Obaveštavamo studente, profesore i saradnike da, zbog predstojećeg državnog praznika, Dana primirja u Prvom svetskom ratu, Institut neće raditi u petak, 11. novembra 2022. godine.
20th INTERNATIONAL COMICS SALON
The Jubilee, 20th International Comics Salon will be ceremoniously opened on September 28th, 2023, at 7:00 PM in the Great Hall of the Student Cultural Center in Belgrade. The International Comics Salon is a festival of the ninth art organized and managed by the Happy Gallery of the Student Cultural Center in Belgrade as part of its regular editorial program. The Salon is the most extensive and largest comic event in Serbia and one of the most significant showcases of the ninth art in the region.
The festival will be opened by a choreography by the Belgrade Dance Institute, Wegsittudrlifk featuring guest professor Alexandra Madsen from Croatia. The choreography is part of the dance performance Femine produced by the Belgrade Dance Institute as part of dancer Mojca Majcen's authorial project in collaboration with the Balkan Dance Project. The project is supported by the Ministry of Culture of the Republic of Serbia, the Secretariat for Culture of the City of Belgrade, and the Ministry of Culture of the Republic of Slovenia.
The performance is performed by Doc. Katarina Bućić and Tijana Ostojić from the Belgrade Dance Institute. Assistant choreographer is Professor Ognjen Vučinić. The costume for the performance was created by SvarogArt.
As a traditional event, the Salon is held every year from Thursday to Sunday during the last week of September in all spaces of the Student Cultural Center. Through its exhibition and educational programs, the Salon is conceptually based on: an international competition for authors of all ages from around the world, the presence of the most relevant world comic authors, the reevaluation of domestic comic creation from its beginnings to the present day, the promotion of domestic comic publishing, the promotion of young authors, and the popularization of comics and related forms such as animated film and illustration.
Wegsittudrlifk
This choreography stems from the exploration of meaning and nonsense in movement and structure. The primary tool of exploration is improvisation through which performers discover movements that are not pre-refined or prescribed as bodily language.
This vocabulary is established through the active production of opposites to what is considered to "make sense." In this way, deconstruction of the view of the entire movement and the fragmentary performance is provoked, avoiding content that can be recognized as movement - meaning, kinesthetic meaning, or aesthetic element of movement.
As a result of avoiding meaningful connections in the production of vocabulary, this choreography simultaneously questions the assumption of meaning and expectation in performance. Thus, the principle of nonsense establishes vocabulary and performance structure. Nonsense is not attempted to be "made sense of" but rather assumed as a bodily and performance axiom. This way, both the body and structure return to the examination of fundamental motivations for movement, as well as the production of meaning.
Unlike purely abstract movement, which touches more on the visual aspect of performance, this choreography emphasizes anticipation as the foundation for aesthetic experience. By avoiding "sense" and conscious contrast in performative nonsense, performers produce choreographic material that fluctuates on the border between absurdity and hope.
XX MEĐUNARODNI SALON STRIPA
Jubilarni, XX Međunarodni salon stripa svečano će biti otvoren 28. septembra 2023. godine u 19.00 časova u Velikoj sali Studentskog kulturnog centra u Beogradu. Međunarodni salon stripa je festival devete umetnosti koji organizuje i vodi Srećna galerija Studentskog kulturnog centra Beograd, kao svoj redovni redakcijski program. Salon je najmasovniji i najveći strip događaj u Srbiji, i jedna od najznačajnijih smotri devete umetnosti u regionu.
Festival će otvoriti koreografija Instituta za umetničku igru, Wegsittudrlifk gostujuće profesorke Alexsandre Madsen iz Hrvatske. Koreografija je deo plesne predstave Femine koja je realizovana u produkciji Instituta za umetničku igru, u sklopu autorskog projekta plesačice Mojce Majcen a uz saradnju sa Balkan Dance Projektom. Projekat je podržan sa strane Ministarstva kulture Republike Srbije, Sekretarijata za kulturu Grada Beograda i Ministarstva kulture Republike Slovenije.
Predstavu izvode Doc. Katarina Bućić i Tijana Ostojić sa Instituta za umetničku igru. Asistent koreografije je profesor Ognjen Vučinić. Kostim za predstavu je radio SvarogArt.
Kao tradicionalna manifestacija, Salon se svake godine održava u periodu od četvrtka do nedelјe, tokom poslednje sedmice septembra, u svim prostorima SKC-a. Kroz izlagački i edukativni program, Salon je koncepcijski zasnovan na: takmičenju po međunarodnom konkursu autora
svih uzrasta iz svih zemalјa sveta; gostovanju najrelevantnijih svetskih strip autora; revalorizaciji domaćeg strip stvaralaštva od njegovog početka do danas; afirmaciji domaćeg strip izdavaštva; afirmaciji mladih autora; popularizaciji stripa i srodnih izraza poput animiranog filma i
ilustracije.
Wegsittudrlifk
Ova koreografija proizlazi iz istraživanja smisla i besmisla u kretanju ali i u strukturi. Osnovni alat istraživanja je improvizacija kroz koju izvođačice pronalaze kretanja koja nisu unapred rafinirana i zadata kao telesni jezik.
Taj vokabular se uspostavlja iz aktivne proizvodnje suprotnosti od onoga što se smatra da "ima smisla". Na taj način izaziva se dekonstrukcija pogleda na celinu kretanja te fragmentarnost izvedbe izbegavajući sadržaj koji se može prepoznati kao kretnja - značenje, kretnja kinestetička
smislenost ili kretnja - estetski element.
Koreografija tako, zbog izbegavanja smislenih veza pri proizvodnji vokabulara, istovremeno preispituje pitanje pretpostavljenog smisla i očekivanosti u izvedbi. Tako se principom besmisla uspostavlja vokabular i struktura izvedbe. Besmisao se ne pokušava "usmisliti" već pretpostavlja telesni i izvedbeni aksiom. Time se i telo i struktura vraća na ispitivanje temeljnih motivacija za kretanje, ali i proizvodnje smisla.
Za razliku od samog apstraktnog kretanja, koji se više dotiče vizuelnog aspekta izvedbe, ova koreografija stavlja naglasak na anticipaciju kao temelj za estetski doživljaj. Izbegavanjem "smisla" i svesnog kontrasta u izvedbeni besmisao, izvođači tako proizvode koreografski materijal koji varira na granici između apsurda i nade.
RESULTS OF THE ENTRANCE EXAM FOR UNDERGRADUATE STUDIES ACADEMIC YEAR 2023/2024
REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2023/2024 GODINE
THE LIAR PREMIERED AT SKC
In the Grand Hall of the Student Cultural Center in Belgrade, on the evening of September 21st, starting at 7:00 PM, a premiere performance in progress titled The Liar was presented, choreographed and performed by student Mojca Majcen, alumni Igor Kirov, and Prof. Aleksandar Ilić, based on the playwright by Jerome Kilty, Dear Liar.
This performance is an exploration by three choreographers and contemporary matured dancers, Mojca Majcen (Slovenia), Igor Kirov (Serbia), and Aleksandar Ilić (Serbia), who have spent their careers on stage as choreographers and performers but have never collaborated on a project together. They were joined by the writer Prof. Dr. Miomir Petrović, who is also a co-author of the script.
The exploration on the choreographic and dance level delves into more contemporary and complex realms of human relationships, the concept of sincerity, communication, and the possibility of understanding each other in today's world. While seeking their path to sincerity, aware that they often mimic and deceive one another and others, the performers conquer the space around them, capturing the essence of their personalities while seeking honesty and authenticity. Each subsequent performance of this project will involve finding different stage solutions. Deceiving, the three of them love each other but also avoid each other...
The script is by Prof. Dr. Miomir Petrović, costumes for the performance were designed by Saša Krga, and music adaptation by Ivica Stjepanović.
The project is supported by the Ministry of Culture of the Republic of Serbia and the Municipality of Celje (Slovenia).
Mojca Majcen and Igor Kirov are the founders of the Balkan Dance Project, to which Aleksandar Ilić has joined in order to bring together artists from the former Yugoslavia and the Balkan region.
In this performance, they are working together for the first and last time, at their own urging.
Photography by Belkisa Beka Abdulović
LAŽLJIVAC PREMIJERNO IZVEDEN U SKC-u
U Velikoj sali Studentskog kulturnog centra Beograda, sinoć 21. septembra s početkom u 19 časova, premijerno je izvedena predstava u nastajanju Lažljivac u koreografiji i izvođenju studentkinje Mojce Majcen, alumniste Igora Kirova i Prof. Aleksandra Ilića, po motivima dramskog teksta Džeroma Kiltija Dragi moj lažljivče.
Reč je o istraživanju tri koreografa i savremena igrača u zrelim godinama, Mojce Majcen (Slovenija), Igora Kirova (Srbija) i Aleksandra Ilića (Srbija), koji su svoje karijere proveli na sceni kao koreografi i izvođači, ali nikada zajedno u jednom preojektu. Njima se priključio i književnik Prof. dr Miomir Petrović, koji je ujedno i koautor scenarija.
Istraživanje na koreografskom i igračkom planu zalazi i savremenije i složenije sfere odnosa među ljudima, pojma iskrenosti, komunikacije, mogućnosti da se uopšte razumemo u savremenom svetu. Tražeći svoj put ka iskrenosti, svesni ili polusvesni da najčešće mimikriraju i obmanjuju jedan drugog i trećeg, izvođači osvajajući prostor oko sebe osvajaju prostore svojih ličnosti tražeći iskrenost i nepatvorenost. Svako naredno izvođenje ovog projekta podrazumevaće iznalaženje drugačijih scenskih rešenja. Lažući, njih troje se vole ali i izbegavaju...
Tekst Prof. dr Miomir Petrović, kostime za predstavu je uradio Saša Krga, a adaptaciju muzike Ivica Stjepanović.
Projekat su podržali Ministarstvo za kulturu Republike Srbije i Mestna občina Celje (Slovenija).
Mojca Majcen i Igor Kirov su osnivači Balkan dens prodžekta (Balkan Dance Project) kojima se pridružio Aleksandar Ilić, kako bi zbližili umetnike s prostora nekadašnje Jugoslavije i Balkanskog regiona.
U ovj predstavi po prvi i poslednji put zajedno na nagovor samih sebe.
Fotografije Belkisa Beka Abdulovic.
INAUGURAL RECEPTION FOR FRESHMEN AND THE BEGINNING OF THE ACADEMIC YEAR 2023/24
The inaugural reception for freshmen will take place on Friday, September 29th, 2023., at 12 o'clock in classroom 307 (3rd floor). On that day, the dean and professors will address them, and they will receive their student IDs, textbooks, and class schedules.
Lectures for all undergraduate years will commence on October 2nd, 2023., according to a schedule that will be published in due course.
SVEČANI PRIJEM BRUCOŠA I POČETAK NASTAVE U ŠKOLSKOJ 2023/24. GODINI
Svečani prijem brucoša će se održati u petak, 29. septembra 2023. godine u 12 časova u učionici 307 (III sprat), tog dana će im se obratiti dekan i profesori, uručiće im se indeksi, udžbenici, kao i raspored.
Predavanja će za sve godine osnovnih studija početi 2. oktobra 2023. godine prema rasporedu koji će biti blagovremeno objavljen.
13. BELHOSPICE
Dean Prof. dr Vladimir Tomašević and opera artist Olivera Tičević attended the 13th BELhospice Charity Ball and Auction on September 9th at the White Palace under the slogan Tramvaj zvani nada, with the aim of collecting donations for the care of terminally ill cancer patients.
The event was attended by numerous distinguished guests, including representatives of the diplomatic corps, corporate sector, sports, and the arts, who supported this important mission of providing assistance to patients and their families at a time when they are facing the most challenging life circumstances, when they are exceptionally vulnerable and suffering.
The support to be provided is not only in fundraising to further the work of the BELhospice center but also in raising public awareness about the importance of palliative care.
The photograph was taken from the official Facebook page of BELhospice.
13. BELhospice
Dekan Prof. dr Vladimir Tomašević i operska umetnica Olivera Tičević, 9. septembra su na Belom dvoru prisustvovali 13. BELhospice dobrotvornom balu i aukciji pod sloganom Tramvaj zvani nada, s ciljem prikupljanja donacija za negu terminalno bolesnih pacijenta, koji boluju od karcinoma.
Događaju su prisustvovali brojni ugledni gosti, među kojima i predstavnici diplomatskog kora, predstavnici korporativnog sektora, sporta i umetnosti, koji su podržali ovu važnu misiju pružanja pomoći pacijentima i njihovim porodicama u trenutku kada prolaze kroz najteže životne izazove, kada su izuzetno ranjivi i kada pate.
Podrška koju treba pružiti je ne samo u prikupljanju sredstava koja će pomoći daljem radu BELhospis centra već i u podizanju svesti javnosti o značaju palijativnog zbrinjavanja.
Fotografija preuzeta sa zvanične FB stranice BELhospice
DECONSTRUCTION OF MOVEMENT
The grand opening of the exhibition Deconstruction of Movement took place last night at UK Parobrod. The exhibition featured works by master's and doctoral students from the Belgrade Dance Institute, created under the guidance of Professor Dušica Pejić.
The exhibition was inaugurated by the dean of theBelgrade Dance Institute, Professor dr Vladimir Tomašević, and it was discussed by Professor Dušica Pejić and Professor dr Snežana Arnautović Stjepanović, the vice dean for education.
After the exhibition opening, the audience enjoyed musical compositions performed by Professor Ana Spremić.
The Deconstruction of Movement exhibition will be open to the public until October 1st of this year, marking the beginning of the celebration of the ten-year anniversary of the founding of the Belgrade Dance Institute.
DECONSTRUCTION OF MOVEMENGT
(HOW CAN MOVEMENT BE PRESERVED?)
Dance happens in the moment and leaves no trace. Using the body in motion as a tool for drawing, artistic works on the theme of deconstructing movement and rhythm were created. Through this process, movement was transformed into visual art. The energy of movement was captured by integrating visual art and artistic dance.
Master's students in the Artistic Dance program and doctoral students in the Artistic Dance and Performance program at the Institute of Artistic Dance in Belgrade transposed movement originating in the ballet studio into the visual realm. By employing photography and drawing, they reduced the lines of the body and movement to abstract forms.
Dancer-artists, inspired by various dance poses, transformed them into visually abstract works of art by altering perception.
The "Deconstruction of Movement" project was inspired by Vasily Kandinsky's approach and his work "Dance Curves," which is one way to connect performance and visual arts. Additionally, works from the "Rhythm" series represent the materialization and preservation of movement in the flat material of forex.
Throughout the creative process, research was conducted into various ways of connecting artistic dance and visual representation. By shifting focus and approach, our perception of reality and life has been developed and enriched through a different way of thinking, observing, and creating. The integration of performance and visual arts within contemporary artistic practices is an essential part of these different approaches, says Professor Dušica Pejić.
Photography by Belkisa Beka Abdulović
DEKONSTRUKCIJA POKRETA
Svečano otvaranje izložbe Dekonstrukcija pokreta upriličeno je sinoć u UK Parobrod. Na izložbi su predstavljeni radovi studenata master i doktorskih studija Instituta za umetničku igru koji su nastali pod mentorstvom Prof. Dušice Pejić.
Izložbu je otvorio dekan Instituta za umetničku igru Prof. dr Vladimir Tomašević, a o izložbi su govorile Prof. Dušica Pejić i Prof. dr Snežana Arnautović Stjepanović, prodekan za nastavu.
Nakon otvaranja izložbe, publika je uživala u muzičkim kompozicijama koje je izvela Prof. Ana Spremić.
Izložba Dekonstrukcija pokreta će biti otvorena za publiku do 1. oktobra ove godine, a ovo je ujedno i početak proslave deset godina od osnivanja Instituta za umetničku igru.
DEKONSTRUKCIJA POKRETA
(KAKO BI POKRET MOGAO DA SE SAČUVA?)
Ples nastaje u trenutku i ne ostavlja trag. Koristeći telo u pokretu kao alat kojim se crta, realizovani su umetnički radovi na temu dekonstrukcije pokreta i ritma. Tim postupkom pokret je transponovan u vizuelno delo. Energija pokreta je zabeležena integrisanjem vizuelne umetnosti i umetničke igre.
Studenti master studija sa smera Umetnička igra i doktorskih studija sa smera Umetnička igra i performans Instituta za umetničku igru u Beogradu, transponovali su pokret nastao u prostoru baletske sale u vizuelnu ravan. Primenom medija fotografije i crteža sveli su liniju tela i pokreta na apstraktnu formu.
Igrači umetnici, inspirisani nekom od igračkih poza, a promenom percepcije realizovali su vizuelno apstraktna umetnička dela.
Projekat Dekonstrukcija pokreta nastao je po uzoru na pristup Vasilija Kandinskog i njegov rad Dance curves koji je jedan od načina povezivanja izvođačkih i vizuelnih umetnosti. Takođe radovi iz serije Ritam su materijalizacija i čuvanje pokreta realizovanog u pločastom materijalu forexu.
Tokom procesa rada sprovedeno je istraživanje različitih načina povezivanja umetničke igre i vizuelnog zapisa. Promenom fokusa i pristupa razvijen je i obogaćen naš pristup stvarnosti i životu kroz drugačiji način mišljenja, opažanja i realizovanja. Povezivanje izvođačkih i vizuelnih umetnosti u okviru savremenih umetničkih praksi je važan deo drugačijih pristupa, navodi profesorka
Dušica Pejić.
Fotografija - Belkisa Beka Abdulović
CLASSICAL BALLET SEMINAR STUDENTS VISITED BELGRADE DANCE INSTITUTE
Students of the Classical Ballet Seminar from Italy and Serbia, who are currently in Belgrade, visited the Belgrade Dance Institute today.
The seminar participants and the teachers led by Principal Ballet Dancer Jovica Begojev were greeted by choreographer and founder of the Belgrade Dance Institute, Aleksandar Ilić, while Dean Prof. dr Vladimir Tomašević introduced the institution's study program.
During their visit to the Belgrade Dance Institute, the guests had the opportunity to observe a class by the Ballet Youth Company led by ballet master Milica Bezmarević, who also attended the master class held in the Grand Hall of the National Theatre in Belgrade.
POLAZNICI CLASSICAL BALLET SEMINARA POSETILI INSTITUT
Polaznici Classical Ballet Seminara iz Italije i Srbije, koji borave u Beogradu posetili su danas Institut za umetničku igru.
Polaznike seminara i profesore koje predvodi Prvak baleta Jovica Begojev, pozdravio je koreograf i osnivač Instituta za umetničku igru Aleksandar Ilić, a Dekan Prof. dr Vladimir Tomašević je predstavio studijski program institucije.
Tokom posete Institutu za umetničku igru gosti su imali priliku da pogledaju čas Kompanije Balet mladih koji je vodila balet majstor Milica Bezmarević, a koja je prisustvovala i master classu koji je održan u Velikoj sali Narodnog pozorišta u Beogradu.
INTERNATIONAL MUSIC COMPETITION "CIAO" IN BELGRADE
Today, July 24th, the semi-finals of the first International music competition CIAO were held at the Josip Slavenski music school in Belgrade. This competition represents a collaborative music project between Chinese and European cultural organizations.
The opening of the inaugural International music competition CIAO was attended by Princess Jelisaveta Karađorđević (Honorary Jury), Hua Tianren (Jury President), and Dean Prof. Dr. Vladimir Tomašević (President of the Organizing Committee).
The competition includes various categories in which young musicians from Serbia and China compete. Around 50 musicians have come to Belgrade for this event, and they will head to Kotor for the finals tomorrow, where musicians from Montenegro will also join them.
This competition holds great significance as it serves as a platform to connect different cultures and artists. Music, being universal, is the best way to foster good cultural collaborations, stated Wanzhe Zhang, a Chinese artist and vice president of the CIAO platform.
Notably, the International music competition CIAO is the first competition jointly organized by official Chinese and European cultural organizations and music entities. It was convened in China and Europe with a mission to bring together professional and amateur young musicians, allowing them to exchange art and establish connections with one another.
CIAO (pronounced as qiáo in Chinese) means hello in Serbian and Italian, and in Chinese, it carries the meaning of bridge.
The competition council comprises the Shanghai International Association for Culture, the Secretariat for Culture in Belgrade, the Faculty of Music Arts at the University of Arts in Belgrade, the Don Branko Sbutega Foundation, the Universal Artists Foundation. The organizers are the Shanghai Overseas Education Center for Exchange, the Belgrade Cultural Center, and the KotorArt International Festival. The co-organizers include the Chinese-Serbian Center for Scientific and Cultural Exchange, the BUNT Festival, and the Kotor Concert Hall.
The finals of the competition will continue on July 26th and 27th in Kotor, where, as part of the KotorArt International Festival, several concerts will take place, and awards will be presented.
COLLECTIVE ANNUAL VACATION 2023.
We inform professors, associates, and students that the School of Engineering Management and the Belgrade Dance Institute will not be operating during the collective annual vacation period from July 14th, 2023, to September 4th, 2023.
The first working day is September 4th, 2023.
KOLEKTIVNI GODIŠNJI ODMOR 2023.
Obaveštavamo profesore, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi za vreme kolektivnog godišnjeg odmora u periodu od 14. jula 2023. do 4. septembra 2023.
Prvi radni dan je 4. 9. 2023. godine.
THE SEPTEMBER ENTRANCE EXAM FOR DOCTORAL STUDIES IN ARTISTIC DANCE AND PERFORMANCE
The Belgrade Dance Institute announces a call for applications for enrollment of students in the first year of doctoral studies in Artistic Dance and Performance. The study program lasts for three years, carries 180 ECTS and after its completion, students obtain the title PhD in Arts – Drama and Audiovisual Arts. Students who have completed a minimum of 300 ECTS in their previous academic studies are eligible to apply for the program.
The entrance exam will be held on September 21st, 2023, at 3:00 PM, at the Belgrade Dance Institute.
The ranking list of students is made based on their previous academic achievement (average grade and length of study) and their knowledge, tendencies, and abilities. The type of knowledge, tendencies, and abilities of candidates is determined by an interview conducted by a specially formed committee. Candidates applying for the program in Artistic Dance and Performance are required to take an entrance exam, which consists of analyzing the candidate's portfolio of artistic and professional work, as well as an interview with the committee.
Applications for the entrance exam can be submitted online by completing the application form (https://www.iui.rs/upis-na-doktorske-studije) or by email at prijave@iui.rs.
The deadline for application is September 15th, 2023.
The documents for application are to be submitted to the faculty's student service by September 20th, 2023.
The ranking list of accepted candidates will be published on September 25th, 2023, on the faculty's website.
The enrollment of candidates who have passed the entrance exam will take place from September 25th to 28th, 2023, at the faculty's student service.
Documents required for application:
• Application form (received on the day of registration at the faculty)
• Certified photocopies of diplomas or the original graduation certificate for all previous levels of education
• Certified photocopies of diploma supplements or the original certificate of passed exams for all previous levels of education
• Birth certificate
• Professional biography
• Portfolio of artistic works
• Proof of payment of the cost of organizing the entrance exam (original payment receipt). The cost of taking the entrance exam is 5,000.00 RSD.
• For any additional information, consultations can be scheduled every working day from 9:00 AM to 5:00 PM by calling 011 41 40 421 or by emailing prijave@iui.rs.
DOCTORAL STUDIES IN ARTISTIC DANCE AND PERFORMANCE
The study program in Artistic Dance and Performance spans over three academic years and consists of 180 ECTS credits. Students who have completed 300 ECTS credits in their previous academic studies or 360 ECTS credits are eligible to enroll in this study program.
The objectives of this study program are to provide students with high-level academic education in the field of artistic performance and to equip them with the necessary skills for qualified work in cultural institutions in the areas of artistic direction and management of artistic production. The program is aimed at enhancing knowledge, artistic skills, and methods acquired through master's academic studies, which are applied in specific scientific procedures to achieve high artistic results, as well as in cultural development processes, such as planning public cultural activities, etc.
Students will study and apply contemporary methods and techniques of artistic research to successfully prepare their doctoral dissertation, as prescribed by the study program. The outcome of the learning process is an educated student who possesses active artistic and theoretical knowledge, skills, and abilities to engage in public, collective, and individual cultural and artistic activities.
The doctoral study program in Artistic Dance and Performance is interactive and includes creative workshops, media labs, encourages critical thinking, creativity, and self-reliance through the application of acquired knowledge. The implementation of the study program is carried out through mentoring. Students work closely with subject teachers, practically test their acquired knowledge, have the opportunity to demonstrate individual and team creativity, and develop critical thinking skills. It is expected that students will improve and deepen their general theoretical knowledge in the field of art, as well as possess skills and ability to methodologically correct work in solving artistic research problems. Upon successfully passing exams, completing project tasks, writing and defending a doctoral thesis, students are qualified to engage in artistic work in the field of Artistic Dance and Performance.
After completing doctoral studies, students receive a degree: PhD in Arts – Drama and Audiovisual Arts.
BELGRADE DANCE INSTITUTE SEPTEMBERS MASTERS ENTRANCE EXAM ENROLLMENT 2023/2024
The Belgrade Dance Institute is announcing entrance exams for Master studies in Artistic Dance and Master studies in Dance Performance - IUI Transition Dance Company for the academic year 2023/24. Master studies are intended for individuals with a higher education degree in arts who possess at least 180 ECTS credits.
All interested candidates for Master studies can obtain enrollment information by scheduling an appointment via email at institutzaumetnickuigru@gmail.com, through the email prijave@iui.rs or by phone at 011 41 40 421.
The entrance exam for Master studies in Artistic Dance will be held on September 21st, 2023, at 1:00 PM. The audition for Master studies in Dance Performance - IUI Transition Dance Company will be held on September 21st, 2023, at 12:00 PM.
Registration for the entrance exam is done online by filling out the application form (https://www.iui.rs/upis-na-master-studije) or by email at prijave@iui.rs.
The deadline for registration is September 15th, 2023, 2023.
The documents are to be submitted by September 20th, 2023, to the student service of the faculty.
The ranking list of accepted candidates will be published on the faculty's website on September 25th, 2023.
Enrollment of candidates who passed the entrance exam will take place from September 25th until 28th, 2023, at the student service of the faculty.
What do I need to apply?
Before taking the entrance exam, the candidate pays a fee of 2,000 RSD for the exam's expenses to the faculty's account. The payment is made to the Institute's account number: 265167031000009130; reference number: candidate's ID number; Purpose of payment: Entrance exam costs.
What do I need to apply for Master studies in Dance Performance - IUI Transition Dance Company?
IUI Transitions Dance Company is a dance company established within the Belgrade Dance Institute intended for individuals with a higher education degree in arts who possess at least 180 ECTS credits. IUI Transitions Dance Company simultaneously focuses on education and experimentation to find new choreographic and dance vocabularies and ways of expressing thoughts that the choreographer sets as a task for the dancers. The result of such work should be finding unexpected, stimulating challenges when working on a new piece, which will be available to a wide audience. The company will bring together the most interesting young choreographers and dancers to create original works or take over the most interesting works of reputable choreographers or dancers from the domestic and global scene.
BELGRADE DANCE INSTITUTE SEPTEMBERS ENTRANCE EXAM ENROLLMENT 2023/2024
Belgrade Dance Institute announces enrolment of students for the first year of accredited undergraduate Artistic Dance academic studies for the school year 2023/24.
The BA modules are Contemporary dance, Choreography, Classical ballet pedagogy, Contemporary dance pedagogy and National dance and music.
After completing this level of study, the student acquires the title of Dramatic and Audiovisual Artist - Artistic Performance (180 ESPB points).
Entrance exams will be held from September 18th to 20th, 2023., while preparatory classes and consultations will be held from September 11th to 15th, 2023.
Registration for the entrance exam is done online, by filling out the application form https://www.iui.rs/upis-na-osnovne-akademske-studije or by email to prijave@iui.rs
The application deadline is September 8th, 2023.
The receipt of documents is done until September 18th, 2023. in the student service of the faculty.
The ranking list of admitted candidates will be published on September 25th 2023. on the faculty's website.
Enrollment of candidates who have passed the entrance exam will be done from September 25th to 28th, 2023. at the student service of the faculty.
The entrance examination consists of a studio technique component, a general knowledge, and an English language proficiency test.
The studio technique entrance examination includes the following:
• Contemporary dance exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• Choreography exam includes a max. three-minute-long choreography with a short description (the candidate can choose whether to perform it himself/herself; provides the music and everything he/she needs for the choreography);
• Pedagogy candidates need to have completed secondary ballet school education; barre and center exercises, allegro and pointe work exercises;
• Contemporary Pedagogy exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• National dance exam includes a practical performance of a number of dances from all ethnoarchaeological areas of Serbia, step patterns in a given tact number, and preparation of a thematic two/three-minute-long choreographic miniature with a short description.
Entrance Exams
1. Admissions for Ballet Pedagogy 18.09. at 11:00 a.m. in the hall of the New Studio;
2. Admissions for Contemporary Dance and Contemporary Dance Pedagogy 19.09. at 11:00 a.m. in the New Studio;
3. Admissions for Choreography 19.09. at 1 p.m. in the hall in the New Studio;
4. Admission for the National Dance on 20.09. at 4:00 p.m. in studio 307;
5. Test of general culture 20.09. at 1:00 pm in classroom 329;
6. English language test 20.09. at 2:00 p.m. in classroom 329. (duration of the test is 45 minutes).
Before taking the entrance exam, the candidate pays the amount of 2,000 dinars to the faculty account for the costs of holding the exam.
Payment is made to the bank account of the Institute number: 265167031000009130; call number: Unique Citizens Identity Number of candidate; Purpose of payment: Entrance exam costs.
PREPARATORY COURSES FOR UNDERGRADUATE STUDIES ENROLLMENT
The Belgrade Dance Institute will be organizing preparatory courses for the entrance examinations for undergraduate studies in the following departments: Contemporary Dance, Ballet Pedagogy, and Contemporary Dance Pedagogy.
The preparatory courses will take place from September 11th to September 15th, 2023.
The schedule for the preparatory courses will be announced at a later date.
Applications should be sent to the email: teodora.zivkovic@iui.rs. The attendance fee for the preparatory courses for all departments is 5,000.00 RSD. Payment should be made to the Institute's bank account: account number 265167031000009130; reference number: candidate's personal identification number (JMBG). Purpose of payment: Preparatory course fees.
DEFENSE OF MASTER THESIS BY TIJANA MALEK
Today, 06.07. 2023, in Belgrade, Tijana Malek, a candidate for the title of Master of Drama and Audiovisual Arts - Artistic Dance, or a student of the Master's degree studies in Artistic Dance, defended her Master's thesis.
Respected colleague Tijana presented her work on the topic Application of choreographic principles and tools in the production of the play "Triptychon for Eurydice", publicly addressed the members of the committee appointed by the Scientific-Educational Council of the Faculty for evaluation and defense in accordance with Article 26 of the Faculty Statute, composed of:
After her presentation, the respected colleague Ivana answered all the questions raised.
Respecting the above facts, the committee notes that on 06.07.2023., in Belgrade, respected colleague Tijana Malek successfully defended her Master's thesis on the topic Application of choreographic principles and tools in the production of the play "Triptychon for Eurydice" with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia and the Faculty Statute, from this moment on, Tijana Malek has all the rights and obligations arising from the fact that she now holds a publicly recognized academic title:
Master of Drama and Audiovisual Arts - Artistic Dance.
CONGRATULATIONS!
RESULTS OF THE ENTRANCE EXAMINATION FOR UNDERGRADUATE STUDIES ACADEMIC YEAR 2023/2024
SUMMER DANCE CAMP KRAGUJEVAC 2023
The Belgrade Dance Institute from Belgrade, in collaboration with the Ballet School Aplauz from Kragujevac, is organizing the International Summer Dance Camp 2023 in Vranje. The camp will take place from July 3rd to July 5th.
The summer camp will cover the areas of classical ballet and contemporary dance, led by professors from the Belgrade Dance Institute.
Classical Ballet: Milica Bezmarević and Mila Stijak;
Ana Spremić, accompanist.
Contemporary Dance: Ognjen Vučinić.
To register, please email aplauzkg@gmail.com or call 060 0292606.
The registration should include the following information:
Name and surname;
Classical ballet or contemporary dance;
Personal identification number (JMBG);
Date of birth;
School attended by the student;
Mobile phone and email (personal or parent's).
DEFENSE OF MASTER THESIS BY MILICA BEZMAREVIĆ
Today, 28.06.2023., in Belgrade, Milica Bezmarević, a candidate for the title of Master of Drama and Audiovisual Arts - Artistic Dance, or a student of the Master's degree studies in Artistic Dance, defended her Master's thesis.
Respected colleague Ivana presented her work on the topic Anna decided to live - 25403, publicly addressed the members of the committee appointed by the Scientific-Educational Council of the Faculty for evaluation and defense in accordance with Article 26 of the Faculty Statute, composed of:
After her presentation, the respected colleague Ivana answered all the questions raised.
Respecting the above facts, the committee notes that on 28.06.2023., in Belgrade, respected colleagueMilica Bezmarević successfully defended her Master's thesis on the topic Anna decided to live - 25403 with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia and the Faculty Statute, from this moment on, Milica Bezmarević has all the rights and obligations arising from the fact that she now holds a publicly recognized academic title:
Master of Drama and Audiovisual Arts - Artistic Dance.
CONGRATULATIONS!
DEFENSE OF MASTER THESIS BY LUKA STOJKOVIĆ
Today, 27.06. 2023., in Belgrade, Luka Stojković, a candidate for the title of Master of Drama and Audiovisual Arts - Artistic Dance, or a student of the Master's degree studies in Artistic Dance, defended his Master's thesis.
Respected colleague Luka presented his work on the topic Analyzing the artistic movement in the film "Lepa sela, lepo gore" by Srđan Dragojević in 1996., publicly addressed the members of the committee appointed by the Scientific-Educational Council of the Faculty for evaluation and defense in accordance with Article 26 of the Faculty Statute, composed of:
After his presentation, the respected colleague Luka answered all the questions raised.
Respecting the above facts, the committee notes that on 26.06. 2023, in Belgrade, respected colleague Luka Stojković successfully defended his Master's thesis on the topic Analyzing the artistic movement in the film "Lepa sela, lepo gore" by Srđan Dragojević in 1996. with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia and the Faculty Statute, from this moment on, Luka Stojković has all the rights and obligations arising from the fact that he now holds a publicly recognized academic title:
Master of Drama and Audiovisual Arts - Artistic Dance.
CONGRATULATIONS!
SEPTEMBARSKI PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS
Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.
Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.
Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.
Prijave na konkurs se vrše preko online prijavne forme na sajtu (https://www.iui.rs/upis-na-doktorske-studije) ili putem maila: prijave@iui.rs
Prijemni ispit će se održati 21. septembra 2023. godine u 15.00h na Institutu za umetničku igru.
Prijemni ispit
Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.
Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Rok za prijavu je 15. septembar 2023. godine.
Prijem dokumenata se vrši do 20. septembra 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 25. septembra 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 25. do 28 septembra 2023. u studentskoj službi fakluteta.
Dokumenta za prijavljivanje na konkurs:
• Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
• Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
• Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
• Izvod iz matične knjige rođenih,
• Stručna biografija,
• Portfolio umetničkih radova,
• Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica). Troškovi polaganja prijemnog ispita iznose 5.000,00 din.
• Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs
DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS
Studijski program Umetnička igra i performans se izvodi tokom tri školske godine i ima 180 ESPB. Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli 300 ESPB, odnosno 360 ESPB.
Ciljevi studijskog programa su omogućavanje studentima da se školuju na visokom akademskom nivou u oblasti umetničke igre i performansa kao i za kvalifikovan rad u kulturnim institucijama na poslovima umetničkog rukovođenja i upravljanja umetničkom produkcijom. Cilj studijskog programa je usmeren ka unapređenju znanja i stečenih umetničkih veština i metoda na master akademskim studijama koje se primenjuju u određenim naučnim postupcima u ostvarivanju visokih umetničkih rezultata, a zatim i u procesima kulturnog razvoja, kao što je planiranje javnih kulturnih delatnosti i sl. Studenti izučavaju i primenjuju savremene metode i tehnike umetničkog istraživanja, kako bi uspešno izradili doktorsku disertaciju predviđenu studijskim programom.
Ishod procesa učenja je obrazovan student koji poseduje aktivna umetnička i teorijska znanja, veštine i sposobnosti da obavlja javnu, kolektivnu i individualnu kulturno-umetničku delatnost. Nastava na doktorskom studijskom programu
UMETNIČKA IGRA I PERFORMANS je interaktivnog karaktera, uključuje kreativne radionice, media labove, podstiče studente na razmišljanje i kreativnost kao i samostalnost u radu kroz primenu stečenih znanja. Realizacija studijskog programa odvija se kroz mentorski rad. Studenti neposredno sarađuju sa predmetnim nastavnicima, praktično proveravaju stečena znanja, imaju priliku za ispoljavanje pojedinačne i timske kreativnosti i razvijanje kritičkog mišljenja. Očekuje se da studenti unaprede i prodube opšte-teorijska znanja iz oblasti umetnosti, kao i da poseduju veštine i sposobnost za metodološki ispravan rad na rešavanju umetničko-istraživačkih problema. Studenti su nakon uspešno položenih ispita, urađenih projektnih zadataka, napisanog i odbranjenog doktorskog rada, osposobljeni da se uključe u umetnički rad u polju Umetničke igre i performansa.
Nakon završenih doktorskih studija studenti stiču diplomu: Doktor umetnosti – dramske i audiovizuelne umetnosti.
SEPTEMBARSKI PRIJEMNI ISPITI ZA MASTER STUDIJE ZA 2023/2024 GODINU
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2023/24. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje institutzaumetnickuigru@gmail.com , putem i-mejla prijave@iui.rs i putem telefona 011 41 40 421.
Prijemni ispit za Master studije Umetnička igra će se održati 21. septembra 2023. godine u 13.00h.
Audicija za Master studije plesnog performansa - IUI Transition Dance Company će se održati 21. juna 2023. godine u 12.00h.
Prijavljivanje za prijemni ispit se vrši online, popunjavanjem prijavnog obrasca (https://www.iui.rs/upis-na-master-studije) ili mailom na prijave@iui.rs
Rok za prijavu je 15. septembar 2023. godine.
Prijem dokumenata se vrši do 20 septembra 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 25. septembra 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 25. do 28. septembra 2023. studentskoj službi fakluteta.
Prijemni ispit i upis na master studije Umetnička igra
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra 2023/24.
Prijemni ispit za Master studije Umetnička igra će se održati 21. septembra 2023. godine u 13.00h.
Šta mi je potrebno da bih se prijavio/la?
Šta mi je potrebno da bih se prijavio/la za Master studije plesnog performansa - IUI Transition Dance Company?
IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenjena pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na novom delu, koje će biti dostupno širokom auditorijumu.
Kompanija će okupiti najzanimljivije mlade koreografe i igrače da bi stvarali originalna dela, ili preuzimali najinteresantnija dela respektabilnih koreografa ili igrača s domaće i svetske scene.
PRIJEMNI ISPIT ZA OSNOVNE AKADEMSKE STUDIJE ZA 2023/2024 GODINU
Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).
Prijemni ispiti biće održani od 18. do 20. Septembra 2023. godine, dok će se pripremna nastava i konsultacije realizovati od 11. do 15. Septembra 2023. godine.
Prijavljivanje za prijemni ispit se vrši online, popunjavanjem prijavnog obrasca https://www.iui.rs/upis-na-osnovne-akademske-studije ili mailom na prijave@iui.rs
Rok za prijavu je 8. Septembar 2023. godine.
Prijem dokumenata se vrši do 18. Septembra 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 25. Septembra 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 25. do 28. septembra 2023. studentskoj službi fakluteta.
PRIJEMNI ISPITI
Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.
Praktičan deo prijemnog ispita podrazumeva sledeće:
• Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
• Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
• Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
• Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
• Ispit iz scenske narodne igrepodrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.
Termini prijemnih ispita
1. Prijemni za Baletsku pedagogiju 18.09. u 11.00h u sali Novom prostoru;
2. Prijemni za Savremenu igru i Pedagogiju savremene igre 19.09. u 11.00h sali Novom prostoru;
3. Prijemni za Koreografiju 19.09. u 13.00h u sali u Novom prostoru;
4. Prijemni za Scensku narodnu igru 20.09. u 16.00h u sali 307;
5. Test opšte kulture 20.09. u 13.00h u kabinetu 329;
6. Test engleskog jezika 20.09. u 14.00h u kabinetu 329.
Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.
PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Baletska pedagogija, i Pedagogija savremene igre.
Pripremna nastava će se održavati od 11. do 15. septembra 2023. godine.
Termini pripremne nastave će biti naknadno objavljeni.
Prijave se šalju na meil: teodora.zivkovic@iui.rs
Pohađanje pripremne nastave za sve odseke iznosi 5.000,00 RSD.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata. Svrha uplate: Troškovi pripremne nastave.
ODBRANA MASTER RADA TIJANE MALEK
Danas, 6.07.2023. u Beogradu, Tijana Malek, kandidatkinja za zvanje Master Dramski i Audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupio odbrani svog Master rada.
Uvažena koleginica Tijana Malek, je prikazala svoj rad na temu Primena koreografskih principa i alata i produkcija predstave Triptihon za Euridiku i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
1. Prof. dr Snežana Arnautović Stjepanović, Predsednik komisije
2. Prof. Aleksandar Ilić, mentor
3. Prof. Ana Spremić, član
Nakon svog izlaganja uvažena koleginica Tijana je odgovorila na sva postavljena pitanja i uspešno odbranila svoj Master rad na temu Primena koreografskih principa i alata i produkcija predstave Triptihon za Euridiku sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Tijana Malek, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master Dramski i audiovizuelni umetnik – Umetnička igra.
Čestitamo!!!
REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2023/2024 GODINE
Prijava treba da sadrži:
Fotografija Dušan Milenković
ODBRANA MASTER RADA MILICE BEZMAREVIĆ
Danas, 28.06.2023. u Beogradu, Milica Bezmarević, kandidat za zvanje Master Dramski i Audiovizuelni umetnik - Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupila odbrani svog Master rada.
Uvažena kolegenica Milica, je prikazala svoj rad na temu Ana je odlučila da živi - 25403, izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon Izlaganja, uvažena kolegenica Milica je odgovorila na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 28.06.2023. u Beogradu, uvažena kolegenica, Milica Bezmarević, uspešno odbranila svoj Master rad na temu Ana je odlučila da živi - 25403 sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka, Milica Bezmarević, ima sva prava i obaveze koje proizlaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master Dramski i Audiovizuelni umetnik - Umetnička igra.
ČESTITAMO!!
ODBRANA MASTER RADA LUKE STOJKOVIĆA
Danas, 27.06.2023. u Beogradu, Luka Stojković, kandidat za zvanje Master Dramski i Audiovizuelni umetnik - Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupio odbrani svog Master rada.
Uvaženi kolega Luka, je prikazao svoj rad na temu Analiza umetničkog pokreta u filmu "Lepa sela lepo gore" Srđana Dragojevića 1996 izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon Izlaganja, uvaženi kolega Luka je odgovorio na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 27.06.2023. u beogradu, uvaženi kolega, Luka Stojković, uspešno odbranio svoj Master rad na temu Analiza umetničkog pokreta u filmu "Lepa sela lepo gore" Srđana Dragojevića 1996 sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka, Luka Stojković, ima sva prava i obaveze koje proizlaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master Dramski i Audiovizuelni umetnik - Umetnička igra.
ČESTITAMO!!
FEMINE
The performance Femine is a contemporary dance show produced by the Belgrade Dance Institute, as part of the authorial project by dancer Mojca Majcen in collaboration with the Balkan Dance Project. The project is supported by the Ministry of Culture of the Republic of Serbia, the Secretariat for Culture of the City of Belgrade, and the Ministry of Culture of the Republic of Slovenia. The choreography of the show was created by Rita Gobi (Hungary) and Alexandra Madsen (Croatia). The project also serves as the final performance for the students of the Belgrade Dance Institute.
The premiere of the dance performance is scheduled for June 29th, 2023, at the Cultural Station Barka in Novi Sad, starting at 7:00 PM, and on June 30th, 2023, at the Madlenianum Theater and Opera in Belgrade, also starting at 7:00 PM.
The Femine project represents a meeting of two choreographers whose roots come from Serbia.
The dance interplay between the choreographers and their mutual dance dialogues are presented in a contemporary form of an interconnected diptych called Femine for 5 young dancers who assume a single identity; the identity of young artists and promoters of the young contemporary dance scene in both Serbia and Slovenia.
Each of the choreographers, at some point, has been confronted with the influence of the concept of boundaries in an active relationship with time. They have experienced the fragmentation and transformation of personal and cultural identity, encountering the concept of absurdity at various levels of existence. At some point, through the feeling of their own displacement, both internally and externally, they have embraced this mechanism as both hope and absurdity.
Choreographers:
Rita Gobi and Alexandra Madsen
Choreography Assistants: Ognjen Vučinić, Mojca Majcen
Music concept and original music: David Nik Lipovac
Costume: SvarogArt
Dancers: Katarina Bućić, Tijana Ostojić, Patricija Crnković (SLO), Tjaša Bucik (SLO), and Neža Banovec (SLO)
Photography: Luka Stojković
Design: Teodora Živković
RITA GOBI
Choreography: LINK-CHAIN
As one link in the chain, an individual is connected to the community. The performance explores what it means to live in a community, what it means to be one of many interconnected links. Why does an individual strive to find a community? Why does a community accept some and exclude others? Do we want to live in a community out of selfishness or altruism? How much courage is needed to be the weakest link?
RITA GOBI is a Hungarian choreographer, contemporary dance educator, and dancer. She was born in Novi Sad and graduated from the Hungarian Dance Academy in Budapest. She has participated in various international dance workshops and residency programs such as the OMI DANCE Residency based in the United States, VARP residency at SE.S.TA-Korespon Dance in the Czech Republic, and Morishita Studio in Tokyo under the Japan Foundation. In 2006, she founded the Góbi Dance Company. Since then, she has created several contemporary dance productions, interactive performances for children, and has been involved in various interdisciplinary projects (exhibition openings, fashion shows, etc.). In recent years, Rita has collaborated with artists abroad and has toured the world with her performances. Her solo piece "Volitant" has received several domestic and international awards, and she presented the same piece at the Sola Festival at the Museum of Contemporary Art in Belgrade in 2022. She is a dance professor at the Nemes Nagy Ágnes Art School and regularly conducts workshops in Hungary and abroad at various festivals. She also works as a guest choreographer in puppet theaters and movement theaters, collaborating with actors.
ALEXANDRA MADSEN
Choreography: Wegsittudrlifk
This choreography arises from the exploration of meaning and nonsense in movement and structure. The primary tool of exploration is improvisation through which the performers discover movements that are not pre-refined or assigned as a bodily language.
This vocabulary is established through the active production of contrasts to what is considered to "make sense." In this way, the deconstruction of the perception of movement as a whole is provoked, and the fragmented execution avoids content that can be recognized as movement-meaning, kinesthetic coherence, or aesthetic elements.
By avoiding meaningful connections in the production of the vocabulary, the choreography simultaneously questions the notion of presumed meaning and expectations in performance. Thus, the principle of nonsense establishes the vocabulary and structure of the performance. Nonsense is not attempted to be "made sense of," but rather assumes a bodily and performative axiom. This allows both the body and structure to return to examining fundamental motivations for movement and the production of meaning.
Unlike purely abstract movement, which touches more on the visual aspect of performance, this choreography emphasizes anticipation as the foundation for an aesthetic experience. By avoiding "meaning" and deliberately contrasting the performative nonsense, the performers generate choreographic material that fluctuates on the border between absurdity and hope.
ALEXANDRA MADSEN graduated in Performance Dramaturgy and completed her BA studies in Contemporary Dance - Teaching Track at the Academy of Dramatic Art in Zagreb. She furthered her training in Croatia and abroad with renowned dance educators in various dance practices (Laban Center London, ImPulsTanz). She was a permanent member of the Zagreb Dance Ensemble (2009-2016), collaborating with numerous international choreographers. Simultaneously, she developed her own artistic practice, exploring extended forms of performance works and choreography, and co-founded the artistic organization MasaDanceCompany with Ognjen Vučinić. As an author, she has created numerous notable performances: TI, ONA, RAVE (ON)! She received the Croatian Theatre Award in 2014 for Best Dance Achievement in the production "Hermafroditi duše" by Žak Valenta. As a choreographer, she received the "Award for Most Promising Young Choreographer" in 2004, the "Critics' Award at the Festival of Choreographic Miniatures" in 2011 in Belgrade, and the Grand Prix at the 6th International Contemporary Dance Festival in Algeria for the performance "TI" co-authored with Vučinić. As a dance educator, she teaches in Croatia and abroad, instructing contemporary dance, partnering, and improvisation. She also works as a teacher at the Contemporary Dance High School of the Franjo Lučić Art School in Velika Gorica, collaborates with the Institute for Artistic Dance in Belgrade, and with the Academy of Dramatic Art in Zagreb in the Contemporary Dance Studies. She is a member of the Union of Writers and Performers of Performing Arts and the President of the Board of the Croatian Dance Artists Association. She lives and works in Zagreb.
FEMINE
Predstava Femine je savremena plesna predstava koja se realizuje u produkciji Instituta za umetničku igru, i u sklopu autorskog projekta plesačice Mojce Majcen uz saradnju sa Balkan Dance Projektom. Projekat je podržan sa strane Ministarstva kulture Republike Srbije, Sekretarijata za kulturu Grada Beograda i Ministarstva kulture republike Slovenije. Predstava je nastala u koreografiji Rite Gobi (Mađarska) i Alexandre Madsen (Hrvatska). Projekat je ujedno i završna predstava studenata Instituta za umetničku igru.
Premijera plesne predstave je zakazana za 29. jun 2023. godine u Kulturnoj Stanici Barka u Novom Sadu s početkom u 19.00h i 30. jun 2023. godine u Teatru i operi Madlenijanum u Beogradu s početkom u 19.00h.
Projekat Femine predstavlјa susret dve koreografkinje čiji koreni potiču iz Srbije.
Plesni preplet koreografkinja i njihovi međusobni plesni razgovori su postavlјeni u savremenom obliku međusobno povezanog diptiha pod nazivom FEMINE za 5 mladih plesačica koje preuzimaju jedan jedini identitet; identitet mladih umetnica i promotera mlade savremene plesne scene, kao i u Srbiji tako i u Sloveniji.
Svaka od koreografkinja je u nekom trenutku bila suočena s uticajem koncepta granica u aktivnom odnosu sa vremenom. Imale su iskustvo cepanja i transformacije ličnog i kulturnog identiteta susrećući se s konceptom besmisla na različitim nivoima živlјenja. U nekom trenutku, kroz osjećaj vlastite raselјenosti, kako unutrašnje tako i spoljašnje, prihvatile su taj mehanizam s jedne strane kao nadu, a s druge, kao apsurd.
Koreografkinje:
Rita Gobi i Alexandra Madsen
Asistenti koreografije: Ognjen Vučinić, Mojca Majcen
Muzički predložak i autorska muzika: David Nik Lipovac
Kostim: SvarogArt
Igrači: Katarina Bućić, Tijana Ostojić, Patricija Crnković (SLO), Tjaša Bucik (SLO) i Neža Banovec (SLO)
Fotografija: Luka Stojković
Dizajn: Teodora Živković
RITA GOBI
Koreografija: LINK- LANAC
Kao jedna karika u lancu, pojedinac je povezan sa zajednicom. Predstava ispituje šta znači živeti u zajednici, šta znači biti jedna od mnogih međusobno povezanih karika. Zašto pojedinac teži da pronađe zajednicu? Zašto zajednica pušta nekoga, a druge isključuje iz svojih redova? Da li želimo da živimo u zajednici iz sebičnosti ili altruizma? Koliko je hrabrosti potrebno da se bude ta najslabija karika"?
RITA GOBI, je mađarska koreografkinja, pedagog savremene igre i plesačica. Rođena je u Novom Sadu, a diplomirala je na Mađarskoj plesnoj akademiji u Budimpešti. Bila je učesnik različitih međunarodnih plesnih radionica i rezidencijalnih programa kao što su OMI DANCE Residency sa sedištem u SAD, VARP rezidencija na SE.S.TA-Korespon Dance, u Češkoj, i Morishita Studio u Tokiju pod fondacijom Japana. Godine 2006. osnovala je plesnu kompaniju Góbi. Od tada je kreirala nekoliko savremenih plesnih produkcija, interaktivnih predstava za decu i učestvovala u raznim interdisciplinarnim projektima (otvaranje izložbi, modne revije, itd.). Poslednjih godina Rita sarađuje sa umetnicima u inostranstvu, a sa svojim nastupima obilazi svet. Njen solo komad Volitant je dobio nekoliko domaćih i međunarodnih nagrada, a sa istim komadom predstavila se na Festivalu Sola u Muzeju savremene umetnosti u Beogradu 2022. godine. Profesor je plesa u Umetničkoj školi Nemes Nagy Ágnes, a redovno održava radionice u Mađarskoj i inostranstvu na raznim festivalima. Radi i kao koreograf po pozivu u lutkarskim pozorištima i pozorištima pokreta u radu sa glumcima.
