandar Jevtić ... symbolically, artistically, formally. In each of these works, one can notice a cross-section and a crossroads that motivates the observer to think about different types of crossroads where an individual finds himself in his daily, but also life course. At these crossroads, he chooses, finds, thinks about the direction and direction of his further actions and travels, both through time and through space, not knowing what awaits him at the end of that chosen path.

With this exhibition, we want to encourage observers and the Niš audience to be ready to stop at every crossroads and think about their next step, while enjoying the artistic expression of the authors presented at the exhibition of the Center for Art Education Šumatovačka called Crossings.

Danijela Rančić, co-author of the installation

Authors whose works will be presented on this occasion:

Momčilo Moma Antonović
Radoš Antonijević
Srđan Apostolović
Snežana Arnautović
Kosta Bogdanović
Asja Vasiljev
Andrej Vasiljević
Uroš Đurić
Vanja Ignjac
Zdravko Joksimović
Aleksandar Jevtić
Vladimir Komad
Žolt Kovač
Lidija Krnjajić
Jadran Krnajski
Nemanja Milenković
Branko Miljuš
Branislav Nikolić
Dušan Otašević
Federiko Konti Pikamus
Nenad Ristović
Petra Sibinović
Marko Stajić
Dragoljub Raša Todosijević
Nina Todorović
Anja Tončić
Maja Rakočević Cvijanov
Jovan Čekić
Ljiljana Šunjevarić

On the roads of Sava Šumanović

Prof. Dr. Snežana Arnautović Stjepanović at the art colony On the roads of Sava Šumanović in Šid

Prof. Dr. Snežana Aranutović Stjepanović, vice dean for teaching at the Belgrade Dance Institute, participated in the art colony On the Roads of Sava Šumanović from October 1st to October 4th, 2021, organized by the Cultural and Educational Center Šid. This traditional art colony is being held for the twenty-sixth time and has important artists from Serbia and the region.

The exhibition of works created at the colony will be opened on October 4th, 2021. at the Cultural and Educational Center Šid.

To learn more about the colony CLICK HERE

Interpolations - a festival of contemporary art

Interpolations - a festival of contemporary art

Artists Vladimir Čubrilo and Katarina Bućić performed at the Interpolation festival in the Great Hall of SKC. They conveyed messages to the audience with their dance movements.

- The stage is like an existing, hopeless environment in which I am looking for a function. I seek myself through those who look at me, and some even see me. I am a link that once existed a long time ago and has now decided to be born. My body is far more than the imposed function of life - says Vladimir in this performance, and in Katarina's "story" it is written that "during life a person goes through phases that shape him into what he is or will become, or it is only the current state in which we are now. The phases of the Moon are a consequence of the revolution of the Moon around the planet Earth. We follow it's movements every day as well as our steps. "

The festival program, in which young artists participate, began in August and lasts until November 7th, and it features 13 authors. The goal of the festival is to promote contemporary art through the production of dance performances in Belgrade and is a continuation of the long-standing presentation of auto performances nurtured by the Mimart theater. The author and coordinator of the project is Lidija Antonović. As an art photographer, she chose the name of the festival to be called Interpolations, taking into account that it comes from a procedure that means optimizing the quality of the image. Lydia says that as an interdisciplinary artist, she applied this procedure in the field of contemporary play, because artistic play can be seen as a series of images that appear and disappear in space.

- During the COVID-9 virus pandemic, each artist had the space and time to think and analyze his work and game techniques that he developed and are developing in the world, as well as to ask questions about their capabilities and the future development of their path of contemporary art - says Antonovic and adds that some of these questions are: what drives dancers now, does the achieved technique allow further development of an individual or a group, why is innovation required, what can be discovered, which and what function does the new work have…

- Techniques of interpolation of choreography and artistic performance of contemporary dance can bring answers to some of these questions, but also open a number of other important issues in the development of contemporary dance on the domestic scene - the organizers say. The project was supported by the Ministry of Culture.

Photographies taken by: Lidija Antonović

Article taken from the POLITIKA site.

PROMOTION OF THE VERSE COLLECTION DREAM THE DREAMS IN SARAJEVO

PROMOTION OF THE VERSE COLLECTION DREAM THE DREAMS IN SARAJEVO

Professor Aleksandar Ilić promoted his book of verse collection titled Dream the Dreams in Sarajevo in the Museum of Literature and Performing Arts of Bosnia and Herzegovina on the 1^st October at 7 p.m.

