SOMBORSKI ŠNAJDERAJ U BEOGRADU
Profesori i studenti Instituta za umetničku igru učestvovali su u realizaciji modne revije Somborski šnajderaj u Beogradu, koja je održana 19. maja u organizaciji Udruženja Somborske šnajderke, socijalnog preduzeća koje pomaže ekonomsku integraciju žena i dece žrtava porodičnog nasilja.
Ovo je prva modna revija koju je udruženje napravilo a na kojoj su prikazani modeli ženskih haljina koje su zajedno sa manekenkama nosile žene iz udruženja.
Profesor savremene igre Instituta Ognjen Vučinić, za ovu priliku osmislio je dve koreografije koje su izvele: Doc. Katarina Bućić, studentkinje treće godine instiuta: Angela Mihova i Sonja Stojanović; Studentkinje druge godine instituta: Miona Petrović i Tijana Ostojić.
PREMIERE OF THE DANCE PERFORMANCE TRE SORELLE
On the Grand Stage of the Music Center of Montenegro on Friday, May 20th, the dance performance of Tre Sorelle will be premiered, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić, starting at 8 p.m.
The dance performance is based on the traditional story of the folk spirit in the Bay of Kotor - the legend of the three sisters in which through movement, dance and music shows togetherness, but also rivalry, women's rebellion against conventions, traditions, dogma and patriarchal worldview in small communities, the authors state.
The Ballet Studio of the Music Center of Montenegro (MCCG) started this year with eleven members consisting of Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Stasa Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović and Ksenija Kankaraš.
The scenography for the play was done by Dunja Kostić, the costume by Senka Ranosavljević and the author of the musical arrangements is Georg Draušnik. The assistant choreographer is Mojca Majcen, and the ballet tutor is Viktorija Strugar.
Photography by Dejan Kalezić
SOLA FESTIVAL 2022
27th -29th May
The Sola Festival, organized by the Belgrade Dance Institute with the support of the Belgrade Cultural Center, the Hungarian Cultural Center in Belgrade, the Israeli Embassy in Serbia, the French Institute in Belgrade, the Teatroscope International Platform, the Austrian Cultural Forum, the Belgian Embassy and the School of Engineering Management, will organize the second edition of International Festival Sola (choreography and performance) from May 27th to May 29th 2022, at several locations in Belgrade and Novi Sad.
This year's edition of the Sola Festival will last for three days with the presence of artists who will present themselves at this year's event, and they come from Hungary, Croatia, Belgium, France, Austria and Serbia.
Accompanying program on Saturday from 11.00 lecture Intermediality in performing arts Barbara Matijević and Giuseppe Chico.
The program:
May 27th, 2022
Opening ceremony at the National Museum starting at 20.00h.
May 28th, 2022
Cultural station Barka Novi Sad starting at 20.00h.
May 29th, 2022
Museum of Contemporary Art starting at 20.00h.
May 29th, 2022
Flower Square/Cvetni trg (KCB house) starting at 22.00h.
More information⬇️
☎️011 / 4140 421 every working day from 9.00 to 17.00 or by e-mail⬇️
YOU HAVE TO BE A ZENTIST!
In the Neon Gallery in Belgrade on May 17th, 2022. at 20.00h an interactive multimedia installation You Must Be a Zenithist, of DAH Theatre opened. The exhibition was opened by the author of the concept Jadranka Anđelić and Prof. Dr. Snežana Arnautović Stjepanović.
The exhibition is designed for various gallery and museum spaces and reflects on the heritage of the authentic avant-garde art movement from our region - zenithism. It points out the importance of continuity in the artistic tradition of a country and explores what today, exactly one hundred years since the launch of Zenit magazine, are the echoes of Zenitist ideas both in contemporary art and in contemporary society.
The program:
May 17th - opening and performance from 8 p.m.
May 18th - expert guidance from 8 p.m.
(guest Prof. Dr. Snežana Arnautović Stjepanović)
May 19th - expert guidance from 8 p.m.
(guest Prof. Slavimir Stojanović Futro)
The ideas of zenithism - anti-war ideas, belief in the possibility of creating a new, more just society and relationship are important and necessary even after a hundred years, especially in the modern moment, when faith in the possibility of creating a better world has been lost. Zenitism invites us to, inspired by the enthusiasm of the artists of that time, turn again to the great values at the center of which is - man.
The installation consists of three parts, which are original works of artists dealing with contemporary artistic response to the ideas of zenithism.
In the first room, there are interactive screens with which you can get to know the artists of zenithism. Scenes from the video for the play Zenith - History of a Rapture (1994) by the DAH Theater, you can combine as you wish and thus create your zenith story through interactive screens.
In the second room we meet with video / audio work and installation by Snežana Arnautović and Ivica Stjepanović called Everyday Room, which is a kind of response to the idea of zenithism, as well as complete avant-garde whose roots contemporary artists still rely on.
In the third room, we will find the art object Cross-Hanger (Krst-čiviluk), which was used in the play of the DAH theatre, Zenit - History of One Enthusiasm, and is the work of artist Neša Paripović. The atmosphere of the zenith movement in this room is complemented by the video work For a better atmosphere by Jelena Rubil, through which we get acquainted with the zenith slogans.
The fourth room brings us the intimacy of zenithism and here you can read the last letter of Anushka Micić to Ljubomir Micić, which he found after her death. Also, there are original editions of Zenit magazine, as well as audio / video work by Snežana Arnautović called Lucid Dream / Happy Time.
On the first night of the exhibition, we will have four performers, who will additionally evoke the atmosphere of the zenithist movement and make us think about whether this movement is still relevant, present, and finally whether the zenithists are still among us.
We will have the opportunity to hear Ve Poljanski's poetry through original music, specially composed and sung for this exhibition. The inevitable Mayakovsky in one new body will also visit the N.EON gallery, and who, like a hundred years ago, has something important to tell us. If you have not had the opportunity to read the letters of Anuska and Ljubomir Micic, this exhibition will bring you the most intimate experience of zenithist love - one letter will be enlarged and read to everyone who indulges and sits in a zenithist armchair. Throughout the exhibition, each visitor will have his own shadow - the mysterious Johnny Dzepp, who leaves an indelible mark behind him.
In the next two days of the exhibition on May 18th and 19th, we will have an expert guide through the exhibition of the authors of the concept, Jadranka Andjelić and Dijana Milošević, from 8 pm, which will be additionally completed by special guests.
Author of video / audio works and installations by Prof. dr Snežana Arnautović Stjepanović will join us on May 18th, while on May 19th we will be accompanied by designer, visual artist, writer and professor Slavimir Stojanović Futro, who designed the poster for the play Zenit - History of a rapture.
Concept: Jadranka Anđelić, Dijana Milošević
Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objects, space: Neša Paripović
Video installation: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Light: Milomir Dimitrijević, Radovan Samolov
Organization and production: Natasa Novakovic, Milica Petrovic
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Photographer: Đorđe Tomić
Video documentation: Aleksandar Milošević
Social networks: Dunja Karanović
Graphic design: škart
PREMIJERA PLESNE PREDSTAVE TRE SORELLE
Na Velikoj sceni Muzičkog centra Crne Gore u petak 20. maja premijerno će biti izvedena plesna predstava Tre Sorelle u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića s početkom u 20.00 časova.
Plesna predstava je nastala na motivima tradicionalne priče narodnog duha u Boki Kotorskoj – legendi o tri sestre u kom se kroz pokret, ples i muziku prikazuje zajedništvo, ali i rivalstvo, ženska pobuna protiv konvencija, tradicije, dogme i patrijarhalne postavke sveta koja je pogotovo zastuplјena u malim sredinama, navode autori.
Baletski studio Muzičkog centra Crne Gore (MCCG) počeo je sa radom ove godine sa jeadanaest članica koji čine Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Staša Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović i Ksenija Kankaraš.
Scenografiju za predstavu je uradila Dunja Kostić, kostim Senka Ranosavlјević a autor muzičkih aranžmana je Georg Draušnik. Asistent koreografa je Mojca Majcen, a baletski repetitor Viktorija Strugar.
Fotografija Dejan Kalezić
METHRONOMY IN THE PREPARATION OF THE BELGRADE DANCE INSTITUTE
The choreographer Tamara Gvozdenović in cooperation with the sixth generation of students of the Belgrade Dance Institute, will be presented by the project Metronomija.
We build our common future considering contrasts: construction against deconstruction, parallel, crowd versus loneliness, between, negative space, shadow, body shift, change of space, change of perception and perspective. "In order to create, first we must destroy. All we have built we will destroy. Everything we believe in will be destroyed. All the faces we saw will be forgotten. We will not start from zero. We will keep the foundations. In pieces. We will collect. Some will stay. We will choose. Some will be forgotten. Compose. Lift up. Step off. " According to the project author.
After studying visual arts in Nahatel, Tamara Gvozdenović joined a respectable conservatory for music and dance Trinity Laban in London, where our famous choreographer Alekandar Ilić, has a master's degree. After graduation, she presented her first dance theater piece, Sainte Marie Joseph de la Rose, at Théâtre du Pommier in Nehatel, and the next year another, Sous Lou Cou (P) Du Lapin. Finally, and the third, Light Scream. In 2014, she joined the famous Belgian dance theater troupe Peeping Tom in Brussels.
The founder is Le Facteur, a dance theater troupe formed as a collective artist, developing on the move in Switzerland, France, and Belgium. The Belgrade audience was presented last year as part of the first edition of the Sola Festival with the performance Tombés.
A GALA CONCERT "PRAZNIK IGRE"
On the occasion of World Dance Day, which is traditionally celebrated on April 29th, Praznik Igre presented a gala concert dedicated to dance, the joys of dance creation, and all movement performed by the Belgrade Dance Institute students and Ballet Youth company.
On the occasion of International Dance Day, Dean Prof. Dr. Vladimir Tomasevic and H.E. Ambassador of the Arab Republic of Egypt in Serbia, Basel Salah, read the World MP of Kang Sue-Jin, a ballet dancer and the director of the National Ballet of Korea.
The second act of the ballet Swan Lake will be performed by the main roles played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute) and Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).
The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.
The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.
AWARDED AND SPECIAL PRAISE OF TERPSICHORE
The Award of Terpsichore went to Ana Ignjatovi Zagorac, a member of the Bitef Dance company and pedagogy of Contemporary Dance, and special praise went to Miona Petrović, contemporary dancer, performer, and choreographer, who was also a member of the Bitef Dance company.
The award and special praise are awarded in 2022, the eleventh year in order, on the occasion of World Dance Day, the International Holiday celebrated by entire world, which established international advice for dance-CID UNESCO. Previous winners of the awards Terpsichore are Ana Pavlović Ballet 1st Soloist, Konstantin Kostjukov Ballet 1st Soloist, Mira Nešić Classical Ballet Pedagogue, Bojana Žegarac Knežević Ballet 1st Soloist, Milan Rus Ballet 1st Soloist, Igor Pastor Ballet 1st Soloist and Olga Olćan Miljević Ballet 1st Soloist of Ballet National Theater in Belgrade.
From the explanation of the Jury for the TerpSihora Award:
Ana Ignjatović Zagorac is one of the founders of the contemporary dance scene in Serbia, and from the very beginnings of her dance career, she worked on the affirmation of contemporary dance in the region and improving its position on the cultural scene.
She's a freelance artist, a member of the Bitef Dance company, and teaches contemporary dance at the Lujo Davičo Ballet School in Belgrade.
She participated in a large number of observed roles at the Bitef Theater, KPGT, and Madlenianum in performances, and received a large number of awards and recognitions, of which the most important golden badges of the cultural and the Ministry of Foreign Affairs of the Republic of Serbia and Smiljana Mandukić are the most important. The Association of Ballet Artists of Serbia for the best interpretation of a contemporary dance play Wanting machines.
The jury especially emphasizes that Ana is sacrificed in the pedagogical work of future dancers and their improvement in the field of contemporary dance, and this award is a modest recognition for her entire art opus, with a desire to look at the scene for a long time.
In the explanation of special praise, the jury states:
Miona Petrovi first encountered artistic dance while studying with Jelena Katić, and four years later at the Kids Cultural Center, where she studied modern ballet with Olga Vuković and jazz ballet with Eta Kovačević and Dragana Stanisavljević.
She's a freelance artist, contemporary dancer, performer, choreographer, and member of the Bitef Dance company.
She achieved a large number of roles on the stage of Bitef Theater, Madlenianum, within the Balkan Dance Project, as well as independent productions.
Miona Petrović perfectly improved during her professional career and is on that path and the way of her education at the Belgrade Dance Institute, department of Choreography.
The jury especially emphasizes Miona's strong contribution to contemporary dance in our country, and this special praise pays respect and support for further success.
MENOTTI'S OPERA PREMIERE IN SARAJEVO
The author's duo, Aleksandar Nikolić and Aleksandar Ilić, after four years, are re-cooperating with the artists of that theater, and on the 29th Apil will present the comic opera Phone or love in trio, by composer Gian Carlo Menotti.
At its heart, Menotti's Phone is a small diamond that gives us everything in 23 minutes that opera audiences love: A baritonal anger as from the best of Verdi's opera, a parody of Donosti's lamentations of the main heroes, then remonstring the power of colored colors like the Queen of Night from Mozart, and a passionate love duet as from Pucini's opera.
All the ingredients are here, however, instead of 180 minutes compressed into just 23 minutes of stage roller-coaster. However, nothing lacks the Phone, especially not a conflict between two exciting characters, a capricious room with obsessed Lusy and charming Ben, who is in love. However, Menota wrote this work in 1947. He predicted a problem that is much more active today than 75 years ago.
The opera is conducted by Maestro Dario Vučić, and the opera is performed by Aida Corbadžić in the role of Lucy, and Marko Kalajanović in the role of Ben. Aleksandar's choreography is performed by the Ballet Ensemble of Selma Strbo Arnautović, Sabina Sokolović, Marijana Marić and Til Čmancanin in highly stylized costumes by Ata Omerbašić.
Perhaps for a few decades, when artificial intelligence beats humanity, cyborgs will continue to set up the opera written by a man with the same love and passion for antique tragedies of the old Greeks that no longer exist. Maybe they will read this opera from another angle-as the first heroic opera work in which the machine triumphed over the man, as the director Nikolić states.
The first reprise was scheduled for April 30th in the division of Melisa Hajrulahović Tomić and Erol Ramadanović.
FESTIVAL SOLA 2022.
27 -29. мај
Festival Sola u organizaciji Instituta za umetničku igru uz podršku Kulturnog centra Beograda, Mađarskog kulturnog centra u Beogradu, Ambasade Izraela u Srbiji, Francuskog Instituta u Beogradu, Međunarodne platforme Teatroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment, organizovaće drugi internacionalni Festival Sola (koreografija i performans) od 27. do 29. maja 2022. godine na nekoliko lokacija u Beogradu i Novom Sadu.
Ovogodišnje izdanje Festivala Sola trajaće tri dana uz prisustvo umetnika koji će se predstaviti na ovogodišnjoj manifestaciji a koji dolaze iz Mađarske, Hrvatske, Belgije, Francuske, Austrije i Srbije.
Prateći program u subotu od 11.00 časova predavanje Intermediality in performing arts Barbara Matijević and Giuseppe Chico.
Program:
27. maj 2022.
Svečano otvaranje u Narodnom Muzeju s početkom u 20.00 časova
28. maj 2022.
Kulturna stanica Barka Novi Sad s početkom u 20.00 časova
29. maj 2022.
Muzej savremene umetnosti s početkom u 20.00 časova
29. maj 2022.
Cvetni trg (kućica KCB) s početkom u 22.00 časova
Više informacija⬇️
☎️011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila⬇️
festivalsola@gmail.com
TI MORAŠ BITI ZENTISTA!
U galeriji Neon u Beogradu 17.05.2022. u 20.00h otvorena je interaktivna multimedijalna instalacija Ti moraš biti Zenitista, Dah teatra. Izložbu su otvorile autorka koncepta Jadranka Anđelić i Prof. dr Snežana Arnautović Stjepanović.
Izložba je zamišljena za različite galerijske i muzejske prostore i promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora – zenitizma. Ukazuje na važnost kontinuiteta u umetničkoj tradiciji jedne zemlje i istražuje kakvi su danas, tačno sto godina od pokretanja časopisa Zenit, odjeci zenitističkih ideja kako u savremenoj umetnosti tako i u savremenom društvu.
Program:
17. maj - otvaranje i performansi od 20 časova
18. maj - stručno vođenje od 20 časova
(gost prof. dr Snežana Arnautović Stjepanović)
19. maj - stručno vođenje od 20 časova
(gost prof. Slavimir Stojanović Futro)
Ideje zenitizma - antiratne ideje, verovanje u mogućnost stvaranja novog, pravednijeg društva i odnosa su i posle sto godina važne i potrebne, naročito u savremenom trenutku, kada se izgubila vera u mogućnost stvaranja boljeg sveta. Zenitizam nas poziva da se inspirisani zanosom umetnika tog doba, ponovo okrenemo velikim vrednostima u čijem centru je - čovek.
Instalacija se sastoji iz tri celine, koje predstavljaju originalne radove umetnica/ka koji se bave savremenim umetničkim odgovorom na ideje zenitizma.
U prvoj sobi se nalaze interaktivni ekrani pomoću kojih se upoznajete sa umetnicima zenitizma. Scene iz video zapisa predstave Zenit - Istorija jednog zanosa (1994) DAH Teatra, možete kombinovati po svojoj želji i tako preko interaktivnih ekrana kreirati svoju zenitističku priču.
U drugoj sobi srećemo se sa video/audio radom i instalacijom Snežane Arnautović i Ivice Stjepanovića pod nazivom Svakodnevna soba, koji predstavlja svojevrstan odgovor na ideju zenitizma, kao i kompletne avangarde na čije korene se savremeni umetnici i danas oslanjaju.
U trećoj sobi nas očekuje umetnički objekt Krst-čiviluk koji je korišćen u predstavi DAH Teatra Zenit - Istorija jednog zanosa, a delo je umetnika Neše Paripovića. Atmosferu zenitističkog pokreta u ovoj prostoriji dopunjuje video rad Za bolju atmosferu Jelene Rubil kroz koji se upoznajemo sa zenitističkim parolama.
Četvrta soba nam donosi intimu zenitizma i tu možete pročitati poslednje pismo Anuške Micić Ljubomiru Miciću koje je on pronašao nakon njene smrti. Takođe, tu su originalna izdanja časopisa Zenit, kao i audio/video rad Snežane Arnautović pod nazivom Lucid Dream/Happy Time.
Prvo veče izložbe očekuje nas nastup četiri performera, koji će dodatno dočarati atmosferu zenitističkog pokreta i nagnati na razmišljanje da li je ovaj pokret i dalje aktuelan, prisutan, i na kraju da li su zenitisti i dalje među nama.
Imaćemo priliku da čujemo poeziju Ve Poljanskog kroz autorsku muziku, specijalno komponovanu i otpevanu za ovu izložbu. N.EON galeriju će posetiti i nezaobilazni Majakovski u jednom novom telu, a koji kao i pre sto godina - ima nešto važno da nam kaže. Ukoliko niste imali prilike da pročitate pisma Anuške i Ljubomira Micića, ova izložba će vam doneti najintimniji doživljaj zenitističke ljubavi - po jedno pismo biće povećeno i pročitano svakome ko se prepusti i sedne u zenitističku fotelju. Kroz celu izložbu svaki posetilac će imati i svoju senku - misterioznog Džoni Džepa koji za sobom ostavlja neizbrisiv trag.
Naredna dva dana izložbe 18. i 19. maja očekuje nas stručno vođenje kroz izložbu autorki koncepta, Jadranke Andjelić i Dijane Milošević, od 20 časova, koje će dodatno upotpuniti specijalni gosti.
Autorka video/audio radova i instalacije prof. dr Snežana Arnautović Stjepanović će nam se pridružiti 18. maja, dok će 19. maja sa nama biti dizajner, vizuelni umetnik, pisac i profesor Slavimir Stojanović Futro, koji je dizajnirao plakat za predstavu Zenit - Istorija jednog zanosa.
Koncept: Jadranka Anđelić, Dijana Milošević
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objekti, prostor: Neša Paripović
Video instalacija: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Svetlo: Milomir Dimitrijević, Radovan Samolov
Organizacija i produkcija: Nataša Novaković, Milica Petrović
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Fotograf: Đorđe Tomić
Video dokumentacija: Aleksandar Milošević
Društvene mreže: Dunja Karanović
Grafički dizajn: škart
METRONOMIJA U PRIPREMI INSTITUTA ZA UMETNIČKU IGRU
U Institutu za umetničku igru je u pripremi i poslednja plesna predstava za kraja pozorišne sezone, čija premijera se očekuje krajem juna na sceni Narodnog pozorišta u Beogradu.
Koreografkinja Tamara Gvozdenović u saradnji sa šestom generacijom studenata Instituta za umetničku igru predstaviće projekat Metrononomija.
Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, između, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi,“ navodi autorka projekta.
Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.
Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.
Fotografija Christophe Coenon
IZVEDEN GALA KONCERT PRAZNIK IGRE
Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila na Velikoj sceni Madlenianum opere i teatra izveden je Gala koncert Praznik igre posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta u izvođenju studenata Instituta za umetničku igru i Kompanije Balet mladih.
Dekan Prof. dr Vladimir Tomašević i Nj.E. Ambasadora Arapske Republike Egipat u Srbiji Basel Salah, čitanjem svetske poslanice Kang Sue-jin balerine i direktorke Nacionalnog baleta Koreje povodom Međunarodnog dana igre svečano su otvorili koncert.
Koncert je otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, a izvedene su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu.
U drugom delu koncerta je biti izveden drugi čin iz baleta Labudovo jezero Petra Iljiča Čajkovskog. U glavnim ulogama su nastupili Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid, a ulogu zlog čarobnjaka Rotbarta igrao je Ognjen Vučinić (profesor savremene igre na Institutu za umetničku igru).
Koncertu su prisustvovale direktorke Baletske škole Lujo Davičo Prof. Iva Bojović Petković i Baletske škole Novi Sad Sanja Vučurević, dramska spisateljica i rediteljka Zora Bokšan Tanurdžić, direktorka Muzeja savremene umetnosti u Beogradu Maja Kolarić, direktorka Muzeja grada Beograda Jelena Medaković kao i brojni gosti.
Institut za umetničku igru čestita svim igračicama, igračima, poslenicima u umetničkoj igri i publici Svetski dan igre.
Fotografija Dušan Milenković
URUČENA NAGRADA I SPECIJALNA POHVALA TERPSIHORA
Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.
Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade su Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.
Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.
Iz obrazloženja žirija za Nagradu Terpsihora:
Ana Ignjatović Zagorac jedna od utemeljivačica savremene plesne scene u Srbiji a od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni.
Slobodna je umetnica, članica trupe Bitef Dens kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu.
Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.
Žiri posebno naglašava da je Ana požrtvovana u pedagoškom rada stvaranja budućih igrača i njihovom usavršavanju u oblasti savremene igre, te je ova Nagrada skromno priznanje za njen culokpan umetnički opus uz želju da je još dugo gledamo na sceni.
U obrazloženju Specijalne pohvale žiri navodi:
Miona Petrović je svoj prvi kontakt sa umetničkom igrom ostvarila u Studiju za klasičan baleta kod pedagoškinje Jelene Katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević.
Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dens kompanije.
Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Project kao i samostalnih produkcija.
U toku ove sezone uradila je koreografiju za Skok u vodu, premijerno je nastupila u predstavi Drveće pleše Dah teatra i Maria de Buenos Aиres sa Tanguango kvartetom, publici je predstavila i svoju koreografiju u okviru projekta Telo u fokusu u Studentskom kulturnom centru. U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće na se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.
Miona Petrović usavršava se stalno tokom svoje profesionalne karijere te je na tom putu i nastvaila svoje školovanje na Institutu za umetničku igru na odseku koreografija.
Žiri posebno naglašava Mionin snažan doprinos savremenoj igri u našoj zemnji te ovom Specijalnom pohvala odaje poštovanje i podršku za dalje uspehe.
Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.
Svetski dan igre svečano će biti obeležen u petak 29. aprila proslavom 200-te predstave baleta Ko to tamo peva na sceni Narodnog pozorišta u Beogradu, u Studentskom parku biće izvedena predstava Dah teatra Drveće pleše a na sceni Madlenianum opere i tetara biće izveden Gala koncert Praznik igre studenata Instituta za umetničku igru i Kompanije Balet mladih.
Povodom Svetskog dana igre Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, postavila je instalaciju Dva dela mene na Cvetnom trgu u kućici Kulturnog centra Beograda.
Svečana ceremonija uručenja nagrada održana je 26. maja u Muzeju Narodnog pozorišta u Beogradu.
Fotografija Teodora Živković
MENOTIJEVA OPERA PREMIJERNO U SARAJEVU
Autorski dvojac Aleksandar Nikolić reditelj i Aleksandar Ilić koreograf, nakon četiri godine na poziv Narodnog pozorišta u Sarajevu ponovo sarađuju sa umetnicima tog teatra, a 29. apila premijerno će publici predstavi komičnu operu Telefon ili Ljubav u troje, kompozitora Đan Karla Menotija.
Menotijev Telefon je mali dijamant koji nam u 23 minuta daje sve ono što operska publika obožava: baritonsku ariju gneva kao iz najboljih Verdijevih opera, jednu ariju lamenta kao parodiju Donicetijevim lamentima glavnih junakinja, zatim izvanrednu ariju u kojoj sopran demonstrira moć koloratura poput Kraljice noći kod Mocarta i na kraju nežan i strastven ljubavni duet kao iz Pučinijevih opera.
Svi sastojci su tu, međutim sada umesto u 180 minuta komprimovani u samo 23 minuta scenskog roler - kostera. Ipak, Telefonu ništa ne nedostaje, posebno ne sukob dva uzbudljiva lika, kapriciozne sobom opsednute Lusi i zaljubljenog, šarmantnog Bena. Međutim, Menoti je pišući ovo delo 1947. predvideo problem koji je danas mnogo aktuelniji nego pre 75 godina.
Operom diriguje maestro Dario Vučić, a operu izvode Aida Čorbadžić u ulozi Lusi i Marko Kalajanović u ulozi Bena. Ilićevu koreografiju izvodi baletski ansambl Selma Štrbo Arnautović, Sabina Sokolović, Marijana Marić i Til Čmančanin u visoko stilizovanim kostimima Ate Omerbašić.
Možda će za par decenija, kada artificijelna inteligencija pobedi čoveka, kiborzi nastaviti da postavljaju opere koje je napisao čovek, sa onom ljubavlju i opsesijom sa kojom mi postavljamo antičke tragedije starih Grka koji više ne postoje. Možda će oni ovu operu čitati iz drugog ugla - kao prvo herojsko opersko delo u kom je automat trijumfovao nad čovekom, navodi reditelj Nikolić.
Prva repriza je zakazan za 30. april u podeli su Melisa Hajrulahović Tomić i Erol Ramadanović.
Fotografija Velija Hasanabegović.
INSTALLATION BY ALISA ORAVEC FOR WORLD DANCE DAY
On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, Alisa Oravec, a doctoral student in Artistic Dance and Performance at the Belgrade Dance Institute, will present the installation Two Parts of Me, which will be set on Cvetni trg in the Belgrade Cultural Center.
The installation was created on the subject of Installations and Performance led by Prof. dr Snežana Arnautović Stjepanović and was shown within the project Body in Focus at the Student Cultural Center on February 25th, 2022.
Two parts of me
Two body states in focus. We can see the installation as two different characters in two people or simply as two different states of one artist.
The body in motion represents the continuous creation and sharing of various energies with which we balance ourselves in our unbalanced position of the body.
Alisa Oravec
INSTALACIJA ALISE ORAVEC ZA SVETSKI DAN IGRE
Povodom Svetskog dana igre koji se širom sveta tradicionalno proslavlja 29. aprila, Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, prikazaće instalaciju Dva dela mene koja će biti postavljena na Cvetnom trgu u kućici Kulturnog centra Beograda.
Instalacija je nastala na predmetu Instalacije i performans koji vodi Prof. dr Snežana Arnautović Stjepanović i prikazana je u okviru projekta Telo u fokusu u Studentskom kulturnom centru 25.02.2022. godine.
Dva dela mene
Dva stanja tela u fokusu. Instalaciju možemo sagledati kao dva različita karaktera kod dve osobe ili jednostavno kao dva različita stanja jednog umetnika.
Telo u pokretu predstavlja neprekidno stvaranje i deljenje različitih energija kojima sami balansiramo u svom neizbalansiranom položaju tela.
Alisa Oravec
DANCE WORKSHOP HELD BY YORAM KARMI
Yoram Karmi, an Israeli choreographer, held a contemporary dance workshop at the Lujo Davicho Ballet School on Saturday, April 9th.
The workshops were attended by first and second year students of the Ballet High School, Department of Contemporary Dance.
The class was also attended by Ivana Ljujić, professor of modern dance, and Gordana Šuvak, professor of acting.
The guest appearance of the Israeli choreographer is realized with the support of the Embassy of Israel in Serbia.
CELEBRATION OF DANCE
On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, the Belgrade Dance Institute will present a concert Celebration of dance, which is dedicated to dance, the joy of creating dance and all fans of movement. The concert will be performed on the stage of the Opera and Theater Madlenianum, starting at 8 PM. Students from the Belgrade Dance Institute and the Youth Ballet Company are taking part in the concert.
The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.
In the second part of the concert, the second act from the ballet Swan Lake will be performed. The main roles will be played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute), Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).
The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.
Tickets for the concert at a price of 1000 RSD can be purchased with a reservation by calling the number: 011/4140 421 every working day from 9.00 to 17.00 or by e-mail teodora.zivkovic@iui.rs
AWARD AND SPECIAL PRAISE OF TERPSYCHOR
The Terpsichore Award, a prestigious recognition of the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia (PUBS) awarded annually to artists or cultural institutions in the field of artistic dance for 2022 went to Ana Ignjatović Zagorac, contemporary dancer, member of Bitef Dance Company and pedagogue contemporary dance, and Special praise to Miona Petrović a contemporary dancer, performer, choreographer and also member of the Bitef Dance company.
The award and special commendation are given in 2022, for the eleventh time in a row, on the occasion of the World Dance Day, an international holiday that is celebrated all over the world, and which was established by the International Dance Council - CID UNESCO. Previous winners of the Terpsichore Award are Ana Pavlović First Soloist, Jovan Veselinović First Soloist, Konstantin Kostjukov First Soloist and Choreographer, Đordje Makarević First Soloist and Choreographer, Mira Nešić Classical Ballet Teacher, Ballet of the National Theater in Belgrade, Bojana Žegarac Knežević First Soloist, Milan Rus ballet, Igor Pastor, First Soloist n and Olga Olcan Miljevic, ballet soloist of the National Theater in Belgrade.
During this year, a three-member jury consisted of representatives of classical ballet, folk dance and contemporary dance: Olga Olcan Miljevic, soloist of the National Theater Ballet and last year's laureate Terpsichore, Andjelika Petrovic, first dancer of the Serbian Folk Dance and Song Ensemble Kolo, and Jovana Grujić, contemporary dancer and pedagogue of contemporary dance.
Ana Ignjatović-Zagorac is professionally engaged in contemporary dance and is one of the founders of the contemporary dance scene in Serbia. From the very beginning of her playing career, she worked on the affirmation of modern dance in the region and the improvement of her position on the cultural scene. She is a freelance artist, a member of the troupe of the Bitef Dance company and a pedagogue of contemporary dance at the Lujo Davičo Ballet School in Belgrade. She has played a number of notable roles on the stage of Bitef Theater, KPGT, Madlenianum in performances by domestic and foreign choreographers, and won many awards and recognitions, the most important of which are the Golden Badge of the Cultural and Educational Community and the Ministry of Foreign Affairs of Serbia and Smiljana Mandukić Association of Ballet Artists of Serbia for the best interpretation in the contemporary dance performance Wishing Machines.
Miona Petrović made her first contact with artistic dance in the Studio for Classical Ballet with pedagogue Jelena Katić, and four years later at the Children's Cultural Center she continued her training in the field of modern ballet with Olga Vuckovic, jazz ballet with Eta Kovacevic and Dragana Stanisavljevic. She is a freelance artist, contemporary dancer, performer, choreographer and member of the Bitef Dance company. She studied at the Dance Loft School in Switzerland and especially at numerous workshops with choreographers Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Wollaston , Charles Linehan, Idan Sharabi, James Amar…
She has achieved a large number of roles on the stage of BITEF Theater, Madlenianum, within the Balkan Dance Project as well as independent productions.
In cooperation with the Israeli choreographer Yoram Karmi, she will present herself at the second edition of the Sola Festival in Novi Sad at the Barka Cultural Station on May 28th this year.
She is a second year student at the Belgrade Dance Institute in the choreography department.
The author of all the medallions of Terpsichore, which is made of pure 925 sterling silver, is the artist Tamara Mladenović, who lives and works in Greece.
The award ceremony will be held on April 26th at the Museum of the National Theater in Belgrade, starting at 1 p.m.
The Terpsichore Award and Special Praise is realized with the support of the Ministry of Culture and Information of the Republic of Serbia, the National Theater in Belgrade and the Belgrade Dance Institute.
Photography Jelena Janković
Photography Nemanja Maraš
OPENING OF THE EXHIBITION OF ERWIN WURM
The exhibition One Minute Forever opened today at the Museum of Contemporary Art in Belgrade. The exhibition was opened by the director of the Museum of Contemporary Art Mariana Kolarić, the curator of the exhibition Jerome Suns, Karin Traun Miller, the Deputy Ambassador of Austria, the Minister of Culture and the Prime Minister Maja Gojković.
At the invitation of the director of the Museum of Contemporary Art in Belgrade, students and professors of the Belgrade Dance Institute performed for the opening of the exhibition entitled One Minute Forever by Austrian artist Erwin Wurm.
The performances were performed by Professor Ognjen Vučinić, doc. Katarina Bućić, undergraduate students: Vladimir Sekulić, Senja Stanić, Lazar Tirić, Una Stepanović, Nina Horvat, Tijana Ostojić, Miona Petrović, Sonja Stojanović, doctoral student Ivana Milenović Popović, and alumni Đurđija Jelenković.
The exhibition will open on April 7th, and students will participate in the performance until August 9th, when the exhibition ends.
In addition to the mentioned one-minute sculptures (One Minute Sculptures), the exhibition also presents other iconic works by the author, such as Narrow House, Fat Car, Fat House, abstract and performative sculptures, but also accompanying media in which the artist works continuously and which are an integral part of his artistic vocabulary, such as photographs, video works, performances, drawings and paintings, as well as significant new production.
Especially for the exhibition in Belgrade, Wurm performed a new series of his performative sculptures in clay, according to the models of the most important buildings belonging to the Yugoslav modernist heritage of Belgrade. In this regard, this comprehensive exhibition, conceived as introspective rather than retrospective, seeks to showcase Erwin Wurm's rich and diverse oeuvre, as well as the diversity of media in which the artist creates and constantly develops and researches in parallel.
Photography Nemanja Maraš
PERFORMANCE EVERYDAY ROOM
Prof. dr Snežana Arnautović Stjepanović will perform today, April 6th, 2022. year, performance Everyday Room within the International Scientific Conference PARTICIPATORY PRACTICE OF PERFORMING ARTS IN THE DIGITAL AGE at the Rectorate of Arts organized by the University of Arts in Belgrade and the University of Birmingham and which will be held from 6-8 April 2022.
You can watch the performance online via the link: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ
Title: Everyday room
Media: Multimedia installation
Authors: Snežana Arnautović Stjepanović and Ivica Stjepanović
The multimedia installation Everyday Room is a project that was presented within the International Festival of Art and Human Rights at the exhibition You Must Be a Zenithist, at the Neon Gallery in Belgrade, on February 24th, 2022.
Everyday Room is a response to new reflections on nature, man and art in the relationships that are established in the networking of personal, physical and social dialogue of this artistic couple, whose work considers the determinants of everyday life but also in a vicious circle that even one hundred years since the inception of Zenitism has faced the same social problems.
Reacting to the text by Ljubomir Micić, Thank you, Beautiful Serbia..., a spatial installation was created that corresponds to two video works.
The video works were created during the state of emergency due to the corona virus pandemic. Performances performed for the purpose of recording video works are performed by the authors and are recorded as intimate portraits.
The video work of Ivica Stjepanović In this country, it represents the artist's speech in the first person and the transformation of the character, which is characterized by its caricature and deformity. The song that the artist sings while constantly looking into the lens is an author's text that was created ten years ago with changes in the organization of the socio-political system.
Video work by Snežana Arnautović Stjepanović Hafetopija, (fear of touch), considers changes in lifestyle and social interactions (life without hugs, kisses and touch) and which have led to a state of anxiety that can be identified with the symptoms of this phobia. The video work points to the need for touch, for tactile and manual action through returning to nature.
The video works are placed in a symbolic way that draws attention to the digital over the current, to the communication that is increasingly realized in this way and places the conversation of two artists in a new context that symbolically takes place above the text of Ljubomir Micić, constantly warning us.
EXHIBITION ONE MINUTE FOREVER
At the invitation of the director of the Museum of Contemporary Art in Belgrade, students of the Belgrade Dance Institute will be part of an exhibition called One Minute Forever by Austrian artist Erwin Wurm.
The exhibition will open on April 7th, and students will participate in the performance until August 9th, when the exhibition ends.
In addition to the mentioned one-minute sculptures (One Minute Sculptures), the exhibition also presents other iconic works by the author, such as Narrow House, Fat Car, Fat House, abstract and performative sculptures, but also accompanying media in which the artist works continuously and which are an integral part of his artistic vocabulary, such as photographs, video works, performances, drawings and paintings, as well as significant new production.
Especially for the exhibition in Belgrade, Wurm performed a new series of his performative sculptures in clay, according to the models of the most important buildings belonging to the Yugoslav modernist heritage of Belgrade. In this regard, this comprehensive exhibition, conceived as introspective rather than retrospective, seeks to showcase Erwin Wurm's rich and diverse oeuvre, as well as the diversity of media in which the artist creates and constantly develops and researches in parallel.
Curators of the exhibition Marijana Kolarić and Jerome Sans
YORAM KARMI IS A GUEST AT THE BELGRADE DANCE INSTITUTE
As of today, Yoram Karmi, an Israeli choreographer and founder of the dance company Fresco, is visiting the Belgrade Dance Institute with the support of the Embassy of Israel in Serbia.
Yoram Karmi was the artistic director of the Shades of Dance Festival in 2012 and 2013. He won the Rosenblum Award for Outstanding Artist in the Field of Dance (2012). He won second prize at the Shades of Dance Festival for his opus Spectrum.
In addition to regularly creating works for his own company, he choreographed for the Israel Festival, the Israeli Symphony Orchestra Rishon LeZion (Pulcinella), the Jerusalem Ballet (Clara), the Israeli Ballet, KSU Atlanta and many others. In 2012, he created Point of Origin for the dance project of the Israeli Opera and Center Suzanne Dellal. The performances he choreographed at the Israeli Opera are: L'Italiana in Algiers (2021), A Midsummer Night's Dream (2018), Madame Butterfly (2018), Macbeth (2016), The Lady and the Salesman (2015), Schitz (2015). He is a guest teacher at master classes around the world and a judge at various professional dance competitions.
During his stay in Belgrade, in addition to intensive lectures at the Belgrade Dance Institute, Yoram Karmi will give lectures at the Lujo Davičo Ballet School, dancers from the independent scene and will create solo choreography which will be premiered at the second edition of the Solo Festival at the Barka Cultural Station in Novi Sad.
Photo archive Fresco Dance company
SUCCESS OF GRAČANICA BALLET SCHOOL STUDENTS
At the International Ballet Competition in Niš (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022), the students of the Ballet School in Gračanica won a large number of awards this time as well.
In the category of classical ballet prepared by pedagogue Una Stepanović, a student of the Belgrade Dance Institute, the students presented the school with seven solo variations and won 5 first and 2 second places in strong competition with ballet school students from Bulgaria, Russia and Serbia.
The winners of the competition are Andjelka Prica, Neda Aritonović, Emilija Mihajlović, and as one of the youngest competitors, the students won four first places, Nikolina Đorđević, Helena Dimitrijević, Petra Manitašević and Katarina Nedeljković.
The ballet school in Gračanica was founded in 2017 on the initiative of Snežana Petrović with the support of the Ministry of Culture and Information of the Republic of Serbia, which works according to the plan and program of the Belgrade Dance Institute.
Photography archive of Gračanica Ballet School
PRAZNIK IGRE
Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila, Institut za umetničku igru će izvesti koncert Praznik igre koji je posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta. Koncert će biti izveden na sceni Opere i teatra Madlenianum, s početkom u 20.00 časova. Koncert izvode studenti Instituta za umetničku igru i Kompanija Balet mladih.
Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije. Rukovodilac kompanije je balet majstor Amalia Mindrutiu (Rumunija) uz asistenciju i saradnju sa baletskim pedagozima Milicom Bezmarević i Milom Stijak. Korepetitor kompanije Balet mladih je Ana Spremić.
Koncert će biti otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu. Nakon toga će biti prikazane neke od najlepših numera iz poznatih baleta kao što su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar.
U drugom delu koncerta će biti izveden drugi čin iz baleta Labudovo jezero. Glavne uloge nosiće Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid (Prvak baleta u Kairo operi i baletu, i student master studija na Institutu za umetničku igru), dok će ulogu zlog čarobnjaka Rotbarta nositi Ognjen Vučinić (Profesor savremene igre na Institutu za umetničku igru).
Karte za koncert po ceni od 1000 dinara možete kupiti uz rezervaciju pozivom na broj:
011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila teodora.zivkovic@iui.rs
NAGRADA I SPECIJALNA POHVALA TERPSIHORA
Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.
Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.
Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.
Ana Ignjatović-Zagorac profesionalno se bavi savremenom igrom i jedan je od utemeljivača savremene plesne scene u Srbiji. Od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni. Slobodna je umetnica, članica trupe Bitef Dance kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu. Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.
Miona Petrović svoj prvi kontakt sa umetničkom igrom ostvarila je u Studiju za klasičan baleta kod pedagoškinje Jelene katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević. Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dance kompanije. Usavršavala se u školi Dance Loft u Švajcarskoj a posebno na brojnim radionicama kod koreografa Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Woliaston, Nina Dipla, Charles Linehan, Idan Sharabi, James Amar…
Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Projecta kao i samostalnih produkcija.
U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće nam se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.
Studentkinja je druge godine Instituta za umetničku igru na odseku koreografija.
Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.
Svečana ceremonija uručenja nagrada će se održati 26. aprila u Muzeju Narodnog pozorišta u Beogradu s početkom u 13.00 časova.
Nagrada i Specijalna pohvala Terpsihora se realizuje uz podršku Ministarstva kulture i informisanja Republike Srbije, Narodnog pozorišta u Beogradu i Instituta za umetničku igru.
Fotografija Jelena Janković.
Fotografija Nemanja Maraš
OTVARANJE IZLOŽBE ERVINA VURMA
PERFORMANS SVAKODNEVNA SOBA
Prof. dr Snežana Arnautović Stjepanović izvešće danas 6.04.2022. godine, performans Svakodnevna soba u okviru Međunarodne naučne konferencije PARTICIPATIVNE PRAKSE IZVOĐAČKIH UMETNOSTI U DIGITALNOM DOBU u Rektoratu Umetnosti koju organizuje Univerzitet umetnosti u Beogradu i Univerzitet grada Birmingema a koja će se održati od 6-8 aprila 2022.
Performans možete pratiti online putem linka: https://www.youtube.com/channel/UC2ylPLkAKzR8Vgcf-nzlxLQ
Naziv rada: Svakodnevna soba
Medij: Višemedijska instalacija
Autori: Snežana Arnautović Stjepanović i Ivica Stjepanović
Višemedijska instalacija Svakodnevna soba je projekat koji je prikazan u okviru Međunarodnog festivala Umetnost i ljudska prava na izložbi Ti moraš biti Zenitista, u galeriji Neon u Beogradu, 24. februara 2022. godine.
Svakodnevna soba predstavlja odgovor na nova promišljanja o prirodi, čoveku i umetnosti u odnosima koji se uspostavljaju u umrežavanju ličnog, telesnog i društvenog dijaloga ovog umetničkog para, koji svojim delovanjem razmatra odrednice koje se tiču svakodnevnog bivstvovanja ali i delovanja u začaranom krugu koji se čak i sto godina od postanka Zenitizma suočava sa istim društvenim problemima.
Reagujući na tekst Ljubomira Micića Hvala ti Srbijo Lepa..., kreirana je prostorna instalacija koja korespondira sa dva video rada.
Video radovi su nastali u periodu vanrednog stanja usled pandemije korona virusa. Performanse koji su izvedeni za potrebe snimanja video radova izvode autori i snimani su kao intimni portreti.
Video rad Ivice Stjepanovića U ovoj zemlji predstavlja govor umetnika u prvom licu i transformaciju lika koja se naznačava svojom karikaturalnošču i deformisanošću. Pesma koju umetnik peva dok konstatno gleda u objektiv je autorski tekst koji je nastao pre deset godina sa promenama u uređenju društveno – političkog sistema.
Video rad Snežane Arnautović Stjepanović Hafetopija, (strah od dodira) razmatra promene u načinu življenja i društvenim interakcijama (život bez zagrljaja, poljubaca i dodira) a koje su dovele su do stanja anksioznosti koji se mogu poistovetiti sa simptomima ove fobije. Video rad ukazuje na potrebu za dodirom, za taktilnim i manuelnim činom kroz vraćanje prirodi.
Video radovi su postavljeni tako da na simboličan način skreću pažnju na digitalno nad aktuelnim, na komunikaciju koja se sve više ostvaruje ovim putem i razgovor dva umetnika smešta u novi kontekst koji se simbolično odvija iznad teksta Ljubomira Micića, konstantno nas opominjujući.
CONFERENCE SESSIONS / CONTACT LIST/ Time Schedule
*All sessions are scheduled in Belgrade/Budapest timezone
|
Wednesday- 6th April - Morning Session 9:00 AM– 1:00 PM |
YouTube (live)
https://www.youtube.com/
|
Zoom (9 participants) 9:00 AM– 12:00 PM, Join Zoom Meeting https://zoom.us/j/98783430841?
Meeting ID: 987 8343 0841 Passcode: 219517
|
||
|
Chair: Ivan Pravdic |
||
|
1. |
Mirjana Nikolic (rector) |
|
|
2. |
Ivan Pravdic (Key note) |
|
|
3. |
Aleksandar Dundjerovic |
|
|
4. |
Jonathan Day |
|
|
5. |
Khyam Allami |
|
|
6. |
Polly Hudson |
|
|
7. |
Tadas Stalyga |
|
|
8. |
Ioana Paun |
|
|
9. |
Ljubinka Stojanović |
|
Zoom (Panel discussion – open access) 12:00 - 1:00 PM
Join Zoom Meeting
https://zoom.us/j/99867795294?
Meeting ID: 998 6779 5294
Passcode: 842134dnes
day 6th April – Live performance 1:00 - 1:2
|
Wednesday 6th April – Live performance 1:00 - 1:30 PM |
YouTube (live)
https://www.youtube.com/
|
1. |
Snežana Arnautović Stjepanović (performer) |
|
Wednesday 6th April – Afternoon Session, 2:00 – 6:00 PM |
YouTube (live)
https://www.youtube.com/
|
Zoom (8 participants) 2:00 – 4:00 PM Join Zoom Meeting https://zoom.us/j/97594534082?
Meeting ID: 975 9453 4082 Passcode: 123479
|
||
|
Chair: Aleksandar Dundjerovic |
||
|
1. |
Aleksandar Dundjerovic |
|
|
2. |
Juliana Tarumoto&Yasmin Mello |
|
|
3. |
Daniel Blanco & Roxanne Korda |
|
|
4. |
Daniel More |
|
|
5. |
Ivana Vujić |
|
|
6. |
Dan Harrigan |
|
|
7. |
Tom Gorman (Key note) |
|
|
8. |
Snežana Arnautović Stjepanović (performer) |
|
Zoom (Panel discussion & Key note – open access) 4:00 – 6:00 PM
Join Zoom Meeting
https://zoom.us/j/93752796293?
Meeting ID: 937 5279 6293
Passcode: 173359
|
Thursday 7th April – Morning Session, 10:00 AM– 1:00 PM |
YouTube (live)
https://www.youtube.com/
|
Zoom (7 participants) 10:00 AM– 12:40 PM
Join Zoom Meeting https://zoom.us/j/96300955077?