ALEXANDRA MADSEN
Koreografija: Wegsittudrlifk
Ova koreografija proizlazi iz istraživanja smisla i besmisla u kretanju ali i u strukturi. Osnovni alat istraživanja je improvizacija kroz koju izvođačice pronalaze kretanja koja nisu unapred rafinirana i zadata kao telesni jezik.
Taj vokabular se uspostavlja iz aktivne proizvodnje suprotnosti od onoga što se smatra da "ima smisla". Na taj način izaziva se dekonstrukcija pogleda na celinu kretanja te fragmentarnost izvedbe izbegavajući sadržaj koji se može prepoznati kao kretnja- značenje, kretnja kinestetička smislenost ili kretnja- estetski element.
Koreografija tako, zbog izbegavanja smislenih veza pri proizvodnji vokabulara, istovremeno preispituje pitanje pretpostavljenog smisla i očekivanosti u izvedbi. Tako se principom besmisla uspostavlja vokabular i struktura izvedbe. Besmisao se ne pokušava "usmisliti" već pretpostavlja telesni i izvedbeni aksiom. Time se i telo i struktura vraća na ispitivanje temeljnih motivacija za kretanje, ali i proizvodnje smisla.
Za razliku od samog apstraktnog kretanja, koji se više dotiče vizuelnog aspekta izvedbe, ova koreografija stavlja naglasak na anticipaciju kao temelj za estetski doživljaj. Izbegavanjem "smisla" i svesnog kontrasta u izvedbeni besmisao, izvođači tako proizvode koreografski materijal koji varira na granici između apsurda i nade.
ALEXANDRA MADSEN Diplomirala je Dramaturgiju izvedbe i završila BA studije Savremenog plesa - nastavnički smer na Akademiji dramskih umetnosti u Zagrebu. Usavršavala se u Hrvatskoj i inostranstvu kod čuvenih plesnih pedagoga u različitim plesnim praksama (Laban Center London, ImPulsTanz). Bila je stalna članica Zagrebačkog plesnog ansambla (2009-2016) sarađujućii s mnogim inostranim koreografima. Istovremeno je razvijala sopstvenu umetničku praksu istražujući proširene oblike izvođačkih dela i koreografije osnujući umetničku organizaciju MasaDanceCompany s Ognjenom Vučinićem. Kao autorka ostvarila je brojne zapažene predstave: TI, ONA, RAVE (ON)!). Dobitnica je Nagrade hrvatskog glumišta 2014. za najbolje plesno ostvarenje u predstavi „Hermafroditi duše" Žaka Valente, a kao koreografkinja, dobitnica je „Nagrade za najperspektivnijeg mladog koreografa" 2004., "Nagrade kritike na Festivalu koreografskih minijatura" 2011. u Beogradu i Grand Prix na 6. Međunarodnom festivalu savremenog plesa u Alžiru za predstavu „TI" u koautorstvu s Vučinićem. Kao plesni pedagog predaje u Hrvatskoj i u inostranstvu, podučavajući savremeni ples, partnering i improvizaciju. Radi i kao nastavnica u Srednjoj školi za savremeni ples Umetničke škole Franje Lučića u Velikoj Gorici, surađuje sa Institutom za umetničku igru u Beogradu, i sa Akademijom dramskih umetnosti u Zagrebu na studijama Savremenog plesa. Član je Saveza scenarista i pisaca izvođačkih dela i predsednica UO Udruge plesnih umjetnika Hrvatske. Živi i radi u Zagrebu.
PREPARATORY COURSE FOR UNDERGRADUATE STUDIES
The Belgrade Dance Institute will hold a preparatory course for entrance exams for undergraduate studies in the departments of Contemporary Dance, Ballet Pedagogy, and Contemporary Dance Pedagogy.
The preparatory course will take place from June 19th to June 23rd, 2023.
Schedule for the preparatory course for Contemporary Dance and Contemporary Dance Pedagogy:
Monday, June 19th - from 1:00 PM to 3:00 PM in the New Space
Tuesday, June 20th - from 12:00 PM to 2:00 PM in the New Space
Wednesday, June 21st - from 10:00 AM to 12:00 PM in the New Space
Thursday, June 22nd - from 10:00 AM to 12:00 PM in the New Space
Friday, June 23rd - from 10:00 AM to 12:00 PM in the New Space
Schedule for the preparatory course for Ballet Pedagogy:
Monday, June 19th - from 10:00 AM to 12:00 PM in Room 307 (main building)
Tuesday, June 20th - from 10:00 AM to 12:00 PM in Room 307 (main building)
Wednesday, June 21st - from 10:00 AM to 12:00 PM in Room 307 (main building)
Thursday, June 22nd - from 10:00 AM to 12:00 PM in Room 307 (main building)
Friday, June 23rd - from 10:00 AM to 12:00 PM in Room 307 (main building)
Applications should be sent to the email: teodora.zivkovic@iui.rs.
The attendance fee for the preparatory course for all departments is 5,000.00 RSD.
Payment should be made to the Institute's bank account number: 265167031000009130; reference number: candidate's JMBG (Unique Master Citizen Number).
Purpose of payment: Preparatory course expenses.
PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Baletska pedagogija, i Pedagogija savremene igre.
Pripremna nastava će se održavati od 19. do 23. juna 2023. godine
Termini pripremne nastave za savremenu igru i pedagogiju savremene igre:
Ponedeljak 19. jun - od 13.00h do 15.00h u Novom prostoru
Utorak 20. jun - od 12.00h do 14.00h u Novom prostoru
Sreda 21. jun - od 10.00h do 12.00h u Novom prostoru
Četvrtak 22. jun - od 10.00h do 12.00h u Novom prostoru
Petak 23. jun - od 10.00h do 12.00h u Novom prostoru
Termini pripremne nastave za baletsku pedagogiju:
Ponedeljak 19. Jun - od 10.00h do 12.00h u sali 307 (glavna zgrada)
Utorak 20. Jun - od 10.00h do 12.00h u sali 307 (glavna zgrada)
Sreda 21. Jun - od 10.00h do 12.00h u sali 307 (glavna zgrada)
Četvrtak 22. jun - od 10.00h do 12.00h u sali 307 (glavna zgrada)
Petak 23. Jun - od 10.00h do 12.00h u sali 307 (glavna zgrada)
Prijave se šalju na meil: teodora.zivkovic@iui.rs
Pohađanje pripremne nastave za sve odseke iznosi 5.000,00 RSD.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata. Svrha uplate: Troškovi pripremne nastave.
WORKSHOP: AFRO-DIASPORIC BODY
Wednesday, June 21st, 2023
Belgrade Dance Institute
Bulevar vojvode Mišića 43
10:00-12:00
In the Afro-Diasporic Body workshop, we will awaken perception and empowerment of our bodies through the rhythm of Afro-Brazilian percussion and movement. Starting from our own bodily experiences, we will initiate a circle of reflection on racism, discrimination, and conflicts that are part of the integration of women of African origin in the diaspora.
Barbara Lusi Carvalho is a dancer, actress, and theater and dance teacher. She has been working in Frankfurt am Main since 2010 and is a member of the Antagon TheaterAKTion collective. She previously studied theater education at the Federal University of Bahia (UFBA) in Brazil. Currently, she is pursuing a master's degree in choreography and performance in Giessen. Since 2017, she has been the artistic director of the International Women's Theater Festival.
As part of the festival program, you can also watch Barbara's play Corpus Mundi (Antagon theaterAkTion, Germany - Barbara Lusi Carvalho, Brazil/Germany) on Thursday, June 22nd, at the Duško Radović Small Theater, starting at 8:00 PM.
Corpus Mundi tells the journey from Brazil to Europe through the lens of a woman from a specific Latin American culture, exploring the process of decolonizing her own body and mind. Admission is free with mandatory registration.
Workshop: Intersections: Theater and Human Rights
Jadranka Anđelić (Serbia)
Thursday, June 22nd, 2023 / 10:00 AM – 1:00 PM UK Parobrod (Kapetan Mišina 6a)
Friday, June 23rd, 2023 / 10:00 AM – 1:00 PM UK Parobrod (Kapetan Mišina 6a)
How do reality and human rights intersect in a creative way through theater? Tolerance, collaboration, trust, and equality are integral parts of both theater work and human rights, which are realized in relation to others. The performing situation often stimulates an understanding of the causes behind certain events. We will engage in theater techniques (viewpoints), group exercises, and role play of life situations, offering ways to use theater in addressing human rights topics. We will seek answers to questions such as: How do theatrical techniques develop relationships among people, respect for diversity, and the desire to get to know others? How can theater transform disagreement into dialogue, refusal into collaboration, and fear of social change into a creative act?
Workshop: Working on Solo Performance - From Autobiographical Material to a Universal Story
Karolina Spaić (Netherlands and Serbia)
Thursday, June 22, 2023 / 2:00 PM – 5:00 PM UK Parobrod (Kapetan Mišina 6a)
Friday, June 23, 2023 / 2:00 PM – 5:00 PM UK Parobrod (Kapetan Mišina 6a)
In this workshop, Karolina Spaić analyzes the process of creating a solo performance based on the performer's autobiographical material, which simultaneously becomes universal in order to communicate with the audience. The workshop provides answers to questions such as: Where to begin, what steps to take, and what awaits the performer-creator in this working process and personal journey? Karolina will guide you through various stages of the creative process and give you insight into how to start working on a solo performance.
There is a possibility for the works to be showcased at the ExploreZ Festival in May 2024.
Participation in the workshops is free, with mandatory registration by email at office@dahteatarcentar.com
PARTNERS
UK Parobrod, Dorćol Platz, Silosi, Belgrade Dance Institute, Center for Cultural Decontamination (CZKD), Košutnjak, In front of the entrance to the Pioneer City Recreational Center, Students' Park, Belgrade Cultural Center (KCB), KROKODIL Center, Duško Radović Small Theater.
The project is funded by the European Union (EU Delegation in Belgrade).
The project is also supported by the Embassy of the Federal Republic of Germany in Belgrade, the Embassy of the Kingdom of Norway in Belgrade, and the City of Belgrade - Secretariat for Culture.
Activities of DAH Theater in 2023 are supported by the Ministry of Culture of the Republic of Serbia.
RADIONICA AFRO-DIJASPORIČNO TELO
Sreda, 21. jun 2023
Institut za umetničku igru
Bulevar vojvode Mišića 43
10.00-12.00
U radionici Afro-dijasporično telo probudićemo percepciju i osnaživanje našeg tela kroz ritam afro-brazilskih udaraljki i pokreta. Počećemo od iskustava sopstvenog tela da pokrenemo krug razmišljanja o rasizmu, diskriminaciji kao i konfliktima koji su deo integracije žena afričkog porekla u dijaspori.
Barbara Lusi Karvaljo je plesačica, glumica i učiteljica pozorišta i plesa. U Frankfurtu na Majni radi od 2010. godine i članica je Antagon kolektiva TheaterAKTion. Prethodno je studirala pozorišno obrazovanje na Federalnom univerzitetu u Baiji (UFBA) u Brazilu. Trenutno je na master studijama koreografije i performansa u Gisenu. Od 2017. godine je umetnička direktorka Međunarodnog festivala ženskog pozorišta.
U okviru programa festivala možete pogledati i Barbarinu predstavu Corpus Mundi (Antagon theatreAkTion (Nemačka) - Barbara Lusi Karvaljo (Brazil / Nemačka)) u četvrtak, 22. juna u Malom pozorištu Duško Radović sa početkom u 20 časova.
Corpus Mundi govori o putovanju od Brazila do Evrope kroz sočivo žene iz specifične latinoameričke kulture, njenom procesu dekolonizacije sopstvenog tela i uma. Ulaz je slobodan uz obaveznu prijavu.
Radionica Ukrštanja: pozorište i ljudska prava
Jadranka Anđelić (Srbija)
Četvrtak, 22. jun 2023 / 10.00–13.00 UK Parobrod (Kapetan Mišina 6a)
Petak, 23. jun 2023 / 10.00–13.00 UK Parobrod (Kapetan Mišina 6a)
Kako se stvarnost i ljudska prava na kreativni način prelamaju kroz teatar? Tolerancija, saradnja, poverenje, jednakost su sastavni delovi rada u teatru kao i ljudskih prava, koja se realno ostvaruju samo u odnosu sa drugim. Situacija izvođenja često stimuliše razumevanje uzroka nekog događaja. Bavićemo se pozorišnim tehnikama (viewpoints), vežbama u grupi i odigravanjem (role play) situacija iz života i ponuditi načine kako da koristimo teatar u radu na temama o ljudskim pravima. Potražićemo odgovore na pitanja: kako teatarske tehnike razvijaju odnose među ljudima, poštovanje različitosti, želju za upoznavanjem drugog? Kako kroz teatar transformisati neslaganje u dijalog, odbijanje u saradnju, strah od društvenih promena u kreativni čin?
Radionica: Rad na solo performansu – od autobiografskog materijala do univerzalne priče
Karolina Spaić (Holandija i Srbija)
Četvrtak, 22. jun 2023 / 14.00–17.00 UK Parobrod (Kapetan Mišina 6a)
Petak, 23. jun 2023 / 14.00–17.00 UK Parobrod (Kapetan Mišina 6a)
U ovoj radionici Karolina Spaić analizira proces stvaranja solo performansa koji se zasniva na autobiografskom materijalu izvođača i istovremeno postaje univerzalan kako bi komunicirao sa publikom. Radionica nudi odgovore na ova pitanja: odakle početi, koje korake preduzeti i šta čeka izvođača-kreatora u ovom radnom procesu i ličnom putovanju? Karolina će vas provesti kroz različite faze kreativnog procesa i dati vam uvid u to kako možete početi rad na samostalnoj solo predstavi.
Postoji mogućnost da se radovi prikažu na ExploreZ festivalu, maja 2024.
Učešće u radionicama je besplatno, uz obaveznu prijavu na mejl office@dahteatarcentar.com
PARTNERI
UK Parobrod, Dorćol platz, Silosi, Institut za umetničku igru, Centar za kulturnu dekontaminaciju (CZKD), Košutnjak, Ispred ulaza u Rekreativni centar Pionirski grad, Studentski park, Kulturni centar Beograda (KCB), KROKODILov centar, Malo pozorište Duško Radović.
Projekat finansira Evropska unija (Delegacija EU u Beogradu).
Projekat je takođe podržan od strane: Ambasade Savezne republike Nemačke u Beogradu, Ambasade Kraljevine Norveške u Beogradu, Grada Beograda - sekretarijat za kulturu.
Aktivnosti DAH Teatra u 2023. podržani su od strane Ministarstva kulture Republike Srbije.
PREMIERE OF MEDITERRANEAN BY THE BALLET ENSEMBLE OF THE MONTENEGRIN MUSIC CENTER
Dean of the Belgrade Dance Institute, Prof. dr Vladimir Tomašević, attended the premiere performance of the contemporary dance piece Mediterranean produced by the Montenegrin Music Center (MCCG) and performed by the Montenegrin Ballet Ensemble.
Ensemble members Ksenija Sinđić, who is also the assistant choreographer, Angela Mihova, Marija Boljević, Kristina Mrkić, and Staša Šćepanović presented themselves to the audience last night on the stage of the Montenegrin Music Center, marking the second performance since the establishment of the Ballet Studio of the Music Center.
The choreography for the performance was created by Saša Evtimova, directed by Aleksandar Vujović, with original music composed by Srđan Bulatović and Darko Nikčević, and video design by Siniša Radulović.
After the performance, choreographer Evtimova stated that the audience expressed everything through thunderous applause. "The night before in Budva, after the premiere, we received a fantastic applause. I am thrilled that we have an exceptional performance that can continue to be played. I believe it is a fantastic beginning for the ballet ensemble in Montenegro," Evtimova said.
When asked to explain the symbolism of the props, the boxes, used by the girls in the performance, Evtimova clarified that the boxes symbolize life, memories of origins, and roots. "They represent our hearts, emotions, hopes, and losses. So, that box signifies a lot of life."
Director Aleksandar Vujović stated that the ballet performance is a refreshing addition to Montenegro's cultural scene and expressed his happiness for having the opportunity to direct one of the first productions of this kind in Montenegrin production.
"We opened the first Adriatic Dance Festival on Friday with a premiere performance in Budva, and impressions both there and tonight in Podgorica have been phenomenal. I hope the audience enjoyed it," the director stated.
Professor dr Vladimir Tomašević expressed his pleasure at attending the performance of Mediterranean and viewed it as a moment of continuity, recalling his attendance at the first performance of Tre Sorelle last year.
"After tonight's performance, we can see that this represents the pioneering of ballet in Podgorica. Last year, I said that Podgorica placed itself on the map of the Western Balkans as a capital of dance. I am glad to have been right because a year later, I can say that the rise in quality is evident daily. I extend my congratulations to the management of MCCG," Tomašević stated.
The Montenegrin Ballet Ensemble of the Montenegrin Music Center was established in 2022 upon the initiative of director Isidora Damjanović with the aim of launching the first professional ballet troupe affiliated with this institution, coinciding with the premiere of the dance performance Tre Sorelle choreographed by Prof. Aleksandar Ilić.
(Photography by Aleksandar Jaredić)
PREMIJERA MEDITERAN BALETSKOG ANSAMBLA MUZIČKOG CENTRA CRNE GORE
Dekan Instituta za umetničku igru Prof. dr Vladimir Tomašević prisustvovao je premijernom izvođenju savremene plesne predstave Mediteran u produkciji Muzičkog centra Crne Gore (MCCG), u izvođenju Crnogorskog baletskog ansambla.
Članice ansambla Ksenija Sinđić koja je i asistent koreografa, Angela Mihova, Marija Boljević, Kristina Mrkić i Staša Šćepanović predstavile su se sinoć publici na sceni Muzičkog centra Crne Gore, drugom predstavom od kada je osnovan Baletski studio Muzičkog centra.
Koreografiju za predstavu je uradila Saša Evtimova, režiju potpisuje Aleksandar Vujović, autorsku muziku su uradili Srđan Bulatović i Darko Nikčević, a video dizajn Siniša Radulović.
Koreografkinja Evtimova je, nakon predstave, izjavila da je publika gromoglasnim aplauzom rekla sve. „Veče pre Podgorice, u Budvi nakon premijere smo imali fantastičan aplauz. Baš mi je drago što imamo jednu vrhunsku predstavu koja može dalje da se igta. Mislim da je to fantastičan početak baletskog ansambla u Crnoj Gori“, navela je Evtimova.
Upitana da objasni simboliku rekvizita, kutija, koje su devojke koristile u predstavi, Evtimova je pojasnila da kutije u predstavi simbolizuju život, sećanje na poreklo i korene. „To su naše srce, emocije, nada, gubitak. Tako da ta kocka znači puno života“.
Reditelj Aleksandar Vujović je rekao da je izvođenje baletske predstave osveženje za crnogorsku kulturnu scenu Crne Gore i da je veoma srećan što je imao priliku da režira jednu od prvih predstava u crnogorskoj produkciji ovog tipa.
„U petak smo otvorili prvi Jadranski festival igre premijernim izvođenjem u Budvi, kako tamo, tako i večeras u Podgorici, utisci su fenomenalni. Nadam se da je publika uživala“, naveo je reditelj.
Profesor dr. Vladimir Tomašević, je izjavio za medije da mu je drago što je večeras prisustvovao izvođenju predstave Mediteran, koja za njega predstavlja trenutak kontinuiteta, podsjećajući da je prošle godine prisustvovao i prvoj predstavi Tre sorelle.
„Nakon večerašnje predstave vidimo da je ovo jedna vrsta rodonačelništva baleta u Podgorici. Prošle godine sam rekao da se Podgorica prvi put stavila na mapu Zapadnog Balkana kao igračka prijestonica. Drago mi je da sam bio u pravu, jer godinu dana kasnije mogu da kažem da se uspon kvaliteta vidi svakodnevno. Mogu da čestitam menadžmentu MCCG“, naveo je Tomašević.
Crnogorski baletski ansambl Muzičkog centra Crne Gore osnovan je 2022. godine na inicijativu direktorke Isidore Damjanović s idejom pokretanja prve profesionalne baletske trupe pri ovoj instituciji, kada je i izvedena prva plesna predstava Tre Sorelle u koreografiji Prof. Aleksandra Ilića.
(Fotografija Aleksandar Jaredić).
KINETIC DRAWING
Kinetic drawing, as a visual documentation of movement, is another interesting, exciting, and creative way of connecting movement and visual art that students of the Master's program in Artistic Dance and the doctoral program in Artistic Dance and Performance at the Belgrade Dance Institute in Belgrade explore.
Everything that young professional dancers encounter—choreography, exploration, and direction—is somehow involved in the creative process of kinetic works. The trace left by the dancer's body movement connects dance improvisation and visual art. The dynamics of improvised movement, in accordance with emotional states, dictate the shape, texture, and continuity of the work. These are artistic forms that achieve maturity in the moment of their merging.
Kinetic drawings serve as a means of documenting and preserving movement, which is the focus of creative explorations that combine art game and visual art conducted by students at the Belgrade Dance Institute.
Prof. Dušica Pejić
Photography by Nemanja Maraš
KINETIČKI CRTEŽ
Kinetički crtež kao vizuelno dokumentovanje pokreta je još jedan od interesantnih, uzbudljivih i kreativnih načina povezivanja pokreta i vizuelnog dela, koje studenti master studija sa smera Umetnička igra i doktorskih studija sa smera Umetnička igra i performans Instituta za umetničku igru u Beogradu, istražuju.
Sve sa čime se mladi profesionalni igrači susreću: koreografija, istraživanje i režija, na neki način su uključeni u kreativni proces kinetičkih radova. Plesnu improvizaciju i vizuelnu umetnost povezuje trag koji vodi i ostavlja pokret tela igrača. Dinamika improvizovanog pokreta u skladu sa emocionalnim stanjem je ono što diktira oblik, teksturu i kontinuitet rada. To su umetničke forme koje u momentu svog spajanje dostižu jednu zrelost.
Kinetički crteži su način dokumentovanja i čuvanja pokreta kojim se u kreativnim istraživanjima spajanjem umetničke igre i vizuelne umetnosti bave studenti na Institutu za umetničku igru.
Prof. Dušica Pejić
Fotografija Nemanja Maraš
ART AND HUMAN RIGHTS FESTIVAL
The third edition of the DAH Theater Festival ART AND HUMAN RIGHTS will be held from June 20th to June 24th, 2023, at various locations in Belgrade.
Actress Ivana Milenović Popović, in collaboration with DAH Theater and the Belgrade Dance Institute (Serbia), will perform the play Theory of the Curtain which reflects on the story of missing babies in Serbia and the importance of empathy.
Event duration: June 20th, 2023, from 7:00 PM to 7:30 PM
Event venue: UK Parobrod, Kapetan Mišina 6a
The performance 15 Minutes in the Aquarium is a performance and interactive installation by Alisa Oravec (Serbia) for 12 people. The theme of the performance is fast fashion and the problem of ocean pollution, created in collaboration with the Belgrade Dance Institute.
Event duration: June 22nd, 2023, from 3:00 PM to 5:00 PM (every 15 minutes)
Event venue: UK Parobrod, Kapetan Mišina 6a
FESTIVAL UMETNOST I LJUDSKA PRAVA
Treće izdanje DAH Teatar Festivala UMETNOST I LJUDSKA PRAVA, biće održano od 20. juna do 24. juna 2023, na različitim lokacijama u Beogradu.
Glumica Ivana Milenović Popović uz DAH Teatar i Institut za umetničku igru (Srbija), izvešće performans Teorija zavese koji se osvrće na priču o nestalim bebama u Srbiji i značaju empatije.
Vreme trajanja događaja: 20.06.2023. 19.00–19:30h
Mesto održavanja događaja: UK Parobrod, Kapetan Mišina 6a
Performans 15 minuta u akvarijumu je performans i interaktivna instalacija Alise Oravec (Srbija) za 12 osoba. Tema performansa je brza moda i problem zagađenja okeana, nastala u saradnji sa Institutom za umetničku igru.
Vreme trajanja događaja: 22.06.2023. 15.00–17.00h (svakih 15 minuta)
Mesto održavanja događaja: UK Parobrod, Kapetan Mišina 6a
DERIVED CHOREODRAMA - ANA DECIDED TO LIVE - 25403
On June 1st, the derived choreodrama Ana je odlučila da živi- 25403 (Ana decided to live - 25403) was performed on the stage of the Student Cultural Center in Belgrade.
Searching within myself, digging through the wounds of the past, and waiting for the "praise of madness," I returned to my childhood. My sister writes a diary to her Ana, my mother and grandmother tell for the thousandth time what would have happened if it hadn't been for that night when grandpa was taken away, never to return... I'm sewing sneakers and not understanding much.
Many years later, this is an homage to my grandfather, Milan Lepenac, the hero of my childhood, and to Anne Frank who gave eternal life to heroes - Milica Bezmarević.
Cast:
Milan Lepenac - Aleksandar Ilić
Ana Frank / Snežana Lepenac - Una Stepanović
Oto Frank - Ognjen Vučinić
Edit Frank / Olga Lepenac - Katarina Ilijašević
Margo Frank / Biljana Lepenac - Katarina Bućić
Hana Goslar, Hanela, Ana's friend - Nina Horvat
Herman van Pels - Boban Kostić
Auguste van Pels - Tamara Ljesar
Peter van Pels - Vladimir Sekulić
Choreography and direction - Milica Bezmarević, Tijana Malek, and Ognjen Vučinić;
Mentor - Prof. Dijana Milošević;
Music - Danilo Stojković and Evan Ottens;
Production - Association of the Belgrade Dance Institute.
Project supported by: City of Belgrade and Belgrade Dance Institute.
ACADEMIC FOLKLORE ENSEMBLE PERFORMED IN IZMIR
Members of the Academic Folklore Ensemble from the Belgrade Dance Institute, the vocal group Đurđe, and the youth orchestra of the Cultural-Artistic Society Svetozar Marković from Novi Sad participated in the international folklore festival called the Mandarin Flower Festival of Arts in Izmir, Turkey, from May 21st to 25th of this year.
These three sections presented themselves to the audience of Menderes and Izmir with the divertissement Sude mi je vedro nebo and a dance featuring the Dubočka Rusalja tradition. During their first performance, the representatives of Serbia won the sympathy of other participating countries, the audience, the mayor, and the festival organizers. In addition to a participation diploma, our performers received an award for the best performance and an award for the best vocal group.
After presenting Serbia, the ensemble was invited to participate in Izmir next year, and Latvia, Ukraine, Bulgaria, and Georgia also joined the invitation.
During their six-day stay in Turkey, in addition to concerts, members of the Academic Folklore Ensemble visited the cities of Izmir and Istanbul, the House of the Virgin Mary, and went on a cruise.
The Academic Folklore Ensemble was established last year within the Belgrade Dance Institute, under the leadership of Boban Kostić, a master's student at the Belgrade Dance Institute.
Photograph from the archive of the Academic Folklore Ensemble of the Belgrade dance Institute
AKADEMSKI FOLKLORNI ANSAMBL GOSTOVAO U IZMIRU
Članovi Akademskog folklornog ansambla Instituta za umetničku igru, pevačka grupa Đurđe i omladinski orkestar KUD-a Svetozar Marković iz Novog Sada učestvovali su na internacionalnom festivalu folklora pod nazivom Mandarin Flower Festival of Arts u Izmiru, (Turska) od 21. do 25. maja ove godine. Projekat je podržan od strane Ministarstva spoljnih poslova i Uprave za saradnju s dijasporom i Srbima u regionu.
Ove tri sekcije su se predstavile publici Menderesa i Izmira divertismanom Sude mi je vedro nebo i igrom sa običajem Dubočka Rusalja. Već tokom prvog nastupa predstavnici Srbije su osvojili simpatije drugih zemalja učesnica, publike, gradonačelnika i organizatora festivala. Pored diplome o učešću naši igrači su dobili nagradu za najbolji performans i nagradu za najbolju pevačku grupu.
Nakon predstavljanja Srbije ansamblu je uručen poziv za učešće u Izmiru i sledeće godine, a pozivu se se pridružile Letonija, Ukrajina, Bugarska i Gruzija.
Tokom šestodnevnog boravka u Turskoj, pored koncerata članovi Akademskog folklornog ansambla su posetili grad Izmir, Istanbul, kuću Device Marije i krstarili morem.
Alademski folklorni ansambla osnovan je prošle godine u okviru Instituta za umetničku igru pod vođstvom Bobana Kostića studenta master studija Instituta za umetničku igru.
Fotografija arhiva Akademski folklorni ansambl Instituta za umetničku igru.
THE THIRD INTERNATIONAL SOLO FESTIVAL CONCLUDED
The Third International Solo Festival (Choreography, Performance, Photography) organized by the Belgrade Dance Institute concluded last night with the performance of Peto godišnje doba (The fifth season) and Dnevnik Huligana (The Hooligan diary) by Olga Pango and Vasil Zafirchev at the Student Cultural Center in Belgrade.
This year's festival was inaugurated on May 26th at UK Parobrod with an exhibition of photographs titled Alone by Croatian artist Miro Martinić, featuring performances and choreographies by Serbian artists Miona Petrović Carpe Diem and Nina Pantović In the Meadow of the Valley.
On Saturday, May 27th, on the plateau in front of the Belgrade Cultural Center, Olivier Meyrou and Matias Pilet from France performed the choreography for children La Fuite at 12:00 p.m. Later that day, at 7:00 p.m., Simon Mayer, an artist from Austria, performed his solo piece SunBengSitting at the Madlenianum Opera and Theatre.
At the Artget Gallery of the Belgrade Cultural Center on Sunday 28th, starting at 5:00 p.m., Matea Bilosnić from Croatia performed the piece Kata Strofa. In the premises of the Cultural Center Grad, the Hungarian duo of artists Boglárka Börcsök and Andreas Bolm presented the performance Figuring Age in two sessions.
The festival was supported by the City of Belgrade, the Ministry of Culture, the European Festivals Fund for Emerging Artists (EFFEA), co-financed by the European Union, the Austrian Cultural Forum, the French Institute in Belgrade, the International Platform Tetroskop, the Hungarian Cultural Center in Belgrade, the Institution of Culture Parobrod, the Madlenianum Opera and Theatre, the Belgrade Cultural Center, the Cultural Center Grad, the Student Cultural Center, Domino Productions, Ćevabdžinica Savčić, the Belgrade Dance Institute, and the School of Engineering Management.
All programs of the Solo Festival were free of charge.
Photograohy by Miro Martinić
ZAVRŠEN TREĆI MEĐUNARODNI FESTIVAL SOLA
Izvođenjem predstave Peto godišnje doba i Dnevnik Huligana Olge Pango i Vasila Zafircheva sinoć je svečano u Studentskom kulturnom centru Beograd završen Treći međunarodni Festival Sola (koreografija, performans, fotografija) u organizaciji Instituta za umetničku igru.
Ovogodišnji festival je otvoren 26. maja u UK Parobrodu, izložbom fotografija hrvtaskog umetnika Mire Martinića pod nazivom Alone, gde su izvedeni i performansi i koreografije srpskih umetnica Mione Petrović Carpe Diem i Nine Pantović In the Meadow of the valley.
U subotu 27. maja na platou ispred Kulturnog centra Beograd s početkom u 12.00 časova Olivier Meyrou i Matias Pilet iz Francuske izveli su koreografiju za decu Bekstvo, a istog dana na sceni Madlenianum opera i teatar u 19.00 časova Simon Mayer umetnik iz Austrije izveo je svoj solo – SunBengSitting.
U Artget galerija KCB u nedelju s početkom u 17.00 časova Matea Bilosnić iz Hrvatske izvela je performans Kata Strofa, a u prostoru Kulturnog centra Grad u dva termina madjarski umetnicički dvojac Boglárka Börcsök i Andreas Bolm publicu su predstavili performans Figuring Age.
Ovogodišnji Festival sola je realizovan uz podršku: Grada Beograda, Ministarstva kulture, European Festivals Fund for Emerging Artists – EFFEA, koji sufinansira Europska Unija, Austrijskog kulturnog Foruma, Francuskog Instituta u Beogradu, Međunarodne platforme Tetroskop, Mađarskog kulturnog centra u Beogradu, Ustanove Kulture Parobrod, Madlenianum opere i teatra, Kulturnog centra Beograda, Kulturnog centra Grad, Studentskog kulturnog centra, Domino Produkcije, Ćevabdžinice Savčić, Instituta za umetničku igru i Fakulteta za inženjerski menadžment.
Svi programi Festivala sola su bili besplatni.
Fotografije Miro Martinić
THIRD INTERNATIONAL SOLO FESTIVAL
May 26th -29th 2023.
The Festival Solo, organized by the Belgrade Dance Institute, will take place from May 26th to 29th , 2023, at several locations in Belgrade. The third edition of the International Solo Festival is supported by the City of Belgrade, the Ministry of Culture, the European Festivals Fund for Emerging Artists - EFFEA, co-financed by the European Union, the Austrian Cultural Forum, the French Institute in Belgrade, the International platform Teatroskop, the Hungarian Cultural Center in Belgrade, the Parobrod Cultural Institution, the Madlenianum Opera and Theatre, the Belgrade Cultural Center, the Cultural Center Grad, the Student Cultural Center, Domino Productions, Ćevabdžinica Savčić, the Belgrade Dance Institute, and the School of Engineering Management.
The third edition of the Solo Festival will last for four days, and this year's event will feature artists from Hungary, Croatia, Macedonia, France, Austria, and Serbia.
PROGRAM:
May 26th, 2023.
Grand Opening at the Parobrod Cultural Institution starting at 6:00 PM
May 27th, 2023.
Plaza in front of the Belgrade Cultural Center starting at 12:00 PM
Madlenianum Opera and Theatre starting at 7:00 PM
May 28th, 2023.
Artget Gallery KCB starting at 5:00 PM
Kulturni Centar Grad starting at 6:00 PM and 8:00 PM
May 29th, 2023.
Studentski Kulturni Centar starting at 7:00 PM
Locations for all events you can find HERE
All programs of the Solo Festival are free of charge with prior RSVP by email: teodora.zivkovic@iui.rs
TREĆI MEĐUNARODNI FESTIVAL SOLA
26 -29. мај
Festival Sola u organizaciji Instituta za umetničku igru održaće se od 26. do 29. maja 2023. godine na nekoliko lokacija u Beogradu. Treći međunarodni Festival sola realizuje se uz podršku: Grada Beograda, Ministarstva kulture, European Festivals Fund for Emerging Artists – EFFEA, koji sufinansira Europska Unija, Austrijskog kulturnog Foruma, Francuskog Instituta u Beogradu, Međunarodne platforme Tetroskop, Mađarskog kulturnog centra u Beogradu, Ustanove Kulture Parobrod, Madlenianum opere i teatra, Kulturnog centra Beograda, Kulturnog centra Grad, Studentskog kulturnog centra, Domino Produkcije, Ćevabdžinice Savčić, Instituta za umetničku igru i Fakulteta za inženjerski menadžment.
Treće izdanje Festivala Sola će trajati četiri dana a na ovogodišnjoj manifestaciji će se predstaviti umetnici koji dolaze iz Mađarske, Hrvatske, Makedonije, Francuske, Austrije i Srbije.
PROGRAM:
26. maj 2023.
Svečano otvaranje u UK Parobrod s početkom u 18.00 časova
27. maj 2023.
Plato ispred Kulturnog centra Beograd s početkom u 12.00 časova
Madlenianum opera i teatar s početkom u 19.00 časova
28. maj 2023.
Artget galerija KCB s početkom u 17.00 časova
Kulturni centar Grad s početkom u 18.00 časova i 20.00 časova
29. maj 2023.
Studentski kultuni centar s početkom u 19.00 časova
Mapu svih događaja možete naći OVDE
Svi programi Festivala sola su besplatni uz prethodnu najavu dolaska na mail: teodora.zivkovic@iui.rs
ODBRANA ZAVRŠNOG RADA NIKOLE PETROVIĆA
Danas, 17.05.2023. godine u Beogradu, Nikola Petrović, kandidat za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno student Osnovnih akademskih studija Instituta za umetničku igru je pristupio odbrani svog Završnog rada.
Uvaženi kolega Nikola je prikazao svoj rad na temu Povasta Alu Biberaga Jedno-aktna dramska opšte-tematska priča u koreografskoj formi kamernog sižea u više slika, izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvaženi kolega Nikola je odgovorio na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, od ovog trenutka Nikola Petrović, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Dramski i audiovizuelni umetnik umetnička igra.
Čestitamo!!
INSTITUTE VISITS SHANGHAI NORMAL UNIVERSITY
The delegation of the Institute visited Shanghai Normal University, where the Secretary of the CKP China, Li Zhaoijong, expressed the desire of the Chinese higher education institution to collaborate with the Institute. He also presented their highest recognition for promoting university and scientific, technical, and artistic cooperation.
INSTITUT U POSETI ŠANGAJ NORMAL UNIVERZITETU
Delegacija Instituta je bila u poseti Šangaj Normal Univerzitetu gde je Sekretar CKP Kine, Li Žaoijong, izrazio želju kineske visokoškolske ustanove da sarđuje sa Institutom i uručio njihovo najviše priznanje za promovisanje univerzitetske ondnosno naučno stručne i umetničke saradnje.
QUANTUM
A unique fusion of physical and digital reality in dance
From May 15th to June 3rd, 2023, the Belgrade Dance Institute will host choreographer Harriet Macauley from Spain as part of the residency program, leading workshops, classes, and creative processes that create a unique combination of physical and digital reality in dance.
Quantum Residency is a new project of contemporary dance using collaborative multimedia, which is being produced in co-production with the Belgrade Dance Institute and InDance International. Quantum is supported by the Culture Moves Mobility Fund of the European Union, the Goethe Institute, and the Belgrade Dance Institute in Belgrade.
Undergraduate, graduate, and doctoral students, as well as alumni of the Institute, will have an intensive period of exploration and creation for a Live/Interactive Video AR/VR multimedia environment in dance in order to create materials and connect with the dance community.
All activities within the project are designed for networking, exchange, development, and distribution of collaborative performances and co-creation with the audience; round tables/discussions; premieres on Youtube/Vimeo/2D films and documentaries; master classes on digital VR/AR practice; Isadora interactivity and Motion Capture technologies.
The project is led by choreographer Harriet Macauley, Prof. Aleksandar Ilić, Prof. dr Snežana Arnautović Stjepanović, the Vice-Dean of the Institute, and Prof. dr Vladimir Tomasevic, the Dean of the Belgrade Dance Institute.
Harriet Macauley
Harriet Macauley works as a professional choreographer and dancer in Spain, Turkey, Denmark, Austria, Italy, Germany, Scotland, the United States, Ireland, Canada, the UK, Portugal, and numerous other international cities.
Harriet Macauley is the director of InDance International, a progressive organization for dance performances and multimedia.
Her artistic exploration is grounded in rediscovering the aesthetic intention through which the dancer becomes more than the expression of form or shape. Harriet's choreographic works represent an explosion of cultural identity, combined with ethnic affiliation, and her creative exploration process seeks to find truth and value using movement styles and cultural forms that stem from identity. Moreover, Harriet's creative process goes beyond the recreation of movement or form; instead, her movement is explored through the development of fertile forms channeled through contrasting movement styles that prevail in popular, cultural, and commercial dance today. Engaging in specific dramaturgical investigation, her interpretations are fluid, charismatic, and convincing, fueled by the use of electronic, commercial, and contemporary sound recordings. The hallmark of her choreographic style is the exploration of the essence of the dancer, their personality, appearance, and origin, which are energetically shaken by the use of technology.
Her professional experience includes contemporary dance, jazz, and neoclassical ballet techniques that she acquired at the London Contemporary Dance School, SUNY Purchase Conservatory of Dance in New York, Richard Alston Dance Company, and with Sharon Ray in the Royal Opera House in London.
She founded Harriet Macauley & Company in 2020 to support professional dancers in developing dance on screen as a result of COVID-19 restrictions.
Since 2016, she has been a lecturer in dance studies at the Institute of the Arts in Barcelona.
THREE-DAY MOURNING
The Belgrade Dance Institute extends its deepest condolences to the families of the students and employees who tragically lost their lives in the Vladislav Ribnikar Elementary School.
All employees, associates, and assistants of the Belgrade Dance Institute wish a speedy recovery to the injured.
NOTICE - LABOUR DAY HOLIDAYS
We would like to inform all professors, assistants, associates, and students that the School of Engineering Management and the Belgrade Dance Institute will be closed on May 1st and 2nd, 2023 due to the Labour Day holidays. The first working day will be Wednesday, May 3rd.
Happy holidays!
DEFENSE OF GRADUATE THESIS BY NEVENA ANTIĆ
On April 27th, 2023, in Belgrade, Nevena Antić, a candidate for the title of Drama and Audiovisual Artist in Artistic Dance, and a student of the Undergraduate Academic Studies at the Belgrade Dance Institute, defended her final thesis.
Respected colleague Nevena presented her work on the topic Sleeping Beauty - a comedic story in three acts publicly before the members of the commission formed by the Scientific and Teaching Council of the Faculty for Evaluation and Defense in accordance with Article 26 of the Faculty Statute, consisting of:
After her presentation, respected colleague Nevena answered all the questions posed.
Respecting the above-mentioned facts, the commission states that on April 27th, 2023, in Belgrade, respected colleague Nevena Antić successfully defended her final thesis on Sleeping Beauty - a comedic story in three acts with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia, Article 95, as well as the University Statute, from this moment on, Nevena Antić has all the rights and obligations arising from the fact that she has publicly recognized academic title of Drama and Audiovisual Artist in Artistic Dance.
CONGRATULATIONS!
GALA CONCERT HELD AT VUK
The audience enthusiastically applauded the Gala concert performed by students of the Belgrade Dance Institute and members of the Youth Ballet Company. Visitors had the opportunity to watch exceptional performances of the most famous parts of ballets. As the authors and selectors of the program, Milica Bezmarević, Mila Stijak, and Ana Spremić, with the assistance of Jovica Begojev, announced, the audience had the opportunity to see variations and parts of the ballets such as The Humpbacked Horse, Pharaoh's Daughter, Bayadere, Esmeralda, and Raymonda.
The audience supported the future hopes of Serbian ballet, Anastasija Vujnović, Anastasija Nikčević, Emma Keyes, and Una Stepanović, who performed demanding ballet bravuras at a high technical level, with a special applause.
Over twenty members of the Youth Ballet Company, who are regular students of primary and secondary ballet schools, performed the Gala concert program: Manojlović Tea, Marin Andrijana, Marković Manja, Prodanović Lana, Vuković Lara, Stamenković Dunja, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes, Arsenović Natalija, and Nikolić Stefan, as well as students in their second year of the Belgrade Dance Institute: Una Stepanović and Vladimir Sekulić.
The Youth Ballet Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting students of primary and secondary schools in Belgrade and Serbia. The company is led by the first soloist of the National Theater Ballet, Milica Bezmarević, Mila Stijak, and Ana Spremić, professors of the Belgrade Dance Institute, in collaboration with visiting pedagogues of the institution.
Photography by Belkisa Beka Abdulović
QUANTUM
Jedinstveno spajanje fizičke i digitalne stvarnosti u plesu
Od 15. maja do 3. juna 2023. godine, Institut za umetničku igru će u okviru rezidencijalnog programa ugostiti koreografkinju Harriet Macauley iz Španije, koja će voditi radionice, časove i kreativne procese koji ostvaruju jedinstvenu kombinaciju fizičke i digitalne stvarnosti u plesu.
Quantum Residency je novi projekat savremene igre uz korišćenje kolaborativne multimedije koji se ostvaruje u koprodukciji Instituta za umetničku igru i InDance International. Quantum je podržan od strane Culture Moves Mobility fonda, Evropske Unije, Gete Instituta i Instituta za umetničku igru iz Beograda.
Studenti osnovnih, master i doktorskih studija, kao i alumnisti Instituta će imati intenzivan period istraživanja i kreiranja za Live/Interactive Video AR/VR multimedijalno okruženje u plesu kako bi kreirali materijale i povezali se sa plesnom zajednicom.
Sve aktivnosti u okviru projekta su osmišljene za umrežavanje, razmenu, razvijanje i distribuiranje saradničkih performansa i ko-kreaciju sa publikom; okrugle stolove/razgovore; premijere na Youtube/Vimeo/2D filmovima i dokumentarnim filmovima; master časovima o digitalnoj praksi VR/AR; Isadora interaktivnosti i Motion Capture tehnologijama.
Projekat se realizuje pod vođstvom koreografkinje Harriet Macauley, Prof. Aleksandra Ilića, Prof. dr Snežane Arnautović Stjepanović, prodekana Instituta i Prof. dr Vladimira Tomaševića, dekana Instituta za umetničku igru.
Harriet Macauley
Harriet Macaulei radi kao profesionalni koreograf i plesač u Španiji, Turskoj, Danskoj, Austriji, Italiji, Nemačkoj, Škotskoj, SAD, Irskoj, Kanadi, Velikoj Britaniji, Portugalu i brojnim drugim međunarodnim gradovima.
Harriet Macauley je direktorka InDance International, progresivne organizacija za plesne nastupe i multimediju.
Njeno umetničko istraživanje je utemeljeno u ponovnom otkrivanju estetske namere usled koje igrač postaje više od izraza oblika ili forme. Harijetini koreografski radovi predstavljaju eksploziju kulturnog identiteta, u kombinaciji sa etničkom pripadnošću, a njen proces kreativnog istraživanja nastoji da pronađe istinu i vrednost uz korišćenje stilskih i kulturnih oblika pokreta koji potiču iz identiteta. Štaviše, Harijetin proces u stvaranju prevazilazi rekreaciju pokreta ili oblika, umesto toga njeno kretanje se istražuje kroz razvoj plodnih formi, koje se kanališu kroz kontrastne stilove pokreta koji preovlađuju u popularnom, kulturnom i komercijalnom plesu današnjice. Baveći se specifičnim dramaturškim ispitivanjem, njene interpretacije su fluidne, harizmatične i ubedljive, napaja se korišćenjem elektronskih, komercijalnih i savremenih zvučnih zapisa. Zaštitni znak njenog koreografskog stila je istraživanje suštine igrača, ličnosti, njihovog izgleda i porekla koji su energično prodrmani upotrebom tehnologije.
Njeno profesionalno iskustvo obuhvata savremenu igru, džez i neoklasične baletske tehnike koje je stekla u školi savremenog plesa u Londonu, SUNI Purchase Conservatory of Dance, Njujork, Richard Alston Dance Company kao i sa Šeron Rej u Kraljevskoj operi u Londonu.
Osnovala je Harriet Macaulei & Company 2020. godine, kako bi podržala profesionalne plesače u razvoju plesa na ekranu kao rezultat ograničenja sa COVID-19.
Od 2016. godine je predavač na studijama plesa na Institutu umetnosti u Barseloni.
TRODNEVNA ŽALOST
Institut za umetničku igru upućuje najiskrenije izraze saučešća porodicama nastradalih učenika i zaposlenih u Osnovnoj školi Vladislav Ribnikar.
Svi zaposleni, saradnici i asistenti Instituta za umetničku igru žele brz oporavak povređenima.
OBAVEŠTENJE - PRVOMAJSKI PRAZNICI
Obaveštavamo sve profesore, asistente, saradnike i studente da povodom Prvomajskih praznika, Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi 01. i 02. maja 2023. godine. Prvi radni dan je sreda, 03. maj.
Srećni praznici!
ODBRANA ZAVRŠNOG RADA NEVENE ANTIĆ
Danas, 27.04.2023. godine u Beogradu, Nevena Antić, kandidatkinja za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno studentkinja Osnovnih akademskih studija Instituta za umetničku igru je pristupila odbrani svog Završnog rada.
Uvažena koleginica Nevena je prikazala svoj rad na temu Uspavana lepotica - sižejno humoristička priča u tri slike izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvažena koleginica Nevena je odgovorila na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 27.04.2023. godine u Beogradu, uvažena koleginica Nevena Antić, uspešno odbranila svoj Završni rad na temu Uspavana lepotica - sižejno humoristička priča u tri slike sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, od ovog trenutka Nevena Antić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.
ČESTITAMO!!!
ODRŽAN GALA KONCERT U VUKU
Dugim aplauzom publika je oduševljeno nagradila Gala koncert u izvođenju studenata Instituta za umetničku igru i članova kompanije Balet mladih. Posetioci su imali priliku da pogledaju izuzetna izvođenja najpoznatijih delova baleta. Kako su autorke i najavile, koje su i osmilile i pripremile odabir programa, Milica Bezmarević, Mila Stijak i Ane Spremić uz asistenciju Jovice Begojeva, publika je imala priliku na sceni Teatra Vuk po prvi put kod nas da pogleda izvođenja varijacija i delova baleta Konjić Grbonjić, Faraonova kći, Bajadera, Esmeralda i Rajmonda.
Publika je posebnim aplauzom podržala već buduće nade srpskog baleta Anastasiju Vujnović, Anastasiju Nikčević, Emmu Keyes i Unu Stepanović, koje su na visokom tehničkom nivou izvele zahtevne baletske bravure.
Program Gala koncerta izvelo je preko dvadeset članova kompanije Balet mladih koji su redovni učenici osnovne i srednje baletske škole: Manojlović Tea, Marin Andrijana, Marković Manja, Prodanović Lana, Vuković Lara, Stamenković Dunja, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes, Arsenović Natalija i Nikolić Stefan, kao i studenti II godine Instituta za umetničku igru: Stepanović Una i Sekulić Vladimir.
Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije. Kompaniju vode prva solistkinja baleta Narodnog pozorišta Milica Bezmarević, Mila Stijak i Ana Spremić, profesorke Instituta za umetničku igru u saradnji sa gostujućim pedagozima te institucije.
Fotografija Belkisa Beka Abdulović
THE ENTRANCE EXAM FOR DOCTORAL STUDIES IN ARTISTIC DANCE AND PERFORMANCE
The Belgrade Dance Institute announces a call for applications for enrollment of students in the first year of doctoral studies in Artistic Dance and Performance. The study program lasts for three years, carries 180 ECTS and after its completion, students obtain the title PhD in Arts – Drama and Audiovisual Arts. Students who have completed a minimum of 300 ECTS in their previous academic studies are eligible to apply for the program.
The entrance exam will be held on June 30th, 2023, at 2:00 PM, at the Belgrade Dance Institute.
The ranking list of students is made based on their previous academic achievement (average grade and length of study) and their knowledge, tendencies, and abilities. The type of knowledge, tendencies, and abilities of candidates is determined by an interview conducted by a specially formed committee. Candidates applying for the program in Artistic Dance and Performance are required to take an entrance exam, which consists of analyzing the candidate's portfolio of artistic and professional work, as well as an interview with the committee.
Applications for the entrance exam can be submitted online by completing the application form (https://www.iui.rs/upis-na-doktorske-studije) or by email at prijave@iui.rs.
The deadline for application is June 23rd, 2023.
The documents for application are to be submitted to the faculty's student service by June 27th, 2023.
The ranking list of accepted candidates will be published on July 3rd, 2023, on the faculty's website.
The enrollment of candidates who have passed the entrance exam will take place from July 4th to July 7th, 2023, at the faculty's student service.
Documents required for application:
• Application form (received on the day of registration at the faculty)
• Certified photocopies of diplomas or the original graduation certificate for all previous levels of education
• Certified photocopies of diploma supplements or the original certificate of passed exams for all previous levels of education
• Birth certificate
• Professional biography
• Portfolio of artistic works
• Proof of payment of the cost of organizing the entrance exam (original payment receipt). The cost of taking the entrance exam is 5,000.00 RSD.
• For any additional information, consultations can be scheduled every working day from 9:00 AM to 5:00 PM by calling 011 41 40 421 or by emailing prijave@iui.rs.
DOCTORAL STUDIES IN ARTISTIC DANCE AND PERFORMANCE
The study program in Artistic Dance and Performance spans over three academic years and consists of 180 ECTS credits. Students who have completed 300 ECTS credits in their previous academic studies or 360 ECTS credits are eligible to enroll in this study program.
The objectives of this study program are to provide students with high-level academic education in the field of artistic performance and to equip them with the necessary skills for qualified work in cultural institutions in the areas of artistic direction and management of artistic production. The program is aimed at enhancing knowledge, artistic skills, and methods acquired through master's academic studies, which are applied in specific scientific procedures to achieve high artistic results, as well as in cultural development processes, such as planning public cultural activities, etc.
Students will study and apply contemporary methods and techniques of artistic research to successfully prepare their doctoral dissertation, as prescribed by the study program. The outcome of the learning process is an educated student who possesses active artistic and theoretical knowledge, skills, and abilities to engage in public, collective, and individual cultural and artistic activities.