This book was presented by Šejla Šehabović, the director of the Museum of Literature and Performing Arts of Bosnia and Herzegovina, Nataša Hajdarević, a promotion organiser in Bosnia and Herzegovina, and the author Aleksandar Ilić, and the event was also enriched by the artistic performance of the ballerina Zulejha Kečo who is a member of the ballet ensemble of the National Theatre in Sarajevo and of the international platform Balkan Dance Project.

The collection Dream the Dreams (2020) was published by the Fabula Nostra Centre and it was promoted in the Belgrade City Library in June of the current year. It was edited and reviewed by Teodora Sujić, a world-literature theorist and historian, and comprises untitled verses divided into three thematic parts which are Dreams, Love, and Nostalgia, and the poet opens the book with the following message, ,,it was enough to create a tiny verse so that the cosmos would embrace it”.

Book editor Teodora Sujić says: “While reading these verses countless times, their every letter and every stop, by listening to the melody out loud, I had the impression that those poems were written to me.” According to her words, every reader must find a poem that is written only for them when holding this book in front of their eyes.

This promotion was attended by well-known artists from Sarajevo, such as Božo Vrećo, a singer, Edina Papo, a choreographer and the director of the Ballet Fest Sarajevo, Zoran Lašić, a photographer and multimedia artist, Mirjana Blažević Lešić, a playwright, Aida Čorbadžić, the champion of the National Theatre Opera in Sarajevo, and others.

OFFICIAL RECEPTION OF THE FIRST-YEAR STUDENTS 2021/22

Today, the Belgrade Dance Institute has received its first-year students (or the freshers) officially.

The students were addressed by Professor Vladimir Tomašević, PhD, the dean of the Belgrade Dance Institute, when he welcomed them on behalf of the professors, teaching assistants, and associates of the Belgrade Dance Institute.

The official reception was made by the professors, teaching assistants and associates of the Institute.

The students were also given both the textbooks for the first (winter) semester and their student’s marking booklets.

WELCOME!

Photographs taken by Katarina Bućić

Ministar spoljnih poslova Gambije u poseti Institutu za umetničku igru

Ministar spoljnih poslova Gambije u poseti Institutu za umetničku igru

Institut za umetničku igru je danas ugostio visokog predstavnika Gambije, ministra inostranih poslova, gospodina Mamadou Tangara.

Dekan, prof. dr Vladimir Tomašević je sa gospodinom Tangarom imao opsežne razgovore o saradnji Republike Srbije i Gambije. Razgovaralo se o strategiji visokoškolskog obrazovanja i njegovog unapređivanja.

Dom kulture u Gračanici: Počela sa radom škola baleta

Dom kulture u Gračanici: Počela sa radom škola baleta

Škola baleta pri Domu kulture u Gračanici ponovo je počela sa radom, a prvi su časovi održani ovog vikenda.

Škola ove godine nastavlja sa radom kako je to bilo i pre pojave koronavirusa. Svakog vikenda trideset devojčica raspoređenih u tri starosne grupe uvežbavaće korake na vrhovima prstiju uz pomoć baletskog pedagoga Une Stepanović.

„Baleta smo se uželeli i mi i deca i roditelju što se da i videti po broju polaznika. Raduje činjenica što je interesovanje i dalje veliko pa, evo nastavljamo druženje i u ovoj sezoni sa našim balerinama i nastavljamo uspešnu saradnju sa Institutom za umetničku igru u Beogradu“, kaže za Riznicu Snežana Petrović, koordinatorka škole baleta Doma kulture u Gračanici.

Budući da je i u ostalim sredinama interesovanje za balet veliko u planu je ponovno pokretanje škole i u Šilovu u tamošnjem kulturnom centru.

Kako poručuju iz gračaničkog Doma kulture sa ovim se neće stati već je u planu i nešto više.

„Škola baleta nam je pokazala da imamo talentovanu decu koja žele da uče i napreduju. Imamo i bezrezervnu podršku roditelja za pokretanje inicijative za otvaranje odeljenja niže baletske škole u Gračanici. Uz pomoć naših prijatelja sa Instituta za umetničku igru u Beogradu verujem da to neće biti nemoguće“, kaže Petrovićeva.

Škola baleta u Gračanici počela je sa radom 2017. godine. Povodom svetskog dana igre, a za izuzetan doprinos na popularizaciji baleta, godinu dana kasnije, dodeljena joj je nagrada Terpsihora. Na Međunarodnoj olimpijadi za muziku i ples centralnog Balkana u Beogradu školi baleta su dodeljene dve medalje i Gran pri.