Meeting ID: 963 0095 5077 Passcode: 838478
|
||
|
Chair: Maria Jose Sanchez |
||
|
1. |
Maria Jose Sanchez |
|
|
2. |
Persephone Sextou (Key note) |
|
|
3. |
Uroš Đurković |
|
|
4. |
Lizzie Conrad Hughes & Valentina Vinci |
|
|
5. |
Megan McGeough |
|
|
6. |
Marija Barna-Lipkovski |
|
|
7. |
Milјan Stevanović & Jelena Pejić & Petar Pejić |
|
Zoom (Panel discussion – open access) 12:40 – 1:00 PM
Join Zoom Meeting
https://zoom.us/j/95692893024?
Meeting ID: 956 9289 3024
Passcode: 750569
|
Thursday 7th April – Live performance 1:00 - 1:20 PM |
YouTube (live)
https://www.youtube.com/
|
8. |
Marija Popović Stojadinović (performer) |
|
Thursday 7th April – Afternoon Session 2:00 – 5:20 PM |
YouTube (live)
https://www.youtube.com/
|
Zoom (8 participants) – Afternoon Session 2:00 – 5:20 PM Join Zoom Meeting https://zoom.us/j/96640028598?
Meeting ID: 966 4002 8598 Passcode: 624149
|
||
|
Chair: Svetlana Volic |
||
|
1. |
Svetlana Volic |
|
|
2. |
Javier Ruiz (Key note) |
|
|
3. |
Tanja Ostojić |
|
|
4. |
Sonja Jankov |
|
|
5. |
Jovana Karaulić |
|
|
6. |
Venelin Shurélov |
|
|
7. |
Maria Jose Sanchez |
|
|
8. |
Ana Gnjatović |
|
|
9. |
Darija Medić |
|
|
10. |
Marija Popović Stojadinović (performer) |
|
Zoom (Panel discussion – open access) 5:20 – 6:20 PM
Join Zoom Meeting
https://zoom.us/j/92245242121?
Meeting ID: 922 4524 2121
Passcode: 539394
|
Friday 8th April – Morning session 10:00 AM – 2:00 PM |
YouTube (live)
https://www.youtube.com/
|
Zoom (5 participants) – 10:00 AM-12.00 PM Join Zoom Meeting https://zoom.us/j/94458293785?
Meeting ID: 944 5829 3785 Passcode: 617160
|
||
|
Chair: Aleksandar Dundjerovic |
||
|
1. |
Aleksandar Dundjerovic |
|
|
2. |
Bill Aitchison |
|
|
3. |
Jelena Novak |
|
|
4. |
Nikoletta Dimopoulou |
|
|
5. |
Vladimir Vlacina |
|
Zoom (Roundtable discussion - open access) - 12:00 - 2:00 PM
Join Zoom Meeting
https://zoom.us/j/92041862568?
Meeting ID: 920 4186 2568
Passcode: 013391
JORAM KARMI GOSTUJE U INSTITUTU
Joram Karmi izraelski koreograf i osnivač plesne kompanije Fresco od danas gostuje u Institutu za umetničku igru uz podršku Ambasade Izraela u Srbiji.
Joram Karmi bio je umetnički direktor Festivala Shades of Dance 2012. i 2013. Dobitnik je Rozenblumove nagrade za istaknutog umetnika u oblasti igre (2012). Osvojio je drugu nagradu na Festivalu Shades of Dance za svoj opus Spectrum.
Pored toga što redovno stvara dela za sopstvenu kompaniju, koreografiše za Izraelski festival, Izraelski simfonijski orkestar Rishon LeZion (Pulčinela), Jerusalimski balet (Klara), Izraelski balet, KSU Atlanta i mnoge druge. Godine 2012. kreirao je Point of Origin za plesni projekat Izraelske opere i centra Suzanne Dellal. Predstave koje je koreografisao u Izraelskoj operi su: L'Italiana in Algeri (2021), San letnje noći (2018), Madama Butterfly (2018), Magbet (2016), Dama i prodavac (2015), Schitz (2015). Gostujući je nastavnik na master kursevima širom sveta i sudija na raznim profesionalnim plesnim takmičenjima.
Tokom boravka u Beogradu, pored intezivnih predavanja u Institutu za umetničku igru, Joram Karmi će održati predavanja u Baletskoj školi Lujo Davičo, igračima sa nezavisne scene a paralelno će kreirati solo koreografiju koja će premijerno biti izvedena na drugoj ediciji Festivala Sola u Kulturnoj stanici Barka u Novom Sadu.
Fotografija arhiva Fresco Dance company.
USPEH UČENICA BALETSKE ŠKOLE GRAČANICA
Na Međunarodnom baletskom takmičenju u Nišu (IV International Central Balkan Music & Dance Olympiad Mediana Grand Prix 2022.) učenice Baletske škole u Gračanici i ovog puta su osvojile veliki broj nagrada.
U kategoriji klasičnog baleta koje je sa učenicama pripremala pedagoškinja Una Stepanović studentkinja Instituta za umetničku igru, učenice su školu predstavljale sa sedam solo varijacija i osvojile 5 prvih i 2 druga mesta u jakoj konkurenciji sa učenicima baletskih škola iz Bugarske, Rusije i Srbije.
Laureati takmičenja su Anđelka Prica, Neda Aritonović, Emilija Mihajlović a kao jedni od najmlađih takmičara, učenice su osvojile četiri prva mesta, Nikolina Đorđević, Helena Dimitrijević, Petra Manitašević i Katarina Nedeljković.
Škola baleta u Gračanici osnovana je 2017. godine na inicijativu Snežane Petrović uz podršku Ministarstva kulture i informisanja Republike Srbije a koja radi po planu i programu Instituta za umetničku igru.
Fotografija arhiva Baletska škola Gračanica.
ANNUAL AWARDS OF STARS OF BELGRADE AWARDED
The annual award ceremony of the Star of Belgrade, held by the Office for Youth, was held today in the Old Palace, at the suggestion of the Secretariat for Culture of the City of Belgrade for 2021, awarded to the Association of the Belgrade Dance Institute for the Sola Festival project.
The President of the City Assembly Nikola Nikodijević presented the recognition to Prof. Dr. Snežana Arnautović Stjepanović.
The first edition of the Sola Festival was held on May 29th and 30th last year at the Museum of Contemporary Art, the Cultural Center of Belgrade and the National Theater.
During the two days, artists Hygin Delimat (Austria), Tamara Gvozdenović (France), Marina Bukvički (Serbia) and Ognjen Vučinić and Aleksandra Mišić (Croatia) presented themselves.
This year's Sola Festival will be held from May 27th to 29th at several locations in Belgrade and Novi Sad.
SPECTACULAR PERFORMANCE OF OPERA VLADIMIR AND KOSAR
The world premiere of the opera Vladimir and Kosar by composer and librettist Stevan Divjaković was performed on the Grand Stage of the Serbian National Theater in Novi Sad, starting at 8:22 p.m.
The main protagonists Stevan Karanac in the role of Vladimir, Darija Olajoš Čizmić in the role of Kosara, Vasa Stajkić in the role of Samuil, Branislav Stankov in the role of Vladislav, Nikola Basta in the role of Radovan, Maja Andrić as Mara, the entire choir, ballet and orchestra led by standing ovations maestro Diana Chobanova.
The oneiric direction and scenography of Aleksandar Nikolić tensely led the audience through the world of dreams, nightmares and visions. Virtuoso choreography by Aleksandar Ilić, opulent costume design by Senka Ranosavljević, exceptional creation by Marko Radanović contributed to the first performance of a masterpiece by Stevan Divjaković whose opera is a great historical and philosophical fresco in Shakespeare's manner of revenge, power struggle, jealousy, sacrifice and love.
The next performances of this opera are scheduled for March 29th, and in April you can see the play in the repertoire on April 9th and 27th.
Photography Vladimir Veličković
PERFORMANCE BODY IN FOCUS II PREMIERED
Within the project Body in Focus II, the works of undergraduate, master's and doctoral students of the Belgrade Dance Institute which were created in the following subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Artwork, led by Prof. dr Snežana Arnautović Stjepanović and the subject Choreography led by Prof. Dijana Milosevic were presented.
The works were presented in the form of performances, choreography, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works were interactive and required the participation of the audience.
Participants of the project Body in Focus II
Sonja Stojanović, 3rd year undergraduate student Artistic Dance
Choreography You, me, points in space
Performers: Sonja Stojanović and Katarina Bućić
Angela Mihova, third year undergraduate student Artistic Dance
Choreography Hold Me
Performers: Angela Mihova and Tijana Ostojić
Una Balaž, 3rd year undergraduate student Artistic Dance
Choreography I have to
Tijana Ostojić, 2nd year undergraduate student Artistic Dance
Choreography Simply Tijana
Miona Petrović, 2nd year undergraduate student Artistic Dance
Choreography The bright side
Nevena Antić, 3rd year undergraduate student Artistic Dance
Performance Aurum
Ivana Milenović Popović, first year doctoral student Artistic Dance and Performance
Performance Incubator
Luka Pejčinović, third year student of basic studies Artistic Dance
Performance ME
Nikola Korać, third year undergraduate student Artistic Dance
Performance Teach me, you taught me, MA
Jakša Filipovac, third year undergraduate student Artistic Dance
Choreography Repetition
Photography Prof. Nemanja Maraš
DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOP
Today, Prof. dr Miomir Petrović held a creative writing workshop at the Branko Pešić Elementary School with Roma children as well as with migrant children who are included in the formal education system of the Republic of Serbia.
The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on artistic dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue.
The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of art education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.
Our goal is to enable the participation of Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.
The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).
BODY IN FOCUS
Presentation of works by students of the Belgrade Dance Institute.
Great Hall of the Student Cultural Center, March 25th, 2022 At 6 p.m.
Within the project Body in Focus II, the works of undergraduate, master's and doctoral students of the Belgrade Dance Institute which were created in the following subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Artwork, led by Prof. dr Snežana Arnautović Stjepanović and the subject Choreography led by Prof. Dijana Milosevic will be presented.
The works will be presented in the form of performances, choreography, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works are interactive and require the participation of the audience.
Participants of the project Body in Focus II
Sonja Stojanović, 3rd year undergraduate student Artistic Dance
Choreography You, me, points in space
Performers: Sonja Stojanović and Katarina Bućić
Angela Mihova, third year undergraduate student Artistic Dance
Choreography Hold Me
Performers: Angela Mihova and Tijana Ostojić
Una Balaž, 3rd year undergraduate student Artistic Dance
Choreography I have to
Tijana Ostojić, 2nd year undergraduate student Artistic Dance
Choreography Simply Tijana
Miona Petrović, 2nd year undergraduate student Artistic Dance
Choreography The bright side
Nevena Antić, 3rd year undergraduate student Artistic Dance
Performance Aurum
Ivana Milenović Popović, first year doctoral student Artistic Dance and Performance
Performance Incubator
Luka Pejčinović, third year student of basic studies Artistic Dance
Performance ME
Nikola Korać, third year undergraduate student Artistic Dance
Performance Teach me, you taught me, MA
Jakša Filipovac, third year undergraduate student Artistic Dance
Choreography Repetition
URUČENA GODIŠNJA PRIZNANJA ZVEZDE BEOGRADA
U Starom dvoru danas je održana svečana dodela godišnjih priznanja Zvezde Beograda koje dodeljuje Kancelarija za mlade, na predlog Sekretarijata za kulturu grada Beograda za 2021. godinu dodeljeno je Udruženju Instituta za umetničku igru za projekat Festival Sola.
Predsednik Skupštine grada Nikola Nikodijević prizanje je uručio Prof. dr Snežani Arnautović Stjepanović.
Prva edicija Festivala Sola održana je 29. i 30. maja prošle godine u Muzeju savremene umetnosti, Kulturnom centru Beograda i Narodnom pozorištu.
Tokom dva dana predstavili su se umetnici Hygin Delimat (Austrija), Tamara Gvozdenović (Francuska), Marina Bukvički (Srbija) i Ognjen Vučinić i Aleksandra Mišić (Hrvatska).
Ovogodišnji Festival Sola održaće se od 27. do 29. maja na nekoliko lokacija u Beogradu i Novom Sadu.
SPEKTAKULARNO IZVEDENA PREMIJERA OPERE VLADIMIR I KOSARA
Na Velikoj sceni Srpskog narodnog pozorišta u Novom Sadu s početkom u 20.22 časova, izvedena je svetska premijera opere Vladimir i Kosara kompozitora i libretiste Stevana Divjaković.
Stojećim ovacijama pozdravljeni su glavni protagonisti Stevan Karanac u ulozi Vladimira, Darija Olajoš Čizmić u ulozi Kosare, Vasa Stajkić u ulozi Samuila, Branislav Stankov u ulozi Vladislava, Nikola Basta u ulozi Radovana, Maja Andrić kao Mara, celokupan hor, balet i orkestar pod vođstvom maestra Diana Čobanova.
Onirična režija i scenografija Aleksandra Nikolića napeto je vodila publiku kroz svet sna, košmara i vizije. Virtuozna koreografija Aleksandra Ilića, opulentna kostimografija Senke Ranosavljević, izuzetna kreacija svetla Marka Radanovića doprineli su prvom izvođenju vrhunskog umetničkog dela Stevana Divjakovića čija je opera velika istorijska - filozofska freska u Šekspirovom maniru o osveti, borbi za vlašću, ljubomori, žrtvovanju i ljubavi.
Naredna izvođenja ovog dela zakazana su za 29. mart, a u aprilu na repertoaru predstavu možete pogledati 9. i 27. aprila.
Fotografija Vladimir Veličković.
SUMMER DANCE CAMP VRANJE 2022.
The Belgrade Dance Institute from Belgrade will organize (seventh in a row) the International Summer Seminar for Artistic Dance in Vranje SUMMER DANCE CAMP VRANJE 2022.
The summer seminar in Vranje will last 10 days and covers the areas of classical ballet and contemporary dance, which will be led by important experts in these artistic fields.
Classical ballet:
Carlos Montalvan Ballet Master (Cuba);
Assistants Milica Bezmarević and Mila Stijak;
Ana Spremic accompanist.
Contemporary dance:
Natalia Gabrielchik (Great Britain);
Ognjen Vučinić (Croatia).
The results achieved during the work will be publicly presented at the Gala Concert on July 10th at the National Theater in Vranje.
The participants of the seminar will be accommodated in the House of High School Students in Vranje, where they will be provided with three meals, free internet and other sports and recreational programs.
The seminar will last for ten days from July 1st to 10th, 2022, and will be held in Vranje.
Departure from Belgrade is on July 1st at 09.00 in front of the Belgrade Dance Institute, Bulevar vojvode Mišića 43, Belgrade.
The summer seminar for artistic dance in Vranje is intended for students of primary and secondary ballet schools, dance schools and clubs, students of the Belgrade Dance Institute and professionals from Serbia and the region.
Send applications on email: teodora.zivkovic@iui.rs
The application must contain:
The price of the seminar is 250 euros for students from Serbia (Students of the Belgrade Dance Institute and the Youth Ballet Company have a 20% discount), 350 euros for students from the region.
The price includes transportation from Belgrade, board (three meals), accommodation, excursions, as well as the final gala concert in which all participants will participate.
Payment is made exclusively through the account (middle exchange rate on the day of payment)
Account number: 265167031000009130
Recipient: Belgrade Dance Institute, Bulevar vojvode Mišića 43, 11000 Belgrade
Purpose of payment: Summer camp in Vranje 2022.
Payer: Name, surname and address
Call number: Unique identification number (JMBG)
The deadline for applications is June 10th, 2022.
You can get more information by calling the student service of the Belgrade Dance Institute (011) 41 40 421 every day from 09.00 to 17.00 or by e-mail: institutzaumetnickuigru@gmail.com
About SDC 2022 pedagogues:
Carlos Altal Montalvan studied classical ballet and contemporary dance at the National Academy in Cuba. He began his career at the Kamage Ballet in Cuba. He played the leading roles in Swan Lake, Sleeping Beauty, Carmen, Romeo and Juliet and others. He performed with the most important ballerinas of today, such as Paula Acosta, Leticia Giuliani, Luciana Savignano, Carla Fraci and others. He is the champion of the Ballet Del Sud in Lecce (Italy) and the artistic director of the Ballet School of Lecce.
Natalia Gabrielczyk (Great Britain) is a dancer of the famous British company Hofes Schechter, choreographer and composer of the same name. She graduated in contemporary art dance from the Anton Bruckner University in Linz, Austria, where she collaborated with the Landesteater. Since 2018, she has been a member of the company Hofes Schechter, with which she has had roles in the plays SHOW, East Wall, Sheter Underground, Grand Finale and the latest creation Double Murder. She also collaborates with German choreographers Karolin Stächele and Elisabeth Schilling. She regularly holds master classes and the repertoire of choreographer Hofes Schechter in the company.
WORLD THEATER DAY FOR CHILDREN AND YOUTH CELEBRATED
With the support of students from the Belgrade Dance Institute and the Youth Ballet Company, on Sunday, March 20th, the Duško Radović Small Theater marked the World Theater Day for Children and Youth.
Exactly at noon in a parade through Knez Mihailova Street in Belgrade, led by the director of that theater, Prof. Aleksandar Nikolić, students who carried dolls, and a large model of a paper boat on wheels from the beginning of Knez Mihailova near Kalemegdan Park to Republic Square and back.
The festive walk was accompanied by the release of a song by Dragan Laković and the Kolibri choir, Toast, whose verses Everything that grows would like to grow, stood on an inscription that decorated the ship, with several hanging dolls. The procession stopped briefly in front of the SANU building, where actor Goran Balančević performed puppet miniatures for the gathered children and parents.
The ceremonial parade was attended by Milica Bezmarević, pedagogue of classical ballet and Prof. Aleksandar Ilic.
IZVEDEN PROJEKAT TELO U FOKUSU II
U okviru projekta Telo u fokusu II predstavljeni su radovi studenata osnovnih, master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežana Arnautović Stjepanović i predmetu Koreografija koji vodi Prof. Dijana Milošević.
Radovi su predstavljeni u formi performansa, koreografija, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevali su učešće publike.
Učesnici projekta Telo u fokusu II
Sonja Stojanović, studentkinja III godine osnovnih studija Umetnička igra
Koreografija You, me, points in space
Izvođači: Sonja Stojanović i Katarina Bućić
Angela Mihova, studentkinja III godine osnovnih studija Umetnička igra
Koreografija Hold me
Izvođači: Angela Mihova i Tijana Ostojić
Una Balaž, studentkinja III godine osnovnih studija Umetnička igra
Koreografija Moram
Tijana Ostojić, studentkinja II godine osnovnih studija Umetnička igra
Koreografija Simply Tijana
Miona Petrović, studentkinja II godine osnovnih studija Umetnička igra
Koreografija The bright side
Nevena Antić, studentkinja III godine osnovnih studija Umetnička igra
Performans Aurum
Ivana Milenović Popović, studentkinja I godine doktorskih studija Umetnička igra i performans
Performans Inkubator
Luka Pejčinović, student III godine osnovnih studija Umetnička igra
Performans JA
Nikola Korać, student III godine osnovnih studija Umetnička igra
Performans Nauči me, naučio si me, MA
Fotografija Prof. Nemanja Maraš
PROJEKAT IGRA, REČ I SLIKA - RADIONICA KREATIVNOG PISANJA
Prof. dr Miomir Petrović je danas održao radionicu kreativnog pisanja u Osnovnoj školi Branko Pešić sa decom romske nacionalnosti kao i sa decom migrantima koja su uključena u formalni obrazovni sistem Republike Srbije.
Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Projekat je podržan od strane Ministarstva za ljudska i manjinska prava i društveni dijalog.
Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.
Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.
Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).
TELO U FOKUSU
Predstavljanje radova studenata Instituta za umetničku igru
Velika sala Studentskog kulturnog centra, 25.03.2022. godine U 18h.
U okviru projekta Telo u fokusu II biće predstavljeni radovi studenata osnovnih, master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežana Arnautović Stjepanović i predmetu Koreografija koji vodi Prof. Dijana Milošević.
Radovi će biti predstavljeni u formi performansa, koreografija, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevaju učešće publike.
Učesnici projekta Telo u fokusu II
Koreografija You, me, points in space
Izvođači: Sonja Stojanović i Katarina Bućić
Koreografija Hold Me
Izvođači: Angela Mihova i Tijana Ostojić
Koreografija Moram
Koreografija Simply Tijana
Koreografija The bright side
Performans Aurum
Performans Inkubator
Performans JA
Performans Nauči me, naučio si me, MA
Koreografija Repetition
AN OPEN DOOR HELD WITH RITA GOBI
Traditional OPEN DOORS of the Belgrade Dance Institute - contemporary dance workshops, led by Rita Gobi, Hungarian choreographer and dancer, with the assistance of Doc. Katarina Bućić, were held on March 17th, 2022. in the New Hall of the Institute.
The workshop was attended by students of ballet schools and dance studios from Belgrade and Novi Sad.
We would like to thank the visiting professor Rita Gobi for the successfully realized workshops, the Hungarian Cultural Center for their support, as well as all the participants in the workshop.
Photography by Nemanja Maraš
PROF. ALEKSANDAR ILIĆ NOMINATED FOR THE AWARD OF THE CITY OF BELGRADE
The City of Belgrade has published the list of candidates for the City of Belgrade Award - Despot Stefan Lazarević for 2021.
In the field of theater, Prof. Aleksandar Ilić was nominated for the choreography of the dance performance Grand Hotel.
The dance performance Grand Hotel premiered on April 1, 2021 on the Grand Stage of the Madlenianum Opera and Theater, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić.
The author's music for the play was done by the composer Ana Krstajić, the scenography by the Croatian artist Žorž Draušnik, and the costume by Aleksandra Karović.
The play stars are Mojca Majcen (Slovenia), Branko Mitrović (BIH), Jakša Filipovac (Serbia) and Ognjen Vučinić (Croatia). In addition to the dancers in the play Grand Hotel, random guests who represent our subconscious or time are members of the Ladies' Dance Theater: Nada Kecman, Mira Ivančević, Vesna Stipišić, Katarina Stojkov Slijepčević, Marina Maraš, Biljana Knežević and Milica Bezmarević.
The lighting designer is Vladimir Krunić, the music associate is Dušan Arskin, and the play is led by the director Vesna Petrović Ćurčić.
Critics:
This unusual performance by the choreographer Aleksandar Ilić does not follow the illustrative film of the same name, but deals with time and re-examining the characters closed in the space of a hotel, which symbolically represents life itself.
The music for the play was done by Ana Krstajić (Serbia), the scenography by Žorž Draušnik (Croatia), and the costume by Aleksandar Karović (Serbia).
At the Grand Hotel, time has stopped in the astonishing intertwining of people and hotel guests, played brilliantly by dancers from Slovenia, Croatia, Bosnia and Herzegovina and Serbia. Also, there is a group of women on the stage all the time (Ladies’ Dance Theater) who represent both time itself and subconscious metaphysical actions and reactions of the actors themselves. In this hotel, the characters are presented a bit shifted and unusual in relation to the dramaturgy and characterization and the relationship to the very way of movement. Their relations are placed in a kind of seductive independent and collective action, in which their mutual influences produce upcoming actions. The seductive maid played by guest Ognjen Vučinić (Croatia), a displaced receptionist in the role of Branko Mitrović (Bosnia and Herzegovina), and hotel guests, mother and son played by Mojca Majcen (Slovenia) and Jakša Filipovac (Serbia), delighted the audience with their height and deeply dedicated performances. The specific way of movement of these characters can be described as a mixture of modern movement and dance theater in which movements are moved to the physical capabilities of the body. The choreography of Aleksandar Ilić in this case derives from the work of the dramatic structure of the characters, and makes this piece different and more interesting in relation to classical contemporary dance productions.
The top technique lies in the imaginatively designed ways of movement, the body of each performer separately, and in the small details that bring each character to a high level. Their collective game shapes the overall displaced image and atmosphere of the Grand Hotel, in which time is both a judge and a friend, and a support and an executioner.
The overall feeling of closedness, displacement from the normal and strange microcosm in which it is increasingly difficult to breathe, reminds us of the situation we all found ourselves in the past year, and gives the show its relevance. In the end, the choreographer still gives us hope that there is a way out and that there is another life. The chosen style of play, both dramatic and choreographic, is reminiscent of the famous troupe Peeping Tom, whose creations have achieved great success in the world with this type of mystical and displaced creativity.
Milica Cerović, choreographer and critic, April 2, 2021. Radio Belgrade 2
The dance show Grand Hotel was a great success at festivals in Novi Sad, Tivat, Sarajevo, Skopje, and in 2022 new guest appearances are planned.
The project is a co-production of the Opera and Theater Madlenianum and the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia, and was supported by the Ministry of Culture and Information of the Republic of Serbia, the Ministry of Culture of Slovenia, the Embassy of the Republic of Slovenia in Belgrade, the Velenje Festival. Slovenia for Cultural Activities and the Belgrade Dance Institute.
The list of candidates for the Belgrade City Awards for 2021 can be viewed here: https://www.beograd.rs/images/file/162de8e4b7d03282362ff8fb677b7923_5787972004.pdf
DANCE WORKSHOP HELD BY RITA GOBI
Visiting professor of the Belgrade Dance Institute, Rita Gobi (Hungary) held a dance workshop, which was attended by first and second grade students of the Lujo Davičo Ballet High School with the support of Prof. Ivana Ljujić.
We thank the ballet school Lujo Davičo and the director of the school Iva Bojović for their wholehearted support and cooperation.
Rita Góbi was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.
She has participated in various international dance workshops and residency programs such as OMI DANCE Residency based in the USA, VARP residency at SE.S.TA-Korespon Dance, Czech Republic, and Morishita Studio, Tokyo, from the Japan Foundation.
In 2006, she founded the dance company Góbi. Since then, she has created several contemporary dance productions, interactive performances for children and participated in various interdisciplinary projects (opening exhibitions, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad, and has toured the world with her performances. Her solo piece Volitant has won several domestic and international awards, and she will present the same piece at this year's Solo Festival at the Museum of Contemporary Art in Belgrade.
She is a professor of dance at the Nemes Nagy Ágnes School of Art, and regularly holds workshops in Hungary and abroad at various festivals. She also works as a choreographer by invitation in puppet theaters and movement theaters in working with actors.
Rita Góbi's works could best be described as bold and experimental, as well as precisely choreographed. It has a geometric, minimalist, rather reductionist style. Her concept of choreography is based on instinctive, monotonous and repetitive, miniature movements, and phaseing of the body and changes in the state that arise from these movements. It transforms the line of movement slowly and consistently. A chord of movement, music, projected visual effects and lights create a futuristic atmosphere for her performances.
Prizes and awards
2021 DANCE XXIII. International Contemporary Festival (Veszprém) - Award for Best Solo Performance - Rita Góbi: Volitant; Marina Olenjina Award of the Association of Dance Artists of Vojvodina to choreographer Rita Góbi, 2020 Novi Sad, Serbia
Lábán Rudolf Award 2018, Budapest - Volitant received the award for the best contemporary dance performance in the 2017 season. The performance also won the Award for the most successful performance as a whole at the 45th Infant Festival in Novi Sad, Serbia.
2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.
Award for the best dance performer in 2015 in the category of contemporary Hungarian dance offered by the Hungarian Dance Association; 2nd prize in Krakow at 3… .2 .... 1 .... Choreography competition for her piece Tachyon; 1st prize at the Solo & Duo Cologne Dance Festival for the best solo dance for her performance Don't Fuss!
Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.
2004-2005 Viktor Fülöp received a scholarship twice.
2003 Most promising student - National Dance Federation.
DANCE, WORD AND PICTURE PROJECT - PAINTING WORKSHOP
Today, Prof. Dr. Snežana Arnautović Stjepanović held a painting workshop at the Branko Pešić Elementary School with children aged 8 to 13.
The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on artistic dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue.
The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of artistic education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.
Our goal is to enable the participation of female Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.
The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).
OPEN DOOR WITH RITA GOBI
The Belgrade Dance Institute will organize the traditional Open Door, on March 17th 2022, at 7:00 PM, a contemporary dance workshops, led by Rita Gobi (Hungary), a visiting professor at the Belgrade Dance Institute.
The workshops will be realized in the New Dance Hall of the Belgrade Dance Institute at Boulevard of vojvode Mišića 43a.
Students of ballet high school, dance studios and all interested dancers, aged 14 and over, can apply for the workshops.
Applications for participation in the workshops are made via email: katarina.bucic@iui.rs
Indicated: Open door
The application should contain:
Applications are open until March 16th 2022.
Workshops are free.
Rita Góbi was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.
She has participated in various international dance workshops and residency programs such as OMI DANCE Residency based in the USA, VARP residency at SE.S.TA-Korespon Dance, Czech Republic, and Morishita Studio, Tokyo, from the Japan Foundation.
In 2006, she founded the dance company Góbi. Since then, she has created several contemporary dance productions, interactive performances for children and participated in various interdisciplinary projects (opening exhibitions, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad, and has toured the world with her performances. Her solo piece Volitant has won several domestic and international awards, and she will present the same piece at this year's Solo Festival at the Museum of Contemporary Art in Belgrade.
She is a professor of dance at the Nemes Nagy Ágnes School of Art, and regularly holds workshops in Hungary and abroad at various festivals. She also works as a choreographer by invitation in puppet theaters and movement theaters in working with actors.
Rita Góbi's works could best be described as bold and experimental, as well as precisely choreographed. It has a geometric, minimalist, rather reductionist style. Her concept of choreography is based on instinctive, monotonous and repetitive, miniature movements, and phaseing of the body and changes in the state that arise from these movements. It transforms the line of movement slowly and consistently. A chord of movement, music, projected visual effects and lights create a futuristic atmosphere for her performances.
Prizes and awards
2021 DANCE XXIII. International Contemporary Festival (Veszprém) - Award for Best Solo Performance - Rita Góbi: Volitant; Marina Olenjina Award of the Association of Dance Artists of Vojvodina to choreographer Rita Góbi, 2020 Novi Sad, Serbia
Lábán Rudolf Award 2018, Budapest - Volitant received the award for the best contemporary dance performance in the 2017 season. The performance also won the Award for the most successful performance as a whole at the 45th Infant Festival in Novi Sad, Serbia.
2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.
Award for the best dance performer in 2015 in the category of contemporary Hungarian dance offered by the Hungarian Dance Association; 2nd prize in Krakow at 3… .2 .... 1 .... Choreography competition for her piece Tachyon; 1st prize at the Solo & Duo Cologne Dance Festival for the best solo dance for her performance Don't Fuss!
Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.
2004-2005 Viktor Fülöp received a scholarship twice.
2003 Most promising student - National Dance Federation.
Photo Marcell Piti
OBELEŽEN SVETSKI DAN POZORIŠTA ZA DECU I MLADE
Uz podršku studenata Instituta za umetničku igru i Kompanije Balet mladih u nedelju 20. marta Malo pozorište Duško Radović obeležilo je Svetski dan pozorišta za decu i mlade.
ODRŽANA OTVORENA VRATA SA RITOM GOBI
Tradicionalna OTVORENA VRATA Instituta za umetničku igru - radionice savremene igre, koje je vodila Rita Gobi mađarska koreografkinja i igračica, uz asistenciju Doc. Katarine Bućić, održane su 17.03.2022. godine u Novoj Sali Instituta.
Radionicu su pohađali učenici baletskih škola i plesnih studija iz Beograda i Novog Sada.
Zahvaljujemo se gostujućoj profesorki Riti Gobi na uspešno realizovanim radionicama, Mađarskom Kulturnom centru na podršci, kao i svim polaznicima radionice.
Fotografije Nemanja Maraš
PROF. ALEKSANDAR ILIĆ NOMINOVAN ZA NAGRADU GRADA BEOGRADA
Grad Beograd je objavio listu kandidata za Nagradu grada Beograda - Despot Stefan Lazarević za 2021. godinu.
U oblasti pozorišnog stvaralaštva nominovan je Prof. Aleksandar Ilić za koreografiju plesne predstave Grand Hotel.
Plesna predstava Grand Hotel je premijerno izvedena 1. aprila 2021. godine na Velikoj sceni Madlenianum opere i teatra u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića.
Autorsku muziku za predstavu je uradila kompozitorka Ana Krstajić, scenografiju umetnik iz Hrvatske Žorž Draušnik, a kostim Aleksandra Karović.
U predstavi igraju Mojca Majcen (Slovenija), Branko Mitrović (BIH), Jakša Filipovac (Srbija) i Ognjen Vučinić (Hrvatska). Pored igrača u predstavi Grand Hotel slučajni gosti koje predstavlju naše podsvesti ili vreme su članice Plesnog teatra Gospođe: Nada Kecman, Mira Ivančević, Vesna Stipišić, Katarina Stojkov Slijepčević, Marina Maraš, Biljana Knežević i Milica Bezmarević.
Dizajner svetla je Vladimir Krunić, muzički saradnik Dušan Arskin a predstvu vodi inspicijentkinja Vesna Petrović Ćurčić.
Iz kritike:
Ova nesvakidašnja predstava koreografa Aleksandra Ilića ne prati ilustrativno istoimeni film, već se bavi vremena i preispitivanjem likova zatvorenih u prostoru jednog hotela, koji na simboličan način predstavlja sam život.
Muziku za predstavu je uradila Ana Krstajić (Srbija), scenografiju Žorž Draušnik (Hrvatska), a kostim Aleksandar Karović (Srbija).
U Grand Hotelu vreme je zaustavljeno u začudnom preplitanju osoba i gostiju hotela, koje sjajno igraju plesači iz Slovenije, Hrvatske, Bosne i Hercegovine i Srbije. Takođe, na sceni se sve vreme nalazi i grupa žena (Plesni teatar Gospođe) koje predstavljaju kako samo vreme tako i podsvesne metafizičke akcije i reakcije samih aktera. U ovom hotelu likovi su predstavljeni pomalo pomereno i neobično u odnosu i na samu dramaturgiju I karakterizaciju i odnosa na sam način kretanja. Njihovi odnosi stavljeni su u neku vrstu zavodljivog samostalnog i kolektivnog delovanja, u kom njihovi međusobni uticaji proizvode predstojeće akcije. Zavodljiva sobarica koga igra gost Ognjen Vučinić (Hrvatska), pomereni recepcioner u ulozi Branka Mitrovića (Bosna i Hercegovina), i gosti hotela, majka i sin koga igraju Mojca Majcen (Slovenija) i Jakša Filipovac (Srbije), oduševili su publiku svojima vispremin i duboko posvećenim izvedbama. Specifičan način kretanja ovih likova može se opisati kao mešavina savremenog pokreta i plesnog teatra u kome se pokreti pomereni do fizičkih mogućnosti tela. Koreografija Aleksandra Ilića u ovom slučaju proizlazi iz radnji dramske struktura likova, i čini ovaj komad drugačijim i zanimljivijim u odnosu na klasične savremene plesne produkcije.
Vrhunska tehnika leži u maštovito osmišljenim načinima kretanja, tela svakog izvođača posebno, i u sitnim detaljima koje dovodi svaki lik do visokog nivoa. Njihova kolektivna igra uobličuje ukupno izmeštenu sliku i atmosferu Grand Hotela, u kome je vreme i sudija i prijatelj, i podrška i dželat.
Sveukupan osećaj zatvorenosti, izmeštenosti od normalnog i začudnog mikrokosmosa u kojem se sve teže diše, podseća i na situaciju u koju smo svi zajedno našli proteklih godinu dana, i daje na aktuelnosti predstave. U samoj završnici koreograf nam ipak daje nadu da postoji izlaz i da postoji neki drugi život. Izabrani stil igre kako dramske, tako i koreografske, podseća na čuvenu trupu Peeping Tom čije su kreacije ovom vrstom mističnog i pomerenog stvaralaštva postigle veliki uspeh u svetu.
Milica Cerović, koreografkinja i kritičarka, 2. april 2021. Radio Beograd 2
Plesna predstava Grand Hotel sa velikim uspehom je gosovala na festivalima u Novom Sadu, Tivtu, Sarajevu, Skoplju, a u 2022. godini se planiraju nova gostovanja.
Projekat je koprodukcija Opere i teatra Madlenianum i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije, a podržali su ga Ministarstvo kulture i informisanja Republike Srbije, Ministarstvo kulture Slovenije, Ambasada Republike Slovenije u Beogradu, Festival Velenje, Mestna Občina Celje, Javni sklad republike Slovenije za kulturne dejavnosti i Institut za umetničku igru.
Listu kandidata za Nagrade grada Beograda za 2021. godinu možete pogledati ovde: https://www.beograd.rs/images/file/162de8e4b7d03282362ff8fb677b7923_5787972004.pdf
Fotografija Belkisa Beka Abdulovic
ODRŽANA PLESNA RADIONICA RITE GOBI
Gostujući profesor Instituta za umetničku igru, Rita Gobi (Mađarska) održala je plesnu radionicu, na kojoj su učestvovali učenici prvog i drugog razreda srednje baletske škole Lujo Davičo uz podršku Prof. Ivane Ljujić.
Zahvaljujemo se baletskoj školi Lujo Davičo i direktorki škole Ivi Bojović na svesrdnoj podršci i saradnji.
Rita Gobi, Mađarska koreografkinja, pedagog savremene igre i igračica je rođena u Novom Sadu a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti.
Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio, u Tokiju, od Japanske fondacije.
Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstaviće na ovogodišnjem Festivalu Sola u Muzeju savremene umetnosti u Beogradu. Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.
Dela Rite Góbi najbolje bi se mogla opisati kao hrabra i eksperimentalna, kao i precizno koreografisana. Ona ima geometrijski, minimalistički, prilično redukcionistički stil. Njen koncept koreografije zasniva se na instinktivnim, monotonim i repetitivnim, minijaturnim pokretima, i faziranjem tela i promenama stanja koje nastaju iz ovih pokreta. Ona transformiše liniju pokreta polako i dosledno. Akord pokreta, muzike, projektovanih vizuelnih efekata i svetla stvaraju futurističku atmosferu njenih nastupa.
Nagrade i priznanja
2021 PLES XXIII. Međunarodni savremeni festival (Vesprem) - Nagrada za najbolju solo izvedbu - Rita Góbi: Volitant; Nagrada Marine Olenjine Udruženja plesnih umetnika Vojvodine koreografkinji Riti Góbi, 2020. Novi Sad, Srbija
Nagrada Lábán Rudolf 2018, Budimpešta - Volitant je dobio nagradu za najbolju savremenu plesnu predstavu u sezoni 2017. Predstava je dobila i Nagradu za najuspešniji nastup u celini na 45. Infant festivalu u Novom Sadu, Srbija.
2017 Aerowaves Twenty18 - prioritetni umetnik; Specijalna nagrada na Festivalu 10 Sentidos u Valensiji za njen solo ples Volitant; dobila je i Zlatni krst Mađarskog krsta za zasluge.
Nagrada za najboljeg plesnog izvođača 2015. u kategoriji savremenog mađarskog plesa koju nudi Mađarski plesni savez; 2. nagrada u Krakovu na 3….2....1....Konkurs za koreografiju za njen komad Tachyon; 1. nagrada na Solo&Duo Keln Dance Festivalu za najbolji solo ples za njen nastup Don't Fuss!
Nagrada publike 2009, XII. Međunarodno takmičenje u koreografiji minijatura, Beograd, Srbija.
2004-2005 Viktor Fülöp stipendiju je dobila dva puta.
2003 Najperspektivniji student - Nacionalna plesna federacija.
DEFENSE OF GRADUATE THESIS BY KATARINA ILIJAŠEVIĆ
Today, on March 11th 2022 year in Belgrade, Katarina Ilijašević, candidate for the title of Drama and Audiovisual Artist – Artistic Dance, ie a student of basic academic studies Artistic Dance has started defending her graduation work.
Distinguished colleague Katarina Ilijašević, presented her work on the topic Practical Guide to Superstition and presented publicly to members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Faculty Statute, consisting of:
After her presentation, the esteemed colleague Katarina answered all the questions.
Pursuant to the Law on Higher Education of the Republic of Serbia and the Statute of the Faculty, from this moment Katarina Ilijašević has all the rights and obligations arising from the fact that as of today she has a publicly recognized academic title Drama and audiovisual artist – Artistic Dance.
CONGRATULATIONS !!!!
Defense of Master's thesis by Vesna Ognjanov Nikolić
Today, on March 11th 2022 year in Belgrade, Vesna Ognjanov Nikolić, candidate for the title of Master of Drama and Audiovisual Artist – Artistic Dance, ie a student of the Master of Academic Studies Artistic Dance has started defending her Master's thesis.
Esteemed colleague Vesna Ognjanov Nikolić, presented her work on the topic of Theoretical and Methodological Basis of Ballet Education of the Younger School Age and presented publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
After her presentation, the esteemed colleague Vesna answered all the questions.
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Vesna Ognjanov Nikolić has all the rights and obligations arising from the fact that from the March 11th 2022. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
RECOGNITION OF THE STAR OF BELGRADE TO THE SOLA FESTIVAL
The annual recognition of the Star of Belgrade, which is awarded by the Office for Youth, at the proposal of the Secretariat for Culture of the City of Belgrade for 2021, was awarded to the Association of the Belgrade Dance Institute for the Festival Sola project.
The first edition of the Sola Festival was held on May 29th and 30th last year at the Museum of Contemporary Art, the Cultural Center of Belgrade and the National Theater.
During the two days, artists Hygin Delimat (Austria), Tamara Gvozdenović (France), Marina Bukvički (Serbia) and Ognjen Vučinić and Aleksandra Mišić (Croatia) presented themselves.
This year's Sola Festival will be held from May 27th to 29th at several locations in Belgrade and Novi Sad.
The award ceremony will take place on March 29th in the Old Palace.
Entrance Exam preparation classes for Classical ballet, Contemporary dance, and National dance and music will be held from June 20th to 24th, 2022.
The entrance exam preparation classes’ fees for classical ballet, contemporary dance, and national dance and music are EUR100. If the candidate attends entrance exam preparation classes, the entrance exam fee is weaving.
The classical ballet class consultations are held by Ballet master Amalia Mindutriu, for the program Contemporary Dance – Ognjen Vučinić, for Choreography department – Prof. Dijana Milošević, and National dance and music – Prof. Dr. Vesna Bajić Stojiljković.
The entrance examination consists of a studio technique component, a general knowledge, and an English language proficiency test.
The studio technique entrance examination includes the following:
• Classical ballet exam includes barre and center exercises, allegro and pointe work exercises;
• Contemporary dance exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• Choreography exam includes a max. three-minute-long choreography with a short description (the candidate can choose whether to perform it himself/herself; provides the music and everything he/she needs for the choreography);
• Pedagogy candidates need to have completed secondary ballet school education; barre and center exercises, allegro and pointe work exercises;
• Contemporary Pedagogy exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• National dance exam includes a practical performance of a number of dances from all ethnoarchaeological areas of Serbia, step patterns in a given tact number, and preparation of a thematic two/three-minute-long choreographic miniature with a short description.
ENTRANCE EXAMS SCHEDULE:
The entrance exam for Classical ballet and classical ballet pedagogy will be held on June 27th, 2022. at 11.00 am in New studio.
The entrance exam for Choreography will be held on June 28th, 2022. at 02.00 pm in New studio.
The entrance exam for Contemporary dance and pedagogy of contemporary dance will be held on June 28th 2022. at 11.00 am in New studio.
The entrance exam for National dance and music will be held on September 29th 2022. at 4.00 pm in Ballet Studio 307.
The entrance exam for all modules includes the general knowledge test and the English language competence test which will be held on June 29th 2022. at 2.00 pm Cabinet 329. (duration of the test is 45 minutes).
The entrance exam is EUR 50 (candidates who attend preparatory classes are exempted from the payment of the entrance exam fees).
Annual fees for the BA course are EUR 2,500.
The results of the entrance exam will be published on June 30th 2022.
PREPARATION CLASSES:
Schedule for preparation classes will be published later on the faculty's website.
How to apply / register: For any additional information, you can schedule consultations every working day from 09.00 to 17.00 at
+ 38 111 41 40 421
+ 381 63 71 44 201(WhatsApp, Viber)
or institutzaumetnickuigru@gmail.com
HUNGARIAN CHOREOGRAPHER IS A GUEST IN BELGRADE
Hungarian choreographer, pedagogue of contemporary dance and dancer Rita Góbi, at the invitation of the Belgrade Dance Institute from Belgrade, will hold lectures in that institution as well as in state ballet schools from March 9th to 19th this year.
The artist was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest.
She has participated in various international dance workshops and residency programs such as OMI DANCE Residency based in the USA, VARP residency at SE.S.TA-Korespon Dance, Czech Republic, and Morishita Studio, Tokyo, from the Japan Foundation.
In 2006, she founded the dance company Góbi. Since then, she has created several contemporary dance productions, interactive performances for children and participated in various interdisciplinary projects (opening exhibitions, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad, and has toured the world with her performances. Her solo piece Volitant has won several domestic and international awards, and she will present the same piece at this year's Solo Festival at the Museum of Contemporary Art in Belgrade.
She is a professor of dance at the Nemes Nagy Ágnes School of Art, and regularly holds workshops in Hungary and abroad at various festivals. She also works as a choreographer by invitation in puppet theaters and movement theaters in working with actors.
Rita Góbi's works could best be described as bold and experimental, as well as precisely choreographed. It has a geometric, minimalist, rather reductionist style. Her concept of choreography is based on instinctive, monotonous and repetitive, miniature movements, and phaseing of the body and changes in the state that arise from these movements. It transforms the line of movement slowly and consistently. A chord of movement, music, projected visual effects and lights create a futuristic atmosphere for her performances.
Prizes and awards
2021 DANCE XXIII. International Contemporary Festival (Veszprém) - Award for Best Solo Performance - Rita Góbi: Volitant; Marina Olenjina Award of the Association of Dance Artists of Vojvodina to choreographer Rita Góbi, 2020 Novi Sad, Serbia
Lábán Rudolf Award 2018, Budapest - Volitant received the award for the best contemporary dance performance in the 2017 season. The performance also won the Award for the most successful performance as a whole at the 45th Infant Festival in Novi Sad, Serbia.
2017 Aerowaves Twenty18 - priority artist; Special award at the 10th Sentidos Festival in Valencia for her solo dance Volitant; she also received the Golden Cross of the Hungarian Cross of Merit.
Award for the best dance performer in 2015 in the category of contemporary Hungarian dance offered by the Hungarian Dance Association; 2nd prize in Krakow at 3… .2 .... 1 .... Choreography competition for her piece Tachyon; 1st prize at the Solo & Duo Cologne Dance Festival for the best solo dance for her performance Don't Fuss!
Audience Award 2009, XII. International competition in miniature choreography, Belgrade, Serbia.
2004-2005 Viktor Fülöp received a scholarship twice.
2003 Most promising student - National Dance Federation.
Photography Marcell Piti
PROJEKAT IGRA, REC I SLIKA - RADIONICA SLIKANJA
Danas je Prof.dr Snežana Arnautović Stjepanović održala radionicu slikanja u Osnovnoj školi Branko Pešić sa decom uzrasta od 8 do 13 godina.
Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Projekat je podržan od strane Ministarstva za ljudska i manjinska prava i drustveni dijalog.
Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.
Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.
Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).
Prijava treba da sadrži:
ODBRANA ZAVRŠNOG RADA KATARINE ILIJAŠEVIĆ
Danas, 11.03.2022. godine u Beogradu, Katarina Ilijašević, kandidat za zvanje Dramski i audiovizuelni umetnik – Umetnička igra odnosno student osnovnih akademskih studija Umetnička igra je pristupila odbrani svog završnog rada.
Uvažena koleginica Katarina Ilijašević, je prikazala svoj rad na temu Praktični vodič kroz sujeverje i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
1. Prof. Dijana Milošević, Predsednik komisije
2. Prof. dr Snežana Arnautović Stjepanović, mentor
3. Prof. Aleksandar Ilić, član
Nakon svog izlaganja uvažena koleginica Katarina je odgovorila na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Katarina Ilijašević, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!!!
ODBRANA MASTER RADA VESNE OGNJANOV NIKOLIĆ
Danas, 11.03.2022. godine u Beogradu, Vesna Ognjanov Nikolić, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupila odbrani svog Master rada.