The doctoral study program in Artistic Dance and Performance is interactive and includes creative workshops, media labs, encourages critical thinking, creativity, and self-reliance through the application of acquired knowledge. The implementation of the study program is carried out through mentoring. Students work closely with subject teachers, practically test their acquired knowledge, have the opportunity to demonstrate individual and team creativity, and develop critical thinking skills. It is expected that students will improve and deepen their general theoretical knowledge in the field of art, as well as possess skills and ability to methodologically correct work in solving artistic research problems. Upon successfully passing exams, completing project tasks, writing and defending a doctoral thesis, students are qualified to engage in artistic work in the field of Artistic Dance and Performance.
After completing doctoral studies, students receive a degree: PhD in Arts – Drama and Audiovisual Arts.
PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS
Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.
Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.
Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.
Prijave na konkurs se vrše preko online prijavne forme na sajtu (https://www.iui.rs/upis-na-doktorske-studije) ili putem maila: prijave@iui.rs
Prijemni ispit će se održati 30. juna 2023. godine u 14.00h na Institutu za umetničku igru.
Prijemni ispit
Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.
Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Rok za prijavu je 23. jun 2023. godine.
Prijem dokumenata se vrši do 27. juna 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 3. jula 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 4. do 7. jula 2023. studentskoj službi fakluteta.
Dokumenta za prijavljivanje na konkurs:
• Prijavni list (dobija se na dan prijavljivanja na Fakultetu),
• Overene fotokopije diploma ili original Uverenja o diplomiranju svih prethodno završenih nivoa studija,
• Overene fotokopije dodataka diplomi ili original Uverenja o položenim ispitima svih prethodno završenih nivoa studija,
• Izvod iz matične knjige rođenih,
• Stručna biografija,
• Portfolio umetničkih radova,
• Dokaz o uplati troškova za organizovanje prijemnog ispita, (original uplatnica). Troškovi polaganja prijemnog ispita iznose 5.000,00 din.
• Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs
DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS
Studijski program Umetnička igra i performans se izvodi tokom tri školske godine i ima 180 ESPB. Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli 300 ESPB, odnosno 360 ESPB.
Ciljevi studijskog programa su omogućavanje studentima da se školuju na visokom akademskom nivou u oblasti umetničke igre i performansa kao i za kvalifikovan rad u kulturnim institucijama na poslovima umetničkog rukovođenja i upravljanja umetničkom produkcijom. Cilj studijskog programa je usmeren ka unapređenju znanja i stečenih umetničkih veština i metoda na master akademskim studijama koje se primenjuju u određenim naučnim postupcima u ostvarivanju visokih umetničkih rezultata, a zatim i u procesima kulturnog razvoja, kao što je planiranje javnih kulturnih delatnosti i sl. Studenti izučavaju i primenjuju savremene metode i tehnike umetničkog istraživanja, kako bi uspešno izradili doktorsku disertaciju predviđenu studijskim programom.
Ishod procesa učenja je obrazovan student koji poseduje aktivna umetnička i teorijska znanja, veštine i sposobnosti da obavlja javnu, kolektivnu i individualnu kulturno-umetničku delatnost. Nastava na doktorskom studijskom programu
UMETNIČKA IGRA I PERFORMANS je interaktivnog karaktera, uključuje kreativne radionice, media labove, podstiče studente na razmišljanje i kreativnost kao i samostalnost u radu kroz primenu stečenih znanja. Realizacija studijskog programa odvija se kroz mentorski rad. Studenti neposredno sarađuju sa predmetnim nastavnicima, praktično proveravaju stečena znanja, imaju priliku za ispoljavanje pojedinačne i timske kreativnosti i razvijanje kritičkog mišljenja. Očekuje se da studenti unaprede i prodube opšte-teorijska znanja iz oblasti umetnosti, kao i da poseduju veštine i sposobnost za metodološki ispravan rad na rešavanju umetničko-istraživačkih problema. Studenti su nakon uspešno položenih ispita, urađenih projektnih zadataka, napisanog i odbranjenog doktorskog rada, osposobljeni da se uključe u umetnički rad u polju Umetničke igre i performansa.
Nakon završenih doktorskih studija studenti stiču diplomu: Doktor umetnosti – dramske i audiovizuelne umetnosti.
BELGRADE DANCE INSTITUTE MASTERS ENTRANCE EXAM ENROLLMENT 2023/2024
The Belgrade Dance Institute is announcing entrance exams for Master studies in Artistic Dance and Master studies in Dance Performance - IUI Transition Dance Company for the academic year 2023/24. Master studies are intended for individuals with a higher education degree in arts who possess at least 180 ECTS credits.
All interested candidates for Master studies can obtain enrollment information by scheduling an appointment via email at institutzaumetnickuigru@gmail.com, through the email prijave@iui.rs or by phone at 011 41 40 421.
The entrance exam for Master studies in Artistic Dance will be held on June 29th, 2023, at 3:00 PM. The audition for Master studies in Dance Performance - IUI Transition Dance Company will be held on June 29th, 2023, at 12:00 PM.
Registration for the entrance exam is done online by filling out the application form (https://www.iui.rs/upis-na-master-studije) or by email at prijave@iui.rs.
The deadline for registration is June 23rd, 2023.
The documents are to be submitted by June 27th, 2023, to the student service of the faculty.
The ranking list of accepted candidates will be published on the faculty's website on July 3rd, 2023.
Enrollment of candidates who passed the entrance exam will take place from July 4th to 7th, 2023, at the student service of the faculty.
What do I need to apply?
Before taking the entrance exam, the candidate pays a fee of 2,000 RSD for the exam's expenses to the faculty's account. The payment is made to the Institute's account number: 265167031000009130; reference number: candidate's ID number; Purpose of payment: Entrance exam costs.
What do I need to apply for Master studies in Dance Performance - IUI Transition Dance Company?
IUI Transitions Dance Company is a dance company established within the Belgrade Dance Institute intended for individuals with a higher education degree in arts who possess at least 180 ECTS credits. IUI Transitions Dance Company simultaneously focuses on education and experimentation to find new choreographic and dance vocabularies and ways of expressing thoughts that the choreographer sets as a task for the dancers. The result of such work should be finding unexpected, stimulating challenges when working on a new piece, which will be available to a wide audience. The company will bring together the most interesting young choreographers and dancers to create original works or take over the most interesting works of reputable choreographers or dancers from the domestic and global scene.
Belgrade Dance Institute announces enrolment of students for the first year of accredited undergraduate Artistic Dance academic studies for the school year 2023/24.
The BA modules are Contemporary dance, Choreography, Classical ballet pedagogy, Contemporary dance pedagogy and National dance and music.
After completing this level of study, the student acquires the title of Dramatic and Audiovisual Artist - Artistic Performance (180 ESPB points).
Entrance exams will be held from June 26th to 28th, 2023, while preparatory classes and consultations will be held from June 19th to 23rd, 2023.
Registration for the entrance exam is done online, by filling out the application form or by email to prijave@iui.rs
https://www.iui.rs/upis-na-osnovne-akademske-studije
The application deadline is June 16th, 2023.
The receipt of documents is done until June 19th, 2023 in the student service of the faculty.
The ranking list of admitted candidates will be published on July 3rd, 2023 on the faculty's website.
Enrollment of candidates who have passed the entrance exam will be done from July 4th to 7th, 2023 at the student service of the faculty.
The entrance examination consists of a studio technique component, a general knowledge, and an English language proficiency test.
The studio technique entrance examination includes the following:
• Contemporary dance exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• Choreography exam includes a max. three-minute-long choreography with a short description (the candidate can choose whether to perform it himself/herself; provides the music and everything he/she needs for the choreography);
• Pedagogy candidates need to have completed secondary ballet school education; barre and center exercises, allegro and pointe work exercises;
• Contemporary Pedagogy exam includes floor, center, and improvisation exercises (the Professor assigns the improvisation);
• National dance exam includes a practical performance of a number of dances from all ethnoarchaeological areas of Serbia, step patterns in a given tact number, and preparation of a thematic two/three-minute-long choreographic miniature with a short description.
Entrance Exams
1. Admissions for Ballet Pedagogy 26.06. at 11:00 a.m. in the hall of the New Studio;
2. Admissions for Contemporary Dance and Contemporary Dance Pedagogy 27.06. at 11:00 a.m. in the New Studio;
3. Admissions for Choreography 27.06. at 1 p.m. in the hall in the New Studio;
4. Admission for the National Dance on 28.06. at 4:00 p.m. in studio 307;
5. Test of general culture 28.06. at 1:00 pm in classroom 329;
6. English language test 28.06. at 2:00 p.m. in classroom 329. (duration of the test is 45 minutes).
Before taking the entrance exam, the candidate pays the amount of 2,000 dinars to the faculty account for the costs of holding the exam.
Payment is made to the bank account of the Institute number: 265167031000009130; call number: Unique Citizens Identity Number of candidate; Purpose of payment: Entrance exam costs.
Movement deconstruction
HOW CAN MOVEMENT BE PRESERVED?
Dance emerges in a moment and leaves no trace. Using the body in motion as a tool to draw, artistic works on the theme of movement and rhythm deconstruction were created. Through this process, movement was transposed into a visual work. The energy of movement was captured by integrating visual arts and artistic performance.
Master's degree students from the Artistic Dance program and doctoral students from the Artistic Dance and Performance Studies program at the Belgrade Dance Institute in Belgrade transposed movement created in the ballet studio into a visual plane. By using photography and drawing, they reduced the line of the body and movement to an abstract form.
Inspired by some of the dance poses, artist-performers realized visually abstract artistic pieces by changing the perception.
The project Movement deconstruction was created following the approach of Wassily Kandinsky and his work Dance curves, which is one of the ways of connecting performance and visual arts. Additionally, works from the series Rhythm are materialization and preservation of movement realized in the flat material Forex.
During the working process, research was conducted into different ways of connecting artistic performance and visual representation. By changing focus and approach, our perception and understanding of reality and life were enriched through a different way of thinking, observing, and realizing. Connecting performance and visual arts within contemporary artistic practices is an important part of different approaches.
Assoc. Prof. Dušica Pejić
EASTER 2023 - IMPORTANT NOTICE
We would like to inform all professors, assistants, associates, and students that the School of Engineering Management and the Belgrade Dance Institute will be closed from April 14th to 17th, 2023, on the occasion of Easter, the greatest Christian holiday. The first working day is Tuesday, April 18th.
We take this opportunity to wish a happy Easter to all who celebrate, with a wish to spend it in peace, prosperity, new achievements, and family happiness.
THE ARTIST IS ABSENT!
The contemporary dance performance The Artist Is Absent! by Tijana Malek, a second-year master's degree student in Artistic Dance, and Katarina Stojković, an alumnus of the Belgrade Dance Institute, will be held on April 21st at 7 pm at the Student Cultural Center in Belgrade.
The project premiered on December 5th, 2022, in Pančevo. The performance, produced by the DDT Creative Movement Center, was supported by the City of Pančevo, the Ministry of Culture and Information, the Belgrade Dance Institute, the Cultural Center of Pančevo, and the Student Cultural Center in Belgrade.
Performers: Luka Stojković, Katarina Bućić, Vladimir Čubrilo, Mila Stijak, Marija Vučenović, Dragana Stanisavljević, Danilo Stojković, Tijana Malek, Ivana Kompirović, and Ivan Mišić.
Choreography and direction: Katarina Stojković and Tijana Malek
Video montage: Katarina Stojković and Luka Stojković
Music: Danilo Stojković
Production: DDT Creative Movement Center
Synopsis:
The world has changed. It has changed for all of us. We all went through similar experiences during lockdown, exposed to restrictive measures that affected both individuals and society. Darwin observed that the species that survives is not the strongest but the one that adapts most quickly. The same goes for people.
DDT Creative Movement Center faced an interesting challenge this season – to combine contemporary dance, conceptual art, and theater. "The Artist Is Absent!" follows the lives of artists from different fields and parts of the world during lockdown. The story is led by Nikola and Ena, young artists who invested everything they had to rent a studio apartment and start a life together just a few days before lockdown, facing all the obstacles that modern confinement brings.
How can an artist adapt to working from home, online Zoom classes, disrupted existence, and other challenges? This is the theme of our performance. These problems are still present because it is difficult to fit art into an online frame. The contemporary dance expression, along with the many choreographic and directorial tools we used and the choice of comedy as a genre, makes the performance easy to understand.
"The Artist Is Absent!" is also an ironic commentary on conceptual art, which is sold for large sums of money worldwide. What can artists do who have been living and working in Serbia for decades, educating young dancers and artists in a domestic environment where existence is impossible even without a pandemic?
GALA CONCERT OF YOUTH BALLET
On the stage of Theater Vuk, on Wednesday, April 19th, starting at 8 pm, the Youth Ballet will perform the traditional Gala Concert of members of this company. Within the program designed and prepared by the professors of the Belgrade Dance Institute, Milica Bezmarević and Doc. Mila Stijak, with the assistance of Jovica Begojev, the ballet soloist of the National Theatre and lecturer of Duets Dance, and with the help of the company's piano accompanist, Prof. Ana Spremić, the audience will have the opportunity to see excerpts from some of the most famous classical ballets, rarely or for the first time performed in our country.
The program includes variations and excerpts from ballets such as: Pharaoh's Daughter by Cesare Pugni, La Bayadère by Ludwig Minkus, Don Quixote by Ludwig Minkus, The Humpbacked Horse by Rodion Shchedrin, Esmeralda by Cesare Pugni, Raymonda by Aleksandr Glazunov, and other pearls of classical ballet.
Over twenty members of the Youth Ballet Company, who are regular students of the elementary and high ballet school, are participating in the Gala Concert: Tea Manojlović, Andrijana Marin, Manja Marković, Lana Prodanović, Lara Vuković, Dunja Stamenković, Ana Teslić, Dea Medaković, Mila Jović, Anastasija Vujnović, Anastasija Nikčević, Nikolina Savković, Nađa Nedović, Filip Stanić, Sonja Bošković, Ana Đeković, Ana Svorcan, Jana Đorđević, Emma Keyes, Natalija Arsenović, and Stefan Nikolić, as well as second-year students of the Belgrade Dance Institute: Una Stepanović and Vladimir Sekulić.
The Youth Ballet Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting students of elementary and high schools in Belgrade and Serbia. The company is led by the first soloist of the ballet of the National Theater, Milica Bezmarević, Mila Stijak, and Ana Spremić, professors of the Belgrade Dance Institute in collaboration with guest pedagogues of that institution.
Tickets for the Gala Concert can be purchased for 1000 RSD at the box office of Theater Vuk.
DEFENSE OF GRADUATE THESIS BY NIKOLA KORAĆ
On April 10th, 2023, in Belgrade, Nikola Korać, a candidate for the title of Drama and Audiovisual Artist in Artistic Dance, and a student of the Undergraduate Academic Studies at the Belgrade Dance Institute, defended his final thesis.
Respected colleague Nikola presented his work on the topic The Importance of Preparing for and Conducting Classes with Children of the Youngest Age publicly before the members of the commission formed by the Scientific and Teaching Council of the Faculty for Evaluation and Defense in accordance with Article 26 of the Faculty Statute, consisting of:
After his presentation, respected colleague Nikola answered all the questions posed.
Respecting the above-mentioned facts, the commission states that on April 10th, 2023, in Belgrade, respected colleague Nikola Korać successfully defended his final thesis on The Importance of Preparing for and Conducting Classes with Children of the Youngest Age with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia, Article 95, as well as the University Statute, from this moment on, Nikola Korać has all the rights and obligations arising from the fact that he has publicly recognized academic title of Drama and Audiovisual Artist in Artistic Dance.
CONGRATULATIONS!
THE ANATOMY SEMINAR FOR DANCERS
The Belgrade Dance Institute is organizing a three-month seminar entitled Anatomy for Dancers.
The seminar is intended for all dancers, artistic dance educators, ballet studio directors, and dance enthusiasts who want to learn the basics of anatomy and the functioning of the musculoskeletal system, as well as the biomechanics of dance and the possibility of injury prevention, after familiarizing themselves with the most common injuries of ballet dancers.
We invite ballet studio directors and their employees, dance studio directors and their employees, anyone involved in dance who has not completed training at the Faculty of Sport or one of the High Coaching Schools or the Belgrade Dance Institute, as well as students and professors of ballet schools who have completed basic or master's education at the Belgrade Dance Institute, but have not had anatomy as a subject, and all ballet school teachers who have remained at the secondary vocational level or graduated from faculties where they did not have anatomy.
WORKING SCHEDULE: Once a week, in the evening (Wednesday or Thursday), for a period of 3 months (12 lectures in total), a double period will be held, so that all interested parties can gain considerable knowledge in the field of anatomy, biomechanics, and injuries in ballet, which would greatly help them in further training and experience in the field of dance and pedagogy.
DURATION OF THE SEMINAR: April, May, June 2023
The seminar is led by Tijana Malek, a graduate senior physiotherapist, currently a student-teacher collaborator, second year of the Master's program at the Belgrade Dance Institute.
The deadline for applications is April 15th, the number of seats is limited, for all information contact the Belgrade Dance Institute at phone number +381 11 41 40 421 or via email at teodora.zivkovic@iui.rs
PROFESSORS FROM THE INSTITUTE NOMINATED FOR THE CITY OF BELGRADE AWARD
The City of Belgrade has announced the list of candidates for the award of the City of Belgrade, Despot Stefan Lazarević, for 2022.
In the field of education, the following professors from the Belgrade Dance Institute have been nominated for the City of Belgrade Award: Milica BEZMAREVIĆ, Doc. Katarina BUĆIĆ, and Doc. Mila STIJAK for the realization of the project Youth Training Program in Classical Ballet and Artistic Dance, which was implemented from March to October 2022, culminating in a concert performance called Dance Celebration at the Madlenianum Theater and Opera.
Congratulations!
THE APRIL MEETINGS 2023 CONCLUDED
The April Meetings were officially concluded in a ceremony held last night at the Student Cultural Center in Belgrade.
All segments of the April Meetings - from their establishment to the present day - have a unique educational character primarily for numerous generations of young people who have discovered and developed their skills and talents while exploring various artistic fields. This has been an opportunity for the audience to become acquainted with the works of young people whose time is yet to come.
The works in the form of choreography, multimedia installations, video works, and performances presented by undergraduate, master's, and doctoral students from the Institute of Artistic Dance were created under the mentorship of Professor Snežana Arnautović Stjepanović, Professor Dijana Milošević, Professor Dušica Pejić, Ognjen Vučinić, and Assistant Professor Katarina Bućić.
We thank the Student Cultural Center, all participants, collaborators, and professors who contributed to this magnificent event.
APRIL MEETINGS 2023 ARE OPEN
The April Meetings 2023 were opened last night at the Student Cultural Center in Belgrade.
All segments of the April Meetings - from their establishment until today - have primarily an educational character for numerous generations of young people who have discovered and developed their skills and talents and tested themselves in various artistic fields. This will be an opportunity for the audience to get acquainted with the works of young people whose time is yet to come.
The works in the form of choreography, multimedia installations, video works, and performances that will be presented by students of undergraduate, master's, and doctoral studies at the Belgrade Dande Institute were created under the mentorship of Prof. dr Snežana Arnautović Stjepanović, Prof. Dijana Milošević, Prof. Dušica Pejić, Ognjen Vučinić, and Assist. Prof. Katarina Bućić.
You can see the program for Tuesday, April 4th, HERE.
Photography by Belkisa Beka Abdulović
PRIJEMNI ISPITI ZA MASTER STUDIJE ZA 2023/2024 GODINU
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2023/24. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje institutzaumetnickuigru@gmail.com , putem i-mejla prijave@iui.rs i putem telefona 011 41 40 421.
Prijemni ispit za Master studije Umetnička igra će se održati 29. juna 2023. godine u 15.00h.
Audicija za Master studije plesnog performansa - IUI Transition Dance Company će se održati 29. juna 2023. godine u 12.00h.
Prijavljivanje za prijemni ispit se vrši online, popunjavanjem prijavnog obrasca (https://www.iui.rs/upis-na-master-studije) ili mailom na prijave@iui.rs
Rok za prijavu je 23. jun 2023. godine.
Prijem dokumenata se vrši do 27. juna 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 3. jula 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 4. do 7. jula 2023. studentskoj službi fakluteta.
Prijemni ispit i upis na master studije Umetnička igra
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra 2023/24.
Prijemni ispit za Master studije Umetnička igra će se održati 29. juna 2023. godine u 15.00h.
Šta mi je potrebno da bih se prijavio/la?
Šta mi je potrebno da bih se prijavio/la za Master studije plesnog performansa - IUI Transition Dance Company?
IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenjena pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na novom delu, koje će biti dostupno širokom auditorijumu.
Kompanija će okupiti najzanimljivije mlade koreografe i igrače da bi stvarali originalna dela, ili preuzimali najinteresantnija dela respektabilnih koreografa ili igrača s domaće i svetske scene.
THE PLAY VOICES OF NOW WAS PERFORMED
The performance Voices of Now was presented today at the Belgrade Dance Institute, supported by the US Embassy in Belgrade. The play is part of the Arena Stage Theater based in Washington. The audience was addressed by the Dean, Prof. dr Vladimir Tomašević, while Cultural Affairs Officer of the US Embassy, Holly Zardus, spoke about the play.
The project was created during a one-week theater workshop in Zagreb (December 2022) organized by the Office of Culture and Media of the US Embassy in Zagreb. Under the leadership of trainers from Arena Stage, 25 participants between the ages of 18 and 24 from different ethnic, socio-economic, and religious groups created an open forum on issues such as the war in Ukraine, global security, and what young people can do to build safe and prosperous communities in the region. The program emphasizes communication, tolerance, and finding a common language through the creation of a play that addresses these issues. The primary goal of the project is to foster regional stability, promote tolerance, and encourage healthy communities through open and honest communication about differences and similarities that exist between us. Young people from Serbia, Croatia, and Bosnia and Herzegovina participate in the performance.
Voices of Now creates autobiographical plays and films with ensembles of high school, young, and adult artists both locally and internationally. Voices of Now performances/films are fast-paced, collaboratively written, physically driven pieces that pose significant social questions relevant to the ensemble artists and their communities. The primary goal of Voices of Now is to create positive change within the artists' communities by engaging in dialogue focused on each ensemble member's unique life experience.
PRIJEMNI ISPIT ZA OSNOVNE AKADEMSKE STUDIJE ZA 2023/2024 GODINU
Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).
Prijemni ispiti biće održani od 26. do 28. juna 2023. godine, dok će se pripremna nastava i konsultacije realizovati od 19. do 23. juna 2023. godine.
Prijavljivanje za prijemni ispit se vrši online, popunjavanjem prijavnog obrasca ili mailom na prijave@iui.rs
https://www.iui.rs/upis-na-osnovne-akademske-studije
Rok za prijavu je 16. jun 2023. godine.
Prijem dokumenata se vrši do 19. juna 2023. godine u studentskoj službi fakluteta.
Rang lista primljenih kandidata će biti objavljena 3. jula 2023. na sajtu fakulteta.
Upis kandidata koji su položili prijemni ispit će se vršiti od 4. do 7. jula 2023. studentskoj službi fakluteta.
Prijemni ispit
Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.
Praktičan deo prijemnog ispita podrazumeva sledeće:
• Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
• Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
• Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
• Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
• Ispit iz scenske narodne igrepodrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.
Termini prijemnih ispita
1. Prijemni za Baletsku pedagogiju 26.06. u 11.00h u sali Novom prostoru;
2. Prijemni za Savremenu igru i Pedagogiju savremene igre 27.06. u 11.00h sali Novom prostoru;
3. Prijemni za Koreografiju 27.06. u 13.00h u sali u Novom prostoru;
4. Prijemni za Scensku narodnu igru 28.06. u 16.00h u sali 307;
5. Test opšte kulture 28.06. u 13.00h u kabinetu 329;
6. Test engleskog jezika 28.06. u 14.00h u kabinetu 329.
Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.
Pripremna nastava
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Pripremna nastava će se održavati od 19. do 23. juna 2023. godine
Prijave se šalju na meil: teodora.zivkovic@iui.rs
Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.
Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata. Svrha uplate: Troškovi pripremne nastave.
Dekonstrukcija pokreta
KAKO BI POKRET MOGAO DA SE SAČUVA?
Ples nastaje u trenutku i ne ostavlja trag. Koristeći telo u pokretu kao alat kojim se crta, realizovani su umetnički radovi na temu dekonstrukcije pokreta i ritma. Tim postupkom pokret je transponovan u vizuelno delo. Energija pokreta je zabeležena integrisanjem vizuelne umetnosti i umetničke igre.
Studenti master studija sa smera Umetnička igra i doktorskih studija sa smera Umetnička igra i performans Instituta za umetničku igru u Beogradu, transponovali su pokret nastao u prostoru baletske sale u vizuelnu ravan. Primenom medija fotografije i crteža sveli su liniju tela i pokreta na apstraktnu formu.
Igrači umetnici, inspirisani nekom od igračkih poza, a promenom percepcije realizovali su vizuelno apstraktna umetnička dela.
Projekat Dekonstrukcija pokreta nastao je po uzoru na pristup Vasilija Kandinskog i njegov rad Dance curves koji je jedan od načina povezivanja izvođačkih i vizuelnih umetnosti. Takođe radovi iz serije Ritam su materijalizacija i čuvanje pokreta realizovanog u pločastom materijalu forexu.
Tokom procesa rada sprovedeno je istraživanje različitih načina povezivanja umetničke igre i vizuelnog zapisa. Promenom fokusa i pristupa razvijen je i obogaćen naš pristup stvarnosti i životu kroz drugačiji način mišljenja, opažanja i realizovanja. Povezivanje izvođačkih i vizuelnih umetnosti u okviru savremenih umetničkih praksi je važan deo drugačijih pristupa.
Vanr. prof. Dušica Pejić
USKRS 2023 - VAŽNO OBAVEŠTENJE
Obaveštavamo sve profesore, asistente, saradnike i studente da povodom Uskrsa, najvećeg hrišćanskog praznika, Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi od 14. do 17. aprila 2023. godine. Prvi radni dan je utorak, 18 april.
Ovom prilikom čestitamo Uskrs svima koji slave, uz želju da ga provedu u miru, blagostanju, novim uspesima i porodičnoj sreći.
UMETNIK JE ODSUTAN!
Savremena plesna predstava Umetnik je odsutan! Tijane Malek, studentkinje II godine master studija Umetnička igra i Katarine Stojković, alumnistkinje Instituta za umetničku igru, biće održana 21. aprila u 19h, u Studentskom kulturnom centru u Beogradu.
Projekat je premijerno izveden 5. decembra 2022. godine u Pančevu. Predstavu u produkciji DDT-kreativnog centra za pokret su podržali: Grad Pančevo, Ministarstvo kulture i informisanja, Institut za umetničku igru, Kulturni Centar Pančeva i Studentski kulturni centar u Beogradu.
Izvođači: Luka Stojković, Katarina Bućić, Vladimir Čubrilo, Mila Stijak, Marija Vučenović, Dragana Stanisavljević, Danilo Stojković, Tijana Malek, Ivana Kompirović, Ivan Mišić.
Koreografija i režija: Katarina Stojković i Tijana Malek
Video montaža: Katarina Stojković i Luka Stojković
Muzika: Danilo Stojković
Produkcija: DDT-kreativni centar za pokret
Siže:
Svet se promenio. Promenio se za sve nas. Svi smo prošli slično prilikom zatvaranja i lockdown-a, izloženi restriktivnim merama, koje su uticale, kako na pojedinca, tako i na društvo. Darvin je konstatovao, životinjska vrsta koja će opstati nije ona koja je najjača, već ona koja se najbrže prilagođava. Tako je i sa ljudima.
DDT- kreativni centar za pokret je ove sezone imao interesantan izazov- spojiti savremeni ples, konceptualnu umetnost i teatar. Savremena plesna predstava Umetnik je odsutan!, prati živote umetnika različitih branši, iz različitih delova sveta, za vreme lockdown-a. Radnju predstave vode Nikola i Ena, mladi umetnici, koji su samo par dana pred lockdown, sve uložili kako bi rentirali garsonjeru i započeli zajednički život, prolazeći kroz sve prepreke koje moderan zatvoren način života donosi.
Kako jedan umetnik može da se prilagodi radu od kuće, online-zoom nastavi, časovima na daljinu, narušenoj egzistenciji i drugim izazovima, tema je naše predstave. Ti problemi su i dalje prisutni, jer umetnost je teško uklopiti u online frejm. Savremeni plesni izraz, uz mnogobrojne koreografsko-rediteljske alate koje smo koristili i odabir komedije kao žanra, daje lakoću u razumevanju predstave.
Umetnik je odsutan! je takođe ironičan osvrt na konceptualnu umetnost, koja se danas u svetu prodaje za velike pare. Šta da rade umetnici koji decenijama žive i rade u Srbiji, edukuju mlade igrače i umetnike u domaćem okruženju, u kome je, i bez pandemije, egzistencija nemoguća?
GALA KONCERT BALETA MLADIH
Na sceni Teatra Vuk u sredu 19. aprila s početkom u 20 časova, Balet mladih će izvesti tradicionalni Gala koncert članova ove kompanije. U okviru programa koji su osmislili i pripremili profesori Instituta za umetničku igru Milica Bezmarević i Doc. Mila Stijak uz asistenciju Jovice Begojeva prvaka baleta Narodnog pozorišta i predavača Duetne igre i uz pomoć korepetitorke kompanije Prof. Ane Spremić, publika će imati priliku da pogleda odlomke nekih od najpoznatijih klasičnih baleta, retko ili po prvi put izvedenih kod nas.
Na programu su varijacije i odlomci iz baleta: Faraonova kći Čezare Punjija, Bajadera Ludviga Minkusa, Don Kihot Ludviga Minkusa, Konjić Grbonjić Rodiona Ščedrina, Esmeralda Čezare Punjija, Rajmonda Aleksandra Glazunova, i drugi biseri klasičnog baleta.
U Gala koncertu učestvuje preko dvadeset članova kompanije Balet mladih koji su redovni učenici osnovne i srednje baletske škole: Manojlović Tea, Marin Andrijana, Marković Manja, Prodanović Lana, Vuković Lara, Stamenković Dunja, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes, Arsenović Natalija i Nikolić Stefan, kao i studenti II godine Instituta za umetničku igru: Stepanović Una i Sekulić Vladimir.
Plesna Kompanija Balet mladih je osnovana 2019. godine u okviru Instituta za umetničku igru s ciljem edukacije i promocije učenika osnovnih i srednjih škola na području Beograda i Srbije. Kompaniju vode prva solistkinja baleta Narodnog pozorišta Milica Bezmarević, Mila Stijak i Ana Spremić, profesorke Instituta za umetničku igru u saradnji sa gostujućim pedagozima te institucije.
Ulaznice za Gala koncert možete kupiti po ceni od 1000 din na biletarnici Teatra Vuk.
ODBRANA ZAVRŠNOG RADA NIKOLE KORAĆA
Danas, 10.04.2023. u Beogradu, Nikola Korać, kandidat za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno student Osnovnih akademskih studija Instituta za umetničku igru pristupio je odbrani svog Završnog rada.
Uvaženi kolega Nikola je prikazao svoj rad na temu Značaj pripreme za čas i rad na času sa decom najmlađeg uzrasta, izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvaženi kolega Nikola je odgovorio na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 10.04.2023. u Beogradu, uvaženi kolega, Nikola Korać, uspešno odbranio svoj Završni rad na temu Značaj pripreme za čas i rad na času sa decom najmlađeg uzrasta sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, od ovog trenutka Nikola Korać, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Dramski i audiovizuelni umetnik umetnička igra.
ČESTITAMO!!!!
SEMINAR ANATOMIJA ZA IGRAČE
INSTITUT ZA UMETNIČKU IGRU organizuje tromesečni seminar pod nazivom Anatomija za igrače.
Seminar je namenjen svim igračima, pedagozima umetničke igre, rukovodiocima baletskih studija i plesnih klubova, ljubiteljima igre i pokreta, koji žele da nauče osnove anatomije i funkcionisanje lokomotornog aparata, zatim biomehaniku plesa, kao i mogućnost preventive povreda, nakon upoznavanja sa najčešćim povredama baletskih igrača.
POZIVAMO: rukovodioce baletskih studija i njihove zaposlene, rukovodioce plesnih studija i njihove zaposlene, sve koji se bave igrom, a nisu prošli školovanje na DIF-u, nekoj od Visokih trenerskih škola ili Institut za umetničku igru, kao i studente i profesore baletskih škola, koji su prošli osnovno ili master obrazovanje na Institutu za umetničku igru, ali nisu imali anatomiju kao predmet; sve profesore baletskih škola koji su ostali na srednjem stručnom obrazovanju, ili završili fakultete na kojima nisu imali anatomiju.
DINAMIKA RADA: Jednom nedeljno, u večernjim časovima ( sreda ili četvrtak), u periodu od 3 meseca (12 predavanja ukupno) održaće se dvočas, kako bi svi zainteresovani stekli zavidno znanje iz oblasti anatomije, biomehanike i povreda u baletu, koje bi im mnogo pomoglo u daljem usavršavanju i iskustvu u oblasti igre i pedagogije.
VREME TRAJANJA SEMINARA: april, maj, jun 2023. godine
Seminar vodi Tijana Malek, dipl. viši fizioterapeut, trenutno student-saradnik u nastavi, druga godina Master programa, Instituta za umetničku igru.
Rok za prijavu je 15. april, broj mesta je ograničen, za sve informacije kontaktirajte Institut za umetničku igru na telefon 011 41 40 421 ili putem mejla na teodora.zivkovic@iui.rs
Grad Beograd je objavio listu kandidata za dodelu nagrade grada Beograda, Despot Stefan Lazarević za 2022. godinu.
U oblasti obrazovanja za nagradu Grada Beograda nominovane su Profesorke Instituta za umetničku igru: Milica BEZMAREVIĆ, doc. Katarina BUĆIĆ, doc. Mila STIJAK za realizaciju projekta Program usavršavanja mladih iz oblasti klasičnog baleta i umetničke igre, koji je realizovan u periodu od marta do oktobra 2022. godine i prikaz rezultata u vidu koncerta Praznik igre izvedenog u Teatru i operi „Madlenijanum”.
Čestitamo!
ZAVRŠENI APRILSKI SUSRETI 2023
U Studentskom kulturnom centru Beograd sinoć su svečano zatvoreni Aprilski susreti.
Svi segmenti Aprilskih susreta - od osnivanja do danas – imaju, pre svega, jedinstven edukativni karakter za brojne generacije mladih koje su otkrivale i razvijale svoje veštine i talenat i iskušavale se u raznim umetničkim oblastima. Ovo će biti prilika da se publika upozna sa radovima mladih ljudi čije vreme tek dolazi.
Radovi u formi koreografija, višemedijskih instalacija, video radova i performansa koje će predstaviti studenti osnovnih, master i doktorskih studija Instituta za umetničku igru su nastali pod mentorstvom prof. dr Snežane Arnautović Stjepanović, prof. Dijane Milošević, prof. Dušice Pejić, Ognjena Vučinića i doc. Katarine Bućić.
Zahvaljujemo se Studentskom Kulturnom Centru, svim učesnicima, saradnicima i profesorima koji su doprineli ovom veličanstvenom dogadjaju.
Fotografija Belkisa Beka Abdulović
APRIL MEETINGS 2023
April Meetings is a traditional annual event organized by the Student Cultural Center of Belgrade - a festival of active multidisciplinary events that bring together a large number of young artists, primarily students from various artistic faculties, in one place and at the same time. This year, they will try to overcome the classical boundaries of artistic creation through a series of activities, including exhibitions, video works, performances, new theater forms, concerts, workshops, space installations, and choreographic improvisations.
All segments of the April Meetings, from its establishment until today, have primarily had a unique educational character for numerous generations of young people who have discovered and developed their skills and talents and tested themselves in various artistic fields. This will be an opportunity for the audience to get acquainted with the works of young people whose time is yet to come.
The works in the form of choreographies, multimedia installations, video works, and performances that students from undergraduate, master, and doctoral studies of the Belgrade Dance Institute will present have been created under the mentorship of Prof. dr Snežana Arnautović Stjepanović, Prof. Dijana Milošević, Prof. Dušica Pejić, Ognjen Vučinić, and Doc. Katarina Bućić.
All programs within the April Meetings are free, so we invite you to be a part of this festival story.
MONDAY, APRIL 3rd
7:00 PM in front of the Grand Entrance
OPENING CEREMONY
performance
choreography by Ognjen Vučinić
performers: Tijana Ostojić, Miona Petrović, Jelena Dudić, Iva Ilijevski, Anja Stojankić
undergraduate students in Contemporary Dance
STUCK
processual performance
performed in all spaces
authors and performers: Katarina Ilijašević and Jovana Grujić
1st year Master's degree students in Artistic Dance
grand hall
CARPE DIEM
choreography
author and performer: Miona Petrović
3rd year undergraduate student in Choreography
music: Miodrag Marinković
grand hall
IN THE MEADOW OF THE VALLEY
performance
author and performer: Nina Pantović
1st year Master's degree student in Artistic Dance
passage to the small hall
TREN
multimedia installation
author: Boban Kostić
1st year Master's degree student in Artistic Dance
in front of the small hall
SAMO
performance
author and performer: Katarina Ilijašević
1st year Master's degree student in Artistic Dance
small hall
Ecce Homo!
interactive installation
author: Tamara Ljesar
1st year Master's degree student in Artistic Dance
project collaborator: KUD Luče
grand hall
FRAME
choreography
author and performer: Miona Petrović
3rd year undergraduate student in Choreography
grand hall
MISA
video work
music: Clockwrk juj
video editing: Luka Stojković
author and performer: Jovana Grujić
1st year Master's degree student in Artistic Dance
grand hall
EMOTION IN TIME
choreography
author and performer: Angela Mihova
1st year Master's degree student in Artistic Dance
grand hall
OVERTHINKING
video installation and performance
video: Prof. Nemanja Maraš
author and performer: Una Balaž
1st year Master's degree student in Artistic Dance
grand hall
HEAR ME DANCING
choreography
Tijana Ostojić
3rd year undergraduate student in Choreography
Club - in front of Novi Prostor/New Space
ONE MINUTE JA
video works
authors: Ognjen Vučinić and doc. Katarina Bućić
performers: Ognjen Vučinić, doc. Katarina Bućić, prof. Aleksandar Ilić, Jovana Grujić, Tijana Ostojić, Katarina Ilijašević, prof. dr Snežana Arnautović Stjepanović, Jelena Dudić, Aleksandra Madsen, Una Balaž, Angela Mihova, Miona Petrović, Tijana Ostojić, Staša Ivanović, Iva Ilijevski
Novi Prostor/New Space
DIFFERENT FRUIT
video work
performer and author: doc. Katarina Bućić
teaching assistant in the department of Contemporary Dance
large hall
UNTOUCHABLE
performance
Tijana Ostojić
3rd year undergraduate student in the Choreography department
large hall
SVE ZA MENE JEDNU
solo
performer: doc. Katarina Bućić
large hall
VERT
choreography
Tjaša Bucik & Patricija Crnkovič (Tjaša Bucik & Patricija Crnkovič, Slovenia)
large hall
IN THE MEANTIME
choreographer: Miona Petrović
performer: Tijana Ostojić
club
Concert - stage music performance
RAIN DOGS
Fantastic Belgrade TRIBUTE TO TOM WAITS BAND with a tradition of more than a decade, thanks to its unique interaction with the audience and excellent interpretation, fills Belgrade clubs creating a kind of musical/poetic performance.
Rain Dogs, led by frontman Nenad Vasić, with their energy manage to take the audience to a smoky New York bar that you don't enter before midnight and where, between the seductive sound of the saxophone and rough vocals, the small city night magic comes to life.
Nenad Vasić - vocals
Aleksandar Stanković - bass
Branko Stanisić - keyboards
Aleksandar Vujošević - drums
Srđan Jevtović- saxophone
Nikola Džekulić - guitar
Gallery (until April 21st)
DECONSTRUCTION OF MOVEMENT
inspired by the works of Vasily Kandinsky Dance curves
project author: DUŠICA PEJIĆ
The project was created as a result of the work of Professor Dušica Pejić with master's and doctoral students at the Belgrade Dance Institute, as part of the Synergy and Transformation course. The works will be exhibited in a large exhibition format (canvas prints and visual objects on acrylic panels).
During the course work, research was conducted into different ways of connecting artistic dance and visual representation. Changing focus develops and enriches our approach to reality and life through a different way of thinking, observing, and realizing.
The Deconstruction of Movement project was created inspired by the works of Vasily Kandinsky Dance curves, which is one of the ways of connecting performing and visual arts. Students transposed movement created in the ballet hall space onto a visual plane, using photography as a medium, and then through drawing and painting reduced the body line to an abstract form.
Artist-dancers, inspired by some of the dance poses, and by changing perception, realized visually abstract artistic works.
DUŠICA PEJIĆ, MA in painting, completed her master's and bachelor's studies at the Department of Painting at the Academy of Arts, University of Novi Sad.
She completed her specialist studies at the Department of Painting, Faculty of Fine Arts, University of Belgrade.
She graduated from the Higher School of Applied Arts in Belgrade, in the Graphic Design department.
She exhibits in solo and group exhibitions in Serbia and abroad.
She is one of the eight most prominent abstract-oriented authors in Serbian painting in Serbia after 2000, in the project of Vasily B. Sujić.
She explores and collaborates on projects connecting and networking different artistic expressions.
She received the Acknowledgment of the Serbian Academy of Sciences and Arts Branch in Novi Sad in 2018, the award for work from the Tesla Art Foundation in Belgrade in 2017, the award for contribution and collaboration with ArtFest@Doral in Miami, USA, in 2014, and the award for drawing from Interkomerc Bank in Belgrade in 1998.
She is a member of the Association of Fine Artists of Serbia (ULUS) and the international association of artists ArtFest@Doral, Miami, USA.
Happy Gallery (until April 8th)
SCHOOL OF DESIGN, BELGRADE
"BELGRADE IN HEAVEN AND ON EARTH", photographs
Exhibition authors: Ranka Hrvaćanin and Goran Redžepi, photography professors
A collective exhibition of works by young authors in the subject and section of photography is the result of a one-year basic course in learning photography through the regular teaching program, as well as the photography section, which combine the mastery of technical-technological and visual-aesthetic foundations. Through a series of exercises in which visual elements are learned and applied in the field of photography, students are given a solid foundation to elevate their work above the school standard and average in all segments.
The specificity of photographic processing of various visual elements is the entry into texture and structure, form and shape, and by choosing the compositional frame and the most adequate lighting, it gets the framework of visual resolution ranging from concrete to abstract.
By introducing the topic of a photo essay as the culmination of work in the final annual exercise, students have the opportunity to round out their work in photography, introducing, in addition to visual-aesthetic elements, a story, atmosphere, environment, affinities towards certain themes, motives, and even parts of the city.
By choosing works for exhibition and examining preferences towards types of motives, the exhibition's name spontaneously emerged, hiding city views that best demonstrate its diversity, as well as various authorial approaches.
Circus Gallery
From the SKC Archive
Print exhibition
Here in this space, April meetings, old and new, were held...
Passage to the large hall
From the SKC Archive
Print exhibition
Gina Pane (1939-1990, Gina Pane), Paris - Life, Death, Dream, Performance.
By activating her body in public space, Gina Pane understood the terms of space and time as materials for such works that seek to transform the individual through desired communication with the Other. All that remains of them today is photographic documentation of carefully selected moments and the performative object itself.
Team A3 - Action and Anonymous Attraction Team, Belgrade - The Effect of Theater Costume, first street action; members of the Team participating: Mladen Jevđović, Slavko Timotijević, Jugoslav Vlahović, Rista Banić and friends. The idea was to examine the effect of theater costume outside the theater scene, that is, its effect on the widest audience (random passers-by), which justifies the Team's constant commitment to unconventional treatment of visual and theatrical forms, as well as situations.
Aleksandar Saša Pedović, Novi Sad, Ambience - Cybernetic Cube
" ... He tried to create a completely unusual and extraordinary environment based on light effects and the action of multicolored light on the intensity of color ... he also included progressive music as a supporting element of the interior."
Circular Staircase
From the SKC Archive, print
Joseph Boys speaking, Dusseldorf, performance/lecture
"... What the artist or any creative person does must be intended for others. The more people work for others, the more human they are. When people have the same conditions, a new sculpture will emerge. The work of each individual must be not for themselves but above all for others. Human beings are capable of dedicating things within themselves and outside themselves."
Small Hall
From the SKC Archive
Exhibition of photographs and presentation of poster design solutions printed for the April Meetings.
TUESDAY, APRIL 4th
7:00 PM, Main hall
15 MINUTES IN THE AQUARIUM
Performance
Author: Alisa Oravec
2nd year doctoral student
Performers: Alisa Oravec, Ivana Milenović Popović, Tijana Malek, Katarina Bućić, and Martin Marek
Main hall
CARPE DIEM
Choreography
Author and performer: Miona Petrović
3rd year undergraduate student in Choreography, Artistic Dance, and Performance
Music: Miodrag Marinković
STUCK
Processual performance
Performed in all spaces
Authors and performers: Katarina Ilijašević and Jovana Grujić
1st year master's students in Artistic Dance
Passage to the small hall
TREN
Multimedia installation
Author: Boban Kostić
1st year master's student in Artistic Dance
In front of the small hall
SAMO
Performance
Author and performer: Katarina Ilijašević
1st year master's student in Artistic Dance
Small hall
Ecce Homo!
Interactive installation
Author: Tamara Ljesar
1st year master's student in Artistic Dance
Project collaborator: KUD Luče
Main hall
MISA
Video work
Music: Clockwrk juj
Video editing: Luka Stojković
Author and performer: Jovana Grujić
1st year master's student in Artistic Dance
Main hall
EMOTION IN TIME
Choreography
Author and performer: Angela Mihova
1st year master's student in Artistic Dance
Main hall
OVERTHINKING
Video installation and performance
Video: Prof. Nemanja Maraš
Author and performer: Una Balaž
1st year master's student in Artistic Dance
Circular staircase
MOЯ STAR
Performance
Danijela Simić
3rd year undergraduate student
Club - In front of Novi Prostor/New Space
ONE MINUTE ME
Video works
Authors: Ognjen Vučinić and doc.Katarina Bućić
Performers: Ognjen Vučinić, doc Katarina Bućić, Prof. Aleksandar Ilić, Jovana Grujić, Tijana Ostojić, Katarina Ilijašević, Prof. dr Snežana Arnautović Stjepanović, Jelena Dudić, Aleksandra Madsen, Una Balaž, Angela Mihova, Miona Petrović, Tijana Ostojić, Staša Ivanović, Iva Ilijevski
Novi Prostor/New Space
DIFFERENT FRUIT
Video work
Performer and author: doc. Katarina Bućić
Teaching assistant in the Contemporary Dance department
Main hall
FALLING
Choreography
Tijana Ostojić and Iva Ilijevski
Undergraduate students in Contemporary Dance
Main hall
CATCH
Choreography
Una Stjepanović and Nina Horvat
2nd year undergraduate students in Classical Ballet
Main hall
VERT
Tjaša Bucik & Patricija Crnkovič (Slovenia)
9:10 PM, Club
Concert
TRUT VS ALBERTO DIAS AND FRIENDS
AN EVENING OF AFRICAN RHYTHMS
Enjoy the beauty of African rhythms and top-notch percussionists!
Performers:
Goran Ljuboja Trut
Raul Alberto Dias
Dejan Savić
Dušan Janković
APRILSKI SUSRETI 2023
Aprilski susreti su tradicionalna godišnja manifestacija Studentskog kulturnog centra Beograd – Festival aktivnih višednevnih multidisciplinarnih događanja koji okupljaju u isto vreme i na jednom mestu veliki broj, pre svega, mladih umetnika, studenata umetničkih fakulteta različitih profila koji će i ove godine pokušati da kroz niz aktivnosti – izložbi, video radova, performansa, novih teatarskih formi, koncerata, radionica, instalacija u prostoru i koreografskih improvizacija, ispoljiti sopstvena dostignućasa ciljem prevazilaženja klasičnih granica u umetničkom stvaralaštvu.
Svi segmenti Aprilskih susreta - od osnivanja do danas – imaju, pre svega, jedinstven edukativni karakter za brojne generacije mladih koje su otkrivale i razvijale svoje veštine i talenat i iskušavale se u raznim umetničkim oblastima. Ovo će biti prilika da se publika upozna sa radovima mladih ljudi čije vreme tek dolazi.
Radovi u formi koreografija, višemedijskih instalacija, video radova i performansa koje će predstaviti studenti osnovnih, master i doktorskih studija Instituta za umetničku igru su nastali pod mentorstvom prof. dr Snežane Arnautović Stjepanović, prof. Dijane Milošević, prof. Dušice Pejić, Ognjena Vučinića i doc. Katarine Bućić.
Svi programi u okviru Aprilskih susreta su besplatni, pa vas pozivamo da i vi budete deo ove festivalske priče.
PONEDELjAK 3. APRIL
19.00 ispred Svečanog ulaza
SVEČANO OTVARANjE
performans
koreografija: Ognjen Vučinić
izvođači: Tijana Ostojić, Miona Petrović, Jelena Dudić, Iva Ilijevski, Anja Stojankić, Angela Mihova, Una Balaž
studenti osnovnih studija odsek Savremena igra, i studenti master studija Umetnička igra
STUCK
procesualni performans
izvodi se u svim prostorima
autori i izvođači: Katarina Ilijašević i Jovana Grujić
studentkinje I godine master studija Umetnička igra
velika sala
CARPE DIEM
koreografija
autor i izvođač: Miona Petrović
studentkinja III godine osnovnihstudija odsek Koreografija
muzika: Miodrag Marinković
velika sala
IN THE MEADOW OF THE VALLEY
performans
autor i izvođač: Nina Pantović
studentkinja I godine master studija Umetnička igra
prolaz prema maloj sali
TREN
višemedijska instalacija
autor: Boban Kostić
student I godine master studija Umetnička igra
ispred male sale
SAMO
performans
autor i izvođač: Katarina Ilijašević
studentkinja I godine master studija Umetnička igra
mala sala
Ecce Homo!
interaktivna instalacija
autor: Tamara Ljesar
studentkinja I godine master studija Umetnička igra
saradnik na projektu: KUD Luče
velika sala
FRAME
koreografija
autor i izvođač: Miona Petrović
studentkinja III godine osnovnih studija odsek Koreografija
velika sala
MISA
video rad
muzika: Clockwrk juj
montaža videa: Luka Stojković
autor i izvođač: Jovana Grujić
studentkinja I godine master studija Umetnička igra
velika sala
EMOTION IN TIME
koreografija
autor i izvođač: Angela Mihova
studentkinja I godine master studija Umetnička igra
velika sala
OVERTHINKING
video instalacija i performans
video: prof. Nemanja Maraš
autor i izvođač: Una Balaž
studentkinja I godine master studija Umetnička igra
velika sala
HEAR ME DANCING
koreografija
Tijana Ostojić
studentkinja III godine osnovnih studija odsek Koreografija
klub - ispred Novog prostora
ONE MINUTE JA
video radovi
autori: Ognjen Vučinić i docent Katarina Bućić
izvođači: Ognjen Vučinić, doc. Katarina Bućić, prof. Aleksandar Ilić,Jovana Grujić,Tijana Ostojić, Katarina Ilijašević, prof. dr Snežana Arnautović Stjepanović, Jelena Dudić, Aleksandra Madsen, Una Balaž, Angela Mihova, Miona Petrović, Tijana Ostojić, Staša Ivanović, Iva Ilijevski
Novi prostor
DIFFERENT FRUIT
video rad
izvođač i autor: docent Katarina Bućić
saradnik u nastavi na odseku Savremena igra
velika sala
UNTOUCHABLE
performans
Tijana Ostojić
studentkinja III godine osnovnih studija odsek Koreografija
velika sala
SVE ZA MENE JEDNU
solo
koreograf: Miona Petrović
izvođač: doc. Katarina Bućić
velika sala
VERT
koreografija
Tjaša Bucik & Patricija Crnkovič (Tjaša Bucik & Patricija Crnkovič, Slovenija)
velika sala
IN THE MEANTIME
koreograf: Miona Petrović
izvođač: Tijana Ostojić
klub
Koncert - scensko muzički performans
RAIN DOGS
Fantastični beogradski TRIBUTE TO TOM WAITS BAND sa tradicijom dugom više od jedne decenije, zahvaljujući unikatnoj interakciji sa publikom i odličnoj interpretaciji, pune beogradske klubove stvarajući svojevrstan muzičko/poetski performans.
Rain Dogs, na čelu sa frontmenom Nenadom Vasićem, svojom energijom uspevaju da odvedu publiku u zadimljeni njujorški lokal u koji se ne ulazi pre ponoći i gde, između zavodljivog zvuka saksofona i hrapavog vokala, oživljava mala gradska noćna magija.