Preuzeto sa sajta RIZNICA

Tekst napisao: I. Miljković

Fotografija RIZNICA

Odbrana Master rada Ane Živanović

Odbrana Master rada Ane Živanović

Na Institiutu za umetničku igru 6.10.2021. Ana Živanović, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Nastavni čas klasičnog baleta za učenice trećeg razreda osnovne baletske škole po metodi Agripine Vaganove.

Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Prof. dr Snežana Arnautović, Predsednik komisije
Prof. Aleksandar Ilić, mentor
Profesor Ognjen Vučinić, član

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ana Živanović, ima sva prava i obaveze koje proizilaze iz činjenice da od 6.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!

Odbrana Master rada Mile Stijak

Odbrana Master rada Mile Stijak

Na Institiutu za umetničku igru 5.10.2021. Mila Stijak, Saradnik u nastavi, uspešno je odbranila svoj Master rad na temu Metodologija baletskog časa pete godine klasičnog baleta po Vaganova sistemu.

Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:

Prof. Dijana Milošević, Predsednik komisije
Prof. Aleksandar Ilić, mentor
Prof. dr Snežana Arnautović, član

Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Mila Stijak, ima sva prava i obaveze koje proizilaze iz činjenice da od 5.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.

ČESTITAMO!!!!

NAGRADA ZA PROJEKAT DAH TEATRA DRVEĆE PLEŠE

NAGRADA ZA PROJEKAT DAH TEATRA DRVEĆE PLEŠE

Austrijsko savezno ministarstvo za evropske i međunarodne poslove pozvalo je Prof. Dijanu Milošević i članove DAH Teatara u Austriju na festival inovacija Market of the Future, gde su predstavili svoj projekat Drveće pleše 2. i 3. oktobra 2021. godine u Gracu, u Austriji.

Projekat Drveće pleše jedan od pet međunarodnih projekata nagrađenih od strane austrijskog javnog radija Oe1, koji je sastavni deo austrijskog javnog servisa ORF, u okviru inicijative Fixing the Future - Casting New Ideas. U konkurenciji od 43 projekata iz 20 zemalja DAH Teatar je jedan od dobitnika nagrade za najinovativniju ideju za promene i „popravljanje budućnosti sada”.

Projekat se sastoji od predstave Drveće pleše, razgovora sa publikom posle predstave, okruglih stolova o klimatskim promenama i zaštiti drveća, na koje su pozvani stručnjaci, aktivisti i umetnici, kreiranja digitalne platform koja će spajati umetnike, aktiviste i građane.

U godini jubileja, 30 godina od svog postanka, DAH Teatar će premijerno izvesti novu predstavu pod nazivom Drveće pleše 30, 31. oktobra i 1. novembra sa početkom u 20 časova u Studentskom parku u Beogradu.

Predstavu, u saradnji sa Institutom za umetničku igru, podržali su ITAC– Climate Impact, Austrijska Ambasada u Beogradu – Program Kultura i razvoj, Grad Beograd – Sekretarijat za kulturu.

O projektu saznajte više na sajtu:

https://oe1.orf.at/artikel/687542/The-award-winners

O predstavi saznajte više na sajtu:

https://dahteatarcentar.com/drvece-plese-novi-projekat/

Drugi način komunikacije

Drugi način komunikacije

Prof. dr Snežana Arnautović Stjepanović predstaviće svoj rad u okviru međunarodnog projekta Drugi način komunikacije autorke dr Isidore Fićović, koji je selektovan u konkurenciji od 42 umetnička projekta iz Srbije. Projekat uključuje pet umetnika iz Beograda i Berlina, koji će radovima i dijalogom razmatrati čovekov odnos prema telu kao njegovoj najneposrednijoj prirodi.