Uvažena koleginica Vesna Ognjanov Nikolić, je prikazala svoj rad na temu Teorijske i metodičke osnove baletskog obrazovanja mlađeg školskog uzrasta. i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
1. Prof. Dijana Milošević, Predsednik komisije
2. Prof. Aleksandar Ilić, mentor
3. Prof. dr Snežana Arnautović Stjepanović, član
Nakon svog izlaganja uvažena koleginica Vesna je odgovorila na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Vesna Ognjanov Nikolić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!!
ENTRANCE EXAM AND PREPARATORY CLASSES FOR ENROLLMENT IN BASIC STUDIES
The Belgrade Dance Institute has announced a competition for enrollment of students in the first year of accredited basic academic studies lasting three years, ie six semesters, in the field of artistic dance for the following directions: Contemporary Dance, Choreography, Ballet Pedagogy, Pedagogy of Contemporary Dance and Stage Folk Dance and Music.
After completing this level of study, the student acquires the title of Drama and Audiovisual Artist – Artistic Dance (180 ECTS points).
Entrance exams will be held from June 27th to 29th, 2022, while preparatory classes and consultations will be held from June 20th to 24th, 2022.
Entrance Exam
The entrance exam consists of a practical part, a general culture test and knowledge of the English language.
The practical part of the entrance exam includes the following:
Schedule of entrance exams:
Before taking the entrance exam, the candidate pays to the account of the faculty the amount of 2,000 dinars for the costs of holding the exam.
Payment is made to Institute account number: 265167031000009130; reference number: JMBG candidate; Purpose of payment: Costs of the entrance exam.
Preparatory classes
The Belgrade Dance Institute will hold preparatory classes for taking entrance exams for basic studies for the departments: Contemporary Dance, Choreography, Ballet Pedagogy, Pedagogy of Contemporary Dance and Stage Folk Dance and Music.
Preparatory classes will be held from June 20th to 24th, 2022.
Timetables for preparatory classes will be published later on the faculty website.
Attendance of preparatory classes for all departments is 5,000.00 RSD.
Payment is made to Institute account number: 265167031000009130; reference number: JMBG candidate.
Purpose of payment: Costs of preparatory classes
Enrolement
In order for a candidate who has passed the entrance exam to be able to enroll at the Institute, it is necessary to bring the following documents:
Tuition / Finance
The total costs of studying in undergraduate studies are the most affordable in Serbia (tuition, all textbooks and scientific-teaching aids, unlimited number of exam applications and semester certification) and amount to 2000 EUR per year of study (payment at the NBS middle exchange rate on the day of payment).
If the candidate opts for the payment option in installments, the student is obliged to pay 40% of the tuition fee (dinar equivalent at the NBS middle exchange rate on the day of payment), and the rest in eight equal monthly installments at the NBS middle exchange rate on the day of payment.
Students who are not citizens of the Republic of Serbia
In addition to the above conditions, they must additionally take care of obtaining visas to stay in Serbia during their studies. The Institute is not a guarantor of foreign students during their stay in Serbia, nor does it bear any legal-financial-moral responsibility towards them or third parties related to their stay in the Republic of Serbia. The students themselves are responsible for obtaining relevant documentation and proving it to the Consular Representation or the Embassy of the Republic of Serbia in order to obtain a visa (s). All students who pass the entrance exams and acquire all the conditions for enrollment, can receive the relevant certificates that will be sent to the competent authorities for the timely issuance of their visas.
For all additional information you can schedule consultations every working day from 9.00 to 17.00 by phone 011 41 40 421 or via email institutzaumetnickuigru@gmail.com
PROJECT BODY IN FOCUS PERFORMED
Last night, in the Great Hall of the Student Cultural Center, the project Body in Focus was performed, the works of undergraduate, master's and doctoral students of the Belgrade Dance Institute were created on the subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Art, led by prof. dr. Snežana Arnautović Stjepanović.
The works are presented in the form of performances, spatial installations and videos.
The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches.
Some of the works are of the interactive type and required the participation of the audience.
The authors of the works are Alisa Oravec, Tijana Malek, Milica Bezmarević, Marija Vučenović, Una Balaž, Ksenija Sinđić, Sonja Stojanović, Ada Raspor, Angela Mihova and Luka Stojković.
CEREMONIAL PRESENTATION OF THE ORDER OF THE CROSS OF LEADER ĐORĐE STRATIMIROVIĆ
Writer and professor of the Belgrade Dance Institute in Belgrade, Prof. Dr. Miomir Petrović, is the winner of the Order of the Cross of Leader Đorđe Stratimirović for his contribution to Serbian culture and, as stated, 'for selfless perseverance in the values of St. Sava's spirituality ... part of testifying to the values and preserving the tradition of Serbian Vojvodina.'
The order is awarded by the Center for the Development of Šajkaška and His Eminence Bishop Vasilije of Srem. The ceremonial presentation of the order will take place at the Vuk Endowment in Belgrade on Monday, February 28th, 2022.
BODY IN FOCUS
Presentation of works by students of the Belgrade Dance Institute
Great Hall of the Student Cultural Center,
02/25/2021 at 18.00.
Within the project Body in Focus, the works of undergraduate and master's and doctoral students of the Belgrade Dance Institute which were created in the following subjects: Installations and Performance, Media Lab - Conceptual Art and Concept of Artwork, led by Prof. Dr. Snežana Arnautović Stjepanović will be presented at the Great Hall of the Student Cultural Center.
The works will be presented in the form of performances, spatial installations and videos. The process of creating each work is based on individual experience and is one of the ways to consider through a creative, research and experimental approach: body, space, action, object, costume, light, text, sound, time, rhythm, ritual, etc. The artistic research that the students conducted during the semester work is based on interdisciplinary approaches. Some works are interactive and require the participation of the audience.
Project participants:
Photography by Doc. Nemanja Maraš; Artists: Doc. Katarina Bućić and Luka Ostrež
FESTIVAL OF ARTS AND HUMAN RIGHTS
The grand opening of the Festival of Arts and Human Rights will be held on February 24th, 2022. at 7 pm in the Neon Gallery (Crnogorska 10). The festival will be opened by an interactive multimedia installation You Must Be a Zenitist that reflects on the heritage of the authentic avant-garde art movement from our region - Zenitism.
Concept: Dijana Milošević and Jadranka Anđelić
Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović and Zoran Vasiljević
Facilities: Neša Paripović
Video Installation Living room: Snežana Arnautović Stjepanović and Ivica Stjepanović
Video work: Lucid dream / Happy time: Snežana Arnautović Stjepanović, composer Ivica Stjepanović
Video work: Video for a better atmosphere: Jelena Rubil
The second edition of the Festival of Arts and Human Rights will be held from February 24th to 27th, 2022, in Belgrade, which is designed as a platform for launching and presenting ideas and concepts that highlight and connect art and human rights, advocate for equal human rights , as well as the development of that idea in Serbia. The program includes workshops, installations, plays, concerts, talks, conference Art and Culture in the affirmation of human rights, film premiere, book promotions.
Participants of the festival come to Belgrade from Spain, Israel, Montenegro, Kosovo, Ireland and Serbia, and artists from Iran, Belgium and Brazil will join us online and present their work.
You can see the complete program of the festival here:
https://dahteatarcentar.com/wp-content/uploads/2022/02/katalog-FESTIVAL-FINAL.pdf
GUEST LECTURES BY BRANKO MILISKOVIĆ
Branko Miliskovic's guest lectures will be held at the Belgrade Dance Institute from February 21st to 23rd with master's and doctoral students.
Branko Milisković (1982, Belgrade) studied at the Faculty of Fine Arts in Belgrade in the class of prof. Mrdjan Bajić. He continued his BFA studies as a scholarship holder of the Government of the Netherlands at the Royal Academy of Art in The Hague and graduated from the Department of 3D Art in 2009. He received his master's degree from the Hochschule für Bildende Künste in Hamburg in the class of Professor Jeanne Faust at the Department of Extended Media in 2012. He has been a member of ULUS since 2018.
Branko Milisković is dedicated to live performance, monoopera, cabaret, photography, sound and film. He has performed at prestigious international and domestic festivals, exhibitions and art residencies including Reims Scenes d’Europe 2015, Reims, France; CSW / CoCA, Torun, Poland; G12HUB, Belgrade, Serbia; solo productions: Kampnagel, Hamburg, Germany; Les Halles de Schaerbeek, Brussels, Belgium; Dutch Film Festival, Utrecht and TENT Rotterdam; Netherlands Media Art Institute, Amsterdam, The Netherlands; CIRCA art current, Montreal, Canada; Live Art Development Agency, London, UK; YFV, Seattle, The Tank, New York, USA; 57th October Salon, Belgrade, Podroom Gallery, Cultural Center of Belgrade, Center for Cultural Decontamination, Serbia; Third program of Croatian Radio, Zagreb…
His work has been included in the books Performance Art in Eastern Europe since 1960, by Dr. Amy Bryzgel and Situating Populist Politics: Arts & Media Nexus, Milena Dragićević-Šešić and Mirjana Nikolić.
www.brankomiliskovic.wordpress.com
Photography by Danilo Mataruga
VISIT TO THE CULTURAL STATION BARKA
The Barka Cultural Station with coordinator Saša Krg hosted professors from the Belgrade Dance Institute, who agreed on future collaborations and projects.
Vice Dean Prof. dr Snežana Arnautović Stjepanović, Prof. Nemanja Maraš, Prof. Ognjen Vučinić and Prof. Aleksandar Ilić presented the upcoming project Body in Focus, Sola Festival, author's project Apreś and guest lecturers until the end of the academic year.
THE BELGRADE DANCE INSTITUTE CELEBRATED THE GLORY OF THE CHRIST – THE HOLY THREE HIERARCHS
The Feast of the Three Hierarchs is dedicated to three saints and the greatest educators and teachers in the history of Christianity: Basil the Great, Gregory the Theologian and John Chrysostom. Although each of them has its own day of celebration in the month of January, in the 11th century, during the reign of Emperor Alexius Comnenus, their common day of celebration was established. With their life, work, and science, these three Saints marked not only the time in which they lived, but also Christianity itself. The immediate reason why their joint holiday was established was that there were debates among the people as to which of these three Saints was greater. Some exalted Basil because of his purity and courage, others Gregory because of his unattainable depth and height of mind in theology, and others Chrysostom because of his miraculous eloquence and clarity of faith. Because of these claims, they were popularly known as Basilians, Gregorians and Johnites. But by God's providence, this dispute was resolved for the benefit of the church and for the even greater glory of the three saints.
Bishop Jovan of Euchaita had one vision in a dream, namely: first each of these three saints appeared to him separately in great glory and inexpressible beauty, and then all three together. Then they said to him: "We are one in God, as you can see, and there is nothing contradictory in us… nor is there one or the other among us." The saints also advised Bishop Jovan to write a joint service for them and to designate a common holiday for them. On the occasion of this wonderful vision, the dispute was resolved by establishing their joint holiday.
The celebration of the Holy Three Hierarchs has a great tradition in all Orthodox countries, and in Greece it even has a national character and is considered a holiday of education and schooling.
STATEHOOD DAY OF THE REPUBLIC OF SERBIA 2022
We would like to inform all professors, assistants, teaching associates, associates and students that the Belgrade Dance Institute will not be working on February 14th, 15th and 16th on the occasion of the national holiday of the Statehood Day of the Republic of Serbia. The first working day is Thursday, February 17th, 2022.
Historian Nataša Kostić traditionally reminds us of the importance of this holiday:
The Law on State Holidays of the Republic of Serbia marks February 15th in memory of two historical events. The first event, when the Serbian revolution began and the First Serbian Uprising (1804), the second (1835), when the First Serbian Constitution, known as the Sretenje Constitution, was adopted.
On that day (1804), in the late afternoon in Marićević's ravine near Orašac, the people's elders gathered and decided to call the people to an uprising and elected Đorđe Petrović as their leader. That is when the struggle of the Serbian people for freedom from the Ottoman government began.
Twenty-one years later, the First Serbian Constitution (1835) was adopted. At that time, creating an independent Serbian state with weapons, the Serbian peasant decided to destroy the feudal order as well. Serbia at that time was a country of peasants, but that Serbian peasant accepted the ideas of the modern age and fought and fought for it. The libertarian spirit of the Serbian peasant forced the Serbian prince Mioš Obrenović to open the constitutional question. The great powers at the time, which still influenced independent Serbia (Russia, Austria and the Ottoman Empire), did not allow the Constitution to take root among Serbs, so they forced Prince Milos to repeal it a month after its adoption. Three years after that, the Serbs get the Turkish (hatisherif) Constitution.
BELGRADE PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK
As part of the celebration of the Slovenian Cultural Holiday on February 8th, the dance play for children and adults Možiček by the Slovenian composer Josip Ipavac, choreographed by Gjergj Pervazija and Prof. Aleksandar Ilić was premiered at Small Theatre Duško Radović in Belgrade.
The dance performance Možiček, which consists of two choreographic works, was premiered as part of the celebration of the 100th anniversary of the death of the composer Ipavac on December 27th last year at the Slovenian People's Theater in Celje (Slovenia). The first part of the play RE: start was done by Gjergj Pervazi, and the second part of the play Možiček by Aleksandar Ilić.
The play was performed by players of the International Dance Platform Balkan Dance Project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia and musicians Ana Semić Bursać - piano, Uroš Bičanin - violin, Zoran Bičanin - violin, Miha Firšt - contrabass.
The author's team is composed of Slovenia and Serbia, dramaturgy by Nuša Komplet Peperko, scenography by Matija Kovač, costume by Aleksandra Karović, lighting by Aleksander Plut, this time done with the support of a lighting designer from our theater.
The play was produced by the Balkan Dance Project co-produced by the House of Culture Celje, the Velenje Festival and the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia.
Photography by Belkisa Beka Abdulovic
LECTURES OF THE GUEST CHOREOGRAPHER LUKA OSTREŽ STARTED
Guest lectures on contemporary dance and repertoire by Luka Ostrež, a Slovenian choreographer and dancer, begin today at the Belgrade Dance Institute.
He completed his undergraduate studies at the University of Arts in Zurich, and already during his education he collaborated with the most famous choreographers of today, Barack Marshall, Ihsan Rustem, Renaud Wieser, Laurent Zahar, Emanuele Sovai and others.
He participated in the Steps Festival 2018 with Itzik Galili Anabel Lopez Ochoa, Michael Schumacher and Jasmine Morand.
He gained professional experience in collaborations with Edward Klug, Mauro de Candia, Mark Geke, Mary Wigman and others.
He collaborates with numerous dance academies as a lecturer, and presented himself to the Belgrade audience at last year's 25th Festival of Choreographic Miniatures, where he won the first prize for choreography Doomsday, which he performed.
Choreographer Luka Ostrež will hold a special open master class for players on February 14th on Valentine's Day, starting at 12:00.
GRADUATE THESIS OF BOBAN KOSTIĆ PERFORMED
Boban Kostić's graduation concert Tren was performed on the stage of the Sports and Cultural Center Obrenovac in the theater hall starting at 7 p.m.
The audience was greeted at the very beginning by the Dean Prof. Dr. Vladimir Tomašević and the head of the Department of Stage Folk Dance and Music Prof. Dr. Vesna Bajić Stojiljković.
The audience had the opportunity to get acquainted with works inspired by folk dance, music and tradition, which student Boban Kostić created during his schooling at the Belgrade Dance Institute, through various choreographic forms.
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Boban Kostić has all the rights and obligations arising from the fact that from the February 4th 2022. has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.
AUDITION FOR A NEW PROJECT OF THE YOUTH BALLET COMPANY
The Youth Ballet Company is announcing an AUDITION for a new project that will be premiered on April 29th on World Dance Day.
The audition will be held on Thursday, February 10, starting at 6 pm in the New Hall.
Candidates should wear pointed ballet shoes.
Ballet high school students can apply for the audition.
HOW TO APPLY?
The application should contain:
Applications should be sent to mila.stijak@iui.rs with the note World Dance Day.
For more information call (011) 41 40 421 every working day from 9.00 to 17.00.
The audition for the project will be led by ballet master Amalia Mindrutiu, Milica Bezmarević, Mila Stijak and Ana Spremić.
The results of the audition will be published on Friday, February 11th, on the website of the Belgrade Dance Institute.
DEFENSE OF UNDERGRADUATE’S THESIS BY BOBAN KOSTIĆ
At the Belgrade Dance Institute on February 4th, 2022. Boban Kostić, student of the Undergraduate Academic Studies of Artistic Dance, successfully defended his Undergraduate’s thesis on the topic of GRANDFATHER AND TAIL SUMMARY HUMORIST STORY IN ONE PICTURE.
Distinguished colleague Boban presented his work on the topic of GRANDFATHER AND TAIL SUMMARY HUMORIST STORY IN ONE PICTURE, publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Boban Kostić has all the rights and obligations arising from the fact that from the February 4th 2022. has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
LOVE FOR EVERYONE
The Belgrade Dance Institute will organize the traditional Open Door, on February 14th, 2022, from 12:00, with contemporary dance workshops, led by Luka Ostrež (Slovenia), a guest lecturer at the Belgrade Dance Institute.
The workshops will be realized in the New Hall of the Belgrade Dance Institute at 43A Vojvode Mišića Boulevard.
Students of ballet high schools and dance studios aged 14-19 can apply for the workshops.
Applications for participation in the workshops are made via email: teodora.zivkovic@iui.rs
Indicated: Open door
The application should contain:
Applications are open until February 11th, 2022.
Workshops are free.
LUKA OSTREŽ
Luka Ostrež, a Slovenian choreographer and dancer, will hold a guest lecture on contemporary dance and choreographic composition at the Belgrade Dance Institute in February this year.
He completed his undergraduate studies at the University of Arts in Zurich, and already during his education he collaborated with the most famous choreographers of today, Barack Marshall, Ihsan Rustem, Renaud Wieser, Laurent Zahar, Emanuele Sovai and others.
He participated in the Steps Festival 2018 with Itzik Galili Anabel Lopez Ochoa, Michael Schumacher and Jasmine Morand.
He gained professional experience in collaborations with Edward Klug, Mauro de Candia, Mark Geke, Mary Wigman and others.
He collaborates with numerous dance academies as a lecturer, and presented himself to the Belgrade audience at last year's 25th Festival of Choreographic Miniatures, where he won the first prize for choreography Doomsday, which he performed.
NEW PERFORMANCE OF TANGO OPERETA MARIA DE BUENOS AIRES
After the successful premiere of the tango operetta Maria de Buenos Aires, produced by the Tanguango Quintet, premiered on the stage of the Duško Radović Small Theater in December last year, the audience will have the opportunity to see a rerun of this spectacle on February 11th in the Great Hall of the Student City Cultural Center at 20.00 hours.
The tango operetta Maria de Buenos Aires, premiered in 1968 in Buenos Aires, is the first collaboration between two great artists, Astor Piazzolla - Argentine composer, founder of tango nuevo style and Oras Ferrer - Uruguayan-Argentine poet.
The plot of this operetta follows the birth, life and death of the main character Maria, a poor girl from the suburbs of Buenos Aires who is blinded by tango music, goes downtown and becomes a prostitute, as well as her transformation into her own shadow wandering the city streets. In addition to Maria, who symbolizes the city, tango and seductive woman, there are numerous characters typical of the tango tradition - Pajador, Bandoneon, Gorrion, as well as distant, fantastic ones that almost never appear in tango lyrics - Elf, Analysts, Puppets, etc.
The main roles will be played by Ljubica Damčević, Ivan Nikolić, Giacomo Medici, musicians Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Zoran Anić, Anastasia Redžić and Arion Petrovski.
The choreography of Ognjen Vučinić (assistant Katarina Ilijašević) will feature tango dance couple Relja Dereta and Jelena Minić and contemporary players Miona Petrović and Ognjen Vučinić.
You can reserve tickets on time through www.tickets.rs and DKSG porters, noting that the number of seats is limited.
The project was supported by the Ministry of Culture and Information in cooperation with the Student City Cultural Center.
Special thanks to the Italian Institute of Culture in Belgrade, the Embassy of Argentina in Serbia, the Tango Natural Dance School, the Belgrade Dance Institute, the Serbian Association for Gestalt Psychotherapy, the Dr Vojislav Vuckovic Music School, AlgoMetric, Aleksandar Ilić and Aleksandar Nikolić for the support in the realization of the project.
Photography Slobodan Trivić
PRESENTATION OF THE BELGRADE DANCE INSTITUTE IN POŽEREVAC AND NOVI SAD
The presentation of the department of the study program of the Stage Folk Dance and Music of the Belgrade Dance Institute in Požarevac and Novi Sad will be presented by the professors of this institution, Dr. Vesna Bajić Stojiljković and Dr. Anton Andonov.
The presentation in Požarevac will be held on February 5th in the ballet hall of the Center for Culture Požarevac (ul. Jovana Šerbanovića 1) starting at 17.00, and in Novi Sad, on Sunday, February 6th in the premises of KUD Svetozar Marković (ul. Šumadijska 6a) at 12.00.
We invite players of folklore ensembles, high school students, art directors, amateur choreographers, as well as all those interested in the presentation of the Department of Stage Folk Dance and Music with a practical workshop in the field of choreographic composition.
The Belgrade Dance Institute is the only higher education institution in Serbia for the education of professional dancers, choreographers and pedagogues in all areas of artistic dance.
The Stage Folk Dance and Music Department is especially focused on folk dance, choreography, pedagogy and professional performance.
For all additional information call 011 41 40 421.
Photography Nemanja Maraš
PREMIERE OF CHILDREN'S DANCE PERFORMANCE MOŽIČEK
A dance performance for children and adults Možiček by Slovenian composer Josip Ipavac will be performed on the stage of the Small Theater Duško Radović, and choreographed by Gjergj Pervazija and Aleksandar Ilić.
The dance performance Možiček, which consists of two choreographic works, was premiered as part of the celebration of the 100th anniversary of the death of the composer Ipavac on December 27th last year at the Slovenian People's Theater in Celje (Slovenia). The first part of the play RE: start was done by Gjergj Pervazi, a choreographer from Albania, and the second part of the play Možiček by the Serbian choreographer Aleksandar Ilić.
The play is performed by players of the International Dance Platform Balkan Dance Project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia and musicians Iztok Kocen - piano, Uroš Bičanin - violin, Zoran Bičanin - violin, Miha Firšt - double bass.
The author's team consists of Slovenia and Serbia, dramaturgy by Nuša Komplet Peperko, scenography by Matija Kovač, costume by Aleksandra Karović, lighting by Aleksander Plut.
Production of the Balkan Dance Project co-produced by the House of Culture Celje, the Velenje Festival and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia.
The play will be performed on the stage of the Dushko Radović Small Theater on Tuesday, February 8th, starting at 8 p.m.
Photography Rok Deželak
GRADUATE PERFORMANCE BY BOBAN KOSTIĆ
The graduation play The Moment of the Third Year Student, Department of Stage Folk Dance and Music, Boban Kostić, will be premiered on February 6st in the Theater Hall of the Sports and Cultural Center Obrenovac, starting at 7 p.m.
The Obrenovac audience will have the opportunity to get acquainted with works inspired by folk dance, music and tradition, which will be presented by Boban Kostić through various choreographic forms.
The program is accompanied by vocal and instrumental songs that will bring the audience closer to the original music of the Republic of Serbia. The work, which will be presented through a concise choreographic form, is inspired by the Russian folk tale Grandfather and the Tail. The author revives the characters of this globally popular story by showing their characters through movement and music, and brings compactness with colorful costumes and complete development of dramatic content through play.
In addition to the Russian story, a forgotten Vlach ritual from the village of Duboka will be performed on the stage, in which a woman known as a mermaid falls into ecstasy, from which she returns to the real world through ancient tradition, ritual carts and games. The choreography of Asha b’la Rusalja was created by adapting and adapting the customs to the scene.
Photography Nemanja Maraš
Admission for the audience is free and for all ticket booking information call 060 11 30 314.
DANCE, WORD AND PICTURE
The project Dance, Word and Picture is realized through a series of free workshops of artistic dance, creative writing and painting, which is intended primarily for Roma children in primary and secondary education. The workshops are being realized at the Belgrade Dance Institute (Bulevar vojvode Mišića 43). The partner in the realization of the project is the Cultural and Educational Center Šid. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.
The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of art education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.
Our goal is to enable the participation of Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.
The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).
Students aged 11 to 18 can apply for the workshops.
Applications for participation in the workshops are made by calling 011/41 40 421 or by email: teodora.zivkovic@iui.rs
The application should contain:
Applications are open until February 15th, 2022. The schedule of workshops will be announced later.
Program holders:
MIOMIR PETROVIĆ
Prof. Dr. Miomir Petrović (Belgrade, 1972), writer, narrator, playwrighter, art theorist, graduated from the Faculty of Dramatic Arts in Belgrade at the Department of Dramaturgy, received his master's degree from the Department of Theater Studies at the Faculty of Dramatic Arts in Belgrade, Ph.D. University of Arts in Belgrade. Head playwright of the Atelier 212 Theater in Belgrade (1996–1999), Deputy Director of Drama of the National Theater in Belgrade (2001–2002), playwrighter of the National Theater in Belgrade (until 2004). Full-time professor of Aesthetics, Theory of Contemporary Art and History of Performing Arts at the Belgrade Dance Institute in Belgrade, Creative Writing and Screen Culture at the Higher College of Technology (UAE) (2019-2021).
Published and performed works:
Dramas: Vagabund in the City Garden (1995), Argivski incident (1996), Demijurg (1997), Appendix (1997; performed in 2003 at the Guarnerius Center for Fine Arts and as a radio drama produced by RTS in 2004), Čopor (1998) , Vučije leglo (2000; performed at the National Theater in Pirot 2006), radio dramas Galerijeve vatre and Black Lights produced by RTS.
Scientific monographs: Oslobođenje drame (Zadužbina Andrejević, Belgrade 2000), Kreativno pisanje, naratološki pristup tekstu i kontekstu (Megatrend, Belgrade 2011), Mitopoetike (Institute for Textbooks, Belgrade 2019).
Novels: Mutilation of a Novel (Prosveta, 1997), Pankration (BIGZ, 1998), Self-Torturer (Prosveta, 2000), Persian Mirror (Geopoetics, 2001), Archipelago (Geopoetics, 2003), Fox Madness (Laguna, 2005), Glass Dust Laguna, 2006), Fox madness (SKC, Skopje, 2007), Lebanese Summer (Laguna, 2007), Persian Mirror (second edition, Laguna, 2008), Copper Drums (Laguna, 2009), Gallier’s Fires (Laguna, 2011), Liquid ice (Prosveta, 2011), Smell of Darkness (Laguna, 2013), House of Salt (Laguna, 2016), Black Light (Laguna, 2018), FiloktetnaLemnose / Persian Lake (Aliteja, St. Petersburg, 2018), Forest Pack (Ammonite Books , 2019), Central Desert (Laguna, 2021).
He is the winner of the October Award of the City of Belgrade (1996) and the Laza Kostić Award for the book House of Salt (2017). He is a member of the Serbian Literary Society.
OGNJEN VUČINIĆ
Ognjen Vučinić (1980. Pula), choreographer and pedagogue of contemporary dance at the Belgrade Dance Institute since 2020.
Co-founder of the dance company MASA, member of the Zagreb Dance Ensemble and permanent associate, lecturer of contemporary dance workshops at the Zagreb Dance Center.
At the age of less than four, he attended classical ballet classes at the Zaro dance studio in Pula, under the direction of Slavica Šenk.
At the invitation of Rajko Pavlić, choreographer and head of the dance studio Liberdance, he participated in the first professional dance project Ready steady go (2001), at the invitation of the artistic director of the Zagreb Dance Ensemble Snježana Abramovič Milković became a permanent member of the Zagreb Dance Ensemble. He is a permanent lecturer in contemporary dance workshops at the Zagreb Dance Center.
He also works as a visiting pedagogue through dance workshops in the country and abroad.
Croatian Theater Awards, for the best dance achievements (male dancer), for performances: Solitaire (2006), Interface (2010), (2012).
SNEŽANA ARNAUTOVIĆ STJEPANOVIĆ
Prof. Dr. Snežana Arnautović Stjepanović (1979 Sabac) graduated in 2002 from the Academy of Fine Arts in Belgrade, Department of Painting in the class of Academician Dušan Otašević. She received her master's degree in 2007 from the Interdisciplinary Master's Studies in Belgrade, at the Department of Stage Design. She defended her doctoral thesis in 2010 at the Interdisciplinary Doctoral Studies in Belgrade, at the Department of Stage Design. From 2003 to 2006 she worked as an assistant at the Academy of Fine Arts in Belgrade. Since 2012, she has been working as a professor at the School of Engineering Management in Belgrade as the head of the Department of Creative Industries. In 2017, she was elected full-time professor. In 2018, she was appointed vice dean for teaching in the study program Artistic Dance at the Belgrade Dance Institute. She has been a member of ULUS since 2003. She has been a member of the International Dance Council CID UNESCO since 2014. Since 2014, she has been the President of the Management Board of the Center for Art Education in Šumatovačka.
She has participated in many collective exhibitions, art colonies and workshops in the country and abroad. In her artistic work so far, she has realized twenty-four authorial art projects in the field of visual and performing arts.
Some of her independent projects are: Performance Hafetopija performed within the International project Other Ways of Communication in the Legacy Gallery in Belgrade in 2021; Snow White and the Seven Deadly Sins, a seven-day performance cycle, performed at BELEF in 2017; Performance Eternal Present, performed with Ivica Stjepanović at the International Exhibition Return to the Present at the U10 Gallery in Belgrade; Performance of the Painted Party performed with Era Milivojević at the Festival of Street Arts in Tivat in 2016; Exhibition of paintings Internal Rhythms, Gallery of the Municipality of Vračar in 2016; Performance Lucid dream / Kontuzija gratis, performed in 2015 at SKC in Belgrade; Performance Transposition, performed in 2013 at the Academy of Arts in Belgrade; Performance Inside the Piglet, performed in 2011 at the Kalemegdan Fortress in Belgrade; Performance Records of the Unspoken, performed in 2009 at the Grocka Cultural Center; Performance Spaces of Pain, performed at the 48th October Salon in Belgrade in 2007; Performance Opening performed with Era Milivojević and Ivica Stjepanović at the Matsura Museum in Novi Banovci in 2007; Performance Composition for Blue, performed with Ivica Stjepanović in the Atrium Gallery of the Belgrade City Library in 2007; Master's thesis Spaces of Pleasure and Pain, multimedia ambient installation and performance performed in the Turkish Bath in Belgrade in 2006; Grazie Davide performance performed in Florence in 2006; Exhibition of paintings and performance JA + MORE = LJUBAV performed at the Center for Contemporary Art Strategie Art in Belgrade in 2006; Performance, exhibition of paintings and sculptures Alone with Protection performed at Happy Gallery SKC in Belgrade in 2003. Some of the collective exhibitions in which she participated are: 50th October Salon Circumstance at the Museum on May 25, Belgrade in 2009; Exhibition Micronarratives, at the Musee d’Art Moderne de Saint-Etienne Metropole in France in 2008; Belgrade Beauty Exhibition at the NEW MOMENT Gallery in Belgrade in 2008; Exhibition OUTSIDE BELGRADE / FLORENCE at the Gallery of Contemporary Art in Pancevo in 2007; Spring exhibition in the art pavilion of Cvijeta Zuzorić in Belgrade in 2004.
POWERFUL WOMEN WITH LOVE SPEAK
As part of the Day of Russian Culture organized by the Historical Archive of Srem in Sremska Mitrovica, on January 25th, the premiere of the performance Powerful Women with Love Speak will be performed on the stage of the Dobrica Milutinović Theater, starting at 6:00 p.m.
The performance is based on the book of the same name by Mirjana Marković (STRONG WOMEN LOVE VEŜAÛT - MIGHTY WOMEN WITH LOVE SPEAK) which, like the book, talks about famous women in Russia and Serbia, and is performed in Russian and Serbian.
Rulers, nuns, painters, poets and muses are immortalized with the words of the deepest emotions and the need for the love of all existence on Earth. It is a poem of the essential concept of love, and the driving and justifying force not only of the lives of individuals, but also of the millennial survival on our planet, states the writer Marković.
Directed and dramatized by Mirjana Marković, costume by Igor Jagić, and video production by AsproArt - Walker Duja, hairstyles and make-up by Frizerski studio IN.
The performance is performed by members of the Youth Ballet Company Anastasija Vujnović, Sofija Radovanović, Anastasija Nikčević, Tijana Drndarević, Anastasija Jovanović, Ana Svorcan and Ana Đerković, as well as Isidora Božić, Nikolija Marković, Margarita Vujović, Ekatarina Orlova, Olena Pantelić, Jasna Arbanas, Danijela Stoj Savić, Katarina Jovanović and Ethno group Hram.
GRAND HOTEL ON THE STAGE OF MADLENIANUM THEATER
On the occasion of the new performance of the dance performance Grand Hotel on the stage of the opera and theater Madlenianum on February 9th, starting at 7.30 pm, choreographer Prof. Aleksandar Ilić was a guest on the morning program of the Radio Television of Serbia on 25th January.
The music for the play was done by Ana Krstajić, the scenography by Žorž Draušnik and the costume by Aleksandra Karović.
The play is performed by: Mojca Majcen, Branko Mitrović, Jakša Filipovac, Ognjen Vučinić and the Dance Theater Ladies Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić and Katarina Stojkov Slijepčević.
The project is a co-production of the Opera and Theater Madlenianum and the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia, and was supported by the Ministry of Culture and Information of the Republic of Serbia, the Ministry of Culture of Slovenia, the Embassy of the Republic of Slovenia in Belgrade, the Velenje Festival. Slovenia for Cultural Activities and the Belgrade Dance Institute.
You can book and buy tickets for the show:
Madlenianum, Glavna 32
tel. 011/316 27 97
Muzej Zepter, Knez Mihailova 42
tel. 011/21 80 400; 011/33 00 111
OPERA CHILDREN'S ROOM IN RADOVIĆ AGAIN
The opera for children by composer Milenko Živković, based on the text by Desanka Maksimović, Children's Room, will be performed on January 23rd on the stage of the Duško Radović Little Theater, starting at 12:00.
The opera under the conductorship of maestro Milan Nedeljković is performed by Biljana Jovanović (mother), Boris Papak (dad), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić (third child), Mina Nikolić (fourth child), Choir Children's Cultural Center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vucković class of Prof. Maja Djokić, orchestra students of the project Opera: Past, Present, Perfect! and professional musicians.
Directed by Natalija Stanković and Mateja Đedović, mentor Boris Liješević, and choreographed by Doc. Mila Stijak and Ana Bošković.
We would like to inform the public that the number of places is limited in compliance with epidemiological measures.
More about the play: http://www.malopozoriste.co.rs/predstave/dechja-soba
WORK PLAN OF THE BELGRADE DANCE INSTITUTE 2022
In the eighth year of successful and continuous operation, the Belgrade Dance Institute presents a diverse, courageous and ambitious program for 2022.
Within one institution where future dancers in the field of classical ballet, contemporary dance and folk dance are equally educated, January began with a traditional seminar in the field of classical ballet led by choreographer and ballet master Sasa Evtimova from Northern Macedonia.
In February, the concert of Boban Kostić will be premiered, a graduation thesis in the department of stage folk dance and music, and on February 25th the Student Cultural Center will present the project Body in the focus of presentations of student works created at lectures by Prof. dr Snežana Arnautović Stjepanović and Prof. Dijana Milošević. This month will also be marked by guest lectures by choreographer and dancer from Slovenia Luka Ostrež, laureate of the last edition of the Festival of Choreographic Miniatures.
With the support of the Hungarian Cultural Center in Belgrade, the Belgrade Dance Institute will host choreographer Rita Góbi in March, who will work with students in the Department of Contemporary Dance and Choreography.
April is traditionally the month dedicated to the International Day of Dance (April 29th), and in addition to numerous events, Dance Week will be held, within which numerous performances and choreographies will be presented in public spaces. Intensive lectures and workshops on contemporary dance will be held in April, led by Yoram Karmi from the Fresco Dance Company, which comes from Tel Aviv with the support of the Embassy of Israel in Serbia.
The second edition of the Sola Festival will be held on the last weekend of May, featuring artists from Belgium, Croatia, Israel, Austria and Serbia. The Sola Festival will be performed at several locations in Belgrade and Novi Sad this year as well.
The end of June will be marked by the premiere performance of the graduation play of the sixth generation of students from all departments. The choreography will be done by Tamara Gvozdenović, who has been creating in France for many years.
The Belgrade Dance Institute will host an international artistic professional conference on the Future of Academically Based Performing Arts in the Postcovid World.
The summer seminar for artistic dance, which will be held from July 1st to 10th in Vranje, will be held again this year with lecturers from Great Britain, Croatia, Japan and Cuba.
The Youth Ballet company will premiere choreographies by Amalia Mindrutiu, a ballet master from Romania, and the traditional SHOWCASE will be performed in November this year.
After the successful presentation of the Belgrade Dance Institute at the EXPO in Dubai, this promotion of the only higher education program in the field of artistic dance in Serbia will present its program in Egypt.
Photography: Marcell Piti
MAĐARSKA KOREOGRAFKINJA GOSTUJE U BEOGRADU
Mađarska koreografkinja, pedagog savremene igre i igračica Rita Góbi na poziv Instituta za umetničku igru iz Beograda održaće predavanja u toj instituciji kao i u državnim baletskim školama od 9. do 19. marta ove godine.
Umetnica je rođena u Novom Sadu a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti.
Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio, u Tokiju, od Japanske fondacije.
Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstaviće na ovogodišnjem Festivalu Sola u Muzeju savremene umetnosti u Beogradu.
Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.
Dela Rite Góbi najbolje bi se mogla opisati kao hrabra i eksperimentalna, kao i precizno koreografisana. Ona ima geometrijski, minimalistički, prilično redukcionistički stil. Njen koncept koreografije zasniva se na instinktivnim, monotonim i repetitivnim, minijaturnim pokretima, i faziranjem tela i promenama stanja koje nastaju iz ovih pokreta. Ona transformiše liniju pokreta polako i dosledno. Akord pokreta, muzike, projektovanih vizuelnih efekata i svetla stvaraju futurističku atmosferu njenih nastupa.
Nagrade i priznanja
2021 PLES XXIII. Međunarodni savremeni festival (Vesprem) - Nagrada za najbolju solo izvedbu - Rita Góbi: Volitant; Nagrada Marine Olenjine Udruženja plesnih umetnika Vojvodine koreografkinji Riti Góbi, 2020. Novi Sad, Srbija
Nagrada Lábán Rudolf 2018, Budimpešta - Volitant je dobio nagradu za najbolju savremenu plesnu predstavu u sezoni 2017. Predstava je dobila i Nagradu za najuspešniji nastup u celini na 45. Infant festivalu u Novom Sadu, Srbija.
2017 Aerowaves Twenty18 - prioritetni umetnik; Specijalna nagrada na Festivalu 10 Sentidos u Valensiji za njen solo ples Volitant; dobila je i Zlatni krst Mađarskog krsta za zasluge.
Nagrada za najboljeg plesnog izvođača 2015. u kategoriji savremenog mađarskog plesa koju nudi Mađarski plesni savez; 2. nagrada u Krakovu na 3….2....1....Konkurs za koreografiju za njen komad Tachyon; 1. nagrada na Solo&Duo Keln Dance Festivalu za najbolji solo ples za njen nastup Don't Fuss!
Nagrada publike 2009, XII. Međunarodno takmičenje u koreografiji minijatura, Beograd, Srbija.
2004-2005 Viktor Fülöp stipendiju je dobila dva puta.
2003 Najperspektivniji student - Nacionalna plesna federacija.
Fotografija autora Marcell Piti.
PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE
Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).
Prijemni ispiti biće održani od 27. do 29. juna 2022. godine, dok će se pripremna nastava i konsultacije realizovati od 20. do 24. juna 2022. godine.
Prijemni ispit
Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.
Praktičan deo prijemnog ispita podrazumeva sledeće:
Termini prijemnih ispita
Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.
Pripremna nastava
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Pripremna nastava će se održavati od 20. do 24. juna 2022. godine.
Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.
Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.
Svrha uplate: Troškovi pripremne nastave
Upis
Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:
Školarina / Finansije
Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR po godini studija (plaćanje po srednjem kursu NBS na dan uplate).
Ukoliko se kandidat opredeli za varijantu plaćanja u ratama, student je u obavezi da prilikom upisa uplati 40% školarine (dinarska protivvrednost po srednjem kursu NBS na dan uplate), a ostatak na osam jednakih mesečnih rata po srednjem kursu NBS na dan uplate.
Studenti koji nisu građani Republike Srbije
Pored gorenavedenih uslova moraju dodatno da se sami postaraju za dobijanje viza radi boravka u Srbiji tokom studiranja. Institut nije garantor stranim studentima tokom njihovog boravka u Srbiji niti snosi bilo kakvu pravnu-finansijsku-moralnu odgovornost prema njima ili trećim licima vezanima za njihov boravak u Republici Srbiji. Sami studenti su odgovorni za pribavljanje relevantne dokumentacije i dokazivanja Konzularnom predstavništvu ili Ambasadi Republike Srbije radi dobijanja vize(a). Svi studenti koji polože prijemne ispite i steknu sve uslove za upis, mogu da dobiju relevantne potvrde koje će biti upućene nadležnim organima radi blagovremenog izdavanja njihovih viza.
PRIJAVU ZA PRIJEMNI MOŽETE POSLATI NA EMAIL PRIJAVE@IUI.RS ILI PREKO UPISNE FORME NA SAJTU.
Prijava treba da sadrži:
Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 telefonom 011 41 40 421 ili institutzaumetnickuigru@gmail.com
SVEČANO URUČENJE ORDENA KRST VOŽDA ĐORĐA STRATIMIROVIĆA
Pisac i profesor Instituta za umetničku igru u Beogradu, Prof.dr Miomir Petrović, dobitnik je ordena Krst Vožda Đorđa Stratimirovića za doprinos srpskoj kulturi i, kako se navodi ’za požrtvovano istrajavanje na vrednostima svetosavske duhovnosti... za pokazanu vernost i značajan doprinos na delu svedočenja vrednosti i očuvanja tradicije Srpske Vojvodine.’
Orden dodeljuju Centar za razvoj Šajkaške i Njegovo Preosveštenstvo episkop sremski Vasilije. Svečano uručenje ordena odigraće se u Vukovoj Zadužbini u Beogradu u ponedeljak 28. februara 2022. godine.
TELO U FOKUSU
Predstavljanje radova studenata Instituta za umetničku igru
Velika sala Studentskog kulturnog centra,
25.02.2021. godine u 18.00h.
U okviru projekta Telo u fokusu, biće predstavljeni radovi studenata osnovnih i master i doktorskih studija Instituta za umetničku igru koji su nastali na predmetima: Instalacije i performans, Media lab - konceptualna umetnost i Koncepcija umetničkog dela, koje vodi Prof. dr Snežanom Arnautović Stjepanović.
Radovi će biti predstavljeni u formi performansa, prostornih instalacija i videa. Proces nastanka svakog rada je baziran na individualnom iskustvu i predstavlja jedan od načina da se kroz kreativan, istraživački i eksperimentalan pristup razmatra: telo, prostor, akcija, objekat, kostim, svetlo, tekst, zvuk, vreme, ritam, ritual itd. Umetnička istraživanja koja su studenti sprovodili tokom semestarskog rada bazirana su na interdisciplinarnim pristupima. Pojedini radovi su interaktivnog tipa i zahtevaju učešće publike.
Učesnici projekta:
Prostorna instalacija Dva dela mene
Prostorna instalacija Tišina
Performans Strah od letenja
Performans: Telo i telo, izvođač: Doc. Katarina Bućić
Performans Ti
Performans Osmeh je ukrasna imenica
Performans Two sides one self
performans Hladnoća
Performans Granice
Performans Ero sa ovoga sveta
Fotografija: Doc. Nemanja Maraš, izvođači: Doc. Katarina Bućić i Luka Ostrež
FESTIVAL UMETNOSTI I LJUDSKIH PRAVA
Svečano otvaranje Festivala umetnosti i ljudskih prava biće održano 24.02.2022. godine u 19.00 časova u galeriji Neon (Crnogorska 10). Festival će otvoriti interakivna multimedijalna instalacija Ti moraš biti Zenitista koja promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora - Zenitizma.
Koncept: Dijana Milošević i Jadranka Anđelić
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović i Zoran Vasiljević
Objekti: Neša Paripović
Video Instalacija Svakodnevna soba: Snežana Arnautović Stjepanović i Ivica Stjepanović
Video rad: Lucid dream/Happy time: Snežana Arnautović Stjepanović, kompozitor Ivica Stjepanović
Video rad: Video za bolju atmosferu: Jelena Rubil
Drugo izdanje festivala umetnosti i ljudskih prava se održava od 24. do 27. februara 2022, u Beogradu koji je osmišljen kao platforma za pokretanje i predstavljanje ideja i koncepata koji u prvi plan stavljaju i povezuju umetnost i ljudska prava, zalažu se za jednaka ljudska prava, kao i razvoj te ideje u Srbiji. Na programu su radionice, instalacije, predstave, koncerti, razgovori, konferencija Umetnost i kultura u afirmisanju ljudskih prava, filmska premijera, promocije knjige.
Učesnici festivala dolaze u Beograd iz Španije, Izraela, Crne Gore, Kosova, Irske i Srbije, a onlajn će nam se pridružiti i predstaviti svoj rad umetnici iz Irana, Belgije i Brazila.
Kompletan program festivala možete pogledati ovde:
https://dahteatarcentar.com/wp-content/uploads/2022/02/katalog-FESTIVAL-FINAL.pdf
GOSTUJUĆA PREDAVANJA BRANKA MILISKOVIĆA
Gostujuća predavanja Branka Miliskovića održaće se na Institutu za umetničku igru od 21. do 23. februrara sa studentima master i doktorskih studija.
Branko Milisković (1982, Beograd) studirao je na Fakultetu likovnih umetnosti u Beogradu u klasi prof. Mrđana Bajića. BFA studije nastavio je kao stipendista Vlade Holandije na Royal Academy of Art u Hagu i diplomirao na Odseku za 3D umetnost 2009. godine. Master diplomu je stekao na Hochschule für Bildende Künste u Hamburgu u klasi profesorke Jeanne Faust na Odseku za proširene medije 2012. godine. Član je ULUS-a od 2018. godine.
Branko Milisković posvećen je živom performansu, monooperi, kabareu, fotografiji, zvuku i filmu. Svoje performanse izvodio je na prestižnim internacionalnim i domaćim festivalima, izložbama i umetničkim rezidencijama među kojima su Reims Scenes d’Europe 2015, Rems, Francuska; CSW/CoCA, Torun, Poljska; G12HUB, Beograd, Srbija; solo produkcije: Kampnagel, Hamburg, Nemačka; Les Halles de Schaerbeek, Brisel, Belgija; Holandski filmski Festival, Utreht i TENT Roterdam; Netherlands Media Art Institute, Amsterdam, Holandija; CIRCA art actuel, Montreal, Kanada; Live Art Development Agency, London, Velika Britanija; YFV, Sijetl, The Tank, Njujork, SAD; 57. Oktobarski salon, Beograd, Podroom galerija, Kulturni centar Beograda, Centar za kulturnu dekontaminaciju, Srbija; Treći program Hrvatskog radija, Zagreb…
Njegov rad uvršten je u knjigama ‘Performance Art in Eastern Europe since 1960’, Dr. Amy Bryzgel i ‘Situating Populist Politics: Arts & Media Nexus’, Milena Dragićević-Šešić i Mirjana Nikolić.
www.brankomiliskovic.wordpress.com
Fotografija Danilo Mataruga
POSETA KULTURNOJ STANICI BARKA
Kulturna stanica Barka sa koordinatorom Sašom Krgom ugostila je profesore Instituta za umetničku igru, koji su dogovorili buduće saradnje i projekte.
Prodekanka Prof. dr Snežana Arnautović Stjepanović, Prof. Nemanja Maraš, Prof. Ognjen Vučinić i Prof. Aleksandar Ilić predstavili su predstojeći projekat Telo u fokusu, Festival Sola, autorski projekat Apreś i gostujuće predavače do kraja akademske godine.
Institut za umetničku igru je obeležio Krsnu slavu – Sveta Tri Jerarha.
Praznik Tri Jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri Svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice Svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.