Nenad Vasić - vokal
Aleksandar Stanković - bas
Branko Stanisić - klavijature
Aleksandar Vujošević - bubnjevi
Srđan Jevtović- saksofon
Nikola Džekulić - gitara
Galerija (do 21. aprila)
DEKONSTRUKCIJA POKRETA
po uzoru na radove Vasilija Kandinskog Dance curves
autor projekta: DUŠICA PEJIĆ
Projekat je nastao kao rezultat rada prof. Dušice Pejić sa studentima master i doktorskih studija Instituta za umetničku igru, u okviru predmeta sinergije i transformacije. Radovi će biti izloženi u velikom izlagačkom formatu (štampa na platnu i vizuelni objekti na akrilnim pločama).
Tokom procesa rada na predmetu, sprovođeno je istraživanje različitih načina povezivanja umetničke igre i vizuelnog zapisa. Promena fokusa razvija i obogaćuje naš pristup stvarnosti i životu kroz drugačiji način mišljenja, opažanja i realizovanja.
Projekat Dekonstrukcija pokreta nastao je po uzoru na radove Vasilija Kandinskog Dance curves koji je jedan od načina povezivanja izvođačkih i vizuelnih umetnosti.
Studenti su transponovali pokret nastao u prostoru baletske sale na vizuelnu ravan, primenom medija fotografije, a zatim su kroz crtež i sliku svodili liniju tela na apstraktnu formu.
Igrači umetnici, inspirisani nekom od igračkih poza, a promenom percepcije realizovali su vizuelno apstraktna umetnička dela.
DUŠICA PEJIĆ, MA slikarstva, završila je master i osnovne studije na katedri za slikarstvo Akademije umetnosti Univerziteta u Novom Sadu.
Završila je specijalističke studije na katedri za slikarstvo Fakulteta likovnih umetnosti Univerziteta u Beogradu.
Diplomirala je na Visokoj školi likovnih i primenjenih umetnosti strukovnih studija u Beogradu, na odseku za grafički dizajn.
Izlaže na samostalnim i grupnim izložbama u zemlji i inostranstvu.
Uvršćena je u osam najistaknutijih autora apstraktne orijentacije u srpskom slikarstvu u Srbiji posle 2000. godine, u projektu Vasilija B. Sujića.
Istražuje i sarađuje na projektima povezivanja i umrežavanja različitih umetničkih izraza.
Dobitnik je Zahvalnice Srpske akademija nauka i umetnosti Ogranak SANU u Novom Sadu 2018, priznanja za rad Tesla Art Fondacije u Beogradu 2017, priznanja za doprinos i saradnju sa ArtFest@Doral u Majamiju, SAD, 2014. i nagrade za crtež Interkomerc Banke u Beogradu 1998.
Član je Udruženja likovnih umetnika Srbije (ULUS) i internacionalne asocijacije umetnika ArtFest@Doral, Majami, SAD.
Srećna galerija (do 8. aprila)
ŠKOLA ZA DIZAJN, BEOGRAD
„BEOGRAD I NA NEBU I NA ZEMLjI“, forografije
autori izložbe: Ranka Hrvaćanin i Goran Redžepi, profesori fotografije
Kolektivna izložba radova mladih autora na predmetu i sekciji fotografije je rezultatjednogodišnjeg osnovnog kursa učenja fotografije kroz redovni program nastave, kao i foto sekcije, koji objedinjuju prolazak kroz savladavanje tehničko-tehnološke i likovno-estetske osnove. Nizom vežbi, kroz koje se uče i primenjuju likovni elementi u oblasti fotografije, učenicima se daje solidna osnova da u svim segmentima podignu nivo radova iznad školskog standarda i proseka.
Specifičnost fotografske obrade različitih likovnih elemenata je ulazak u teksturu i strukturu, formu i oblik, a izborom kompozicionog kadra i najadekvatnijeg osvetljenja dobija okvire likovnog rešavanja u rasponu od konkretnog do apstraktnog.
Uvođenjem teme foto eseja kao krune rada u poslednjoj godišnjoj vežbi, učenici dobijaju šansu da zaokruže rad na fotografiji, unoseći, pored likovno-estetskih elemenata, priču, atmosferu, ambijent, afinitete ka određenim temama, motivima, pa i delovima grada.
Biranjem radova za izlaganje i uvidom u opredeljenja, ka vrsti motiva, spontano se nametnuo naziv izložbe iza koga se kriju vizure grada koje na najbolji način prikazuju njegovu raznolikost, kao i različite autorske pristupe.
Galerija Cirkus
Iz Arhiva SKC-a
izložba printova
Ovde u ovom prostoru održavali su se Aprilski susreti, stari i novi...
prolaz prema velikoj sali
Iz Arhiva SKC-a
izložba printova
Đina Pane (1939-1990, Gina Pane), Pariz - Život, smrt, san, performans.
Aktivirajući svoje telo u javnom prostoru, Đina Pane je termine prostor i vreme pojmila kao materijal za ovakve radove koji nastoje da transformišu pojedinca kroz željenu komunikaciju s Drugim. Sve što je ostalo od njih danas jeste fotografska dokumentacija pažljivo odabranih trenutaka i sam performativni objekat.
Ekipa A3 - Ekipa za akciju i anonimnu atrakciju, Beograd, - Dejstvo pozorišnog kostima,
prva ulična akcija; učestvuju članovi Ekipe: Mladen Jevđović, Slavko Timotijević, Jugoslav Vlahović, Rista Banić i prijatelji. Ideja je bila da se ispita dejstvo pozorišnog kostima izvan pozorišne scene, odnosno njeno delovanje na najširi krug publike (slučajne prolaznike) čime Ekipa opravdava svoje stalno opredeljenje ka neuobičajenom tretiranju likovnih i pozorišnih formi, kao i situacija.
Aleksandar Saša Pedović, Novi Sad, Ambijent – Kibernetička kocka
„...Tu je pokušao da stvori jedan sasvim neuobičajen i nesvakidašnji ambijent koji se bazira na svetlosnim efektima i delovanju raznobojnog svetla na intetnzitet boje... kao propratni element enterijera uključio je i progresivnu muziku.“
Kružne stepenice
Iz Arhiva SKC-a, print
Govori Jozef Bojs, Diseldorf, performans/predavanje
„...Ono što radi umetnik ili bilo koji kreativan čovek mora biti namenjeno drugima. Što više ljudi rade za druge, više su ljudska bića. Kada ljudi budu imali iste uslove, nastaće nova skulptura. Rad svake individue mora biti ne za nju samu nego i pre svega za druge. Ljudska bića sposobna su da posvete stvari u sebi i van sebe.“
mala sala
Iz Arhiva SKC-a
izložba fotografija i prezentacija dizajnerskih rešenja plakata štampanih povodom Aprilskih susreta
UTORAK 4. APRIL
19.00 velika sala
15 MINUTA U AKVARIJUMU
performans
autor: Alisa Oravec
studentkinja II godine doktorskih studija
Izvođači: Alisa Oravec, Ivana Milenović Popović, Tijana Malek, Katarina Bućić i Martin Marek
velika sala
CARPE DIEM
koreografija
autor i izvođač: Miona Petrović
studentkinja III godine osnovnih studija odsek Koreografija,
umetnička igra i performans
muzika: Miodrag Marinković
STUCK
procesualni performans
Izvodi se u svim prostorima
autori i izvođači: Katarina Ilijašević i Jovana Grujić
studentkinje I godine master studija Umetnička igra
prolaz prema maloj sali
TREN
višemedijska instalacija
autor: Boban Kostić
student I godine master studija Umetnička igra
ispred male sale
SAMO
performans
autor i izvođač: Katarina Ilijašević
studentkinjaI godine master studija Umetnička igra
mala sala
Ecce Homo!
interaktivna instalacija
autor: Tamara Ljesar
studentkinja I godine master studija Umetnička igra
saradnik na projektu: KUD Luče
velika sala
MISA
video rad
muzika: Clockwrk juj
montaža videa: Luka Stojković
autor i izvođač: Jovana Grujić
studentkinja I godine master studija Umetnička igra
velika sala
EMOTION IN TIME
koreografija
autor i izvođač: Angela Mihova
studentkinja I godine master studija Umetnička igra
velika sala
OVERTHINKING
video instalacija i performans
video: prof. Nemanja Maraš
autor i izvođač: Una Balaž
studentkinja I godine master studija Umetnička igra
kružno stepenište
MOЯ ZVEZDA
performans
Danijela Simić
studentkinja III godine osnovnih studija
klub - ispred Novog prostora
ONE MINUTE JA
video radovi
autori: Ognjen Vučinić i docent Katarina Bućić
izvođači: Ognjen Vučinić, doc. Katarina Bućić, prof. Aleksandar Ilić, Jovana Grujić,Tijana Ostojić, Katarina Ilijašević, prof. dr Snežana Arnautović Stjepanović, Jelena Dudić,Aleksandra Madsen, Una Balaž, Angela Mihova, Miona Petrović, Tijana Ostojić, Staša Ivanović, Iva Ilijevski
Novi prostor
DIFFERENT FRUIT
video rad
izvođač i autor: docent Katarina Bućić
saradnik u nastavi na odseku Savremena igra
velika sala
FALLING
koreografija
Tijana Ostojić i Iva Ilijevski
studentkinje osnovnih studija Savremena igra
velika sala
CATCH
koreografija
Una Stjepanović i Nina Horvat
studentkinje II godine osnovnih studija Klasičan balet
velika sala
VERT
Tjaša Bucik & Patricija Crnkovič (Slovenija)
21.10 Klub
Koncert
TRUT VS ALBERTO DIAS I PRIJATELjI
VEČE AFRIČKIH RITMOVA
Uživajte u lepoti afričkih ritmova i vrhunskim perkusionistima!
Nastupaju:
Goran Ljuboja Trut
Raul Alberto Dias
Dejan Savić
Dušan Janković
CONSULTATIONS WITH PROFESSORS
Schedule consultations regarding entrance exams and enrollment in undergraduate, master's, and doctoral studies and visit the Belgrade Dance Institute.
Appointments are organized every weekday from 9:00 a.m. to 5:00 p.m. by phone at +381 11 41 40 421 or by email at teodora.zivkovic@iui.rs.
KONSULTACIJE SA PROFESORIMA
Zakažite konsultacije povodom prijemnog ispita i upisa na osnovne, master i doktorske studije i posetite Institut za umetničku igru.
Zakazivanja se organizuju svakog radnog dana od 9.00 do 17.00 časova telefonom 011 41 40 421 Ili na mejl: teodora.zivkovic@iui.rs
DEFENSE OF MASTER THESIS BY IVANA LJUJIĆ
Today, March 22nd 2023, in Belgrade, Ivana Ljujić, a candidate for the title of Master of Drama and Audiovisual Arts - Artistic Dance, or a student of the Master's degree studies in Artistic Dance, defended her Master's thesis.
Respected colleague Ivana presented her work on the topic Application of Floor Work Technique and Improvisation Techniques in Teaching Contemporary Dance, publicly addressed the members of the committee appointed by the Scientific-Educational Council of the Faculty for evaluation and defense in accordance with Article 26 of the Faculty Statute, composed of:
After her presentation, the respected colleague Ivana answered all the questions raised.
Respecting the above facts, the committee notes that on March 22nd, 2023, in Belgrade, respected colleague Ivana Ljujić successfully defended her Master's thesis on the topic Application of Floor Work Technique and Improvisation Techniques in Teaching Contemporary Dance with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia and the Faculty Statute, from this moment on, Ivana Ljujić has all the rights and obligations arising from the fact that she now holds a publicly recognized academic title:
Master of Drama and Audiovisual Arts - Artistic Dance.
CONGRATULATIONS!
ODBRANA MASTER RADA IVANE LJUJIĆ
Danas, 22.03.2023. u Beogradu, Ivana Ljujić, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija Umetnička igra je pristupila odbrani svog Master rada.
Uvažena koleginica Ivana je prikazala svoj rad na temu Primena floor work tehnike i tehnika improvizacije u nastavi savremene igre, izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvažena koleginica Ivana je odgovorila na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 22.03.2023. u Beogradu, uvažena koleginica, Ivana Ljujić, uspešno odbranila svoj Master rad na temu Primena floor work tehnike i tehnika improvizacije u nastavi savremene igre sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ivana Ljujić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
Master Dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!
COMPLETION OF SHOWCASE MEKI RITUALI (SOFT RITUALS)
On March 8th, the Showcase Meki Rituali (Soft Rituals) was officially completed at the Belgrade City Museum. We congratulate all students and professors, and thank the numerous audience who watched and supported the performances, choreographies, video works, photographs, and installations over the course of three days.
We especially thank the Belgrade City Museum.
PARTICIPATION OF PROF. DR MIOMIR PETROVIĆ IN SYMPOSIUM
Prof. dr Miomir Petrović, professor at the School of Engineering Management and the Belgrade Dance Institute, will participate in the Cooltour Symposium - Millennials and Cultural Heritage organized by the Archaeological Institute in Belgrade on March 29th, which is funded by the Erasmus+ program of the European Union.
The symposium will be held at the Archaeological Park Viminacium (Stari Kostolac). Miomir Petrović will conduct a workshop on COOLTOUR - storytelling and the development of visual representations, testing in applications. The aim of this workshop is to apply narrative and dramaturgical experiences in creating media content that promotes archaeology and historical tourism in digital media. The case study will be the para-historical novel Galerijeve vatre (Laguna, 2011) by Miomir Petrović, which talks about the Roman Emperor Galerius and his birthplace of Gamzigrad (Felix Romulijani).
THE SECOND NIGHT OF SHOWCASE MEKI RITUALI (SOFT RITUALS)
The second evening of the Showcase Meki Rituali (Soft Rituals) was held on Tuesday, March 7th at the Belgrade City Museum. The exhibition was opened by a performance by Una Balaž, a first-year student of the Master's degree in Artistic Dance.
The works of students from undergraduate, master's, and doctoral programs in the form of choreography, multimedia installations, video works, performances, and photographs created under the mentorship of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić can be viewed until March 8th.
Tonight, on the last evening of the presentations, March 8th, the show will be opened by a performance by dr Marina Bukvički entitled We Are Humans.
OPENING OF THE MEKI RITUALI (SOFT RITUALS) SHOWCASE
Last night at the Belgrade City Museum, the Meki Rituali (Soft Rituals) Showcase of the Belgrade Dance Institute was opened.
The audience and performers were greeted by Jelena Medaković, the director of the museum, Prof. dr Vladimir Tomašević, the dean, and Prof. dr Snežana Arnautović Stjepanović, the vice-dean of the Belgrade Dance Institute.
Works by undergraduate, master's and doctoral students in the form of choreography, multimedia installations, video works, performances, and photographs, created under the mentorship of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić, can be viewed until March 8th from 6:00 pm to 8:00 pm.
Photography by Belkisa Beka Abdulovic
SHOWCASE MEKI RITUALI (SOFT RITUALS)
The SHOWCASE of the Belgrade Dance Institute will be held at the Belgrade City Museum (Resavska 40B) from March 6th to 8th, from 6:00 pm to 8:00 pm.
This year's Showcase is held under the slogan Meki Rituali (Soft Rituals), and it will present works by undergraduate, master's, and doctoral students of the Institute, created under the guidance of Prof. Dijana Milošević, Prof. dr Snežana Arnautović Stjepanović, Ognjen Vučinić, and Doc. Katarina Bućić. The works that will be presented are in the form of choreographies, multimedia installations, video works, performances, and photographs. An important part of this exhibition is the display of posters of the Institute's final performances since its founding in 2014.
The project is realized thanks to the support of the Belgrade City Museum, the Museum of Contemporary Art, the Cultural Center of Belgrade, DAH Theatre, the School of Engineering Management, Nela Antonović, and Isajlo Marić.
SOFTNESS AND PROVOCATIVENESS OF PERSONAL AND SOCIAL RITUALS
The common denominator of the works presented at this year's Showcase is the somewhat surprising and subtle quality of softness and tenderness, which is contrasted with the sharpness of questions raised about the meaning of creation within imposed limitations, whether resulting from societal or personal limitations.
The softness has determined the form of the works themselves, which are often changeable, where a performance spills over into a video, and a theatrical form transforms into a performance. A careful choreography of the video is initiated by the sound space, where the sound is transformed into an image.
In our contemporary moment, where we witness growing harshness, conflict, and often violence, the need to explore the space of newly established tenderness speaks to the power of art to create a counterbalance, to illuminate those aspects of our lives that will help us transform that darkness into new, driving energy. These works seem to have arisen from a contemplation of the meanings created by the interweaving of light and shadow. In this case, we can say that the shadow has produced the need for light, which is manifested in the exploration of softness and tenderness - of bodies, thoughts, actions.
The themes of the works range from the exploration of personal safe spaces that produce inner peace, feminine inner strength and body beauty, enjoyment of the softness of body shapes, which are sometimes bare and sometimes covered in glittering powder, the softness of baby skin accompanied by the rhythm of a heartbeat, exploration of emotions of security, happiness, joy, comfort, provoking a calming, meditative effect.
In contrast to this quality are personal and social rituals, which, in addition to producing feelings of softness and freedom, also evoke internal noise or claustrophobia, a sense of limitation and loss, as in the case of measures taken due to the pandemic or the difficult phenomenon of baby theft.
The works intertwine personal and social, offering us a new, different perspective on the time in which we live.
Prof. Dijana Milošević
Admission to the museum is free for all three days.
Welcome!
CHOREOGRAPHER ALEKSANDAR ILIĆ VISITS PODGORICA
Famous Serbian and regional choreographer and ballet artist Aleksandar Ilić is currently visiting Podgorica at the invitation of Isidora Damjanović, the director of the Montenegrin Music Centre, as part of planning new artistic projects and preparing for a new dance premiere titled Mediterranean (Echoes of the Past), which is being prepared by the well-known Macedonian choreographer Sasha Evtimova and is expected to premiere at the Budva Festival in early June of this year. The performance will feature five ballerinas dancing to the music of Guitar DUO Srdjan Bulatović and Darko Nikčević.
According to Ilić, the Montenegrin ballet ensemble, whose control has been entrusted to the most professional personnel by Director Damjanović, is continuing its work following the highly successful premiere of the dance performance Tre Sorelle last May as the first dance project of the MCCG on the main stage of this institution.
In addition to the ongoing work of the ballet ensemble, Aleksandar Ilić, the current director of the Belgrade Cultural Centre, announces other levels of collaboration between these two important institutions. In April and May, the public can expect a series of seven chamber music concerts that will first be held at the Montenegrin Music Centre in Podgorica and then at the Belgrade Cultural Centre. The first concert at the Belgrade Cultural Centre is scheduled for April 26th, featuring the piano quintet of the Montenegrin Symphony Orchestra (Vujadin Krivokapić, violin, Bojan Martinović, piano, Miša Berkut, viola, Ana Zakrejšek, cello, Zoran Zakrejšek, double bass).
More about choreographer Aleksandar Ilić's visit can be found in the morning program Good Morning Montenegro on the Montenegrin Radio Television.
Attached are the press release, photo, and video of the visit on RTCG; https://fb.watch/iWYwCKOP3H/
STATEHOOD DAY OF THE REPUBLIC OF SERBIA 2023.
We inform all professors, assistants, associates, and students that the School of Engineering Management and the Belgrade Dance Institute will not be open on February 15th, 16th, and 17th for the national holiday of Serbia's Statehood Day. The first working day will be on Monday, February 20th, 2023.
Historian Nataša Kostić traditionally reminds us of the significance of this holiday:
By the Law on State Holidays of the Republic of Serbia, February 15th is marked in memory of two historical events. The first event was the beginning of the Serbian Revolution and the First Serbian Uprising (1804), and the second event was the adoption of the First Serbian Constitution, known as Sretenje Constitution (1835).
On that day (1804), in the late afternoon in Marićevića gorge near Orašac, the national elders gathered and decided to call upon the people to rise up and chose Đorđe Petrović as the leader. This marked the beginning of the Serbian people's fight for freedom from Ottoman rule.
Twenty-one years later, the First Serbian Constitution was adopted (1835). At that time, while creating a free Serbian state by force of arms, the Serbian peasants decided to destroy the feudal order. Serbia was a land of peasants at that time, but the Serbian peasants accepted the ideas of the modern age and fought for them. The spirit of freedom of the Serbian peasants forced Serbian Prince Miloš Obrenović to open the constitutional issue. The great powers of the time, which still influenced the non-independent Serbia (Russia, Austria, and the Ottoman Empire), did not allow the Constitution to take root in the Serbs, so they forced Prince Miloš to abolish it a month after its adoption. Three years later, the Serbs received the Turkish (hatišerif) Constitution.
THE BELGRADE DANCE INSTITUTE CELEBRATED ITS PATRON DAY - THE HOLLY THREE HIERARCHS 2023
The Belgrade Dance Institute celebrated its patron saint's day - The Holy Three Hierarchs - on February 12th at 11 am in the Crypt of the St. Sava Temple.
The Feast of Three Hierarchs is dedicated to three saints and the greatest enlighteners and teachers in the history of Christianity: Basil the Great, Gregory the Theologian, and John Chrysostom. Although each of them has their own day of celebration in January, in the 11th century, during the reign of Emperor Alexios Komnenos, their joint celebration day was established. With their lives, work, and teachings, these three saints have marked not only the time in which they lived, but also Christianity itself. The immediate reason for the establishment of their joint feast day was due to disputes among the people about which of these three saints was greater. Some extolled Basil for his purity and courage, others Gregory for his incomparable depth and high intellect in theology, and the third, Chrysostom for his miraculous eloquence and clarity in the presentation of the faith. Because of their claims, they were known among the people as basilian, gregorian, and johnite. However, by God's providence, this dispute was resolved for the benefit of the Church and for even greater glory to the three saints.
THE BELGRADE DANCE INSTITUTE'S PATRON DAY– THE HOLY THREE HIERARCHS 2023
The Belgrade Dance Institute will celebrate its patron saint's day - The Holy Three Hierarchs - on February 12th at 11 am in the Crypt of the St. Sava Temple.
The Feast of Three Hierarchs is dedicated to three saints and the greatest enlighteners and teachers in the history of Christianity: Basil the Great, Gregory the Theologian, and John Chrysostom. Although each of them has their own day of celebration in January, in the 11th century, during the reign of Emperor Alexios Komnenos, their joint celebration day was established. With their lives, work, and teachings, these three saints have marked not only the time in which they lived, but also Christianity itself. The immediate reason for the establishment of their joint feast day was due to disputes among the people about which of these three saints was greater. Some extolled Basil for his purity and courage, others Gregory for his incomparable depth and high intellect in theology, and the third, Chrysostom for his miraculous eloquence and clarity in the presentation of the faith. Because of their claims, they were known among the people as basilian, gregorian, and johnite. However, by God's providence, this dispute was resolved for the benefit of the Church and for even greater glory to the three saints.
GALA CONCERT HELD AT VUK THEATER
The premiere of the Gala Concert performed by students of the Belgrade Dance Institute and members of the Youth Ballet Company received a standing ovation from the audience tonight. Visitors had the opportunity to watch exceptional performances of the most famous parts of ballet. As the authors and selectors of the program, Milica Bezmarević, Mila Stijak, and Ana Spremić announced, the audience had the opportunity to see variations and parts of the ballets such as The Humpbacked Horse, Pharaoh's Daughter, Flame of Paris, Esmeralda, and Le Corsaire performed for the first time on the stage of the Vuk Theater in Serbia.
The audience gave a special round of applause to future hopes of Serbian ballet Anastasija Vujnović, Una Stepanović, Tijana Drndarević, and Gabriela Stojančić, who performed demanding ballet feats at a high technical level.
Over thirty members of the Youth Ballet Company, who are regular students of the elementary and high ballet school, as well as students of all years of the Belgrade Dance Institute, performed the Gala Concert program: Simić Danijela, Stepanović Una, Horvat Nina, Đokić Jelena, Milovanov Sonja, Sekulić Vladimir, Tirić Lazar, Stanić Senja, Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes, and Stojančić Gabriela.
Due to the high interest of the audience, the Gala Concert program will be performed again in March, and the audience will be informed of the new performance date.
BEST MUSIC FILM AWARD - DRVEĆE PLEŠE (DANCING TREES)
The short film Drveće Pleše (Dancing Trees), about the performance realized by DAH Theatre in collaboration with the Belgrade Dance Institute, has won the award for Best Music Video at the Bacalar International Film Festival, Seven Colors of the Lagoon, in Bacalar, Mexico.
CONGRATULATIONS!
GALA CONCERT OF YOUTH BALLET
On the stage of Theater Vuk, on Sunday, January 29th, starting at 8 pm, the Youth Ballet will perform the traditional Gala Concert of members of this company. Within the program designed and prepared by the professors of the Belgrade Dance Institute, Milica Bezmarević and Doc. Mila Stijak, with the help of the company's piano accompanist, Prof. Ana Spremić, the audience will have the opportunity to see excerpts from some of the most famous classical ballets, rarely or for the first time performed in our country.
The program includes variations and excerpts from ballets such as: Pharaoh's Daughter by Cesar Pugni, Le Corsaire by Adolphe Adam, Don Quixote by Ludwig Minkus, The Humpbacked Horse by Rodion Shchedrin, Esmeralda by Cesar Pugni, Swan Lake by Pyotr Ilyich Tchaikovsky, and other gems of classical ballet.
Over thirty members of the Youth Ballet company will participate in the Gala Concert, who are regular students of elementary and high ballet schools, as well as students of all years of the Belgrade Dance Institute: Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes and Stojančić Gabriela.
The Youth Ballet Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting students of elementary and high schools in Belgrade and Serbia. The company is led by the first soloist of the ballet of the National Theater, Milica Bezmarević, Mila Stijak, and Ana Spremić, professors of the Belgrade Dance Institute in collaboration with guest pedagogues of that institution.
Tickets for the Gala Concert can be purchased for 1000 RSD at the box office of Theater Vuk.
MASTERCLASS ON CHOREOGRAPHY AND METHODOLOGY OF FOLK DANCE
The Belgrade Dance Institute in Belgrade will organize a masterclass on choreography and methodology of folk dance on Saturday, February 11th, 2023, from 10:00 am to 6:00 pm at the Belgrade Dance Institute, Bulevar vojvode Mišića 43 in Belgrade.
The masterclass will be led by Prof. dr Anton Andonov from the Academy of Music, Dance, and Fine Arts (AMTII) in Plovdiv, Bulgaria, Prof. dr Vesna Bajić Stojiljković, Velimir Agovski, and Boban Kostić from the Belgrade Dance Institute in Belgrade.
The masterclass will cover lectures and practical work in choreographic composition and direction, spatial composition, processing of dance patterns, and methodology of learning folk dances.
The masterclass is intended for students of middle ballet school - folk dance direction, professional dancers, dancers in cultural and artistic societies, choreographers of folk dances, and teachers who lead folklore sections in elementary schools.
To apply for the masterclass, send an email to institut.snim@gmail.com.
The application should contain:
In the application, indicate the Masterclass on choreography and methodology of folk dance.
The price of the Masterclass is 2000 RSD and is paid through the attached payment slip by Friday, February 10th, 2023. For students and members of the Academic Folk Ensemble, the masterclass is free. Free parking is available for masterclass participants in front of the Institute building.
For more information, call (+381) 65 4470 170 on weekdays from 9:00 am to 5:00 pm.
CHINA STAGE 2023
Dean Prof. Dr. Vladimir Tomašević hosted today the director of the China Stage 2023 project, based in Shanghai, Wanzhe Zhang, and Dejan Sinadinović in the presence of Prof. dr Ilija Životić.
In the field of performing arts, the China Stage 2023 project will establish cooperation between China and Serbia this year through the exchange of artists, professors, and artistic projects, with the support of institutions from Shanghai, Belgrade, and Novi Sad.
CHINA STAGE 2023
On the invitation of H.E. Ambassador Kun Fan of the People's Republic of China in Podgorica, Professor Aleksandar Ilić attended a meeting today with representatives of the embassy, Michael Zhao, Jianguo Zheng, and Wanzhe Zhang, director of the China Stage 2023 project.
The China Stage 2023 project aims to promote collaboration and exchange between artists from the People's Republic of China, Montenegro, and Serbia in the next two years, through various programs in the fields of classical music, artistic dance, and folk dance on stage.
DEFENSE OF THE DOCTORAL THESIS BY MARINA BUKVIČKI
On Tuesday, December 27th, 2022, at the Belgrade Dance Institute, doctoral candidate Marina Bukvički successfully defended her doctoral dissertation titled Ja lutka - I a doll; biographical material as a template for creating a multimedia project. The mentor of this dissertation was Prof. dr Snežana Arnautović-Stjepanović. The defense was conducted before a committee consisting of:
Marina Bukvički's artistic-theoretical research is conducted within the framework of contemporary performing arts, performance, and multimedia art. The author uses the biographical material of Mileva Marić and Albert Einstein as a starting point for her work, aiming to prove that using different multimedia tools can create a stronger emotional experience for the viewer than using only theater or film narratives. The project's idea was to find a method, the right mechanism for a classical school actor to take on a role based on biographical (documentary) material and implement it into multimedia content using performance, video art, movement, film, and theater, or their elements.
PROFESSORS FROM THE INSTITUTE AT THE MUSEUM OF YUGOSLAVIA
Minister of Culture Maja Gojković, Vice Dean for Teaching Prof. dr Snežana Arnautović Stjepanović and Prof. Aleksandar Ilić, from the Belgrade Dance Institute, attended a New Year's celebration at the Museum of Yugoslavia.
DEFENSE OF GRADUATE THESIS BY JOVANA IKONIĆ
Today, on December 22nd, 2022, in Belgrade, Jovana Ikonić, a candidate for the title of Drama and Audiovisual Artist – Artistic Dance, or a student of the Undergraduate Studies at the Belgrade Dance Institute, defended her graduate thesis.
Respected colleague Jovana presented her work on the topic RE - MEMBERING 1:11 and publicly presented it to the members of the commission formed by the Scientific and Educational Council of the Faculty for Evaluation and Defense in accordance with Article 26 of the Faculty Statute, composed of:
After her presentation, respected colleague Jovana answered all the questions posed to her.
Based on the above facts, the commission concludes that on December 22nd, 2022, in Belgrade, respected colleague Jovana Ikonić successfully defended her graduate thesis on the topic RE - MEMBERING 1:11 with a grade of 10.
In accordance with the Law on Higher Education of the Republic of Serbia, Article 95, and the University Statute, from this moment on, Jovana Ikonić has all the rights and obligations arising from the fact that she now has a publicly recognized academic title of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
PAUL SCHRADER AMERICAN DIRECTOR
Professor of Engineering Management and Belgrade Dance Institute, dr Miomir Petrović will participate in a panel discussion Christianity and Film on December 22nd at 7 pm, presenting the works of his favorite filmmaker Paul Schrader (Cat People, American Gigolo, Light Sleeper, First Reformed...).
The panel discussion will be held at the Svetozar Marković University Library, Bulevar Kralja Aleksandra 71.
Admission is free.
The discussion will be moderated by dr Vladimir Kolarić, a film and art theorist.
ZAVRŠEN SHOWCASE MEKI RITUALI
U Muzeju grada Beograda 8. marta je svečano završen SHOWCASE MEKI RITUALI.
Čestitamo svim studentima i profesorima, a zahvaljujemo se brojnoj publici koja je tokom tri dana pogledala i podržala performanse, koreografije, video radove, fotografije i instalacije.
Specijalno se zahvaljujemo Muzeju Grada Beograda.
UČEŠĆE PROF. DR MIOMIRA PETROVIĆA NA SIMPOZIJUMU
Prof. Dr Miomir Petrović, profesor Fakulteta za inženjerski menadžment i Instituta za umetničku igru učestvovaće 29. marta na simpozijumu Cooltour – milenijalci i kulturna baština u organizaciji Arheološkog instituta u Beogradu a koji finasira Erazmus+ program Evropske unije.
Simpozijum će se održati u Arheološkom parku Viminacijum (Stari Kostolac). Miomir Petrović će održati radionicu COOLTOUR – storytelling i razvoj vizuelnih prikaza, testiranja u aplikaciji. Cilj ove radionice je primena pripovedačkih, narativnih i dramaturških iskustava u kreiranju medijskih sadržaja koji treba da popularišu arheologiju i istorijski turizam u digitalnim medijima. Studija slučaja biće paraistorijski roman Miomira Petrovića Galerijeve vatre (Laguna, 2011) koji govori o rimskom imperatoru Galeriju i njegovom rodnom Gamzigradu (Felix Romulijani).
OTVARANJE SHOWCASE MEKI RITUALI
U Muzeju grada Beograda sinoć su otvoreni MEKI RITUALI Showcase Instituta za umetničku igru.
Publiku i izvodjače su pozdravili Jelena Medaković, direktorka muzeja, Prof. dr Vladimir Tomašević, dekan i Prof. dr Snežana Arnautović Stjepanović, prodekanka Instituta za umetničku igru.
Radove studenata osnovnih, master i doktorskih studija u formi koreografija, višemedijskih instalacija, video radova, performansa i fotografija a koji si nastali pod mentorstvom Prof. Dijane Milošević, Prof. dr Snežane Arnautović Stjepanović, Ognjena Vučinića i Doc. Katarine Bućić možete pogledati do 8. marta u periodu od 18.00 časova do 20.00 časova.
Fotografija - Belkisa Beka Abdulovic
SHOWCASE MEKI RITUALI
KOREOGRAF ALEKSANDAR ILIĆ U POSETI U PODGORICI
Poznati srpski i regionalni koreograf i baletski umetnik Aleksandar Ilić, na poziv Isidore Damjanović direktorke Muzičkog centra Crne Crne trenutno boravi u Podgorici u okviru planiranja novih umetničkih projekata i pripreme nove plesne premijere pod radnim naslovom Mediteran (Odjeci prošlosti) koju sa baletskim ansamblom priprema poznata makedonska koreografkinja Sasha Evtimova, a čija premijera se očekuje na Festivalu u Budvi početkom juna ove godine. U predstavi igraju pet balerina na muziku Guitar DUO Srdjana Bulatovića i Darka Nikčevića.
Nakon premijere izuzetno uspešne plesne predstave Tre Sorelle, izvedene u maju prošle godine kao prvog plesnog projekta MCCG na Velikoj sceni ove institucije, rad Crnogorskog baletskog ansambla nastavlja svoje delovanje, kako navodi Ilić.
Pored koninuiranog rada baletskog ansambla, za čiju kontrolu je direktorka Damjanović angažovala najstručnije kadrove, Aleksandar Ilić aktuelni direktor Kulturnog centra Beograda najavljuje i druge nivoe saradnje ove dve značajne institucije. Tokom aprila i maja publiku očekuje ciklus od sedam koncerata kamerne muzike koji će se prvo održati u Muzičkom centru Crne Gore u Podgorici, a potom u Kulturnom centru Beograda. Prvi koncert u Kultutnom centru Beograda planiran je 26. aprila u izvođenju klavirskog kvinteta Crnogosrkog simfonijskog orkestra (Vujadin Krivokapić, violina, Bojan Martinović, klavir, Miša Berkut, viola, Ana Zakrejšek, violončelo, Zoran Zakrejšek, kontrabas).
Više o gostovanju koreografa Aleksandra Ilića pogledajte u emisiji jutarnjeg programa Dobro Jutro Crna Goro Radio televizije Crne Gore.
U prilogu saopštenje, fotografija i video gostovanja na RTCG; https://fb.watch/iWYwCKOP3H/
DAN DRŽAVNOSTI REPUBLIKE SRBIJE 2023.
Obaveštavamo sve profesore, asistente, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi 15, 16. i 17. februara povodom državnog praznika Dana državnosti Republike Srbije. Prvi radni dan je ponedeljak, 20. 2. 2023.
Istoričar Nataša Kostić nas tradicionalno podseća na značaj ovog praznika:
Zakonom o Državnim praznicima republike Srbije, 15. februar se obeležava u znak sećanja na dva istorijska događaja. Prvim događajem, kada je počela srpska revolucija i Prvi srpski ustanak (1804), drugim (1835), kada je donet Prvi srpski Ustav, poznat kao Sretenjski.
Tog dana (1804), u kasno posle podne u Marićevića jaruzi pored Orašca, okupile su se narodne starešine i odlučile da pozovu narod na ustanak i izabrale Đorđa Petrovića za vožda. Tada je počela borba srpskog naroda za slobodu od Osmanske vlasti.
Dvadeset i jednu godinu kasnije donet je Prvi srpski Ustav (1835). U to vreme, stvarajući oružjem samostalnu srpsku državu, srpski seljak je odlučio da uništi i feudalni poredak. Srbija u to doba je bila zemlja seljaka, ali taj srpski seljak je prihvatio ideje modernog doba i za to se borio i izborio. Slobodarski duh srpskog seljaka, primorao je srpskog kneza Mioša Obrenovića, da otvori ustavno pitanje. Velike sile u to vreme, koje su još uvek uticale na nesamostalnu Srbiju (Rusija, Austrija i Osmansko carstvo) nisu dozvolile da taj Ustav zaživi u Srba, pa su kneza Miloša primorale, da nakon mesec dana od njegovog usvajanja, ukine. Tri godine nakon toga Srbi dobijaju, Turski (hatišerif) Ustav.
KRSNA SLAVA FAKULTETA - SVETA TRI JERARHA - 2023.
Institut za umetničku igru obeležio je krsnu slavu – Sveta tri jerarha, 12. februara, s početkom u 11 časova, u Kripti Hrama Svetog Save.
Praznik Tri jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.
KRSNA SLAVA FAKULTETA - SVETA TRI JERARHA - 2023.
Institut za umetničku igru obeleži će krsnu slavu – Sveta tri jerarha, 12. februara, s početkom u 11 časova, u Kripti Hrama Svetog Save.
Praznik Tri jerarha posvećen je trojici svetitelja i najvećih prosvetitelja i učitelja u istoriji hrišćanstva: Vasiliju Velikom, Grigoriju Bogoslovu i Jovanu Zlatoustom. Iako svako od njih ima svoj dan praznovanja u mesecu januaru, u XI veku za vreme cara Aleksija Komnena ustanovljen je njihov zajednički dan praznovanja. Svojim životom, radom, i naukom ova tri svetitelja su obeležili ne samo vreme u kojem su živeli, nego i samo hrišćanstvo. Neposredan razlog zbog kog je ustanovljen njihov zajednički praznik je bio taj što su u narodu nastale rasprave ko je od ove trojice svetitelja veći. Jedni su uzdizali Vasilija zbog njegove čistote i hrabrosti, drugi Grigorija zbog njegove nedostižne dubine i visine uma u bogoslovlju, a treći Zlatousta zbog njegove čudesne krasnorečivosti i jasnoće izlaganja vere. Zbog tih svojih tvrdnji oni su bili u narodu poznati kao vasilijani, grigorijani i jovaniti. No promislom Božjim ovaj spor je bio rešen na korist crkve i na još veću slavu trojice svetitelja.
ODRŽAN GALA KONCERT U VUKU
Dugim aplauzom publika je večeras oduševljeno nagradila premijeru Gala koncerta u izvođenju studenata Instituta za umetničku igru i članova kompanije Balet mladih. Posetioci su imali priliku da pogledaju izuzetna izvođenja najpoznatijih delova baleta. Kako su autorke i najavile, koje su i osmilile i pripremile odabir programa, Milica Bezmarević, Mila Stijak i Ane Spremić, publika je imala priliku na sceni Teatra Vuk po prvi put kod nas da pogleda izvođenja varijacija i delova baleta Konjić Grbonjić, Faraonova kći, Plamen Pariza, Esmeralda i Korsar.
Publika je posebnim aplauzom podržala već buduće nade srpskog baleta Anastasiju Vujnović, Unu Stepanović, Tijanu Drndarević i Gabrielu Stojančić, koje su na visokom tehničkom nivou izvele zahtevne baletske bravure.
Program Gala koncerta izvelo je preko trideset članova kompanije Balet mladih koji su redovni učenici osnovne i srednje baletske škole kao i studenti svih godina Instituta za umetničku igru: Simić Danijela, Stepanović Una, Horvat Nina, Đokić Jelena, Milovanov Sonja, Sekulić Vladimir, Tirić Lazar, Stanić Senja, Gmitrović Tea, Manojlović Tea, Marin Andrijana, Prodanović Lana, Stamenković Dunja, Radovanović Milica, Četnik Jovana, Teslić Ana, Medaković Dea, Jović Mila, Vujnović Anastasija, Nikčević Anastasija, Drndarević Tijana, Savković Nikolina, Nedović Nađa, Stanić Filip, Bošković Sonja, Đeković Ana, Svorcan Ana, Đorđević Jana, Emma Keyes i Stojančić Gabriela.
Zbog velikog interesovanja publike, program Gala koncerta biće reprizno izveden u martu, a publika će biti obaveštena o novom terminu igranja predstave.
Fotografija Jovana Grujić
NAGRADA ZA NAJBOLJI MUZIČKI FILM - DRVEĆE PLEŠE
Kratki film Drveće pleše o predstavi koju je DAH Teatar realizovao u saradnji sa Institutom za umetničku igru, osvojio je nagradu za najbolji muzički video na Međunarodnom filmskom festivalu u Bakalaru, Meksiko, - Bacalar International Film Festival, Sedam boja lagune.
ČESTITAMO!
GALA KONCERT BALETA MLADIH
MASTERKLAS O KOREOGRAFIJI I METODICI NARODNE IGRE
Institut za umetničku igru iz Beograda organizovaće Masterklas o koreografiji i metodici narodne igre u subotu, 11. februara 2023. godine, u trajanju od 10:00 do 18:00 časova na Institutu za umetničku igru, Bulevar vojvode Mišića 43 u Beogradu.
Masterklas će voditi prof. dr Anton Andonov sa Akademije muzičke, plesne i likovne umetnosti (AMTII) iz Plovdiva u Bugarskoj, prof. dr Vesna Bajić Stojiljković, Velimir Agovski i Boban Kostić sa Instituta za umetničku igru u Beogradu.
Masterklas će obuhvatiti predavanja i praktičan rad iz koreografske kompozicije i režije, prostorne kompozicije, obradu igračkih obrazaca i metodiku učenja narodnih igara.
Masterklas je namenjen učenicima srednje baletske škole – smer narodna igra, profesionalnim igračima, igračima u kulturno-umetničkim društvima, koreografima narodnih igara i učiteljima koji vode folklorne sekcije u osnovnim školama.
Prijavu na Masterklas poslati mejlom na institut.snim@gmail.com.
Prijava treba da sadrži:
U prijavi naznačiti Masterklas o koreografiji i metodici narodne igre.
Cena Masterklasa je 2000 dinara i uplaćuje se prema priloženoj uplatnici do petka, 10.2.2023. Za studente i članove Akademskog folklornog ansambla je masterklas besplatan. Učesnicima masterklasa je na raspolaganju besplatan parking ispred zgrade Instituta.
Za više informacija pozovite (+381) 65 4470 170 svakog radnog dana od 9.00 do 17.00 časova.
CHINA STAGE 2023.
Dekan Prof. dr Vladimir Tomašević danas je ugostio direktora projekta China Stage 2023. sa sedištem u Šangaju, Wanzhe Zhang i Dejana Sinadinovića u prisustvu Prof. dr Ilije Životića.
Projekat China Stage 2023. u tekućoj godini u polju izvodjačkih umetnosti uspostaviće saradnju NR Kine i Srbije, kroz razmenu umetnika, profesora i umetničkih projekata, uz podršku institucija iz Šangaja, Beograda i Novog Sada.
CHINA STAGE 2023.
Prof. Aleksandar Ilić na poziv Nj.E. Ambasadora Kun Fan NR Kine u Podgorici, danas je prisustvovao sastanku uz predstavnike ambasade Michael Zhao, Jianguo Zheng direktora projekta China Stage 2023. i Wanzhe Zhang.
Projekat China Stage 2023. organizovaće saradnju i razmenu umetnika NR Kine, Crne Gore i Srbije u naredne dve godine, kroz različite programe u polju klasične muzike, umetničke igre i scenske narodne igre.
U utorak, 27. decembra 2022. godine na Institutu za umetničku igru doktorand marina Bukvički uspešno je odbranila svoj doktorski rad pod nazivom „Ja lutka – I a doll; biografski materijal kao predložak za stvaranje multimedijalnog projekta”.
Mentor ovog rada bila je prof. dr. Snežana Arnautović-Stjepanović. Odbrana je provedena pred komisijom u sastavu:
prof. dr Miomir Petrović;
prof. Aleksandar Ilić;
prof. Dijana Milošević sa Instituta za umetničku igru;
prof. emeritus Vida Ognjenović sa Fakulteta savremenih umetnosti u
Beogradu;
prof. dr Vera Obradović sa Fakulteta umetnosti Univerziteta u
Prištini.
Umetničko-teorijsko istraživanje Marine Bukvički se odvija u okviru savremenih izvođačkih umetnosti, performansa i višemedijske umetnosti a autorka kao polazište za rad koristi biografsku građu Mileve Marić i Alberta Ajnštajna u želji da dokaže da je upotrebom različitih multimedijalnih alata moguće kod gledaoca stvoriti snažniji emocionalni doživljaj nego ukoliko se koristi isključivo pozorišni ili filmski narativi. Ideja projekta je bila da se pronađe metod, pravi mehanizam kojim bi glumac klasične škole glume mogao da dođe do uloge zasnovane na biografskoj (dokumentarnoj) građi i implementira je u višemedijski sadržaj koristeći se performansom, video artom, pokretom, filmom i pozorištem, odnosno njihovim elementima.
PROFESORI INSTITUTA U MUZEJU JUGOSLAVIJE
Ministarka kulture Maja Gojković, prodekan za nastavu Prof. dr Snežana Arnautović Stjepanović i Prof. Aleksandar Ilić, sa Instituta za umetničku igru, prisustvovali su novogodišnjoj proslavi u Muzeju Jugoslavije.
ODBRANA ZAVRŠNOG RADA JOVANE IKONIĆ
Danas, 22.12.2022. godine u Beogradu, Jovana Ikonić, kandidatkinja za zvanje Dramski i audiovizuelni umetnik umetnička igra, odnosno studentkinja Osnovnih akademskih studija Instituta za umetničku igru je pristupila odbrani svog Završnog rada.
Uvažena koleginica Jovana je prikazala svoj rad na temu RE - MEMBERING 1:11, i izlagala je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvažena koleginica Jovana je odgovorila na sva postavljena pitanja.
Uvažavajući gore navedene činjenice, komisija konstatuje da je dana 22.12.2022. godine u Beogradu, uvažena koleginica Jovana Ikonić, uspešno odbranila svoj Završni rad na temu RE - MEMBERING 1:11 sa ocenom 10.
Shodno Zakonu o visokom obrazovanju Republike Srbije član 95 kao i Statutu Univerziteta, od ovog trenutka Jovana Ikonić, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Dramski i audiovizuelni umetnik umetnička igra.
ČESTITAMO!!!!
The premiere of The Secret of the Golden Thread by Alisa Oravec, a student of the second year of doctoral studies in Artistic Dance and Performance at the Belgrade Dance Institute, will be performed on Wednesday, December 7th, 2022. In the hall of the MZ Vojlovica (Trg Vojvođanskih Brigada 5, Pančevo), starting at 7 p.m.
THE SECRET OF THE GOLDEN THREAD
The performance deals with the image of a woman from her primordial becoming, with all the feminine attributes that are woven into her. Her spiritual companions Suđaje bestow her with beauty, love and wealth, however, there is also her suffering and sorrow that should develop and strengthen the threads that only a woman can weave in her being as the most noble weaving. As she grows and matures from a girl into a woman, she is followed by the Suđaje with their gifts, which a woman should wisely and patiently nurture and protect from external attacks, which represent a great obstacle on the way to fulfilling her life's mission.
We will symbolically name her Eve. It is the primordial female essence of the Universe, woven with love, beauty, wisdom, fidelity, honor...
But you don't get everything by birth, you have to fight for it. That's why she is always accompanied by the gifts of Fairies of suffering, who prepares life's burdens and pains for her. Not in order to break her down and wrap her in sadness, but to supernaturally strengthened her. A Slavic woman is the one who can reach the image of the Goddess, if she approaches every attack thoughtfully, opposes it wisely and without violence, if she puts her family before herself, if she has faith in love and perseveres until the last hope.
The woman is a weaver. She was given as a gift by Mokoš, the protector of women, who taught her to weave the threads of fate and decorate them with noble love. A woman weaves a shirt for her husband. A woman cannot fully realize herself either as a mother or as a ruler of the Universe if she does not have a husband by her side whom she will love as a part of herself. The woman weaves golden marriage threads. It is the thread that binds the Wife and the Husband. Temptations that torment a woman give birth to caution and the possibility of a thoughtful solution and mastering of the situation, without rushing and surrendering to desires and urges. She does not surrender their kingdom, which is besieged and eaten by jealous robbers. She does not allow the place of her king to be taken by unworthy, jealous and envious usurpers.
Unfortunately, at the end of it all, the modern age destroys, destroys and throws into oblivion that secret, the secret of the golden thread of a woman, but also of her man, and classifies it in myths and fairy tales, which almost no one deals with anymore and which no one and he doesn't pay attention.
Roles:
Eva - Alisa Oravec
Mala Eva - Ana Holok
Suđaja Ljubavi and Lepote - Jana Marek
Suđaja Bogatstva - Miona Pavlov
Suđaja Iskušenja and Patnje - Ana Lipij
Mokoš - Danijela Holok
Muž - Martin Marek
Sin - Martin Holok
Iskušenja - Dejan Kolarski, Dejan Uršičić, Miroslav Oravec
Light: Aleksa Stojanović
Sound: Philip Bisak
Costume: Tereza Weber Oravec
Makeup: Andrea Bisak
Name of the performance: Umetnik je odsutan!
The project was supported by: City of Pančevo, Ministry of Culture and Information, Belgrade Dance Institute
Premiere date: December 5th at 7:30 p.m
Place: Cultural Center Pančevo
Duration of the play: 1 hour
The world has changed. He changed all of us. We all went through the same thing during closures and lockdowns, exposed to restrictive measures, which affected both individuals and society. Darwin stated that the animal species that will survive is not the one that is the strongest, but the one that adapts the fastest. It's the same with people.
DDT - the creative center for movement had an interesting challenge this season - to combine contemporary dance, conceptual art and theater. The contemporary dance performance Umetnik je odsutan!, follows the daily lives of artists from different branches, from different parts of the world, during the lockdown. The action of the play is led by Nikola and Ena, young artists who, just a few days before the lockdown, invested everything in order to rent a studio apartment and start a life together, going through all the obstacles that a modern closed lifestyle brings.
How an artist can adapt to working from home, online - zoom classes, remote classes, disrupted existence and other challenges is the topic of our performance. Those problems are still present, because art is difficult to fit into an online frame. The contemporary dance expression, along with the numerous choreographic and directorial tools we used and the choice of comedy as a genre, makes it easy to understand the performance.
This performance is also an ironic review of conceptual art, which sells for big bucks in the world today. What should artists do who have been living and working in Serbia for decades, educating young dancers and artists in a domestic environment where, even without a pandemic, existence is impossible?
Choreography and directing: Katarina Stojković, Tijana Malek, Luka Stojković
Video editing: Katarina Stojković and Luka Stojković
Music: Danilo Stojković
Production: DDT-creative center for movement
POL ŠREDER AMERIČKI REDITELJ
Profesor Fakulteta za inženjerski menadžment i Instituta za umetničku igru, Dr Miomir Petrović učestvovaće 22. decembra u 19h na tribini Hrišćanstvo i film, predstavljajući dela svog omiljenog filmskog reditelja Pola Šredera (Ljudi mačke, Američki žigolo, Light Sleeper, First reformed...).
Tribina se organizuje u Univerzitetskoj biblioteci Svetozar Marković, Bulevar kralja Aleksandra 71.
Ulaz je slobodan.
Razgovor vodi dr Vladimir Kolarić, teoretičar filma i umetnosti.
PREMIJERA PREDSTAVE TAJNA ZLATNE NITI
Premijera predstave Tajna zlatne niti, Alise Oravec, studentkinje II godine doktorskih studija Umetnička igra i performans Instituta za umetničku igru, biće izvedena u sredu, 7.12.2022. U sali MZ Vojlovica (Trg Vojvođanskih Brigada 5, Pančevo), sa početkom u 19 časova.
TAJNA ZLATNE NITI
Predstava se bavi slikom žene od njenog iskonskog postanja, sa svim ženskim atributima koje su u nju utkane. Njene duhovne pratilje Suđaje je daruju lepotom, ljubavlju i bogatstvom, ipak, tu su i njena patnja i tuga koje treba da joj razvijaju i jačaju niti koje samo žena može da istka u svom biću kao najplemenitijem tkanju. Kako raste i zri iz devojčice u ženu, prate je Suđenice sa svojim darovima, koje žena treba mudro I strpljivo da neguje i sačuva od spoljašnjih napasti, koje joj predstavljaju veliku prepreku na putu izvršenja svoje životne misije.