"Sreća je u konekciji i saosećanju sa drugima, kao izvoru nade, empatije, odgovornosti i autentičnosti. Prava svrha umetnosti je u saopštavanju osećanja. Globalno iskustvo Covid-19 pandemije prouzrokovalo je promene u načinu funkcionisanja društva: rad od kuće, online nastave, sastanci na različitim internet platfromama, pa je uspostavljanje međuljudskih odnosa kao drugi načini komunikacije izazov. Projekat uključuje umetnike iz Beograda i Berlina, koji će svojim radovima i dijalogom razmatrati čovekov odnos prema telu, kao njegovoj najneposrednijoj prirodi, a taj odnos govori o čovekovom odnosu prema prirodi. Razvoj čula i ekološke svesti unapređuje životnu sredinu, ali i ima za cilj uspostavljanje empatičnih međuljudskih odnosa, društvenosti i kulture. Jezik savremene umetnosti je polje preispitivanja drugih načina komunikacije sa upotrebom različitih ljudskih čula, taktilnost, manuelni rad, telesno gestualno slobodno kretanje u prostoru, prevazilaženja limitiranog gesta tipkanja po ekranu mobilnog telefona i kompjuterskoj tastaturi, gde je razgovor sa drugima ograničen na čulo vida i sluha", naveli su članovi organizacionog tima projekta u Beogradu, koji čine: Isidora Fićović (autor), Ivana Vidić (koordinator) i Pavle Knežević (PR).

Projekat obuhvata više faza: otvoreni poziv, produkciju umetničkih radova, onlajn platformu sa prezentacijom radova / izložbu i Zoom sastanak.

Projekat je podržan od Ministarstva kulture i informisanja Srbije. Partner na projektu iz Berlina je Apartment Project.

Više o projektu možete pogledati OVDE.

Ukrštanja

Ukrštanja

U Galeriji Kulturnog centra Niš od 07. do 21. oktobra 2021. biće predstavljena izložba radova iz zbirke Šumatovačke Ukrštanja. U okviru postavke će biti prikazano delo Prof. dr Snežane Arnautović Stjepanović, prodekana za nastavu Instituta za umetničku igru. Slika Ritam 12 iz ciklusa Unutrašnji ritmovi koja će biti prikazana nalazi se u kolekciji Šumatovačke od 2014. godine.

Šumatovačka kao ustanova kulture, osnovana od strane grada Beograda, nalazi se u samom srcu Vračara, jedne od najstarijih opština. Kao takva neguje, već čitavu deceniju, svoju zbirku koja je nastala kroz donacije i otkupe radova velikog broja umetnika s naše aktivne umetničke scene. Većina autora čiji su radovi sastavni deo zbirke je pohađalo pripreme u Šumatovačkoj, predavalo ili izlagalo svoje radove u okviru galerije Stepenište.

Danas zbirka sadrži radove autora više generacija. Naša ideja, u okviru same zbirke, bila je da pored fokusa na mlade autore, ukrstimo/upletemo i napravimo neku vrstu mreže svih umetnika koji su aktivni na domaćoj likovnoj sceni. A takvi procesi su uvek zahtevniji i nešto komplikovaniji od jednostavnog prikuplјanja radova.

Zbirka postoji od 2010. godine i od tada svake godine biva bogatija za nekoliko novih radova i autora. Ovo prilikom je napravlјen jedan presek/selekcija kojom želimo da predstavimo radove autora čija estetika ide u domen ukrštanja i raskršća. Društvenih, emotivnih, socijalnih, impliciranih spolјašnjim i unutrašnjnim uticajima. Selekcija nije bila laka, ali gostovanjem u Nišu želeli smo da predstavimo radove koji se mogu čitati kao radovi na raskršću, u gradu na Nišavi koji je vekovima bio grad ukrštanja važnijih puteva i velikih raskršća naroda. I ovom prilikom ukrstili smo rad Koste Bogdanovića i Lidije Krnjajić, Branka Milјuša i Branislava Nikolića, Snežane Arnautović i Aleksandra Jevtića...simbolički, likovno, formalno. U svakom od ovih radova se može zapaziti presek i ukrštanje koje motiviše posmatrača da promišlјa o različitim vrstama raskršća na kojima se pojedinac (pro)nalazi na svom dnevnom, ali i životnom toku. Na tim raskršćima on bira, pronalazi, promišlјa pravac i smer svog dalјeg delovanja i putovanja, kako kroz vreme, tako i kroz prostor, ne znajući šta ga na kraju tog odabranog puta čeka.

Ovom izložbom želimo da podstaknemo posmatrače i nišku publiku da na svakom svom raskršću bude spremna da zastane i promisli o svom sledećem koraku, dok uživa u likovnom izrazu autora predstavlјenih na izložbi Centra za likovno obrazovanje Šumatovačka pod nazivom Ukrštanja.

Danijela Rančić, koautor postavke

Autori čiji će radovi biti predstavljeni ovom prilikom:

Momčilo Mom