Episkop evhaitski Jovan imao je jednu viziju u snu, naime: najpre su mu se javili svaki od ova tri svetitelja posebno u velikoj slavi i neiskazanoj krasoti, a zatim i sva tri zajedno. Tada su mu rekli: „Mi smo jedno u Boga, kao što vidiš, i ništa nema u nama protivrečno… niti ima među nama prvog ni drugog“. Još su svetitelji posavetovali episkopa Jovana da im on napiše jednu zajedničku službu i da im se odredi jedan zajednički dan praznika. Povodom ovoga divnog viđenja spor se rešio ustanovnjeljem njihovog zajedničkog praznika.
Praznovanje Sveta Tri Jerarha ima veliku tradiciju u svim pravoslavnim zemljama, a u Grčkoj ima čak i nacionalni karakter i smatra se praznikom prosvete i školstva.
Fotografija Nemanja Maraš
Dan državnosti Republike Srbije 2022.
Obaveštavamo sve profesore, asistente, saradnike u nastavi, saradnike i studente da Institut za umetničku igru neće raditi 14, 15. i 16. februara povodom državnog praznika Dana državnosti Republike Srbije. Prvi radni dan je četvrtak, 17. 2. 2022.
Istoričar Nataša Kostić nas tradicionalno podseća na značaj ovog praznika:
Zakonom o Državnim praznicima republike Srbije, 15. februar se obeležava u znak sećanja na dva istorijska događaja. Prvim događajem, kada je počela srpska revolucija i Prvi srpski ustanak (1804), drugim (1835), kada je donet Prvi srpski Ustav, poznat kao Sretenjski.
Tog dana (1804), u kasno posle podne u Marićevića jaruzi pored Orašca, okupile su se narodne starešine i odlučile da pozovu narod na ustanak i izabrale Đorđa Petrovića za vožda. Tada je počela borba srpskog naroda za slobodu od Osmanske vlasti.
Dvadeset i jednu godinu kasnije donet je Prvi srpski Ustav (1835). U to vreme, stvarajući oružjem samostalnu srpsku državu, srpski seljak je odlučio da uništi i feudalni poredak. Srbija u to doba je bila zemlja seljaka, ali taj srpski seljak je prihvatio ideje modernog doba i za to se borio i izborio. Slobodarski duh srpskog seljaka, primorao je srpskog kneza Mioša Obrenovića, da otvori ustavno pitanje. Velike sile u to vreme, koje su još uvek uticale na nesamostalnu Srbiju (Rusija, Austrija i Osmansko carstvo) nisu dozvolile da taj Ustav zaživi u Srba, pa su kneza Miloša primorale, da nakon mesec dana od njegovog usvajanja, ukine. Tri godine nakon toga Srbi dobijaju, Turski (hatišerif) Ustav.
BEOGRADSKA PREMIJERA PLESNE PREDSTAVE MOŽIČEK
U čast obeležavanja Slovenskog kulturnog praznika 8. februara na sceni Malog pozorišta Duško Radović premijerno je izvedena plesna predstava za decu i odrasle Možiček slovenačkog kompozitora Josipa Ipavca u koreografijama Gjergj Pervazija i Prof. Aleksandra Ilića.
Plesna predstava Možiček koja se sastoji iz dva koreografska dela, premijerno je izvedena u čast obeležavanja 100 godišnjice smrti kompozitora Ipavca 27. decembra prošle godine u Slovenskom ljudskom pozorištu Celje (Slovenija). Prvi deo predstave RE:start uradio je Gjergj Pervazi, a drugi deo predstave Možiček Aleksandar Ilić.
Predstavu su izveli igrači Međunarodne plesne platforme Balkan Dance Project Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine, Jakša Filipovac iz Srbije i muzičari Ana Semić Bursać - klavir, Uroš Bičanin - violina, Zoran Bičanin - violina, Miha Firšt – kontrabas.
Autorski tim je sastavljen iz Slovenije i Srbije dramaturgija Nuša Komplet Peperko, scenografija Matija Kovač, kostim Aleksandra Karović, svetlo Aleksander Plut ovog puta urađeno uz podršku dizajnera svetla iz našeg pozorišta.
Predstava je nastala u produkciji Balkan Dance Project u koprodukciji Hiše Kulture Celje, Festivala Velenje i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije, a gostovanje u Beogradu je realizovanu uz podršku Ambasade Republike Slovenije u Beogradu i Malog pozorišta Duško Radović.
Fotografija Belkisa Beka Abdulovic.
IZVEDEN DIPLOMSKI RAD BOBANA KOSTIĆA
Na sceni Sportsko kulturnog centra Obrenovac u pozorišnoj sali izveden je diplomski koncert Bobana Kostića
pod nazivom Tren s početkom u 19.00 časova.
Publiku su na samom početku pozdravili Dekan Prof. dr Vladimir Tomašević i rukovodilac Odseka scenska narodna igra i muzika Prof dr Vesna Bajić Stojiljković.
Publika je imala priliku da se upozna sa radovima inspirisanim narodnom igrom, muzikom i tradicijom, koje je student Boban Kostić stvarao tokom svog školovanja na Institutu za umetničku igru, kroz različite koreografske forme.
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, Boban Kostić, ima sva prava i obaveze koji proizilaze iz činjenice da od 4.02.2022. godine ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.
ODBRANA ZAVRŠNOG RADA BOBANA KOSTIĆA
Dana, 4.02.2022. godine u Beogradu, Boban Kostić, kandidat za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno student Osnovnih akademskih studija Instituta za umetničku igru je pristupio odbrani svog Završnog rada.
Uvaženi kolega Boban je prikazao svoj rad na temu DEDA I REPA SIŽEJNO HUMORISTIČKA PRIČA U JEDNOJ SLICI, izlagaо je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
1. Prof. dr Snežana Arnautović Stjepanović, Predsednik komisije
2. Prof. dr Vesna Bajić Stojiljković, mentor
3. Prof. dr Anton Andonov, član
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, Boban Kostić, ima sva prava i obaveze koji proizilaze iz činjenice da od 4.02.2022. godine ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.
LJUBAV ZA SVE
Institut za umetničku igru će organizovati tradicionalna Otvorena vrata, 14. februara 2022. od 12.00 časova, radionice savremene igre, koje će voditi Luka Ostrež (Slovenija), gostujući predavač Instituta za umetničku igru.
Radionice će se realizovati u Novoj Sali Instituta za umetničku igru u Bulevaru vojvode Mišića 43A.
Za radionice se mogu prijaviti učenici srednjih baletskih škola i plesnih studija uzrasta od 14-19 godina.
Prijave za učešće na radionicama se vrše putem maila: teodora.zivkovic@iui.rs
Sa naznakom: Otvorena vrata
Prijava treba da sadrži:
Prijave su otvorene do 11. februara 2022. godine.
Radionice su besplatne.
LUKA OSTREŽ
Luka Ostrež slovenački koreograf i igrač održaće gostujuća predavnja savremene igre i koreografske kompozicije u Institutu za umetničku igru tokom februara ove godine.
Osnovne studije završio je na Univerzitetu umetnosti u Cirihu, a već tokom obrazovanja sarađivao je sa najpoznatijim koreografima današnjice Barak Maršalom, Ihsan Rustemom, Renaud Vizerom, Loran Zaharom, Emanuele Sovai i dr.
Sa Icikom Galilijem Anabelom Lopez Očoa, Majklom Šumaherom i Jasmin Morand učestvovao je na festivalu Steps 2018. godine.
Profesionalno iskustvo sticao je u saradnjama sa Edvardom Klugom, Mauro de Kandia, Markom Geke, Meri Wigman i dr.
Sarađuje sa brojnim plesnim akademijama kao predavač, a beogradskoj publici se predstavio na prošlogodišnjem 25. Festivalu koreografskih minijatura na kom je osvojio prvu nagradu za koreografiju Doomsday koju je i izveo.
NOVO IZVOĐENJE TANGO OPERETE MARIA DE BUENOS AIRES
Nakon uspešne premijere tango operete Maria de Buenos Aires u produkciji Tanguango kvinteta premijerno izvedena na scni Malog pozorišta Duško Radović u decmbru prošle godine, publika će imati prilike da pogleda reprizno izvođenje ovog spektakla 11. februara u Velikoj sali Doma kulture Studentski grad s početkom u 20.00 časova.
Tango opereta Maria de Buenos Aires, premijerno izvedena 1968. godine u Buenos Ajresu, predstavlja prvu saradnju dva velika umetnika, Astora Pjacole – argentinskog kompozitora, osnivača tango nuevo stila i Orasija Ferera – urugvajsko-argentinskog pesnika.
Radnja ove operete u dva čina prati rođenje, život i smrt glavne junakinje Marie, siromašne devojke iz predgrađa Buenos Ajresa koja biva zaslepljena tango muzikom, odlazi u centar grada i postaje prostitutka, kao i njenu transformaciju u sopstvenu senku koja luta ulicama grada. Pored Marie koja simbolizuje grad, tango i ženu zavodnicu, javljaju se brojni likovi tipični za tango tradiciju - Pajador, Bandoneon, Gorrion, kao i oni daleki, fantastični koji se gotovo nikada ne javljaju u tekstovima tango pesama - Vilenjak, Analitičari, Marionete itd.
U glavnim ulogama nastupiće Ljubica Damčević, Ivan Nikolić, Đakomo Mediči, muzičari Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Zoran Anić, Anastasija Redžić i Arion Petrovski.
U koreografiji Ognjena Vučinića (asistentkinja Katarina Ilijašević) nastupiće tango plesni par Relja Dereta i Jelena Minić i savremeni igrači Miona Petrović i Ognjen Vučinić.
Ulaznice možete obezbediti na vreme preko www.tickets.rs i portirnici DKSG uz napomenu da je broj mesta ograničen.
Projekat je podržan od strane Ministarstva kulture i informisanja u saradnji sa Domom kulture Studentski grad.
Posebno se zahvaljujemo Italijanskom institutu za kulturu u Beogradu, Ambasadi Argentine u Srbiji, Plesnoj školi Tango Natural, Institutu za umetničku igru, Srpskom udruženju za geštalt psihoterapiju, muzičkoj školi „Dr Vojislav Vučković”, kompaniji „AlgoMetric“, Aleksandru Iliću i Aleksandru Nikoliću na podršci u realizaciji projekta.
Fotografija Slobodan Trivić.
PREZENTACIJA INSTITUTA ZA UMETNIČKU IGRU U POŽEREVCU I NOVOM SADU
Prezentaciju odseka studijskog programa Scenske narodne igre i muzike Instituta za umetničku igru u Požarevcu i Novom Sadu, predstaviće profesori ove institucije dr Vesna Bajić Stojiljković i dr Anton Andonov.
Prezentacija u Požarevcu biće održana 5. februara u baletskoj sali Centra za kulturu Požarevac (ul. Jovana Šerbanovića 1) s početkom u 17.00 časova, a u Novom Sadu, u nedelju 6. februara u prostorijama KUD-a Svetozar Marković (ul. Šumadijska 6a) u 12 časova.
Pozivamo igrače izvođačkog sastava folklornih ansambala, srednjoškolce završnih godina, umetničke rukovodioce, koreografe amatere, kao i sve zainteresovane na prezentaciju odseka Scenska narodna igra i muzika uz praktičnu radionicu iz oblasti koreografske kompozicije.
Institut za umetničku igru je jedina visokoškolska obrazovna ustanova u Srbiji za obrazovanje profesionalnih igrača, koreografa i pedagoga u svim oblastima umetničke igre.
Odsek Scenska narodna igra i muzika posebno je usmeren ka narodnoj igri, koreografiji, pedagogiji i profesionalnom izvođenju.
Za sve dodatne informacije pozovite 011 41 40 421.
Fotografija Nemanja Maraš.
PREMIJERA DEČIJE PLESNE PREDSTAVE MOŽIČEK
Na sceni Malog pozorišta Duško Radović biće izvedena plesna predstava za decu i odrasle Možiček slovenačkog kompozitora Josipa Ipavca a u koreografijama Gjergj Pervazija i Aleksandra Ilića.
Plesna predstava Možiček koja se sastoji iz dva koreografska dela, premijerno je izvedena u čast obeležavanja 100 godišnjice smrti kompozitora Ipavca 27. decembra prošle godine u Slovenskom ljudskom pozorištu Celje (Slovenija). Prvi deo predstave RE:start uradio je Gjergj Pervazi koreograf iz Albanije, a drugi deo predstave Možiček srpski koreograf Aleksandar Ilić.
Predstavu izvode igrači Međunarodne plesne platforme Balkan Dance Project Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine, Jakša Filipovac iz Srbije i muzičari Iztok Kocen - klavir, Uroš Bičanin - violina, Zoran Bičanin - violina, Miha Firšt – kontrabas.
Autorski tim je sastavljen iz Slovenije i Srbije dramaturgija Nuša Komplet Peperko, scenografija Matija Kovač, kostim Aleksandra Karović, svetlo Aleksander Plut.
Produkcija Balkan Dance Project u koprodukciji Hiše Kulture Celje, Festivala Velenje i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije.
Predstava će biti izvedena na sceni Malog pozorišta Duško Radović u utorak 8. februara s početkom u 20.00 časova.
Fotografija Rok Deželak.
DIPLOMSKA PREDSTAVA BOBANA KOSTIĆA
Diplomska predstava Tren studenta treće godine odsek Scenska narodna igra i muzika Bobana Kostića premijerno će biti izvedena 6. februara u pozorišnoj Sali Sportsko kulturnog centra Obrenovac s početkom u 19.00 časova.
Obrenovačka publika će imati priliku da se upozna sa radovima inspirisanim narodnom igrom, muzikom i tradicijom, koje će kroz različite koreografske forme predstaviti Boban Kostić.
Program prate i vokalno instrumentalne numere koje će publici približiti izvornu muziku prostora Republike Srbije. Rad koji je će biti prikazan kroz sižetnu koreografsku formu, inspirisan je ruskom narodnom pričom Deda i repa. Autor oživljava likove ove globalno popularne priče prikazujući njihove karaktere kroz pokret i muziku, a kompaktnost donosi šarenolikim kostimima i potpunim razvijanjem dramskog sadržaja kroz igru.
Pored ruske priče, na sceni će biti izveden zaboravljeni vlaški ritual iz sela Duboka, u kom žena poznatija kao rusaljka pada u zanos, odnosno trans, iz kog se u realni svet vraća putem prastare tradicije, obrednog kola i igre. Obradom i prilagođavanjem običaja sceni, nastala je koreografija Aša b’la Rusalja.
Ulaz za publiku je besplatan a za sve informacije rezervacije karata pozovite 060 11 30 314.
Fotografije / Nemanja Maraš
IGRA, REČ I SLIKA
Projekat Igra, reč i slika se realizuje kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja koja je namenjena prvenstveno romskoj deci u osnovnom i srednjem obrazovanju. Radionice se realizuju na Institutu za umetničku igru (Bulevar vojvode Mišića 43). Partner u realizaciji projekta je Kulturno obrazovni centar Šid. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.
Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.
Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.
Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).
Za radionice se mogu prijaviti učenici uzrasta od 11 do 18 godina.
Prijave za učešće na radionicama se vrše pozivom na broj 011/4140 421 ili putem maila: teodora.zivkovic@iui.rs
Prijava treba da sadrži:
Prijave su otvorene do 15. februara 2022. godine. Raspored realizacije radionica će biti naknadno objavljen.
Realizatori programa:
MIOMIR PETROVIĆ
Prof. dr Miomir Petrović (Beograd, 1972), pisac, pripovedač, dramaturg, teoretičar umetnosti, diplomirao je na Fakultetu dramskih umetnosti u Beogradu na Odseku za dramaturgiju, magistrirao je na Odseku za teatrologiju na FDU u Beogradu, doktorirao je na Odseku za interdisciplinarne studije na Univerzitetu umetnosti u Beogradu. Glavni dramaturg pozorišta Atelje 212 u Beogradu (1996–1999), zamenik direktora drame Narodnog pozorišta u Beogradu (2001–2002), dramaturg Narodnog pozorišta u Beogradu (do 2004). Redovni profesor na predmetima Estetika, Teorija savremene umetnosti i Istorija scenskih umetnosti na Institutu za umetničku igru u Beogradu, predmeta Creative Writing i Screen Culture na Higher College of Techology (UAE) (2019–2021).
Objavljena i izvođena dela:
Drame: Vagabund u gradskom vrtu (1995), Argivski incident (1996), Demijurg (1997), Appendix (1997; izvedena 2003. u Centru lepih umetnosti Gvarnerijus i kao radio-drama u produkciji RTS-a 2004), Čopor (1998), Vučije leglo (2000; izvedeno u Narodnom pozorištu u Pirotu 2006), radio-drame Galerijeve vatre i Black Light u produkciji RTS-a.
Naučne monografije: Oslobođenje drame (Zadužbina Andrejević, Beograd 2000), Kreativno pisanje, naratološki pristup tekstu i kontekstu (Megatrend, Beograd 2011), Mitopoetike (Zavod za udžbenike, Beograd 2019).
Romani: Sakaćenje romana (Prosveta, 1997), Pankration (BIGZ, 1998), Samomučitelj (Prosveta, 2000), Persijsko ogledalo (Geopoetika, 2001), Arhipelag (Geopoetika, 2003), Lisičje ludilo (Laguna, 2005), Staklena prašina (Laguna, 2006), Лисичинолудило (SKC, Skopje, 2007), Libansko leto (Laguna, 2007), Persijsko ogledalo (drugo izdanje, Laguna, 2008), Bakarni bubnjevi (Laguna, 2009), Galerijeve vatre (Laguna, 2011), Tečni led (Prosveta, 2011), Miris mraka (Laguna, 2013), Kuća od soli (Laguna, 2016), Black Light (Laguna, 2018), ФилоктетнаЛемносе/Персидскоезеркало (Aliteja, Sankt-Peterburg, 2018), Šumski čopor (Ammonite Books, 2019), Središnja pustinja (Laguna, 2021).
Dobitnik je Oktobarske nagrade grada Beograda (1996) i nagrade Laza Kostić za knjigu Kuća od soli (2017). Član je Srpskog književnog društva.
OGNJEN VUČINIĆ
Ognjen Vučinić (1980. Pula), koreograf i pedagog savremene igre na Institutu za umetničku igru od 2020. godine.
Suosnivač plesne kompanije MASA, član Zagrebačkog plesnog ansambla i stalni saradnik, predavač radionica savremenog plesa u Zagrebačkom plesnom centru.
Sa nepune četiri godine pohađao je časove klasičnog baleta u plesnom studiju Zaro u Puli, pod vodstvom Slavice Šenk.
Na poziv Rajka Pavlića, koreografa i voditelja plesnog studija Liberdance učestvuje u prvom profesionalnom plesnom projektu Ready steady go (2001.), na poziv umetničkog direktora Zagrebačkog plesnog ansambla Snježane Abramovič Milković postaje stalni član Zagrebačkog plesnog ansambla. Stalni je predavač u okviru radionica savremenog plesa u Zagrebačkom plesnom centru.
Kroz plesne radionice u zemlji i inostranstvu radi i kao gostujući pedagog.
Nagrade Hrvatskog glumišta, za najbolja plesna ostvarenja (muški plesač), za predstave: Pasijans (2006.), Interface (2010.), (2012.).
SNEŽANA ARNAUTOVIĆ STJEPANOVIĆ
Prof. dr Snežana Arnautović Stjepanović (1979. Šabac) je diplomirala 2002. godine na Akademiji lepih umetnosti u Beogradu na odseku slikarstva u klasi akademika Dušana Otaševića. Magistrirala je 2007. godine na Interdisciplinarnim magistarskim studijama u Beogradu, na odseku za Scenski dizajn. Doktorsku tezu je odbranila 2010. godine na Interdisciplinarnim doktorskim studijama u Beogradu, na odseku za Scenski dizajn. Od 2003. do 2006. godine radi kao asistent na Akademiji lepih umetnosti u Beogradu. Od 2012. godine radi kao profesor na Fakultetu za inženjerski menadžment u Beogradu kao šef katedre za Kreativne industrije. 2017. godine izabrana je u zvanje redovnog profesora. 2018. godine imenovana je za prodekana za nastavu na studijskom programu Umetnička igra na Institutu za umetničku igru. Član je ULUS–a od 2003. godine. Član je Internacional Dance Council CID UNESCO od 2014. godine. Od 2014. godine predsednik je Upravnog odbora Centra za likovno obrazovanje Šumatovačka.
Učestvovala je na mnogim kolektivnim izložbama, likovnim kolonijama i radionicama u zemlji i inostranstvu. U dosadašnjem umetničkom radu realizovala je dvadeset četiri autorska umetnička projekata iz oblasti vizuelnih i izvođačkih umetnosti.
Neki od njenih samostalnih projekata su: Performans Hafetopija izveden u okviru Međunarodnog projekta Drugi načini komunikacije u Ostavinskoj galeriji u Beogradu 2021. godine; Snežana i sedam smrtnih grehova, sedmodnevni ciklus performansa, izveden na BELEF-u 2017. godine; Performans Večna sadašnjost, izveden sa Ivicom Stjepanović na Međunarodnoj izložbi Povratak u sadašnjost u galeriji U10 u Beogradu; Performans Slikane partije izveden sa Erom Milivojević na Festivalu uličnih umjetnosti u Tivtu 2016. godine; Izložba slika Unutrašnji ritmovi, galerija opštine Vračar 2016. godine; Performans Lucid dream/Kontuzija gratis, izveden 2015. godine u Skc-u u Beogradu; Performans Transpozicija, izveden 2013. godine na Akademiji umetnosti u Beogradu; Performans Unutar Praslike, izveden 2011. godine na kalemegdanskoj tvrđavi u Beogradu; Performans Zapisi neizgovorenog, izveden 2009. godine u Centru za kulturu Grocka; Performans Prostori bola, izveden na 48. Oktobarskom salonu u Beogradu 2007. godine; Performans Otvaranje izveden sa Erom Milivojević i Ivicom Stjepanović u Muzeju Macura u Novim Banovcima 2007. godine; Performans Kompozicija za plavo, izveden sa Ivicom Stjepanović u galeriji Atrijum Biblioteke grada Beograda 2007. godine; Magistarski rad Prostori uživanja i bola, višemedijska ambijentalna instalacija i performans izvedeni u Turskom kupatilu u Beogradu 2006. godine; Performans Grazie Davide izveden u Firenci 2006. godine; Izložba slika i performans JA+MORE=LJUBAV izvedeni u Centru za savremenu umetnost Strategie Art u Beogradu 2006. godine; Performans, izložba slika i skulptura Sama sa zaštitom izvedeni u Happy Galery SKC u Beogradu 2003. godine. Neke od kolektivnih izložbi na kojima je učestvovala su: 50. Oktobarski salon Okolnost u Muzeju 25. Maj u Beogradu 2009. godine; Izložba Micronarratives, u Musee d’Art Moderne de Saint-Etienne Metropole u Francuskoj 2008. godine; Izložba Belgrade Beauty u galeriji NEW MOMENT u Beogradu 2008. godine; Izložba OUTSIDE BEOGRAD / FIRENCA u galeriji savremene umetnosti u Pančevu 2007. godine; Prolećna izložba u umetničkom paviljonu Cvijeta Zuzorić u Beogradu 2004. godine.
MOĆNE ŽENE LJUBAVLJU ZBORE
U okviru Dana ruske kulture u organizaciji Istorijskog arhiva Srem u Sremskoj Mitrovici, 25. januara premijerno će biti izveden performans Moćne žene ljubavlju zbore na sceni pozorišta Dobrica Milutinović s početkom u 18.00 časova.
Performans je nastao po istoimenoj knjizi Mirjane Marković (СИЛЬНЫЕ ЖЕНЩИНЫ ЛЮБОВЬЮ ВЕЩАЮТ- МОЋНЕ ЖЕНЕ ЉУБАВЉУ ЗБОРЕ) koji kao i knjiga govori o znamenitim ženama Rusije i Srbije, a izvodi se na ruskom i srpskom jeziku.
Vladarice, monahinje, slikarke, pesnikinje imuze ovekovečene su rečima najdubljih emocija i potrebe za ljubavlju svekolikog bistvovanja na zemlji. To je poema suštinskog pojma ljubavi, te pokretačke i opravdavajuće sile ne samo života pojedinaca, već i milenijumskog opstanka na našoj planeti, navodi književnica Marković.
Režija i dramatizacija Mirjana Marković, kostim Igor Jagić, a video produkciju AsproArt – Walker Duja, frizure i šminku Frizerski studio IN.
Performans izvode članice Kompanije Balet mladih Anastasija Vujnović, Sofija Radovanović, Anastasija Nikčević, Tijana Drndarević, Anastasija Jovanović, Ana Svorcan i Ana Đerković, a pored njih Isidora Božić, Nikolija Marković, Margarita Vujović, Ekatarina Orlova, Olena Pantelić, Jasna Arbanas, Danijela Stojiljković Savić, Katarina Jovanović i Etno grupa Hram.
Muziku za predstavu je uradila Ana Krstajić, scenografiju Žorž Draušnik a kostim Aleksandra Karović.
Predstavu izvode: Mojca Majcen, Branko Mitrović, Jakša Filipovac, Ognjen Vučinić i Plesni teatar Gospođe Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić i Katarina Stojkov Slijepčević.
Projekat je koprodukcija Opere i teatra Madlenianum i Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije, a podržali su ga Ministarstvo kulture i informisanja Republike Srbije, Ministarstvo kulture Slovenije, Ambasada Republike Slovenije u Beogradu, Festival Velenje, Mestna Občina Celje, Javni sklad republike Slovenije za kulturne dejavnosti i Institut za umetničku igru.
Karte za predstavu možete rezervisati i kupiti:
Madlenianum, Glavna 32
tel. 011/316 27 97
Muzej Zepter, Knez Mihailova 42
tel. 011/21 80 400; 011/33 00 111
MOJCA MAJCEN DANCER OF THE YEAR 2022
The Dance Parade (Slovenia) portal has once again published the most successful artists in the field of dance art for 2021.
The jury consisting of Daliborka Podboj, Matevž Česen and Barbra Drnač announced that the most successful dancer in 2021 is Mojca Majcen, a second-year student of the Choreography Department, and the dance performance Measure for pleasure by Igor Sviderski, Urša Rupnik and Mojca Majcen.
Congratulations!
NOVI SAD EUROPEAN CAPITAL OF CULTURE 2022
In 2022, Novi Sad will take the prestigious title of European Capital of Culture, together with Kaunas (Lithuania) and Ash (Luxembourg).
In the ceremonial program directed by Prof. Aleksandar Nikolić and choreography by Aleksandar Ilić will be performed by eminent representatives of the Novi Sad and Vojvodina cultural scene, including the Ballet and Opera of the Serbian National Theater, Aradačka meškarka, percussion ensemble dRumble, Tamburine Orchestra Velos, Aleksandar Bahun on piano, Todor Ursu on cymbal and Dance Association Grove.
The program will be attended by numerous guests from all over Europe, representatives of former, current and future cultural capitals, ambassadors of countries from around the world, foreign journalists, state leaders, as well as numerous guests of Serbian Athens. the entire program of Novi Sad as the European Capital of Culture through a total of eight, thematically oriented program arches, ie. whole.
Along with Professor Aleksandar Radulović, students of the Belgrade Dance Institute Tamara Ljesar and Nevena Antić will also perform, and the assistant choreographer is Mojca Majcen.
The scenography is signed by Dunja Kostić and the costume by Senka Ranisavljević.
The program can be watched on the Radio Television of Serbia from 6 pm on the Second Program of the Radio Television of Serbia and the First Program of the Radio Television of Vojvodina.
WINTER INTENSIVE MASTERCLASS BEGINS - CLASSIC BALLET
On January 10th 2022. the Winter Intensive Masterclass - classical ballet led by ballet master and choreographer from Northern Macedonia Sasha Evtimova - started at the Belgrade Dance Institute.
Winter Intensive Masterclass - classical ballet lasts until January 15th, 2021. and will include exercises of classical ballet according to the Vaganova system with an emphasis on technical requirements and their mastery, classes of support and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.
WINTER INTENSIVE MASTERCLASS SCHEDULE - CLASSIC BALLET
The Belgrade Dance Institute will organize intensive classes of classical ballet called Winter Intensive Masterclass - classical ballet from January 10th to 15th, 2022., led by ballet master and choreographer from Northern Macedonia Sasha Evtimova.
Winter Intensive Masterclass - classical ballet will include exercises of classical ballet according to the Vaganova system with an emphasis on technical requirements and their mastering, support classes and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.
Class Schedule:
Monday 10.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;
Tuesday 11.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;
Wednesday 12.01. from 9.30 - 10.15 Classical ballet; 10.30 - 11.30 Repertoire;
Thursday 13.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;
Friday 14.01. from 10.30 - 12.00 Classical ballet; 12.15 - 13.30 Repertoire;
Saturday 15.01. from 10.00 presentation and awarding of diplomas.
NOTE: Be sure to bring pointed ballet shoes.
Price Winter Intensive Masterclass - classical ballet:
Members of the Youth Ballet company 3,000 dinars;
Students and others who are not members of the Youth Ballet company 5,000 dinars.
You can make payments until Monday, January 10th.
MUST ENTER FOR THE PURPOSE OF PAYMENT - WINTER INTENSIVE MASTERCLASS - CLASSIC BALLET
Applications should be sent to: mila.stijak@iui.rs
The application should contain: name and surname, date of birth, school attended by the student and telephone number.
For more information call (011) 41 40 421 every working day from 9.00 to 17.00.
Sasha Evtimova was born in Skopje, Northern Macedonia. She was educated at the Macedonian School of Music and Ballet in Skopje, and then at Point Park College in Pittsburgh. She is a soloist, ballet master and choreographer of the Macedonian Opera and Ballet in Skopje. She played the most important roles on the stage of the parent company, and choreographed a large number of neoclassical and contemporary choreographies for the stages in the country and the region. At the fifth International Choreographic Competition, Sergei Diaghilev in Poland won the prestigious Grand Prix in 2011. She graduated from the Belgrade Dance Institute in 2018.
MOŽIČEK PREMIERE IN CELJE
The dance performance Možiček by Josip Ipavac, choreographed by professors Aleksandar Ilić from Serbia and Gjergji Pervazi from Albania, premiered on the stage of the Slovenian People's Theater in Celje, performed by students and players of the Balkan Dance project Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jakša Filipovac from Serbia. In addition to the dancers, musicians from Slovenia Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin and Miha Firšt are participating in the play.
The scenography for the play was done by Matija Kovač from Slovenia and the costume by Aleksandra Karović from Serbia.
Photography Rok Deželak
AWARDED STUDENTS AT THE 25TH FESTIVAL OF CHOREOGRAPHIC MINIATURES
Under the slogan RestART, the 25th Festival of Choreographic Miniatures, organized by the Association of Ballet Artists of Serbia, was held on December 23rd at 8 pm on the small stage of the Raša Plaović National Theater in Belgrade.
In the competitive part of their choreography, alimni students Mina Ćirić and Katarina Ilijašević, and Nevena Antić, a third-year student at the Stage Folk Dance and Music Department, presented their choreography.
Katarina Ilijapšević won the third prize and the audience prize with the choreography 2FUNNY4 performed by Jovana Grujić. Dramaturgy is written by Luka Jovanov and music by Thomas Bangalter.
The plaque of Aleksandar Izrailovski was presented to Mini Ćirić for the choreography Ecology of Relationships performed by Tanja Ivanov and Mina Ćirić to the music of Nightmare music, Cryo Chamber.
Among the laureates are Luka Ostrež (Slovenia) first prize choreography Doomsday, Dora Šesto and Dora Sarikaya (Croatia / Turkey) second prize for choreography Frontapage, Critics Award and encouragement award went to Marina Aranitović from Serbia for choreography Hybrid and encouragement award to Anđela Žugić and Predrag Dedić from Serbia for choreography From another angle.
Congratulations to our students on their success and awards, as well as to all other performers.
PODGORICA GOT A BALLET STUDIO
An audition was held in Podgorica on December 23rd for members of the Ballet Studio, which will operate within the Music Center of Montenegro (MCCG), and the first performance is planned for April 29th, 2022. on World Dance Day, it was announced after an audition submitted by eight dancers.
The audition was led by Iva Bojović Petković, the director of the Lujo Davičo Ballet School in Belgrade and professor at the Belgrade Dance Institute, and the members of the commission were Aleksandar Ilić, choreographer and director of the Belgrade Cultural Center, Isidora Damjanović, business director of MCCG, Jelena Jovanović Nikolić, director of marketing and communications. MCCG and Manja Pavićević, professor at the Art School of Music and Ballet Vasa Pavić.
The audition was conceived in such a way that in the first part a ballet class was held where the members of the commission had the opportunity to see the predispositions of the candidates, evaluate their stage, musicality and memory exercises, while the second part evaluated freer expression within the improvisation of modern dance. When the work of a new dance ensemble is established and starts, we always deviate from the unique grading system. It is necessary to find uniformity and balance, which is important for one ensemble, to see how it works together, to see the energy that is created between the girls who are auditioning, said the famous Serbian ballet artist Aleksandar Ilić.
The business director of MCCG, Isidora Damjanović, MA, said that during the audition for the selection of members of the ballet studio ensemble, they were guided by criteria determined by the members of the commission who are proven professionals in the world of ballet art.
As announced from the MCCG, the creation of a professional ballet ensemble in Montenegro has been waiting for a long time, and now finally graduated ballerinas and ballet dancers have the opportunity to develop and work in their profession.
The first premiere will be performed on April 29th, 2022, on World Game Day, the organizers announced.
IMPORTANT NOTICE - NEW YEAR AND CHRISTMAS HOLIDAYS 2021/2022
We would like to inform professors, associates and students that the Belgrade Dance Institute will not be open during the New Year and Christmas holidays in the period from December 27th, 2021. Until January 7th, 2022.
The first working day is January 10th, 2022.
HAPPY HOLIDAYS!
ANNUAL AWARD OF TERAZIJE THEATER FOR CHOREOGRAPHER MILICA CEROVIĆ
The theater on Terazije is on December 23rd, 2021. marked the House Day with the awarding of annual recognitions, Janos Toth awards, letters of thanks, as well as jubilee awards. At the award ceremony, director Aleksandar Đaja said, among other things, that this was another successful year of the Terazije Theater, both creatively and in business, despite difficult working conditions due to the coronavirus epidemic, which has been going on for the second year.
This year's winner of the annual award of the Theater on Terazije is choreographer Milica Cerović, alumni of the Belgrade Dance Institute. Milica Cerović received the annual award of the Terazije Theater for the choreography of the musical Flashdance.
Congratulations!
Winter Intensive Masterclass - classical ballet
The Belgrade Dance Institute will organize intensive classes of classical ballet called Winter Intensive Masterclass - classical ballet from January 10th to 15th, 2022., led by ballet master and choreographer from Northern Macedonia Sasha Evtimova.
Winter Intensive Masterclass - classical ballet will include exercises of classical ballet according to the Wagan system with an emphasis on technical requirements and their mastering, support classes and repertoire. Intensive Ballet Masterclass is intended for students of Primary Ballet Schools (3rd and 4th grade), students of Secondary Ballet Schools (1st, 2nd, 3rd and 4th grade) and professional dancers.
The class schedule will be announced on Friday, December 31, 2021.
Price for Winter Intensive Masterclass - classical ballet:
Members of the Youth Ballet company 3,000 dinars;
Students and others who are not members of the Youth Ballet company 5,000 dinars.
Payments must be made by Friday, January 7th.
MUST ENTER FOR THE PURPOSE OF PAYMENT - WINTER INTENSIVE MASTERCLASS - CLASSIC BALLET
Applications should be sent to: mila.stijak@iui.rs
The application should contain: name and surname, date of birth, school attended by the student and telephone number.
For more information call (011) 41 40 421 every working day from 9.00 to 17.00.
Sasha Evtimova was born in Skopje, Northern Macedonia. She was educated at the Macedonian School of Music and Ballet in Skopje, and then at Point Park College in Pittsburgh. She is a soloist, ballet master and choreographer of the Macedonian Opera and Ballet in Skopje. She played the most important roles on the stage of the parent company, and choreographed a large number of neoclassical and contemporary choreographies for the stages in the country and the region. At the fifth International Choreographic Competition, Sergei Diaghilev in Poland won the prestigious Grand Prix in 2011. She graduated from the Belgrade Dance Institute in 2018.
SPECTACULAR PERFORMANCE SHOWCASE OF BELGRADE DANCE INSTITUTE
On December 21st, starting at 8 pm at Student City Cultural Center in Belgrade, the December SHOWCASE was premiered, performed by students from all departments of the Belgrade Dance Institute.
SHOWCASE was prepared by ballet master and professor at the Department of Classical Ballet and Methodology Amalia Mindrutiu with the assistance of Mila Stijak, Milica Bezmarević and accompanist Ana Spremić, Ognjen Vučinić professor at the Department of Contemporary Dance and Choreography and students at the Department of Stage and Folk Dance - Nevena Antić and Boban Kostić.
SHOWCASE was performed by: Federica Franceschini, Iustina Ciobanu, Bogdan Radacina, Giuseppe Paolicelli, Antonio Bisogno, Gabriele de Fazio, Mila Stijak, Marija Vučenović, Ksenija Sinđić, Nastasja Ivetić, Teodora Durać, Luka Pejčinović, Vladimir Sekulić, Lazar Tirić, Senja Stanić, Nina Horvat, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đeković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Segbier, Ema Stojković, Tea Manojlović, Filip Stanić, Tijana Ostojić, Miona Petrović, Nikola Živković, Angela Mihova, Una Balaž, Sonja Stojanović, Katarina Bućić, Nevena Antić, Jovan Jovanović, Vladimir Radosavljević, Milica Pejić, Nikola Velebit, Marija Milošević, Mirjana Lepojević.
OPERA DEČIJA SOBA PONOVO U RADOVIĆU
Opera za decu kompozitora Milenka Živkovića po tekstu Desanke Maksimović Dečija soba biće izvedena 23. januara na sceni malog pozorišta Duško Radović s početkom u 12.00 časova.
Operu pod dirigentskim vođstvom maestra Milana Nedeljkovića pored igrača Kompanije Balet mladih izvode Biljana Jovanović (mama), Boris Papak (tata, Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Hor Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.
Režiju potpisuju Natalija Stanković i Mateja Đedović mentor Boris Liješević a koreografiju Doc. Mila Stijak i Ana Bošković.
Obaveštavamo publiku da je broj mesta ograničen uz poštovanje epidemioloških mera.
Više o predstavi: http://www.malopozoriste.co.rs/predstave/dechja-soba
Fotografija arhiva MOTO.
PLAN RADA INSTITUTA ZA UMETNIČKU IGRU 2022
U osmoj godini uspešnog i kontinuranog delovanja Institut za umetničku igru predstavlja raznovrstan, hrabar i ambiciozan program za 2022. godinu.
U okviru jedne institucije u kojoj se ravnopravno obrazuju budući igrači u polju klasičnog baleta, savremene igre i narodne igre, januar je započeo tradicionalnim seminarom iz oblasti klasičnog baleta koji je vodila koreografkinja i balet majstor Saša Evtimova iz Severne Makedonije.
U februaru će premijerno biti izveden koncert Bobana Kostića, diplomski rad na odseku scenska narodna igra i muzika, a u Studentskom kulturnom centru 25. februara biće predstavljen projekat Telo u fokusu prezentacija studentskih radova koji su nastali na predavanjima kod Prof. dr Snežane Arnautović Stjepanović i Prof. Dijane Milošević. Ovaj mesec obeležiće i gostujuća predavanja koreografa i igrača iz Slovenije Luke Ostreža, laureata poslednje edicije Festivala koreografskih minijatura.
Uz podršku Mađarskog kulturnog centra u Beogradu tokom marta Institut za umetničku igru će ugostiti koreografkinju Ritu Góbi, koja će raditi sa studentima na odseku savremena igra i koreografija.
April je tradicionalno mesec koji je posvećen Međunarodnom danu igre (29. april) te će se pored brojnih manifestacija održati Nedelja igre u okviru koje će biti predstavljeni brojni performansi i koreografije u javnim prostorima. U aprilu će biti održana intenzivna predavanja i radionice iz savremene igre koje će voditi Yoram Karmi iz Fresco Dance kompanije koji uz podršku Ambasade Izraela u Srbiji dolazi iz Tel Aviva.
U poslednjem vikendu maja biće održana druga edicija Festivala Sola na kom će biti predstavljeni umetnici iz Belgije, Hrvatske, Izraela, Austrije i Srbije. Festival Sola će i ove godine biti izveden na nekoliko lokacija u Beogradu i Novom Sadu.
Kraj juna će biti obeležen premijernim izvođenjem diplomske predstave šeste generacije studenata svih odseka. Koreografiju će uraditi Tamara Gvozdenović koja već dugi niz godina stvara u Francuskoj.
Institut za umetničku igru biće domaćin međunarodne umetničko stručne konferencije na temu Budućnost akademsko zasnovanim izvođačkim umetnostima u post kovid svetu.
Kompanija balet mladih predstaviće se premijerno u koreografijama Amalie Mindrutiu balet majstora iz Rumunije, a tradicionalni SHOWCASE biće izveden u novembru ove godine.
Nakon uspešne prezentacije Instituta za umetničku igru na EXPO-u u Dubai, svoju promociju ovaj jedini visokoškolski program iz oblasti umetničke igre u Srbiji svoj program predstaviće i u Egiptu.
Fotografija: Marcell Piti
POČEO WINTER INTENSIVE MASTERCLASS - KLASIČAN BALET
10.01.2022. godine na Institutu za umetničku igru je počeo Winter Intensive Masterclass – klasičan balet koji voditi Balet majstor i koreografkinja iz Severne Makedonije Sasha Evtimova.
Winter Intensive Masterclass – klasičan balet traje do 15.01.2021. godine i obuhvataće vežbe klasičnog baleta po Vaganova sistemu s akcentom na tehničkim zahtevima i njihovom savladavanju, časovima podrški i repertoara. Intensive Ballet Masterclass namenjen je učenicima Osnovnih baletskih škola (3 i 4 razred), učenicima Srednjih baletskih škola (1, 2, 3 i 4 razred) i profesionalnim igračima.
MOŽIČEK PREMIJERNO U CELJU
Na sceni Slovenskog Ljudskog gledališča u Celju premijerno je izvedena plesna predstava Možiček Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije, a u izvođenju studenata i igrača Balkan Dance projekta Mojce Majcen i Patricije Crnkovič iz Slovenije, Branka Mitrovića iz Bosne i Hercegovine i Jakše Filipovca iz Srbije. Pored igrača u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.
Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.
Fotografija Rok Deželak
NAGRAĐENI STUDENTI NA 25. FESTIVALU KOREOGRAFSKIH MINIJATURA
Pod sloganom RestART 23. decembra s početkom u 20.00 časova na maloj sceni Raša Plaović Narodnog pozorišta održan je 25. Festival koreografskih minijatura u organizaciji Udruženja baletskih umetnika Srbije.
U takmičarskom delu svoje koreografije predstavile su alimnistkinje Mina Ćirić i Katarina Ilijašević, i Nevena Antić studentkinja treće godine na odseku Scenska narodna igra i muzika.
Treću nagradu i nagradu publike osvojila je Katarina Ilijapšević s koreografijom 2FUNNY4 u izvođenju Jovane Grujić. Dramaturgiju potpisuje Luka Jovanov a muziku Thomas Bangalter.
Plaketa Aleksandar Izrailovski uručena je Mini Ćirić za koreografiju Ekologija odnosa u izvođenju Tanje Ivanov i Mine Ćirić na muziku Nightmare music, Cryo Chamber.
Među laureatima su Luka Ostrež (Slovenija) prva nagrada koreografija Doomsday, Dora Šesto i Dora Sarikaya (Hrvatska/Turska) druga nagrada koreografija Frontapage, Nagrada kritike i nagrada ohrabrenje pripala je Marini Aranitović iz Srbije za koreografiju Hibrid i nagrada ohrabrenje Anđeli Žugić i Predragu Dediću iz Srbije za koreografiju Iz drugog ugla.
Čestitamo našim studentkinjama na uspehu i nagradama, kao i svim ostalim izvođačima.
Fotografija Stanko Đalić.
PODGORICA DOBILA BALETSKI STUDIO
U Podgorici je 23. decembra održana audicija za članice Baletskog studija koji će delovati u okviru Muzičkog centra Crne Gore (MCCG), a prva predstava planirana je za 29. April 2022. godine na Svetski dan igre, saopšteno je nakon audicije koju su položile osam igračica.
Audiciju je vodila Iva Bojović Petković direktorka Baletske škole Lujo Davičo u Beogradu i profesorka Instituta za umetničku igru, a članovi komisije su bili Aleksandar Ilić koreograf i direktor Kulturnog centra Beograda, Isidora Damjanović poslovna direktorka MCCG, dr Jelena Jovanović Nikolić rukovodilac službe marketinga i komunikacija u MCCG i Manja Pavićević profesorka u Umjetničkoj školi za muziku i balet Vasa Pavić.
Audicija bila koncipirana na način tako što je u prvom delu održan baletski čas gde su članovi komisije imali priliku da vide predispozicije kandidatkinja, ocene njihovu sceničnost, muzikalnost i pamćenje vežbi, dok je u drugom delu ocenjivan slobodniji izraz u okviru improvizacije savremene igre. Kada se uspostvlja i započinje rad novog plesnog ansambla, uvek tu odstupamo od jedinstvenog sistema ocenjivanja. Potrebno je pronaći ujednačenost i ravnotežu, što je važno za jedan ansambl, da vidimo kako funkcioniše zajedno, da vidimo energiju koja se stvara između devojaka koje su na audiciji, izjavio je poznati srpski baletski umetnik Aleksandar Ilić.
Poslovna direktorica MCCG, mr Isidora Damjanović, rekla je da su se u tokom audicije za izbor članova ansambla baletskog studija vodili kriterijumima koje su odredili članovi komisije koji su dokazani profesionalci u svetu baletske umetnosti.
Kako je najavljeno iz MCCG dugo se čekalo na stvaranje profesionalnog baletskog ansambla u Crnoj Gori, a sada konačno diplomirane balerine i baletski igrači imaju priliku da se razvijaju i rade u svojoj profesiji.
Prva premijera biće izvedena 29. aprila 2022. godine na Svetski dan igre, saopštili su organizatori.
Fotografije arhiva MCCG.
VAŽNO OBAVEŠTENJE - NOVOGODIŠNJI I BOŽIĆNI PRAZNICI 2021/2022
Obaveštavamo profesore, saradnike i studente da Institut za umetničku igru neće raditi za vreme novogodišnjih i božićnih praznika u periodu od 27.12.2021 do 07.01.2022.
Prvi radni dan je 10.01.2022. godine.
SREĆNI PRAZNICI!
GODIŠNJE PRIZNANJE POZORIŠTA NA TERAZIJAMA ZA KOREOGRAFKINJU MILICU CEROVIĆ
Pozorište na Terazijama je 23.12.2021. obeležilo Dan kuće dodelom godišnjih priznanja, nagrade Janoš Tot, zahvalnica, kao i jubilarnih nagrada. Na svečanoj dodeli direktor Aleksandar Đaja je između ostalog rekao da je ovo bila je još jedna uspešna godina Pozorišta na Terazijama i na stvaralačkom i na poslovnom planu uprkos teškim uslovima rada zbog epidemije korona virusa, koja traje već drugu godinu.
Ovogodišnja dobitnica godišnjeg priznanja Pozorišta na Terazijama je koreografkinja Milica Cerović, alumnistkinja Instituta za umetničku igru. Godišnju nagradu Pozorišta na Terazijama Milica Cerović je dobila za koreografiju mjuzikla Flešdens.
Čestitamo!
Roland Brezovski visits the Belgrade Dance Institute
Roland Brezovski, expert associate of the Cultural Association of Vojvodina Hungarians in Subotica, visited the Belgrade Dance Institute today. In a conversation with the Vice Dean for Teaching, Prof. dr Snežana Arnautović Stjepanović and the head of the department for Stage folk dance and music, Prof. Dr. Vesna Bajić, potential cooperation on new projects was discussed.
Rehnitz - Angel of Destruction
Public reading of the play Rechnitz - Angel of Destruction will be realized on December 21st, 2021. at 6pm on the small stage of the Student City Cultural Center.
Rehnitz - Angel of Destruction, based on the work of the same name by Elfrida Jelinek, designed by Branislava Ilić for the play, and the project is co-produced by PPP Pulse Theater Lazarevac with the Cultural Center of Belgrade and the Belgrade Dance Institute, with the support of the Austrian Cultural Forum, Secretariat for Culture of the City of Belgrade and the Ministry of Culture and Information of the Republic of Serbia.