Simbolično ćemo joj nadenuti ime Eva. To je prvonastala ženska bit Univerzuma, istkana s ljubavlju, lepotom, mudrošću, vernošću, čašću…
Ali to se ne dobija sve po rođenju, za sve se to treba i izboriti . Zato su joj uvek pratnja darovi Suđenice Patnje, koja joj sprema životne terete i boli. Ne zato da bi je slomila i u tugu zavila već je natprirodno ojačala. Slovenska žena je ta koja može dosegnuti lik Božice, ako promišljeno pristupa prema svakoj napasti, mudro se, i bez nasilja suprotstavi, ako ispred sebe stavi svoju porodicu, ako ima veru u ljubav i istraje do poslednje nade.
Žena je tkalja. Nju je darovala Mokoš, zaštitnica žena, koja ju je naučila da istka niti sudbine i ukrasi ih plemenitom ljubavlju. Žena tka košulju za svog muža. Ne može se žena u potpunosti ostvariti ni kao majka ni kao vladarica Univerzuma ako pored sebe nema muža koga će voleti kao deo sebe. Žena je tkalja zlatne bračne niti. To je nit koja spaja Ženu i Muža. Iskušenja koja muče ženu rađaju u njoj opreznost i mogućnost promišljenog rešavanja I savladavanja situacije, bez srljanja i predavanja željama i porivima. Ona ne predaje njihovo kraljevstvo koje opsedaju i izjedaju ljubomorni otimači. Ona ne dozvoljava da mesto svojega kralja zauzmu nedostojni, ljubomorni i zavidni otimači.
Nažalost, na kraju svega, savremeno doba tu tajnu, tajnu zlatne niti žene, ali I njenog muškarca, kida, uništava i baca u zaborav, i svrstava je u mitove i bajke, kojima se skoro niko više ne bavi i na koje niko više i ne obraća pažnju.
Uloge:
Eva - Alisa Oravec
Mala Eva - Ana Holok
Suđaja Ljubavi i Lepote - Jana Marek
Suđaja Bogatstva - Miona Pavlov
Suđaja Iskušenja i Patnje - Ana Lipij
Mokoš - Danijela Holok
Muž - Martin Marek
Sin - Martin Holok
Iskušenja - Dejan Kolarski, Dejan Uršičić, Miroslav Oravec
Svetlo: Aleksa Stojanović
Zvuk: Filip Bisak
Kostim: Tereza Veber Oravec
Šminka: Andrea Bisak
PREMIJERA SAVREMENE PLESNE PREDSTAVE UMETNIK JE ODSUTAN!
Naziv predstave: Umetnik je odsutan!
Projekat podržali: Grad Pančevo, Ministarstvo kulture i informisanja, Institut za umetničku igru
Datum premijere: 5.decembar u 19.30h
Mesto: Kulturni Centar Pančeva
Trajanje predstave: 1 sat
Svet se promenio. Promenio se za sve nas. Svi smo prošli slično prilikom zatvaranja i lockdown-a, izloženi restriktivnim merama, koje su uticale, kako na pojedinca, tako i na društvo. Darvin je konstatovao, životinjska vrsta koja će opstati nije ona koja je najjača, već ona koja se najbrže prilagođava. Tako je i sa ljudima.
DDT- kreativni centar za pokret je ove sezone imao interesantan izazov - spojiti savremeni ples, konceptualnu umetnost i teatar. Savremena plesna predstava Umetnik je odsutan!, prati živote umetnika različitih branši, iz različitih delova sveta, za vreme lockdown-a. Radnju predstave vode Nikola i Ena, mladi umetnici, koji su samo par dana pred lockdown, sve uložili kako bi rentirali garsonjeru i započeli zajednički život, prolazeći kroz sve prepreke koje moderan zatvoren način života donosi.
Kako jedan umetnik može da se prilagodi radu od kuće, online - zoom nastavi, časovima na daljinu, narušenoj egzistenciji i drugim izazovima, tema je naše predstave. Ti problemi su i dalje prisutni, jer umetnost je teško uklopiti u online frejm. Savremeni plesni izraz, uz mnogobrojne koreografsko - rediteljske alate koje smo koristili i odabir komedije kao žanra, daje lakoću u razumevanju predstave.
Umetnik je odsutan! je takođe ironičan osvrt na konceptualnu umetnost, koja se danas u svetu prodaje za velike pare. Šta da rade umetnici koji decenijama žive i rade u Srbiji, edukuju mlade igrače i umetnike u domaćem okruženju, u kome je, i bez pandemije, egzistencija nemoguća?
Izvođači: Luka Stojković, Katarina Bućić, Vladimir Čubrilo, Mila Stijak, Marija Vučenović, Dragana Stanisavljević, Danilo Stojković, Tijana Malek, Ivana Kompirović, Ivan Mišić.
Koreografija i režija: Katarina Stojković, Tijana Malek, Luka Stojković
Video montaža: Katarina Stojković i Luka Stojković
Muzika: Danilo Stojković
Produkcija: DDT-kreativni centar za pokret
SPECIAL RECOGNITION HELENA VAZ DE SILVA GIVEN TO PROF. DIJANA MILOŠEVIĆ
Yesterday, November 24th, Dijana Milošević, director, professor at the Belgrade Dance Institute and artistic director of DAH Theater, received the prestigious Helena Vaz de Silva award in Lisbon for her contribution to European culture and cultural heritage. The ceremony was attended by many dignitaries, including the Portuguese Minister of Culture, and the Portuguese President Marcelo Rebelo de Sousa addressed audience at the gathering.
In her speech at the awarding ceremony for members of Europa Nostra, prominent art historian and professor emeritus, Irina Subotić, referred to Dijana's 30-year long international career, her rich theater oeuvre, high aesthetic achievements, artistic courage and ethics, pointing out that the language of theater is DAH theater left an indelible mark on Serbian and European cultural heritage. It is also worth mentioning that Dijana Milošević is the first winner of this important recognition who comes from Serbia and the region.
AN OPEN DOOR HELD WITH TIJANA PRENDOVIĆ
Visiting professor Tijana Prendović held a contemporary dance workshop at the Belgrade Dance Institute on November 24th as part of the traditional Open House held by the Institute.
We would like to thank the Novi Sad Ballet School for the cooperation and participation in the workshop.
TIJANA PRENDOVIĆ
Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.
During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).
Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).
This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.
PREMIERE OF CINDERELLA BY PROF. ALEXANDAR ILIC IN SKOPLJE
On the stage of the Macedonian National Opera and Ballet on Saturday 19th November 2022. was the premiere of the contemporary dance performance Cinderella - Love is in the Air by the Serbian choreographer Aleksandar Ilić, performed by the soloists and ensemble of the ballet of this art house in Skopje. Luxurious costumes, but belonging to the time in which Ilić set the story, were made by Katarina Radošević Galić, costume designer from Croatia (assistant to costume designer Angela Bogeska), set design by Filip Korunovski from Macedonia, sound design by Georg Draušnik from Croatia, and light design by Milčo Aleksandrov . Assistant choreographers are Mojca Majcen from Slovenia and Saša Evtimova, who will interpret the role of the main character Vila (Fairy).
- It is about the famous fairy tale of the Brothers Grimm, which we have placed in a contemporary choreographic setting. In the new staging performed by the Macedonian ballet, "Cinderella" is slightly moved in relation to the fairy-tale and established libretto, but in each part the originality and message of this fairy tale is preserved. When Olga Pango, the director of the ballet, invited me to do the play, she wanted us to present it to the audience in a more modern context. I am sure that we managed to preserve the characteristics of the main characters (Prince, Stepmother, sisters), but also contributed to a new aesthetic interpretation of the fairy tale - says Aleksandar Ilić.
Ilić has set the action of the play in a more recent period, more precisely in the seventies of the last century, at the time of the premiere of the film Grease with John Travolta and Olivia Newton-John in the lead roles.
- It was a time that is most closely described by the lyrics of the famous song by Bijelo Dugme, The Bastard and the Princess, or in our case, the Princess and the hooligan. When the biggest event was going out to the school dance, or when the only imperative was socializing, love and chewing gum. By retelling the story of Cinderella in this way, we brought the fairy tale itself closer to our time, and made this work more interesting for the youth and children, our main audience. In the end, I did not deviate from the original synopsis, from Prokofiev's music and all that are the main characteristics of this fairy tale, which is Love, and that kindness will save the world. - says Aleksandar Ilić.
In the performance of Cinderella, the actors are: Hristina Nakjevska (Cinderella), Miroslav Mitrašinović (Prince), Saša Evtimova as the main Fairy, Marija Josifovska Ristovska portrays Stepmother, there are sisters Andru Kuk and Kristijan Jangos, other fairies, women and men...
Due to the premiere’s great interest, the performance of Cinderella was sold out, and so was the first rerun, which was scheduled for November 25th on the stage of the Macedonian National Opera and Ballet.
Article taken from the POLITIKA website
Photography by Sasho Stojanovski
URUČENO SPECIJALNO PRIZNANJE HELENA VAZ DE SILVA PROF. DIJANI MILOŠEVIĆ
Juče, 24. novembra je Dijana Milošević, rediteljka, profesorka na Institutu za umetničku igru i umetnička direktorka Dah teatra, u Lisabonu primila prestižno priznanje Helena Vaz de Silva za doprinos evropskoj kulturi i kulturnom nasleđu. Svečanoj dodeli prisustvovale su mnoge ugledne zvanice, uključujući i portugalskog ministra kulture, a skupu se obratio i portugalski predsednik Marselo Rebelo de Sousa.
U svom govoru pri dodeli priznanja članica Europa Nostra, istaknuta istoričarka umetnosti i profesorka emerita, Irina Subotić osvrnula se na Dijaninu 30 godina dugu međunarodnu karijeru, na njen bogat pozorišni opus, visoka estetska dostignuća, umetničku hrabrost i etiku, ukazujući kako je pozorišni jezik Dah teatra ostavio neizbrisiv trag u srpskom i evropskom kulturnom nasleđu. Vredno je i pomenuti da je Dijana Milošević prva dobitnica ovog značajnog priznanja koja dolazi iz Srbije i regiona.
ODRŽANA OTVORENA VRATA SA TIJANOM PRENDOVIĆ
Gostujuća profesorka Tijana Prendović održala je radionicu savremene igre u Institutu za umetničku igru 24. novembra u sklopu tradicionalnih Otvorenih vrata koje Institut održava.
Zahvaljujemo se Baletskoj školi Novi Sad na saradnji i učešću u radionici.
TIJANA PRENDOVIĆ
Tijana Prendović je rođena u Beogradu 1990. godine. Završila je srednju baletsku školu Lujo Davičo, na odseku savremena igra. Studirala je u Holandiji na Univerzitetu umetnosti u Amsterdamu gde je diplomirala 2012. godine na odseku savremena igra.
Tokom 2013. godine, kao slobodan umetnik stažira u dve plesne trupe iz Holandije - Krisztina de Chatel (Dance Group Amsterdam) i Keren Levi (The Dry Piece). 2014. godine, izvodi tri performansa na sceni nemačkog pozorišta u Oldenburgu čije koreografije potpisuju Sungyop Hong (Was Sie Bewegt), Sharon Eyal i Gai Behar (Plafona), Guy Weizman i Roni Haver (Finale Grande). Od 2014. do 2020. izvodi nekoliko performansa na sceni Narodnog pozorišta u Majncu u Nemačkoj: 2014/2015. godine izvodi My Private Odyssey u koreografiji Guy Weizman i Roni Haver; Montreal u koreografiji Danièle Desnoyers i José Navas. 2015/2016. godine izvodi 4 u koreografiji Guy Weizman i Roni Haver; Plafona Now u koreografiji Sharon Eyal i Gai Behar; Object u koreografiji Garry Stewart; Sehnsucht, limited edition u koreografiji Koen Augustijnen. 2016/2017. godine izvodi FAM - Red Acts u koreografiji Eleonore Lachky; Magma- Fall Seven Times u koreografiji Guy Nader i Maria Campos; Shift u koreografiji Rui Horta; Hochzeit u koreografiji Koen Augustijnen. 2017/2018. godine izvodi Impetus u koreografiji Guy Nader i Maria Campos; Small Places u koreografiji Guy Weizman i Roni Haver. 2018/2019. godine izvodi Nothing (koreografija Roy Asaf); Twist (koreografija Victor Quijada) 2019/2020. godine izvodi Tambora (koreografija Giuseppe Spota) ; 3D ( koreografija Mischa van Leeuwen, Scapino Ballet, *premijera odložena zbog COVID-19).
Od 2019. godine radi kao profesor savremene igre radi u Nemačkoj, Italiji i Srbiji: Minhenu (Iwanson škola savremenog plesa), u Minsteru (Plesni teatar Minster), u Vupertalu/Dizseldorfu (Plesna kompanija Fabien Prioville), u Hanoveru (Plesna tačka Hanover), u Berlinu (Marameo), u Bonu (Cocoon Plesna kompanija), u Kaselu (SOZO vizije u pokretu; Državno pozorište u Kaselu), u Frankfurtu (HfMDK ; Plesna platforma Rhein-Main), u Majncu (Tanzmainz plesna kompanija). U Srbiji, odnosno u Beogradu je podučavala u baletskoj školi Lujo Davičo, a u Italiji, Rimu podučavala je u plesnom studiju Profesionalni plesni odsek (Dance Studio Dipartimento Professionale Danza).
Časovi savremene igre Tijane Prendović su zasnovani na specifičnom pristupu floor-work tehnike koja uključuje akrobatske i atletske elemente. Dinamična energija, koncentracija i kreativnost su ključni aspekti časa. Fokus rada je unapređivanje tehnike kretanja kroz različite nivoe, razvijanje dinamike, i sposobnost plesača da oseti i reaguje na druge plesače u prostoru. Tokom rada sa studentima poseban akcenat će biti na rad u paru, kao što su davanje i primanje težine, poverenje i osluškivanje partnera. Kulminacija časa je iskustvo deljenja grupne energije.
IZVEDENA PLESNA PEPELJUGA PROF. ALEKSANDRA ILIĆA U SKOPLJU
Na sceni Makedonske nacionalne opere i baleta u subotu 19.11.2022. je premijerno izvedena savremena plesna predstava Pepeljuga – Love is in the Air srpskog koreografa Aleksandara Ilića, u izvođenju solista i ansambla baleta ove umetničke kuće u Skoplju. Raskošne kostime, ali pripadajuće vremenu u koje je Ilić smestio radnju priče, uradila je Katarina Radošević Galić, kostimografkinja iz Hrvatske (asistentkinja kostimografkinje Angela Bogeska), scenografiju Filip Korunovski iz Makedonije, dizajn zvuka Georg Draušnik iz Hrvatske, a dizajn svetla je oblikovao Milčo Aleksandrov. Asistentkinje koreografa su Mojca Majcen iz Slovenije i Saša Evtimova, koja će tumačiti ulogu glavne Vile.
– Reč je o poznatoj bajci braće Grim koju smo smestili u savremeni koreografski ambijent. U novoj postavci u izvođenju makedonskog baleta, „Pepeljuga” je malo pomerena u odnosu na bajkoviti i ustaljeni libreto, ali u svakom delu sačuvana je originalnost i poruka ove bajke. Kada me je Olga Pango, direktorka baleta pozvala da radim predstavu, želela je da je publici predstavimo u modernijem kontekstu. Siguran sam da smo uspeli da sačuvamo karakteristike glavnih likova (Princ, Maćeha, sestre), ali i doprineli novom estetskom tumačenju bajke – kaže Aleksandar Ilić.
Radnju predstave, Ilić je smestio u nama bliži period, tačnije u sedamdesete godine prošlog veka, u vreme premijere filma Briljantin sa Džonom Travoltom i Olivijom Njutn Džon u glavnim ulogama.
– Bilo je to vreme koje najbliže opisuju stihovi pesme Bijelog dugmeta „Bitanga i princeza”, ili u našem slučaju princeze i mangupi. Kada je najveći događaj bio izlazak na školsku igranku, ili kada je jedini imperativ bilo druženje, ljubav i žvakaće gume. Prepričavajući na ovaj način radnju „Pepeljuge”, samu bajku smo približili našem vremenu, a omladini i deci, našoj glavnoj publici, ovo delo učinili interesantnijim. Na kraju nisam odstupio od originalnog sinopsisa, od muzike Prokofjeva i svega onoga što i jesu glavne karakteristike ove bajke, a to je ljubav i da će dobrota spasiti svet – poručuje Ilić.
U predstavi Pepeljuga igraju: Hristina Nakjevska (Pepeljuga), Miroslav Mitrašinović (Princ), Saša Evtimova kao glavna Vila, Marija Josifovska Ristovska tumači Maćehu, tu su i sestre Andru Kuk i Kristijan Jangos, ostale vile, žene i muškarci…
Zbog velikog interesovanja premijera dela Pepeljuga je bila rasprodata, a takođe je rasprodata i prva repriza, koja je zakazana za 25. novembar na sceni Makedonske nacionalne opere i baleta.
vest preuzeta sa sajta POLITIKA
Fotografija Sasho Stojanovski
PREMIERE OF NEDA KOVINIC | SILLY FRIENDS
video installation and performance at the opening
the performance is performed by Joana Knežević, Katarina Bućić, Simonida Žarković, and Nevena Radulović
In the ULUS Gallery, on 18th of November 2022. at 7 p.m., a hybrid performance that combines dance, acting and singing was performed, and was developed through collaboration between artists Neda Kovinić and Joana Knežević, Katarina Bućić (assistant professor of the Belgrade Dance Institute), Simonida Žarković, and Nevena Radulović.
The performance was awarded at the 31st Nadežda Petrović Memorial in Čačak with the Gallery Award.
The performance of Silly Friend produces and nurtures relationships and meanings that oppose permanent crises, alienation and destruction through the collectivity of performative practice, relationships of care, trust and compassion; through a landscape and procedural approach to dramaturgy and interdisciplinarity (dance, narrative, singing and painting elements).
Four female performers dance, speak and sing in the space of the gallery, inside an installation of objects and records that raise questions about the definition of women, about female friendship, about imperfection and the crazy as a form of resistance to capitalist society.
Separate actions take place simultaneously, in different places, so that no one has a complete vision of the whole and each observer builds a personal, unique "collage" of performance. Multiple perspectives are united by a common affect. Affect appears as a gesture that the performers build and carry through the space and share with the audience. The title of the performance foregrounds the quality of the relationship between the artist and collaborator, which is both the method and the content of this work. Friends are collaborators in performance, who entrust themselves, their skills, knowledge and feelings both to each other and to the audience.
Silly [1] in the title of the paper points to irrational, witty, imperfect and not-necessarily-productive as principles of resistance to the porno-capitalist society, which encourages and recognizes only super-productive units.
[1] Nina Power (Nine Power) talks about crazy and sweet bodies when she describes the possible actors of feminist pornography, which would not be super functional well-oiled machines (as in mainstream pornography which is inherently misogynistic and violent), but crazy, sweet, imperfect . Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.
Photography by Tanja Drobnjak
IZVEDEN PERFORMANS NEDA KOVINIĆ | LUCKASTE DRUGARICE
video instalacija i performans na otvaranju
performans izvode Joana Knežević, Katarina Bućić, Simonida Žarković, i Nevena Radulović
U Galeriji ULUS, 18.11.2022. u 19h izveden je hibridni perfromans koji spaja ples, glumu i pevanje, a razvijan je kroz saradnju između umetnica Nede Kovinić i Joane Knežević, Katarine Bućić (docenta Instituta za umetničku igru), Simonide Žarković, i Nevene Radulović.
Perfromans je nagrađen na 31. Memorijal Nadežde Petrović u Čačku, nagradom Galerije.
Izvođenje Luckaste drugarice proizvodi i neguje odnose i značenja koja se suprotstavljaju permanentnim krizama, otuđenosti i destrukciji kroz kolektivnost performativne prakse, odnose brige, poverenja i saosećajnosti; kroz pejzažni i procesualni pristup dramaturgiji i interdisciplinarnost (ples, narativ, pevanje i slikarski elementi).
Četiri izvođačice plešu, govore i pevaju u prostoru galerije, unutar instalacije predmeta i zapisa koji postavljaju pitanja o definiciji žene, o ženskom drugarstvu, o nesavršenosti I luckastom kao obliku otpora prema kapitalističkom društvu.
Zasebne radnje se odvijaju istovremeno, na različitim mestima, tako da niko nema potpunu viziju celine i svaki posmatrač gradi lični, jedinstveni “kolaž” izvođenja. Mnogostruke perspektive se objedinjuju zajedničkim afektom. Afekat se pojavljuje kao gest koji izvođačice grade i nose kroz prostor i dele sa publikom. Naslov izvođenja stavlja u prvi plan kvalitet odnosa umetnica-saradnica, koji je i metod i sadržaj ovog rada. Drugarice su saradnice u izvođenju, koje poveravaju sebe, svoje veštine, znanja i osećanja kako jedna drugoj tako i publici.
Luckasto[1]u naslovu rada ukazuje na iracionalno, duhovito, nesavršeno i ne-nužno-produktivno kao principe otpora prema pornokapitalističkom društvu, koje podstiče i priznaje samo superproduktivne jedinice.
[1] Nina Pauer (Nine Power) govori o luckastim i slatkastim telima kada opisuje moguće aktere feminističke pornografije, koji ne bi bili super funkcionalni kao dobropodmazane mašine (kao u mainstream pornografiji koja je inherentno mizogina i nasilna), već luckasti, slatki, nesavršeni. Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.
Fotografija Tanja Drobnjak
HELENA VAZ DE SILVA SPECIAL RECOGNITION TO PROF. DIJANA MILOŠEVIĆ
In the Europa Nostra center in Belgrade on November 18th, 2022, a ceremony was held on the occasion of the awarding of the Special Recognition to Prof. Dijana Milošević. The jury of the Helena Vaz da Silva European Award for Raising Awareness of Cultural Heritage made a decision to award the Special Recognition to our Prof. Dijana Milošević, in recognition of her key role in the defense of European culture and values.
The award ceremony will take place on November 24th at the Gulbenkian Foundation in Lisbon, Portugal.
BELGRADE DANCE INSTITUTE ON AEROWAVES
Metronomy, the graduate performance of the Belgrade Dance Institute, choreographed by Tamara Gvozdenović, was selected among the twenty best productions from 16 countries within THE Twenty23 AEROWAVES. This is the first time that Serbia has not only passed the selection process, but also placed in the top twenty.
Aerowaves is a dance discovery center in Europe that identifies new trends in contemporary dance art and then promotes them worldwide. The network of partners consists of 33 countries, which enable young choreographers to present their contemporary expression to a new audience.
Aerowaves prides itself on its unique role as a link between choreographers, dance developers and dance enthusiasts across Europe.
On July 1st, the graduate performance of Metronomy, choreographed by Tamara Gvozdenović, premiered on the Raša Plaović stage of the National Theater in Belgrade.
Sonja Stojanović, Una Balaž and Angela Mihova performed in front of the committee and the audience, for whom this was the graduate performance, together with Doc. Katarina Bućić, and students of second year at the Institute Miona Petrović and Tijana Ostojić.
The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.
Discussing her production, the choreographer states: We build our common future by considering the contrasts: the construction against the deconstruction, the parallels, the crowd against the loneliness, the in-between, the negative space, the shadow, the transformation of the bodies , the change of the space, the change of the perception and the perspective. “To create, first we will destroy. Everything we have built, we will destroy. We will erase everything we believed in. We will forget all the faces we have seen. We will not start from scratch. We will keep the foundations. In pieces. We will collect. Some will remain. We will choose. Some will be forgotten. Lift up. Step off. Valorize. Destroy.
After studying visual arts in Neuchâtel, Tamara Gvozdenović enrolled the prestigious Trinity Laban Conservatory of Music and Dance in London, where as well our famous choreographer Aleksandar Ilić obtained his Master's degree. After her studies, she presented her first dance production, Sainte Marie Joseph de la Rose, at the Théâtre du Pommier in Neuchâtel, and the following year she created Sous le Cou (p) du Lapin and her third production Light Scream. In 2014, she joined the famous Belgian dance company Peeping Tom in Brussels.
She is the founder of Le Facteur, a dance company formed of a group of artists, based abd working between the Switzerland, France and Belgium. She presented herself to the Belgrade audience last year taking part of the first edition of the Festival Solo with the production Tombés.
Ceremonija dodela nagrade će se održati 24. novembra u Gulbenkian Foundaciji u Lisabonu, Portugalija.
INSTITUT ZA UMETNIČKU IGRU NA AEROWAVES
Metronomija, završna predstava Instituta za umetničku igru u koreografiji Tamare Gvozdenović izabrana je u dvadeset najboljih produkcija iz 16 zemalja u okviru THE Twenty23 AEROWAVES. Ovo je prvi put da je Srbija ne samo prošla selekciju već da se pozicionirala u dvadeset najboljih.
Aerowaves je centar za otkrivanje plesa u Evropi koji identifikuje nove tendencije u savremenoj plesnoj umetnosti a zatim ih promoviše širom sveta. Mrežu partnera čine 33 zemlje, koji omogućavaju mladim koreografima da predstave svoj savremeni izraz novoj publici.
Aerowaves se ponosi svojim jedinstvenom ulogom poveznice između koreografa, plesnih programera i plesnih entuzijasta širom Evrope.
Metronomija je premijerno izvedena 1. jula 2022. godine na sceni Raša Plaović Narodnog pozorišta u Beogradu.
Predstavu su izvele saradnica u nastavi Doc. Katarina Bućić, diplomci odseka Savremena igra: Sonja Stojanović, Angela Mihova, Una Balaž i studentkinje druge godine Instituta za umetničku igru Miona Petrović i Tijana Ostojić.
Originalnu muziku za predstavu potpisuje francuski umetnik Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.
O predstavi koreografkinja navodi: Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, međuprostor, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi.
Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.
Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.
OPEN DOOR WITH TIJANA PRENDOVIĆ
The traditional Open Door will be held on November 24th , 2022. in the Belgrade Dance Institute and include a contemporary dance workshop led by guest professor Tijana Prendović.
The Open Door is intended for students from the first to the fourth year of secondary ballet schools and dance studios.
The contemporary dance workshop will be held from 6:00 p.m. to 8:00 p.m. in the Institute's New Hall.
Applications for participation in the workshops are made via email: katarina.bucic@iui.rs
With the indication: Open door
The application should contain:
The fee for participation is 1500 RSD
Payment is made to the bank account of the Institute: 265167031000009130;
Call number: JMBG of candidate;
Purpose of payment: Open door Tijana Prendović
Example of payment slip:
If you have any questions, you can contact us by email: katarina.bucic@iui.rs or phone: 011/41 40 421
Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.
During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).
Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).
This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.
THE CINDERELLA BALLET BY THE CHOREOGRAPHER ILIĆ ON STAGE IN SKOPJE
In the Macedonian National Opera and Ballet, choreographer Prof. Aleksandar Ilić is nearing the end of the final preparations for the premiere performance of the contemporary dance performance Cinderella - Love is in the Air on Saturday, November 19th, starting at 7:00 p.m., performed by the soloists and ensemble of this company's ballet in Skopje.
As the choreographer states, it is about the famous fairy tale by Brothers Grimm Cinderella, which we placed in a contemporary choreographic setting. In the new staging performed by the Macedonian ballet, our Cinderella is slightly moved in relation to the fairy-tale and established libretto, but in each part the originality and message of this well-known fairy tale is preserved. When the ballet director Olga Pango invited me to do the play, she wanted us to present it to the audience in a more modern context. I am sure that we managed to preserve the characteristics of the main characters (Prince, Stepmother, sisters), but also contributed to a new aesthetic interpretation of the fairy tale. Luxurious costumes but belonging to the time in which we set the story were made by costume designer from Croatia Katarina Radošević Galić (assistant to costume designer Angela Bogeska), set design by Filip Korunovski from Macedonia, sound design by Georg Draušnik from Croatia, and light design by Milčo Aleksandrov. Assistant choreographers are Mojca Majcen from Slovenia and Saša Evtimova, who will interpret the role of the main character Fairy.
The action of the play itself is set in a time period closer to ours, more precisely in the 70s, at the time of the premiere of the famous film Grease (made by Randall Kleiser, starring John Travolta and Olivia Newton-John), when young girls wore flowing dresses, brushed hair with ribbons and ribbons on the head, and men combed their hair in partings. It was a time that is most closely described by the lyrics of the famous song by Bijelo Dugme, The Bastard and the Princess, or in our case, the Princess and the hooligan. When the biggest event was going out to the school dance, or when the only imperative was socializing, love and chewing gum. By retelling the story of Cinderella in this way, we brought the fairy tale itself closer to our time, and made this work more interesting for the youth and children, our main audience. In the end, I did not deviate from the original synopsis, from Prokofiev's music and all that are the main characteristics of this fairy tale, which is Love, and that kindness will save the world.
Aleksandar Ilić recalls that last year at this time he collaborated for the premiere on the play Igra s mitom (Dance with Myth) which was performed at the Zagreb Dance Center (Croatia), then Možiček at the House of Culture in Celje and the House of Culture Velenje (Slovenia), the operas Vladimir and Kosara and Telephone did is in Novi Sad and Sarajevo, and at the end of the season he staged the contemporary dance show Tre Sorelle in Podgorica (Montenegro). As he says, with Skopje, the area of the former Yugoslavia, but also the country where he grew up, is rounded off. What politics divides, art unites, and as he states, the performers of all theaters and companies are part of one big family, regardless of country, religion, continent.
In Ilić's Cinderella, the main roles are played by Hristina Nakjevska - Cinderella, Miroslav Mitrašinović - Prince, Saša Evtimova's main Fairy, Stepmother Marija Josifovska Ristovska, sisters Andru Kuk and Kristijan Jangos, other fairies, women and men, etc.
Due to great interest, both the premiere and the first rerun scheduled for November 25th on the stage of the National Macedonian Opera and Ballet were sold out.
Photography by Aleksandar Paunovski, Poster design by Filip Korunovski.
NEDA KOVINIC | SILLY FRIENDS
video installation and performance at the opening
the performance is performed by Joana Knežević, Katarina Bućić, Simonida Žarković, and Nevena Radulović
The hybrid performance that combines dance, acting and singing was developed through collaboration between artists Neda Kovinić and Joana Knežević, Katarina Bućić (assistant professor of the Belgrade Dance Institute), Simonida Žarković, and Nevena Radulović and will be performed at ULUS Gallery on November 18th, 2022. at 7 p.m.
The performance was awarded at the 31st Nadežda Petrović Memorial in Čačak with the Gallery Award.
The performance of Silly Friend produces and nurtures relationships and meanings that oppose permanent crises, alienation and destruction through the collectivity of performative practice, relationships of care, trust and compassion; through a landscape and procedural approach to dramaturgy and interdisciplinarity (dance, narrative, singing and painting elements).
Four female performers dance, speak and sing in the space of the gallery, inside an installation of objects and records that raise questions about the definition of women, about female friendship, about imperfection and the crazy as a form of resistance to capitalist society.
Separate actions take place simultaneously, in different places, so that no one has a complete vision of the whole and each observer builds a personal, unique "collage" of performance. Multiple perspectives are united by a common affect. Affect appears as a gesture that the performers build and carry through the space and share with the audience. The title of the performance foregrounds the quality of the relationship between the artist and collaborator, which is both the method and the content of this work. Friends are collaborators in performance, who entrust themselves, their skills, knowledge and feelings both to each other and to the audience.
Silly [1] in the title of the paper points to irrational, witty, imperfect and not-necessarily-productive as principles of resistance to the porno-capitalist society, which encourages and recognizes only super-productive units.
[1] Nina Power (Nine Power) talks about crazy and sweet bodies when she describes the possible actors of feminist pornography, which would not be super functional well-oiled machines (as in mainstream pornography which is inherently misogynistic and violent), but crazy, sweet, imperfect . Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.
TRIPTYCHONE FOR EURIDICA
On November 13th, at 9 p.m., the contemporary water dance show Triptychone for Eurydice was premiered at the small pool in Pančevo, choreographed by Tijana Malek, second-year Master's student of the Belgrade Dance Institute and alumni Katarina Stojković. Inspired by Branko Miljković's song of the same name, and with the support of the City of Pančevo, DDT-creative center for movement based this season's production on an innovative idea, to adapt contemporary dance to performance in water, while at the same time the play has all directorial and choreographic elements represented. The performance could not have been realized without the support of PUK Mladost from Pančevo and the Belgrade Dance Institute, because the innovative approach to contemporary dance required multi-institutional support during the organization of the premiere.
The inspiration for the contemporary dance performance Triptychone for Eurydice is Orphean love, which was described by Branko Miljković in the song Annabelle Lee by Edgar Allan Poe and Vladislav Petković Dis in the song Maybe Sleeping. The poem Triptychone for Eurydice exudes the sublimity that death brings, the focus of the research work was the loss of Eurydice and the sublime love that overcomes that loss and death.
The choreography for the performance is created by Katarina Stojković and Tijana Malek. DDT-creative center for movement premiered the piece Triptychone for Eurydice at the JKP Mladost swimming pool in Pančevo, but the dance performance in the water is also possible to perform on the seashore, then on the shore of the lake (Ada Ciganlija, Srebrno jezero, etc.) as and at swimming pools in other cities, in the country and abroad, which is good for the sustainability of the project and post-production, after the premiere performance.
In the role of Orpheus/ Poet - Luka Stojković, Eurydice - Mila Stijak, Hades - Alisa Oravec, Marija Vučenović, Dragana Stanisavljević, Katarina Bućić and Natalija Trifunović. Original music is signed by Danilo Stojković. This season, DDT-creative center for movement is preparing another premiere of the contemporary dance performance The Artist is Absent!, on December 5th in the Cultural Center of Pančevo, which is also supported by the City of Pančevo and the Ministry of Culture and Information, while next year we mark and celebrate the jubilee 20 years of existence and creation.
PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE MARINA BUKVIČKI
In accordance with Article 26 of the Rulebook on Doctoral Academic Studies and the Method and Procedure for the Defense and Evaluation of the Doctoral Dissertation, dated 11.11.2022. year, is placed on
PUBLIC INSIGHT
Doctoral dissertation Ja lutka- I a doll, biographical material as a template for creating a multimedia project, by candidate Marina Bukvički, with the Report of the Commission on the evaluation of the doctoral dissertation are publicly available in the Library of the higher education institution in the period from 11.11.2022. until 12.12.2022. years.
ARMISTICE DAY IN WORLD WAR I 1918 - 2022.
We inform students, professors and associates that, due to the upcoming national holiday, World War I Armistice Day, the Institute will not work on Friday, November 11th, 2022.
THE ACADEMIC FOLKLORE ENSEMBLE OF THE BELGRADE DANCE INSTITUTE IS ENROLLING
The Academic Folklore Ensemble of the Belgrade Dance Institute enrolls participants in the following sections during the month of November:
Call us at phone numbers 065/44-70-1-70; 011/41-40-42-1 or visit us at Bulevar vojvode Mišića 43.
PERFORMING ENSEMBLE
The performing ensemble is an essential part of every cultural and artistic society. The aim of the ensemble is to preserve the traditions of the Serbian people and their intangible cultural heritage with their work, as well as to present them in a dignified manner in the country and abroad. According to their quality and reputation that they enjoy in the folklore world of Belgrade, Serbia, as well as abroad, Performing Ensembles have always been the driving force of cultural and artistic societies. The core of the ensemble consists of high school students, successful students of Belgrade faculties, educators, economists, lawyers, adults with acting experience. Prepared choreographies are ready for all-evening programs made up of very attractive dances and songs from all over Serbia. Harmony of movement, agility, massiveness, practice, regularity, dedication, desire and superb playing technique will be the main features of the aforementioned ensemble. Through this section, students will be affirmed through choreographic works, as well as the ensemble itself, which will perform those works at concerts throughout the country and abroad. Do you want to return to folklore again after a number of missed years?! Are you an active player, and you need a new environment, new plays and songs?! The pursuit of professionalism no longer has to be your dream. Join us!
SCHOOL OF FOLKLORE
Folk dances are extremely important for the adequate development of motor and psychophysical abilities of younger and older children. They encourage individual and group creative expression, strengthen the competitive spirit and the feeling of belonging to the group. The development of children's folklore creativity and the affirmation of Serbian folklore among young generations are the primary goals of this section. In relation to the age of the enrolled children, we will form the following groups:
- younger group (4 and 5 years old),
- middle group (6 and 7 years),
- older group (8 to 10 years),
- mixed group (from 5th to 8th grade).
Children's and youth ensembles would be formed after a certain period during which the playing abilities of children who are already engaged in folk dance at this age would be determined.
Students of the Master's program of the Institute, who have many years of experience in working with children, would introduce children who are encountering folklore for the first time to the world of Serbian tradition in a professional and fun way. Little ones would improve their social skills through play and socializing. The culture, education and health of your children are our first priority. Welcome!
SCHOOL OF MUSIC
Your child is from 7 to 15 years old?! Plays a certain instrument, maybe attends a music school? We can help him master folk music through the performance of folk songs, children's songs in the folk spirit, melodies for the choreography of folk dances, and later, arrangements of more complex musical works. Accordion, violin, double bass, guitar, bass guitar, cello, flute, clarinet, saxophone, drum... are the instruments represented in folk orchestras. Through gradual work with ethnomusicologists, musicians and professors from the Institute, your child will be introduced to the world of Serbian folklore. Join us to perform together!
TIJANA PRENDOVIĆ AT BELGRADE DANCE INSTITUTE
Tijana Prendović, pedagogue of contemporary dance, will hold guest workshops from November 7th to 25th 2022. at the Belgrade Dance Institute.
Tijana Prendović was born in Belgrade in 1990. She graduated from Ballet High School Lujo Davičo, department of contemporary dance. She studied in the Netherlands at the University of the Arts in Amsterdam, where she graduated in 2012, department of contemporary dance.
During 2013, as a freelance artist, she interned in two dance troupes from the Netherlands - Krisztina de Chatel (Dance Group Amsterdam) and Keren Levi (The Dry Piece). In 2014, she performed three performances on the stage of the German theater in Oldenburg, choreographed by Sungyop Hong (Was Sie Bewegt), Sharon Eyal and Gai Behar (Plafona), Guy Weizman and Roni Haver (Finale Grande). From 2014 to 2020, she performed several performances on the stage of the National Theater in Mainz, Germany: 2014/2015. performs My Private Odyssey choreographed by Guy Weizman and Roni Haver; Montreal choreographed by Danièle Desnoyers and José Navas. 2015/2016. performed 4 choreographed by Guy Weizman and Roni Haver; Plafona Now choreographed by Sharon Eyal and Gai Behar; Object choreographed by Garry Stewart; Sehnsucht, limited edition choreographed by Koen Augustijnen. 2016/2017. performs FAM - Red Acts choreographed by Eleonora Lachky; Magma- Fall Seven Times choreographed by Guy Nader and Maria Campos; Shift choreographed by Rui Horta; Hochzeit choreographed by Koen Augustijnen. 2017/2018. performed Impetus in choreography by Guy Nader and Maria Campos; Small Places choreographed by Guy Weizman and Roni Haver. 2018/2019. performs Nothing (choreography by Roy Asaf); Twist (choreography by Victor Quijada) 2019/2020. performs Tambora (choreography by Giuseppe Spoto); 3D (choreography by Mischa van Leeuwen, Scapino Ballet, *premiere postponed due to COVID-19).
Since 2019, she has been working as a professor of contemporary dance in Germany, Italy and Serbia: Munich (Iwanson School of Contemporary Dance), in Münster (Dance Theater Münster), in Wuppertal/Dusseldorf (Fabien Prioville Dance Company), in Hanover (Dance Point Hanover ), in Berlin (Marameo), in Bonn (Cocoon Dance Company), in Kassel (SOZO Visions in Motion; State Theater Kassel), in Frankfurt (HfMDK ; Dance Platform Rhein-Main), in Mainz (Tanzmainz Dance Company). In Serbia, i.e. in Belgrade, she taught at the ballet school Lujo Davico, and in Italy, Rome, she taught at the dance studio Professional Dance Department (Dance Studio Dipartimento Professionale Danza).
This contemporary training is based on a specific approach to floor-work technique that includes acrobatic and athletic elements. Dynamic energy, concentration and fun are key aspects of the class. Participants will train their technical skills while moving through different levels at varying speeds, increasing alertness and developing the capacity to adapt to what’s going on in space.. The training challenges spatial awareness, as well as a dancer’s ability to sense and react to others in space. Partnering skills including inviting and receiving weight, trust, and listening are incorporated in the training. The class culminates with the experience of sharing energy while dancing as a group.
Photography by Andreas Etter
26th FESTIVAL OF CHOREOGRAPHIC MINIATURES
Ognjen Vučinić, professor of contemporary dance at the Belgrade Dance Institute, guest professor of contemporary dance and choreographer Tijana Prendović and alumni Tamara Pjević will act as part of the jury of the 26th Festival of Choreographic Miniatures. In addition to them, the jury includes Petar Đorđevski, the ballet champion of SNG Ljubljana and dramatic director Isidora Goncić.
This year's festival will be held on November 8th on the Raša Plaović stage of the National Theater in Belgrade.
73rd BIRTHDAY OF LITTLE THEATER DUŠKO RADOVIĆ
The Little Theater Duško Radović celebrated its 73rd birthday on October 23rd at 6 p.m. As part of the celebration, annual and jubilee awards were presented, which were decided by a jury consisting of Branislava Stefanović (director), Ana Tomović (director) and Nenad Radović (actor).
Among the presented awards, awards were given to the Assistant Professor of the Belgrade Dance Institute Mila Stijak, and to the third-year student of the Belgrade Dance Institute, Miona Petrović.
A special award for nurturing the musical heritage and incorporating the opera expression into contemporary children's theater was awarded to the performance Children's Room, an opera for children by the composer Milenko Živković, based on the motifs of a short story by Desanka Maksimović, directed by Natalija Stanković and Mateja Đedović, premiered on November 12th and 13th of 2021., on the stage of the Little Theatre Duško Radović. The cast of the opera consists of Biljana Jovanović, Boris Papak, Olivera Krivokuća, Isidora Bogdanović, Sara Ristić, Mina Nikolić, Choir of the Children's Cultural Center Belgrade, soloists of the Vojislav Vučković Music School, participants of the Opera: Past, Present, Perfect! project, dancers of the Ballet Youth Company, and others. The opera was performed under the conductor's baton of maestro Milan Nedeljković, and the choreography was signed by Mila Stijak and Ana Bošković.
Little Theatre Duško Radović also awarded a special award for the introduction of the European model of democracy in the theater for young people, to a dramatic play ''Bolje polje ili igranje republike'' directed by Aleksandra Jelić, based on the text by Bogdan Španjević and choreography by Miona Petrović, a student of the Belgrade Dance Institute, which was created as a result of a dramatic process and creative collaboration with students of the 6th and 8th grades of Ilija Birčanin Elementary School.
OTVORENA VRATA SA TIJANOM PRENDOVIĆ
Otvorena vrata će se održati 24.11.2022. godine u Institutu za umetničku igru i podrazumevaju radionicu savremene igre koju će voditi gostujuća profesorka Tijana Prendović.
Otvorena vrata su namenjena učenicimа od prve do četvrte godine srednjih baletskih škola i plesnih studija.
Radionica savremene igre će se održati od 18.00 do 20.00h u Novoj Sali Instituta.
Prijave za učešće na radionicama se vrše putem maila: katarina.bucic@iui.rs
Sa naznakom: Otvorena vrata
Prijava treba da sadrži:
Kotizacija za učešće iznosi 1500 RSD
Uplata se vrši na ž.r. Instituta broj: 265167031000009130;
Poziv na broj: JMBG kandidata;
Svrha uplate: Otvorena vrata Tijana Prendović
Primer uplatnice:
Ukoliko imate pitanja možete nas kontaktirati na mail: katarina.bucic@iui.rs ili telefon: 011/41 40 421
TIJANA PRENDOVIĆ
Tijana Prendović je rođena u Beogradu 1990. godine. Završila je srednju baletsku školu Lujo Davičo, na odseku savremena igra. Studirala je u Holandiji na Univerzitetu umetnosti u Amsterdamu gde je diplomirala 2012. godine na odseku savremena igra.
Tokom 2013. godine, kao slobodan umetnik stažira u dve plesne trupe iz Holandije - Krisztina de Chatel (Dance Group Amsterdam) i Keren Levi (The Dry Piece). 2014. godine, izvodi tri performansa na sceni nemačkog pozorišta u Oldenburgu čije koreografije potpisuju Sungyop Hong (Was Sie Bewegt), Sharon Eyal i Gai Behar (Plafona), Guy Weizman i Roni Haver (Finale Grande). Od 2014. do 2020. izvodi nekoliko performansa na sceni Narodnog pozorišta u Majncu u Nemačkoj: 2014/2015. godine izvodi My Private Odyssey u koreografiji Guy Weizman i Roni Haver; Montreal u koreografiji Danièle Desnoyers i José Navas. 2015/2016. godine izvodi 4 u koreografiji Guy Weizman i Roni Haver; Plafona Now u koreografiji Sharon Eyal i Gai Behar; Object u koreografiji Garry Stewart; Sehnsucht, limited edition u koreografiji Koen Augustijnen. 2016/2017. godine izvodi FAM - Red Acts u koreografiji Eleonore Lachky; Magma- Fall Seven Times u koreografiji Guy Nader i Maria Campos; Shift u koreografiji Rui Horta; Hochzeit u koreografiji Koen Augustijnen. 2017/2018. godine izvodi Impetus u koreografiji Guy Nader i Maria Campos; Small Places u koreografiji Guy Weizman i Roni Haver. 2018/2019. godine izvodi Nothing (koreografija Roy Asaf); Twist (koreografija Victor Quijada) 2019/2020. godine izvodi Tambora (koreografija Giuseppe Spota) ; 3D ( koreografija Mischa van Leeuwen, Scapino Ballet, *premijera odložena zbog COVID-19).
Od 2019. godine radi kao profesor savremene igre radi u Nemačkoj, Italiji i Srbiji: Minhenu (Iwanson škola savremenog plesa), u Minsteru (Plesni teatar Minster), u Vupertalu/Dizseldorfu (Plesna kompanija Fabien Prioville), u Hanoveru (Plesna tačka Hanover), u Berlinu (Marameo), u Bonu (Cocoon Plesna kompanija), u Kaselu (SOZO vizije u pokretu; Državno pozorište u Kaselu), u Frankfurtu (HfMDK ; Plesna platforma Rhein-Main), u Majncu (Tanzmainz plesna kompanija). U Srbiji, odnosno u Beogradu je podučavala u baletskoj školi Lujo Davičo, a u Italiji, Rimu podučavala je u plesnom studiju Profesionalni plesni odsek (Dance Studio Dipartimento Professionale Danza).
Časovi savremene igre Tijane Prendović su zasnovani na specifičnom pristupu floor-work tehnike koja uključuje akrobatske i atletske elemente. Dinamična energija, koncentracija i kreativnost su ključni aspekti časa. Fokus rada je unapređivanje tehnike kretanja kroz različite nivoe, razvijanje dinamike, i sposobnost plesača da oseti i reaguje na druge plesače u prostoru. Tokom rada sa studentima poseban akcenat će biti na rad u paru, kao što su davanje i primanje težine, poverenje i osluškivanje partnera. Kulminacija časa je iskustvo deljenja grupne energije.
BALET PEPELJUGA KOREOGRAFA ILIĆA NA SCENI U SKOPLJU
U Makedonskoj Nacionalnoj operi i baletu, koreograf Prof. Aleksandar Ilić privodi kraju poslednje pripreme za premijerno izvođenje savremene plesne predstave Pepeljuga - Love is in the Air u subotu 19. novembra s početkom u 19.00 časova, a u izvođenju solista i ansambla baleta ove kuće u Skoplju.
Kako koreograf navodi, radi se o poznatoj bajci Braće Grim Pepeljuga, koju smo smestili u jedan savremeni koreografski ambijent. U novoj postavci u izvođenju makedonskog baleta, naša Pepeljuga je malo pomerena u odnosu na bajkoviti i ustaljeni libreto, ali u svakom delu sačuvana je originalnost i poruka ove poznate bajke. Kada me je direktorka baleta Olga Pango pozvala da radim predstavu, želela je da je publici predstavimo u modernijem kontektsu. Siguran sam da smo uspeli da sačuvamo karakteristike glavnih likova (Princ, Maćeha, sestre), ali i doprineli novom estetskom tumačenju bajke. Raskošne kostime ali pripadajuće vremenu u koje smo smestili radnju priče je uradila kostimografkinja iz Hrvatske Katarina Radošević Galić (asistentkinja kostimografkinje Angela Bogeska), scenografiju Filip Korunovski iz Makedonije, dizajn zvuka Georg Draušnik iz Hrvatske, a dizajn svetla će uraditi Milčo Aleksandrov. Asistentkinje koreografa su Mojca Majcen iz Slovenije i Saša Evtimova, koja će tumačiti ulogu glavne Vile.
Sama radnja predstave je smeštana u nešto nama bliži vremenski period, tačnije u 70 - te, u vreme premijere čuvenog filma Brilijantin (engleski Grease Rendala Klajzera, a u glavinm ulogama Džon Travolta i Olivija Njutn-Džon), kada su mlade devojke nosile lepršave haljine, isfenirane kose sa trakama i rajfovima na glavi, a muškarci začešljavali svoje kose na razdeljak. Bilo je to vreme koje najbliže opisuju stihovi poznate pesme Bijelog dugmeta Bitanga i princeza, ili u našem slučaju princeze i mangupi. Kada je najveći događaj bio izlazak na školsku igranku, ili, kada je jedini imperativ bilo druženje, ljubav i žvakaće gume. Prepričavajući na ovaj način radnju Pepeljuge, samu bajku smo približili našem vremenu, a omladini i deci našoj glavnoj publici, učinili interesantnijim ovo delo. Na kraju nisam odstupio od originalnog sinopsisa, od muzike Prokofjeva i svega onoga što i jesu glavne karakteristike ove bajke, a to je Ljubav, i da će dobrota spasiti svet.
Aleksandar Ilić podseća da je prošle godine u ovo vreme premijerno sarađivao na predstavi Igra s mitom koja je izvedena u Zagrebačkog plesnom centru (Hrvatska), zatim Možiček u Kući kulture u Celju i Domu kulture Velenje (Slovenija), opere Vladimir i Kosara i Telefon uradio je u Novom Sadu i Sarajevu, a krajem sezone postavio je u Podgorici (Crna Gora) savremenu plesnu predstavu Tre Sorelle. Kako kaže, sa Skopljem se zaokružava prostor nekadašnje Jugoslavije, ali i zemlje u kojoj je odrastao. Što politika razdvaja to umetnost spaja, a kako navodi igrači svih pozorišta i kompanija su deo jedne velike porodice bez obzira na državu, religiju, kontinet.
U Ilićevoj Pepeljugi glavne uloge tumače Hristina Nakjevska – Pepeljuga, Miroslav Mitrašinović – Princ, Saša Evtimova glavna Vila, Maćeha Marija Josifovska Ristovska, sestre Andru Kuk i Kristijan Jangos, ostale vile, žene i muškarci i dr.
Zbog velikog interesovanja i premijera i prva repriza koja je zakazana za 25. novembar na sceni Nacionalne Makedonske opere i baleta su rasprodate.
Fotografija Aleksandar Paunovski, plakat Filip Korunovski.
NEDA KOVINIĆ | LUCKASTE DRUGARICE
video instalacija i performans na otvaranju
performans izvode Joana Knežević, Katarina Bućić, Simonida Žarković, i Nevena Radulović
Hibridni perfromans koji spaja ples, glumu i pevanje, razvijan je kroz saradnju između umetnica Nede Kovinić i Joane Knežević, Katarine Bućić (docenta Instituta za umetničku igru), Simonide Žarković, i Nevene Radulović i biće izveden u Galeriji ULUS 18.11.2022. u 19h.
Perfromans je nagrađen na 31. Memorijal Nadežde Petrović u Čačku, nagradom Galerije.
Izvođenje Luckaste drugarice proizvodi i neguje odnose i značenja koja se suprotstavljaju permanentnim krizama, otuđenosti i destrukciji kroz kolektivnost performativne prakse, odnose brige, poverenja i saosećajnosti; kroz pejzažni i procesualni pristup dramaturgiji i interdisciplinarnost (ples, narativ, pevanje i slikarski elementi).
Četiri izvođačice plešu, govore i pevaju u prostoru galerije, unutar instalacije predmeta i zapisa koji postavljaju pitanja o definiciji žene, o ženskom drugarstvu, o nesavršenosti I luckastom kao obliku otpora prema kapitalističkom društvu.
Zasebne radnje se odvijaju istovremeno, na različitim mestima, tako da niko nema potpunu viziju celine i svaki posmatrač gradi lični, jedinstveni “kolaž” izvođenja. Mnogostruke perspektive se objedinjuju zajedničkim afektom. Afekat se pojavljuje kao gest koji izvođačice grade i nose kroz prostor i dele sa publikom. Naslov izvođenja stavlja u prvi plan kvalitet odnosa umetnica-saradnica, koji je i metod i sadržaj ovog rada. Drugarice su saradnice u izvođenju, koje poveravaju sebe, svoje veštine, znanja i osećanja kako jedna drugoj tako i publici.
Luckasto[1]u naslovu rada ukazuje na iracionalno, duhovito, nesavršeno i ne-nužno-produktivno kao principe otpora prema pornokapitalističkom društvu, koje podstiče i priznaje samo superproduktivne jedinice.
[1] Nina Pauer (Nine Power) govori o luckastim i slatkastim telima kada opisuje moguće aktere feminističke pornografije, koji ne bi bili super funkcionalni kao dobropodmazane mašine (kao u mainstream pornografiji koja je inherentno mizogina i nasilna), već luckasti, slatki, nesavršeni. Nina Power, Pornography as a Privileged Mode of Work (46.) One-dimensional woman. 0 Books, 2009.
TRIPTIHON ZA EURIDIKU
13. novembra u 21h na malom bazenu u Pančevu premijerno je izvedena savremena plesna predstava u vodi Triptihon za Euridiku, koreografkinje Tijane Malek, studentkinje II godine Master studija Instituta za umetničku igru i alumnistkinje Katarine Stojković. Inspirisana istoimenom pesmom Branka Miljkovića, a uz podršku Grada Pančeva, DDT-kreativni centar za pokret je ove sezone produkciju zasnovao na inovativnoj ideji, da savremenu igru prilagodi izvođenju u vodi, a da pri tome predstava ima zastupljene sve rediteljsko-koreografske elemente. Predstava ne bi mogla biti realizovana bez podrške JKP Mladost iz Pančeva i Instituta za umetničku igru iz Beograda, jer je inovativni pristup savremenoj igri zahtevao i multiinstitucionalnu podršku prilikom organizacije premijere.
Inspiracija za savremenu plesnu predstavu Triptihon za Euridiku je Orfejska ljubav, koju je pored Branka Miljkovića opisao Edgar Alan Po u pesmi Anabel Li i Vladislav Petković Dis u pesmi Možda spava. Pesma Triptihon za Euridiku odiše uzvišenošću koju smrt donosi, u fokusu istraživačkog rada su bili gubitak Euridike i uzvišena ljubav koja prevazilazi taj gubitak i smrt .
Koreografiju za predstavu potpisuju Katarina Stojković i Tijana Malek. DDT-kreativni centar za pokret je premijerno izveo delo Triptihon za Euridiku na bazenu JKP Mladost u Pančevu, ali je plesna predstava u vodi moguća za izvođenje i na morskoj obali, zatim na obali jezera (Ada Ciganlija, Srebrno jezero, i dr.) kao i na bazenima u drugim gradovima, u zemlji i inostranstvu što je dobro za održivost projekta i postprodukciju, nakon premijernog izvođenja.
U ulozi Orfeja/ Pesnika- Luka Stojković, Euridika- Mila Stijak, Had- Alisa Oravec, Marija Vučenović, Dragana Stanisavljević, Katarina Bućić i Natalija Trifunović. Autorsku muziku potpisuje Danilo Stojković. DDT-kreativni centar za pokret ove sezone sprema još jednu premijeru savremene plesne predstave Umetnik je odsutan !, 5.decembra u Kulturnom Centru Pančeva, koja je takođe podržana od Grada Pančeva i Ministarstva za kulturu i informisanje, dok sledeće godine obeležavamo i proslavljamo jubilarnih 20 godina postojanja i stvaranja.
UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATKINJE MARINE BUKVIČKI
U skladu sa članom 26. Pravilnik o doktorskim akademskim studijama i načinu i postupku odbrane i ocene doktorske disertacije, dana 11.11.2022. godine, stavlja se na
UVID JAVNOSTI
Doktorska disertacija Ja lutka- I a doll, biografski materijal kao predložak za stvaranje multimedijalnog projekta, kandidata Marine Bukvički, sa Izveštajem Komisije o oceni doktorske disertacije javno su dostupni u Biblioteci visokoškolske ustanove u periodu od 11.11.2022. do 12.12.2022. godine.
Obaveštavamo studente, profesore i saradnike da, zbog predstojećeg državnog praznika, Dana primirja u Prvom svetskom ratu, Institut neće raditi u petak, 11. novembra 2022. godine.
AKADEMSKI FOLKLORNI ANSAMBL INSTITUTA ZA UMETNIČKU IGRU VRŠI UPIS
Akademski folklorni ansambl Instituta za umetničku igru tokom meseca novembra vrši upis polaznika u sledeće sekcije:
Javite nam se na brojeve telefona 065/44-70-1-70; 011/41-40-42-1 ili nas posetite na adresi Bulevar vojvode Mišića 43.
IZVOĐAČKI ANSAMBL
Izvođački ansambl je suštinski, esencijalni deo svakog kulturno – umetničkog društva. Cilj ansambla je da svojim radom sačuva tradiciju srpskog naroda i njegovo nematerijalno kulturno nasleđe, kao i da ih predstavi dostojno u zemlji i u inostranstvu. Prema svom kvalitetu i ugledu koji uživa u folklornom svetu Beograda, Srbije, kao i u inostranstvu, Izvođački ansambli su oduvek bili pokretačka snaga kulturno – umetničkih društava. Okosnicu ansambla čine srednjoškolci, uspešni studenti beogradskih fakulteta, prosvetni radnici, ekonomisti, pravnici, odrasli sa igračkim iskustvom. Pripremljene koreografije su spremne za celovečernje programe sačinjene od vrlo atraktivnih igara i pesama iz svih krajeva Srbije. Skladnost pokreta, poletnost, masovnost, uvežbanost, redovnost, predanost, želja i vrhunska igračka tehnika, biće osnovna obeležja pomenutog ansambla. Kroz ovu sekciju vršiće se afirmacija studenata kroz koreografska dela, kao i afirmacija samog ansambla koji će ta dela izvoditi na koncertima širom zemlje i inostranstva. Želite da se ponovo vratite folkloru nakon niza propuštenih godina?! Aktivan ste igrač, a imate potrebu za novim okruženjem, novim igrama i pesmama?! Težnja ka profesionalizmu ne mora više biti Vaš san. Pridružite nam se!
ŠKOLA FOLKLORA
Narodne igre imaju izuzetan značaj za adekvatan razvoj motoričkih i psihofizičkih sposobnosti dece mlađeg i starijeg uzrasta. Podstiču individualno i grupno kreativno izražavanje, pojačavaju takmičarski duh i osećaj pripadnosti grupi. Razvoj dečijeg folklornog stvaralaštva i afirmacija srspkog folklora kod mladih naraštaja su primarni ciljevi ove sekcije. U odnosu na starost upisane dece formiraćemo sledeće grupe:
- mlađa grupa (4 i 5 godina),
- srednja grupa (6 i 7 godina),
- starija grupa (8 do 10 godina),
- mešovita grupa (od 5. do 8. razreda).
Dečiji i omladinski ansambli bi bili formirani nakon određenog perioda tokom kog bi se utvrdile igračke sposobnosti dece koja se već u ovoj dobi bave narodnom igrom.
Studenti master programa Instituta koji imaju dugogodišnje iskustvo u radu sa decom bi na stručan i zabavan način uvodili decu koja se prvi put susreću sa folklorom u svet srpske tradicije. Mališani bi kroz igru i druženje pospešivali svoje društvene sposobnosti. Kultura, vaspitanje i zdravlje Vaše dece su nam na prvom mestu. Dobrodošli!
ŠKOLA MUZIKE
Vaše dete ima od 7 do 15 godina?! Svira odeđeni instrument, možda pohađa muzičku školu? Mi mu možemo pomoći da savlada narodnu muziku kroz izvođenje narodnih pesama, dečijih pesama u narodnom duhu, melodija za koreografije narodnih igara, a kasnije i aranžmanskih složenijih muzičkih dela. Harmonika, violina, kontrabas, gitara, bas gitara, violončelo, frula, klarinet, saksofon, tapan... su instrumenti koji su zastupljeni u narodnim orkestrima. Kroz postepeni rad sa etnomuzikolozima, muzičarima i profesorima sa Instituta Vaše dete će biti uvedeno u svet srpskog folklora. Pridružite nam se da nastupamo zajedno!
Tijana Prendović je rođena u Beogradu 1990. godine. Završila je srednju baletsku školu Lujo Davičo, na odseku savremena igra. Studirala je u Holandiji na Univerzitetu umetnosti u Amsterdamu gde je diplomirala 2012. godine na odseku savremena igra.
Tokom 2013. godine, kao slobodan umetnik stažira u dve plesne trupe iz Holandije - Krisztina de Chatel (Dance Group Amsterdam) i Keren Levi (The Dry Piece). 2014. godine, izvodi tri performansa na sceni nemačkog pozorišta u Oldenburgu čije koreografije potpisuju Sungyop Hong (Was Sie Bewegt), Sharon Eyal i Gai Behar (Plafona), Guy Weizman i Roni Haver (Finale Grande). Od 2014. do 2020. izvodi nekoliko performansa na sceni Narodnog pozorišta u Majncu u Nemačkoj: 2014/2015. godine izvodi My Private Odyssey u koreografiji Guy Weizman i Roni Haver; Montreal u koreografiji Danièle Desnoyers i José Navas. 2015/2016. godine izvodi 4 u koreografiji Guy Weizman i Roni Haver; Plafona Now u koreografiji Sharon Eyal i Gai Behar; Object u koreografiji Garry Stewart; Sehnsucht, limited edition u koreografiji Koen Augustijnen. 2016/2017. godine izvodi FAM - Red Acts u koreografiji Eleonore Lachky; Magma- Fall Seven Times u koreografiji Guy Nader i Maria Campos; Shift u koreografiji Rui Horta; Hochzeit u koreografiji Koen Augustijnen. 2017/2018. godine izvodi Impetus u koreografiji Guy Nader i Maria Campos; Small Places u koreografiji Guy Weizman i Roni Haver. 2018/2019. godine izvodi Nothing (koreografija Roy Asaf); Twist (koreografija Victor Quijada) 2019/2020. godine izvodi Tambora (koreografija Giuseppe Spota) ; 3D ( koreografija Mischa van Leeuwen, Scapino Ballet, *premijera odložena zbog COVID-19).
Od 2019. godine radi kao profesor savremene igre radi u Nemačkoj, Italiji i Srbiji: Minhenu (Iwanson škola savremenog plesa), u Minsteru (Plesni teatar Minster), u Vupertalu/Dizseldorfu (Plesna kompanija Fabien Prioville), u Hanoveru (Plesna tačka Hanover), u Berlinu (Marameo), u Bonu (Cocoon Plesna kompanija), u Kaselu (SOZO vizije u pokretu; Državno pozorište u Kaselu), u Frankfurtu (HfMDK ; Plesna platforma Rhein-Main), u Majncu (Tanzmainz plesna kompanija). U Srbiji, odnosno u Beogradu je podučavala u baletskoj školi Lujo Davičo, a u Italiji, Rimu podučavala je u plesnom studiju Profesionalni plesni odsek (Dance Studio Dipartimento Professionale Danza).
Časovi savremene igre Tijane Prendović su zasnovani na specifičnom pristupu floor-work tehnike koja uključuje akrobatske i atletske elemente. Dinamična energija, koncentracija i kreativnost su ključni aspekti časa. Fokus rada je unapređivanje tehnike kretanja kroz različite nivoe, razvijanje dinamike, i sposobnost plesača da oseti i reaguje na druge plesače u prostoru. Tokom rada sa studentima poseban akcenat će biti na rad u paru, kao što su davanje i primanje težine, poverenje i osluškivanje partnera. Kulminacija časa je iskustvo deljenja grupne energije.
Fotografija Andreas Etter
26. FESTIVAL KOREOGRAFSKIH MINIJATURA
U okviru strčnog žirija 26. Festivala koreografskih minijatura delovaće Ognjen Vučinić, profesor savremene igre Instituta za umetničku igru, gostujuća profesorka savremene igre i koreografkinja Tijana Prendović i alumnistkinja Tamara Pjević. Pored njih u sastavu žirija su i Petar Đorđevski prvak baleta SNG Ljubljana i rediteljka Isidora Goncić.
Ovogodišnji festival će biti održan 8. novembra na sceni Raša Plaović Narodnog pozorišta u Beogradu.
POTPISIVANJE ROMANA SREDIŠNJA PUSTINJA PROFESORA MIOMIRA PETROVIĆA
U sredu, 26. oktobra na beogradskom Sajmu knjiga, na štandu Lagune odigralo se potpisivanje najnovijeg romana Središnja pustinja profesora i pisca Miomira Petrovića. Ovaj roman koji svedoči o životu i univerzitetskom radu autora u Ujedinjenim Arapskim Emiratima, našim ekspatima u Emiratima, običajima i globalističkim dilemama savremenog sveta uskoro će doživeti svoje drugo izdanje. Roman Središnja pustinja je Petrovićev dvadeseti roman i našao se u izboru za godišnju nagradu Bin Zajed Fondacije u UAE, u konkurenciji romana na stranom jeziku koji govore o Emiratima i kulturi Arabijskog poluostrva.
73. ROĐENDAN MALOG POZORIŠTA DUŠKO RADOVIĆ
Malo pozorište Duško Radović je 23. oktobra u 18 sati proslavio 73. rođendan. U okviru proslave uručene su godišnje i jubilarne nagrade, o kojima je odluku doneo žiri koji su činili Branislava Stefanović (rediteljka), Ana Tomović (rediteljka) i Nenad Radović (glumac).
Među uručenim nagradama, dodeljene su nagrade Docentkinji Instituta za umetničku igru Mili Stijak i studentkinji III godine Instituta za umetničku igru Mioni Petrović.
Specijalna nagrada za negovanje muzičkog nasleđa i uključivanje operskog izraza u savremeno dečije pozorište dodeljena je predstavi Dečija soba, opera za decu kompozitora Milenka Živkovića, rađena po motivima kratke priče Desanke Maksimović i u režiji Natalije Stanković i Mateje Đedovića, premijerno izvedena 12. i 13. novembra 2021. godine, na sceni Malog pozorišta Duško Radović. Postavu opere čine Biljana Jovanović, Boris Papak, Olivera Krivokuća, Isidora Bogdanović, Sara Ristić, Mina Nikolić, Hor Dečjeg kulturnog centra Beograd, solisti Muzičke škole Vojislav Vučković, polaznici projekta Opera: Past, Present, Perfect!, igrači Kompanije Balet mladih, i drugi. Opera je izvedena pod dirigentskom palicom maestra Milana Nedeljkovića, a koreografiju potpisuju Mila Stijak i Ana Bošković.
Malo pozorište Duško Radović je takođe dodelio specijalnu nagradu za uvođenje evropskog modela demokratije u pozorište za mlade predstavi Bolje polje ili igranje republike u režiji Aleksandre Jelić, po tekstu Bogdana Španjevića i koreografiji studentkinje Instituta za umetničku igru Mione Petrović, koja je nastala kao rezultat dramskog procesa zajedničkog osmišljavanja sa učenicima 6. i 8. razreda Osnovne škole Ilija Birčanin. Predstava je premijerno izvedena 15. Juna.
CENTRAL DESERT NOVEL SIGNING
Socializing with readers and signing his latest novel Središnja pustinja (Central Desert) (2nd edition, shortlisted for the NIN award and the Vital's award), writer and full-time professor at the Belgrade Dance Institute, Prof. dr Miomir Petrović will present at the IP Laguna stand at the Belgrade Book Fair on Wednesday, October 26th, 2022. starting at 5:30 p.m.
POTPISIVANJE ROMANA SREDIŠNJA PUSTINJA
Druženje sa čitaocima i potpisivanje njegovog poslednjeg romana Središnja pustinja (II izdanje, uži izbor za NIN-ovu nagradu i Vitalovu nagradu), pisac i redovni profesor Instituta za umetničku igru, Prof. dr Miomir Petrović upriličiće na štandu IP Laguna na beogradskom Sajmu knjiga u sredu, 26.10.2022. sa početkom u 17.30h.
ACKNOWLEDGMENT TO THE BELGRADE DANCE INSTITUTE AT THE 13th BOSIFEST 2022
The closing ceremony of the festival and awarding ceremony at the Thirteenth Belgrade International Film Festival for and by people with disabilities, organized by the Handy Center Coliseum, took place on 19.10.2022. in the Yugoslav Cinematheque.
At the awards ceremony, festival director Darko Ivić and festival selector Miroljub Stojanović addressed the audience. The jury of the festival was composed of: Dejan Petrović, screenwriter and director, Marija Stojnić, director and producer of documentary films and Janko Baljak, film and television director. The Grand Prix of the Festival for the best film was awarded to the documentary film Crutch by Sachi Cunningham and Chandler Evans Vayabobo from the USA.
The Institute is a long-term partner of BOSI FEST, where choreographies and performances of students and professors are presented. This year, at the opening of the festival, the choreography Essence by professor Ognjen Vučinić was performed by Master's student Jovana Grujić. Also, this year, associates and students of the Institute: Teodora Živković, Boban Kostić, Lazar Tirić and Nina Horvat, as well as alumni of the School of Engineering Management Jelena Stjepanović and MIlica Stevković participated in the realization of the festival as volunteers.
At the closing ceremony, the Belgrade Dance Institute was presented with a certificate of appreciation for its contribution to the realization of the festival, which was received by Prof. dr Snežana Arnautović Stjepanović, vice dean for teaching.
ZAHVALNICA INSTITUTU ZA UMETNIČKU IGRU NA 13. BOSIFEST-u 2022
Svečana ceremonija zatvaranja festivala i dodela nagrada na Trinaestom Internacionalnom Festivalu Osoba Sa Invaliditetom u organizaciji Hendi Centra Koloseum, upriličena je 19.10.2022. u Jugoslovenskoj Kinoteci.
Na svečanoj dodeli nagrada, prisutnima su se obratili direktor festivala Darko Ivić i selektor festivala Miroljub Stojanović. Žiri festivala radio je u sastvau: Dejan Petrović, scenarista i reditelj, Marija Stojnić, rediteljka i producentkinja dokumentarnih filmova i Janko Baljak, filmski i televizijski reditelj. Grand Prix Festivala za najbolji film dodeljen je dokumentarnom filmu Štaka autora Sachi Cunningham, i Chandler Evansa Vayabobo iz SAD.
Institut je dugogodišnji partner BOSI FESTA u okviru kog se prikazuju koreografije i performansi studenata i profesora. Ove godine na otvaranju festivala prikazana je koreografija Essence profesora Ognjena Vučinića u izvođenju studentkinje master studija Jovane Grujić. Takođe, ove godine saradnici i studenti Instituta: Teodora Živković, Boban Kostić, Lazar Tirić i Nina Horvat, kao i alumnistkinje Fakulteta za inženjerski menadžment Jelena Stjepanović i MIlica Stevković su volonterski učestvovali u realizaciji festivala.
Na svečanom zatvaranju, Institutu za umetničku igru uručena je zahvalnica za doprinos u realizaciji festivala koju je primila Prof. dr Snežana Arnautović Stjepanović, prodekan za nastavu.
59th OCTOBER SALON BELGRADE BIENALE
The 59th October Salon was presented in the Salon of the Belgrade City Museum on October 19th, starting at 12:00 p.m. | Belgrade Biennale 2022, which will be held from October 20th to December 4th, 2022 (January 14th, 2023).
At the conference, they spoke about the concept of the Salon and the program of Prof. Aleksandar Ilić, acting Director of the Cultural Center of Belgrade, Gordana Goncić, representative of the Secretariat for Culture of the City of Belgrade, Radoslav Jokić, Assistant Minister in the Ministry of Culture and Information of the Republic of Serbia, Jelena Medaković - Director of the Museum of the City of Belgrade and Zorana Đaković Minniti, Artistic Director of the 59th October Salon.
OPENING DATES
opening #1
Cultural Centre of Belgrade, Salon of the Belgrade City Museum, University library “Svetozar Marković”, Vojislav M. Jovanović Marambo Legacy House, facade of the Borba magazine building, facade at Makedonska 25, Pavillion at the Flower Square, plateau in front of the Palace of Albania, Danas newspaper, billboards
opening #2
RTS Club Radio Belgrade, Art Hub Kula, MSUB electronic reading room
opening #3
Faculty of Dramatic Arts
opening #4
National Museum in Belgrade
opening #5
Salon of the Museum of Contemporary Art Belgrade, Belgrade City Library Gallery
Admission to all programs is free, and admission to the National Museum of Serbia is free on Sundays.
LOCATIONS
Cultural Centre of Belgrade
– Artget Gallery
– Fine Arts Gallery
– Podroom Gallery
– Film Gallery
– Cultural Centre of Belgrade Movie Theatre
– Official premises
Salon of the Belgrade City Museum
University library “Svetozar Marković”
Vojislav M. Jovanović Marambo Legacy House
Pavillion at the Flower Square
RTS Club Radio Belgrade
Art Hub Kula
Faculty of Dramatic Arts, University of Arts in Belgrade
National Museum in Belgrade
Salon of the Museum of Contemporary Art Belgrade
Belgrade City Library Gallery
The facade of the Borba magazine building
Danas newspaper
Facade of the building of the Institute of International Politics and Economics
Rudnik, Brezovica 32313
Belgrade – Public spaces
FOUNDER AND PATRON
City of Belgrade
BOARD OF THE OCTOBER SALON
Gordana Goncić (president)
Vuk Velickovic
Aleksandar Ilić
Jelena Medaković
Danica Jovović Prodanović
THE ORGANIZER
Cultural Center of Belgrade
More information www.oktobarskisalon.org
Photography by Mateja Stanisavljević/ATAImages
BELGRADE DANCE INSTITUTE’S FRESHMAN CELEBRATION
The freshman year of the School of Engineering Management and the Belgrade Dance Institute will be held on 23rd October 2022. in the Beton Hall Committee, starting at 10 p.m.
The celebration on the occasion of the beginning of studies and the new academic year was organized in cooperation with the Belgrade Business and Art Academy of Applied Studies.
You can get more information by calling the number: 0637105414
BOSIFEST 2022
The thirteenth Belgrade International Film Festival for and by people with disabilities- BOSIFEST 2022, which this year is being held under the slogan Invisible Lines, was officially opened on Monday, October 17th, 2022 at 6:00 p.m. in the Yugoslav Cinematheque.
The program was opened by the Essence choreography of Professor Ognjen Vučinić from the Belgrade Dance Institute, performed by Jovana Grujić, a first-year student of the Master's course in Artistic Dance at the Belgrade Dance Institute.
At BOSIFEST 2022, documentaries dealing with the lives of people with disabilities or written by people with disabilities will be shown.
The festival selector is film critic Miroljub Stojanović, and the members of the jury are: director Janko Baljak, director Marija Stojnić and director Dejan Petrović.
Selector Miroljub Stojanović chose 16 films from Europe, the USA, Canada, and surrounding countries that will be shown during the 3 days of the festival.
The accompanying program of the Festival consists of creative workshops, panels, musical performances.
The festival takes place from October 17th to 19th, 2022 at the Yugoslav Cinematheque, Uzun Mirkova 1.
The festival’s closing ceremony of the festival and award ceremony is on 19.10.2022 at 18:00. At the awards ceremony, the jury will award the Grand Prix of the Festival for the best film, the award for the best director and screenplay, as well as special awards. On that occasion, the Belgrade Dance Institute will be presented with a certificate of appreciation for its contribution to the realization of the festival.
BRUCOŠIJADA INSTITUTA ZA UMETNIČKU IGRU
Brucošijada Fakulteta za inženjerski menadžment i Instituta za umetničku igru održaće se 23.10.2022. u Beton hali Komitet, sa početkom u 22h.
Proslava povodom početka studija i nove akademske godine je organizovana u saradnji sa Beogradskom akademijom poslovnih i umetničkih strukovnih studija.
Više informacija možete dobiti pozivom na broj: 0637105414
BOSIFEST 2022
Trinaesti Beogradski Internacionalni Filmski Festival Osoba Sa Invaliditetom - BOSIFEST 2022. koji se ove godine održava pod sloganom Nevidljive linije svečano je otvoren u ponedeljak 17.10.2022.u 18.00h u Jugoslovenskoj kinoteci.
Program je otvorila koreografija Essence profesora Ognjena Vučinića sa Instituta za umetničku igru u izvođenju Jovane Grujić, studentkinje I godine Master studija Umetnička igra na Institutu za umetničku igru.
Na BOSIFEST-u 2022 biće prikazani dokumentarni filmovi koji se bave životom osoba sa invaliditetom ili su autori osobe sa invaliditetom.
Selektor festivala je filmski kritičar Miroljub Stojanović, a članovi žirija su: reditelj Janko Baljak, rediteljka Marija Stojnić i reditelj Dejan Petrović.
Selektor Miroljub Stojanović odabrao je 16 filmova iz Evrope, SAD-a, Kanade ,zemalja iz okruženja koji će biti prikazani tokom 3 dana festivala.
Prateći program Festivala čine kreativne radionice, paneli, muzički performansi.
Festival se održava od 17. do 19. oktobra 2022. godine u Jugoslovenskoj kinoteci, Uzun Mirkova 1.
Svečana ceremonija zatvaranja festivala i dodela nagrada je 19.10.2022.u 18.00h. Na svečanoj dodeli nagrada, žiri će dodeliti Grand Prix Festivala za najbolji film, nagradu za najbolju režiju i scenario,kao i specijalne nagrade. Tom prilikom će Institutu za umetničku igru biti uručena zahvalnica za doprinos u realizaciji festivala.
PREMIERE OF THE DANCE PERFORMANCE SARA-JE-VO
Miona Petrović, Mojca Majcen and Ognjen Vučinić performed for the first time in the SARA-JE-VO of Balkan Dance Project choreography by Edhem Jesenković as part of the MESS Festival.
The piece was performed on October 5th in the production of the Association Živimo Ballet and the Balkan Dance Project on the stage of the Youth Theater in Sarajevo.
This is a harsh and grotesque but sensitive story about our spaces, breaking the rules and stubbornness. Performed by dancers with strong personalities (Ognjen Vučinić Croatia, Miona Petrović Serbia, Luka Ostrež and Mojca Majcen Slovenia, Ana Kuzmanović and Emir Fejzić Bosnia and Herzegovina) specially selected for the Balkan Dance Project 2022, to music performed by Basheskia (Leonardo Šarić and Nedim Zlatar) .
Living space is a tool where you keep yourself, your identity and privacy. And that space also refers to the feeling of the interior space and contains personal memories, familiar smells, tastes, objects and a recognizable feeling of home. It is a territory that sustains your existence, contains your own beliefs and a place where you gather strength and love, says choreographer Edhem Jesenkovic.
The scenography inspired by the traditional Bosnian stone Stećka is signed by Adis Fejzić, and the executive producer of the play is Nataša Hajdarević.
Photography by Velija Hasanbegović
PROMOTION OF FILM MONOGRAPHY
Prof. dr Miomir Petrović, full professor at the Belgrade Dance Institute and the School of Engineering Management will speak at the promotion of Lije Stojković's book Film as a Propaganda Tool in Nazi Germany. The promotion will take place in the Multimedia Hall of the Vlada Divljan Culture Center on October 6th at 7 p.m.
In addition to Professor Petrović, an author Lija Stojković and Dr. Maja Vukadinović, media expert, will talk about the book. Moderator: Aleksandra Malushev, journalist.
By abusing film and the specific language of moving images, totalitarian regimes developed a new and effective propaganda weapon in the first half of the twentieth century. Due to the influence of historical circumstances, simultaneously with the innovative boom and the growing popularity of the seventh art, Europe was shaken, first by war, then by the October Revolution, the economic crisis and the birth of fascism. While researching the techniques of shaping public opinion, the creators of cultural policies of Nazi Germany, Fascist Italy and the Soviet Union noticed that the young media represents the most effective means of mass communication and manipulation. That is why they formed special departments for propaganda, working out the mechanisms of influence and social control.
FORMAL RECEPTION OF STUDENTS 2022/23.
Today, the School of Engineering Management and Belgrade Dance Institute held a reception for first-year students. The reception started with the singing of the anthem of the Republic of Serbia.
The Dean Prof. dr Vladimir Tomašević, addressed the students and welcomed them on behalf of professors, assistants and associates at the School of Engineering Management. Prof. Dr. Srđan Tomić, vice dean for teaching, also greeted the students and presented a way of working that involves interactivity.
Vice dean for teaching at the Belgrade Dance Institute, Prof. dr Snežana Arnautović Stjepanović also welcomed the first-year students.
The ceremonial reception of students was attended by professors, assistants and associates.
Indexes were also distributed to the students on this occasion.
WHAT IS THE ART OF BALLET IN SARAJEVO TO US?
Prof. Aleksandar Ilić, participated in the final program of Ballet Fest Sarajevo as part of the conference What is the art of ballet today, which took place on September 30th at the Bosnian Institute - Adil Zulfikarpašić Foundation in Sarajevo.
The initiator of the conference and the director of Ballet Fest Sarajevo, Edina Papo, in addition to Aleksandar Ilić and Halid Kuborović, the ballet memoirist, asked questions about the name of the conference itself, the position of ballet artists and dancers of contemporary dance in the region, the education of dancers, repertoire policy, and long-term planning in theaters founded by the state, as well as the status of independence (freelance) dancers.
This year's thirteenth edition of the Ballet Fest Sarajevo festival, organized by the Ballet Association, was officially opened on September 22nd with an exhibition dedicated to ballet champion Minka Kamberović, and ends on October 1st at the Sarajevo National Theater.
IETM BELGRADE PLENARY MEETING 2022
Prof. dr Snežana Arnautović Stjepanović and Prof. Dijana Milošević attended the IETM Belgrade Plenary Meeting 2022, which takes place from September 29th until October 2nd, 2022.
Vice dean for teaching Prof. dr Snežana Arnautović, presented the work of the Belgrade Dance Institute and the Sola Festival project, which will be held next year in Belgrade and Novi Sad from May 26th to 28th, as part of the Teatroskop Regional Collaboration Lab session.
In the program of IETM and Bitef Showcase, the show Dancing Trees will be performed in the Student Park on September 30th, 2022. at 9:00 p.m. directed by Prof. Dijana Milošević.
FORMAL RECEPTION OF STUDENTS AND START OF CLASSES IN THE 2022/23 SCHOOL YEAR
The formal reception of freshmen will be held on October 3rd, 2022 at 9:30 a.m. in classroom 329 (3rd floor), on that day they will be addressed by the dean of the Institute and professors, and then classes will continue according to the schedule that will be announced on September 29th.
Lectures for all years of undergraduate studies will begin on October 3rd, 2022, according to the schedule that will be published on September 29th.
Welcome!
ENROLLMENT IN UPPER YEARS OF UNDERGRADUATE STUDIES IN 2022/2023 YEARS
We inform students that they can enroll in the next year of study until September 30th.
Registration can be done every working day from 10:00 a.m. to 2:00 p.m. in Student Services (Cabinet 332-333).
Enrollment requirements:
You must bring the index to the registration!
INTENSIVE AUTUMN SEMINAR - CLASSICAL BALLET
Ballet master Carlos Montalvan (Cuba) will hold an intensive autumn seminar - classical ballet from September 26th to October 7th at the Belgrade Dance Institute.
The seminar will include classical ballet exercises with an emphasis on technical requirements and their mastery, duet play and repertoire.
The intensive autumn seminar - classical ballet is intended for students of elementary (3rd and 4th grade) and high school ballet schools (1st, 2nd, 3rd and 4th grade), as well as professional dancers.
The class schedule will be announced on Friday, September 23rd.
The final presentation will be performed publicly on October 7th in the hall of the New Space of the Belgrade Dance Institute.
The price of the Intensive autumn seminar - classical ballet is 10,000 RSD.
Classes are free for members of the Youth Ballet company.
Applications should be sent to: teodora.zivkovic@iui.rs
The application should contain:
Example of payment slip:
Purpose of payment: Classical ballet Carlos Montalvan
Payer: First and last name and address of the master class participant
Recipient: Belgrade Dance Institute, Bulevar vojvode Mišića 43, 11000 Belgrade
Bank account number: 265167031000009130
Reference number: Unique Citizens Identity Number of candidate (JMBG in serbian)
Payments must be made by Thursday, September 22nd
For more information, call (011) 41 40 421.
Carlos Montalvan studied classical ballet and contemporary dance at the National Academy in Cuba. He started his career at the Camagey Ballet in Cuba. He played leading roles in Swan Lake, Sleeping Beauty, Carmen, Romeo and Juliet and others. He performed with the most important ballerinas of today such as Paula Acosta, Leticia Giuliani, Luciana Savignano, Carla Fracci and others.
The champion is the Ballet Del Sud in Lecce (Italy) and the artistic director of the Lecce Ballet School.
Video Aleksandar Milošević.
ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.
The Belgrade Dance Institute is announcing the entrance exams for the Master's Studies in Artistic Dance and Master's Studies in Dance Performance - IUI Transition Dance Company for 2022/23. academic year. Master studies are intended for individuals with higher education in art who have at least 180 ECTS credits.
The master program of the Belgrade Dance Institute is intended for ambitious graduates who want to deepen their knowledge in the field of artistic dance, choreography and pedagogy, as well as already achieved professionals who want to improve their knowledge and skills to achieve better personal and professional results.
All interested candidates for Master's studies can receive information on enrollment by prior appointment:
by e-mails: institutzaumetnickuigru@gmail.com and prijave@iui.rs also by phone 011 41 40 421.
Applications are made online via the link:
http://www.iui.rs/upis-na-master-studije
Master of Artistic Dance Studies
The master's study program lasts two years, ie four semesters and consists of sixteen subjects (compulsory and elective) that represent a balance between academic, scientific, professional, professionally applied and theoretical and methodological subjects. Compulsory courses contribute to general expertise, and electives allow students to further specialize in selected majors in order to acquire useful practical and marketable knowledge and skills.
An integral part of the master's program is the master's work of each student, which is the result of harmonizing theory and practice and which the student and his mentor create during the entire duration of the program. After defending the Master's thesis, the student acquires 120 ECTS points and the title of Master of Drama and Audiovisual Artist – Artistic Dance.
The entrance exam for the master's degree in artistic dance will be held on September 20th, 2022. at 15.00.
The entrance exam costs 5000 RSD.
Candidates take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.
Master of Dance Performance Studies IUI Transition Dance Company
Master studies in dance performance - Double achievement: rigorous challenges through life in a dance company and demanding master studies.
IUI Transitions Dance Company is a dance company created within the Belgrade Dance Institute intended for individuals with higher education in art who have at least 180 ECTS credits.
The IUI Transitions Dance Company is simultaneously engaged in education and experimentation in order to find new forms of choreographic and dance vocabulary, and ways of expressing thoughts that the choreographer sets as a task for the dancers.
The result of this way of working should be finding unexpected, stimulating challenges in working on this part, which will be available to a wide audience.
The audition for the Master of Dance Performance Studies will be held on September 21st, 2022. at 12.00. Audition includes floor, center exercises and improvisations (professor assigns improvisation).
The entrance exam costs 5000 RSD.
ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.
The Belgrade Dance Institute is announcing a audition for enrolling students in the first year of doctoral studies in Artistic Dance and Performance.
The study program lasts three years, carries 180 ECTS and after which he acquires the title: Doctor of Arts - Drama and Audiovisual Arts.
Students who have acquired a minimum of 300 ECTS in their previous academic studies can enroll in the study program.
Entrance Exam
The ranking list of students is made on the basis of the achieved success in previous schooling (average grade and length of study) and testing of knowledge, aptitudes and abilities. The type of knowledge, preferences and abilities of the candidate is determined on the basis of an interview conducted by a specially formed commission.
Candidates who apply for the study program Artistic Dance and Performance are required to take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.
Applications for the audition are made online via the link: http://www.iui.rs/upis-na-doktorske-studije or via email: prijave@iui.rs
The entrance exam will be held on September 22nd, 2022 at 2 pm at the Belgrade Dance Institute.
Documents for applying to the audition:
The costs of taking the entrance exam are 5,000.00 RSD.
For all additional information, you can schedule consultations every working day from 9.00 to 17.00 on 011 41 40 421 or by e-mail prijave@iui.rs
ENTRANCE EXAM AND PREPARATORY CLASSES FOR ENROLLMENT IN UNDERGRADUATE STUDIES
The Belgrade Dance Institute has announced the contest for the enrolment in the first year of accredited academic studies of Artistic Dance lasting for three years or six semesters, and the departments which can be enrolled are Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy, and Stage Folk Dance and Music.
After completing this level of studies, a graduate acquires the title of Drama and Audiovisual Artist – Artistic Dance (180 ECTS credits).
Entrance exams will be held on the 20th and 22th of September, whereas preparatory classes and open days will be given from 14th to 16th of September in 2022.
Enrolment exam consists of practical part, general culture test, and English language test.
The practical part of the entrance exam includes the following:
The exam in contemporary dance includes floor, center exercises and improvisations (the professor assigns improvisation);
The choreography exam includes choreography with a short description of up to three minutes (the candidate does not have to perform the choreography himself, he can perform it himself, he provides the music and everything he needs to perform the choreography);
The exam in ballet pedagogy includes a mandatory completed high school ballet and exercises with the stick, in the middle, allegro and exercises on the toes;
The examination in the pedagogy of contemporary dance includes the floor, center exercises and improvisations (the professor assigns improvisation);
The stage folk dance exam includes a practical presentation of a certain number of dances from all ethno-choreological areas of Serbia, the processing of a step pattern in a certain number of beats and the preparation of a choreographic miniature on a specific theme lasting 2 to 3 minutes with a shorter description.
Schedule of the entrance exams:
Before taking the entrance exam, the candidate pays the amount of 2,000 RSD to the faculty account for the costs of holding the exam.
Payment is made to bank account of Institute: 265167031000009130; reference number: Unique Citizens Identity Number of candidate. Purpose of payment: Entrance exam costs.
Preparatory Classes (or College Prep)
The Belgrade Dance Institute holds entrance-exam preparatory classes for undergraduate studies for the departments: Classical Ballet, Contemporary Dance, Choreography, Ballet Pedagogy, Contemporary Dance Pedagogy and Stage Folk Dance and Music.
Preparatory classes will be held from September 14th to 16th of 2022.
Timetables for preparation classes will be published later on the faculty website.
Attendance of preparatory classes for all departments is 5,000.00 RSD.
Payment is made to bank account of Institute: 265167031000009130; reference number: Unique Citizens Identity Number of candidate. Purpose of payment: Costs of preparation classes
Enrolment
Candidates who passed the entrance exam and who are about to enroll the Institute need to submit the following documents:
Tuition fees / Finance
The total costs of studying at the undergraduate level are the most affordable in Serbia (tuition, all textbooks, and scientific and teaching aids, unlimited number of exam applications and semester certification) and amount to EUR 2,000 per year of study (payment at the NBS middle exchange rate on the day of payment).
If the candidate opts for the payment in installments, the student is obliged to pay 40% of the tuition fee at the beginning of the academic year (dinar equivalent at the NBS middle exchange rate on the day of payment), and the rest in eight equal monthly installments at the NBS middle exchange rate on the day of payment.
In the best academic spirit, the Belgrade Dance Institute offers partial or full scholarships for students who, upon application, show the highest quality and potential, as well as the need for financial assistance.
Before taking the entrance exam, a candidate pays to the Institute account the amount of 2,000 RSD for the costs of holding the exam.
Payment is made to the Institute bank account with the number 265167031000009130; reference number – the candidate’s Unique Citizen’s Identity Number (JMBG in Serbian). *
Foreign students
In addition to the above conditions, these students must additionally take care of obtaining visas for the purpose of staying in Serbia during their studies. The Institute is not a guarantor of foreign students during their stay in Serbia, nor does it bear any legal, financial, or moral responsibility towards them or third parties related to their stay in the Republic of Serbia. The students themselves are responsible for obtaining relevant documentation and proving it to the Consular Representation or the Embassy of the Republic of Serbia in order to obtain (a) visa (s). All students who pass the entrance exams and meet all the conditions for enrollment can obtain the relevant certificates that will be sent to the competent authorities for the timely issuance of their visas.
YOU CAN SEND AN APPLICATION FOR ADMISSION TO EMAIL PRIJAVE@IUI.RS OR VIA THE REGISTRATION FORM ON THE WEBSITE.
The application should contain:
For any additional information, you can schedule a consultation every working day from 9:00 a.m. to 5:00 p.m. by phone at 011 41 40 421 or via email institutzaumetnickuigru@gmail.com
A DANCE WITH A MYTH PERFORMED IN ŠIBENIK
As part of the 11th Šibenik Dance Festival, on July 29th at the Barone Fortress in Šibenik, the dance performance Igra s mitom (Dance with myth) was performed and choreographed by Prof. Aleksandar Ilić.
"There is a lot of symbolism in this play, which is not difficult to read. Although I do not deal with political theater or gender matters, this is a woman's story. Four strong female dancers actually say that the world does not belong only to men, but that they (women) rule it," said Prof. Aleksandar Ilić.
His choreographic vision was performed by Katarina Ilijašević, Natalija Trifunović, Jovana Grujić and Katarina Bućić.
To the audience of ŠDF, Prof. Ilić delighted not only with his choreography, but also with additional stage elements.
"Costume and light are additional performers on stage. My plays are quite slow and dark. I love the shadow play. And here, in a sparse light park, we managed to create the desired mystique. My choreographic signature is recognizable by challenging the body reflexes of the players on stage. I want their speech and the sound of their bodies to echo from the stage," Ilić explained.
The costumes are designed by Katarina Radošević Galić and Snežana Arnautović Stjepanović, and the music is adapted by Georg Draušnik. The performance was prepared by Ognjen Vučinić.
More about the play - https://sibenski.slobodnadalmacija.hr/sibenik/kultura/ostalo/ples-s-mitom-na-tvrdavi-barone-misticna-koreografija-umjetnika-iz-beograda-odusevila-sibensku-publiku-1212381
COLLECTIVE ANNUAL HOLIDAY 2022.
We inform professors, associates and students that the School of Engineering Management and the Belgrade Dance Institute will not work during the collective vacation in the period from July 18th, 2022 to September 2nd, 2022.
The first working day is September 5th, 2022.
DEFENSE OF THE DOCTORAL THESIS BY ŽORŽ DRAUŠNIK
On 14.7.2022. in Belgrade, Žorž Draušnik, a candidate for the title of Doctor of Drama and Audiovisual Arts - Artistic Dance and Performance, i.e. a student of Doctoral Studies, began the defense of his Doctoral Dissertation.
Respected colleague Žorž Draušnik presented his work on the topic CULTURAL, MUSICAL AND PRODUCTION RELATIONS OF CONCEPTUALISM AND THEATER ARTISTIC AND SCENOGRAPHIC PRACTICE and presented it publicly in front of the members of the commission formed by the Scientific and Teaching Council of the Faculty of Evaluation and Defense in accordance with Article 26. Statute of the Faculty, consisting of:
After his presentation, respected colleague Draušnik answered all the questions.
The Commission notes that on 14.7.2022. in Belgrade, respected colleague, Žorž Draušnik, successfully defended his Doctoral dissertation on the topic CULTURAL, MUSICAL AND PRODUCTION RELATIONS OF CONCEPTUALISM AND THEATER ARTISTIC AND SCENOGRAPHIC PRACTICE.
According to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment on, Žorž Draušnik has all the rights and obligations arising from the fact that he has a publicly recognized academic title from today PhD in Arts – Drama and Audiovisual Arts.
CONGRATULATIONS!!!!
PREMIERE OF GRADUATE CONCERT KULTURA!
On Saturday, July 9th, the graduation concert KULTURA! by student of the Belgrade Dance Institute, at the Department of Stage Folk Dance and Music, Nevena Antić premiered at the Una Saga Serbica premises, and was sent off with a standing ovation.
At the concert, Nevena's works from the subject of Choreographic Composition will be presented, such as Pošla Rumena's divertissement (a mix of processed dance patterns based on dance motifs from Pirotsko Polje), the love duet Laska inspired by Slovak folk dances and melodies, the quadrille choreographic form Adurmite mndra, a humorous adaptation of a fairy tale The Brothers Grimm's Sleeping Beauty, based on Vlach dances from Bor and its surroundings, the stage adaptation of the Ide Božić Koledo tradition - a carol procession in Leskovačka Morava and the humorous chamber sequence Mustaći. In addition to various choreographic forms, the audience will have the opportunity to enjoy traditional songs from Bosnian Krajina, Prizrenska Gora and from Kosovo and Metohija and in special arrangements by Nevena's professor Ana Babić, and a block of songs will be dedicated and performed in her honor. The mentors of Nevena Antić's work are professor Dr. Anton Andonov and professor Dr. Vesna Bajić Stojiljković.
Sound design: Goran Spasojević
Lighting design: Svetozar Krstić
Camera and editing: Nikola Rogan
Design of promo material: Zoran Stepanović and Anđela Antić
Technical support: Milica Pejić
The text of the program was prepared by: Lazar Barać
Costumes:
Goran Jovanović and the Tošić family
Marko Jevtic
Marko Čorboloković
Alisa Oravec
Zlatko Ruman
Una Saga Serbica
AKUD Lola Belgrade
Catering: Zlatna kruna Smederevo
Dancers:
Ivona Stojanović
Nevenka Bošković
Maria Badivuk
Jovan Rakit
Jasna Vučetić
Isidora Selaković
Milan Maksimović
Jovan Jovanovic
Boban Kostić
Vladimir Drljan
Marko Markovic
Nebojsa Miskovic
Zoran Stepanović
Komnen Šunjevarić
Uroš Novaković
Marko Mrvošević
Nikola Velebit
Nevena Antic
Music artists:
Aleksandar Aca Antic
Nebojsa Brdarić
Bojana Brdarić
Aleksandar Radulović
Milan Mraović
Marko Kostic
Luka Kosanović
Dragan Kozarcic
Nikola Vuckovic
Miroslav Majstorović
GUESTS:
Inclusive singing group Belgrade: Jovana Lazić, Divna Saranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković and Mihailo Riđevac
Percussion ensemble dRumble by Aleksandar Radulović:
Aleksandar Radulović, Mladen Vasojević, Luka Lopičić and Arion Petrovski
Bojana and Nebojsa Brdarić
Producer: Anđela Antić
Choreographer: Nevena Antić
Long live Culture!
DEFENSE OF GRADUATE THESIS BY KSENIJA SINĐIĆ
Distinguished colleague Ksenija Sinjđić, presented her work on the topic Temps lié in all its forms and presented publicly to members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Faculty Statute, consisting of:
After her presentation, the esteemed colleague Ksenija answered all the questions.
Pursuant to the Law on Higher Education of the Republic of Serbia and the Statute of the Faculty, from this moment Ksenija Sinđić has all the rights and obligations arising from the fact that as of today she has a publicly recognized academic title Drama and audiovisual artist – Artistic Dance.
CONGRATULATIONS !!!!
GRADUATE CONCERT CULTURE!
IMPORTANT NOTICE - THE GRADUATION CONCERT CULTURE!, BY STUDENTS OF THE BELGRADE DANCE INSTITUTE, AT THE DEPARTMENT OF STAGE FOLK PLAY AND MUSIC, NEVENA ANTIĆ WILL BE HELD ON SATURDAY, JULY 9th, 2022, STARTING AT 8 P.M. IN THE PREMISES OF UNA SAGA SERBICA, IN MILUTIN MILANKOVIĆA 120D, BLOCK 28, NOVI BELGRADE.
At the concert, Nevena's works from the subject of Choreographic Composition will be presented, such as Pošla Rumena's divertissement (a mix of processed dance patterns based on dance motifs from Pirotsko Polje), the love duet Laska inspired by Slovak folk dances and melodies, the quadrille choreographic form Adurmite mndra, a humorous adaptation of a fairy tale The Brothers Grimm's Sleeping Beauty, based on Vlach dances from Bor and its surroundings, the stage adaptation of the Ide Božić Koledo tradition - a carol procession in Leskovačka Morava and the humorous chamber sequence Mustaći. In addition to various choreographic forms, the audience will have the opportunity to enjoy traditional songs from Bosnian Krajina, Prizrenska Gora and from Kosovo and Metohija and in special arrangements by Nevena's professor Ana Babić, and a block of songs will be dedicated and performed in her honor. The mentors of Nevena Antić's work are professor Dr. Anton Andonov and professor Dr. Vesna Bajić Stojiljković.
Welcome on July 9th at 8 p.m., be ready for more surprises!
Entrance is free.
Sound design: Goran Spasojević
Lighting design: Svetozar Krstić
Camera and editing: Nikola Rogan
Design of promo material: Zoran Stepanović and Anđela Antić
Technical support: Milica Pejić
The text of the program was prepared by: Lazar Barać
Costumes:
Goran Jovanović and the Tošić family
Marko Jevtic
Marko Čorboloković
Alisa Oravec
Zlatko Ruman
Una Saga Serbica
AKUD Lola Belgrade
Catering: Zlatna kruna Smederevo
Dancers:
Ivona Stojanović
Nevenka Bošković
Maria Badivuk
Jovan Rakit
Jasna Vučetić
Isidora Selaković
Milan Maksimović
Jovan Jovanovic
Boban Kostić
Vladimir Drljan
Marko Markovic
Nebojsa Miskovic
Zoran Stepanović
Komnen Šunjevarić
Uroš Novaković
Marko Mrvošević
Nikola Velebit
Nevena Antic
Music artists:
Aleksandar Aca Antic
Nebojsa Brdarić
Bojana Brdarić
Aleksandar Radulović
Milan Mraović
Marko Kostic
Luka Kosanović
Dragan Kozarcic
Nikola Vuckovic
Miroslav Majstorović
GUESTS:
Inclusive singing group Belgrade: Jovana Lazić, Divna Saranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković and Mihailo Riđevac
Percussion ensemble dRumble by Aleksandar Radulović:
Aleksandar Radulović, Mladen Vasojević, Luka Lopičić and Arion Petrovski
Bojana and Nebojsa Brdarić
Producer: Anđela Antić
Choreographer: Nevena Antić
Long live Culture!
A COOPERATION AGREEMENT SIGNED WITH THE VIENNA CONSERVATORIUM IN BUDAPEST
The Dean of Belgrade Dance Institute Prof. Dr. Vladimir Tomašević signed an agreement on cooperation with Prof. Dr. Balogh Gabor, the director of the Vienna Conservatory in Budapest.
The agreement defined future cooperation and the opening of the study program of the Belgrade Dance Institute at the Conservatory in Budapest.
PREMIERE OF GRADUATE PERFORMANCE METRONOMY
On July 1st, the graduate performance of Metronomy, choreographed by Tamara Gvozdenović, premiered on the Raša Plaović stage of the National Theater in Belgrade.
Sonja Stojanović, Una Balaž and Angela Mihova performed in front of the committee and the audience, for whom this was the graduate performance, together with Doc. Katarina Bućić, Miona Petrović and Tijana Ostojić.
The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.
Photography by Nemanja Maraš
RESULTS OF THE ADMISSION EXAMINATION FOR UNDERGRADUATE STUDIES IN THE ACADEMIC YEAR 2022/2023
PREMIJERA PLESNE PREDSTAVE SARA-JE-VO
Miona Petrović, Mojca Majcen i Ognjen Vučinić premijerno su nastupili u plesnoj predstavi SARA-JE-VO Balkan Dance Project-a u koreografiji Edhema Jesenkovića u okviru Festivala MESS.
Predstava je izvedena 5. oktobra u produkciji Udruženja Živimo balet i Balkan Dance Project-a na sceni Pozorišta mladih u Sarajevu.
Ovo je surova i groteskna, ali osetljiva priča o našim prostorima, kršenju pravila i tvrdoglavosti. U izvođenju igrača jakih ličnosti (Ognjen Vučinić Hrvatska, Miona Petrović Srbija, Luka Ostrež i Mojca Majcen Slovenija, Ana Kuzmanović i Emir Fejzić Bosna i Hercegovina) posebno odabranih za Balkan Dance Project 2022, na muziku koju izvodi Basheskia (Leonardo Šarić i Nedim Zlatar).
Životni prostor je sredstvo gde držite sebe, svoj identitet i privatnost. A taj prostor se odnosi i na osećaj unutrašnjeg prostora i sadrži lične uspomene, poznate mirise, ukuse, predmete i prepoznatljiv osećaj doma. To je teritorija koja održava vaše postojanje, sadrži vaša vlastita uverenja i mesto gde skupljate snagu i ljubav, navodi koreograf Edhem Jesenković.
Scenografiju inspirisanu tradicionalnim bosanskim kamenom Stećkom potpisuje Adis Fejzić, a izvršna producentkinja predstave je Nataša Hajdarević.