Directed by Stevan Bodroža
Video design: Extraordinary Bob
Actresses: Mihaela Stamenković, Milica Stefanović and Mira Janjetović
IZVEDEN SPEKTAKULARNI SHOWCASE INSTITUTA
Na Velikoj sceni Doma kulture studentski grad u Beogradu sinoć 21. decembra s početkom u 20.00 časova je premijerno je izveden decembarski SHOWCASE u izvođenju studenata svih odseka Instituta za umetničku igru.
SHOWCASE su pripremili balet majstor i profesorka na odseku za klasični balet i metodiku Amalia Mindrutiu uz asistenciju Mile Stijak, Milice Bezmarević i korepetitorke Ane Spremić, Ognjen Vučinić profesor na odseku za savremenu igru i koreografiju i studenti na odseku za Scensku narodnu igru i muziku - Nevena Antić i Boban Kostić.
SHOWCASE su izveli: Federica Franceschini, Iustina Ciobanu, Bogdan Radacina, Giuseppe Paolicelli, Antonio Bisogno, Gabriele de Fazio, Mila Stijak, Marija Vučenović, Ksenija Sinđić, Nastasja Ivetić, Teodora Durać, Luka Pejčinović, Vladimir Sekulić, Lazar Tirić, Senja Stanić, Nina Horvat, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đeković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Segbier, Ema Stojković, Tea Manojlović, Filip Stanić, Tijana Ostojić, Miona Petrović, Nikola Živković, Angela Mihova, Una Balaž, Sonja Stojanović, Katarina Bućić, Nevena Antić, Jovan Jovanović, Vladimir Radosavljević, Milica Pejić, Nikola Velebit, Marija Milošević, Mirjana Lepojević.
MASTER CLASS ON THE CHOREOGRAPHY OF THE FOLK DANCE
The Belgrade Dance Institute from Belgrade will organize a Master Class on choreography of folk dance on Wednesday, December 22nd, 2021, from 4 to 8 pm at the Belgrade Dance Institute, Bulevar vojvode Mišića 43 in Belgrade.
The master class will be led by professors Dr. Anton Andonov from the Academy of Music, Dance and Fine Arts (AMTII) from Plovdiv in Bulgaria and Dr. Vesna Bajić Stojiljković from the Belgrade Dance Institute in Belgrade.
The master class will include lectures and practical work on choreographic composition and directing, work on the spatial composition of choreography and processing of dance patterns of traditional folk dances.
The master class is intended for high school ballet students - folk dance, professional dancers, players in cultural and artistic societies and artistic directors.
Send the application for the Masterclass by e-mail to institut.snim@gmail.com
The application should contain: name and surname, date of birth, school attended by the student or institution / association in which the player or manager is engaged and telephone number. In the application, indicate the Master Class on the choreography of the folk dance.
The price of the Masterclass is 1,000 dinars and it is paid according to the attached payment slip by the day of the event. Free parking in front of the Institute building is available to Masterclass participants.
EXAMPLE OF PAYMENT
SHOWCASE OF THE BELGRADE DANCE INSTITUTE
The traditional SHOWCASE of the Belgrade Dance Institute will be held on the Great Stage of the Student City Cultural Center on December 21st, starting at 8 pm - presenting students of all departments and years of this higher education institution.
What unites contemporary dance, whose starting point is chance, silence, geometry, with classical ballet that brings the music of the eternal Shostakovich or Tchaikovsky and choreography invented by the famous choreographer Marius Petipa with the heritage of Russian and Slovak folklore?
The Belgrade Dance Institute in Belgrade, in its annual presentation of student works, done under the guidance of excellent pedagogues and choreographers, manages to unite these three fields of stage play during one evening, providing an interesting and exciting program to the audience.
In choreographies Za 6 (For 6) and 86268 4226, choreographer and pedagogue Ognjen Vučinić leads students on the trail of an experiment, started by one of the greatest innovators of contemporary dance - Mers Cunningham and John Cage, introducing abstraction and chance into the concept of dance and a completely different treatment of music and sound. The choreography For 6 is performed without music, reminiscent of the legendary piece 4’33 by John Cage, who believed that everything we do can be music, but also leading the dancers to full concentration and increased awareness of others in space.
Choreography 86268 4226 examines the work with coincidence that conditions the movement of dancers on the stage, writing enigmatic paths.
Ballet master and prima ballerina Amalia Mindrutiu from Romania, visiting professor of classical ballet, repertoire and methodology at the Belgrade Dance Institute and head of the Youth Ballet Company, realizes complex cooperation between young dancers from the Youth Ballet, students, professional dancers from the National Theater in Belgrade and guest players of the National Opera of Timisoara. They will show the range of their skills, playing variations from the famous ballets of Eugenie Onegin and Don Quixote, among others, but also with the shocking and magical song Adios Nonin (Goodbye Father) by Astor Piazzolla.
Graduate Boban Kostić and his colleague, a third-year student at the Department of Stage Folk Dance and Music Nevena Antić, chose an interesting approach, exploring the heritage of Russian folklore and its contemporary staging (Kostić) as well as the heritage of Slovak folklore through the story of the great writer Alexei Nikolayevich Tolstoy through a love duet (Antić), thus also reminding our audience of two great cultures, says the author of the text Prof. Dijana Milosevic.
Admission for the audience is free with all measures and restrictions on the number of audiences.
Reservations are made via email to teodora.zivkovic@iui.rs
The fourth day of the visit to the Expo 2020 event
On the fourth day, representatives of the Belgrade Dance Institute and representatives of the School of Engineering Management had talks with representatives of higher education from Malaysia, Spain, the United Arab Emirates and Jamaica regarding cooperation on scientific projects, student exchange and professors.
Presentation of studies in Serbia for students from abroad
Representatives of the Belgrade Dance Institute today, on the third day, started the day at the Dubai Expo 2020 event by attending the presentation of the possibilities of higher education for students from abroad, ie the internationalization of higher education in Serbia.
The introductory speech was given by the Minister of Education, Science and Technological Development Branko Ružić, and the presentation was given by the Director of the Tempus Office in Serbia, Marija Filipović Ožegović.
The Belgrade Dance Institute already has an accredited program of undergraduate, master's and doctoral studies held in English.
In a short break prof. Dr. Snežana Arnautović Stjepanović exchanged impressions with Politika journalist Borka Golubović Trebješanin.
Javno čitanje dramskog teksta Rehnic – Anđeo uništenja će biti realizovano 21.12.2021. godine u 18.00 časova na maloj sceni Doma kulture studentski grad.
Rehnic - Anđeo uništenja, nastao je po istoimenom delu Elfride Jelinek, koje je za dramsko izvođenje uobličila Branislava Ilić, a projekat se realizuje u koprodukciji PPP Puls teatra Lazarevac sa Kulturnim centrom Beograda i Institutom za umetničku igru, a uz podršku Austrijskog kulturnog foruma, Sekretarijata za kulturu Grada Beograda i Ministarstvom kulture i informisanja Republike Srbije.
Režija: Stevan Bodroža
Video oblikovanje: Izvanredni Bob
Glumice: Mihaela Stamenković, Milica Stefanović i Mira Janjetović
MASTERKLAS O KOREOGRAFIJI NARODNE IGRE
Institut za umetničku igru iz Beograda organizovaće Masterklas o koreografiji narodne igre u sredu, 22. decembra 2021. godine, u trajanju od 16 do 20 časova na Institutu za umetničku igru, Bulevar vojvode Mišića 43 u Beogradu.
Masterklas će voditi profesori dr Anton Andonov sa Akademije muzičke, plesne i likovne umetnosti (AMTII) iz Plovdiva u Bugarskoj i dr Vesna Bajić Stojiljković sa Instituta za umetničku igru u Beogradu.
Masterklas će obuhvatiti predavanja i praktičan rad iz koreografske kompozicije i režije, rad na prostornoj kompoziciji koreografije i obradu igračkih obrazaca tradicionalnih narodnih igara.
Masterklas je namenjen učenicima srednje baletske škole – smer narodna igra, profesionalnim igračima, igračima u kulturno-umetničkim društvima i umetničkim rukovodiocima.
Prijavu na Masterklas poslati mejlom na institut.snim@gmail.com.
Prijava treba da sadrži: ime i prezime, datum rođenja, škola koju pohađa učenik ili ustanova/udruženje u kojoj je igrač ili rukovodilac angažovan i broj telefona. U prijavi naznačiti Masterklas o koreografiji narodne igre.
Cena Masterklasa je 1.000 dinara i uplaćuje se prema priloženoj uplatnici do dana održavanja. Učesnicima Masterklasa je na raspolaganju besplatan parking ispred zgrade Instituta.
PRIMER UPLATNICE
Za više informacija pozovite (011) 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.
INSTITUTE REPRESENTATIVES WITH MINISTERS ČOMIĆ AND RUŽIĆ
Today, the representatives of the Belgrade Dance Institute and the representatives of the School of Engineering Management had a conversation with Gordana Čomić, the Minister of Human and Minority Rights and Social Dialogue on the issue of projects. On that occasion, they also had a meeting with Branko Ružić, Minister of Education, Science and Technological Development.
In addition they will then attend events Making possible to find your education and Disparities in access to education.
Četvrti dan posete manifestaciji Expo 2020
BELGRADE DANCE INSTITUTE AT DUBAI EXPO 2020
At the invitation of the Serbian Chamber of Commerce in cooperation with the Government of the Republic of Serbia, the delegation of the Belgrade Dance Institute and the School of Engineering Management will be guests at EXPO 2020 DUBAI from December 10th to 18th, 2021 as part of the fourth thematic week Knowledge and Learning.
The delegation consists of Prof. Dr. Vladimir Tomašević, Dean; Prof. Dr. Snežana Arnautović Stjepanović, Vice Dean for Teaching at the Institute; Prof. Dr. Tatjana Ilić - Kosanović, Vice Dean for Scientific Research, Prof. Dr. Srđan Tomić, Vice Dean for Teaching at the School of Engineering Management, Prof. Dr. Katarina Štrbac, Head of the Department of Security and Jelena Rajković, Assistant.
The Minister of Education, Science and Technological Development, Branko Ružić, addressed the professors of the Belgrade Dance Institute and the School of Engineering Management with a visit to the Business Hub of Serbia and wished them a lot of success in their work.
During the week dedicated to education, professors will present the programs of undergraduate, master's and doctoral studies of Artistic Dance and the School of Engineering Management, and will talk daily with candidates for enrollment in doctoral studies from the United Arab Emirates.
During their stay, professors will participate in numerous conferences and educational programs that will be organized at EXPO 2020.
Due to the corona virus pandemic, the World Expo 2020 Dubai is being held in Dubai from October 2021 to March 2022 instead of the planned 2020 and 2021.
This is the first World Exhibition ever organized in the Arab world, in the Middle East, Africa and South Asia (MEASA region). Through the theme Connecting Minds, Creating the Future and Thematic Opportunities, Mobility and Sustainability, the event aims to present the best examples of cooperation and innovation from around the world.
Prezentacija studija u Srbiji za studente iz inostranstva
Predstavnici Instituta za umetničku igru danas trećeg dana su započeli dan na manifestaciji Dubai Expo 2020 prisustvom prezentaciji Mogućnosti visokoškolskog obrazovanja za studente iz inostranstva, odnosno internacionalizacije visokog obrazovanja u Srbiji.
Uvodnu reč je održao ministar prosvete, nauke i tehnološkog razvoja Branko Ružić, a prezentaciju je održala direktorka Tempus kancelarije u Srbiji Marija Filipović Ožegović.
Institut za umetničku igru već ima akreditovan program osnovnih, master i doktorskih studija koji se održavaju na engleskom jeziku.
U kratkoj pauzi prof. dr Snežana Arnautović Stjepanović razmenila je utiske sa novinarkom Politike Borkom Golubović Trebješanin.
Defense of Master's thesis by Alisa Oravec
At the Belgrade Dance Institute on December 8th, 2021. Alisa Oravec, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of We killed Mother, almost.
She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Alisa Oravec has all the rights and obligations arising from the fact that from the December 8th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
PREDSTAVNICI FAKULTETA SA MINISTRIMA ČOMIĆ I RUŽIĆ
PIAZZOLLA SPECTACLE IN RADOVIĆ
The operetta Maria de Buenos Aires by Astor Piazzolla will be premiered on the stage of the Little Theater Duško Radović on Friday, December 10th, starting at 8 p.m.
Choreographed by Ognjen Vučinić, this premiere will mark the 100th anniversary of the birth of the famous Piazzolla.
The play is performed by Ljubica Damčević, Ivan Nikolić, Mihailo Šljivić, Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Miloš Miketić, Grigorije Pećanac, Ksenija Komljenović, Arion Petrovski.
Tango dancers are Relja Dereta and Jelena Minić with the support of dancers Miona Petrović and Ognjen Vučinić.
Arrangements for the play were made by Djordje Perović and Jelena Adamović.
The project was realized with the support of the Ministry of Culture and Information, the Embassy of Argentina in Serbia, Tango Natural, the Belgrade Dance Institute, the Serbian Association for Gestalt Psychotherapy, the music school "Dr Vojislav Vuckovic" and the Small Theater "Dusko Radovic".
Due to the epidemiological situation and the restriction of the audience, the number of seats in the audience is limited.
Tickets are on sale at the Tango Natural Institute at Resavska 28 at a price of 800 dinars.
PROF. ALEKSANDAR ILIĆ AT THE 27TH INTERNATIONAL EXPOSURE
Prof. Aleksandar Ilić participated in the 27th International Exposure in Israel, which was held online this year from December 1st to 5th in Tel Aviv.
Dancing is a universal language that connects culture, nation and people without words.
The Ministry of Foreign Affairs of Israel is a long-term partner of this platform for contemporary dance and represents the most important choreographers, companies and artists from Israel.
The program was broadcast live from the Susan Delal Center in Tel Aviv.
The Belgrade Dance Institute would like to thank the Embassy of Israel in Serbia for its long-term cooperation and support in projects.
INSTITUT ZA UMETNIČKU IGRU NA DUBAI EXPO 2020
Na poziv Privredne komore Srbije u saradnji sa Vladom Republike Srbije, delegacija Instituta za umetničku igru i Fakulteta za inženjerski menadžment od 10. do 18. decembra 2021. gostuje na EXPO 2020 DUBAI u okviru četvrte tematske nedelje Znanje i učenje.
Delegaciju čine Prof. dr Vladimir Tomašević, dekan; Prof. dr Snežana Arnautović Stjepanović, prodekan za nastavu Instituta; Prof. dr Tatjana Ilić – Kosanović, prodekan za naučno – istraživački rad, Prof. dr Srđan Tomić, prodekan za nastavu Fakulteta za inženjerski menadžment, Prof. dr Katarina Štrbac, Šef katedere za bezbednost i Jelena Rajković asistent.
Profesorima Instituta za umetničku igru i Fakulteta za inženjerski menadžment posetom Biznis habu Srbije se obratio Ministar prosvete, nauke i tehnološkog razvoja, Branko Ružić i poželeo puno uspeha u radu.
U toku nedelje posvećene obrazovanju, profesori će predstaviti programe osnovnih, master i doktorskih studija Umetnička igra i Fakulteta za inženjerski menadžment, a svakodnevno će razgovarati i sa kandidatima za upis na doktorske studije iz Ujedinjenih Arapskih Emirata.
Profesori će tokom boravka učestvovati na brojnim konferencijama i edukativnim programima koje će biti organizovane na EXPO 2020.
Zbog pandemije korona virusa, Svetska izložba Expo 2020 Dubai se umesto planirane 2020. i 2021. godine, održava u Dubaiju od oktobra 2021. do marta 2022. godine.
U pitanju je prva Svetska izložba ikada organizovana u arapskom svetu, na području Bliskog Istoka, Afrike i Južne Azije (MEASA region). Kroz temu Povezivanje umova, stvaranje budućnosti i tematske celine Mogućnost, Mobilnost i Održivost, manifestacija teži da predstavi najbolje primere saradnje i inovacije iz celog sveta.
Odbrana Master rada Alise Oravec
Na Institiutu za umetničku igru 08.12.2021. Alisa Oravec, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Ubili smo mamu zamalo.
Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Alisa Oravec, ima sva prava i obaveze koje proizilaze iz činjenice da od 08.12.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!
PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK
On Thursday, December 2nd, the dance performance Možiček by Josip Ipavac, choreographed by professors Aleksandar Ilić from Serbia and Gjergji Pervazi from Albania, performed by Balkan Dance project players Mojca Majcen and Patricia Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jaksa Filipovac from Serbia, premiered on the stage of the House of Culture in Velenje (Slovenia). In addition to the players, musicians from Slovenia Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin and Miha Firšt are participating in the play.
The idea of the organizers and producers is the revitalization of old ballets and the renewal of the work marking the 100th anniversary of the death of the famous Slovenian composer Josip Ipavac.
Gjergji Pervazi and Professor Aleksandar Ilić are currently present on the stage as the most influential choreographers.
Pervazi was educated at the University of Performing Arts in Albania, and studied in Paris. He is the founder of the Albanian Dance Theater and a company that encourages contemporary dance in the area and is the director of the Albania Dance Meeting dance festival. He is an assistant professor at the University of Arts in Tirana, Department of Choreography.
Professor Aleksandar Ilić is a Serbian ballet artist and choreographer, founder and professor of the Belgrade Dance Institute. He completed his postgraduate studies at the Trinity Laban Conservatory of Music and Dance in London. As a choreographer, he has made a large number of productions in domestic theaters and the region. Since 2019, he has been the director of the Cultural Center of Belgrade.
The scenography for the play was done by Matija Kovač from Slovenia and the costume by Aleksandra Karović from Serbia.
After the premiere, the play will be performed on December 22nd in Šentjur and on December 27th in Celje this year.
See more about the play here: https://www.festival-velenje.si/dogodki/12994-Mozicek
Photography by House of Culture Celje
PIAZZOLLA SPEKTAKL U RADOVIĆU
Na sceni Malog pozorišta Duško Radović u petak 10. decembra premijerno će biti izvedena opereta Maria de Buenos Aires Astora Pijacole s početkom u 20.00 časova.
U koreografiji Ognjena Vučinića, ovom premijerom obeležiće se 100 godina od rođenja čuvenog Pijacole.
Predstavu izvode Ljubica Damčević, Ivan Nikolić, Mihailo Šljivić, Dušica Luković, Sonja Lukić, Jelena Adamović, Ana Miljojković, Miloš Miketić, Grigorije Pećanac, Ksenija Komljenović, Arion Petrovski.
Tango igrači Relja Dereta i Jelena Minić uz podršku igrača Mione Petrović i Ognjena Vučinića.
Aranžmane za predstavu su uradili Đorđe Perović i Jelena Adamović.
Projekat je realizovan uz podršku Ministarstva kulture i informisanja, Ambasade Argentine u Srbiji, Tango Naturala, Instituta za umetničku igru, Srpskog udruženja za geštalt psihoterapiju, muzičke škole "Dr Vojislav Vučković" i Malog pozorišta "Duško Radović".
Zbog epidemiološke situacije i restrikcije publike, broj mesta je ograničen u gledalištu.
Karte su u prodaji u Institutu Tango Natural na adresi Resavska 28 po ceni od 800 dinara.
PREMIERE OF THE DANCE PERFORMANCE MOŽIČEK IN SLOVENIA
The dance performance Možiček will be premiered on the stage of the Velenje Festival (Slovenia) on Thursday, December 2nd.
It is a play by Josip Ipavac, choreographed by Professor Aleksandar Ilić from Serbia and Gjergji Pervazija from Albania.
The play is performed by Balkan Dance project players Mojca Majcen and Patricija Crnkovič from Slovenia, Branko Mitrović from Bosnia and Herzegovina and Jakša Filipovac from Serbia. In addition to the dancers, the play features musicians from Slovenia Iztok Kocen, Zoran Bicanin, Urban Krč, Uroš Bičanin and Miha Firšt.
The idea of the organizers and producers is the revitalization of old ballets and the renewal of the work marking the 100th anniversary of the death of the famous Slovenian composer Josip Ipavac.
Gjergji Pervazi and prof. Aleksandar Ilić are currently present on the stage as the most influential choreographers. Pervazi was educated at the University of Performing Arts in Albania, and studied in Paris. He is the founder of the Albanian Dance Theater and a company that encourages contemporary dance in the area and is the director of the Albania Dance Meeting dance festival. He is an assistant professor at the University of Arts in Tirana in the choreography department.
Professor Aleksandar Ilić is a Serbian ballet artist and choreographer, founder and professor of the Belgrade Dance Institute. He completed his postgraduate studies at the Trinity Laban Conservatory of Music and Dance in London. As a choreographer, he has made a large number of productions in domestic theaters and the region. Since 2019, he has been the director of the Cultural Center of Belgrade.
The scenography for the play was done by Matija Kovača from Slovenia and the costume by Aleksandra Karović from Serbia.
After the premiere, the play will be performed on December 22nd in Šentjur and on December 27th in Celje this year.
See more about the play here: https://www.festival-velenje.si/dogodki/12994-Mozicek
SPECTACULAR PERFORMANCE GALA CONCERT OF YOUTH BALLET
The Ballet Gala Concert, choreographed by Ballet Master and choreographer Amalia Mindrutiu, a visiting professor from Romania and performed by the Youth Ballet Company of the Belgrade Dance Institute, premiered on the big stage of the Student City Cultural Center in Belgrade on Saturday, November 27th.
Members of the Youth Ballet Company performed variations of Polonaise from the ballet of Eugenia Onegin, variations from the ballet Swan Lake (pas de trois), Waltz of Love, variations from the ballet Don Quixote (third act), Russian Game and Dance of the Clocks, by famous composers Pyotr Ilyich Tchaikovsky, Amilcare Punkielia and Ludwig Minkus.
The Gala Concert was masterfully performed by Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov and Gabriele De Fazio.
Assistant choreographers Doc. Mila Stijak and Milica Bezmarević and music associate Ana Spremić.
Photography by prof. Nemanja Maraš
GALA CONCERT OF THE YOUTH BALLET COMPANY
The Gala Concert of classical ballet, choreographed by Ballet Master Amalia Mindrutiu (Romania) and performed by the Youth Ballet Company, will be premiered tonight, November 27th, on the Grand Stage of the Student City Cultural Center, starting at 8 p.m.
The Youth Ballet glorifies the music and the beauty of the movement. The concert is filled with variations of classical ballet. Over thirty performers from the Youth Ballet company, students of the Belgrade Dance Institute and ballet dancer from the National Theater will take part on the stage. The young dancers will show variations such as Polonaise from the ballet of Eugenia Onegin, a variation from the ballet Swan Lake (pas de trois), Waltz of Love, a variation from the ballet Don Quixote (third act), the Russian Game and the Dance of the Clocks. Composers Peter Ilyich Tchaikovsky, Amilkare Punkieli and Ludwig Minkus.
The Gala Concert will be performed by Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović , Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov and Gabriele De Fazio.
Assistant choreographers are Doc. Mila Stijak and Milica Bezmarević and music associate is Ana Spremić.
The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in Belgrade and Serbia.
The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Doc. Mila Stijak. The piano accompanist of the Ballet of Youth company is Ana Spremić. The company's work plan is to perform a regular repertoire programme consisting of gala concerts, ballet suites, one-act ballets, all-night ballet performances and original choreographies of classical heritage. The work of the company is focused on preparing students for future professional work in the ensemble.
The Youth Ballet Company realized a large number of concerts within the programme of the National Theater and the Vuk Theater, within which students of primary and secondary ballet schools presented themselves.
64.74
On November 24th, 2021, at 7 pm, in the small hall of the Student City Cultural Center, the premiere of the film 64.74 (psychological thriller genre) by Katarina Stojković, will be presented, which is also her master's thesis at the Belgrade Dance Institute under the mentorship of Prof. Dr. Miomir Petrović.
Author team:
Director - Katarina Stojković
Screenwriter - Katarina Stojković
Director of Photography - Luka Stojković
Camera - Luka Stojković
Editing - Luka Stojković
Costume design - Katarina Stojković
Production - KLS films (Katarina and Luka Stojković)
Actors - Vladimir Čubrilo, Vladimir Đordjević, Tijana Malek, Mila Stijak, Katarina Bućić, Miloš Šupić, Luka Stojković, Ivan Mišić, Danilo Stojković, Doroteja Sinadinovski, Jon Guelas
Year of filming - 2021
Location - Belgrade, Serbia
Duration - 54 min
Language - English (Serbian subtitle)
The screenplay of the feature film 64.74 shows the inner struggle of the individual Liam, a subject in a scientific experiment, trapped in a world between reality and illusions. You lose the exact notion of real life and the question arises what is real and what is fictional? How people from the shadows rule the world, how they play chess where ordinary people are pawns and "scramble" minds without being responsible for the consequences they create. The theme of the film deals with the game of one human mind after a horrible accident, while the idea is based on the very control of that mind game by people conducting scientific experiments on the masses, trying to impose beliefs we believe in or are imposed to believe in and to look like an independent decision without being aware of the knowledge of imposing it, believing that it is a free will. The game they lead is based on neuropsychological research, using psychoactive substances that cause unrealistic scenarios in the subject's head, waiting for his reaction to them, monitoring and studying him for the sake of knowledge, understanding and control of the human mind. The film is a great dance in which everyone has a role to play, imbued with the ideological guiding principle of neoliberalism as well as the freedom of choice itself, which is questionable today. Observing the main character Liam and his life, the plot is viewed from the very center of another, new perspective of his mind. His thoughts are interwoven with threads of subjective reality that borders on a dose of madness, which increases after a new dose of the psychoactive substance he consumes. Each new dose increases the suspicion of him as a character who can be conceived as a man on the verge of madness, on the verge of normalcy, a character who is losing his mind or have lost it a long time ago. He can be experienced as a guinee pig of a great global game of ruling people or as a completely ordinary man who sank into the sea of irrational, lonely life due to the disaster that befell him. The very end of the film sets a task for each viewer: creating their own solution to this story. In 54 minutes, the viewer has the opportunity to explore, put himself in the role of a detective and actively follow and find various clues so that he can form his own course of action. The end of the film offers various possibilities of comprehension, interpretation, emotional experience and identification due to the possibility of independently choosing the outcome of the film as a free choice that exists in society and yet carefully hidden, imperceptibly imposed by the setter of the rules.
PROFESSOR DR MIOMIR PETROVIĆ PARTICIPATES IN THE SCIENTIFIC SYMPOSIUM
Prof. Dr. Miomir Petrovic, full-time professor at the Belgrade Dance Institute, participates in the scientific symposium Dragoslav Srejovic and Interdisciplinarity organized by the Center for Scientific Research SANU and the University of Kragujevac, which will be held in Kragujevac, November 29th this year.
Professor Petrović will present a paper entitled Modification and Transmutation of the Myth of Orestes in Avant-garde Dramatic Texts.
A PLAY WITH MYTH
The dance performance based on the book Josip and his brothers by Thomas Mann was performed last night on the stage of the Student City Cultural Center and was accompanied by standing ovations from the audience.
Choreographer: Prof. Aleksandar Ilić
Libretto: Teodora Sujić
Costume: Katarina Radošević Galić (Croatia) and Snežana Arnautović Stjepanović (Serbia)
Music adaptation: Georg Draušnik (Croatia)
The play was co-produced by the Belgrade Dance Institute from Belgrade, the Liberdance Free Dance Ensemble from Zagreb and the Kamenjak Theater of Rajko Pavlić from Zagreb.
Performed by:
Lara Frgačić, Silvija Music, Dora Šesto (Croatia), Natalija Trifunović, Katarina Ilijašević (alumni of the Belgrade Dance Institute, Serbia)
About the show:
At a time when we are once again living in the challenges posed by the global pandemic, in the play Joseph and His Brothers, in a dance adaptation, choreographer Prof. Ilić puts the biblical story into reality, using modern means of mythology, psychology, philosophy, archeology, religion and philology.
The play premiered on the stage of the Zagreb Dance Center on September 27th, 2021.
Photos: Jana Milenković
DANCE PERFORMANCE SHELTER TONIGHT IN SLOVENIA
The dance performance Shelter performed by the Belgrade Dance Institute and choreographers Christophe Beranger and Jonathan Pranlas-Descour (France) will be performed tonight, November 19th, starting at 7.30 pm on the stage of the Dance Forum Celje (Slovenia) organized by the House of Culture Celje, ending the regional tour of this project, with the support of the Ministry of Culture and Information of the Republic of Serbia and the international platform Teatroscope of the French Institute in Serbia.
To the mutual satisfaction of both the audience and the critics, the Celje cultural scene is returning to the map of an unavoidable dance destination in Slovenia, which is being intensively worked on by Mojca Majcen, a second-year student of the Choreography Department.
The play stars alumni and students: Katarina Bućić, Jovana Grujić, Natalija Trifunović, Ana Mihova, Katarina Ilijašević, Sonja Stojanović and Tijana Ostojić.
Shelter's choreography is the final performance of the students of the Belgrade Dance Institute, Department of Contemporary Dance. Shelter is a new and unusual creative process inspired by the rhythms of musical scores in which music and dance create speed, initiate body movement and flight and tell an epic saga about the history of Belgrade, a city torn between constant destruction and construction. Then we build a shelter from within whose task is to enable us to open up to the world despite its contradictions, to reach silence amidst the urban bustle and drama of life. During the process, we analyze the category of decay, dissolution of even those structures that we thought were eternal, moments during which we realize that only our body is our temple, the authors say.
The dance performance SHELETER premiered on June 29th on the stage of BITEF Theater.
See more about the play here: https://www.hisakulture.si/2021/11/06/plesna-predstava-shelter-zaklonisce/
Performance Hafetopia
Performance Hafetopia will be performed on November 20th, 2021. at 19.00 in the Legacy Gallery in Belgrade within the international project Other Ways of Communication. The performance is presented by a multimedia artist, professor and vice dean for teaching at the Belgrade Dance Institute, Prof. dr. Snežana Arnautović Stjepanović, with her nine-year-old son Teodor. The music for the performance was composed by Ivica Stjepanović.
The performance is dedicated to our great artist Era Milivojević.
"Hafetopia, hapephobia or hapetophobia is the fear of touch.
We live in a time when just one touch can be deadly to someone. Changes in lifestyle and social interactions (life without hugs, kisses and touch) have led to a state of anxiety that can be identified with the symptoms of this phobia.
Hafetopia's performance points to the need for touch, for tactile and manual act, which has become impossible in the period since the beginning of the pandemic. Returning to nature and acting according to its laws is presented by establishing a new way of communication: sensory, tactile and intuitive. "
Snežana Arnautović Stjepanović
Project Other ways of communication
Happiness is in connection and compassion with others, as a source of hope, empathy, responsibility and authenticity. The real purpose of art is to communicate feelings. The global experience of the Covid 19 pandemic has caused changes in the way society works: working from home, online classes, meetings on various Internet platforms, so establishing interpersonal relationships as "other ways of communication" is a challenge.
The project includes artists from Belgrade and Berlin, whose works and dialogue will consider man's relationship to the body, as his most immediate nature, and that relationship speaks of man's relationship to nature. The development of the senses and environmental awareness improves the environment, but also aims to establish empathic interpersonal relationships, sociability and culture. The language of contemporary art is a field of re-examining "other ways of communication" with the use of different human senses, tactility, manual work, bodily gestural free movement in space, overcoming the limited gesture of typing on a mobile phone screen and computer keyboard, where conversation with others is limited to seeing and hearing.
Artists: Snežana Arnautović, Marijana Oro, Marko Nektan, Ana Cvejić, Magda Radojlović, Melih Sarigol, Emre Birişmen, Merey Senokak, Funke Collective Berlin.
Project author: Isidora Fićović PR: Pavle Knežević Catalogue: Ivana Vidić
Project partner: Selda Asal, Apartment project Berlin
The exhibition at the Legacy Gallery in Belgrade, Kraljevića Marka 8, from November 19th to 25th, 2021, will be opened on November 19th, 2021 at 7 p.m.
Photography by Lidija Antonović
SHELTER DANCE PERFORMANCE TONIGHT IN ZAGREB
Tonight, a dance performance Shelter, choreographed by Christophe Berange and Jonathan Pranlas-Descour, a duo from France, will be performed on the stage of the Zagreb Dance Center. After the performance in Zagreb, the next performance is on Friday, November 19th, on the stage of the House of Culture in Celje, Slovenia.
The play is performed by Katarina Bućić, Jovana Grujić, Natalija Trifunović, Angela Mihova, Katarina Ilijašević, Sonja Stojanović and Tijana Ostojić.
Shelter's choreography is the final performance of the students of the Belgrade Dance Institute, the Department of Contemporary Dance. Shelter is a new and unusual creative process inspired by the rhythms of musical scores in which music and dance create speed, initiate body movement and flight and tell an epic saga about the history of Belgrade, a city torn between constant destruction and construction. Then we build a shelter from within whose task is to enable us to open up to the world despite its contradictions, to reach silence amidst the urban bustle and drama of life. During the process, we analyze the category of decay, dissolution of even those structures that we thought were eternal, moments during which we realize that only our body is our temple, the authors say.
The regional guest performance of the play was supported by the Ministry of Culture and Information of the Republic of Serbia.
PERFORMED OPERA CHILDREN'S ROOM
The Youth Ballet Company performed for the first time as part of the 53rd BEMUS - and on Friday, November 12th, on the stage of the Little Theater Duško Radović they performed in the opera for children Children's Room under the direction of Milan Nedeljković, composer Milenko Živković based on Desanka Maksimović’s story, choreographed by Doc. Mila Stijak and Ana Bošković.
Directed by Natalija Stanković and Mateja Đedović under the mentorship of Boris Liješević, the play stars Biljana Jovanović (mother), Boris Papak (father), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić. (third child), Mina Nikolić (fourth child), Choir of the Children's Cultural Center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vučković, class of prof. Maja Đokić, orchestra students of the Opera: Past, Present, Perfect project! and professional musicians.
You can watch the rerun of the opera Children's Room on November 13th at 8 p.m.
A PRACTICAL GUIDE TO SUPERSTITION
On the Grand Stage of the Vuk Theater on Wednesday, November 10th, starting at 8 pm, the final play A Practical Guide to Superstition by Katarina Ilijašević of the choreography department was premiered before a three-member commission and audience, Prof. dr Snežana Arnautović Stjepanović, mentor and members of the commission Prof. Dijana Milošević, and Prof. Dr. Miomir Petrovic.
The play was created under the mentorship of Prof. dr Snežana Arnautović Stjepanović and co-mentorship of Professor Ognjen Vučinić, directed by Luka Jovanov.
"When fear turns into religion, not all candles can make enough smoke for the message to reach the desired heavenly forces. And then, the avoidance of ladders becomes life below them. We will try to make a wish - we need encounters, we need afterwards to cuddle and caress each other, to wake up together, because it is stupid to wake up alone on the first of January, it is miserable to be alone, we need the audience, to see how happy we are celebrating our New Year, another faster than the previous one, to have someone to see how we were happy, how we touched, how we danced, howled, changed music, ate pork, wore red clothes, we need an audience to witness our better selves, we need to meet ourselves again at dusk when everything passes, but the key point is to have someone to tell us the story afterwards. And that's why we light candles. And that's why we don't go anywhere without a ball of red thread. That's why we gather. That's why we bow. And that's why, there's nothing practical in another practical guides - (almost) we have shamelessly invented everything. "
The play was performed by Jovana Grujić, Tijana Koprivica, Dika Babić and Djordje Galić.
Visual identity by Dunja Maksimović, Nikola Radeka is in charge of sound design and Nikola Krdžić did the poster design.
Photography by Prof. Nemanja Maraš
Defense of Master's thesis by Katarina Stojković
At the Belgrade Dance Institute on November 9th, 2021. Katarina Stojković, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of Choreographic approach in authorship film 64.74.
She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Katarina Stojković has all the rights and obligations arising from the fact that from the November 9th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
CHILDREN'S ROOM - opera for children
The Youth Ballet Company will perform for the first time as part of the 53rd BEMUS - on Friday, November 12th, at the Duško Radović Small Theater in the children's opera Children's Room under the direction of Milan Nedeljković, composer Milenko Živković, based on Desanka Maksimović’s text, choreographed by Doc. Mila Stijak and Ana Bošković, starting at 8 p.m. The first replay is scheduled for November 13th.
The Children's Room is composed based on the short story of the same name by our poet Desanka Maksimović and represents not only the first steps of our compositional practice aimed at the youngest audience of the fourth decade of the twentieth century in Serbia, but also a real pearl of Milenko Živković's opus and our cultural heritage. This unique work, the work of two great Serbian artists, is an indicator of advanced thinking and the level of development of the Serbian art scene, which in the first half of the twentieth century kept pace with the most modern artistic trends in Europe.
This year marks the 120th anniversary of the birth of Milenko Živković, whose significance and work have been unjustly neglected in our environment, and at the 53rd BEMUS with the performance of the Children's Room, we will be reminded of his immeasurable contribution to music and performing arts in Serbia.
The idea for the reconstruction and performance of this work came from the project Opera: Past, Present, Perfect! in the production of the Music Opera and Theater Organization MOTO and the Small Theater Duško Radović under the auspices of Creative Europe.
Directed by Natalija Stanković and Mateja Đedović under the mentorship of Boris Liješević. In addition to members of the Youth Ballet Company, the main roles are played by Biljana Jovanović (mother), Boris Papak (father), Oliver Krivokuć (first child), Isidora Bogdanović (second child), Sara Ristić (third child), Mina Nikolić (fourth child), Children's Cultural center Belgrade, conductor Snežana Despotović, soloists of the Music School Vojislav Vučković the class of prof. Maja Đokić, orchestra students of the Opera: Past, Present, Perfect project! and professional musicians.
The opera for children was performed for the first time on February 20th and 26nd, in 1941.
SOFIA DANCE PERFORMANCE PREMIERE
The dance performance of the Sofia by Bitef Dance Company, choreographed by Felix Landerer and performed by students Jakša Filipovac and Nikola Živković, and alumni Tamara Pjević and Branko Mitrović, premiered on the stage of the BITEF Theater on Sunday, November 7th, starting at 8 pm.
In addition to students and alumni of the Belgrade Dance Institute, the play is performed by Ana Ignjatović-Zagorac, Ivana Savić Jaćić and Stasa Ivanović (alternations Natasa Gvozdenović, Miona Petrović, Dušan Bajčetić and Nea Janković).
The play raises the question of the human mind and its seemingly diminished capacity to recognize the fact that it is sabotaging its own future. Based on a rethinking of ideas about people and their connection to what surrounds them technologically and organically, Felix Landerer is toying with the idea of a recognized human catalog of movement and connection. Ideas about what we can adapt to, what belongs to us and what does not, determine the parameters for his approach to this topic.
We can take a prosthesis as an example, as a symbol of something that belongs to us or not.
The piece is set as a kind of exhibition. Exhibitions of human behavior and the body as something perfect. Something with flaws. Something natural. Something that could be a reminder of the natural world we were once involved in.
Music by Christof Littmann; costume by Selena Orb; scenography by Isidora Spasić; organization by Marija Takić.
Photography by Nenad Šugić
Taken from the BITEF THEATRE site
WE KILLED MOM (ALMOST)
In the Great Hall of the Student Cultural Center on Friday, November 5th, starting at 19.00, Alisa Oravec presented her master thesis work - a contemporary dance performance We Killed Mom (almost) in front of a three-member committee and the audience, Prof. Dijana Milošević, mentor and members of the commission Prof. dr Snežana Arnautović Stjepanović and Prof. Dr. Miomir Petrović.
According to the text by Dragana Kožan, the play was performed by Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij and Alisa Oravec.
The costume for the show was made by Tereza Veber Oravec, the masks by Sandra Veber, and the make-up by Andrea Bisa.
Photography Srđan Veljović (Politika).
PROF. ILIĆ AT THE FINAL CONFERENCE ON ACCESSIBILITY
Prof. Aleksandar Ilić attended the final conference of the EU and Serbia - together for accessible public institutions, which was held on Friday, November 5th, at the Hotel Metropol in Belgrade.
Without an accessible environment, it is difficult to talk about respect for human rights, an inclusive society, equality and equal opportunities for all citizens.
Universal Design workshops were held at the Belgrade Cultural Center in October and November this year in cooperation with Ivana Bućko in the field of accessibility when it comes to programs of cultural institutions and other public spaces intended for culture and art programs.
Vice-dean Prof. dr Snežana Arnautović Stjepanović also attended the Universal Design workshops at the Cultural Center of Belgrade.
CERTIFICATE FOR PARTICIPATION IN THE 7TH EUROPEAN BALLET FESTIVAL GRAND ASSEMBLÉ
The Belgrade Dance Institute and the Youth Ballet Company were awarded a certificate for participation in the 7th European Ballet Festival Grand Assemblé in Cluj, prepared by Prof. Amalia Mindrutiu, Doc. Mila Stijak and Doc. Ana Spremić with the participation of Ksenija Sindjić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofia Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević and Gabriele De Fazio.
The video was recorded by Prof. Nemanja Maraš with the assistance of Teodora Živković.
For more information on how to join the work of the Youth Ballet Company, call
011 41 40 421 every working day from 9.00 to 17.00.
BELLA CIAO
At the highest artistic level, the IMRC collective creates performances with professional artists and performers with and without disabilities and through the form of dance represents equality, diversity, togetherness and equal opportunities, without thematizing one group, but speaks in various ways about equality, togetherness and importance of expression. Each person in his own way, in all his strength, but also vulnerability.
Thus, the dance performance Bella Ciao was born from the research of various forms of performance community and support. Bella Ciao, an Italian revolutionary song, stands in the title as a symbol of struggle and resistance to any oppressive ideologies over the freedom of the body: oppression of the "right" over those who do not fit into the canon, "strong" over the weak, "perfect" over the fragile.
"Bodies that explore their differences and play with them, honestly and without hesitation, have been at the center of our artistic interest. Within a group of seven dancers / performers, we looked for places where we could open up to our own imperfections, fragility and vulnerability. Through them they produce the power of performance. Performance thus becomes a place of intense mediation of emotions, and performers become the bearers of the idea of a free individual dedicated to community. The main weave of performance is a common sense of space and time, in the play of dancers / performers and musicians, as well as the audience. Inspiring and motivating each other, the most exciting and valuable always happens in the space between us. Bella Ciao is a show that turns human relationships into a space of freedom," says choreographer Silvia Marchig, for whom this is not her first collaboration with the IMRC collective.
IMRC Dance Collective (Inclusive Movement Research Collective - IMRC) is a professional educational and performance dance project, specific in that it includes dancers with and without physical disabilities. It has been operating since 2012, and was established in cooperation with the Croatian Institute for Movement and Dance and the Zagreb Dance Center. With their short and full-length performances, they are guests at numerous dance and theater festivals (Dioniz Festival Osijek, Contemporary Dance Week, Improspections, Bjelovar Echoes of Theater, Dance Network of Croatia - HNK Osijek, Showcase of the Croatian ITI Center, Inclusive Stages - Rijeka, Antisezona 19, MSU Zagreb, Pula - PUF, EU project Unlimited Access - Onasis Center Athens, Night of Inclusion - Dubrovnik, Media Diversty - Skopje, EU project LLB - Uferstudios Berlin).
“In addition to plays, frequent presence in the media and continuity of the educational program, we have a significant impact on the Croatian cultural and social scene, pushing the boundaries of artistic expression and promoting the principles of inclusion. Critics call us "the most suggestive ensemble on the domestic scene", and awards (Croatian Theater Award to Sladjan Livnjak 2016, Pula Festival Award PUF play Lemia 2019) and in cooperation with the Dance Department of the Academy of Dramatic Arts in Zagreb, we confirm the highest level of our programs" says the artistic director of the collective Iva Nerina Sibila.
The Bella Ciao collective will accompany the performance with a workshop. "We invite everyone who wants to dance, regardless of age, dance experience, movement limitations or physical fitness, and who wants to share their imagination, explore and expand their movement through dance, to join us!" - said the IMRC. The workshop will be held in Zadar on September 20th from 11 am to 1 pm, while in Knin on September 22nd from 10:30 am to 12:30 pm.
For reservations and questions, the team invites you to feel free to contact the e-mail address inclusive.imrc.kolektiv@gmail.com
About the show:
Author: Silvia Marchig
Co-authors and performers: Josipa Lukinović, Helvecia Tomić, Irma Unušić, Leon Goličnik, Marijan Pajvot, Nikola Orešković, Ognjen Vučinić
Music: Hrvoje Klemenčić
Photo, promo material design, technical support: Jason Mulhausen
Photo: Marko Gutić Mižimakov
Artistic direction: Iva Nerina Sibila
The song Bella Ciao is performed by Giovanne Daffini
Production: HIPP / IMRC 2018.
Achieved in the residence and with the support of the TALA Dance Center.
IMRC works in cooperation with the Zagreb Dance Center.
Financial support for the visit: Ministry of Culture of the Republic of Croatia.
WE KILLED MOM, ALMOST
The premiere of the contemporary dance play We Killed Mom, Almost, by Alisa Oravec, will be performed on November 5th, 2021 in the Great Hall of the Student Cultural Center in Belgrade, starting at 7 p.m.
It is uncertain what can happen to man due to climate change on the planet Earth.
Man has caused catastrophic changes, which will be his demise if he does not harmonize with nature in the near future. Unfortunately, the situation is already very alarming. Will a man be punished for his behavior? Does man feel the planet Earth as a living being that kills every day for the sake of his comfortable life? Will Mother Earth overthrow him from the throne of the industrial and technical revolution, or is Mother Earth, like any mother, compassionate and still trying to get her worst child back on track? How much strength, patience, wounds will she need in this fight? Can the world leaders solve a problem, or will they repeat the history without a solution? Can a person's consciousness and conscience be awakened?
The play We Killed Mom, Almost is a master thesis work by Alisa Oravec at the Belgrade Dance Institute under the mentorship of Prof. Dijana Milošević, by which the author wants to send a message to the viewer how she sees the relationship between Mother Nature (Earth) and man. For a man, whom the Mother (like every mother) struggles to pull him out of the abyss and put him on a better path, other warnings come. If much stronger natural forces than man are activated, humanity loses its future. There is another obligation of humanity, and that is to awaken from the material world and breathe its divine nature within itself. Then they will see how wonderful and harmonious life is on Planet Earth, Alisa Oravec emphasizes.
The play is performed by Alisa Oravec, Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij.
Interpretation of the text by Alisa Oravec, text We killed Mom - Dragana Kožan, lights by Aleksa Stojanović, tone by Dejan Kolarski, costume by Tereza Veber Oravec, mask by Sandra Weber, make-up by Andrea Bisak.
Defense of Master's thesis by Manja Pavićević
At the Belgrade Dance Institute on October 29th, 2021. Manja Pavićević, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of The structure of classical ballet classes with mental empowerment.
She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Manja Pavićević has all the rights and obligations arising from the fact that from the October 29th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
Belgrade Dance Institute at the European Ballet Festival Grand Assemblé
On October 31st, 2021, the Belgrade Dance Institute will participate in an online presentation at the 7th European Ballet Festival Grand Ensemble in Cluj (Romania), where all the most important European academies in the field of artistic dance will be presented.
Students from the Belgrade Dance Institute, members of the Youth Ballet company and a member of the ensemble of the National Theater in Belgrade are taking part in the presentation.
The ballet class will be led by Prof. Amalia Mindutriu (Romania), visiting professor of the Institute and head of the Youth Ballet company, with the assistance of Doc. Mila Stijak and piano accompanist Doc. Ana Spremić. The video will be recorded by Prof. Nemanja Maraš with the assistance of Teodora Živković.
The conference on the topic of Learning-Performing-Teaching Ballet will be held via the zoom application on Sunday, October 31st, 2021 at 6 pm, which can be watched on the platform of the Grand Assemblé festival.
Participants in the performance: Ksenija Sindjić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofija Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević and Gabriele De Fazio, member of the ensemble of the National Theater in Belgrade.
You can see the video of the addressing of the visiting professor Amalia Mindutri HERE.
You can see the video presentation of the students of the Belgrade Dance Institute, members of the Youth Ballet company and member of the ensemble of the National Theater in Belgrade HERE.
The 12th Belgrade International Film Festival of Persons with Disabilities - Bosifest ended with the award ceremony
The Grand Prix of the 12th Bosifest was won by the documentary HOUSE / UNE MAISON by French director Judith Auffray.
The award for best director went to the film VICTOR by Belgian director Christophe Hermans.