Fotografija: Velija Hasanbegović
PROMOCIJA FILMOLOŠKE MONOGRAFIJE
Prof. dr Miomir Petrović, redovni profesor na Institutu za umetničku igru i Fakultetu za inženjerski menadžment govoriće na promociji knjige Lije Stojković Film kao sredstvo propagande u nacističkoj Nemačkoj. Promocija će se održati u Multimedijalnoj sali Centra za kulturu Vlada Divljan, 6. oktobra u 19 časova.
Pored profesora Petrovića o knjizi će govoriti Lija Stojković, autorka i Dr Maja Vukadinović, medijski stručnjak. Moderator: Aleksandra Malušev, novinarka.
Zloupotrebom filma ispecifičnog jezika pokretnih slika totalitarni režimi su u prvoj polovini dvadesetog veka razvili novo i efikasno propagandno oružje. Sticajem istorijskih okolnosti, istovremeno sa inovativnim bumom i rastom popularnosti sedme umetnosti, Evropu potresaju, prvo rat, zatim Oktobarska revolucija, ekonomska kriza i rađanje fašizma. Istražujući tehnike oblikovanja javnog mnjenja, kreatori kulturnih politika nacističke Nemačke, fašističke Italije i Sovjetskog Saveza uočili su da mladi medij predstavlja najefikasnije sredstvo masovne komunikacije i manipulacije. Zbog toga su formirali posebna odeljenja za propagandu razrađujući mehanizme uticaja i društvene kontrole.
SVEČANI PRIJEM STUDENATA 2022/23.
Danas je na Fakultetu za inženjerski menadžment upriličen svečani prijem za studente I godine. Svečani prijem je započet intoniranjem himne Republike Srbije.
Studentima se obratio prof. dr Vladimir Tomašević, dekan Fakulteta i poželeo im je dobrodošlicu u ime profesora, asistenata i saradnika na Fakultetu. Prof. dr Srđan Tomić, prodekan za nastavu, je takođe pozdravio studente i predstavio način rada koji podrazumeva interaktivnost.
Prodekan za nastavu Instituta za umetničku igru, Prof. dr Snežana Arnautović Stjepanović je takođe poželela dobrodošlicu studentima prve godine.
Svečanom prijemu studenata prisustvovali su profesori, asistenti i saradnici.
Studentima su ovom prilikom podeljeni i indeksi.
Prof. Aleksandar Ilić, učestvovao u završnom programu Balet Fest Sarajevo u okviru konferencije Šta je nama danas umjetnost baleta koja se održala 30. septembra u Bošnjačkom Institutu – Fondaciji Adila Zulfikarpašića u Sarajevu.
Inicijatorka konferencije i direktorka Balet Fest Sarajevo Edina Papo, pored Aleksandra Ilića i Halida Kuborovića memoariste baleta, postavlala je pitanja samog naziva konferencije, pozicije baletskih umetnika i igrača savremene igre u regionu, obrazovanja igrača, repertoarske politike, dugoročnijim planiranjima u pozorištima čiji su osnivači država, kao i statusom slobosnih igrača.
Ovogodišnje trianesto izdanje festivala Balet Fest Sarajevo u organizaciji udruženja Baleti svečano je otvoreno 22. septembra izložbom posvećenoj prvakinji baleta Minki Kamberović, a završava se 1. oktobra u Narodnom pozorištu Sarajevo.
IETM BELGRADE PLENARY MEETING 2022
Prof. dr Snežana Arnautović Stjepanović i Prof. Dijana Milošević pristustvovale su IETM Belgrade Plenary Meeting 2022 koji se održava od 29.09. do 2.10.2022.
Prodekan za nastavu Prof. dr Snežana Arnautović je u okviru sesije Teatroskop Regional Collaboration Lab predstavila rad Instituta za umetničku igru i projekat Festival Sola koji će se sledeće godine održati u Beogradu i Novom Sadu od 26. do 28 maja.
U programu IETM i Bitef Showcase biće izvedena predstava Drveće pleše u Studentskom parku 30.09.2022. u 21.00 časova u režiji Prof. Dijane Milošević.
SVEČANI PRIJEM BRUCOŠA I POČETAK NASTAVE U ŠKOLSKOJ 2022/23 GODINI
Svečani prijem brucoša će se održati 3. oktobra 2022. godine u 9.30 časova u učionici 329 (III sprat), tog dana će im se obratiti dekan Fakulteta i profesori, a zatim će se nastaviti sa radom prema rasporedu koji će biti objavljen 29. septembra.
Predavanja će za sve godine osnovnih studija početi 3. oktobra 2022. godine prema rasporedu koji će biti objavljen 29. septembra.
Dobrodošli!
Obaveštavamo studente da do 30. 9. mogu da upišu narednu godinu studija.
Upis se može obaviti svakog radnog dana od 10.00 do 14.00 u Studentskoj službi (Kabinet 332-333).
Uslovi za upis:
Na upis obavezno doneti indeks!
INTENZIVNI JESENJI SEMINAR - KLASIČAN BALET
Baletmajstor Karlos Montalvan (Kuba) održaće Intenzivni jesenji seminar - klasičan balet od 26. septembra do 7. oktobra u Institutu za umetničku igru.
Prijava treba da sadrži:
PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2022/23. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
Master program Instituta za umetničku igru namenjen je ambicioznim diplomcima koji žele da prodube znanja iz oblasti umetničke igre, koreografije i pedagogije, kao i već ostvarenim profesionalcima koji žele da unaprede znanja i veštine kako bi postigli što bolje rezultate na ličnom i profesionalnom planu.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje: institutzaumetnickuigru@gmail.com, putem i-mejla: prijave@iui.rs i putem telefona 011 41 40 421.
Prijave se vrše online putem linka:
http://www.iui.rs/upis-na-master-studije
Master studije Umetnička igra
Program master studija traje dve godine, odnosno četiri semestra i sastoji se od šesnaest predmeta (obavezni i izborni) koji predstavljaju ravnotežu između akademsko obrazovnih, naučno stručnih, stručno aplikativnih i teoretsko metodoloških predmeta. Obavezni predmeti doprinose opštoj stručnosti, a izborni omogućuju studentima dodatnu specijalizuju za odabrane smerove kako bi stekli korisno praktično i tržišno upotrebljivo znanje i veštine.
Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
Prijemni ispit za master studije umetnička igra će se održati 20. septembra 2022. godine u 15.00h.
Prijemni ispit se plaća 5000 RSD.
Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Master studije plesnog performansa IUI Transition Dance Company
Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.
IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.
Audicija za Master studije plesnog performansa će se održati 21. septembra 2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).
Prijemni ispit se plaća 5000 RSD.
PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.
Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.
Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.
Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.
Prijemni ispit
Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.
Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs
Prijemni ispit će se održati 21. septembra 2022. godine u 14.00h na Institutu za umetničku igru.
Dokumenta za prijavljivanje na konkurs:
Troškovi polaganja prijemnog ispita iznose 5.000,00 din.
Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs
PRIJEMNI ISPIT I PRIPREMNA NASTAVA ZA UPIS NA OSNOVNE STUDIJE
Institut za umetničku igru raspisao je konkurs za upis studenata na prvu godinu akreditovanih osnovnih akademskih studija u trajanju od tri godine, odnosno šest semestara, iz oblasti umetničke igre za smerove: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Nakon završenog ovog nivoa studija student stiče zvanje Dramski i audiovizuelni umetnik – Umetnička igra (180 ESPB poena).
Prijemni ispiti biće održani od 20. do 22. septembra 2022. godine, dok će se pripremna nastava i konsultacije realizovati od 14. do 16. septembra 2022. godine.
Prijemni ispit
Prijemni ispit se sastoji iz praktičnog dela, testa opšte kulture i poznavanja engleskog jezika.
Praktičan deo prijemnog ispita podrazumeva sledeće:
Ispit iz savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz koreografije podrazumeva koreografiju sa kratkim opisom do tri minuta (kandidat ne mora sam da izvodi koreografiju, može sam da izvodi, sam obezbeđuje muziku i sve što mu je potrebno za izvođenje koreografije);
Ispit iz baletske pedgogije podrazumeva obaveznu završenu srednju baletsku školu i exercises kod štapa, na sredini, allegro i exercises na prstima;
Ispit iz pedagogije savremene igre podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju);
Ispit iz scenske narodne igre podrazumeva praktičan prikaz određenog broja igara iz svih etnokoreoloških oblasti Srbije, obradu obrasca koraka u određenom broju taktova i pripremu koreografske minijature na određenu temu u trajanju od 2 do 3 minuta sa kraćim opisom.
Termini prijemnih ispita
Prijemi za Baletsku pedagogiju 20.09. u 11.00h u sali Novom prostoru
Prijemni za Savremenu igru i Pedagogiju savremene igre 21.09. u 11.00h sali Novom prostoru;
Prijemni za koreografiju 21.09. u 13.00h u sali u Novom prostoru;
Prijemni za Scensku narodnu igru 22.09. u 16.00h u sali 307;
Test opšte kulture 22.09. u 13.00h u kabinetu 329;
Test engleskog jezika 22.09. u 14.00h u kabinetu 329.
Pre polaganja prijemnog ispita kandidat uplaćuje na račun fakulteta iznos od 2.000 dinara za troškove održavanja ispita.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata; Svrha uplate: Troškovi prijemnog ispita.
Pripremna nastava
Institut za umetničku igru održaće pripremnu nastavu za polaganje prijemnih ispita za osnovne studije za odseke: Savremena igra, Koreografija, Baletska pedagogija, Pedagogija savremene igre i Scenska narodna igra i muzika.
Pripremna nastava će se održavati od 14. do 16. septembra 2022. godine.
Satnice za pripremnu nastavu će biti objavljene naknadno na sajtu fakulteta.
Pohađanje priprmne nastave za sve odseke iznosi 5.000,00 RSD.
Uplata se vrši na ž.r. Instituta broj: 265167031000009130; poziv na broj: JMBG kandidata.
Svrha uplate: Troškovi pripremne nastave
Upis
Da bi se kandidat koji je položio prijemni ispit mogao upisati na Institut potrebno je da donese sledeća dokumenta:
Izvod iz matične knjige rođenih;
Svedočanstva sva četiri razreda srednje škole (original ili overena kopija);
Diploma završene srednje škole (original ili overena kopija);
2 fotografije dimenzija 3,5 x 4,5 cm;
Dokaz o izvršenoj uplati školarine.
Školarina / Finansije
Celokupni troškovi studiranja na osnovnim studijama su najpristupačniji u Srbiji (školarina, svi udžbenici i naučno-nastavna sredstva, neograničen broj prijava ispita kao i overa semesetara) i iznose 2000 EUR po godini studija (plaćanje po srednjem kursu NBS na dan uplate).
Ukoliko se kandidat opredeli za varijantu plaćanja u ratama, student je u obavezi da prilikom upisa uplati 40% školarine (dinarska protivvrednost po srednjem kursu NBS na dan uplate), a ostatak na osam jednakih mesečnih rata po srednjem kursu NBS na dan uplate.
Studenti koji nisu građani Republike Srbije
Pored gorenavedenih uslova moraju dodatno da se sami postaraju za dobijanje viza radi boravka u Srbiji tokom studiranja. Institut nije garantor stranim studentima tokom njihovog boravka u Srbiji niti snosi bilo kakvu pravnu-finansijsku-moralnu odgovornost prema njima ili trećim licima vezanima za njihov boravak u Republici Srbiji. Sami studenti su odgovorni za pribavljanje relevantne dokumentacije i dokazivanja Konzularnom predstavništvu ili Ambasadi Republike Srbije radi dobijanja vize(a). Svi studenti koji polože prijemne ispite i steknu sve uslove za upis, mogu da dobiju relevantne potvrde koje će biti upućene nadležnim organima radi blagovremenog izdavanja njihovih viza.
PRIJAVU ZA PRIJEMNI MOŽETE POSLATI NA EMAIL PRIJAVE@IUI.RS ILI PREKO UPISNE FORME NA SAJTU.
Prijava treba da sadrži:
Ime i prezime
Adresu stanovanja
Kontakt email
Kontakt telefon
Prethodno obrazovanje
Izabrani smer (klasičan balet, koreografija, baletska pedagogija, savremena igra, scenska narodna igra, pedagogija savremene igre)
Tip studija (osnovne studije, master studije, doktorske studije)
Godina upisa
Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 telefonom 011 41 40 421 ili institutzaumetnickuigru@gmail.com
IGRA S MITOM IZVEDENA U ŠIBENIKU
U okviru XI Šibesnkog plesnog festivala 29. jula na Tvrđavi Barone u Šibeniku je izvedena plesna predstava Igra s mitom u koreografiji Prof. Aleksandra Ilića.
„U ovoj je predstavi mnogo simbolike koju nije teško iščitati. Iako se ne bavim političkim teatrom ni rodnim stvarima, ovo jest jedna ženska priča. Četiri snažne plesačice zapravo govore da svet ne pripada samo muškarcima, nego da upravo one vladaju njim“, rekao je Prof. Aleksandar Ilić.
Njegovu koreografsku viziju izvele su Katarina Ilijašević, Natalija Trifunović, Jovana Grujić i Katarina Bućić.
Publiku ŠDF-a Prof. Ilić je oduševio ne samo svojom koreografijom, nego i dodatnim scenskim elementima.
„Kostim i svetlo su dodatni izvođači na sceni. Moje predstave su dosta spore i mračne. Volim igru sa senkama. I ovde, u oskudnom svetlosnom parku, uspeli smo stvoriti željenu mistiku. Moj koreografski potpis prepoznatljiv je i po izazivanju igrača na telesne reflekse na sceni. Želim da s pozornice odjekne i njihov govor i zvuk tela“, objasnio je Ilić.
Kostim potpisuju Katarina Radošević Galić i Snežana Arnautović Stjepanović, a adaptaciju glazbe Georg Draušnik. Predstavu je pripremio Ognjen Vučinić.
Više o predstavu pogledajte ovde: https://sibenski.slobodnadalmacija.hr/sibenik/kultura/ostalo/ples-s-mitom-na-tvrdavi-barone-misticna-koreografija-umjetnika-iz-beograda-odusevila-sibensku-publiku-1212381
Obaveštavamo profesore, saradnike i studente da Fakultet za inženjerski menadžment i Institut za umetničku igru neće raditi za vreme kolektivnog godišnjeg odmora u periodu od 18. jula 2022. do 2. septembra 2022.
Prvi radni dan je 5. 9. 2022. godine.
Dana 14.7.2022. u Beogradu, Žorž Draušnik, kandidat za zvanje Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra i performans, odnosno student Doktorskih studija pristupio je odbrani svoje Doktorske disertacije.
Uvaženi kolega Žorž Draušnik je prikazao svoj rad na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE" i izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
1. Prof. dr Sibila Petrevski, Predsednik komisije
2. Prof. Dijana Milošević, član
3. Prof.dr Snežana Arnautović, član
Nakon svog izlaganja uvaženi kolega Draušnik je odgovorio na sva postavljena pitanja.
Komisija konstatuje da je dana 14.7.2022. u Beogradu, uvaženi kolega, Žorž Draušnik uspešno odbranio svoju Doktorsku disertaciju na temu "KULTUROLOŠKI, MUZIKOLOŠKI I PRODUKCIJSKI ODNOSI KONCEPTUALIZMA I KAZALIŠNE UMJETNIČKO-SCENOGRAFSKE PRAKSE"
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Žorž Draušnik ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje
"Doktor dramskih i audiovizuelnih umetnosti – Umetnička igra".
ČESTITAMO!!!!
IZVEDEN DIPLOMSKI KONCERT KULTURA!
U subotu, 9. jula, izveden je diplomski koncert KULTURA! studentkinje Instituta za umetničku igru, na odseku za scensku narodnu igru i muziku, Nevene Antić u prostoru Una Saga Serbica, koji je bio ispraćen uz ovacije.
Na koncertu su bili prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja), ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika je imala priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te je jedan blok pesama bio posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.
Dizajn tona: Goran Spasojević
Dizajn svetla: Svetozar Krstić
Kamera i montaža: Nikola Rogan
Dizajn promo materijala: Zoran Stepanović i Anđela Antić
Tehnička podrška: Milica Pejić
Tekst programa pripremio: Lazar Barać
Kostimi:
Goran Jovanović i porodica Tošić
Marko Jevtić
Marko Čorboloković
Alisa Oravec
Zlatko Ruman
Una Saga Serbica
AKUD Lola Beograd
Ketering: Zlatna kruna Smederevo
Igrači:
Ivona Stojanović
Nevenka Bošković
Marija Badivuk
Jovana Rakita
Jasna Vučetić
Isidora Selaković
Milan Maksimović
Jovan Jovanović
Boban Kostić
Vladimir Drljan
Marko Marković
Nebojša Mišković
Zoran Stepanović
Komnen Šunjevarić
Uroš Novaković
Marko Mrvošević
Nikola Velebit
Nevena Antić
Muzički izvođači:
Aleksandar Aca Antić
Nebojša Brdarić
Bojana Brdarić
Aleksandar Radulović
Milan Mraović
Marko Kostić
Luka Kosanović
Dragan Kozarčić
Nikola Vučković
Miroslav Majstorović
GOSTI:
Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac
Perkusionistički ansambl dRumble Aleksandra Radulovića:
Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski
Bojana i Nebojša Brdarić
Producent: Anđela Antić
Koreograf: Nevena Antić
Živela kultura!
ODBRANA ZAVRŠNOG RADA KSENIJE SINĐIĆ
Nakon svog izlaganja uvažena koleginica Ksenija je odgovorila na sva postavljena pitanja.
Dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!!!
DIPLOMSKI KONCERT KULTURA!
VAŽNO OBAVEŠTENJE - DIPLOMSKI KONCERT KULTURA!, STUDENTKINJE INSTITUTA ZA UMETNIČKU IGRU, NA ODSEKU ZA SCENSKU NARODNU IGRU I MUZIKU, NEVENE ANTIĆ BIĆE ODRŽAN U SUBOTU 9. JULA 2022 SA POČETKOM U 20 ČASOVA U PROSTORU UNA SAGA SERBICA, U MILUTINA MILANKOVIĆA 120D, BLOK 28, NOVI BEOGRAD.
Na koncertu će biti prikazani Nevenini radovi sa predmeta Koreografska kompozicija, kao što su divertisman Pošla Rumena (splet obrađenih igračkih obrazaca po motivima na igre iz Pirotskog Polja), ljubavni duet Laska inspirisan slovačkim narodnim igrama i melodijama, kadrilna koreografska forma Adurmite mndra humoristična obrada bajke Uspavana lepotica Braće Grim, po motivima na vlaške igre iz Bora i okoline, scenska obrada običaja Ide Božić Koledo -koledarski ophod u Leskovačkoj Moravi i humoristični kamerni siže Mustaći. Pored različitih koreografskih formi, publika će imati priliku da uživa u tradicionalnim pesmama iz Bosanske Krajine, Prizrenske Gore i sa Kosova i Metohije i u posebnim aranžmanima Nevenine profesorke Ane Babić, te će jedan blok pesama biti posvećen i izveden njoj u čast. Mentori radova Nevene Antić su profesor dr Anton Andonov i profesorka dr Vesna Bajić Stojiljković.
Dobrodošli 9.jula u 20 časova, spremni na još iznenađenja!
Ulaz je slobodan.
Dizajn tona: Goran Spasojević
Dizajn svetla: Svetozar Krstić
Kamera i montaža: Nikola Rogan
Dizajn promo materijala: Zoran Stepanović i Anđela Antić
Tehnička podrška: Milica Pejić
Tekst programa pripremio: Lazar Barać
Kostimi:
Goran Jovanović i porodica Tošić
Marko Jevtić
Marko Čorboloković
Alisa Oravec
Zlatko Ruman
Una Saga Serbica
AKUD Lola Beograd
Ketering: Zlatna kruna Smederevo
Igrači:
Ivona Stojanović
Nevenka Bošković
Marija Badivuk
Jovana Rakita
Jasna Vučetić
Isidora Selaković
Milan Maksimović
Jovan Jovanović
Boban Kostić
Vladimir Drljan
Marko Marković
Nebojša Mišković
Zoran Stepanović
Komnen Šunjevarić
Uroš Novaković
Marko Mrvošević
Nikola Velebit
Nevena Antić
Muzički izvođači:
Aleksandar Aca Antić
Nebojša Brdarić
Bojana Brdarić
Aleksandar Radulović
Milan Mraović
Marko Kostić
Luka Kosanović
Dragan Kozarčić
Nikola Vučković
Miroslav Majstorović
GOSTI:
Inkluzivna pevačka grupa Beograd: Jovana Lazić, Divna Šaranović, Jelena Mišković, Danica Tasić, Marko Luković, Igor Despotović, Kosta Milenković i Mihailo Riđevac
Perkusionistički ansambl dRumble Aleksandra Radulovića:
Aleksandar Radulović, Mladen Vasojević, Luka Lopičić i Arion Petrovski
Bojana i Nebojša Brdarić
Producent: Anđela Antić
Koreograf: Nevena Antić
Živela kultura!
POTPISAN SPORAZUM O SARADNJI S VIENNA KONZERVATORIJUMOM U BUDIMPEŠTI
Dekan Prof. dr Vladimir Tomašević potpisao je sporazum o saradnji sa Prof. dr Balogh Gaborom direktorom Vienna Konzervatorijuma u Budimpešti.
Sporazumom su definisane buduće saradnje i otvaranje studijskog programa Instituta za umetničku igru na Konzervatorijumu u Budimpešti.
IZVEDENA ZAVRŠNA PREDSTAVA METRONOMIJA
Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula je premijerno izvedena završna predstava Metronomija u koreografiji Tamare Gvozdenović.
Pred komisijom i publikom predstavu su izvele Sonja Stojanović, Una Balaž i Angela Mihova kojima je ovo bila završna predstava, zajedno sa Katarinom Bućić, Mionom Petrović i Tijanom Ostojić.
Originalnu muziku za predstavu potpisuje Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.
Fotografija Nemanja Maraš
REZULTATI PRIJEMNOG ISPITA ZA OSNOVNE STUDIJE AKADEMSKE 2022/2023 GODINE
GRADUATE PERFORMANCE METRONOMY
The dance piece Metronomy, created by the Serbian-Belgian choreographer Tamara Gvozdenović, will premiere at the National Theater on the Raša Plaović stage in Belgrade on July the 1st at 20.30h.
The production stars Katarina Bućić, Sonja Stojanović, Angela Mihova, Una Balaž, Miona Petrović and Tijana Ostojić.
The original music for this production is signed by the French artist Kangding Ray, while the assistant choreographer is Ognjen Vučinić.
Discussing her production, the choreographer states: We build our common future by considering the contrasts: the construction against the deconstruction, the parallels, the crowd against the loneliness, the in-between, the negative space, the shadow, the transformation of the bodies , the change of the space, the change of the perception and the perspective. “To create, first we will destroy. Everything we have built, we will destroy. We will erase everything we believed in. We will forget all the faces we have seen. We will not start from scratch. We will keep the foundations. In pieces. We will collect. Some will remain. We will choose. Some will be forgotten. Lift up. Step off. Valorize. Destroy.
After studying visual arts in Neuchâtel, Tamara Gvozdenović enrolled the prestigious Trinity Laban Conservatory of Music and Dance in London, where as well our famous choreographer Aleksandar Ilić obtained his Master's degree. After her studies, she presented her first dance production, Sainte Marie Joseph de la Rose, at the Théâtre du Pommier in Neuchâtel, and the following year she created Sous le Cou (p) du Lapin and her third production Light Scream. In 2014, she joined the famous Belgian dance company Peeping Tom in Brussels.
She is the founder of Le Facteur, a dance company formed of a group of artists, based abd working between the Switzerland, France and Belgium. She presented herself to the Belgrade audience last year taking part of the first edition of the Festival Solo with the production Tombés.
Confirmations of arrival and reservations are made via email teodora.zivkovic@iui.rs
GRADUATE PERFORMANCE LOVERS
The graduation performance LOVERS by Andrea Dobrić, Nina Pantović and Ana Gliksman, premieres on the stage of the Theater on Hill (Teatar na Brdu) on Monday, June 27th, starting at 8 p.m.
Given our closeness, we decided to unite personal experiences and make a piece that we can live while dancing, and which deals with falling in love and love itself.
What makes love relationships specific is that they are at the same time an exploration of ourselves through someone else; it largely depends on our will to open up, on our ability to overcome fears and give faith to our feelings.
Especially in the modern age, the concept of love relationships is complicated and it seems as if it is moving further and further away from its essence, which lies in what is right, what is biological and primordial for every human being.
This play does not trivialize love by giving an answer to the question of what it really is or how to experience it correctly.
Our wish is to give the audience a basis to feel love through this play, because its greatest beauty is that it can only be felt in its own way,
the authors state.
Performers: Djordje Galić, Dejan Bošković, Dimitrije Cincar Kostić, Ana Gliksman, Andrea Dobrić and Nina Pantović.
Creative associate: Sara Radulović;
Costume design: Nataša Vranešević;
Light design: Vladimir Živanović;
Music: Miloš Stevanović;
Mix and master: Nemanja Obrenović;
Photography: Jana Andjić.
PREMIERE OF GRADUATE PERFORMANCE
Virgina (BalkanAberIca)
On June 23rd, 2022, the graduate performance of student Tamara Ljesar from the Department of Stage Folk Dance and Music of the Belgrade Dance Institute, Virgina (BalkanAberIca) premiered at the crowded Vuk Theater.
Inspired by field work, many years of professional education, but also the knowledge acquired at the Institute, the author premieres a dance-drama concert based on tradition through a contemporary point of view. The life cycle of a man and his emotional states are presented through 5 choreographies, 4 of which are the author's works. Each shows different doubts and struggles, as an integral part of life and growing up. In addition to the dance, music was also presented, through vocal-instrumental performance of traditional and composed melodies modeled on traditional music.
The name of the project describes it through the three most prominent segments.
BALKAN - a review of the climate and the people.
ABER - news that is transmitted, in this case, only a performance.
ICA - a vocal sequel for the female gender, which alludes to a woman artist.
The project was realized with the aim of presenting the tradition in a modern spirit, in the author's own way.
Directed by: Tamara Ljesar
Choreography: Tamara Ljesar
Dramaturgy: Mina Milošević i Tamara Ljesar
Costume design: Tamara Ljesar
Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar
Light design: Tamara Ljesar
Sound design: Luka Kosanović i Aleksandar Petrović
Graphic design: Teodora Živković
Photography: Martin Krivokapić
Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur
Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević
Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović
Dancers: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić
CONGRATULATIONS!!!
Photography by Nata Korenovskaia
ZAVRŠNA PREDSTAVA METRONOMIJA
Na sceni Raša Plaović Narodnog pozorišta u Beogradu 1. jula s početkom u 20.30 časova premijerno će biti izvedena plesna predstava Metronomija u koreografiji srpsko - belgijske umetnice Tamare Gvozdenović.
U predstavi igraju saradnica u nastavi Doc. Katarina Bućić, diplomci odseka Savremena igra: Sonja Stojanović, Angela Mihova, Una Balaž i studentkinje druge godine Instituta za umetničku igru Miona Petrović i Tijana Ostojić.
Originalnu muziku za predstavu potpisuje francuski umetnik Kangding Ray, a asistent koreografkinje je Ognjen Vučinić.
O predstavi koreografkinja navodi: Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, međuprostor, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi.
Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.
Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.
Potvrde dolaska i rezervacije se vrše putem mejla teodora.zivkovic@iui.rs
IZVEDENA DIPLOMSKA PREDSTAVA VIRDŽINA
Virdžina (BalkanAberIca)
U prepunom Teatru Vuk, 23. juna 2022. godine, premijerno je prikazana završna predstava Virdžina (BalkanAberIca), studentkinje Tamare Ljesar sa odseka Scenska narodna igra i muzika Instituta za umetničku igru.
Inspirisana terenskim radom, višegodišnjim stručnim edukacijama, ali i znanjem stečenim na Institutu, autorka premijerno prikazuje plesno-dramski koncert koji se bazira na tradiciji kroz savremeno gledište. Životni ciklus čoveka i njegova emocionalna stanja, prikazani su kroz 5 koreografija, od kojih su 4 autorkina dela. Svaka prikazuje različite nedoumice i borbe, kao sastavni deo života i odrastanja. Pored igre, predstavljena je i muzika, kroz vokalno-instrumentalno izvođenje tradicionalnih i komponovanih melodija po uzoru na tradicionalnu muziku.
Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.
BALKAN - osvrt na podneblje i narod.
ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.
ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.
Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.
Režija: Tamara Ljesar
Koreografija: Tamara Ljesar
Dramaturgija: Mina Milošević i Tamara Ljesar
Kostim: Tamara Ljesar
Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar
Dizajn svjetla: Tamara Ljesar
Dizajn zvuka: Luka Kosanović i Aleksandar Petrović
Grafički dizajn: Teodora Živković
Fotografija: Martin Krivokapić
Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur
Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević
Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović
Igrači: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić
ČESTITAMO!!!!
Fotografija Nata Korenovskaia
VISIT TO THE VIENNA CONSERVATORIUM IN BUDAPEST
Prof. Dr. Balogh Gabor, Director of the Vienna Conservatory in Budapest, hosted today the professors of the Belgrade Dance Institute and the School of Engineering Management.
In a conversation with the vice-dean of the Belgrade Dance Institute, Prof. Dr. Snežana Arnautović Stjepanović, Vice Dean for Teaching at the School of Engineering Management Prof. dr Srđan Tomić and Prof. Aleksandar Ilić, they opened potential possibilities for collaboration between the two institutions and international cooperation.
The next meeting is scheduled in Belgrade, when a cooperation agreement will be signed.
ENTRANCE EXAM FOR DOCTORAL STUDIES ARTISTIC DANCE AND PERFORMANCE FOR 2022/23.
The Belgrade Dance Institute is announcing a audition for enrolling students in the first year of doctoral studies in Artistic Dance and Performance.
The study program lasts three years, carries 180 ECTS and after which he acquires the title: Doctor of Arts - Drama and Audiovisual Arts.
Students who have acquired a minimum of 300 ECTS in their previous academic studies can enroll in the study program.
Entrance Exam
The ranking list of students is made on the basis of the achieved success in previous schooling (average grade and length of study) and testing of knowledge, aptitudes and abilities. The type of knowledge, preferences and abilities of the candidate is determined on the basis of an interview conducted by a specially formed commission.
Candidates who apply for the study program Artistic Dance and Performance are required to take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.
Applications for the audition are made online via the link: http://www.iui.rs/upis-na-doktorske-studije or via email: prijave@iui.rs
The entrance exam will be held on July 5th, 2022 at 3 pm at the Belgrade Dance Institute.
Documents for applying to the audition:
The costs of taking the entrance exam are 5,000.00 RSD.
For all additional information, you can schedule consultations every working day from 9.00 to 17.00 on 011 41 40 421 or by e-mail prijave@iui.rs
ENTRANCE EXAM AND ENROLLMENT IN THE MASTER STUDIES ARTISTIC DANCE FOR THE ACADEMIC 2022/23.
The Belgrade Dance Institute is announcing the entrance exams for the Master's Studies in Artistic Dance and Master's Studies in Dance Performance - IUI Transition Dance Company for 2022/23. academic year. Master studies are intended for individuals with higher education in art who have at least 180 ECTS credits.
The master program of the Belgrade Dance Institute is intended for ambitious graduates who want to deepen their knowledge in the field of artistic dance, choreography and pedagogy, as well as already achieved professionals who want to improve their knowledge and skills to achieve better personal and professional results.
All interested candidates for Master's studies can receive information on enrollment by prior appointment:
by e-mails: institutzaumetnickuigru@gmail.com and prijave@iui.rs also by phone 011 41 40 421.
Applications are made online via the link:
http://www.iui.rs/upis-na-master-studije
Master of Artistic Dance Studies
The master's study program lasts two years, ie four semesters and consists of sixteen subjects (compulsory and elective) that represent a balance between academic, scientific, professional, professionally applied and theoretical and methodological subjects. Compulsory courses contribute to general expertise, and electives allow students to further specialize in selected majors in order to acquire useful practical and marketable knowledge and skills.
An integral part of the master's program is the master's work of each student, which is the result of harmonizing theory and practice and which the student and his mentor create during the entire duration of the program. After defending the Master's thesis, the student acquires 120 ECTS points and the title of Master of Drama and Audiovisual Artist – Artistic Dance.
The entrance exam for the master's degree in artistic dance will be held on June 30th, 2022. at 14.00.
The entrance exam costs 5000 RSD.
Candidates take the entrance exam, which consists of an analysis of the portfolio of artistic and professional works of candidates as well as interviews with the Commission.
Master of Dance Performance Studies IUI Transition Dance Company
Master studies in dance performance - Double achievement: rigorous challenges through life in a dance company and demanding master studies.
IUI Transitions Dance Company is a dance company created within the Belgrade Dance Institute intended for individuals with higher education in art who have at least 180 ECTS credits.
The IUI Transitions Dance Company is simultaneously engaged in education and experimentation in order to find new forms of choreographic and dance vocabulary, and ways of expressing thoughts that the choreographer sets as a task for the dancers.
The result of this way of working should be finding unexpected, stimulating challenges in working on this part, which will be available to a wide audience.
The audition for the Master of Dance Performance Studies will be held on July 4th, 2022. at 12.00. Audition includes floor, center exercises and improvisations (professor assigns improvisation).
The entrance exam costs 5000 RSD.
PRIJEMNI ISPIT ZA DOKTORSKE STUDIJE UMETNIČKA IGRA I PERFORMANS ZA 2022/23.
Institut za umetničku igru raspisuje konkurs za upis studenta u prvu godinu doktorskih studija Umetnička igra i performans.
Studijski program traje tri godine, nosi 180 ESPB i nakon čega se stiče zvanje: Doktor umetnosti – dramske i audiovizuelne umetnosti.
Na studijski program se mogu upisati studenti koji su u prethodnom školovanju na akademskim studijama stekli minimum 300 ESPB.
Prijemni ispit
Rang lista studenata se pravi na osnovu ostvarenog uspeha u prethodnom školovanju (prosečna ocena i dužina studiranja) i provere znanja, sklonosti i sposobnosti. Vrsta znanja, sklonosti i sposobnosti kandidata utvrđuje se na osnovu intervjua koji obavlja posebno formirana komisija.
Kandidati koji konkurišu na studijski program Umetnička igra i performans su obavezni da polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Prijave na konkurs se vrše online putem linka: http://www.iui.rs/upis-na-doktorske-studije ili putem maila: prijave@iui.rs
Prijemni ispit će se održati 5.jula 2022. godine u 15.00h na Institutu za umetničku igru.
Dokumenta za prijavljivanje na konkurs:
Troškovi polaganja prijemnog ispita iznose 5.000,00 din.
Za sve dodatne informacije možete zakazati konsultacije svakog radnog dana od 9.00 do 17.00 časova na 011 41 40 421 ili na mail prijave@iui.rs
PRIJEMNI ISPIT I UPIS NA MASTER STUDIJE UMETNIČKA IGRA ZA AKADEMSKU 2022/23.
Institut za umetničku igru raspisuje prijemne ispite za Master studije Umetnička igra i Master studije plesnog performansa – IUI Transition Dance Company za 2022/23. akademsku godinu. Master studije su namenjene pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
Master program Instituta za umetničku igru namenjen je ambicioznim diplomcima koji žele da prodube znanja iz oblasti umetničke igre, koreografije i pedagogije, kao i već ostvarenim profesionalcima koji žele da unaprede znanja i veštine kako bi postigli što bolje rezultate na ličnom i profesionalnom planu.
Svi zainteresovani kandidati za Master studije mogu da dobiju informacije o upisu uz prethodno zakazivanje: institutzaumetnickuigru@gmail.com, putem i-mejla: prijave@iui.rs i putem telefona 011 41 40 421.
Prijave se vrše online putem linka:
http://www.iui.rs/upis-na-master-studije
Master studije Umetnička igra
Program master studija traje dve godine, odnosno četiri semestra i sastoji se od šesnaest predmeta (obavezni i izborni) koji predstavljaju ravnotežu između akademsko obrazovnih, naučno stručnih, stručno aplikativnih i teoretsko metodoloških predmeta. Obavezni predmeti doprinose opštoj stručnosti, a izborni omogućuju studentima dodatnu specijalizuju za odabrane smerove kako bi stekli korisno praktično i tržišno upotrebljivo znanje i veštine.
Sastavni deo master programa, čini Master rad svakog studenta, koji je rezultat usaglašavanja teorije i prakse a koji student sa svojim mentorom izrađuje tokom celokupnog trajanja programa. Nakon odbrane Master rada student stiče 120 ESPB bodova i zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
Prijemni ispit za master studije umetnička igra će se održati 30.06.2022. godine u 14.00h.
Prijemni ispit se plaća 5000 RSD.
Kandidati polažu prijemni ispit, koji se sastoji od analize portfolija umetničkih i stručnih radova kandidata kao i razgovora sa Komisijom.
Master studije plesnog performansa IUI Transition Dance Company
Master studije plesnog performansa – Dvostruko dostignuće: rigorozni izazovi kroz život u plesnoj kompaniji i zahtevne master studije.
IUI Transitions Dance Company je plesna kompanija nastala u okviru Instituta za umetničku igru namenja pojedincima s visokoškolskim obrazovanjem iz umetnosti koji poseduju najmanje 180 ECTS bodova.
IUI Transitions Dance Company istovremeno se bavi obrazovanjem i eksperimentisanjem radi pronalaženja novih oblika koreografskog i igračkog vokabulara, i načina izražavanja misli koje koreograf kao zadatak stavlja pred igrače.
Rezultat takvog načina rada treba da bude pronalaženje neočekivanih, podsticajnih izazova pri radu na ovom delu, koje će biti dostupno širokom auditorijumu.
Audicija za Master studije plesnog performansa će se održati 4.07.2022. godine u 12.00h. Audicija podrazumeva pod, vežbe na centru i improvizacije (profesor zadaje improvizaciju).
Prijemni ispit se plaća 5000 RSD.
PUBLIC INSIGHT OF THE DOCTORAL DISSERTATION OF CANDIDATE ŽORŽ DRAUŠNIK
Doctoral dissertation Cultural, musicological and production relations of conceptualism and theatrical artistic and scenographic practice, by candidate Žorž Draušnik, with the Report of the Commission on the evaluation of the doctoral dissertation are publicly available in the Library of the higher education institution in the period from 10.06.2022. to 07.10.2022.
Photography by V. Veličković
UVID JAVNOSTI DOKTORSKE DISERTACIJE KANDIDATA ŽORŽA DRAUŠNIKA
Doktorska disertacija Kulturološki, muzikološki i produkcijski odnosi konceptualizma i kazališne umjetničko-scenografske prakse, kandidata Žorža Draušnika, sa Izveštajem Komisije o oceni doktorske disertacije javno su dostupni u Biblioteci visokoškolske ustanove u periodu od 10.06.2022. do 10.07.2022. godine.
Fotografija V. Veličković
DANCE, WORD AND PICTURE PROJECT – PAINTING WORKSHOPS
Painting workshops within the project Dance, Word and Picture were held at the Sava Šumanović Gallery in Šid.
The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.
The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.
The program was led by Professor dr Snežana Arnautović Stjepanović.
PROJEKAT IGRA, REČ I SLIKA – RADIONICE SLIKANJA
Radionice slikanja u okviru projekta Igra, reč i slika su održane u Galeriji Sava Šumanović u Šidu.
Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.
Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.
Program je vodila Prof. dr Snežana Arnautović Stjepanović.
GRADUATE PERFORMANCE
Virgina (BalkanAberIca)
Vuk Theater, June 23rd, starting at 7 p.m.
Free entrance
Virgina (BalkanAberIca) is a graduate project of Tamara Ljesar, a student of the Belgrade Dance Institute, department of Stage Folk Dance and Music.
Inspired by field work, many years of professional education, but also the knowledge acquired at the Institute, the author premieres a dance-drama concert based on tradition through a contemporary point of view. The life cycle of a man and his emotional states are presented through 5 choreographies, 4 of which are the author's works. Each shows different doubts and struggles, as an integral part of life and growing up. In addition to the dance, music was also presented, through vocal-instrumental performance of traditional and composed melodies modeled on traditional music.
The name of the project describes it through the three most prominent segments.
BALKAN - a review of the climate and the people.
ABER - news that is transmitted, in this case, with only performance.
ICA - a sequel word for the female gender, which alludes to a woman artist.
The project was realized with the aim of presenting the tradition in a modern way, in the author's own way.
Directed by Tamara Ljesar
Choreography: Tamara Ljesar
Dramaturgy: Mina Milošević and Tamara Ljesar
Set design: Prof. Dr. Snežana Arnautović Stjepanović
Costume: Tamara Ljesar
Music: Vicko Davidović, Andrija Janković, Vojislav Živić, Advahov Brothers, Jakov Gotovac, Luka Kosanović, Tamara Ljesar
Lighting design: Tamara Ljesar
Sound design: Luka Kosanović and Aleksandar Petrović
Graphic design: Teodora Živković
Photo: Martin Krivokapić
Actors: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur
Orchestra: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević
Singers: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović
Dancers : Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić
DIPLOMSKA PREDSTAVA
Virdžina (BalkanAberIca)
Teatar Vuk, 23. jun, s početkom u 19.00 časova
besplatan ulaz
Virdžina (BalkanAberIca) je diplomski projekat studentkinje Instituta za umetničku igru, odseka Scenska narodna igra i muzika, Tamare Ljesar.
Inspirisana terenskim radom, višegodišnjim stručnim edukacijama, ali i znanjem stečenim na Institutu, autorka premijerno prikazuje plesno-dramski koncert koji se bazira na tradiciji kroz savremeno gledište. Životni ciklus čoveka i njegova emocionalna stanja, prikazani su kroz 5 koreografija, od kojih su 4 autorkina dela. Svaka prikazuje različite nedoumice i borbe, kao sastavni deo života i odrastanja. Pored igre, predstavljena je i muzika, kroz vokalno-instrumentalno izvođenje tradicionalnih i komponovanih melodija po uzoru na tradicionalnu muziku.
Naziv projekta upravo ga opisuje kroz tri najistaknutija segmenta.
BALKAN - osvrt na podneblje i narod.
ABER - vest koja se prenosi, u ovom slučaju, samo izvođenje.
ICA - nastavak za ženski rod, koji aludira na ženu-umetnicu.
Projekat je ostvaren sa ciljem da tradiciju predstavi u savremenom ruhu, na autorki svojstven način.
Režija: Tamara Ljesar
Koreografija: Tamara Ljesar
Dramaturgija: Mina Milošević i Tamara Ljesar
Scenografija: prof dr Snežana Arnautović Stjepanović
Kostim: Tamara Ljesar
Muzika: Vicko Davidović, Andrija Janković, Vojislav Živić, Braća Advahov, Jakov Gotovac, Luka Kosanović, Tamara Ljesar
Dizajn svjetla: Tamara Ljesar
Dizajn zvuka: Luka Kosanović i Aleksandar Petrović
Grafički dizajn: Teodora Živković
Fotografija: Martin Krivokapić
Glumci: Ivo Antović, Nemanja Cerovac, Ivan Ninčić, Uroš Novović, Predrag Kotur
Orkestar: Andrija Janković, Luka Kosanović, Lazar Mrvić, Aleksandar Palibrk, Mladen Savić, Katarina Bronja, Milan Mraović, Aleksa Ranisavljević
Pevači: Tamara Garović, Spasa Vranješ, Luka Kosanović, Aleksandar Palibrk, Lazar Mrvić, Ognjen Popović, Andrija Janković, Aleksandar Petrović
Igrači: Staša Čurović, Petra Čurović, Petra Marunić, Tamara Vidaković, Ivana Vučeljić, Dejana Mitrović, Milica Čevizović, Milica Lazović, Marija Badivuk, Marija Stijović, Ana Vlačić, Jasna Vučetić, Anđela Jovanović, Jana Filipić, Nevena Antić, Nevenka Bošković, Isidora Selaković, Tamara Ljesar, Boban Kostić, Dragan Aladžić, Denis Aličić, Komnen Šunjevarić, Strahinja Baković, Marko Marković, Vlada Drljan, Nemanja Karaga, Bojan Jakovljević, Jovan Šćekić, Nikola Nešić
DEFENSE OF MASTER'S THESIS BY AHMED NAYEL
Today, on June 10th 2022 year in Belgrade, Ahmed Nayel, candidate for the title of Master of Drama and Audiovisual Artist – Artistic Dance, ie a student of the Master of Academic Studies Artistic Dance has started defending his Master's thesis Exit Door, and presented publicly before the members of the commission formed by the Scientific-Teaching Council of the Faculty of Assessment and Defense in accordance with Article 26 of the Statute of the Faculty, consisting of:
After his presentation, the esteemed colleague Ahmed Nayel answered all the questions.
Pursuant to the Law on Higher Education of the Republic of Serbia as well as the Statute of the Faculty, from this moment Ahmed Nayel has all the rights and obligations arising from the fact that from the June 10th 2022. has a publicly recognized academic title Master of Drama and Audiovisual Artist - Artistic Dance.
CONGRATULATIONS!!!!
DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS
Workshops of contemporary dance within the project Dance, word and picture were held at the Cultural and Educational Center Šid.
The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.
The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.
The program was led by Professor Ognjen Vučinić.
DANCE, WORD AND PICTURE PROJECT - CREATIVE WRITING WORKSHOPS
Creative writing workshops within the Dance, Word and Picture project were held at the Simeon Piščević National Library in Šid.
The project is being implemented through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children and migrants in primary and secondary education. The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.
The aim of the project was to enable Roma children and migrants the opportunity to express themselves freely in the field of art, through integration and creative work with their peers from primary and secondary schools.
The program was led by Prof. dr Miomir Petrović.
AUDITION OF THE YOUTH BALLET COMPANY FOR 2022/23
The Belgrade Dance Institute from Belgrade will organize an audition for the Youth Ballet Company, which will take place on June 25th at 11:00 am at the Belgrade Dance Institute, on Boulevard vojvode Mišića no. 43. in the ballet hall 307.
All interested students of ballet schools (at least completed 1st grade of elementary ballet school), dance studies (not younger than 12 years), students of other grades of ballet schools and graduated ballet dancers can apply for the audition.
The Youth Ballet includes work with top pedagogues of classical ballet, repertoire of classical ballet and duet dance, and is realized three times a week in the afternoon in the (ballet hall) of the Belgrade Dance Institute.
The rehearsal schedule of the Youth Ballet company will be harmonized with the work of ballet schools.
From September, the Youth Ballet Company is planning a regular repertoire program consisting of gala concerts, ballet suites, one-act ballets and all-night ballet performances in original choreographies of classical heritage.
The work in the youth ballet is also aimed at preparing the students for future professional work in the ensemble.
The audition for the Youth Ballet is free.
For more information please call
011 41 40 421 every working day from 9.00 to 17.00
Applications are open until June 22th, 2022 until 17.00 and are sent to the e-mail: mila.stijak@iui.rs with the note "Youth Ballet"
The application should contain:
THE SECOND SOLO FESTIVAL IS OVER
The second edition of the Solo Festival organized by the Belgrade Dance Institute for three days was presented to the Belgrade and Novi Sad audience at the National Museum of Serbia, the Cultural Station Barka in Novi Sad, and the closing ceremony was held last night on May 29th at the Museum of Contemporary Art in Belgrade, and the pavilion of the Cultural Center of Belgrade on Floral square.
The works of artists from Belgium, France, Austria, Hungary and Serbia were presented, which were performed in the form of solo choreography and performance. The selected works represent contemporary research by artists who, with their strong expression, presented to the audience their most intimate reflections on the world in which they live and work, using the body as the main bearer of meaning in one of the most demanding performing arts disciplines - solo performance.
In their works, artists re-examine the contemporary moment of life, the position of women artists in society, the impact of social networks on the individual, their fears, sufferings, helplessness caused by the social system.
With an interdisciplinary approach, interactive performances, these works ask questions and activate the audience.
The works of Barbara Matijević and Giussepe Chico from France and Cassiel Gaube from Belgium were presented at the National Museum of Serbia on Friday. The second day was held at the Cultural Station Barka in Novi Sad, where the dance company Pablo and Guy from Austria was presented. Last night, the audience had the opportunity to see solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium at the Museum of Contemporary Art in Belgrade.
The last performance was performed by Serbian artist Joana Knežević in the pavilion of the Cultural Center of Belgrade on Floral square called Not Your Barbie.
SOLO FESTIVAL OPENED
Last night, in the National Museum of Serbia, the Dean Prof. dr. Vladimir Tomašević has opened the second edition of the Solo Festival, organized by the Belgrade Dance Institute. In addition to the Dean, the audience was addressed by Catherine Faudry from the French Institute in Belgrade and Ruben Van Opstaele, Deputy Ambassador of Belgium.
Cassiel Gaube from Belgium and Barbara Matijević from France performed their solos in the atrium of the National Museum of Serbia.
The second day of the festival will be held today, May 28th, in Novi Sad, in the space of the Cultural Station Barka, where Soraya Emery and Desi Bonato from Austria will present their solo performances to the audience.
The third day of the festival is being held at two locations in Belgrade, in the Belgrade Cultural Center on Cvetni trg, by Joana Knežević from Serbia, entitled Not Your Barbie, and the closing ceremony will be held at the Museum of Contemporary Art in Belgrade with two solo works by Rita Gobi from Hungary and Guilhem Chatir from Belgium.
This year's event, which brings together artists from Hungary, Israel, Croatia, France, Austria and Serbia, was supported by the Museum of Contemporary Art in Belgrade, the National Museum in Belgrade, Cultural Station Barka in Novi Sad, Belgrade Cultural Center, Hungarian Cultural Center, Embassy Israel, the French Institute, the International Teatroscope Platform, the Austrian Cultural Forum, the Embassy of Belgium and the School of Engineering Management.
DANCE, WORD AND PICTURE PROJECT – CONTEMPORARY DANCE WORKSHOPS
The Belgrade Dance Institute continues a series of free workshops for Roma children as part of the Dance, Word and Picture project. Professor Ognjen Vučinić held a workshop on contemporary dance at the Branko Pešić Elementary School with Roma children as well as with migrant children who are included in the formal education system of the Republic of Serbia.
The Dance, Word and Picture workshops were initiated by the Belgrade Dance Institute, which are realized through a series of free workshops on contemporary dance, creative writing and painting, which are intended for Roma children in primary and secondary education. The workshops are being realized at the Belgrade Dance Institute (Bulevar vojvode Mišića 43). The partner in the realization of the project is the Cultural and Educational Center Šid and the Association of Professional Ballet Dancers, Choreographers and Ballet Teachers of Serbia. The project is supported by the Ministry of Human and Minority Rights and Social Dialogue and the School of Engineering Management.
The Association of the Belgrade Dance Institute recognized the need for the realization of this project based on the work done so far in the field of art education, in which a very small number of Roma children are represented. During the seven years of work and organization of master classes, open doors, free workshops, we have not had Roma students so far.
Our goal is to enable the participation of female Roma children who do not have the same rights and freedoms in their community, by promoting the possibility of free expression in the field of art and especially working to encourage and strengthen the self-confidence of participants.
The program is led by professors with many years of work experience in their field: Ognjen Vučinić (contemporary dance), Prof. dr Miomir Petrović (creative writing) and Prof. dr Snežana Arnautović Stjepanović (painting).
PREMIERE OF THE PERFORMANCE ORGANISM
Wednesday, May 25th
20.00, Great Hall
Open Theater of the Student City Cultural Center
Students of the Belgrade Dance Institute, Mirela Božić and Una Balaž, collaborated with the author's team on setting the play Organism, which will be premiered on May 25th at the open theater of the Student City Cultural Center.
AUTHOR'S TEAM
Directed by: Milica Kvrgić
Assistant director: Lidija Đurašević
Author of the text: Boris Postovnik
Production: Marija Aleksić
Production assistant: Vladislav Marković
Scenography and costume design: Katarina Mijailović
Music: Petra Perović
Choreography: Mirela Božić with the assistance of Una Balaž
Lighting design: Sanjin Aleksić
Costume design: Vesna Balać
Technician: Nikola Nikolić
Graphic design: Petar Vasiljević
ACTING DIVISION
Heart: Marko Čupić
Brain: Ivan Blagojević
Stomach: Nebojša Pribičević
Buttocks: Dušan Pavlović
Right leg: Đurđica Đurović / Tamara Mladenović
Left leg: Sara Pavlović / Marija Marijanović
Right hand: Djordje Momcilovic
Left hand: Lazar Tešić
Tongue: Luka Golubović
Liver: Katarina Veljović
Author's word:
"Every living organism is a system that functions according to some laws of nature. Only man function according to the laws of reason, which is often not in accordance with the laws of nature, but as a rule is in conflict with them, and thus in conflict with himself. The play Organism tells us how different our feelings are from the imposed norms, conventions and moral values. Thus, we become prisoners of the expectations of the environment not to be different and to merge into the mass of mediocrity. Every man carries within him a conflict between reason and sensitivity, which, almost as a rule, breeds rebellion. How to achieve harmony and balance of aspirations and needs is the ultimate goal of every living being, and this show only opens up the questions and social problems we face every day, and I hope it will provide some answers. "
Boris Postovnik
Director's word:
"I am immensely glad that Boris Postovnik had the confidence to leave his first play in the hands of an inexperienced but ambitious student. Already at the first reading, Organism occupied my thoughts. This piece in an interesting and unusual way shows the problem of a modern young man to show the world what he is. The constant feeling that we have to adapt often limits us from stepping out of our bubble of comfort in which we live. This comedy is created as a product of the work and good will of young and dedicated people. I hope it warms the hearts of the audience, just as they warmed mine. "
Milica Kvrgić
SOMBORSKI ŠNAJDERAJ IN BELGRADE
Professors and students of the Belgrade Dance Institute participated in the realization of the fashion show Somborski šnajderaj in Belgrade, which was held on May 19th, organized by the Association of Somborski šnajderaj, a social enterprise that helps economic integration of women and children victims of domestic violence.
This is the first fashion show made by the association, which shows models of women's dresses worn by women from the association together with models.
Institute’s professor of contemporary dance Ognjen Vučinić, on this occasion designed two choreographies that were performed by: Doc. Katarina Bućić, third year students of the Institute: Angela Mihova and Sonja Stojanović; Second year students of the Institute: Miona Petrović and Tijana Ostojić.
ODBRANA MASTER RADA AHMED NAYEL
Danas, 10. juna 2022. u Beogradu, Ahmed Nayel, kandidat za zvanje Master dramski i audiovizuelni umetnik – Umetnička igra odnosno student Master akademskih studija je pristupio odbrani svog Master rada Exit door, izlagao je javno pred članovima komisije obrazovane od strane Naučno-nastavnog veća Fakulteta za ocenu i odbranu u skladu sa članom 26. Statuta Fakulteta, u sastavu:
Nakon svog izlaganja uvaženi kolega, Ahmed Nayel, je odgovorio na sva postavljena pitanja.
Shodno Zakonu o visokom obrazovanju Republike Srbije kao i Statutu Fakulteta, od ovog trenutka Ahmed Nayel, ima sva prava i obaveze koji proizilaze iz činjenice da od danas ima javno priznato akademsko zvanje Master dramski i audiovizuelni umetnik – Umetnička igra.
ČESTITAMO!!!
PROJEKAT IGRA, REČ I SLIKA – RADIONICE SAVREMENE IGRE
Radionice savremene igre u okviru projekta Igra, reč i slika su održane u Kulturno Obrazovnom Centru Šid.
Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.
Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.
Program je vodio Profesor Ognjen Vučinić.
PROJEKAT IGRA, REČ I SLIKA – RADIONICE KREATIVNOG PISANJA
Radionice kreativnog pisanja u okviru projekta Igra, reč i slika su održane u Narodnoj biblioteci Simeon Piščević u Šidu.
Projekat se realizuje kroz serije besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci i migrantima u osnovnom i srednjem obrazovanju. Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.
Cilј projekta je bio da se omogući deci romske nacionalnosti i migrantima mogućnost slobodnog izražavanja u oblasti umetnosti, kroz integraciju i kreativni rad sa svojim vršnjacima iz osnovnih i srednjih škola.
Program je vodio Prof. dr Miomir Petrović.
ZAVRŠEN JE DRUGI FESTIVAL SOLA
Druga edicija Festivala sola u organizaciji Instituta za umetničku igru tokom tri dana predstavljena je beogradskoj i novosadskoj publici u Narodnom Muzeju Srbije, Kulturnoj stranici Barka u Novom Sadu, a svečano zatvaranje održano je sinoć 29. maja u Muzeju savremene umetnosti u Beogradu i paviljonu Kulturnog centra Beograda na Cvetnom trgu.
Predstavljeni su radovi umetnika iz Belgije, Francuske, Austrije, Mađarske i Srbije koji, su izvedeni u formi solo koreografije i performansa. Selektovani radovi predstavljaju savremena istraživanja umetnika koji su svojim snažnim izrazom pred publikom predstavili svoja najintimnija promižljanja o svetu u kom žive i deluju, koristeći telo kao osnovni nosilac značenja u jednoj od najzahtevnijih umetnickih izvođačkih disciplina - solo izvedbi.
Umetnici u svojim radovima preispituju savremeni trenutak življenja, položaj žene umetnika u društvu, uticaj društvenih mreža na pojedinca, svoje strahove, patnje, nemoć koji su prouzrokovani društvenim sistemom.
Interdisciplinarnim pristupom, interaktivnim performansima ovi radovi postavljaju pitanja i aktiviraju publiku.
U petak u Narodnom muzeju Srbije su predstavljeni radovi Barbare Matijević i Giussepe Chico iz Francuske i Cassiel Gaube iz Belgije. Drugi dan se održao u prostoru Kulturne stanice Barka u Novom Sadu gde je predstavljena plesna kompanija Pablo and Guy iz Austrije. Publika je sinoć u Muzeju savremene umetnosti u Beogradu imala prilike da vidi solo radove Rite Gobi iz Mađarske i Guilhem Chatir iz Belgije.
Poslednji performans je izvela srpska umetnica Joana Knežević u paviljonu Kulturnog centra Beograda na Cvetnom Trgu pod nazivom Ne tvoja Barbi.
Fotografija Nemanja Maraš
SVEČANO OTVOREN FESTIVAL SOLA
U Narodnom muzeju Srbije Dekan Prof. dr. Vladimir Tomašević sinoć je otvorio drugu ediciju Festivala Sola u organizaciji Instituta za umetničku igru. Pored Dekana publici su se obratili Catherine Faudry iz Francuskog Instituta u Beogradu i Ruben Van Opstaele zamenik Ambasadora Belgije.
U atrijumu Narodnog muzeja Srbije izvedena svoja sola su izveli Kasel Gobe iz Belgije i Barbara Matijević iz Francuske.
Drugi dan festivala se održava danas 28. maja u Novom Sadu u prostoru Kulture Stanice Barka, a svoja solo izvođenja publici će prikazati Soraja Emeri i Desi Bonato iz Austrije.
Treći dan festivala održava se na dve lokacije u Beogradu, u prostoru Kulturnog centra Beograda na Cvetnom trgu, svoj solo izvešće Joana Knežević iz Srbije, pod nazivom Ne tvoja Barbi, a svečano zatvaranje održaće se u Muzeju savremene umetnosti u Beogradu izvođenjem dva solo rada, Rite Gobi iz Mađarske i Giljema Šatira iz Belgije.
Ovogodišnja manifestacija koja okuplja umetnike koje dolaze iz Mađarske, Izraela, Hrvatske, Francuske, Austrije i Srbije realizovana je uz podršku Muzeja savremene umetnosti u Beogradu, Narodnog muzeja u Beogradu, Kulturne Stanice Barka iz Novog Sada, Kulturnog centra Beograda, Mađarskog kulturnog centra, Ambasade Izraela, Francuskog Instituta, Međunarodne platforme Tetroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment.
PROJEKAT IGRA, REČ I SLIKA – Radionice savremene igre
Institut za umetničku igru nastavlja seriju besplatnih radionica za decu romske nacionalnosti u okviru projekat Igra , reč i slika. Profesor Ognjen Vučinić je održao radionicu savremene igre u Osnovnoj školi Branko Pešić sa decom romske nacionalnosti kao i sa decom migrantima koja su uključena u formalni obrazovni sistem Republike Srbije.
Radionice Igra, reč i slika je pokrenuo Institut za umetničku igru koje se realizuju kroz seriju besplatnih radionica umetničke igre, kreativnog pisanja i slikanja a koje su namenjene romskoj deci u osnovnom i srednjem obrazovanju. Radionice se realizuju na Institutu za umetničku igru (Bulevar vojvode Mišića 43). Partner u realizaciji projekta je Kulturno obrazovni centar Šid i Udruženje profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije. Projekat je podržan od strane Ministarstva za lјudska i manjinska prava i društveni dijalog i Fakulteta za inženjerski menadžment.
Udruženje Instituta za umetničku igru je uvidelo potrebu za realizacijom ovog projekta na osnovu dosadašnjeg rada u oblasti umetničke edukacije u kojoj je zastuplјen jako mali broj dece romske populacije. Tokom sedmogodišnjeg rada i organizacije master klasova, otvorenih vrata, besplatnih radionica do sada nismo imali polaznike romske nacionalnosti.
Cilј nam je da ovim projektom omogućimo učešće deci ženske romske nacionalnosti koja u svojoj zajednici nemaju ista prava i slobodu tako što ćemo promovisati mogućnost slobodnog izražavanja u oblasti umetnosti i posebno raditi na ohrabrivanju i jačanju samopouzdanja polaznica.
Program vode profesori sa dugogodišnjim radnim iskustvom u svojoj oblasti: Ognjen Vučinić (savremena igra), Prof. dr Miomir Petrović (kreativno pisanje) i Prof. dr Snežana Arnautović Stjepanović (slikarstvo).
ORGANIZAM
Sreda, 25. maj
20.00, Velika sala
Otvoreno pozorište Doma kulture Studentski grad
Studentkinje Instituta za umetničku igru, Mirela Božić i Una Balaž, ostvarile su saradnju sa autorskim timom na postavljanju komada Organizam koji će premijerno biti izveden 25. maja na otvorenom pozorištu Doma kulture Studentski grad.
AUTORSKI TIM
Režija: Milica Kvrgić
Asistent režije: Lidija Đurašević
Autor teksta: Boris Postovnik
Produkcija: Marija Aleksić
Asistent produkcije: Vladislav Marković
Scenografija i dizajn kostima: Katarina Mijailović
Muzika: Petra Perović
Koreografija: Mirela Božić uz asistenciju Une Balaž
Dizajn svetla: Sanjin Aleksić
Izrada kostima: Vesna Balać
Tehničar: Nikola Nikolić
Grafički dizajn: Petar Vasiljević
GLUMAČKA PODELA
Srce: Marko Čupić
Mozak : Ivan Blagojević
Želudac: Nebojša Pribičević
Zadnjica: Dušan Pavlović
Desna noga: Đurđica Đurović/Tamara Mladenović
Leva noga: Sara Pavlović/Marija Marijanović
Desna ruka: Đorđe Momčilović
Leva ruka: Lazar Tešić
Jezik: Luka Golubović
Jetra: Katarina Veljović
Reč autora:
„Svaki živi organizam predstavlja sistem koji funkcioniše po nekim zakonitostima prirode. Samo čovek funkcioniše po zakonima razuma koji često nije usaglašen sa zakonima prirode već je po pravilu u sukobu sa njima, pa tako i u sukobu sa samim sobom. Predstava Organizam ovori nam o tome koliko su nam osećanja drugačija od nametnutih normi, konvencija i moralnih vrednosti. Samim tim postajemo zarobljenici očekivanja okoline da ne budemo drugačiji i da se stopimo u masu prosečnosti. Svaki čovek u sebi nosi i sukob između razuma i osećajnosti koji, gotovo po pravilu, rađa bunt. Kako postići sklad i balans težnji i potreba je vrhunski cilj svakog živog bića, a ova predstava samo otvara niz pitanja i društvenih problema sa kojima se susrećemo svakodnevno, a nadam se da će pružiti i neke odgovore."
Boris Postovnik
Reč rediteljke:
„Neizmerno mi je drago što je Boris Postovnik imao poverenja da prepusti svoje prvo dramsko delo u ruke jedne neiskusne, ali ambiciozne studentkinje. Već na prvo čitanje „Organizam“ je okupirao moje misli. Ovaj komad na zanimljiv i neobičan način prikazuje problem savremenog mladog čoveka da pokaže svetu ono što jeste. Konstantan osećaj da moramo da se prilagodimo, često nas ograničava da iskoračimo iz svog balončića komfora u kome živimo. Ova komedija nastaje kao proizvod rada i dobre volje mladih i posvećenih ljudi. Nadam se da će ugrejati srca publike, baš kao što su i oni ugrejali moje."
Milica Kvrgić
SOMBORSKI ŠNAJDERAJ U BEOGRADU
Profesori i studenti Instituta za umetničku igru učestvovali su u realizaciji modne revije Somborski šnajderaj u Beogradu, koja je održana 19. maja u organizaciji Udruženja Somborske šnajderke, socijalnog preduzeća koje pomaže ekonomsku integraciju žena i dece žrtava porodičnog nasilja.
Ovo je prva modna revija koju je udruženje napravilo a na kojoj su prikazani modeli ženskih haljina koje su zajedno sa manekenkama nosile žene iz udruženja.
Profesor savremene igre Instituta Ognjen Vučinić, za ovu priliku osmislio je dve koreografije koje su izvele: Doc. Katarina Bućić, studentkinje treće godine instiuta: Angela Mihova i Sonja Stojanović; Studentkinje druge godine instituta: Miona Petrović i Tijana Ostojić.
PREMIERE OF THE DANCE PERFORMANCE TRE SORELLE
On the Grand Stage of the Music Center of Montenegro on Friday, May 20th, the dance performance of Tre Sorelle will be premiered, choreographed by Prof. Aleksandar Ilić and directed by Prof. Aleksandar Nikolić, starting at 8 p.m.
The dance performance is based on the traditional story of the folk spirit in the Bay of Kotor - the legend of the three sisters in which through movement, dance and music shows togetherness, but also rivalry, women's rebellion against conventions, traditions, dogma and patriarchal worldview in small communities, the authors state.
The Ballet Studio of the Music Center of Montenegro (MCCG) started this year with eleven members consisting of Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Stasa Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović and Ksenija Kankaraš.
The scenography for the play was done by Dunja Kostić, the costume by Senka Ranosavljević and the author of the musical arrangements is Georg Draušnik. The assistant choreographer is Mojca Majcen, and the ballet tutor is Viktorija Strugar.
Photography by Dejan Kalezić
SOLO FESTIVAL 2022
27th -29th May
The Solo Festival, organized by the Belgrade Dance Institute with the support of the Belgrade Cultural Center, the Hungarian Cultural Center in Belgrade, the Israeli Embassy in Serbia, the French Institute in Belgrade, the Teatroscope International Platform, the Austrian Cultural Forum, the Belgian Embassy and the School of Engineering Management, will organize the second edition of International Festival Sola (choreography and performance) from May 27th to May 29th 2022, at several locations in Belgrade and Novi Sad.
This year's edition of the Solo Festival will last for three days with the presence of artists who will present themselves at this year's event, and they come from Hungary, Croatia, Belgium, France, Austria and Serbia.
Accompanying program on Saturday from 11.00 lecture Intermediality in performing arts Barbara Matijević and Giuseppe Chico.
The program:
May 27th, 2022
Opening ceremony at the National Museum starting at 20.00h.
May 28th, 2022
Cultural station Barka Novi Sad starting at 20.00h.
May 29th, 2022
Museum of Contemporary Art starting at 20.00h.
May 29th, 2022
Flower Square/Cvetni trg (KCB house) starting at 22.00h.
More information⬇️
☎️011 / 4140 421 every working day from 9.00 to 17.00 or by e-mail⬇️
YOU HAVE TO BE A ZENTIST!
In the Neon Gallery in Belgrade on May 17th, 2022. at 20.00h an interactive multimedia installation You Must Be a Zenithist, of DAH Theatre opened. The exhibition was opened by the author of the concept Jadranka Anđelić and Prof. Dr. Snežana Arnautović Stjepanović.
The exhibition is designed for various gallery and museum spaces and reflects on the heritage of the authentic avant-garde art movement from our region - zenithism. It points out the importance of continuity in the artistic tradition of a country and explores what today, exactly one hundred years since the launch of Zenit magazine, are the echoes of Zenitist ideas both in contemporary art and in contemporary society.
The program:
May 17th - opening and performance from 8 p.m.
May 18th - expert guidance from 8 p.m.
(guest Prof. Dr. Snežana Arnautović Stjepanović)
May 19th - expert guidance from 8 p.m.
(guest Prof. Slavimir Stojanović Futro)
The ideas of zenithism - anti-war ideas, belief in the possibility of creating a new, more just society and relationship are important and necessary even after a hundred years, especially in the modern moment, when faith in the possibility of creating a better world has been lost. Zenitism invites us to, inspired by the enthusiasm of the artists of that time, turn again to the great values at the center of which is - man.
The installation consists of three parts, which are original works of artists dealing with contemporary artistic response to the ideas of zenithism.
In the first room, there are interactive screens with which you can get to know the artists of zenithism. Scenes from the video for the play Zenith - History of a Rapture (1994) by the DAH Theater, you can combine as you wish and thus create your zenith story through interactive screens.
In the second room we meet with video / audio work and installation by Snežana Arnautović and Ivica Stjepanović called Everyday Room, which is a kind of response to the idea of zenithism, as well as complete avant-garde whose roots contemporary artists still rely on.
In the third room, we will find the art object Cross-Hanger (Krst-čiviluk), which was used in the play of the DAH theatre, Zenit - History of One Enthusiasm, and is the work of artist Neša Paripović. The atmosphere of the zenith movement in this room is complemented by the video work For a better atmosphere by Jelena Rubil, through which we get acquainted with the zenith slogans.
The fourth room brings us the intimacy of zenithism and here you can read the last letter of Anushka Micić to Ljubomir Micić, which he found after her death. Also, there are original editions of Zenit magazine, as well as audio / video work by Snežana Arnautović called Lucid Dream / Happy Time.
On the first night of the exhibition, we will have four performers, who will additionally evoke the atmosphere of the zenithist movement and make us think about whether this movement is still relevant, present, and finally whether the zenithists are still among us.
We will have the opportunity to hear Ve Poljanski's poetry through original music, specially composed and sung for this exhibition. The inevitable Mayakovsky in one new body will also visit the N.EON gallery, and who, like a hundred years ago, has something important to tell us. If you have not had the opportunity to read the letters of Anuska and Ljubomir Micic, this exhibition will bring you the most intimate experience of zenithist love - one letter will be enlarged and read to everyone who indulges and sits in a zenithist armchair. Throughout the exhibition, each visitor will have his own shadow - the mysterious Johnny Dzepp, who leaves an indelible mark behind him.
In the next two days of the exhibition on May 18th and 19th, we will have an expert guide through the exhibition of the authors of the concept, Jadranka Andjelić and Dijana Milošević, from 8 pm, which will be additionally completed by special guests.
Author of video / audio works and installations by Prof. dr Snežana Arnautović Stjepanović will join us on May 18th, while on May 19th we will be accompanied by designer, visual artist, writer and professor Slavimir Stojanović Futro, who designed the poster for the play Zenit - History of a rapture.
Concept: Jadranka Anđelić, Dijana Milošević
Performers: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objects, space: Neša Paripović
Video installation: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Light: Milomir Dimitrijević, Radovan Samolov
Organization and production: Natasa Novakovic, Milica Petrovic
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Photographer: Đorđe Tomić
Video documentation: Aleksandar Milošević
Social networks: Dunja Karanović
Graphic design: škart
PREMIJERA PLESNE PREDSTAVE TRE SORELLE
Na Velikoj sceni Muzičkog centra Crne Gore u petak 20. maja premijerno će biti izvedena plesna predstava Tre Sorelle u koreografiji Prof. Aleksandra Ilića i režiji Prof. Aleksandra Nikolića s početkom u 20.00 časova.
Plesna predstava je nastala na motivima tradicionalne priče narodnog duha u Boki Kotorskoj – legendi o tri sestre u kom se kroz pokret, ples i muziku prikazuje zajedništvo, ali i rivalstvo, ženska pobuna protiv konvencija, tradicije, dogme i patrijarhalne postavke sveta koja je pogotovo zastuplјena u malim sredinama, navode autori.
Baletski studio Muzičkog centra Crne Gore (MCCG) počeo je sa radom ove godine sa jeadanaest članica koji čine Manja Pavićević, Ksenija Sinđić, Anja Lučić, Tamara Radonjić, Tijana Dragović, Staša Šćepanović, Kristina Mrkić, Elena Vujošević, Barbara Šuškavčević, Natalija Roganović i Ksenija Kankaraš.
Scenografiju za predstavu je uradila Dunja Kostić, kostim Senka Ranosavlјević a autor muzičkih aranžmana je Georg Draušnik. Asistent koreografa je Mojca Majcen, a baletski repetitor Viktorija Strugar.
Fotografija Dejan Kalezić
METHRONOMY IN THE PREPARATION OF THE BELGRADE DANCE INSTITUTE
The choreographer Tamara Gvozdenović in cooperation with the sixth generation of students of the Belgrade Dance Institute, will be presented by the project Metronomija.
We build our common future considering contrasts: construction against deconstruction, parallel, crowd versus loneliness, between, negative space, shadow, body shift, change of space, change of perception and perspective. "In order to create, first we must destroy. All we have built we will destroy. Everything we believe in will be destroyed. All the faces we saw will be forgotten. We will not start from zero. We will keep the foundations. In pieces. We will collect. Some will stay. We will choose. Some will be forgotten. Compose. Lift up. Step off. " According to the project author.
After studying visual arts in Nahatel, Tamara Gvozdenović joined a respectable conservatory for music and dance Trinity Laban in London, where our famous choreographer Alekandar Ilić, has a master's degree. After graduation, she presented her first dance theater piece, Sainte Marie Joseph de la Rose, at Théâtre du Pommier in Nehatel, and the next year another, Sous Lou Cou (P) Du Lapin. Finally, and the third, Light Scream. In 2014, she joined the famous Belgian dance theater troupe Peeping Tom in Brussels.
The founder is Le Facteur, a dance theater troupe formed as a collective artist, developing on the move in Switzerland, France, and Belgium. The Belgrade audience was presented last year as part of the first edition of the Sola Festival with the performance Tombés.
A GALA CONCERT "PRAZNIK IGRE"
On the occasion of World Dance Day, which is traditionally celebrated on April 29th, Praznik Igre presented a gala concert dedicated to dance, the joys of dance creation, and all movement performed by the Belgrade Dance Institute students and Ballet Youth company.
On the occasion of International Dance Day, Dean Prof. Dr. Vladimir Tomasevic and H.E. Ambassador of the Arab Republic of Egypt in Serbia, Basel Salah, read the World MP of Kang Sue-Jin, a ballet dancer and the director of the National Ballet of Korea.
The second act of the ballet Swan Lake will be performed by the main roles played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute) and Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).
The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.
The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.
AWARDED AND SPECIAL PRAISE OF TERPSICHORE
The Award of Terpsichore went to Ana Ignjatovi Zagorac, a member of the Bitef Dance company and pedagogy of Contemporary Dance, and special praise went to Miona Petrović, contemporary dancer, performer, and choreographer, who was also a member of the Bitef Dance company.
The award and special praise are awarded in 2022, the eleventh year in order, on the occasion of World Dance Day, the International Holiday celebrated by entire world, which established international advice for dance-CID UNESCO. Previous winners of the awards Terpsichore are Ana Pavlović Ballet 1st Soloist, Konstantin Kostjukov Ballet 1st Soloist, Mira Nešić Classical Ballet Pedagogue, Bojana Žegarac Knežević Ballet 1st Soloist, Milan Rus Ballet 1st Soloist, Igor Pastor Ballet 1st Soloist and Olga Olćan Miljević Ballet 1st Soloist of Ballet National Theater in Belgrade.
From the explanation of the Jury for the TerpSihora Award:
Ana Ignjatović Zagorac is one of the founders of the contemporary dance scene in Serbia, and from the very beginnings of her dance career, she worked on the affirmation of contemporary dance in the region and improving its position on the cultural scene.
She's a freelance artist, a member of the Bitef Dance company, and teaches contemporary dance at the Lujo Davičo Ballet School in Belgrade.
She participated in a large number of observed roles at the Bitef Theater, KPGT, and Madlenianum in performances, and received a large number of awards and recognitions, of which the most important golden badges of the cultural and the Ministry of Foreign Affairs of the Republic of Serbia and Smiljana Mandukić are the most important. The Association of Ballet Artists of Serbia for the best interpretation of a contemporary dance play Wanting machines.
The jury especially emphasizes that Ana is sacrificed in the pedagogical work of future dancers and their improvement in the field of contemporary dance, and this award is a modest recognition for her entire art opus, with a desire to look at the scene for a long time.
In the explanation of special praise, the jury states:
Miona Petrovi first encountered artistic dance while studying with Jelena Katić, and four years later at the Kids Cultural Center, where she studied modern ballet with Olga Vuković and jazz ballet with Eta Kovačević and Dragana Stanisavljević.
She's a freelance artist, contemporary dancer, performer, choreographer, and member of the Bitef Dance company.
She achieved a large number of roles on the stage of Bitef Theater, Madlenianum, within the Balkan Dance Project, as well as independent productions.
Miona Petrović perfectly improved during her professional career and is on that path and the way of her education at the Belgrade Dance Institute, department of Choreography.
The jury especially emphasizes Miona's strong contribution to contemporary dance in our country, and this special praise pays respect and support for further success.
MENOTTI'S OPERA PREMIERE IN SARAJEVO
The author's duo, Aleksandar Nikolić and Aleksandar Ilić, after four years, are re-cooperating with the artists of that theater, and on the 29th Apil will present the comic opera Phone or love in trio, by composer Gian Carlo Menotti.
At its heart, Menotti's Phone is a small diamond that gives us everything in 23 minutes that opera audiences love: A baritonal anger as from the best of Verdi's opera, a parody of Donosti's lamentations of the main heroes, then remonstring the power of colored colors like the Queen of Night from Mozart, and a passionate love duet as from Pucini's opera.
All the ingredients are here, however, instead of 180 minutes compressed into just 23 minutes of stage roller-coaster. However, nothing lacks the Phone, especially not a conflict between two exciting characters, a capricious room with obsessed Lusy and charming Ben, who is in love. However, Menota wrote this work in 1947. He predicted a problem that is much more active today than 75 years ago.
The opera is conducted by Maestro Dario Vučić, and the opera is performed by Aida Corbadžić in the role of Lucy, and Marko Kalajanović in the role of Ben. Aleksandar's choreography is performed by the Ballet Ensemble of Selma Strbo Arnautović, Sabina Sokolović, Marijana Marić and Til Čmancanin in highly stylized costumes by Ata Omerbašić.
Perhaps for a few decades, when artificial intelligence beats humanity, cyborgs will continue to set up the opera written by a man with the same love and passion for antique tragedies of the old Greeks that no longer exist. Maybe they will read this opera from another angle-as the first heroic opera work in which the machine triumphed over the man, as the director Nikolić states.
The first reprise was scheduled for April 30th in the division of Melisa Hajrulahović Tomić and Erol Ramadanović.
FESTIVAL SOLA 2022.
27 -29. Maj
Festival Sola u organizaciji Instituta za umetničku igru uz podršku Kulturnog centra Beograda, Mađarskog kulturnog centra u Beogradu, Ambasade Izraela u Srbiji, Francuskog Instituta u Beogradu, Međunarodne platforme Teatroskop, Austrijskog kulturnog Foruma, Ambasade Belgije i Fakulteta za inženjerski menadžment, organizovaće drugi internacionalni Festival Sola (koreografija i performans) od 27. do 29. maja 2022. godine na nekoliko lokacija u Beogradu i Novom Sadu.
Ovogodišnje izdanje Festivala Sola trajaće tri dana uz prisustvo umetnika koji će se predstaviti na ovogodišnjoj manifestaciji a koji dolaze iz Mađarske, Hrvatske, Belgije, Francuske, Austrije i Srbije.
Prateći program u subotu od 11.00 časova predavanje Intermediality in performing arts Barbara Matijević and Giuseppe Chico.
Program:
27. maj 2022.
Svečano otvaranje u Narodnom Muzeju s početkom u 20.00 časova
28. maj 2022.
Kulturna stanica Barka Novi Sad s početkom u 20.00 časova
29. maj 2022.
Muzej savremene umetnosti s početkom u 20.00 časova
29. maj 2022.
Cvetni trg (kućica KCB) s početkom u 22.00 časova
Više informacija⬇️
☎️011/4140 421 svakog radnog dana od 9.00 do 17.00 časova ili putem maila⬇️
festivalsola@gmail.com
TI MORAŠ BITI ZENTISTA!
U galeriji Neon u Beogradu 17.05.2022. u 20.00h otvorena je interaktivna multimedijalna instalacija Ti moraš biti Zenitista, Dah teatra. Izložbu su otvorile autorka koncepta Jadranka Anđelić i Prof. dr Snežana Arnautović Stjepanović.
Izložba je zamišljena za različite galerijske i muzejske prostore i promišlja nasleđe autentičnog avangardnog umetničkog pokreta sa naših prostora – zenitizma. Ukazuje na važnost kontinuiteta u umetničkoj tradiciji jedne zemlje i istražuje kakvi su danas, tačno sto godina od pokretanja časopisa Zenit, odjeci zenitističkih ideja kako u savremenoj umetnosti tako i u savremenom društvu.
Program:
17. maj - otvaranje i performansi od 20 časova
18. maj - stručno vođenje od 20 časova
(gost prof. dr Snežana Arnautović Stjepanović)
19. maj - stručno vođenje od 20 časova
(gost prof. Slavimir Stojanović Futro)
Ideje zenitizma - antiratne ideje, verovanje u mogućnost stvaranja novog, pravednijeg društva i odnosa su i posle sto godina važne i potrebne, naročito u savremenom trenutku, kada se izgubila vera u mogućnost stvaranja boljeg sveta. Zenitizam nas poziva da se inspirisani zanosom umetnika tog doba, ponovo okrenemo velikim vrednostima u čijem centru je - čovek.
Instalacija se sastoji iz tri celine, koje predstavljaju originalne radove umetnica/ka koji se bave savremenim umetničkim odgovorom na ideje zenitizma.
U prvoj sobi se nalaze interaktivni ekrani pomoću kojih se upoznajete sa umetnicima zenitizma. Scene iz video zapisa predstave Zenit - Istorija jednog zanosa (1994) DAH Teatra, možete kombinovati po svojoj želji i tako preko interaktivnih ekrana kreirati svoju zenitističku priču.
U drugoj sobi srećemo se sa video/audio radom i instalacijom Snežane Arnautović i Ivice Stjepanovića pod nazivom Svakodnevna soba, koji predstavlja svojevrstan odgovor na ideju zenitizma, kao i kompletne avangarde na čije korene se savremeni umetnici i danas oslanjaju.
U trećoj sobi nas očekuje umetnički objekt Krst-čiviluk koji je korišćen u predstavi DAH Teatra Zenit - Istorija jednog zanosa, a delo je umetnika Neše Paripovića. Atmosferu zenitističkog pokreta u ovoj prostoriji dopunjuje video rad Za bolju atmosferu Jelene Rubil kroz koji se upoznajemo sa zenitističkim parolama.
Četvrta soba nam donosi intimu zenitizma i tu možete pročitati poslednje pismo Anuške Micić Ljubomiru Miciću koje je on pronašao nakon njene smrti. Takođe, tu su originalna izdanja časopisa Zenit, kao i audio/video rad Snežane Arnautović pod nazivom Lucid Dream/Happy Time.
Prvo veče izložbe očekuje nas nastup četiri performera, koji će dodatno dočarati atmosferu zenitističkog pokreta i nagnati na razmišljanje da li je ovaj pokret i dalje aktuelan, prisutan, i na kraju da li su zenitisti i dalje među nama.
Imaćemo priliku da čujemo poeziju Ve Poljanskog kroz autorsku muziku, specijalno komponovanu i otpevanu za ovu izložbu. N.EON galeriju će posetiti i nezaobilazni Majakovski u jednom novom telu, a koji kao i pre sto godina - ima nešto važno da nam kaže. Ukoliko niste imali prilike da pročitate pisma Anuške i Ljubomira Micića, ova izložba će vam doneti najintimniji doživljaj zenitističke ljubavi - po jedno pismo biće povećeno i pročitano svakome ko se prepusti i sedne u zenitističku fotelju. Kroz celu izložbu svaki posetilac će imati i svoju senku - misterioznog Džoni Džepa koji za sobom ostavlja neizbrisiv trag.
Naredna dva dana izložbe 18. i 19. maja očekuje nas stručno vođenje kroz izložbu autorki koncepta, Jadranke Andjelić i Dijane Milošević, od 20 časova, koje će dodatno upotpuniti specijalni gosti.
Autorka video/audio radova i instalacije prof. dr Snežana Arnautović Stjepanović će nam se pridružiti 18. maja, dok će 19. maja sa nama biti dizajner, vizuelni umetnik, pisac i profesor Slavimir Stojanović Futro, koji je dizajnirao plakat za predstavu Zenit - Istorija jednog zanosa.
Koncept: Jadranka Anđelić, Dijana Milošević
Izvođači: Evgenija Eškina Kovačević, Ivana Milenović Popović, Milica Petrović, Zoran Vasiljević
Objekti, prostor: Neša Paripović
Video instalacija: Snežana Arnautović
Video: Jelena Rubil
Audio: Ivica Stjepanović
Svetlo: Milomir Dimitrijević, Radovan Samolov
Organizacija i produkcija: Nataša Novaković, Milica Petrović
Marketing: Ivana Milenović Popović
PR: Tanja Rap
Fotograf: Đorđe Tomić
Video dokumentacija: Aleksandar Milošević
Društvene mreže: Dunja Karanović
Grafički dizajn: škart
METRONOMIJA U PRIPREMI INSTITUTA ZA UMETNIČKU IGRU
U Institutu za umetničku igru je u pripremi i poslednja plesna predstava za kraja pozorišne sezone, čija premijera se očekuje krajem juna na sceni Narodnog pozorišta u Beogradu.
Koreografkinja Tamara Gvozdenović u saradnji sa šestom generacijom studenata Instituta za umetničku igru predstaviće projekat Metrononomija.
Gradimo našu zajedničku budućnost razmatrajući kontraste: Konstrukcija protiv dekonstrukcije, paralela, gužva naspram usamljenosti, između, negativan prostor, senka, smena tela, promena prostora, promena percepcije i perspektive. „Da bismo stvorili prvo ćemo uništiti. Sve što smo izgradili mi ćemo uništiti. Sve u šta smo verovali ćemo izbrisati. Sva lica koja smo videli ćemo zaboraviti. Nećemo početi od nule. Zadržaćemo temelje. U delovima. Skupljaćemo. Neki će ostati. Mi ćemo odabrati. Neki će biti zaboravljeni. Sastavi. Podigni. Odstupi. Valorizuj. Uništi,“ navodi autorka projekta.
Tamara Gvozdenović nakon studija vizuelnih umetnosti u Nojhatelu se pridružila uglednom Konzervatorijumu za muziku i ples Triniti Laban u Londonu, gde je i naš poznati koreograf Aleksandar Ilić magistrirao. Nakon diplomiranja predstavila je svoj prvi plesni pozorišni komad, Sainte Marie Joseph de la Rose, u Théâtre du Pommier u Nojhatelu, a sledeće godine odmah zatim i drugi, Sous le Cou(p) du Lapin. Najzad, i treći, Light Scream. Godine 2014. se pridružuje čuvenoj belgijskoj plesnoj pozorišnoj trupi Peeping Tom u Briselu.
Osnivačica je Le Facteur, plesno pozorišne trupe koja je formirana kao kolektiv umetnika, razvijajući se na potezu Švajcarske, Francuske i Belgije. Beogradskoj publici се predstavila prošle godine u okviru prve edicije Festivala Sola s predstavom Tombés.
Fotografija Christophe Coenon
IZVEDEN GALA KONCERT PRAZNIK IGRE
Povodom Svetskog dana igre koji se širom sveta tradicionalono obeležava 29. aprila na Velikoj sceni Madlenianum opere i teatra izveden je Gala koncert Praznik igre posvećen plesu, radosti stvaranja igre kao i svim ljubiteljima pokreta u izvođenju studenata Instituta za umetničku igru i Kompanije Balet mladih.
Dekan Prof. dr Vladimir Tomašević i Nj.E. Ambasadora Arapske Republike Egipat u Srbiji Basel Salah, čitanjem svetske poslanice Kang Sue-jin balerine i direktorke Nacionalnog baleta Koreje povodom Međunarodnog dana igre svečano su otvorili koncert.
Koncert je otvoren poznatim valcerom Čajkovskog iz baleta Uspavana lepotica, a izvedene su varijacija Rajmonde iz baleta Rajmonda, Španska igra iz baleta Labudovo jezero, Pas de trois Odalisques iz baleta Korsar u koreografiji balet majstora, pedagoga i koreografa Amalije Mindrutiu.
U drugom delu koncerta je biti izveden drugi čin iz baleta Labudovo jezero Petra Iljiča Čajkovskog. U glavnim ulogama su nastupili Nastasja Ivetić kao Odeta (studentkinja II godine osnovnih studija Instituta za umetničku igru), Ahmed Yehia kao princ Zigfrid, a ulogu zlog čarobnjaka Rotbarta igrao je Ognjen Vučinić (profesor savremene igre na Institutu za umetničku igru).
Koncertu su prisustvovale direktorke Baletske škole Lujo Davičo Prof. Iva Bojović Petković i Baletske škole Novi Sad Sanja Vučurević, dramska spisateljica i rediteljka Zora Bokšan Tanurdžić, direktorka Muzeja savremene umetnosti u Beogradu Maja Kolarić, direktorka Muzeja grada Beograda Jelena Medaković kao i brojni gosti.
Projekat se realizuje kroz program usavršavanja mladih iz oblasti klasičnog baleta i umetničke igre koji je podržan od strane Kancelarije za mlade grada Beograda.
Institut za umetničku igru čestita svim igračicama, igračima, poslenicima u umetničkoj igri i publici Svetski dan igre.
Fotografija Dušan Milenković
URUČENA NAGRADA I SPECIJALNA POHVALA TERPSIHORA
Nagrada Terpsihora, prestižno priznanje Udruženja profesionalnih baletskih igrača, koreografa i baletskih pedagoga Srbije (PUBS) koje se dodeljuje na godišnjem nivou umetnicima ili institucijama kulture u oblasti umetničke igre za 2022. godinu pripala je Ani Ignjatović Zagorac savremenoj igračici, članici Bitef Dance kompanije i pedagoškinji savremene igre, a Specijalna pohvala Mioni Petrović savremenoj igračici, performerki, koreografkinji takođe članici Bitef Dance kompanije.
Nagrada i Specijalna pohvala dodeljuje se u 2022. godini, jedanaesti put po redu, povodom Svetskog dana igre, internacionalnog praznika koji slavi čitav svet, a koji je ustanovio Međunarodni savet za igru – CID UNESKO. Dosadašnji dobitnici nagrade su Terpsihora su Ana Pavlović prvakinja baleta, Jovan Veselinović prvak baleta, Konstantin Kostjukov prvak baleta i koreograf, Đorđe Makarević prvak baleta i koreograf, Mira Nešić pedagog klasičnog baleta, Balet Narodnog pozorišta u Beogradu, Bojana Žegarac Knežević prvakinja baleta, Milan Rus prvak baleta, Igor Pastor prvak balet i Olga Olćan Miljević solistkinja baleta Narodnog pozorišta u Beogradu.
Tročlani žiri, tokom ove godine, radio je u sastavu predstavnika klasičnog baleta, narodne igre i savremene igre: Olga Olćan Miljević solistkinja Baleta Narodnog pozorišta i prošlogodišnja laureatkinja Terpsihore, Anđelika Petrović prvakinja Ansambla narodnih igara i pesama Srbije Kolo i Jovana Grujić savremena igračica i pedagoškinja savremene igre.
Iz obrazloženja žirija za Nagradu Terpsihora:
Ana Ignjatović Zagorac jedna od utemeljivačica savremene plesne scene u Srbiji a od samih početaka igračke karijere radila je na afirmaciji savremene igre u regionu i unapređenju njene pozicije na kulturnoj sceni.
Slobodna je umetnica, članica trupe Bitef Dens kompanije i pedagoškinja savremene igre u Baletskoj školi Lujo Davičo u Beogradu.
Odigrala je veliki broj zapaženih uloga na sceni Bitef teatra, KPGT-a, Madlenianuma u predstavama domaćih i inostranih koreografa, a dobitnca je i velikog broja nagrada i priznanja od čega su najznačajnije Zlatna značka Kulturno prosvetne zajednice i Ministarstva spoljnih poslova Republike Srbije i Smiljana Mandukić Udruženja baletskih umetnika Srbije za najbolju interpretaciju u savremenoj plesnoj predstavi Želeće mašine.
Žiri posebno naglašava da je Ana požrtvovana u pedagoškom rada stvaranja budućih igrača i njihovom usavršavanju u oblasti savremene igre, te je ova Nagrada skromno priznanje za njen culokpan umetnički opus uz želju da je još dugo gledamo na sceni.
U obrazloženju Specijalne pohvale žiri navodi:
Miona Petrović je svoj prvi kontakt sa umetničkom igrom ostvarila u Studiju za klasičan baleta kod pedagoškinje Jelene Katić, a četiri godine kasnije u Dečijem kulturnom centru nastavlja usavršavanja u polju modernog baleta kod Olge Vučković, džez balet kod Ete Kovačević i Dragane Stanisavljević.
Slobodna je umetnica, igračica savremene igre, performerka, koreografkinja i članica Bitef Dens kompanije.
Ostvarila je veliki broj uloga na sceni BITEF teatra, Madlenianuma, u okviru Balkan Dance Project kao i samostalnih produkcija.
U toku ove sezone uradila je koreografiju za Skok u vodu, premijerno je nastupila u predstavi Drveće pleše Dah teatra i Maria de Buenos Aиres sa Tanguango kvartetom, publici je predstavila i svoju koreografiju u okviru projekta Telo u fokusu u Studentskom kulturnom centru. U saradnji sa izraelskim koreografom Joramom Karmijem, predstaviće na se na drugoj ediciji Festivala Sola u Novom Sadu u Kulturnoj stanici Barka 28. maja ove godine.
Miona Petrović usavršava se stalno tokom svoje profesionalne karijere te je na tom putu i nastvaila svoje školovanje na Institutu za umetničku igru na odseku koreografija.
Žiri posebno naglašava Mionin snažan doprinos savremenoj igri u našoj zemnji te ovom Specijalnom pohvala odaje poštovanje i podršku za dalje uspehe.
Autorka svih medaljona Terpsihora koji je izrađen od čistog sterlinškog srebra 925, je umetnica Tamara Mladenović koja živi i stvara u Grčkoj.
Svetski dan igre svečano će biti obeležen u petak 29. aprila proslavom 200-te predstave baleta Ko to tamo peva na sceni Narodnog pozorišta u Beogradu, u Studentskom parku biće izvedena predstava Dah teatra Drveće pleše a na sceni Madlenianum opere i tetara biće izveden Gala koncert Praznik igre studenata Instituta za umetničku igru i Kompanije Balet mladih.
Povodom Svetskog dana igre Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, postavila je instalaciju Dva dela mene na Cvetnom trgu u kućici Kulturnog centra Beograda.
Svečana ceremonija uručenja nagrada održana je 26. maja u Muzeju Narodnog pozorišta u Beogradu.
Fotografija Teodora Živković
MENOTIJEVA OPERA PREMIJERNO U SARAJEVU
Autorski dvojac Aleksandar Nikolić reditelj i Aleksandar Ilić koreograf, nakon četiri godine na poziv Narodnog pozorišta u Sarajevu ponovo sarađuju sa umetnicima tog teatra, a 29. apila premijerno će publici predstavi komičnu operu Telefon ili Ljubav u troje, kompozitora Đan Karla Menotija.
Menotijev Telefon je mali dijamant koji nam u 23 minuta daje sve ono što operska publika obožava: baritonsku ariju gneva kao iz najboljih Verdijevih opera, jednu ariju lamenta kao parodiju Donicetijevim lamentima glavnih junakinja, zatim izvanrednu ariju u kojoj sopran demonstrira moć koloratura poput Kraljice noći kod Mocarta i na kraju nežan i strastven ljubavni duet kao iz Pučinijevih opera.
Svi sastojci su tu, međutim sada umesto u 180 minuta komprimovani u samo 23 minuta scenskog roler - kostera. Ipak, Telefonu ništa ne nedostaje, posebno ne sukob dva uzbudljiva lika, kapriciozne sobom opsednute Lusi i zaljubljenog, šarmantnog Bena. Međutim, Menoti je pišući ovo delo 1947. predvideo problem koji je danas mnogo aktuelniji nego pre 75 godina.
Operom diriguje maestro Dario Vučić, a operu izvode Aida Čorbadžić u ulozi Lusi i Marko Kalajanović u ulozi Bena. Ilićevu koreografiju izvodi baletski ansambl Selma Štrbo Arnautović, Sabina Sokolović, Marijana Marić i Til Čmančanin u visoko stilizovanim kostimima Ate Omerbašić.
Možda će za par decenija, kada artificijelna inteligencija pobedi čoveka, kiborzi nastaviti da postavljaju opere koje je napisao čovek, sa onom ljubavlju i opsesijom sa kojom mi postavljamo antičke tragedije starih Grka koji više ne postoje. Možda će oni ovu operu čitati iz drugog ugla - kao prvo herojsko opersko delo u kom je automat trijumfovao nad čovekom, navodi reditelj Nikolić.
Prva repriza je zakazan za 30. april u podeli su Melisa Hajrulahović Tomić i Erol Ramadanović.
Fotografija Velija Hasanabegović.
INSTALLATION BY ALISA ORAVEC FOR WORLD DANCE DAY
On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, Alisa Oravec, a doctoral student in Artistic Dance and Performance at the Belgrade Dance Institute, will present the installation Two Parts of Me, which will be set on Cvetni trg in the Belgrade Cultural Center.
The installation was created on the subject of Installations and Performance led by Prof. dr Snežana Arnautović Stjepanović and was shown within the project Body in Focus at the Student Cultural Center on February 25th, 2022.
Two parts of me
Two body states in focus. We can see the installation as two different characters in two people or simply as two different states of one artist.
The body in motion represents the continuous creation and sharing of various energies with which we balance ourselves in our unbalanced position of the body.
Alisa Oravec
INSTALACIJA ALISE ORAVEC ZA SVETSKI DAN IGRE
Povodom Svetskog dana igre koji se širom sveta tradicionalno proslavlja 29. aprila, Alisa Oravec, studentkinja doktorskih studija Umetnička igra i performans na Institutu za umetničku igru, prikazaće instalaciju Dva dela mene koja će biti postavljena na Cvetnom trgu u kućici Kulturnog centra Beograda.
Instalacija je nastala na predmetu Instalacije i performans koji vodi Prof. dr Snežana Arnautović Stjepanović i prikazana je u okviru projekta Telo u fokusu u Studentskom kulturnom centru 25.02.2022. godine.
Dva dela mene
Dva stanja tela u fokusu. Instalaciju možemo sagledati kao dva različita karaktera kod dve osobe ili jednostavno kao dva različita stanja jednog umetnika.
Telo u pokretu predstavlja neprekidno stvaranje i deljenje različitih energija kojima sami balansiramo u svom neizbalansiranom položaju tela.
Alisa Oravec
DANCE WORKSHOP HELD BY YORAM KARMI
Yoram Karmi, an Israeli choreographer, held a contemporary dance workshop at the Lujo Davicho Ballet School on Saturday, April 9th.
The workshops were attended by first and second year students of the Ballet High School, Department of Contemporary Dance.
The class was also attended by Ivana Ljujić, professor of modern dance, and Gordana Šuvak, professor of acting.
The guest appearance of the Israeli choreographer is realized with the support of the Embassy of Israel in Serbia.
CELEBRATION OF DANCE
On the occasion of World Dance Day, which is traditionally celebrated around the world on April 29th, the Belgrade Dance Institute will present a concert Celebration of dance, which is dedicated to dance, the joy of creating dance and all fans of movement. The concert will be performed on the stage of the Opera and Theater Madlenianum, starting at 8 PM. Students from the Belgrade Dance Institute and the Youth Ballet Company are taking part in the concert.
The concert will be opened by the famous waltz by Tchaikovsky from the ballet Sleeping Beauty, choreographed by ballet master, pedagogue, and choreographer Amalia Mindrutiu (Romania). After that, some of the most beautiful ballet variations from famous ballets will be performed, such as the Raymonda variation from the Raymonda Ballet, the Spanish Dance from Swan Lake, and Pas de trois Odalisques from the Corsair Ballet.
In the second part of the concert, the second act from the ballet Swan Lake will be performed. The main roles will be played by Nastasja Ivetić as Odette (2nd year undergraduate student at the Belgrade Dance Institute), Ahmed Yehia as Prince Siegfried (First soloist at Cairo Opera and Ballet, and MA student at the Belgrade Dance Institute), while the role of the evil wizard Rothbart will be performed by Ognjen Vučinić (Professor of Contemporary Dance at the Belgrade Dance Institute).
The Youth Ballet Dance Company was founded in 2019 within the Belgrade Dance Institute with the aim of educating and promoting elementary and high school students in the area of Belgrade and Serbia. The head of the company is ballet master Amalia Mindrutiu (Romania), with the assistance and cooperation of ballet pedagogues Milica Bezmarević and Mila Stijak. The accompanist for the Youth Ballet Dance Company is Ana Spremić.
Tickets for the concert at a price of 1000 RSD can be purchased with a reservation by calling the number: 011/4140 421 every working day from 9.00 to 17.00 or by e-mail teodora.zivkovic@iui.rs
AWARD AND SPECIAL PRAISE OF TERPSYCHOR
The Terpsichore Award, a prestigious recognition of the Association of Professional Ballet Dancers, Choreographers and Ballet Educators of Serbia (PUBS) awarded annually to artists or cultural institutions in the field of artistic dance for 2022 went to Ana Ignjatović Zagorac, contemporary dancer, member of Bitef Dance Company and pedagogue contemporary dance, and Special praise to Miona Petrović a contemporary dancer, performer, choreographer and also member of the Bitef Dance company.
The award and special commendation are given in 2022, for the eleventh time in a row, on the occasion of the World Dance Day, an international holiday that is celebrated all over the world, and which was established by the International Dance Council - CID UNESCO. Previous winners of the Terpsichore Award are Ana Pavlović First Soloist, Jovan Veselinović First Soloist, Konstantin Kostjukov First Soloist and Choreographer, Đordje Makarević First Soloist and Choreographer, Mira Nešić Classical Ballet Teacher, Ballet of the National Theater in Belgrade, Bojana Žegarac Knežević First Soloist, Milan Rus ballet, Igor Pastor, First Soloist n and Olga Olcan Miljevic, ballet soloist of the National Theater in Belgrade.
During this year, a three-member jury consisted of representatives of classical ballet, folk dance and contemporary dance: Olga Olcan Miljevic, soloist of the National Theater Ballet and last year's laureate Terpsichore, Andjelika Petrovic, first dancer of the Serbian Folk Dance and Song Ensemble Kolo, and Jovana Grujić, contemporary dancer and pedagogue of contemporary dance.
Ana Ignjatović-Zagorac is professionally engaged in contemporary dance and is one of the founders of the contemporary dance scene in Serbia. From the very beginning of her playing career, she worked on the affirmation of modern dance in the region and the improvement of her position on the cultural scene. She is a freelance artist, a member of the troupe of the Bitef Dance company and a pedagogue of contemporary dance at the Lujo Davičo Ballet School in Belgrade. She has played a number of notable roles on the stage of Bitef Theater, KPGT, Madlenianum in performances by domestic and foreign choreographers, and won many awards and recognitions, the most important of which are the Golden Badge of the Cultural and Educational Community and the Ministry of Foreign Affairs of Serbia and Smiljana Mandukić Association of Ballet Artists of Serbia for the best interpretation in the contemporary dance performance Wishing Machines.
Miona Petrović made her first contact with artistic dance in the Studio for Classical Ballet with pedagogue Jelena Katić, and four years later at the Children's Cultural Center she continued her training in the field of modern ballet with Olga Vuckovic, jazz ballet with Eta Kovacevic and Dragana Stanisavljevic. She is a freelance artist, contemporary dancer, performer, choreographer and member of the Bitef Dance company. She studied at the Dance Loft School in Switzerland and especially at numerous workshops with choreographers Jacek Luminski, Russell Maliphant, Martin Sonderkamp, Joe Alter, Maya Lipsker, Gregor Lustek, Jesica Wright, Neta Pulvermacher, Matej Kejzar, Joel Leander, Ellsa Wollaston , Charles Linehan, Idan Sharabi, James Amar…
She has achieved a large number of roles on the stage of BITEF Theater, Madlenianum, within the Balkan Dance Project as well as independent productions.
In cooperation with the Israeli choreographer Yoram Karmi, she will present herself at the second edition of the Sola Festival in Novi Sad at the Barka Cultural Station on May 28th this year.
She is a second year student at the Belgrade Dance Institute in the choreography department.
The author of all the medallions of Terpsichore, which is made of pure 925 ster