The award for best screenplay goes to the Iranian film INVISIBLE LINES, directed by Mehdi Rakhshani.
Special awards went to the Italian film CRAZY WHEELS / MEGLIO UN GIORNO directed by Elena Rebecca Carini and Ilaria Giangrande.
The award for the best screenplay for an Iranian film, INVISIBLE LINES, was received by the director of the Cultural Center of Iran in Belgrade, Mr. Mohamad Tagi Bahtijari, instead of the director Mehdi Rakhshani.
Prof. Dr. Snežana Arnautović Stjepanović, from the Belgrade Dance Institute, was presented with a letter of thanks for her contribution to the realization of the twelfth Belgrade International Film Festival of Persons with Disabilities BOSIFEST 2021.
The awards were presented by jury members Ivan Ikić and Stefan Ivančić at the closing of the Festival on October 20th at the Yugoslav Cinematheque.
Due to the pandemic caused by Covid 19, the authors of the award-winning films addressed the audience via a video link.
The director of Bosifest, Darko Ivić, expressed his satisfaction with the successfully held festival, despite all the difficulties caused by Covid 19. He thanked everyone who participated in the realization of the festival.
Ceremonial opening of the retrospective exhibition Vladimir Veličković: Figure as an expression of existence
The retrospective exhibition Vladimir Veličković: Figure as an Expression of Existence was officially opened today, October 20th, at 1 pm in the Museum of Contemporary Art in Belgrade.
The exhibition was opened by Deputy Prime Minister and Minister of Culture and Information Maja Gojković.
The exhibition was attended by Dean Prof. dr Vladimir Tomašević, Vice Dean Prof. dr Snežana Arnautović Stjepanović and Prof. Aleksandar Ilić, director of the Cultural Center of Belgrade.
During the conversation between the Deputy Prime Minister and the Minister of Culture and Information and the representatives of the Ministry of Culture and Information of the Republic of Serbia, the Vice-Dean of the Belgrade Dance Institute exchanged ideas on future cooperation and projects.
The exhibition Vladimir Veličković: The Figure as an Expression of Existence will last until February 21st next year.
Igra je uneverzalni jezik koji povezuje kultura, nacija i ljudi bez reči.
Ministarstvo spoljnih poslova Izraela je dugogodišnji partner ove platforme za savremenu igru i predstavlja najznačajnije koreografe, kompanije i umetnike iz Izraela.
IZVEDENA PREMIJERA PLESNE PREDSTAVE MOŽIČEK
Na sceni Doma kulture u Velenju (Slovenija) u četvrtak 2. decembra premijerno je izvedena plesna predstava Možiček Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije, a u izvođenju igrača Balkan Dance projekta Mojce Majcen i Patricije Crnkovič iz Slovenije, Branka Mitrovića iz Bosne i Hercegovine i Jakše Filipovca iz Srbije. Pored igrača u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.
Ideja organizatora i producenata je revitalizacija starih baleta i obnova dela u obeležavanju 100. godina od smrti čuvenog slovenačkog kompozitora Josipa Ipavca.
Gjergji Pervazi i profesor Aleksandar Ilić trenutno su prisutni na sceni kao najuticajniji koreografi.
Pervazi je školovan na Univerzitetu za scenske umetnosti u Albaniji, a usavršavao se u Parizu. Osnivač je Albanskog plesnog teatra i kompanije koja podstiče savremenu igru na tim prostorima i direktor je plesnog festivala Albania Dance Meeting. Asistent je na na Univerzitetu za umetnost u Tirani na odseku za koreografiju.
Profesor Aleksandar Ilić je srpski baletski umetnik i koreograf, osnivač i profesor Instituta za umetničku igru. Svoje postdiplomske studije završio je na Konzervatorijumu za muziku i ples Triniti Laban u Londonu. Kao koreograf ostvario je veliki broj produkcija u domaćim pozorištima i regionu. Od 2019. godine na poziciji je direktora Kulturnog centra Beograda.
Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.
Nakon premijere predstava će biti izvedena 22. decembra u Šentjuru i 27. decembra u Celju ove godine.
Više o predstavi pogledajte ovde: https://www.festival-velenje.si/dogodki/12994-Mozicek
Fotografija Hiša kulture Celje.
Premijera plesne predstave Možiček u Sloveniji
Na sceni Festivala Velenje (Slovenija) u četvrtak 2. decembra će premijerno biti izvedena plesna predstava Možiček.
Reč je o predstavi Josipa Ipavca u koreografijama profesora Aleksandra Ilića iz Srbije i Gjergji Pervazija iz Albanije.
Predstavu izvode igrači Balkan Dance projekta Mojca Majcen i Patricija Crnkovič iz Slovenije, Branko Mitrović iz Bosne i Hercegovine i Jakša Filipovac iz Srbije. Pored igrača, u predstavi učestvuju muzičari iz Slovenije Iztok Kocen, Zoran Bičanin, Urban Krč, Uroš Bičanin i Miha Firšt.
Ideja organizatora i producenata je revitalizacija starih baleta i obnova dela u obeležavanju 100 godina od smrti čuvenog slovenačkog kompozitora Josipa Ipavca.
Gjergji Pervazi i prof. Aleksandar Ilić trenutno su prisutni na sceni kao najuticajniji koreografi. Pervazi je školovan na Univerzitetu za scenske umetnosti u Albaniji, a usavršavao se u Parizu. Osnivač je Albanskog plesnog teatra i kompanije koja podstiče savremenu igru na tim prostorima i direktor je plesnog festivala Albania Dance Meeting. Asistent je na Univerzitetu za umetnost u Tirani na odseku za koreografiju.
Profesor Aleksandar Ilić je srpski baletski umetnik i koreograf, osnivač i profesor Instituta za umetničku igru. Svoje postdiplomske studije završio je na Konzervatorijumu za muziku i ples Triniti Laban u Londonu. Kao koreograf ostvario je veliki broj produkcija u domaćim pozorištima i regionu. Od 2019. godine na poziciji je direktora Kulturnog centra Beograda.
Scenografiju za predstavu je uradio Matija Kovača iz Slovenije a kostim Aleksandra Karović iz Srbije.
Nakon premijere predstava će biti izvedena 22. decembra u Šentjuru i 27. decembra u Celju ove godine.
Više o predstavi pogledajte ovde: https://www.festival-velenje.si/dogodki/12994-Mozicek
IZVEDEN SPEKTAKULARNI GALA KONCERT BALETA MLADIH
Na Velikoj sceni Doma kulture studentski grad u Beogradu u subotu 27. novembra je premijerno je prikazan Baletski Gala koncert u koreografiji Balet majstora i koreografkinje Amalie Mindrutiu gostujuće profesorke iz Rumunije a u izvođenju kompanije Balet mladih Instituta za umetničku igru.
Članovi Kompanije Balet mladih su izveli varijacije Poloneze iz baleta Evgenije Onjegin, varijacije iz baleta Labudovo jezero (pas de trois), Valcer ljubavi, varijacije iz baleta Don Kihot (treći čin), Rusku igru i Igru časovnika, čuvenih kompozitora Petra Iljiča Čajkovskog, Amilkarea Punkielia i Ludviga Minkusa.
Gala koncert maestralno su izveli Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov i Gabriele De Fazio.
Asistenti koreografa Mila Stijak i Milica Bezmarević a muzički saradnik Ana Spremić.
Fotografija Nemanja Maraš.
GALA KONCERT KOMPANIJE BALET MLADIH
Gala koncert klasičnog baleta u koreografiji Balet majstora Amalie Mindrutiu (Rumunija) a u izvođenju kompanije Balet mladih premijerno će biti izveden večeras 27. novembra na Velikoj sceni Doma kulture studentski grad s početkom u 20.00 časova.
Balet mladih veliča muziku i lepotu pokreta. Koncert je ispunjen varijacijama klasičnog baleta. Na sceni će učestvovati preko trideset izvođača iz kompanije Baleta mladih, studenata Instituta za umetničku igru i igrača iz baleta Narodnog pozorišta. Mladi igrači će prikazati varijacije kao što su Poloneza iz baleta Evgenije Onjegin, varijacija iz baleta Labudovo jezero (pas de trois), Valcer ljubavi, varijacija iz baleta Don Kihot (treći čin), Ruska igra i Igra časovnika. Kompozitori Petar Iljič Čajkovski, Amilkare Punkieli i Ludvig Minkus.
Gala koncert izvode Ksenija Sinđić, Lazar Tirić, Danijela Simić, Vladimir Sekulić, Nina Horvat, Luka Pejčinović, Una Stepanović, Senja Stanić, Nastasja Ivetić, Nikola Korać, Teodora Durać, Sofija Radovanović, Tijana Drndarević, Anastasija Vujnović, Ana Svorcan, Petra Vitanović, Anastasija Jovanović, Ana Đerković, Sofija Grbić, Mia Boieru, Anja Boieru, Lena Sokolović, Lana Prodanović, Tea Gmitrović, Andrijana Marin, Amber Seghier, Ema Stojković, Tea Manojlović, Filip Stanić, Sonja Milovanov i Gabriele De Fazio.
Asistenti koreografa Mila Stijak i Milica Bezmarević a muzički saradnik Ana Spremić.
Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije.
Rukovodilac kompanije je balet majstor Amalia Mindrutiu (Rumunija), uz asistenciju i saradnju sa baletskim pedagozima Milicom Bezmarević i Milom Stijak. Korepetitor kompanije Balet mladih je Ana Spremić. Plan rada kompanije je izvođenje redovnog repertoarskog programa koji se sastoji od Gala koncerata, baletskih svita, jednočinih baleta, celovečernjih baletskih predstava i izvornih koreografija klasičnog nasleđa. Rad kompanije je usmeren na pripremu polaznika za budući profesionalni rad u ansamblu.
Balet Mladih je realizovao veliki broj koncerata u okviru programa Narodnog pozorišta i Teatra Vuk u okviru kojih su se predstavili učenici osnovnih i srednjih baletskih škola.
Fotografija Nemanja Maraš.
PROFESOR DR MIOMIR PETROVIĆ UČESTVUJE NA NAUČNOM SIMPOZIJUMU
Prof. dr Miomir Petrović, redovni profesor na Institutu za umetničku igru učestvuje na naučnom simpozijumu Dragoslav Srejović i interdisciplinarnost u organizaciji Centra za naučnoistraživački rad SANU i Univerziteta u Kragujevcu, koji će se održati u Kragujevcu, 29. novembra tekuće godine.
Profesor Petrović izlagaće rad pod nazivom Modifikacija i transmutacija mita o Orestu u avangardnim dramskim tekstovima.
PLESNA PREDSTAVA SHELTER VEČERAS U SLOVENIJI
Plesna predstava Shelter u izvođenju Instituta za umetničku igru koreografa Kristofa Beranžea i Žonatana Pranlas-Deskura (Francuska) će biti izvedena večeras 19. novembra s početkom 19.30 časova na sceni Plesnog foruma Celje (Slovenija) u organizaciji Hiše kulture Celje, čime se završava regionalna turneja ovog projekta, uz podršku Ministarstva kulture i informisanja Republike Srbije i međunarodne platforme Teatroskop Francuskog Instituta u Srbiji.
Na obostrano zadovoljstvo i publike i kritike, celjska kulturna scena ponovo se vraća na mapu nezaobilazne plesne destinacije u Sloveniji na čemu intezivno deluje Mojca Majcen studentkinja druge godine Odseka koreografija.
U predstavi igraju alumsnistkinje i studentkinje: Katarina Bućić, Jovana Grujić, Natalija Trifunović, Ana Mihova, Katarina Ilijašević, Sonja Stojanović i Tijana Ostojić.
Koreografija Shelter je završna predstava studenata Instituta za umetničku igru, odseka za savremenu igru. Shelter je novi i neuobičajeni stvaralački proces inspirisan ritmovima muzičkih partitura u kome muzika i ples kreiraju brzinu, iniciraju pokret tela i njegov let i pričaju epsku sagu o istoriji Beograda, grada raspetog između stalnog razaranja i izgradnje. Zatim iznutra gradimo sklonište čiji je zadatak da nam omogući otvaranja ka svetu uprkos njegovim kontradikcijama, dostignemo tišinu usred urbane vreve i dramatičnosti života. Tokom procesa analiziramo kategoriju propadanja, rastakanja čak i onih struktura za koje smo mislili da su večne, momente tokom kojih shvatamo da je samo naše telo naš hram, navode autori.
Plesna predstava SHELETER (Sklonište) premijerno je izvedena 29. juna na sceni BITEF teatra.
Više o predstavi pogledajte ovde: https://www.hisakulture.si/2021/11/06/plesna-predstava-shelter-zaklonisce/
Performans Hafetopija
Performans Hafetopija će biti izveden 20.11.2021. godine u 19.00 časova u Ostavinskoj galeriji u Beogradu u okviru međunarodnog projekta Drugi načini komunikacije. Performans izvodi višemedijska umetnica, profesor i prodekan za nastavu Instituta za umetničku igru dr Snežana Arnautović Stjepanović sa svojim devetogodišnjim sinom Teodorom. Muziku za performans je komponovao Ivica Stjepanović.
Performans je posvećen našem velikom umetniku Eri Milivojeviću.
"Hafetopija, hapefobija ili hapetofobija predstavlja strah od dodira.
Živimo u vremenu kada samo jedan dodir za nekoga može biti smrtonosan. Promene u načinu življenja i društvenim interakcijama (život bez zagrljaja, poljubaca i dodira) dovele su do stanja anksioznosti koji se mogu poistovetiti sa simptomima ove fobije.
Performans Hafetopija ukazuje na potrebu za dodirom, za taktilnim i manuelnim činom, koji je u periodu od početka pandemije postao onemogućen. Vraćanje prirodi i delovanje prema njenim zakonitostima predstavlja se putem uspostavljanja novog načina komunikacije: čulno, taktilno i intuitivno."
Snežana Arnautović Stjepanović
Projekat Drugi načini komunikacije
Sreća je u konekciji i saosećanju sa drugima, kao izvoru nade, empatije, odgovornosti i autentičnosti. Prava svrha umetnosti je u saopštavanju osećanja. Globalno iskustvo covid 19 pandemije prouzrokovalo je promene u načinu funkcionisanja društva: rad od kuće, online nastave, sastanci na različitim internet platfromama, pa je uspostavljanje međuljudskih odnosa kao „drugi načini komunikacije“ izazov.
Projekat uključuje umetnike iz Beograda i Berlina, koji će svojim radovima i dijalogom razmatrati čovekov odnos prema telu, kao njegovoj najneposrednijoj prirodi, a taj odnos govori o čovekovom odnos prema prirodi. Razvoj čula i ekološke svesti unapređuje životnu sredinu, ali i ima za cilj uspostavljanju empatičnih međuljudskih odnosa, društvenosti i kulture. Jezik savremene umetnosti je polje preispitivanja „drugih načina komunikacije” sa upotrebom različitih ljudskih čula, taktilnost, manuelni rad, telesno gestualno slobodno kretanje u prostoru, prevazilaženja limitiranog gesta tipkanja po ekranu mobilnog telefona i kompjuterskoj tastaturi, gde je razgovor sa drugima ograničen na čulo vida i sluha.
Umetnici: Snežana Arnautović, Marijana Oro, Marko Nektan, Ana Cvejić, Magda Radojlović, Melih Sarigol, Emre Birişmen, Merey Senokak, Funke Collective Berlin.
Autor projekta: Isidora Fićović PR: Pavle Knežević Katalog: Ivana Vidić
Partner na projektu: Selda Asal, Apartment project Berlin
Izložba u Ostavinskoj galeriji u Beogradu, Kraljevića Marka 8, od 19. do 25. novembra 2021, biće otvorena 19. novembra 2021. u 19h.
Fotografije: Lidija Antonović
PLESNA PREDSTAVA SHELTER VEČERAS U ZAGREBU
Večeras će na sceni Zagrebačkog plesnog centra biti izvedena plesna predstava Shelter u koreografiji Kristofa Beranžea i Žonatana Pranlas-Deskura autorskog dvojca iz Francuske. Nakon nastupa u Zagrebu, sledeće izvođenje je u petak 19. novembra na sceni Hiša kulture u Celju u Sloveniji.
Predstavu izvode Katarina Bućić, Jovana Grujić, Natalija Trifunović, Angela Mihova, Katarina Ilijašević, Sonja Stojanović i Tijana Ostojić.
Koreografija Shelter je završna predstava studenata Instituta za umetničku igru, odseka za savremenu igru. Shelter je novi i neuobičajeni stvaralački proces inspirisan ritmovima muzičkih partitura u kome muzika i ples kreiraju brzinu, iniciraju pokret tela i njegov let i pričaju epsku sagu o istoriji Beograda, grada raspetog između stalnog razaranja i izgradnje. Zatim iznutra gradimo sklonište čiji je zadatak da nam omogući otvaranja ka svetu uprkos njegovim kontradikcijama, dostignemo tišinu usred urbane vreve i dramatičnosti života. Tokom procesa analiziramo kategoriju propadanja, rastakanja čak i onih struktura za koje smo mislili da su večne, momente tokom kojih shvatamo da je samo naše telo naš hram, navode autori.
Regionalno gostovanje predstave podržano je od strane Ministarstva kulture i informisanja Republike Srbije.
IZVEDENA OPERA DEČIJA SOBA
Kompanija Balet mladih je premijerno nastupila u okviri 53. BEMUS – a u petak 12. novembra na sceni Malog pozorišta Duško Radović u operi za decu Dečija soba pod dirigentskim vođstvom Milana Nedeljkovića, kompozitora Milenka Živkovića po tekstu Desanke Maksimović u koreografiji Mile Stijak i Ane Bošković.
Režiju potpisuju Natalija Stanković i Mateja Đedović pod mentorstvom Borisa Liješevića, a u predstavi pored članova Kompanije Balet mladih glavne uloge tumače Biljana Jovanović (mama), Boris Papak (tata), Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Hor Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.
Reprizu opere Dečija soba možete pogledati 13. novembra u 20.00 časova.
PRAKTIČNI VODIČ KROZ SUJEVERJE
Na Velikoj sceni Teatra Vuk u sredu 10. novembra s početkom u 20.00 časova premijerno je izvedena završna predstava Praktični vodič kroz sujeverje Katarine Ilijašević na odseku za koreografiju pred tročlanom komisijom i publikom, Prof. dr Snežana Arnautović, mentor i članovima komisije Prof. Dijane Milošević, Stjepanović i Prof. dr Miomir Petrović.
Predstava je nastala pod mentorstvom Prof. dr Snežane Arnautović Stjepanović i ko-mentorstvom Profesora Ognjena Vučinića u režiji Luke Jovanova.
"Kada se strah pretvori u religiju, ni sve svećice ne mogu da naprave dovoljno dima da bi poruka stigla do željenih nebeskih sila. I tada, izbegavanje merdevina postaje život ispod istih. Pokušaćemo da zamislimo želju - potrebni su nam susreti, potrebno nam je da se posle mazimo i umiljavamo, da se budimo zajedno, jer glupo je buditi se sam prvog januara, bedno je biti sam, publika nam treba, da vidi kako radosni dočekujemo svoju Novu godinu, još jednu bržu od prethodne, da imamo nekoga da vidi kako smo bili srećni, kako smo se dodirivali, kako smo plesali, urlali, menjali muziku, jeli prasetinu, nosili crveni veš, potrebna nam je publika da posvedoči naše bolje ja, potrebno nam je da se, kad sve prođe u sumrak, ponovo sretnemo sa sobom, ali je ključno imati nekoga da nam naknadno to ispriča. I zato, palimo sveće. I zato, ne krećemo nigde bez klupka crvenog konca. Zato se skupljamo. Zato se klanjamo. I upravo zbog toga, nema ničega praktičnog u još jednom od praktičnih vodiča - (skoro) sve smo besramno izmislili. "
Predstavu su izveli Jovana Grujić, Tijana Koprivica, Dika Babić i Djordje Galić.
Vizualni identitet Dunja Maksimović, za dizajn zvuka zadužen je Nikola Radeka a dizajn plakata je uradio Nikola Krdžić.
Fotografije / Nemanja Maraš
Odbrana Master rada Katarine Stojković
Na Institiutu za umetničku igru 09.11.2021. Katarina Stojković, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Koreografski pristup u autorskom filmu 64.74.
Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Katarina Stojković, ima sva prava i obaveze koje proizilaze iz činjenice da od 09.11.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!
DEČIJA SOBA – opera za decu
Kompanija Balet mladih će premijerno nastupiti u okviru 53. BEMUS – a u petak 12. novembra na sceni Malog pozorišta Duško Radović u operi za decu Dečija soba pod dirigentskim vođstvom Milana Nedeljkovića, kompozitora Milenka Živkovića po tekstu Desanke Maksimović u koreografiji Mile Stijak i Ane Bošković, s početkom u 20.00 časova. Prva repriza je zakazana za 13. novembar.
Dečija soba je komponovana po motivima istoimene kratke priče naše pesnikinje Desanke Maksimović i predstavlja ne samo prve korake naše kompozitorske prakse usmerene na najmlađu publiku četvrte decenije dvadesetog veka u Srbiji već i pravi biser opusa Milenka Živkovića i naše kulturne baštine. Ovo jedinstveno delo, rad dvoje velikana srpske umetnosti, pokazatelj je naprednog mišljenja i stepena razvoja srpske umetničke scene, koja je u prvoj polovini dvadesetog veka išla u korak sa najsavremenijim umetničkim strujanjima u Evropi.
Ove godine se navršava 120 godina od rođenja Milenka Živkovića, čiji su značaj i delo nepravedno zapostavljeni u našoj sredini, a na 53. BEMUS-u sa izvođenjem Dečije sobe ćemo podsetiti na njegov nemerljiv doprinos u stvaranju muzičke i scenske umetnosti u Srbiji.
Ideja za rekonstrukciju i izvođenje ovog dela je proizašla iz projekta Opera: Past, Present, Perfect! u produckiji Muzičko opersko teatarske organizacije MOTO i Malog pozorišta Duško Radović pod pokroviteljstvom Kreativne Evrope.
Režiju potpisuju Natalija Stanković i Mateja Đedović pod mentorstvom Borisa Liješevića. Pored članova Kompanije Balet mladih glavne uloge tumače Biljana Jovanović (mama), Boris Papak (tata), Olivera Krivokuća (prvo dete), Isidora Bogdanović (drugo dete), Sara Ristić (treće dete), Mina Nikolić (četvrto dete), Dečiji kulturni centar Beograd, dirigent Snežana Despotović, solisti Muzičke škole Vojislav Vučković klasa prof. Maja Đokić, orkestar polaznici projekta Opera: Past, Present, Perfect! i profesionalni muzičari.
Opera za decu prvi put je izvedena 20. i 26. februara 1941.godine.
PREMIJERA PLESNE PREDSTAVE SOFIA
Na sceni BITEF teatra u nedelju 7. novembra s početkom u 20.00 časova premijerno je izvedena plesna predstava Sofia Bitef Dance kompanije u koreografiji Felix Landerera koju izvode studenti Jakša Filipovac i Nikola Živković i alumnisti Tamara Pjević i Branko Mitrović.
Pored studenata i alumnista Instituta za umetničku igru predstavu izvode Ana Ignjatović-Zagorac, Ivana Savić Jaćić i Staša Ivanović (alternacije Nataša Gvozdenović, Miona Petrović, Dušan Bajčetić i Nea Janković).
Predstava postavlja pitanje o ljudskom umu i njegovom naizgled smanjenom kapacitetu da prepozna činjenicu da sabotira sopstvenu budućnost. Zasnovan na preispitivanju ideja o ljudima i njihovoj povezanosti sa onim što ih tehnološki i organski okružuje, Felix Landerer se poigrava idejom o priznatom ljudskom katalogu kretanja i povezanosti. Ideje o tome čemu se možemo prilagoditi, šta nam pripada a šta ne, određuju parametre za njegov pristup ovoj temi.
Kao primer možemo uzeti protezu, kao simbol nečega što nam pripada ili ne.
Komad je postavljen u neku vrstu izložbe. Izložbe ljudskog ponašanja i tela kao nečeg savršenog. Nečeg sa manama. Nečeg prirodnog. Nečeg što bi moglo da bude podsetnik na prirodni svet u koji smo nekada bili uključeni.
Muzika Christof Littmann; kostim Selena Orb; scenografija Isidora Spasić; organizacija Marija Takić.
Fotografija Nenad Šugić
Preuzeto sa sajta BITEF teatar
Po tekstu Dragane Kožan, predstavu su izveli Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij i Alisa Oravec.
Kostim za predstavu je uradila Tereza Veber Oravec, maske Sandra Veber, a šminku Andrea Bisa.
Fotografija Srđan Veljović (Politika).
SERTIFIKAT ZA UČEŠĆE NA 7. EVROPSKOM BALETSKOM FESTIVALU GRAND ASSEMBLÉ
Institutu za umetničku igru i Kompaniji Balet mladih uručen je sertifikat za učešće na 7. Evropskom baletskom festivalu Grand Assemblé u Klužu koje su pripremile Prof. Amalia Mindrutiu, Doc. Mila Stijak i Doc. Ana Spremić uz učešće Ksenije Sinđić, Danijele Simić, Une Stepanović, Sonje Milovanov, Luke Pejčinovića, Lazara Tirića, Senje Stanića, Vladimira Sekulića, Sofije Radovanović, Anastasije Vujnović, Ane Svorcan, Tijane Drndarević i Gabriela De Fazio.
Video je snimao Prof. Nemanja Maraš uz asistenciju Teodore Živković.
Za više informacija kako da se priključite radu Kompanije Balet mladih pozovite
011 41 40 421 svakog radnog dana od 9.00 do 17.00 časova.
BELLA CIAO
Na najvišem umjetničkom nivou IMRC kolektiv kreira predstave s profesionalnim umjetnicima i izvođačima sa i bez invaliditeta te kroz formu plesa zastupa ravnopravnost, različitost, zajedništvo i jednake mogućnosti, bez da tematizira iti jednu skupinu, već progovara na razne načine o ravnopravnosti, zajedništvu i važnosti izražavanja svake osobe na sebi svojstven način, u svoj svojoj snazi, ali i ranjivosti.
Tako je plesna predstava Bella Ciao rođena iz istraživanja raznih oblika izvedbenog zajedništva i podrške. Bella Ciao, talijanska revolucionarna pjesma, stoji u naslovu kao simbol borbe, i otpora bilo kojim opresivnim ideologijama nad slobodom tijela: opresije “ispravnih” nad onima koji se u taj kanon ne uklapaju, “jakih” nad slabijima, “savršenih” nad krhkima. "Tijela koja istražuju svoje različitosti i igraju se njima, iskreno i bez zadrške, bile su u centru našeg umjetničkog interesa. Unutar grupe sedmero plesača/izvođača, tražili smo mjesta na kojima se možemo otvoriti prema granicama svojih nesavršenosti, krhkosti i ranjivosti, kako bismo kroz njih proizveli izvedbenu snagu. Izvedba tako postaje mjesto intenzivne medijacije emocija, a izvođači nosioci ideje slobodnog pojedinca posvećenog zajedništvu. Glavno tkanje izvedbe zajednički je osjećaj za prostor i vrijeme, u suigri plesača/izvođača i muzičara, i na koncu, publike. Inspirirajući se i motivirajući međusobno, ono najuzbudljivije i najvrijednije događa se uvijek u prostoru među nama. Bella Ciao predstava je koja odnose među ljudima pretvara u prostor slobode", kaže koreografkinja Silvija Marchig, kojoj ovo nije prva suradnja s IMRC kolektivom.
IMRC plesni kolektiv (Inclusive Movement Research Collective - IMRC) profesionalni je edukacijski i izvedbeni plesni projekt, specifičan po tome što uključuje plesače sa i bez tjelesnog invaliditeta. Djeluje od 2012. godine, a osnovan je u suradnji s Hrvatskim institutom za pokret i ples i Zagrebačkim plesnim centrom. Svojim kratkim i cjelovečernjim predstavama gostuju po brojnim plesnim i kazališnim festivalima (Dioniz festival Osijek, Tjedan suvremenog plesa, Improspekcije, Bjelovarski odjeci kazališta, Plesna mreža Hrvatske – HNK Osijek, Showcase Hrvatskog centra ITI, Inkluzivne scene – Rijeka, Antisezona 19, MSU Zagreb, Pula – PUF, EU projekt Unlimited Access – Onasis centar Atena, Night of Inclusion – Dubrovnik, Media Diversty – Skopje, EU projekt LLB - Uferstudios Berlin).
"Osim predstavama, čestim prisustvom u medijima te kontinuitetom edukacijskog programa ostvarujemo značajan utjecaj na hrvatsku kulturnu i društvenu scenu, pomičući granice umjetničkog izričaja i promovirajući principe inkluzije. Kritika nas naziva „najsugestivnijim ansamblom na domaćoj sceni“, a nagradama (Nagrada hrvatskog glumišta Slađanu Livnjaku 2016, Nagrada Pulskog festivala PUF predstavi Lemia 2019) te suradnjom s Odsjekom za ples Akademije dramske umjetnosti u Zagrebu potvrđujemo najvišu razinu naših programa" kaže umjetnička voditeljica kolektiva Iva Nerina Sibila.
Nastup Bella Ciao kolektiv će popratit i sa radionicom. „Pozivamo sve koji žele plesati, bez obzira na dob, plesačko iskustvo, ograničenje u pokretu ili fizičku spremnost, a koji žele dijeliti svoju maštu, istražiti i proširiti svoj pokret kroz ples, da nam se pridruže!“ – poručuju iz IMRC-a. U Zadru će se radionica održati 20. rujna od 11 do 13 sati, dok u Kninu 22. rujna od 10:30 do 12:30 sati.
Za rezervacije i pitanja kolektiv vas poziva da se slobodno obratite na e-mail adresu inkluzivni.imrc.kolektiv@gmail.com
O predstavi:
Autorica: Silvia Marchig
Su-autori i izvođači: Josipa Lukinović, Helvecia Tomić, Irma Unušić, Leon Goličnik, Marijan Pajvot, Nikola Orešković, Ognjen Vučinić
Glazba: Hrvoje Klemenčić
Foto, dizajn promo materijala, tehnička podrška: Jason Mulhausen
Foto: Marko Gutić Mižimakov
Umjetničko vodstvo: Iva Nerina Sibila
Pjesma Bella Ciao u izvedbi je Giovanne Daffini
Produkcija: HIPP / IMRC 2018.
Ostvareno u rezidenciji i uz podršku Plesnog centra TALA.
IMRC djeluje u suradnji sa Zagrebačkim plesnim centrom.
Financijska potpora gostovanju: Ministarstvo kulture RH.
UBILI SMO MAMU, ZAMALO
Premijera savremene plesne predstave Ubili smo mamu zamalo, Alise Oravec, biće izvedena 5. novembra 2021. u Velikoj sali Studentskog kulturnog centra u Beogradu s početkom u 19.00 časova.
Neizvesno je šta se može desiti čoveku zbog promene klime na planeti Zemlji.
Čovek i jeste izazvao katastrofalne promene, koje će mu doći glave ako se u skorije vreme ne usaglasi s prirodom. Nažalost, stanje je već jako alarmantno. Da li će čovek biti kažnjen zbog svog ponašanja? Da li čovek oseća Planetu Zemlju kao živo biće koje svakim danom ubija zarad svog komfornog života? Da li će ga Majka Zemlja zbaciti s trona industrijske i tehničke revolucije, ili je Majka Zemlja kao i svaka majka sažaljiva i svoje najlošije dete ipak pokušava da vrati na pravi put? Koliko će joj biti potrebno snage, strpljenja, pretrpljenih rana u ovoj borbi? Mogu li svetski lideri rešiti neki problem, ili će se papagajski ponavljati bez rešenja? Može li se čoveku probuditi svest i savest?
Predstava Ubili smo mamu zamalo je master rad Alise Oravec na Institutu za umetničku igru pod mentorstvom Prof. Dijane Milošević, kojom autorka želi da pošalje poruku gledaocu kako vidi odnos Majke Prirode (Zemlje) i čoveka. Čoveka, za koga se Majka (kao svaka majka) bori da ga izvuče iz propasti i postavi na bolji put, stižu i druge opomene. Ako se budu aktivirale mnogo jače prirodne snage od čovekove, čovečanstvo gubi budućnost. Postoji još jedna obaveza čovečanstva, a to je da se probudi iz materijalnog sveta i produhovi svoju božansku prirodu u sebi. Tada će videti kako je čudesan i skladan život na Planeti Zemlji, naglašava Alisa Oravec.
Predstavu izvode Alisa Oravec, Aleksander Zain, Marija Tomić, Isidora Poledica, Miloš Janjić, Martin Marek, Ana Lipij.
Interpretacija teksta Alisa Oravec, tekst Ubili smo mamu - Dragana Kožan, svetlo Aleksa Stojanović, ton Dejan Kolarski, kostim Tereza Veber Oravec, maska Sandra Veber, šminka Andrea Bisak.
Fotografija Petar Vasilčin.
Odbrana Master rada Manje Pavićević
Na Institiutu za umetničku igru 29.10.2021. Manja Pavićević, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Struktura časa klasičnog baleta sa mentalnim osnaživanjem.
Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Manja Pavićević, ima sva prava i obaveze koje proizilaze iz činjenice da od 29.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!
Institut za umetničku igru na Evropskom baletskom festivalu Grand Assemblé
Institut za umetničku igru će 31. oktobra 2021. učestvovati u online predstavljanju na 7. Evropskom baletskom festivalu Grand Ansamble u Klužu (Rumunija) na kome će se predstaviti sve najznačanije evropske akademije u oblasti umetničke igre.
U predstavljanju učestvuju studenti Instituta za umetničku igru, članovi kompanije Balet Mladih i član ansambla Narodnog pozorista u Beogradu.
Baletski čas će voditi Prof. Amalia Mindutriu (Rumunija), gostujući profesor Instituta i rukovodilac kompanije Balet Mladih, uz asistenciju Doc. Mile Stijak i korepeticiju Doc. Ane Spremić. Video će snimati Prof. Nemanja Maraš uz asistenciju Teodore Živković.
Konferencija na temu Learning-Performing-Teaching Ballet održaće se putem zoom aplikacije u nedelju 31. Oktobra 2021. u 18.00 časova koja može da se prati na platformi festivala Grand Assemblé.
U izvođenju učestvuju: Ksenija Sinđić, Danijela Simić, Una Stepanović, Sonja Milovanov, Luka Pejčinović, Lazar Tirić, Senja Stanić, Vladimir Sekulić, Sofija Radovanović, Anastasija Vujnović, Ana Svorcan, Tijana Drndarević i Gabriele De Fazio član ansambla Narodnog pozorista u Beogradu.
Video obraćanja gostujuće profesorke Amalije Mindutriu možete videti OVDE.
Video prezentaciju studenata Instituta za umetničku igru, članova kompanije Balet Mladih i člana ansambla Narodnog pozorišta u Beogradu možete videti OVDE.
AUDITION FOR RECEPTION OF BALLET MEMBERS OF THE NATIONAL THEATER IN SARAJEVO
Belgrade Dance Institute, in cooperation with the National Theater from Sarajevo, is organizing an Audition for the reception of male members of the Ballet Ensemble of the National Theater in Sarajevo.
The audition will be held on October 30th, starting at 11:00 am in the New Hall of the Belgrade Dance Institute, st. Bulevar vojvode Mišića 43A in Belgrade.
The National Theater from Sarajevo, in cooperation with the Belgrade Dance Institute, is organizing an audition in Belgrade for the second time in order to bring together two European centers of classical ballet, which, in addition to nurturing cultural and artistic heritage, promote new talents of classical, neoclassical and contemporary art.
Candidates should enclose with the application they fill in on the spot the following documents:
The audition involves an academic class (bar, middle, jumps) including a variation at the request of the committee.
Applications with the indication Audition for Sarajevo Ballet should be sent to the e-mail: teodora.zivkovic@iui.rs
The application deadline is October 29th, 2021.
The results of the audition will be announced on Monday, November 1st.
Angela Mihova's Solo Initiation opened the 12th BOSIFEST
On October 18th, 2021, at 6 pm, Angela Mihova, a third-year student at the Belgrade Dance Institute, performed a solo Initiation at the 12th BOSIFEST International Film Festival of Persons with Disabilities, which takes place from October 18th to 20th at the Yugoslav Cinematheque. The solo was created in the work with the visiting professor of the Belgrade Dance Institute, Natalija Gabrijelščik from the famous dance company Hofeš Šehter.
The audience was addressed by the Festival Director Darko Ivić, Festival Selector Miroljub Stojanović, Senior Advisor from the Ministry of Labor, Employment, Veterans and Social Affairs Anja Sargin and the Commissioner for the Protection of Equality Mrs. Brankica Janković.
The opening ceremony of the 12th Bosifest was led by actress Nataša Tapušković.
During Bosifest, from October 18th to 20th, the audience will have the opportunity to watch a total of 12 films chosen by the selector Miroljub Stojanović.
The jury of this year's Bosifest will be composed of directors: Ivan Ikić, Stefan Ivančić and Sonja Djekić.
The jury will award the following prizes: Grand Prix for best film, award for best director, award for best screenplay, as well as special awards.
With its richness of diversity, the festival promotes Serbia and the city of Belgrade as one democratic society that fights for the integration of persons with disabilities as equal members of society.
IN MEMORIAM
Goran Mitrović, the champion and soloist of the Ensemble of Folk Dances and Songs KOLO from Belgrade, passed away suddenly at the age of 51.
The news of the premature loss of a colleague, artist, pedagogue and one of the most brilliant folklore players of today, as reported by the parent company, is still accepted by colleagues in disbelief.
Goran Mitrović was born in 1970 in Belgrade. He was admitted to the Ensemble of Folk Dances and Songs KOLO in 1990, and in 2006 he received the status of champion in which he achieved a large number of successful roles, the most famous of which are Gypsy Dance - choreography by Dobrivoje Putnik; Teskoto - choreography by Olga Skovran; Go pratile dedo - choreography by Dobrivoje Putnik; Komitas Games - choreography by Mira Sanjina; instrumentalist on Tapan in Triple Games; Goransko teškoto and others.
He staged a large number of independent choreographic compositions in his parent company and on other stages.
He collaborated with the Lujo Davičo Ballet School in Belgrade as a pedagogue of folk dance, with the ensembles AKDU Lola and AKUD Branko Krsmanović, as well as with the National Theater in Belgrade.
After graduating and specializing at the College for Training and Education of Teachers in Kikinda, he enrolled at the Belgrade Dance Institute in Belgrade, where he was mentored by Prof. Dijana Milošević acquired the title of Master Audio and Visual Artist - Artistic Play in 2020.
Goran was a leader, he was a colleague, he was a friend. Without him the ROUND will never be the same again. But the memory of him is what will carry us further, which will give us the strength to, in his honor, continue with song and dance. Glory to him, his collegues wrote from the Ensemble of Folk Dances and Songs KOLO.
You can't really say goodbye to him. We are in shock, there is no more of the best, but he left behind students who will always try to be the same, the best, because he wanted to. Because he did not know otherwise, his collegues wrote from Abrašević on the occasion of the death of Goran Mitrović, our artistic director of Pančevo's Abrašević (2014-2021).
Colleague Mitrović was a golden example that the desire for learning, research, re-examination and constant work never stops. It didn't take long for his exceptional master's work "Basic theatrical persistence in music and stage works - choreography and its problems of creation today" to decide to go a step further and become a candidate for Doctoral studies. We were days away from that new meeting, the Belgrade Dance Institute announced.
The Minister of Foreign Affairs of the Gambia is visiting the Belgrade Dance Institute
Today, the Belgrade Dance Institute hosted the High Representative of the Gambia, Minister of Foreign Affairs, Mr. Mamadou Tangara.
Dean, prof. Dr. Vladimir Tomašević had extensive talks with Mr. Tangar on cooperation between the Republic of Serbia and the Gambia. The strategy of higher education and its improvement was discussed.
House of Culture in Gračanica: Ballet schools started working
The ballet school at the House of Culture in Gračanica has started working again, and the first classes were held this weekend.
This year, the school continues to work as it did before the appearance of the coronavirus. Every weekend, thirty girls divided into three age groups will practice steps on their fingertips with the help of ballet pedagogue Una Stepanović.
"We, the children and the parent, wanted the ballet, which can be seen by the number of participants. The fact that the interest is still great is gratifying, so we are continuing to socialize with our ballerinas this season and we are continuing our successful cooperation with the Belgrade Dance Institute" says for the Riznica, Snežana Petrović, coordinator of the ballet school at the House of Culture in Gračanica.
Since there is great interest in ballet in other areas as well, the plan is to restart the school in Šilovo in the local cultural center.
As they say from the House of Culture in Gračanica, this will not stop, but something more is planned.
"The ballet school has shown us that we have talented children who want to learn and progress. We also have the unreserved support of parents to launch an initiative to open a lower ballet school in Gračanica. With the help of our friends from the Belgrade Dance Institute, I believe that it will not be impossible," says Petrović.
The ballet school in Gračanica started working in 2017. On the occasion of the World Dance Day, and for an exceptional contribution to the popularization of ballet, a year later, the school was awarded with the Terpsichore Prize. Two medals and a Grand Prix were awarded at the Ballet School at the International Olympics for Music and Dance of the Central Balkans in Belgrade.
Taken from the RIZNICA website
Text written by: I. Miljković
Uručenjem nagrada završen 12. Beogradski internacionalni filmski festival osoba sa invaliditetom – Bosifest
Gran pri 12. Bosifesta osvojio je dokumentarni film KUĆA / UNE MAISON francuske rediteljke Judith Auffray.
Nagradu za najbolju režiju dobio je film VICTOR belgijskog reditelja Christophe Hermansa.
Nagrada za najbolji scenario pripada iranskom filmu NEVIDLJIVE LINIJE / INVISIBLE LINES reditelja Mehdi Rakhshanija.
Specijalna priznanja pripalo je italijanskom filmu LUDI TOČKOVI / MEGLIO UN GIORNO rediteljki Elene Rebeke Karini i Ilarije Đangrande.
Nagradu za najbolji scenario za Iranski film, INVISIBLE LINES, umesto reditelja Mehdi Rakhshanija primio je direktor kulturnog centra Irana u Beogradu G-din Mohamad Tagi Bahtijari.
Prof. dr Snežani Arnautović Stjepanović, sa Instituta za umetničku igru, uručena je zahvalnica za doprinos u realizaciji dvanaestog beogradskog internacionalnog filmskog festivala osoba sa invaliditetom BOSIFEST 2021.
Nagrade su na zatvaranju Festivala 20. oktobra u Jugoslovenskoj kinoteci uručili članovi žirija Ivan Ikić i Stefan Ivančić.
Zbog pandemije izazvane Covidom 19, autori nagrađenih filmova su se obratili publici putem video linka.
Direktor Bosifesta Darko Ivić izrazio je zadovoljstvo zbog uspešno održanog festivala, uprkos svim poteškoćama koje je izazvao Covid 19. Zahvalio se svima koji su učestvovali u realizaciji festivala.
AUDICIJA ZA PRIJEM ČLANOVA BALETA NARODNOG POZORIŠTA U SARAJEVU
Institut za umetničku igru u saradnji s Narodnim pozorištem iz Sarajeva organizuje Audiciju za prijem muških članova ansambla Baleta Narodnog pozorišta u Sarajevu.
Audicija će se održati 30. oktobra s početkom u 11.00 časova u Novoj sali Instituta za umetničku igru, ul. Bulevar vojvode Mišića 43A u Beogradu.
Narodno pozorište iz Sarajeva u saradnji s Institutom za umetničku igru po drugi put organizuje audiciju u Beograda u cilju zbližavnja dva evropska centra klasičnog baleta koji pored negovanja kulturno umetničkog nasleđa promovišu i nove talente klasične, neoklasične i savremene umetničke igre.
Kandidati treba da prilože uz prijavu koju popunjavaju na licu mesta i sledeća dokumenta:
Audicija podrazumeva akademski klas (bar, sredina, skokovi) uključujući varijaciju na zahtev komisije.
Prijave sa naznakom Audicija za Balet Sarajeva treba poslati na imejl: teodora.zivkovic@iui.rs
Rok za prijavljivanje je 29. oktobar 2021. godine.
Rezultati audicije biće objavljeni u ponedeljak 1. novembra.
Fotografija arhiva Narodno pozorište Sarajevo.
Solo Initiation Angele Mihove otvorio 12. BOSIFEST
18. oktobra 2021. u 18.00h Angela Mihova, studentkinja III godine Instituta za umetničku igru izvela je solo Initiation na 12. BOSIFEST-u Internacionalnom filskom festivalu osoba sa invaliditetom koji se održava od 18. do 20. oktobra u Jugoslovenskoj Kinoteci. Solo je nastao u radu sa gostujućom profesorkom Instituta za umetničku igru Natalijom Gabrijelščik iz čuvene plesne kompanije Hofeš Šehter.
Publici su se obratili direktor Festivala Darko Ivić, selektor festivala Miroljub Stojanović, Viši savetnik iz Ministarstva za rad, zapošljavanje, boračka i socijalna pitanja Anja Sargin i Poverenik za Zaštitu ravnopravnosti G-dja Brankica Janković.
Ceremoniju otvaranja 12. Bosifesta vodila je glumica Nataša Tapušković.
Tokom trajanja Bosifesta, od 18. do 20. oktobra, publika će imati priliku da pogleda ukupno 12 filmova po izboru selektora Miroljuba Stojanovića.
Žiri ovogodišnjeg Bosifesta radiće u sastavu reditelja: Ivan Ikić, Stefan Ivančić i Sonja Djekić.
Žiri će dodeliti sledeće nagrade: Gran Prix za najbolji film, nagradu za najbolju režiju, nagradu za najbolji scenario, kao i specijalne nagrade.
Festival bogatstvom različitosti promoviše Srbiju i grad Beograd kao jedno demokratsko društvo koje se bori za integraciju osoba sa invaliditetom kao ravnopravnih članova društva.
IN MEMORIAM
Goran Mitrović Prvak i solista Ansambla narodnih igra i pesama KOLO iz Beograda iznenada je preminuo u 51. godini.
Vest o prerarnom gubitku kolege, umetnika, pedagoga i jednog od najblistavijih folklornih igrača današnjice kako saopštavaju iz matične kuće, kolege i dalje sa nevericom prihvataju.
Goran Mitrović je rođen je 1970. godine u Beogradu. U Ansambl narodnih igara i pesama KOLO primljen je 1990. godine, a 2006. dobija status prvaka u kom je ostvario veliki broj uspešnih uloga od kojih su najpoznatije Ciganska igra - koreografija Dobrivoje Putnik; Teskoto - koreografija Olga Skovran; Go pratile dedo - koreografija Dobrivoje Putnik; Komitske igre - koreografija Mira Sanjina; instrumentalista na Tapanu u igrama Trojno ; Goransko teškoto i druge.
Postavio je veći broj samostalnih koreografskih kompozicija u matičnoj kući i na drugim scenama.
Sarađivao je sa Baletskom školom Lujo Davičo u Beogradu kao pedagog narodne igre, sa ansamblima AKDU Lola i AKUD Branko Krsmanović, kao i sa Narodnim pozorištem u Beogradu.
Nakon diplomiranja i specijalizacije na Visokoj školi za obuku i obrazovanje vaspitača u Kikindi, upisuje Institut za umetničku igru u Beogradu gde je pod mentorstvom Prof. Dijane Milošević stekao zvanje Master audio i vizuelni umetnik – Umetnička igra 2020. godine.
Goran je bio vođa, bio je kolega, bio je prijatelj. Bez njega KOLO više nikad neće biti isto. Ali sećanje na njega je ono što će nas nositi dalje, što će nam davati snagu da, njemu u čast, nastavimo sa pesmom i igrom. Slava mu, napisali su iz Ansambla narodnih igara i pesama KOLO.
Od njega, u stvari ne možeš da se oprostiš. U šoku smo, nema više najboljeg ali ostavio je iza sebe učenike koji će se zauvek truditi da budu isto to, najbolji, zato što je on tako želeo. Zato što za drugačije nije znao, napisali su iz Abraševića povodom smrti Gorana Mitrovića našeg umetničkog direktora pančevačkog Abraševića (2014. - 2021.).
Kolega Mitrović je bio zlatni primer da želja za učenjem, istraživanjem, preispitivanjem i konstantnim radom nikada ne prestaje. Nije prošlo dugo od njegovog izuzetnog master rada “Osnovna teatarska postojanost u muzičko-scenskim delima - koreografiji i njena problematika stvaranja danas” da bi se odlučio za korak dalje i postao kandidat za Doktorske studije. Delili su nas dani od tog novog susreta, saopštili su iz Instituta za umetničku igru.
Slika preuzeta sa sajta KOLO
Defense of Master's thesis by Ana Živanović
At the Belgrade Dance Institute on October 5th, 2021. Ana Živanović, student of the Master of Academic Studies of Artistic Dance, successfully defended her Master's thesis on the topic of Classical ballet class for third grade students of the elementary ballet school according to the method of Agrippina Vaganova.
She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Ana Živanović has all the rights and obligations arising from the fact that from the October 6th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
Defense of Master's thesis by Mila Stijak
At the Belgrade Dance Institute on October 5th, 2021. Mila Stijak, Teaching Associate, successfully defended her Master's thesis on the topic of Ballet Class Methodology of the fifth year of classical ballet according to the Vaganova system.
She spoke publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Mila Stijak has all the rights and obligations arising from the fact that from the October 5th 2021. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
AWARD FOR PROJECT OF DAH THEATRE CALLED TREES DANCE
The Austrian Federal Ministry for European and International Affairs invited Prof. Dijana Milošević and members of the DAH Theater in Austria at the Market of the Future Innovation Festival, where they presented their project Trees dance on October 2nd and October 3rd, 2021 in Graz, Austria.
The Trees Dance project is one of five international projects awarded by the Austrian public radio Oe1, which is an integral part of the Austrian public service ORF, within the initiative Fixing the Future - Casting New Ideas. In a competition of 43 projects from 20 countries, DAH Theater is one of the winners of the award for the most innovative idea for change and "fixing the future now".
The project consists of the play Trees Dances, conversations with the audience after the play, round tables on climate change and tree protection, to which experts, activists and artists are invited, creation of a digital platform that will connect artists, activists and citizens.
In the jubilee year, 30 years since its inception, DAH Theater will premiere a new play called Trees Dances on October 30th, 31st and November 1st, starting at 8 pm in the Student Park in Belgrade.
The play, in cooperation with the Belgrade Dance Institute, was supported by ITAC - Climate Impact, Austrian Embassy in Belgrade - Culture and Development Program, City of Belgrade - Secretariat for Culture.
Find out more about the project on the website:
https://oe1.orf.at/artikel/687542/The-award-winners
Find out more about the show on the website:
https://dahteatarcentar.com/drvece-plese-novi-projekat/
Another way of communication
Prof. Dr. Snežana Arnautović Stjepanović will present her work within the international project The Second Way of Communication by Dr. Isidora Fićović, which was selected in a competition of 42 art projects from Serbia. The project includes five artists from Belgrade and Berlin, who will use works and dialogue to consider man's relationship to the body as his most immediate nature.
"Happiness is in connection and compassion with others, as a source of hope, empathy, responsibility and authenticity. The real purpose of art is to communicate feelings. The global experience of the Covid-19 pandemic has caused changes in the way society works: working from home, online teaching, meetings on different internet platforms, so establishing interpersonal relationships as other ways of communication is a challenge.The project includes artists from Belgrade and Berlin, whose works and dialogue will consider the human relationship to the body, as its most immediate nature, and this relationship speaks of human relationship to nature. The development of the senses and ecological awareness improves the environment, but also aims to establish empathic interpersonal relationships, sociability and culture.The language of contemporary art is a field of re-examining other ways of communicating with different human senses, tactility, manual work, bodily gestural free movement in space, overcoming the limited typing gesture by mobile phone screen and computer keyboard, where conversation with others is limited to the sense of sight and hearing ", said members of the project's organizing team in Belgrade, consisting of: Isidora Fićović (author), Ivana Vidić (coordinator) and Pavle Knezević (PR).
The project includes several phases: open call, production of works of art, online platform with presentation of works / exhibition and Zoom meeting.
The project is supported by the Ministry of Culture and Information of Serbia. The project partner from Berlin is Apartment Project.
You can see more about the project HERE.
Crossings
An exhibition of works from the collection of the Šumatovac Crossings will be presented in the Gallery of the Cultural Center Niš from October 7th to October 21st, 2021. The work of Prof. dr. Snežana Arnautović Stjepanović, the vice dean for teaching at the Belgrade Dance Institute, will be shown within the exhibition. The painting Rhythm 12 from the cycle Internal Rhythms, which will be shown, has been in the Šumatovačka collection since 2014.
Šumatovačka as a cultural institution, was founded by the city of Belgrade, and is located in the heart of Vračar, one of the oldest municipalities. As such, it has been nurturing, for a whole decade, its collection, which was created through donations and purchases of works by a large number of artists from our active art scene. Most of the authors whose works are an integral part of the collection attended the preparations in Šumatovačka, taught or exhibited their works within the Stepenište gallery.
Today, the collection contains works by several generations of authors. Our idea, within the collection itself, was to, in addition to focusing on young authors, cross / intertwine and create a kind of network of all artists who are active on the domestic art scene. And such processes are always more demanding and somewhat more complicated than simply collecting works.
The collection has existed since 2010 and since then it has become richer every year for several new works and authors. On this occasion, a section / selection was made in which we want to present the works of authors whose aesthetics go into the domain of intersections and crossroads. Social, emotional, social, implied by external and internal influences. The selection was not easy, but by visiting Niš, we wanted to present works that can be read as works at the crossroads, in the city on the Nišava, which for centuries was a city of intersections of important roads and great crossroads of peoples. On this occasion, we crossed the work of Kosta Bogdanović and Lidija Krnjajić, Branko Miljuš and Branislav Nikolić, Snežana Arnautović and Aleksandar Jevtić ... symbolically, artistically, formally. In each of these works, one can notice a cross-section and a crossroads that motivates the observer to think about different types of crossroads where an individual finds himself in his daily, but also life course. At these crossroads, he chooses, finds, thinks about the direction and direction of his further actions and travels, both through time and through space, not knowing what awaits him at the end of that chosen path.
With this exhibition, we want to encourage observers and the Niš audience to be ready to stop at every crossroads and think about their next step, while enjoying the artistic expression of the authors presented at the exhibition of the Center for Art Education Šumatovačka called Crossings.
Danijela Rančić, co-author of the installation
Authors whose works will be presented on this occasion:
Prof. Dr. Snežana Arnautović Stjepanović at the art colony On the roads of Sava Šumanović in Šid
Prof. Dr. Snežana Aranutović Stjepanović, vice dean for teaching at the Belgrade Dance Institute, participated in the art colony On the Roads of Sava Šumanović from October 1st to October 4th, 2021, organized by the Cultural and Educational Center Šid. This traditional art colony is being held for the twenty-sixth time and has important artists from Serbia and the region.
The exhibition of works created at the colony will be opened on October 4th, 2021. at the Cultural and Educational Center Šid.
To learn more about the colony CLICK HERE
Interpolations - a festival of contemporary art
Artists Vladimir Čubrilo and Katarina Bućić performed at the Interpolation festival in the Great Hall of SKC. They conveyed messages to the audience with their dance movements.
- The stage is like an existing, hopeless environment in which I am looking for a function. I seek myself through those who look at me, and some even see me. I am a link that once existed a long time ago and has now decided to be born. My body is far more than the imposed function of life - says Vladimir in this performance, and in Katarina's "story" it is written that "during life a person goes through phases that shape him into what he is or will become, or it is only the current state in which we are now. The phases of the Moon are a consequence of the revolution of the Moon around the planet Earth. We follow it's movements every day as well as our steps. "
The festival program, in which young artists participate, began in August and lasts until November 7th, and it features 13 authors. The goal of the festival is to promote contemporary art through the production of dance performances in Belgrade and is a continuation of the long-standing presentation of auto performances nurtured by the Mimart theater. The author and coordinator of the project is Lidija Antonović. As an art photographer, she chose the name of the festival to be called Interpolations, taking into account that it comes from a procedure that means optimizing the quality of the image. Lydia says that as an interdisciplinary artist, she applied this procedure in the field of contemporary play, because artistic play can be seen as a series of images that appear and disappear in space.
- During the COVID-9 virus pandemic, each artist had the space and time to think and analyze his work and game techniques that he developed and are developing in the world, as well as to ask questions about their capabilities and the future development of their path of contemporary art - says Antonovic and adds that some of these questions are: what drives dancers now, does the achieved technique allow further development of an individual or a group, why is innovation required, what can be discovered, which and what function does the new work have…
- Techniques of interpolation of choreography and artistic performance of contemporary dance can bring answers to some of these questions, but also open a number of other important issues in the development of contemporary dance on the domestic scene - the organizers say. The project was supported by the Ministry of Culture.
Photographies taken by: Lidija Antonović
Article taken from the POLITIKA site.
PROMOTION OF THE VERSE COLLECTION DREAM THE DREAMS IN SARAJEVO
Professor Aleksandar Ilić promoted his book of verse collection titled Dream the Dreams in Sarajevo in the Museum of Literature and Performing Arts of Bosnia and Herzegovina on the 1st October at 7 p.m.
This book was presented by Šejla Šehabović, the director of the Museum of Literature and Performing Arts of Bosnia and Herzegovina, Nataša Hajdarević, a promotion organiser in Bosnia and Herzegovina, and the author Aleksandar Ilić, and the event was also enriched by the artistic performance of the ballerina Zulejha Kečo who is a member of the ballet ensemble of the National Theatre in Sarajevo and of the international platform Balkan Dance Project.
The collection Dream the Dreams (2020) was published by the Fabula Nostra Centre and it was promoted in the Belgrade City Library in June of the current year. It was edited and reviewed by Teodora Sujić, a world-literature theorist and historian, and comprises untitled verses divided into three thematic parts which are Dreams, Love, and Nostalgia, and the poet opens the book with the following message, ,,it was enough to create a tiny verse so that the cosmos would embrace it”.
Book editor Teodora Sujić says: “While reading these verses countless times, their every letter and every stop, by listening to the melody out loud, I had the impression that those poems were written to me.” According to her words, every reader must find a poem that is written only for them when holding this book in front of their eyes.
This promotion was attended by well-known artists from Sarajevo, such as Božo Vrećo, a singer, Edina Papo, a choreographer and the director of the Ballet Fest Sarajevo, Zoran Lašić, a photographer and multimedia artist, Mirjana Blažević Lešić, a playwright, Aida Čorbadžić, the champion of the National Theatre Opera in Sarajevo, and others.
OFFICIAL RECEPTION OF THE FIRST-YEAR STUDENTS 2021/22
Today, the Belgrade Dance Institute has received its first-year students (or the freshers) officially.
The students were addressed by Professor Vladimir Tomašević, PhD, the dean of the Belgrade Dance Institute, when he welcomed them on behalf of the professors, teaching assistants, and associates of the Belgrade Dance Institute.
The official reception was made by the professors, teaching assistants and associates of the Institute.
The students were also given both the textbooks for the first (winter) semester and their student’s marking booklets.
WELCOME!
Photographs taken by Katarina Bućić
Ministar spoljnih poslova Gambije u poseti Institutu za umetničku igru
Institut za umetničku igru je danas ugostio visokog predstavnika Gambije, ministra inostranih poslova, gospodina Mamadou Tangara.
Dekan, prof. dr Vladimir Tomašević je sa gospodinom Tangarom imao opsežne razgovore o saradnji Republike Srbije i Gambije. Razgovaralo se o strategiji visokoškolskog obrazovanja i njegovog unapređivanja.
Dom kulture u Gračanici: Počela sa radom škola baleta
Škola baleta pri Domu kulture u Gračanici ponovo je počela sa radom, a prvi su časovi održani ovog vikenda.
Škola ove godine nastavlja sa radom kako je to bilo i pre pojave koronavirusa. Svakog vikenda trideset devojčica raspoređenih u tri starosne grupe uvežbavaće korake na vrhovima prstiju uz pomoć baletskog pedagoga Une Stepanović.
„Baleta smo se uželeli i mi i deca i roditelju što se da i videti po broju polaznika. Raduje činjenica što je interesovanje i dalje veliko pa, evo nastavljamo druženje i u ovoj sezoni sa našim balerinama i nastavljamo uspešnu saradnju sa Institutom za umetničku igru u Beogradu“, kaže za Riznicu Snežana Petrović, koordinatorka škole baleta Doma kulture u Gračanici.
Budući da je i u ostalim sredinama interesovanje za balet veliko u planu je ponovno pokretanje škole i u Šilovu u tamošnjem kulturnom centru.
Kako poručuju iz gračaničkog Doma kulture sa ovim se neće stati već je u planu i nešto više.
„Škola baleta nam je pokazala da imamo talentovanu decu koja žele da uče i napreduju. Imamo i bezrezervnu podršku roditelja za pokretanje inicijative za otvaranje odeljenja niže baletske škole u Gračanici. Uz pomoć naših prijatelja sa Instituta za umetničku igru u Beogradu verujem da to neće biti nemoguće“, kaže Petrovićeva.
Škola baleta u Gračanici počela je sa radom 2017. godine. Povodom svetskog dana igre, a za izuzetan doprinos na popularizaciji baleta, godinu dana kasnije, dodeljena joj je nagrada Terpsihora. Na Međunarodnoj olimpijadi za muziku i ples centralnog Balkana u Beogradu školi baleta su dodeljene dve medalje i Gran pri.
Preuzeto sa sajta RIZNICA
Tekst napisao: I. Miljković
Fotografija RIZNICA
Odbrana Master rada Ane Živanović
Na Institiutu za umetničku igru 6.10.2021. Ana Živanović, student Master akademskih studija Umetnička igra, uspešno je odbranila svoj Master rad na temu Nastavni čas klasičnog baleta za učenice trećeg razreda osnovne baletske škole po metodi Agripine Vaganove.
Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ana Živanović, ima sva prava i obaveze koje proizilaze iz činjenice da od 6.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!
Odbrana Master rada Mile Stijak
Na Institiutu za umetničku igru 5.10.2021. Mila Stijak, Saradnik u nastavi, uspešno je odbranila svoj Master rad na temu Metodologija baletskog časa pete godine klasičnog baleta po Vaganova sistemu.
Izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Mila Stijak, ima sva prava i obaveze koje proizilaze iz činjenice da od 5.10.2021. godine ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!!!
NAGRADA ZA PROJEKAT DAH TEATRA DRVEĆE PLEŠE
Austrijsko savezno ministarstvo za evropske i međunarodne poslove pozvalo je Prof. Dijanu Milošević i članove DAH Teatara u Austriju na festival inovacija Market of the Future, gde su predstavili svoj projekat Drveće pleše 2. i 3. oktobra 2021. godine u Gracu, u Austriji.
Projekat Drveće pleše jedan od pet međunarodnih projekata nagrađenih od strane austrijskog javnog radija Oe1, koji je sastavni deo austrijskog javnog servisa ORF, u okviru inicijative Fixing the Future - Casting New Ideas. U konkurenciji od 43 projekata iz 20 zemalja DAH Teatar je jedan od dobitnika nagrade za najinovativniju ideju za promene i „popravljanje budućnosti sada”.
Projekat se sastoji od predstave Drveće pleše, razgovora sa publikom posle predstave, okruglih stolova o klimatskim promenama i zaštiti drveća, na koje su pozvani stručnjaci, aktivisti i umetnici, kreiranja digitalne platform koja će spajati umetnike, aktiviste i građane.
U godini jubileja, 30 godina od svog postanka, DAH Teatar će premijerno izvesti novu predstavu pod nazivom Drveće pleše 30, 31. oktobra i 1. novembra sa početkom u 20 časova u Studentskom parku u Beogradu.
Predstavu, u saradnji sa Institutom za umetničku igru, podržali su ITAC– Climate Impact, Austrijska Ambasada u Beogradu – Program Kultura i razvoj, Grad Beograd – Sekretarijat za kulturu.
O projektu saznajte više na sajtu:
https://oe1.orf.at/artikel/
O predstavi saznajte više na sajtu:
https://dahteatarcentar.com/
Drugi način komunikacije
Prof. dr Snežana Arnautović Stjepanović predstaviće svoj rad u okviru međunarodnog projekta Drugi način komunikacije autorke dr Isidore Fićović, koji je selektovan u konkurenciji od 42 umetnička projekta iz Srbije. Projekat uključuje pet umetnika iz Beograda i Berlina, koji će radovima i dijalogom razmatrati čovekov odnos prema telu kao njegovoj najneposrednijoj prirodi.
"Sreća je u konekciji i saosećanju sa drugima, kao izvoru nade, empatije, odgovornosti i autentičnosti. Prava svrha umetnosti je u saopštavanju osećanja. Globalno iskustvo Covid-19 pandemije prouzrokovalo je promene u načinu funkcionisanja društva: rad od kuće, online nastave, sastanci na različitim internet platfromama, pa je uspostavljanje međuljudskih odnosa kao drugi načini komunikacije izazov. Projekat uključuje umetnike iz Beograda i Berlina, koji će svojim radovima i dijalogom razmatrati čovekov odnos prema telu, kao njegovoj najneposrednijoj prirodi, a taj odnos govori o čovekovom odnosu prema prirodi. Razvoj čula i ekološke svesti unapređuje životnu sredinu, ali i ima za cilj uspostavljanje empatičnih međuljudskih odnosa, društvenosti i kulture. Jezik savremene umetnosti je polje preispitivanja drugih načina komunikacije sa upotrebom različitih ljudskih čula, taktilnost, manuelni rad, telesno gestualno slobodno kretanje u prostoru, prevazilaženja limitiranog gesta tipkanja po ekranu mobilnog telefona i kompjuterskoj tastaturi, gde je razgovor sa drugima ograničen na čulo vida i sluha", naveli su članovi organizacionog tima projekta u Beogradu, koji čine: Isidora Fićović (autor), Ivana Vidić (koordinator) i Pavle Knežević (PR).
Projekat obuhvata više faza: otvoreni poziv, produkciju umetničkih radova, onlajn platformu sa prezentacijom radova / izložbu i Zoom sastanak.
Projekat je podržan od Ministarstva kulture i informisanja Srbije. Partner na projektu iz Berlina je Apartment Project.
Više o projektu možete pogledati OVDE.
Ukrštanja
U Galeriji Kulturnog centra Niš od 07. do 21. oktobra 2021. biće predstavljena izložba radova iz zbirke Šumatovačke Ukrštanja. U okviru postavke će biti prikazano delo Prof. dr Snežane Arnautović Stjepanović, prodekana za nastavu Instituta za umetničku igru. Slika Ritam 12 iz ciklusa Unutrašnji ritmovi koja će biti prikazana nalazi se u kolekciji Šumatovačke od 2014. godine.
Šumatovačka kao ustanova kulture, osnovana od strane grada Beograda, nalazi se u samom srcu Vračara, jedne od najstarijih opština. Kao takva neguje, već čitavu deceniju, svoju zbirku koja je nastala kroz donacije i otkupe radova velikog broja umetnika s naše aktivne umetničke scene. Većina autora čiji su radovi sastavni deo zbirke je pohađalo pripreme u Šumatovačkoj, predavalo ili izlagalo svoje radove u okviru galerije Stepenište.
Danas zbirka sadrži radove autora više generacija. Naša ideja, u okviru same zbirke, bila je da pored fokusa na mlade autore, ukrstimo/upletemo i napravimo neku vrstu mreže svih umetnika koji su aktivni na domaćoj likovnoj sceni. A takvi procesi su uvek zahtevniji i nešto komplikovaniji od jednostavnog prikuplјanja radova.
Zbirka postoji od 2010. godine i od tada svake godine biva bogatija za nekoliko novih radova i autora. Ovo prilikom je napravlјen jedan presek/selekcija kojom želimo da predstavimo radove autora čija estetika ide u domen ukrštanja i raskršća. Društvenih, emotivnih, socijalnih, impliciranih spolјašnjim i unutrašnjnim uticajima. Selekcija nije bila laka, ali gostovanjem u Nišu želeli smo da predstavimo radove koji se mogu čitati kao radovi na raskršću, u gradu na Nišavi koji je vekovima bio grad ukrštanja važnijih puteva i velikih raskršća naroda. I ovom prilikom ukrstili smo rad Koste Bogdanovića i Lidije Krnjajić, Branka Milјuša i Branislava Nikolića, Snežane Arnautović i Aleksandra Jevtića...simbolički, likovno, formalno. U svakom od ovih radova se može zapaziti presek i ukrštanje koje motiviše posmatrača da promišlјa o različitim vrstama raskršća na kojima se pojedinac (pro)nalazi na svom dnevnom, ali i životnom toku. Na tim raskršćima on bira, pronalazi, promišlјa pravac i smer svog dalјeg delovanja i putovanja, kako kroz vreme, tako i kroz prostor, ne znajući šta ga na kraju tog odabranog puta čeka.
Ovom izložbom želimo da podstaknemo posmatrače i nišku publiku da na svakom svom raskršću bude spremna da zastane i promisli o svom sledećem koraku, dok uživa u likovnom izrazu autora predstavlјenih na izložbi Centra za likovno obrazovanje Šumatovačka pod nazivom Ukrštanja.
Danijela Rančić, koautor postavke
Autori čiji će radovi biti predstavljeni ovom prilikom:
Prof. dr Snežana Arnautović Stjepanović na likovnoj koloniji Na putevima Save Šumanovića u Šidu
Prof. dr Snežana Aranutović Stjepanović, prodekan za nastavu Instituta za umetničku igru, učestvovala je na likovnoj koloniji Na putevima Save Šumanovića od 1. do 4. oktobra 2021. u organizaciji Kulturno obrazovnog centra Šid. Ova tradicionalna likovna kolonija održava se dvadeset šesti put i u svom sazivu ima značajne umetnike iz Srbije i regiona.
Izložba radova nastalih na koloniji biće otvorena 4.10.2021. u Kulturno obrazovnom centru Šid.
Da biste saznali više o koloniji KLIKNITE OVDE
Interpolacije – festival savremene umetničke igre
Na festivalu Interpolacije u Velikoj sali SKC-a nastupili su umetnici Vladimir Čubrilo i Katarina Bućić. Oni su plesnim pokretima publici preneli poruke.
– Scena je kao postojeće, bezizlazno okruženje u kojem tražim funkciju. Tražim svoje sopstvo kroz one koji me gledaju, a poneki me i vide. Ja sam spona koja je nekada davno postojala i sada je rešila da se rodi. Moje telo je daleko više od nametnute funkcije života – poručuje u ovom izvođenju Vladimir, a u Katarininoj „priči” zapisano je da „tokom života čovek prolazi kroz faze koje ga oblikuju u ono što jeste ili što će postati, ili je to samo trenutno stanje u kom se nalazimo. Mesečeve faze posledica su revolucije Meseca oko planete Zemlje. Njegovo kretanje pratimo svaki dan kao i naše korake”.
Festivalski program u kome učestvuju mladi umetnici počeo je u avgustu i traje do sedmog novembra, i na njemu se predstavlja 13 autora. Cilj festivala je da promoviše savremenu umetničku igru kroz produkciju plesnih performansa u Beogradu i nastavak je dugogodišnjeg predstavljanja autoperformansa koji neguje teatar Mimart. Autorka i koordinatorka projekta je Lidija Antonović. Ona je kao umetnički fotograf izabrala da se naziv smotre zove Interpolacije uzimajući u obzir da to potiče od postupka koji označava optimizaciju kvaliteta slike. Lidija kaže da je kao interdisciplinarni umetnik ovaj postupak primenila u oblasti savremene igre, jer umetnička igra može da se posmatra kao niz slika koje nastaju i nestaju u prostoru.
– Tokom pandemije virusa korona svaki umetnik je imao prostor i vreme da razmišlja i analizira svoj rad i tehnike igre koje je razvio i koje se razvijaju u svetu, kao i da postavi pitanja svojih mogućnosti i razvoja svog budućeg puta savremene igre – kaže Antonovićeva i dodaje da su neka od tih pitanja: šta je sada pogon plesača, da li dostignuta tehnika dozvoljava dalji razvoj pojedinca ili grupe, zbog čega se traži inovativnost, šta novo može da se otkrije, koju i kakvu funkciju ima novi rad…
– Tehnike interpolacije koreografije i umetničkog performansa savremene igre mogu doneti odgovore na neka od tih pitanja, ali i otvoriti niz drugih važnih pitanja razvoja savremenog plesa na domaćoj sceni – poručuju organizatori. Projekat je podržalo Ministarstvo kulture.
Fotografije: Lidija Antonović
Vest preuzeta sa sajta POLITIKA
A PLAY WITH MYTH premiered in Zagreb tonight
Dancing play A Play with Myth choreographed by professor Aleksandar Ilić and produced by free-dance ensemble Liberdance, the theatre Kamenjak Rajka Pavlića and the Belgrade Dance Institute is premiered on the stage of the Zagreb Dance Centre tonight, on 27th Septembre 2021 at 8 p.m.
The dance project A Play with Myth is based on the motifs of tetralogy Joseph and his brothers by German Nobel laureate Thomas Mann, as one of the most important pieces dealing with emigration at the time of the world's greatest crisis, and it is created by the idea and libretto of Teodora Sujić.
At the time when we live again with the challenges caused by the global pandemic, choreographer Ilić sets the biblical story Joseph and his brothers in its dancing adaption in reality, by using contemporary means of mythology, psychology, philosophy, archeology, religion, and philology.
This dancing play is performed by Lara Frgačić, Silvija Musić and Dora Šesto from Croatia, and the alumni of the Belgrade Dance Institute, Natalija Trifunović and Katarina Ilijašević.
Costume designers are Katarina Radošević Galić and Snežana Arnautović Stjepanović, and the music for the play is adapted by Georg Draušnik.
Photography by Vid Redža
The premiere of a dancing dyptich Do you remember the memories?
A dancing dyptich Do you remember the memories? is premiered on 29th September 2021 at 7p.m. on the Velenje Festival, Slovenia.
The choreography for this dyptich was created by Daša Grgič (Plenir) and Ognjen Vučinić (A Step Stony).
Dancers: Mojca Majcen and Luka Ostrež (Slovenia), Branko Mitrović (Bosnia and Herzegovina) and Jakša Filipovac (Serbia).
This time the creators of the dancing dyptich sought for the common cultural heritage, drawing inspiration from traditional national dances, written and oral tradition, music, and traditional games and crafts. The first part choreographed by Daša Grgič is called Plenir, which is a word meaning a valuable basket carried by the seaside women to Trieste, where they would sell their crops so that they can survive during tough times. Their stories and memories are the inspiration for a short choreography intertwined between moving and storytelling. The second part of the diptych, choreographed by Ognjen Vučinić, is called A Step Stony, where Ognjen Vučinić translates traditional national dance Silent kolo (kolo is the original word for Serbian traditional national dance) into a modern-dance expression. Several traditional cultures are familiar with dancing without musical accompaniment and that is why a silent kolo deserved to be a part of the world intangible cultural heritage. Although this dancing hasn't got musical accompaniment, there is a whole lot to listen to in it.
Production – Velenje Festival, Balkan Dance Project, Tanzelarija Sarajevo and the Organisaton for Affirmation of Ballet and Contemporary Dance in BiH – Let's live Ballet Dancing.
The project is supported by the Ministry of Culture and Media of the Republic of Croatia, i-Portunus, Celje Municipality, and Velenje Municipality.
Photograph by Ksenija Mikor
PROMOCIJA ZBIRKE STIHOVA SANJAJ SNOVE U SARAJEVU
Prof. Aleksandar Ilić je održao promociju svoje knjige stihova Sanjaj snove u petak 1. oktobra u 19.00 časova u Sarajevu, u Muzeju književnosti i pozorišne umjetnosti Bosne i Hercegovine.
Knjigu su predstavili Šejla Šehabović, direktorka Muzeja književnosti i pozorišne umjetnosti BiH, Nataša Hajdarević, organizator promocije u Bosni i Hercegovini i autor Aleksandar Ilić, dok je umetničkim performansom događaj upotpunila baletska umetnica Zulejha Kečo članica ansambla baleta Narodnog pozorišta u Sarajevu i međunarodne platforme Balkan Dance Project.
Zbirka Sanjaj snove (2020) promovisana je u junu ove godine u Biblioteci grada Beograda u izdanju Centra Fabula nostra, koju je uredila i pripremila Teodora Sujić teoretičarka i istoričarka svetske književnosti, sadrži nenaslovljene stihove, podeljene u tri celine Snovi, Ljubav i Nostalgija, a pesnik knjigu otvara porukom: Trebalo je samo ispevati maleni stih pa da ga kosmos prigrli.
Urednica knjige Teodora Sujić navodi: Bezbroj puta čitajući stihove, svako slovo i svaku tačku, glasno osluškujući melodiju, uobrazila sam da su to pesme pisani meni. Prema njenim rečima, svaki čitalac kada bude imao ovu knjigu u rukama mora pronaći pesmu za koju će sam rešiti da li je pisana za njega?
Promociji su prisustvovali poznati sarajevski umetnici Božo Vrećo umetnik i pevač, Edina Papo koreografkinja i direktorka Balet Fest Sarajevo, Zoran Lešić fotograf i multimedijalni umetnik, Mirjana Blažević Lešić dramaturginja, Aida Čorbadžić prvakinja Opere Narodnog pozorišta u Sarajevu i dr.
SVEČANI PRIJEM STUDENATA 2021/22.
Danas je na INSTITUTU ZA UMETNIČKU IGRU upriličen svečani prijem za studente I godine.
Studentima se obratio prof. dr Vladimir Tomašević, dekan Instituta za umetničku igru i poželeo im je dobrodošlicu u ime profesora, asistenata i saradnika Instituta za umetničku igru.
Svečanom prijemu studenata prisustvovali su profesori, asistenti i saradnici.
Studentima su ovom prilikom podeljeni i indeksi i knjige za prvi (zimski) semestar.
DOBRODOŠLI!
Fotografije: Katarina Bućić
FORMAL RECEPTION OF STUDENTS
Dear students and freshers, we are welcoming you to the Belgrade Dance Institute!
We would like to inform you about the formal reception of freshers which is taking place in the main building, classroom 329, on the 1st October 2021 at 12.00. On that day, the professors will address you, and they will also give you the textbooks and lecture schedule.
Lectures will begin on the 4th October 2021 for all academic years of undergraduate studies.
WELCOME!
Ballet Fest / The audience delighted by Grand Hotel with the special applause for the Ladies (Dancing Theatre Gospodje)
Contemporary dancing play Grand Hotel, performed as a part of the Ballet Fest, has delighted the audience in the National Theatre in Sarajevo.
The connoisseurs of the ballet and contemporary theatre know that we can expect the best from duo authors of the play Grand Hotel, just like it was this time. Choreographer Aleksandar Ilić and director Aleksandar Nikolić expressed all the complexity of their imagination, experience, and knowledge by conceiving an impressive, physically demanding, entertaining, and visually refined dancing theatre.
A strong author's signature to this play is given by the music composed by Ana Krstajić, who is one of the most interesting composers in Serbia nowadays.
The authors team managed to conjure up the atmosphere of Wes Anderson's cult film The Grand Budapest Hotel that was only a starting point for the play concept. The play is immersed in eternal questions of inevitable time running and the place of an individual in a huge universe unlimited by time or space.
Ballet Fest picture – Mojca Majcen
The answers to philosophical questions are revealed to us by the protagonists' sixty minutes of magical, witty, and virtuoso dancing. Four exraordinary soloists enchanted us with their energy, original expression, and their personalities. Among them is brilliant Mojca Majcen, a dancer from Slovenia, then Ognjen Vučinić with a strong personality who comes from Croatia, joyful Jakša Filipovac from Serbia, and extremely talented and charismatic Branko Mitrović from Bosnia and Herzegovina.
We should remember his name for judging by what he showed at the play Grand Hotel, it is clear that our country hasn't got dancers of such potential currently. Branko Mitrović grew up in Bijeljina, but he went to Belgrade due to the lack of adequate dance lessons, and then further to the international master classes. Thanks to that, he takes part in the performances of many Belgrade theaters nowadays, and he is also one of the members of the Balkan Dance Project, which brings him to Sarajevo from time to time. Hopefully, we still stand the chance of watching him on our stages.
Ballet Fest picture – Branko Mitrović
With all due respect to these brilliant soloists, let's say a few words about the ensemble Ladies (Gospodje in Serbian) which embodies the abstract notion of time in the Grand Hotel. As it was explained to the journalists on the press conference about the play, there is the custom according to which local retired or working dancing actresses are engaged for this role every time the play is performed.
Local ballerinas Zulejha Kečo and Dajana Zilić, and former ballerinas Aida Palinić, Nikolina Petković and Nataša Hajdarević had the honor of playing the role of 'time' at the Sarajevo performance. Although they had only one rehearsal, they approached this task very professionally and made an unforgettable performance which was rewarded by the audience with great applause.
Ballet Fest picture – Ladies Ensemble (Gospodje Ensemble)
The play was produced by the theatre Madlenianum from Zemun, the first private opera and ballet house in the region. This house has also produced significant plays before, in cooperation with the Association of Professional Ballet Dancers, Choreographers, and Ballet Padagogues of Serbia.
NEWS DOWNLOADED FROM THE RADIOSARAJEVO SITE
IGRA S MITOM VEČERAS PREMIJERNO U ZAGREBU
Na sceni Zagrebačkog plesnog centra večeras 27. septembra s početkom u 20.00 časova će premijerno biti izvedena plesna predstava Igra s mitom u koreografiji Prof. Aleksandra Ilića u produkciji ansambla slobodnog plesa Liberdancei Kazališta Kamenjak Rajka Pavlića i Instituta za umetničku igru.
Po ideji i libretu Teodore Sujić predstava je nastala po motivima knjige Josip i njgeova braća nemačkog nobelovca Tomasa Mana, kao jednim od najvažnijih dela koja govore o emigraciji u doba najveće svetske krize.
U vremenu kada ponovo živimo u izazovima nastalim globalnom pandemijom Josip i njegova braća, u plesnoj adaptaciji koreograf Ilić biblijsku priču postavlja u realnost, koristeći savremmena sredstva mitologije, psihologije, filozofije, arheologije, religije, i filologije.
Predstavu izvode Lara Frgačić, Silvija Musić i Dora Šesto iz Hrvatske, i alumnistkinje Instituta za umetničku igru Natalija Trifunović i Katarina Ilijašević.
Kostim potpisuju Katarina Radošević Galić i Snežana Arnautović Stjepanović, a adaptaciju muzike Georg Draušnik.
Fotografija Vid Redža.
PREMIJERA PLESNOG DIPTIHA SEĆATE SE SEĆANJA?
Plesni diptih Sećate se sećanja? premijerno će biti izveden 29.09.2021. u 19h na Festivalu Velenje u Velenju, Slovenija.
Koreografiju za ovaj diptih radili su Daša Grgič (Plenir) i Ognjen Vučinić (Korak kameni).
Plesači: Mojca Majcen i Luka Ostrež (Slo), Zulejha Kečo, Branko Mitrović (BiH) i Jakša Filipovac (Srb)
Ovog puta tvorci plesnog diptiha tražili su zajedničko kulturno nasleđe, crpeći inspiraciju iz nacionalnih tradicionalnih plesova, pisane i usmene tradicije, muzike, tradicionalnih igara i zanata. Prvi deo, u koreografiji Daše Grgič, nosi naslov Plenir - ovo je vredna korpa sa kojom su primorske žene išle u Trst da prodaju svoje useve kako bi preživele u teškim vremenima. Njihove priče i sećanja inspiracija su za kraću koreografiju koja se prepliće između kretanja i svedočenja. Drugi deo diptiha Ognjena Vučinića nosi naslov Korak kameni. U njemu Vučinić prevodi tradicionalni narodni ples Nemo kolo u izraz modernog plesa. Nekoliko tradicionalnih kultura poznaje ples bez muzičke pratnje, zato je i nemo kolo na našim prostorima zasluženo deo nematerijalne svetske kulturne baštine. Iako ples nema muzičku pratnju, u njemu se ima šta čuti.
Produkcija: Festival Velenje, Balkan Dance Project, Tanzelarija Sarajevo i Organizacija za afirmaciju baleta i savremenog plesa u BiH – Živimo balet.
International award for the project by DAH Theatre
Independent theatre troup and artistic company DAH Theatre was awarded the Austrian prize for their project „Dancing Trees“.
This new project by the DAH Theatre called „Dancing Trees“ is one of the five international projects awarded by the Austrian public radio Oe1, which is a part of the Austrian Broadcasting Coorporation ORF; the project was awarded within the initiative Fixing the Future – Casting New Ideas. In a competition between 43 projects from 20 countries, DAH Theatre is one of the awarded for the most innovative idea for changes and "fixing the future now".
Austrian Federal Ministry for European and International Affairs invited DAH Theatre to come to Austria to the Innovation Festival called Market of the Future, where they should present their work.
Innovation Festival is held on 2nd and 3rd October 2021 during the weekend, in Graz, Austria.
The project consists of the play “Dancing Trees”, a talk with the audience after the play, and round-table discussions about climate changes and the protection of trees to which experts, activists and artists are invited, as well as of the digital platform which should connect artists, activists, and citizens.
In the year of the jubilee marking 30 years of its existence, DAH Theatre announces a performance of their new play called “Dancing Trees” on 30th and 31st October, and 1st November 2021 at 8 p.m. in the Belgrade Students’ Park.
The play is supported by the ITAC – Climate Impact, Austrian Embassy in Belgrade – Culture and Development Grant, the City of Belgrade – Secretariat for Culture, in cooperation with the Belgrade Dance Institute.
SVEČANI PRIJEM STUDENATA
Poštovani studenti i brucoši, želimo Vam dobrodošlicu na Institut za umetničku igru!
Obaveštavamo Vas o svečanom prijemu brucoša koji će se održati 01.10.2021. godine u 12.00 časova, u glavnoj zgradi, u svečanoj sali Instituta. Tog dana će Vam se obratiti profesori, urućiće Vam se udžbenici i raspored predavanja.
Predavanja će početi 04.10.2021. godine za sve godine osnovnih studija.
DOBRODOŠLI!
The Decameron at the BITEF Polyphony
The Decameron 2020 play is performed at the theatre Teatar Vuk at 5 p.m. within the BITEF Polyphony on 22nd September 2021.
The Decameron 2020 project was created as a part of the Master thesis by the graduate student Mina Ćirić under the mentorship of Dijana Milošević on the Master studies at the Belgrade Dance Institute.
It is a dancing story in ten rounds. We turned the experience of isolation into the scenes of individual processes of recovering, with all the obstacles, failures, pain, shifts of mood, and humour as a defense mechanism. One didn’t even know what they were looking for until they’ve found it, but the search itself was something meaningful. “Just as the characters in famous The Decameron by Giovanni Boccaccio, we gathered to make a good story out of something uncontrollable to us,” says the author and choreographer Mina Ćirić.
The author is going to talk with the audience after the play.
This project is supported by the Ministry of Culture and Information of the Republic of Serbia.
Production by the Belgrade Dance Institute
Choreography by Mina Ćirić
The play is performed by Mina Ćirić, Isidora Poledica, Natalija Jevtović, Tara Tanović, Tanja Ivanov, Andjela Žugić, Ana Obradović, and Jelena Cvetković.
Songs by Jelena Stanković and Marko Milošević (Chorbika)
Costume by Miloš Janjić
Choreographer’s advisor is Danka Sekulović.
Photography by Tanja Drobnjak
Balet Fest / Publika oduševljena Grand Hotelom, uz poseban aplauz za 'gospođe'
Savremena plesna predstava Grand Hotel izvedena u sklopu 12. Balet Festa, oduševila je publiku u Narodnom pozorištu u Sarajevu.
Poznavaoci baleta i savremenog teatra znaju da se od autorskog dvojca koji potpisuje Grand Hotel može mnogo očekivati, a tako je i sa ovom predstavom. Koreograf Aleksandar Ilić i redatelj Aleksandar Nikolić iskazali su svu raskoš svoje mašte, iskustva i znanja, osmislivši upečatljiv, fizički zahtjevan, zabavan i vizuelno pročišćen plesni teatar.
Snažan autorski pečat predstavi daje muzika Ane Krstajić, danas jedne od najzanimljivijih kompozitorica u Srbiji.
Autorski tim uspio je dočarati atmosferu kultnog filma Wesa Andersona Grand Hotel Budapest koji je samo bio polazište za idejni koncept predstave. Kroz nju se protežu vječita pitanja neumitnog protoka vremena i mjesta pojedinca u ogromnom univerzumu kojeg ne ograničavaju vrijeme i prostor.
Foto: Balet Fest: Mojca Majcen
Odgovore na filozofska pitanja protagonisti nam predočavaju kroz šezdesetak minuta čudesne i istovremeno duhovite i virtuozne igre. Četvero izvrsnih solista opčinili su nas svojom energijom, originalnim izrazom i karakterima. Među njima sjajna Mojca Majcen, plesačica iz Slovenije, potom karakterno snažan Ognjen Vučnić iz Hrvatske, žovijalni Jakša Filipovac iz Srbije te izuzetno talentirani i karizmatični Branko Mitrović iz BiH.
Treba zapamtiti njegovo ime, jer sudeći po onome što je pokazao u Grand Hotelu, može se utvrditi da naša zemlja trenutno nema plesača takvih potencijala. Branko Mitrović je odrastao u Bijeljini, ali je usljed nedostatka adekvatne plesne poduke otišao u Beograd, a zatim i na međunarodne majstorske kurseve. Zahvaljujući tome, danas je sudionik predstava u mnogim beogradskim pozorištima, ali i jedan od članova Balkan Dance Projecta, što ga s vremena na vrijeme dovodi i u Sarajevo. Za nadati se da ćemo još imati priliku da ga gledamo na našim scenama.
Foto: Balet Fest: Branko Mitrović
Uz svo poštovanje sjajnim solistima, recimo i nekoliko riječi o ansamblu "gospođa" koji u Grand Hotelu utjelotvoruje apstraktni pojam vremena. Kako je novinarima pojašnjeno na press konferenciji povodom predstave, običaj je da se na svakoj izvedbi za ovu ulogu angažuju lokalne akterke - bivše ili aktivne plesačice.
Na sarajevskoj izvedbi čast da odigraju ulogu 'vremena' imale domaće balerine Zulejha Kečo i Dajana Zilić, te nekadašnje balerine Aida Palinić, Nikolina Petković i Nataša Hajdarević. Premda su imale samo jednu probu, treba reći da su ovom zadatku pristupile veoma profesionalno i ostvarile nezaboravnu izvedbu, što je publika nagradila velikim aplauzom.
Foto: Balet Fest: Ansambl gospođa
Prestava je nastala u produkciji teatra Madlenianum iz Zemuna, prve privatne operne i baletne kuće u regiji. Ova kuća i ranije je proizvodila značajne predstave, u suradnji sa Udruženjem profesionalnih baletskih igrača, koreografa i pedagoga Srbije.
VEST PREUZETA SA SAJTA RADIOSARAJEVO
Professor Aleksandar Ilić's presentation on the regional meeting of the International Platform Teatroskop
In the French Institute in Belgrade on the regional meeting of the International Platform Teatroskop, professor Aleksandar Ilić presented the programmes that have been realised through the cooperation between Belgrade Dance Institute, Teatroskop , and the French Institute in Serbia.
Professor Ilić presented an online lecture that has been given with the support of Teatroskop on 8th and 9th June 2020. The webinar titled Dancing Recording and Movement Analysis – the Presentation of the System of Rudolf Laban (1879-1958) was guided by French dancer, choreographer, lecturer, and kinetography specialist Raphaël Cottin.
Mr Ilić was also talking about the dance play Shelter, choreographed by Christophe Béranger and Jonathan Pranlas-Descours, the author duo of the company Sine Qua Non Art, which was also the graduation play of the Belgrade Dance Institute students. The play was premiered within the Belef Festival (Belgrade Summer Festival) in the Bitef Theatre on 29th June 2021.
Professor Ilić presented the Sola Festival which was organised and performed by the Belgrade Dance Institute on 29th and 30th May 2021 and announced that this festival is going to be performed in a more comprehensive form and that there will be an open public invitation for all the partners and artists who want to participate in the realisation of this festival.
Nezavisna pozorišna trupa i umetnički kolektiv DAH Teatar, dobio je austrijsku nagradu za svoj projekat „Drveće pleše”.
Novi projekat DAH Teatra „Drveće pleše” jedan je od pet međunarodnih projekata nagrađenih od strane austrijskog javnog radija Oe1. sastavni deo austrijskog javnog servisa ORF, u okviru inicijative Fixing the Future – Casting New Ideas. U konkurenciji od 43 projekata iz 20 zemalja, DAH Teatar je jedan od dobitnika nagrade za najinovativniju ideju za promene i „popravljanje budućnost sada”.
Austrijsko Savezno ministarstvo za evropske i međunarodne poslove pozvao je DAH Teatar da dođe u Austriju na festival inovacija Market of the Future, gde bi trebalo da predstave svoj rad.
Festival inovacija održaće se u subotu, 2. i nedelju, 3. oktobra 2021. godine u Gracu, u Austriji.
Projekat se sastoji od predstave „Drveće pleše”, razgovora sa publikom posle predstave, okruglih stolova o klimatskim promenama i zaštiti drveća, na koje su pozvani stručnjaci, aktivisti i umetnici, kao i kreiranja digitalne platforme koja će spajati umetnike, aktiviste i građane.
U godini jubileja, 30 godina od svog postanka, DAH Teatar najavljuje izvedbu nove predstave pod nazivom „Drveće pleše” 30, 31. oktobra i 1. novembra sa početkom u 20 časova u Studentskom parku u Beogradu.
Predstavu, u saradnji sa Institutom za umetničku igru, podržali su ITAC– Climate Impact, Austrijska Ambasada u Beogradu – Program Kultura i razvoj, Grad Beograd – Sekretarijat za kulturu.
SPECTACULAR PERFORMANCE OF VERDI’S AIDA
The Serbian National Theatre Opera started its 161st season with spectacular performance of Verdi's Aida not yet seen in this way at the Petrovaradin Fortress under the clear sky in front of 3000 spectators.
The professor-author duo consistantly working together, a director Aleksandar Nikolić and a choreographer Aleksandar Ilić, once again prooved that their creativity and boldness in setting the classical operas break the limits just like the productions which can be seen all over the world.
Orchestras, opera soloists, the choir, ballet ensemble, extras with more than 350 performers on stage were conducted masterfully by the guest conductor from Italy, Andrea Solinas.
As the manager Aleksandar Stankov of the Serbian National Theatre Opera announced, it is going to be an opera experience similar to the one belonging to Verdi's time, when calendars were based on great premieres. The oldest national theatre is opening another season in such difficult circumstances; it alone is a challenge...
In the year when the whole world is making the jubilee of 120 years since Verdi's death, on 15th September the Serbian National Theatre Opera is giving the performance of such epic opera exactly in the same way as the composer imagined – under the clear sky among the walls of the Petrovaradin Fortress!
The play was performed by the Opera soloists; Nebojša Babić as the king of Egypt, Višnja Radosav as Amneris, Sonja Šarić in the role of Aida, Stevan Karanac as Radames, Riccardo Zanellato as Ramfis, Željko R. Andrić as Amonasro, Igor Ksionžik as the messenger, and Maja Andrić as the priestess.
Virtuoso ballet scenes were performed by the soloists Katarina Kljajić and Samuel Bishop, and also by the ballet ensemble consisting of Verica Kozarev Klarić, Nadežda Salak, Vesna Bishop, Mina Radović, Marija Trifunović, Milica Jelić, Jelena Danguzov, Milana Samardžić, Katarina Zec, Olga Vrbaški, Minja Jokanović, Rajna Remović, Ivana Trpčević, Giulio Milite, Bojan Radnov, Zoran Trifunović, Aleksandar Bečvardi, Marko Ivan, Aleksandar Đurđević, Ivan Salonski, and Nikola Stamenović.
Scenography for the play was created by Tomislav Šaraba, the costume was designed by Senka Ranosavljević, Vesna Kesić Krsmanović was preparing and guiding the choir, and the assistant to the choreographer was Mojca Majcen who is a second-year student of the Belgrade Dance Institute, Choreography Department.
The play was performed in compliance with all the covid recommendations made by the Crisis Respond Team in spite of being performed in the open air, and the next performances are scheduled for 18th and 28th September in the Serbian National Theatre.
Photography by Srđan Doroški
DEKAMERON 2020 NA BITEF POLIFONIJI
U okviru Bitef polifonije 22.09.2021. u 17.00 časova u Teatru Vuk će biti izvedena predstava Dekameron 2020.
Projekat Dekameron 2020 nastao je u okviru master rada Mine Ćirić pod mentorstvom Dijane Milošević na master akademskim studijama na Institutu za umetničku igru.
To je plesna priča u deset celina. Iskustvo izolacije pretvorili smo u scene individualnih procesa oporavka, sa svim preprekama, neuspesima, bolovima, promenama raspoloženja, i humorom kao odbrambenim mehanizmom. Neko nije ni znao šta traži dok nije pronašao, ali mu je traženje značilo. Baš kao i likovi u čuvenom Dekameronu Đovanija Bokača, okupili smo se da iz nečega nad čime nemamo kontrolu stvorimo dobru priču, navodi autorka i koreografkinja Mina Ćirić.
Posle predstave razgovor autora s publikom.
Projekat je podržan od Ministarstva za kulturu i informisanje Republike Srbije.
Produkcija:
Institut za umetničku igru, Beograd
Koreografija:
Mina Ćirić
Predstavu izvode:
Mina Ćirić, Isidora Poledica, Natalija Jevtović, Tara Tanović, Tanja Ivanov, Anđela Žugić, Ana Obradović, Jelena Cvetković.
Pesme:
Jelena Stanković i Marko Milošević (Chorbika)
Kostim:
Miloš Janjić
Savetnica koreografkinje:
Danka Sekulović
Fotografija:
Tanja Drobnjak
The premiere of Verdi’s opera AIDA
Verdi's opera „Aida“ is premiered in the Petrovaradin Fortress in Novi Sad starting at 7.30 p.m. on 15th September.
The opera is conducted by maestro Andrea Solinas (Italy) , directed by prof. Aleksandar Nikolić, and choreographed by Aleksandar Ilić (with the assisstence of the choreographer Mojca Majcen).
All those who do not have the opportunity to watch the premiere alive can follow it LIVE on the channel 2 of the Radio and Telivision of Serbia (RTS 2) strating at 10.48 p.m. on the same day.
Next performings are in the Serbian National Theatre in Novi Sad on 18th and 28th September 2021.
AIDA is going to be performed in compliance with the original idea of the composer, which means in open air and under the blue clear sky, with more than 350 performers on the stage – musicians in the orchestra, members of the choir , national and international soloists, ballet dancers, and huge number of extras for the well-known scene of soldiers marching.
In the year when the whole world is marking the jubilee of 120 years since Verdi's death, the Opera of the Serbian National Theatre is giving the performance of that epic opera on 15th September exactly in the same way as the composer imagined -- in the open air under the clear blue sky between the walls of the Petrovaradin Fortress and based on the three great anniversaries, i.e. 160 years of the theatre, 120 years since the renowned composer died and 150 years since the opera AIDA was first performed.
''Aida“ is the story about passion which boils under the Egyptian sky. It is the story about the the clash between two empires, two religions, two mentalities,but above all about the clash beween two women in love. Both of them are princesses, but also slaves – the slaves of love and passion. The central point of their clash is a young charismatic military leader, a skilled strategist, a winner on the battlefield, a master in the art of warfare, but clumsy in court intrigues. These are big stakes - how to make a little pawn a bishop, and then a bishop the king. In the game of love and war, his stairs are two princesses belonging to two warring empires ", explains the play director Aleksandar Nikolić.
You can find more information here .
Predstavljanje Prof. Aleksandra Ilića na regionalnom sastanku Međunarodne platforme Teatroskop
Na regionalnom sastanku Međunarodne platforme Teatroskop u Francuskom Institutu u Beogradu, Profesor Aleksandar Ilić je predstavio programe koji su ostvareni u saradnji Instituta za umetničku igru, Teatroskopa i Francuskog Instituta u Srbiji.
Prof. Ilić je predstavio online predavanje koje je održano uz podršku Teatroskopa 8. i 9. juna 2020. godine. Vebinar Zapisivanje plesa i analiza pokreta: predstavlјanje sistema Rudolfa Labana (1879-1958), vodio je francuski igrač, koreograf, predavač i specijalista Laban kinetografije Rafael Koten.
Takodje je govorio o savremenoj plesnoj predstavi Shelter u koreografiji Kristofa Beranžea i Žonatana Pranlas-Deskura, autorskog dvojca kompanije Sine Qua Non Art koja je ujedno i završna predstava studenata Instituta za umetničku igru. Predstava je premijerno izvedena u okviru Belef-a 29. juna 2021. godine u Bitef Teatru.
Profesor Ilić je predstavio Festival Sola koji je Institut za umetničku igru realizovao 29. i 30. maja 2021. godine i najavio da će sledeće godine ovaj festival biti izveden u većem obimu, kao i da će biti otvoren javni poziv za sve partnere i umetnike koji žele da učestvuju u njegovoj realizaciji.
I – a Doll
MARINA BUKVIČKI
Performance I – a Doll
17th September at 7 p.m.
Students’ Cultural Centre – Big stage
The artistic project I – a Doll is a doctoral artistic thesis of Marina Bukvički, made at the Belgrade Dance Institute within her doctoral studies in the Artistic Dance and Performance department.
This project pays homage to our prominent scientist Mileva Marić Einstein, dealing with her life from a completely different point of view. It is designed to be performed as a multimedia communication (audio, video, film and performance), so that it consists of two parts being performed synchronously (a film of 90 minutes and a performance in which the artist makes visual recordings on painting canvases set in the room). This is not only a story about Mileva Marić who was a woman unfairly left hidden behind both her husband and the society she lived in, but it is also a story about all women having gone through a destiny similar to hers or who are currently living it.
I - a doll is a story about love and betrayal, about what we are able to sacrifice just to be accepted. Moreover, she is raising the question which was also the motive for making this project, asking: "How much does love cost?"
Author – Marina Bukvički
Performers – Marina Bukvički and Ivan Nikolić
Composer – Ivica Stjepanović
Audio – Ivan Nikolić (Einstein 1) and Stanoje Matić (Einstein 2)
Photography and Video – Zoran Milojević
Costume – Marina Bukvički and Snežana Pešić Rajić
Production – UMP
MARINA BUKVIČKI
Marina Bukvički was born in Belgrade, Serbia, where he graduated from her primary and secondary schools. She graduated Acting from the Faculty in Cetinje in 1999. She received her master’s degree from the Faculty of Dramatic Arts in Belgrade in 2009 when she specialised in Meyerhold’s Biomechanics within Theatre Studies. She is currently a student of doctoral studies at the Belgrade Dance Institute. She is a professor of Stage Movement in the subject Acting. She is a member of CID (which stands for the International Dance Council). She is an official member of the World Mime Organisation (WMO). In 2019 she held a presentation of her work at the Students’ Cultural Centre (SKC) with her students.
Since 1995 she has performed on all important stages of the former Yugoslavia as well as abroad, and has also been a participant in numerous, important theatre festivals. She also collaborated with the Montenegrin multimedia artist Sanja Perisić in several projects and some of them were awarded. She has performed many theatre plays to this day and some of them stand out as the most important (J. Reza, Art; Haruki Murakami, When the Night Falls, Octagon Theatre of the MiMart Movement, Yudmila Razumovskaya, Dear Yelena Sergeyevna, Auto-performance, Happy Days, To the Festival of Auto-performance, E. Bond, King Lear, R.W. Fasbinder, Anarchy in Bavaria, I. Koreksić, Crossroads, MiMart Movement Theatre, directed by Nela Antonovic, H. Pinter, Old Times (a piece made and performed in English), S. Koprivica, To the South by a Grain, J.P. Sartre, Behind Closed Doors, V. Nikolić, Between Us and the Blue Sky, The Theatre of Shadows, directed by B. Kolevska Belova (award-winning play at the theatre festival in Bulgaria), I.M. Lalić, World War III, R. Vojvodić, Montenegrins, Paola, S. Milatović, The Museum of the Cycling Uprising in Montenegro, a multimedia project directed by Slobodan Milatović, N. Antonović, Network, the Networking of Dreams, MiMart Movement Theatre, Murray Schisgal, Love, R.W. Fasbinder, Bitter Tears by Petra von Kant, D. Dukovski, Cabaret Balkan. She starred in several domestic and foreign films, such as The Love Case of a Post Office Employee, the first Serbian remake of the film of the same name by Dušan Makavejev, Shaving by Petar Mitrović, The Story of Miloš Branković, Red Dawn, The View from the Eiffel Tower, The Count of Montenegro, YU, Savior, Originals, then in a TV series Emergency Centre, in radio drama by D.Vuksanović Orbs, Little Souls, and also in several significant commercial projects. He is the author of the book Biomechanics in Contemporary Theatre, currently being prepared for publication and intended for students of acting, students of contemporary dance, performers, pedagogues, as well for as all those who are interested in performing arts.
The entrance is free. Please, due to the limited number of available seats, you should book your seat by writing to the email teodora.zivkovic@iui.rs .
SPEKTAKULARNO IZVOĐENJE VERDIJEVE AIDE
Opera Sprskog narodnog pozorišta spektakularnim i do sada neviđenim izvođenjem Verdijeve Aide na Petrovaradinskoj tvrđavi pod otvorenim nebom pred više od 3000 gledalaca, započela je svoju 161. sezonu.
Autorski dvojac reditelj Prof. Aleksandar Nikolić i koreograf Prof. Aleksandar Ilić i ovog puta su pokazali da njihova kreativnost i hrabrost u postavljanju klasičnih operskih dela ide u korak sa svetskim produkcijama i pomeranjem granica.
Orkestrom, solistima opera, horom baletskim ansamblom, statistima sa više od 350 učesnika na sceni, maestralno je dirigovao gost iz Italije dirigent Andrea Solinas.
Kako je i najavio direktor Opere Srpskog narodnog pozorišta Aleksandar Stankov, biće to opersko iskustvo nalik onome u Verdijevo vreme, kada su se kalanderi podešavali spram velikih premijera. Najstariji nacionalni teatar, u tako teškim okolnostima, otvara još jednu sezonu. Već je to izazov…
U godini kada ceo svet obeležava 120 godina od smrti Verdija, Opera Srpskog narodnog pozorišta na temeljima tri velika jubileja - 160 godina pozorišta, 120 godina od smrti velikog kompozitora i 150 godina od praizvedbe Aide izvešće 15. septembra to epsko opersko delo onako kako je kompozitor zamislio: pod vedrim nebom, među zidinama Petrovardinske tvrđave!
Predstavu su izveli prvaci solisti Opere: Kralj Egipta Nebojša Babić, Amneris Višnja Radosav, Aida Sonja Šarić, Radames Stevan Karanac, Ramfis Rikardo Canelato, Amonasro Željko R. Andrić, Glasnik Igor Ksionžik, Sveštenica Maja Andrić.
U virtuoznim baletskim scenama nastupili su solisti Katarina Kljajić i Samjuel Bišop, i ansambl baleta Verica Kozarev Klarić, Nadežda Salak, Vesna Bišop, Mina Radović, Marija Trifunović, Milica Jelić, Jelena Danguzov, Milana Samardžić, Katarina Zec, Olga Vrbaški, Minja Jokanović, Rajna Remović, Ivana Trpčević, Đulio Milite, Bojan Radnov, Zoran Trifunović, Aleksandar Bečvardi, Marko Ivan, Aleksandar Đurđević, Ivan Salonski i Nikola Stamenović.
Scenografiju za predstavu je uradio Tomislav Šaraba, kostim Senka Ranosavljević, Hor pripremila Vesna Kesić Krsmanović, asistent koreografa Mojca Majcen studentkinja druge godine Instituta za umetničku igru Odsek koreografija.
Predstava je, iako na otvorenom, bila izvedena u skladu sa svim kovid preporukama Kriznog štaba, a naredna izvođenja su 18. i 28. septembra u Srpskom narodnom pozorištu.
Foto Srđan Doroški.
The play Prostor za revoluciju (The Room for Revolution) choreographed by Isidora Stanišić to the music of Darija Janošević and by dramaturgy of Igor Koruga was performed on the stage of Castle Grimani starting at 11 p.m. within the Festival of Dance and Non-verbal Theatre in Svetivčenat.
The play was performed by Ana Ignjatović Zagorac, Tamara Pjević, Nataša Gvozdenović, and the alumni and students of undergraduate and Master studies at the Belgrade Dance Institute Miona Petrović, Nikola Živković i Vladimir Čubrilo.
We congratulate all performers!
Photography by Jelena Janković
Our PhD professor Snežana Arnautović Stjepanović was interviewed for the new edition of the magazine Bazar no. 1466 issued by the daily Politika.
The text was prepared by Gordana Mašić.
Photographs were taken by Miloš Lužanin.
Premijera Verdijeve opere AIDA biće izvedena 15. septembra na
Petrovaradinskoj tvrđavi u Novom Sadu s početkom u 19.30 časova.
U operu koju izvodi Srpsko narodno pozorište iz Novog Sada učestvuju
solisti opere, orkestar, hor, balet, statisti, sa više od 350 učesnika.
Operom će dirigovati maestro Andrea Solinas (Italija) u režiji Prof.
Aleksandra Nikolića i koreografiji Prof. Aleksandra Ilića (asistent
koreografa Mojca Majcen).
Za sve koji niste u mogućnosti da prisustvujete premijeri opere,
možete pratiti LIVE na 2 programu Radio televizije Srbije s početkom
22.48 časova istog dana.
Sledeća izvođenja su 18. i 28. septembra u Srpskom narodnom pozorištu.
Aida" će biti izvedena u skladu sa originalnom idejom kompozitora - pod vedrim nebom, među zidinama Petrovaradinske tvrđave, sa više od 350 učesnika na sceni - muzičara u orkestru, članova hora, domaćih i međunarodnih solista, baletskih igrača i velikog broja statista za poznatu scenu marša vojnika.
U godini kada ceo svet obeležava 120 godina od smrti Verdija, Opera Srpskog narodnog pozorišta na temeljima tri velika jubileja - 160 godina pozorišta, 120 godina od smrti velikog kompozitora i 150 godina od praizvedbe "Aide", izvešće 15. septembra to epsko opersko delo onako kako je kompozitor zamislio: pod vedrim nebom, među zidinama Petrovardinske tvrđave...
"Aida je priča o strasti, koja ključa pod nebom Egipta. To je priča o sukobu dva carstva, o sukobu dve religije, o sukobu dva mentaliteta, ali pre svega o sukobu dve zaljubljene žene. Obe su princeze, ali istovremeno i dve robinje - robinje ljubavi i strasti. Centralna tačka sukoba je mladi harizmatični vojskovođa, vešt strateg, pobednik na bojnom polju, majstor u umetnosti ratovanja, ali nevešt u dvorskim spletkama. U pitanju su veliki ulozi - kako da mali pion postane laufer, a onda od laufer kralj. U igri ljubavi i rata, njegovi stepenici su dve princeze iz dva zaraćena carstva.", objašnjava reditelj predstave Aleksandar Nikolić.
Više informacija možete pogledati ovde
MARINA BUKVIČKI
Performans
Ja - lutka/ I - a doll
17.09.2021. u 19.00h
Studentski kulturni centar - Velika sala
Projekat Ja - lutka/ I - a doll je doktorski umetnički rad Marine Bukvički, nastao na Institutu za umetničku igru, na doktorskim studijama Umetnička igra i performans.
Projekat predstavlja omaž našoj istaknutoj naučnici Milevi Marić Ajnštajn baveći se njenim životom iz jedne sasvim drugačije vizure posmatranja. Osmišljen je tako da se ostvaruje kroz višemedijsku komunikaciju (audio, video, film i performans), te se iz tog razloga sastoji iz dva dela koja se izvode sinhrono (film od 90 min i performans u kome umetnica tokom izvođenja pravi vizualne zapise na slikarskim platnima postavljenim u prostoru). Ovo nije samo priča o Milevi Marić, ženi koja je nepravedno ostala u senci svoga muža i društva u kome je živela, već je to priča o svim ženama koje su na bilo koji način prošle ili upravo žive sudbinu sličnu njenoj.
Ja - lutka / I - a doll je priča o ljubavi i izdaji, o tome šta smo sve u stanju da žrtvujemo samo da bismo bili prihvaćeni. Takođe, ona postavlja pitanje koje je ujedno bilo i motiv za realizaciju ovog projekta a glasi: "Koliko košta ljubav?"
Autor: Marina Bukvički
Izvođači: Marina Bukvički i Ivan Nikolić
Kompozitor: Ivica Stjepanović
Audio: Ivan Nikolić (Ajnštajn 1) i Stanoje Matić (Ajnštajn 2)
Fotografija i video: Zoran Milojević
Kostim: Marina Bukvički i Snežana Pešić Rajić
Produkcija: UMP
MARINA BUKVIČKI
Marina Bukvički rođena je u Beogradu, gde je završila osnovno i srednje obrazovanje. Diplomirala je glumu na Cetinju 1999. Magistrirala je na FDU u Beogradu 2009. godine na teatrologiji u oblasti Mejerholjdove biomehanike. Trentno je na doktorskim studijama na Institutu za umetnicku igru. Profesor je scenskog pokreta na predmetu gluma. Član je CID-a (The International Dance Council). Zvanični član World Mime Organisation (WMO). 2019 sa svojim studentima održala je prezentaciju svoga rada u SKC.
Od 1995. godine, igrala na svim značajnim scenama bivše Jugoslavije kao i u inostranstvu, a takođe je bila učesnik i na mnogobrojnim, značajnim pozorišnim festivalima. U više projekata sarađivala i sa crnogorskom multimedijalnom umetnicom Sanjom Perisić od kojih su neki radovi i nagradjivani. Do danas odigrala je mnogo pozorišnih predstava od kojih se izdvajaju neke kao najznačajnije (J.Reza, Umetnost, Haruki Murakami, Kad padne noć, Oktagon teatar pokreta MiMart, Judmila Razumovska, Draga Jelena Sergejevna, Autoperformans, Srećni dani, Festivalu autoperformansa, E. Bond, Kralj Lir, R. W. Fasbinder, Anarhija u Bavarskoj, I. Koreksić, Raskršće, teatar pokreta MiMart, rezija Nela Antonovic, H. Pinter, Stara vremena, (komad rađen i izvođen na engleskom jeziku), S. Koprivica, Zrnom prema jugu, Ž.P. Sartr, Iza zatvorenih vrata, V. Nikolić, Između nas i plavog neba, teatar Senki, režija B. Kolevska Belova (nagrađena predstava na pozorišnom festivalu u Bugarskoj, I. M. Lalić, Treći svetski rat, R. Vojvodić, Montenegrini, Paola, S. Milatović, Muzej biciklističkog ustanka u Crnoj Gori, multimedijalni projekat, režija Slobodan Milatović, N. Antonović, Mreža, umrežavanje snova, teatar pokreta MiMart, M. Šisgal, Ljubav, R.W. Fasbinder, Gorke suze Petre fon Kant, D. Dukovski, Bure baruta. Igrala je u nekoliko domacih i stranih filmova: Ljubavni slučaj sluzbenice PTT-a prvi srpski rimejk istoimenog filma Dušana Makavejeva, Brijanje Petra Mitrovića, Priča o Milošu Brankoviću, Crvena Zora, Pogled sa Ajfelovog tornja, Grof Montenegro, YU, Spasitelj, Oridjinali, tv seriji Urgentni centar, radio-drami D.Vuksanović Orbovi: Male duše kao i u nekoliko značajnih komercijalnih projekata. Autor je knjige Biomehanika u savremenom tetaru koja je u pripremi za štampu a namenjena je studentima glume, studentima savremene igre, performerima, pedagozima kao i svima onima koje interesuje scenska umetnost.
Ulaz je slobodan. Zbog ograničenog broja mesta molimo vas da potvrdite svoj dolazak na mail: teodora.zivkovic@iui.rs
Our students and alumni took part in the festival Skopsko leto (the Skopje Summer Festival) by performing a dancing play Svi marš na ples (Off you go to dance, all of you) choreographed by Igor Kirov; in that play they danced to the music of the band Bjelo dugme (an extremely famous and popular Yugoslav band playing and singing pop music) on the stage of the Macedonian Opera and Ballet starting at 8:30 p.m. on Monday, 26th July.
We congratulate all the performers on the play!
Photo by Miko Photography Studio
At the beginning of September 2021, the KOLO National Ensemble of Folk Dances and Songs of Serbia announced a competition for the admission of volunteer trainees for the jobs "Dancer – Member of the Folk Dance Ensemble – Ballet Ensemble I".
Out of seventeen registered candidates, nine passed the audition, and among those who passed it are the two students of the Belgrade Dance Institute who study at the Stage Folk Dance and Music Department, that is, Vladimir Drljan and Ivona Stojanović.
For me, this opportunity is a great success, a great motivation for my work and effort, for my personal progress both in dance and singing, and of course the motivation for getting knowledge and experience in a professional ensemble such as KOLO. I will try to make as much progress as possible in every sense, our student and the KOLO trainee Vlada pointed out.
It means a lot to me that I got the opportunity to learn something new and gain knowledge and experience in a professional ensemble. I will do my best to progress and be even better , Ivona emphasised.
The Belgrade Dance Institute congratulates the students on their achievements, wishing them to progress and gain new knowledge and experience in the field of artistic dance.
Director of the Cultural Centre of Belgrade, professor Aleksandar Ilić, closed the 58th October Salon – Belgrade Biennal today, on 22nd August, with the festive proclamation of the awarded authors and the performance of the young artist and laureate Sonja Radaković.
This year's October Salon was held under the thematic framework and slogan Dreamers, conceived by the Italian couple of curators Ilaria Marotta and Andrea Baccin.
Director of the Cultural Centre of Belgrade, prof. Aleksandar Ilić, stated for the media that the pandemic did not shake up the organisational team, which have been working on the preparation of the 58th October Salon – Belgrade Biennal for almost three years.
We were discouraged many times, the situation changed from day to day, as well as the plans, and the exhibition space was changed even twice, said Ilić, and emphasised that it meant rebuilding the exhibition rooms, as well as changes in the concept. We were persistent because it was important for us that the October Salon was realised in such a difficult period, because we know how much potential this exhibition has and what it can offer to the city and the region, said prof. Aleksandar Ilić, emphasising that this is an unavoidable and one of the most important manifestations in Belgrade and Serbia.
From 25th June to 22nd August this year, 64 works by artists from the country and abroad were presented in several exhibition and public spaces throughout Belgrade.
The artist Sonja Radaković was awarded the 58th October Salon Award - Belgrade Biennal for the performance Occupied by the expert jury that included art director, art critic and curator Jérôme Sans, independent curator Tevž Logar, and Mišela Blanuša who is the curator of the Museum of Contemporary Art in Belgrade.
Using the body as an artistic tool and artistic medium in her research and multimedia practice, this artist analyses the crisis of modern society in which we live, social morality, imposed norms and social condemnation, as well as the ubiquity of surveillance technology and contradictory control mechanisms, the expert jury pointed out in the explanation of the decision.
The award of the Cultural Centre of Belgrade at the October Salon was given to the artist Vuk Ćosić from Ljubljana, for the video work Unpacking the Dišan's Box.
The artist Vuk Ćosić from Ljubljana was awarded by the Cultural Centre of Belgrade at this-year October Salon for his video art work called Unboxing Duchamp’s Boîte.
Dance performance Grand Hotel, choreographed by prof. Aleksandar Ilić and directed by prof. Aleksandar Nikolić, was performed at the Kaleidoscope of Culture festival, on 5th September, in the Creative District in Novi Sad, starting at 9:30 p.m.
Grand Hotel premiered on 1st April this year on the Grand Stage of Madleninum and was performed by international teams of dancers: Mojca Majcen from Slovenia, Ognjen Vučinić from Croatia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia, and the Dance Theatre "Gospođe" consisting of Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić, and Katarina Stojkov Slijepčević.
The music for the play was done by Ana Krstajić, scenography by Žorž Draušnik (with Tanja Žiropađa as the assistant for scenography) and costume by Aleksandra Karović.
The stage manager of the play is Vesna Ćurčić Petrović, the lighting designer is Vladimir Krunić, and the music associate is Dušan Arsikin.
The next guest appearance of the Grand Hotel is on 21st September at the Ballet Fest in Sarajevo.
THE APPLAUSE FOR HEKATE
Ritual theatre
The premiere is on 6 and 7 September 2021, the venue is MKM Basement
The goddess Hecate has the power to see the past, present and future and has the keys to all possible solutions, just like Art. The play is a contribution to the cultural and historical heritage of Serbia. Hecate is a pre-Olympian goddess and is associated with the Neolithic great Goddess Mother. The concept for the presentation is based on the characteristics of the mythical being trinity, which enables unconventional routes in the laboratory. The applause was lacking during the pandemic, so that this performance has a healing tone of isolated spaces through successive performing.
Concept: Nela Antonović
Performers: Marina Bukvički, Marco Nektan, Olivera Milojević Čavić
Dramaturgical consultations and performer: Mina Ćirić
Stage design: Lidija Antonović
Sound design: Teodora Sarić
Costume: Andjelija Marković
Technical support: Aleks Zain and Ivana Koraksić
Production: Mimart Theatre and MKM - Warehouse Cultural Centre
The "Holograd" application for mobile phones contains a 3D view of Hecate. There used to be the Hecate Temple in Belgrade, which is one of the many temples of her in the Balkans. The audience has the opportunity to see the Hecate Hologram in real size.
This project is supported by the Ministry of Culture and Information and the Secretariat for Culture of the City of Belgrade and the Centre for Urban Development.
GRAND HOTEL PERFORMED AT THE KALEIDOSCOPE OF CULTURE
7th September 2021
Dance performance Grand Hotel, choreographed by prof. Aleksandar Ilić and directed by prof. Aleksandar Nikolić, was performed at the Kaleidoscope of Culture festival, on 5th September, in the Creative District in Novi Sad, starting at 9:30 p.m.
Grand Hotel premiered on 1st April this year on the Grand Stage of Madleninum and was performed by international teams of dancers: Mojca Majcen from Slovenia, Ognjen Vučinić from Croatia, Branko Mitrović from Bosnia and Herzegovina, Jakša Filipovac from Serbia, and the Dance Theatre "Gospođe" consisting of Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić, and Katarina Stojkov Slijepčević.
The music for the play was done by Ana Krstajić, scenography by Žorž Draušnik (with Tanja Žiropađa as the assistant for scenography) and costume by Aleksandra Karović.
The stage manager of the play is Vesna Ćurčić Petrović, the lighting designer is Vladimir Krunić, and the music associate is Dušan Arsikin.
The next guest appearance of the Grand Hotel is on 21st September at the Ballet Fest in Sarajevo.
Photo by Vladimir Veličković
Institut za umetničku igru će organizovati audiciju za IUI Dance kompaniju čiji rad je usmeren na edukaciju i pripremu polaznika za budući profesionalni rad u ansamblima i savremenim plesnim kompanijama.
IUI Dance kompanija je nastala u okviru Instituta za umetničku igru i namenjena je učenicima srednjih baletskih škola, članovima plesnih klubova i škola, i pojedincima koji se bave umetničkom igrom. Kompanija planira redovan repertoarski program i istovremeno se pored obrazovanja bavi i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara i načina izražavanja koje koreograf kao zadatak stavlja pred buduće igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na novim delima, koja će biti dostupna širokom auditorijumu.
Rukovodilac IUI Dance kompanije Ognjen Vučinić, poziva sve zainteresovane da se priključe projektu s ciljem popularisanja i promocije savremene igre u Srbiji. Polaznici će nastupati u originalnim komadima koji će za njih realizovati različiti koreografi, a tokom rada sa njima imaće uvid u različite plesne tehnike i provoditi značajno vreme kroz umrežavanja profesionalnih aktivnih plesnih umetnika Srbije i regiona. Asistent rukovodioca kompanije je Katarina Bućić MA, saradnik u nastavi na Institutu za umetničku igru.
Probe će se održavati četvrtkom i subotom na Institutu za umetničku igru.
Kompanija će svoje nastupe realizovati na scenama Teatra Vuk, Malog pozorišta Duško Radović, Doma kulture Studentski grad i eksperimentalnoj sceni Instituta za umetničku igru, a planirani su nastupi na takmičenjima i festivalima u zemlji i regionu.
Audicija će biti održana 16. oktobra 2021. u 12.00h u Institutu za umetničku igru.
Mesečna kotizacija za pohađenje programa IUI Dance Company iznosi 5.000,00 RSD
Audicija za IUI Dance Company je besplatna.
Za više informacija pozovite ☎ 011 41 40 421 svakog radnog dana od 9.00 do 17.00.
Prijave su otvorene do 14. oktobra 2021. do 14.00h i šalju se na mail: iuidancecompany@iui.rs s naznakom Prijava za audiciju
Prijava treba da sadrži:
Ime i prezime;
Datum rođenja;
Škola ili plesni klub koju pohađa kandidat;
Mobilni telefon i mail
Institut za umetničku igru iz Beograda će organizovati dve audicije za kompaniju Balet mladih koje će se realizovati 15.09.2021. i 16.10.2021. godine u 19.00 časova na Institutu za umetničku igru, ul. Bulevaru vojvode Mišića br. 43. u baletskoj sali 307.
Za audiciju se mogu prijaviti svi zainteresovani učenici baletskih škola (najmanje završen 1. razred osnovne baletske škole), plesnih studija (ne mlađi od 12 godina), učenici ostalih razreda baletskih škola i diplomirani baletski igrači.
Balet mladih podrazumeva rad sa vrhunskim pedagozima klasičnog baleta, repertoara klasičnog baleta i duetne igre i realizuje se tri puta nedeljno u popodnevnim časovima u (baletskoj sali) Instituta za umetničku igru.
Raspored proba kompanije Balet mladih biće usklađen s radom baletskih škola.
Program vode: Gostujuća profesorka na Institutu za umetničku igru Amalia Mindrutiu; Milica Bezmarević, Prva solistkinja baleta Narodnog pozorišta u Beogradu i Mila Stijak, saradnik u nastavi na Institututu za umetničku igru. Korepetitor kompanije je Ana Spremić MA, Profesor na Institutu za umetničku igru.
Kompanija Balet mladih planira redovan repertoarski program koji se sastoji od Gala koncerata, baletskih svita, jednočinih baleta i celovečernjih baletskih predstava u izvornim koreografijama klasičnog nasleđa koja će u originalu prenositi balet majstor Amalia Mindrutiu. Rad u baletu mladih takođe je usmeren na pripremu polaznika za budući profesionalni rad u ansamblu.
Kompanija će svoje nastupe realizovati na scenama Teatra Vuk, Malog pozorišta Duško Radović, i eksperimentalnoj sceni Instituta za umetničku igru, a planirani su nastupi na takmičenjima i festivalima u zemlji i regionu.
Mesečna kotizacija za pohađenje programa Balet mladih iznosi 6.000,00 RSD
Audicija za Balet mladih je besplatna.
Za više informacija pozovite ☎ 011 41 40 421 svakog radnog dana od 9.00 do 17.00.
Prijave su otvorene do 14. septembra i 14. oktobra 2021. do 14.00h i šalju se na mail: mila.stijak@iui.rs s naznakom Balet mladih.
Prijava treba da sadrži:
Ime i prezime;
Datum rođenja;
Škola koju pohađa učenik;
Mobilni telefon i mail (lični ili od roditelja).
Početkom septembra 2021. nacionalni Ansambl narodnih igara i pesama Srbije KOLO objavio je konkurs za prijem pripravnika volontera za poslove “Igrač – Član ansambla narodne igre – Baletski ansambl I”.
Od prijavljenih 17 kandidata, audiciju je položilo 9 kandidata, među kojima su i dva studenta Instituta za umetničku igru, sa odseka Scenska narodna igra i muzika, Vladimir Drljan i Ivona Stojanović.
“Za mene je ova prilika veliki uspeh, velika motivacija za rad i trud, za moj lični napredak, kako u igračkom tako i pevačkom delu, i naravno motivacija za znanjem i iskustvom u profesionalnom ansamblu kao što je Kolo. Potrudiću se da što više napredujem u svakom smislu”, istakao je Vlada.
“Puno mi znači što sam dobila priliku da naučim nešto novo i steknem znanje i iskustvo u profesionalnom ansamblu. Potrudiću se da napredujem i budem još bolja”, naglasila je Ivona.
Institut za umetničku igru čestita studentima postignute uspehe, sa željom da napreduju i steknu nova znanja i iskustva u oblasti umetničke igre.
ENROLMENT ON DOCTORAL STUDIES 2021/2022
The Belgrade Dance Institute has announced the contest for the enrolment on the first year of accredited doctoral studies of Artistic Dance and Performance. The study programme lasts three years, is worth 180 ECTS credits and after completing it, the students merit the title PhD in Arts – Drama and Audiovisual Arts. The students who have earned at least 300 ECTS credits during their previous academic studies are allowed to enrol this study programme.
ENTRANCE EXAM
The ranking list of students is made on the basis of the achieved success during previous studying (GPA and the length of study) and on the test of knowledge, aptitudes and abilities. The knowledge type, preferences and abilities of candidates are determined on the basis of an interview conducted by a specially formed commission.
Candidates who apply for the study programme Artistic Dance and Performance are required to take an entrance exam which consists of the analysis of candidates’ artistic-and-professional-work portfolios, then of the interview with the Commission, and of the English language proficiency test.
Applications for Artistic Dance and Performance doctoral studies are open from July 19th 2021 to October 4th 2021. Applications are collected via email prijave@iui.rs .
Documents which should be enclosed when applying for these studies:
For all additional information, you can schedule consultations every weekday (working day) from 9 a.m. to 5 p.m. by calling 011 41 40 421 (from Serbia) / 0038111 41 40 421 (from abroad/ outside Serbia) or via email prijave@iui.rs .
ENROLMENT IN MASTER’S DEGREE STUDIES 2021/2022
The Belgrade Dance Institute announces entrance exams/audition for Master studies of dance performance – IUI Transition Dance Company (IUI being the Serbian abbreviation for BDI) in 2021/22 academic year.
Applications for Master studies of dance performance – IUI Transition Dance Company are open from July 7th to September 10th 2021.
Interested candidates for Master studies can get the information about the enrolment by previous scheduling via emails institutzaumetnickuigru@gmail.com and prijave@iui.rs , or by calling phone no. 011 41 40 421 (from Serbia) / 0038111 41 40 421 (from abroad).
Entrance exam/audition is held on September 14th 2021.
What do I need in order to apply?
IUI Transition Dance Company is a dancing company made within the Belgrade Dance Institute and intended for those individuals who are higher-educated in arts and who posses at least 180 ETTS points.
IUI Transitions Dance Company is also engaged in educating and experimenting for inventing new choreographic and dancing vocabulary, and the way of expressing thoughts put before the students by a choreographer as an assignment.
The result of such a way of work should be discovering unexpected, stimulating challenges while working on a new project or play which will be accessible to huge audience.
The company gathers the most interesting young choreographers and dancers for creating original pieces of art, or taking over the most interesting pieces of respectable choreographers or dancers from national/domestic and the world scene.
The Belgrade Dance Institute announces entrance exams for Master studies Artistic Dance 2021/22 for departments Pedagogy and Choreography.
Applications for the enrolment are open from July 5th to September 10th 2021.
Entrance exam for enrolling Master studies Artistic Dance – Pedagogy (Classical Ballet and Contemporary Dance) and Choreography is held on September 13th 2021.
Candidates take the entrance exam, which consists of the analysis of their artistic-and-professional-work portfolio and their interviews with the Commission, as well as a test of their English-language skills.
All interested candidates for Master studies can get enrolment information
The candidates interested for Master studies can also have a conversation with the professors. These conversations are scheduled via email institutzaumetnickuigru@gmail.com.
The certificate of the accreditation of the study programme – Artistic Dance for Master Studies can be seen on the following link: http://iui.rs/Akreditacija .
What do I need in order to apply?
For more information, please, go to the English version of the following link:
SEPTEMBER ENROLMENT EXAMS FOR ACADEMIC YEAR 2021/2022
The Belgrade Dance Institute has announced the contest for the enrolment in the first year of accredited undergraduate academic studies lasting for three years or six semesters, and the departments which can be enrolled are Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy, and Stage Folk Dance and Music.
After completing this level of studies, a graduate acquires the title of Drama and Audiovisual Artist – Artistic Dance (180 ECTS credits).
Entrance exams will be held from 20th to 22nd September of 2021, whereas preparatory classes and open days for consultations will be given from 13st to 17th September of 2021.
Schedule of the entrance exams:
Enrolment
Candidates who have passed the entrance exam and who are about to enrol the Institute need to submit the following documents:
A payment of 2,000 dinars is to be made for taking the entrance exam.
Example of payment slip:
Preparatory classes
The Belgrade Dance Institute holds entrance-exam preparatory classes for undergraduate studies for the departments: Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy and Stage Folk Dance and Music.
Preparatory classes are held from September 13 to 17, 2021.
The schedule for preparatory classes is:
The costs of attending the preparatory classes for all departments are 5,000.00 RSD.
Example of payment slip:
Tuition fees / Finance
The total costs of studying at the undergraduate level are the most affordable in Serbia (tuition, all textbooks, and scientific and teaching aids, unlimited number of exam applications and semester verifications) and amount to EUR 2,000 per year of study (payment at the NBS middle exchange rate on the day of payment).
If the candidate opts for the payment in installments, the student is obliged to pay 40% of the tuition fee at the beginning of the academic year (dinar equivalent at the NBS middle exchange rate on the day of payment), and the rest in eight equal monthly installments at the NBS middle exchange rate on the day of payment.
In the best academic spirit, the Belgrade Dance Institute offers partial or full scholarships for students who, upon application, show the highest quality and potential, as well as the need for financial support. Before taking the entrance exam, a candidate pays to the Institute account the amount of 2,000 RSD for the costs of holding the exam.
Payment is made to the Institute bank account with the number 265167031000009130; reference number – the candidate’s Unique Citizen’s Identity Number (JMBG in Serbian*).
Students who are not the citizens of Serbia
In addition to the above conditions, these students must additionally take care of obtaining visas for the purpose of staying in Serbia during their studies. The Institute is not a guarantor of foreign students during their stay in Serbia, nor does it bear any legal, financial, or moral responsibility towards them or third parties related to their stay in the Republic of Serbia. The students themselves are responsible for obtaining relevant documentation and proving it to the Consular Representation or the Embassy of the Republic of Serbia in order to obtain (a) visa (s). All students who pass the entrance exams and meet all conditions for the enrolment can obtain the relevant certificates that will be sent to the competent authorities for the timely issuance of their visas.
The Belgrade Dance Institute organises the audition for the Ballet of the Youth Company which takes place on 26 June 2021 at 10 am at the Belgrade Dance Institute, 43 Bulevar vojvode Mišića Street, Belgrade.
Dancing company Ballet of the Youth is intended for the students of ballet schools (at least the 2nd form of the primary ballet should be finished), attendants of the dancing studios (not younger than 12 years of age), students of the other forms of ballet schools, and graduate ballet dancers from Belgrade, Novi Sad, Serbia, and the region.
Ballet of the Youth starts working on 1 September 2021 and the programme will be guided by the ballet master Amalia Mindrutiu, Milica Bezmarević, the first soloist of the National Theatre in Belgrade, Mila Stijak, the assistant teacher at the Belgrade Dance Institute, and the accompanist Ana Spremić.
Ballet of the Youth continues the regular repertoire programme, consisting of Gala concerts, ballet suites, one-act ballets and all-night ballet performances, as well as participation in renowned domestic (national) and foreign (international) competitions.
The rehearsal schedule of the Ballet of the Youth Company will be harmonised with the work of ballet schools.
Why should you join the dancing company Ballet of the Youth?
For more information, please, call ☎ 011 41 40 421 (from Serbia) / ☎ 0038111 41 40 421 (from abroad) every working day from 9 am to 5 pm.
Applications are open until Wednesday, 23 June 2021 and should be sent to the mail mila.stijak@iui.rs .
An application should contain:
Natalija Tapić is in the photo and the author of the photo is Uroš Nikolić.
NEW NOVEL BY PROFESSOR MIOMIR PETROVIĆ
A new novel by our professor Miomir Petrović, released by the publishing house “Laguna”, is going to appear in the bookshops in the middle of August. Belgrade friends of a Film Art professor on a temporary job in one of the emirates imagine his life as if the one in a postcard. He lectures at an elite college, is sipping expensive drinks at reduced prices in luxurious exteriors, camping in the desert under the stars, going to parties with a group of friends born in the same country of Yugoslavia, and he does not even miss his family since his wife and son are together with him.
How can such a life be shaken by anything?
However, cultural patterns and arrogance of the foreign world will call his career into question. As an elegant prose writer and a careful observer of complex reality, in this novel Miomir Petrović conveys the atmosphere personal and global desert of the 21st century.
Stranded in that barren harbor where silence is hidden behind hundreds of fainting episodes, where abrasive and silk touches of sand merge with the hollow velvet of galaxies, the writer is a homeless and a shipwrecked, an ascetic and a seeker, a narrator and a an impossible-mission her, embraced by the omnipresent death, pursued by encounters with oneself that is possible to experience only by voluntary banishment into a central roar of one’s own inner desert.
-- Blažo Popović, a journalist
Determined by the winds, the Central Desert is being erected by the builders gathered from all parts of the world, with their fragile knowledge and mother tongues, but also with arrogance and idolatry, the builders who forced by the dictated tempo of reality dissolve humankind in order to build a mirage by inner silence rebelled against despotism and tyranny.
Laura Barna, a writer
APLAUZ ZA HEKATU
Ritualni teatar
premijera 6-7.09.2021, podrum MKM
Boginja Hekata ima moć da vidi prošlost, sadašnjost i budućnost i ima ključeve za sva moguća rešenja, baš kao i Umetnost. Predstava je doprinos kulturno-istorijskom nasleđu Srbije. Hekata je predolimpska boginja i povezana se sa neolitskom velikom Boginjom Majkom. Koncept za predstavu je zasnovan na karakteristikama trojstva mitskog bića, što omogućuje nekonvencionalne rute u laboratorijumu. Aplauz je nedostajao za vreme pandemije, te ova predstava ima lekovitu notu izolovanih prostora kroz sukcesivnu performativnost.
Koncept: Nela Antonović
Izvode: Marina Bukvički, Marco Nektan, Olivera Milojević Čavić
Dramaturške konsultacije i performerka: Mina Ćirić
Dizajn scene: Lidija Antonović
Dizajn zvuka: Teodora Sarić
Kostim: Anđelija Marković
Tehnička podrška: Aleks Zain i Ivana Koraksić
Produkcija: Teatar Mimart i MKM- Kulturni centar Magacin
Aplikacija “Holograd” za mobilne telefone sadrži 3D prikaz Hekate,. U Beogradu je postojao Hekatin Hram, koji je jedan od mnogih hramova na Balkanu. Publika ima priliku da vidi Hologram Hekate u realnoj veličini.
Projekat podržan od strane Ministarstva kulture i informisanja i Sekretarijata za kulturu Grada Beograda i Centra za urbani razvoj.
GRAND HOTEL IZVEDEN NA KALEIDOSKOPU KULTURE
Plesna predstava Grand Hotel, u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića, izvedena je na festivalu Kaleidoskop kulture, 5. septembra u Kreativnom distriktu u Novom Sadu s početkom u 21.30 časova.
Grand Hotel premijerno je izveden 1. aprila ove godine na Velikoj sceni Madleninuma u izvedbi internacionalne ekipe plesača: Mojce Majcen iz Slovenije, Ognjena Vučinića iz Hrvatske, Branka Mitrovića iz Bosne i Hercegovine, Jakše Filipovca iz Srbije i Plesnog tetra „Gospođe“ koji čine Nada Kecman, Mira Ivančević, Marina Maraš, Milica Bezmarević, Biljana Knežević, Vesna Stipišić i Katarina Stojkov Slijepčević.
Muziku za predstavu je uradila Ana Krstajić, scenografiju Žorž Draušnik (asistent scenografa Tanja Žiropađa) a kostim Aleksandra Karović.
Inspicijentkinja predstave je Vesna Ćurčić Petrović, dizajner svetla Vladimir Krunić a muzički saradnik Dušan Arsikin.
Naredno gostovanje Grand Hotela je 21. septembra na Balet Fest Sarajevu.
Fotografija Vladimir Veličković.
UPIS NA DOKTORSKE STUDIJE 2021/2022
Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.
Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.
Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.
Prijemni ispit
Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.
Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom, kao i provere znanja Engleskog jezika.
Prijave za Doktorske studije Umetnička igra i performans su otvorene od 19.07.2021. do 04.10.2021. godine.
Prijave na konkurs se vrše putem maila: prijave@iui.rs.
Dokumenta za prijavljivanje na konkurs:
Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs
Institut za umetničku igru raspisuje prijemne ispite/audiciju za Master studije plesnog performansa – IUI Transition Dance kompanija za 2021/22. akademsku godinu.
Prijave za Master studije plesnog performansa – IUI Transition Dance Company su otvorene od 05.07.2021. do 10.09.2021. godine.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje institutzaumetnickuigru@gmail.com, putem i-mejla prijave@iui.rs i putem telefona 011 41 40 421.
Prijemni ispit/audicija održaće se 14. septembra 2021. godine u 11h u novoj sali.
Šta mi je potrebno da bih se prijavio/la?
IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenjena pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na novom delu, koje će biti dostupno širokom auditorijumu.
Kompanija će okupiti najzanimljivije mlade koreografe i igrače da bi stvarali originalna dela, ili preuzimali najinteresantnija dela respektabilnih koreografa ili igrača s domaće i svetske scene.
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra 2021/22. za odseke pedagogija i koreografija.
Prijave za upis su otvorene od 05.07.2021. do 10.09.2021. godine.
Prijemni ispit za upis na Master studije Umetnička igra – pedagogija (klasičan balet i savremena igra) i koreografija održaće se 13. septembra 2021. godine u 15h.
Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom, kao i provera znanja Engleskog jezika.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu:
Kandidati zainteresovani za master studije takođe mogu da obave razgovor sa profesorima. Razgovori sa profesorima se zakazuju preko i-mejla institutzaumetnickuigru@gmail.com
Uverenje o akreditaciji studijskog progama – Umetnička igra za master studije možete videti ovde.
Šta mi je potrebno da bih se prijavio/la?
ZA VIŠE INFORMACIJA POGLEDAJTE OVDE
SEPTEMBARSKI PRIJEMNI ISPITI ZA AKADEMSKU 2021/22. GODINU
Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Klasičan balet, Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).
Prijemni ispiti biće održani od 20. do 22. septembra 2021., dok će se pripremna nastava i konsultacije realizovati od 13. do 17. septembra 2021. godine.
Termini prijemnih ispita
Upis
Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:
Za polaganje prijemnog ispita se vrši uplata od 2.000 dinara.
Pripremna nastava
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Klasičan balet, Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Pripremna nastava će se održavati od 13. do 17. septembra 2021. godine.
Satnice za pripremnu nastavu su:
Pohađanje pripremne nastave za sve odseke iznosi 5.000,00 RSD.
Školarina / Finansije
Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR po godini studija (plaćanje po srednjem kursu NBS na dan uplate).
Ukoliko se kandidat opredeli za varijantu plaćanja u ratama, student je u obavezi da prilikom upisa uplati 40% školarine (dinarska protivvrednost po srednjem kursu NBS na dan uplate), a ostatak na osam jednakih mesečnih rata po srednjem kursu NBS na dan uplate.
U najboljem akademskom duhu, Institut za umetničku igru nudi delimične ili potpune stipendije za studente koji po prijavljivanju pokazuju najviše kvalitete i potencijal, kao i potrebu za finansijskom asistencijom. Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.*
Studenti koji nisu građani Republike Srbije
Pored gorenavedenih uslova moraju dodatno da se sami postaraju za dobijanje viza radi boravka u Srbiji tokom studiranja. Institut nije garantor stranim studentima tokom njihovog boravka u Srbiji niti snosi bilo kakvu pravnu-finansijsku-moralnu odgovornost prema njima ili trećim licima vezanima za njihov boravak u Republici Srbiji. Sami studenti su odgovorni za pribavljanje relevantne dokumentacije i dokazivanja Konzularnom predstavništvu ili Ambasadi Republike Srbije radi dobijanja vize(a). Svi studenti koji polože prijemne ispite i steknu sve uslove za upis, mogu da dobiju relevantne potvrde koje će biti upućene nadležnim organima radi blagovremenog izdavanja njihovih viza
DODELOM NAGRADA I PERFORMANSOM ZAVRŠEN 58. OKTOBARSKI SALON
Direktor Kulturnog centra Beograda Prof. Aleksandar Ilić svečanim proglašenjem nagrađenih autora i performansom mlade umetnice i laureatkinje Sonje Radaković danas 22. avgusta je zatvore